On Land
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Released in 1982, On Land is Eno's most mature, perfect ambient work. Combining low, rumbling synths with eerie banging and clanking and the occasional wild-animal chirp or grumble, this recording places the listener alone, in the midst of a massive piece of sonic landscaping. And Eno has left no detail to chance. In fact, the work is so complete that when Eno suggests a windswept plain, the listener gets a chill. When trumpeter Jon Hassell bays with a softly disturbing imitation of a wounded beast, the first instinct is to scan the horizon for its glinting eyes. So subtle, intuitive, and well paced is this recording that as it slips quietly from the speakers and into every corner of the listening room, it transforms the space into a gently pulsing sound environment that seems strangely out of time and away from everything. It's a place you'll be drawn to time and time again. An ageless masterwork. --S. Duda
登録情報
- 梱包サイズ : 14.09 x 12.63 x 1.37 cm; 80.32 g
- メーカー : Eg
- EAN : 0077778717324
- 製造元リファレンス : 077778717324
- SPARSコード : DDD
- レーベル : Eg
- ASIN : B000025JRP
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 601,384位ミュージック (ミュージックの売れ筋ランキングを見る)
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Sonically the territory here precedes film soundtracks like Blade Runner & many Angelo Badalamenti scores for David Lynch films (The Lost Day really reminds me of the theme to Mulholland Drive). The major influences for this album, which takes as its cue the climes discovered on Another Green World (1975) are Fellini's Amarcord & Miles Davis' He Loved Him Madly (the 30-minute opening joy on disc one of Get Up With It; a tribute to Duke Ellington that drifted towards the future and other spaces). As such, these instrumentals just flow; there are probably a lot of words not unlike opaque and otherworldly that could describe the music here. Better off just listening & letting it take you over- On Land very much precedes such later ambient joys as Plight & Premonition (Sylvian/Czuckay), Music Has the Right to Children (Boards of Canada) & Selected Ambient Works II (Aphex Twin).
The titles pretty much point to the kind of music it is: Lizard Point, The Lost Day, Shadow, Lantern Marsh, A Clearing...a sense of infinite spaces & perhaps the notion of memory which may be alluded to in the final & greatest track Dunwich Beach, Autumn, 1960- which features great trumpet from Jon Hassell, who would go on to produce great works with Sylvian/Czuckay/Jansen (see the reissue of Alchemy: An Index of Possibilities) & Voiceprint (with 808 State). I find this album wonderful, one I can think and remember and write and wonder to. Really, replace your TV with a stereo & just play this! Ambient 4: On Land is a key ambient album & a highlight of Eno's oblique strategies...