Play Ooh-Wee Baby! The Best of Frankie Ford by Frankie Ford on Amazon Music

Frankie Ford

Ooh-Wee Baby! The Best of Frankie Ford

Frankie Ford

27 SONGS • 1 HOUR AND 5 MINUTES • JAN 01 1998

  • TRACKS
    TRACKS
  • DETAILS
    DETAILS
TRACKS
DETAILS
1
Sea Cruise
02:59
2
Cheatin' Woman
02:10
3
Last One to Cry
02:21
4
Sea Cruise (Take 1)
02:47
5
Roberta
02:26
6
Can't Tell My Heart What to Do
02:38
7
Alimony
02:22
8
Time After Time
02:15
9
I Want to Be Your Man
01:59
10
Chinatown (Take 5)
02:30
11
What's Going On
01:59
12
Morgus the Magnificent
02:23
13
Lonely Boy
02:25
14
Ocean Full of Tears
02:30
15
Hour Of Need
02:00
16
Blow Wind Blow
02:30
17
It Must Be Jelly
02:42
18
Your Game Is Over
02:31
19
St. Louis Blues
02:45
20
Geronimo
02:19
21
I'm Worried over You
02:42
22
Watch Dog
02:05
23
Can't Tell My Heart What to Do (Undubbed Take)
02:39
24
Time After Time (Undubbed Take)
02:22
25
Hour of Need (Undubbed Take)
02:00
26
Danny Boy
02:36
27
Pretending You're Mine (Take 3)
02:20
℗© Unidisc Music Inc.

Artist bios

It's ironic that some of the greatest New Orleans R&B of the 1950s was sung by a white man. Although he could have passed for a teen idol, Frankie Ford sang with as much grit as anyone of any color in the Crescent City. He recorded some fine singles for the Ace label in the late '50s, particularly the pounding "Sea Cruise," which made the Top 20 in 1959 and remains one of the hits most identified with the classic New Orleans R&B sound. "Sea Cruise" actually began life as a Huey "Piano" Smith song with Bobby Marchan on vocals, but producer Johnny Vincent had the inspired idea of dubbing Ford's singing on top of Smith's backing track. "Sea Cruise," with its bleating foghorn and irresistible piano groove, was an impossible act to follow, and Ford never approached the Top 20 again. But he cut several more gutsy sides for Ace that featured top New Orleans players like Huey Smith and saxophonist Red Tyler; one of the best, "Roberta," was covered by the Animals in the mid-'60s. A few of his singles found him following ill-advised swing jazz and teen idol directions, and he faded from view in the 1960s, although he made a cameo appearance in the film version of Alan Freed's life. ~ Richie Unterberger

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Language of performance
English
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