“This recording consists of 8 electro-acoustic compositions. 2 pieces by each of the 4 composers. The works span a vast sonic terrain, challenging listener and performer alike through a seamless blend of Deep Listening and Absolute Noise, moving between ever-fluid improvisation and carefully controlled sound manipulation.
The quartet convened for two improvisational sessions between February and May of 2010, with López sitting in on a Triple Point (Oliveros-Van Nort-Braasch) recording session and bringing his finely crafted sonic objects-as-instruments, further spanning the electro-acoustic divide that has become Triple Point’s calling. The four later re-formed for their debut concert at the Deep Listening Institute in Kingston, NY in September of 2010. These sessions have since become raw material for the individual artists to construct new visions of this shared sonic body through extensive and thorough evolution of the recordings – personal reflections culled from a collective tapestry.
Pauline Oliveros has influenced American music extensively in her career spanning more than 60 years as a composer, performer, author and philosopher. She pioneered the concept of Deep Listening, her practice based upon principles of improvisation, electronic music, ritual, teaching and meditation, designed to inspire both trained and untrained musicians to practice the art of listening and responding to environmental conditions in solo and ensemble situations.
Francisco López is internationally recognized as one of the major figures of the sound art and experimental music scene. Over the past 30 years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from the limits of perception to the most dreadful abyss of sonic power, proposing a blind, profound and transcendental listening, freed from the imperatives of knowledge and open to sensory and spiritual expansion.
Doug Van Nort is an experimental musician and digital music researcher whose work is dedicated to personal and collective creative expression through noise, free improvisation and generally electro-acoustic means of production, from the lo-fi of broken electronics to the hi-tech of custom signal processing algorithms. Recent projects have spanned telematic music, laptop ensemble compositions,, immersive electro-acoustic works, interactive sonic installations and machine listening systems.
Jonas Braasch is an experimental soprano saxophonist and acoustician with interests in Telematic Music and Intelligent Music Systems. He has performed with Curtis Bahn, Chris Chafe, Michael Century, Mark Dresser, Pauline Oliveros, Doug van Nort and Stuart Dempster among others. His saxophone style expands the traditional repertoire by incorporating various non-western elements and extended techniques.” label info