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Paris, bajos fondos (Edición 65 aniversario)
Otras opciones en Blu-ray | Edición | Discos | Precio Amazon | Nuevo desde | Usado desde |
Blu-ray
28 noviembre 2022 "Vuelva a intentarlo" | Vintage World Cinema | — | 13,84 € | 19,97 € |
Blu-ray
28 noviembre 2022 "Vuelva a intentarlo" | Vintage World Cinema | — | 21,02 € | 35,05 € |
Blu-ray
21 marzo 2017 "Vuelva a intentarlo" | — | 1 |
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| 17,95 € | — |
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Descripción del producto
Descripción del producto
París, 1898. Marie es una prostituta bellísima que destaca por su deslumbrante cabellera rubia recogida en un moño. Trae de cabeza a todos los hombres del barrio viejo de MOntmartre y entre ellos, a Roland, su actual novio. Pero Marie descubre el amor verdadero cuando conoce a Georges Manda, un humilde carpintero que siente lo mismo por ella.
Sinopsis
París, 1898. En un baile al aire libre, los miembros de la banda de Leca se divierten con sus chicas. Una de ellas, Marie, es apodada “Casco de Oro” por su precioso pelo rubio. Cuando Georges Manda conoce a la bella Marie, se enamora de ella inmediatamente. Pero el chico de Marie, Roland, es del tipo celoso, y además Leca también anda detrás de Marie… Una historia de amor, amistad y celos ambientada en la Belle Époque.
Detalles del producto
- Relación de aspecto : Desconocido
- Descatalogado por el fabricante : No
- Dimensiones del paquete : 18 x 13,8 x 1,5 cm; 83 gramos
- Director : Jacques Becker
- Formato multimedia : Subtitulado
- Tiempo de ejecución : 1 hora y 36 minutos
- Fecha de lanzamiento : 21 marzo 2017
- Actores : Simone Signoret, Serge Reggiani, Claude Dauphin, Raymond Bussieres, Odette Barencey
- Subtitulado: : Español
- Subtítulos: : Español
- Estudio : Karma Films
- ASIN : B06X6G9SQN
- Número de discos : 1
- Clasificación en los más vendidos de Amazon: nº19,336 en Películas y TV (Ver el Top 100 en Películas y TV)
- nº1,093 en Romántico
- nº1,311 en Policíaco, negro y thriller
- nº5,568 en Drama
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Belle peinture en noir et blanc d'une époque.
The moment of falling in love can be overwhelmingly passionate, as the affected could drift into oblivion with muffled thought and reasoning. This kind of love could be damaging to the person, even painful to those near and dear. Casque d'Or opens with such a spellbinding moment where the two main characters, Marie and Manda, gaze at one another unaware of their future predicaments. The title, Casque d'Or, refers to Marie (Simone Signoret) golden hair, which serves a symbolic meaning through the hypnotic effects it appears to have on men. Manda (Serge Reggiani) seems to be under its spell, as he passionately stares at Marie.
The carpenter Georges Manda's luck, or maybe more rightfully misfortune, began when he accidentally bumped into his old jail friend, Raymond. Through Raymond's acquaintances and criminal friends he meets Marie (Simone Signoret) who currently is together with Roland (William Sabatier). Bad omens surround the initial meeting between Marie and Manda, as Marie's jealous boyfriend is ready to turn to violence in order to end to Marie's infatuation.
Roland's boss, Felix Leca (Claude Dauphin), shows his interest in the love quarrel, as he openly expresses his concern for Roland, but internally has an alternative motive to why he wants to help Roland. Felix displays his own interest to Marie and requests that she respond to him later that evening after having thought about it. In the evening Manda appears to express his love for Marie while Roland's jealousy flares out as he suggests that they should go outside to solve their mutual problem. Felix lurks in the social shadow as the two men go out in the backyard to fight for Marie, and he appears the instant before the fight in order to put his dubious plans into action.
In the 1950's most films coming out of Hollywood were heavily influenced by guidelines of what was morally acceptable to depict. This is much due to the harm that the Catholic Legion of Decency accomplished in the 1930s, as the religious organization began to influence the creative process of filmmaking through their moral stipulations. Casque d'Or does not show these stipulations as the story dwells on the nitty-gritty of a love affair amidst criminal elements in Paris. Jacques Becker's story does not glorify or bottle up the darkness in human nature. He simply illustrates the actions of a group of characters in a specific social environment during the turn of the century. It does not turn into a period film, which he also tried to avoid. Instead Becker depicts a doomed couple hoping for a better time and place, as they are aware of their difficult situation.
In a historical perspective Casque d'Or is a masterpiece. François Truffaut and other directors thought it had a tremendous effect on the French New Wave some years later. This is amusing to ponder, as the film was at first received with very little praise in France while the Brits thought it was one of the best films of the year. Today an audience can still rejoice in the triumph that the film offers to its viewers from the beginning to the end, as the end offers something much darker than expected.
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