Sappho - Poems by the Famous Poet - All Poetry

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Sappho

?--550  •  Ranked #125 in the top 500 poets

Only a handful of details are known about the life of Sappho. She was born around 615 B.C. to an aristocratic family on the Greek island of Lesbos. Evidence suggests that she had several brothers, married a wealthy man named Cercylas, and had a daughter named Cleis. She spent most of her adult life in the city of Mytilene on Lesbos where she ran an academy for unmarried young women. Sappho's school devoted itself to the cult of Aphrodite and Eros, and Sappho earned great prominence as a dedicated teacher and poet. A legend from Ovid suggests that she threw herself from a cliff when her heart was broken by Phaon, a young sailor, and died at an early age. Other historians p

The history of her poems is as speculative as that of her biography. She was known in antiquity as a great poet: Plato called her "the tenth Muse" and her likeness appeared on coins. It is unclear whether she invented or simply refined the meter of her day, but today it is known as "Sapphic" meter. Her poems were first collected into nine volumes around the third century B.C., but her work was lost almost entirely for many years. Merely one twenty-eight-line poem of hers has survived intact, and she was known principally through quotations found in the works of other authors until the nineteenth century. In 1898 scholars unearthed papyri that contained fragments of her poems. In 1914 in Egypt, archeologists discovered papier-mâché coffins made from scraps of paper that contained more verse fragments attributed to Sappho.

Three centuries after her death the writers of the New Comedy parodied Sappho as both overly promiscuous and lesbian. This characterization held fast, so much so that the very term "lesbian" is derived from the name of her home island. Her reputation for licentiousness would cause Pope Gregory to burn her work in 1073. Because social norms in ancient Greece differed from those of today and because so little is actually known of her life, it is difficult to unequivocally answer such claims. Her poems about Eros, however, speak with equal force to men as well as to women.

Sappho is not only one of the few women poets we know of from antiquity, but also is one of the greatest lyric poets from any age. Most of her poems were meant to be sung by one person to the accompaniment of the lyre (hence the name, "lyric" poetry). Rather than addressing the gods or recounting epic narratives such as those of Homer, Sappho's verses speak from one individual to another. They speak simply and directly to the "bittersweet" difficulties of love. Many critics and readers alike have responded to the personal tone and urgency of her verses, and an abundance of translations of her fragments are available today.
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Of course I love you

Of course I love you
but if you love me,
marry a young woman!

I couldn't stand it
to live with a young
man, I being older
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Analysis (ai): This poem, attributed to Sappho, addresses the complexities of love in a patriarchal society. The speaker expresses her love for an individual but acknowledges the societal pressure to marry a younger woman. The poem encapsulates the struggle between personal desire and societal expectations.

The poem is unique among Sappho's works for its brevity and directness. While her other poems often explore the lyrical and sensual aspects of love, this poem focuses on the pragmatic concerns of marriage and societal norms. The poem's simplicity reflects the societal expectations that often overshadowed personal emotions during that time period.

The poem's brevity also highlights the speaker's emotional turmoil. The speaker's love is juxtaposed against the reality of societal expectations, leaving the reader with a sense of unfulfilled longing and the weight of societal constraints.
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Sappho   Follow

He is more than a hero

He is more than a hero
he is a god in my eyes—
the man who is allowed
to sit beside you — he

who listens intimately
to the sweet murmur of
your voice, the enticing

laughter that makes my own
heart beat fast. If I meet
you suddenly, I can't

speak — my tongue is broken;
a thin flame runs under
my skin; seeing nothing,

hearing only my own ears
drumming, I drip with sweat;
trembling shakes my body

and I turn paler than
dry grass. At such times
death isn't far from me.
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Analysis (ai): The poem expresses an intense and overwhelming love, akin to the worship of a god. The speaker's physical and emotional reactions to the beloved evoke a profound and visceral response.

It is a departure from Sappho's other works, which often explored themes of longing, absence, and unrequited love. This poem exhibits a bolder and more assertive tone, suggesting the intensity of the speaker's emotions.

The poem reflects the conventions of early Greek poetry, particularly its focus on beauty and eroticism. It captures the longing and vulnerability of human desire, aligning with the themes explored by other contemporaries during this period.
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55  

Hymn To Aphrodite

Throned in splendor, immortal Aphrodite!
Child of Zeus, Enchantress, I implore thee
Slay me not in this distress and anguish,
Lady of beauty.
 
Hither come as once before thou camest,
When from afar thou heard'st my voice lamenting,
Heard'st and camest, leaving thy glorious father's Palace golden,
 
Yoking thy chariot. Fair the doves that bore thee;
Swift to the darksome earth their course directing,
Waving their thick wings from the highest heaven
Down through the ether.
 
Quickly they came. Then thou, O blessed goddess,
All in smiling wreathed thy face immortal,
Bade me tell thee the cause of all my suffering,
Why now I called thee;
 
What for my maddened heart I most was longing.
"Whom," thou criest, "dost wish that sweet Persuasion
Now win over and lead to thy love, my Sappho?
Who is it wrongs thee?
 
"For, though now he flies, he soon shall follow,
Soon shall be giving gifts who now rejects them.
Even though now he love not, soon shall he love thee
Even though thou wouldst not."
 
Come then now, dear goddess, and release me
From my anguish. All my heart's desiring
Grant thou now. Now too again as aforetime,
Be thou my ally.
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Analysis (ai): This hymn to Aphrodite by Sappho portrays the goddess as a powerful and majestic figure, capable of granting relief from suffering and anguish. The poet's impassioned plea for assistance is met with a promise from Aphrodite to intervene and bring about a resolution to her plight. The poem's language is both elegant and evocative, with a rhythmic flow that suggests the urgency and desperation of the narrator's situation.

Compared to Sappho's other works, this hymn is characterized by its religious overtones and a more formal, structured style. The poem's use of apostrophe and personification to address Aphrodite directly creates a sense of intimacy between the speaker and the divine. Additionally, the poem's focus on the power of love and the role of the goddess in facilitating it aligns with themes prevalent in other works by Sappho.

In the context of its time period, this hymn reflects the importance of religious devotion in ancient Greek society and the belief in the power of deities to influence the lives of mortals. The poem's depiction of Aphrodite as a benevolent force who can intervene in human affairs was likely seen as a source of comfort and reassurance for the poet and her audience.
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