Um ihren kranken Sohn zu retten, muss eine Feldmaus die Hilfe einer Rattenkolonie suchen, mit der sie eine tiefere Verbindung hat, als sie jemals vermutet hat.Um ihren kranken Sohn zu retten, muss eine Feldmaus die Hilfe einer Rattenkolonie suchen, mit der sie eine tiefere Verbindung hat, als sie jemals vermutet hat.Um ihren kranken Sohn zu retten, muss eine Feldmaus die Hilfe einer Rattenkolonie suchen, mit der sie eine tiefere Verbindung hat, als sie jemals vermutet hat.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen
Elizabeth Hartman
- Mrs. Brisby
- (Synchronisation)
Derek Jacobi
- Nicodemus
- (Synchronisation)
Dom DeLuise
- Jeremy
- (Synchronisation)
Arthur Malet
- Mr. Ages
- (Synchronisation)
Hermione Baddeley
- Auntie Shrew
- (Synchronisation)
Shannen Doherty
- Teresa
- (Synchronisation)
Wil Wheaton
- Martin
- (Synchronisation)
Jodi Hicks
- Cynthia
- (Synchronisation)
John Carradine
- The Great Owl
- (Synchronisation)
Peter Strauss
- Justin
- (Synchronisation)
Paul Shenar
- Jenner
- (Synchronisation)
Tom Hatten
- Farmer Fitzgibbons
- (Synchronisation)
Lucille Bliss
- Mrs. Fitzgibbons
- (Synchronisation)
Norbert Auerbach
- Councilman 1
- (Synchronisation)
Dick Kleiner
- Councilman 2
- (Synchronisation)
Charles Champlin
- Councilman 3
- (Synchronisation)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDon Bluth, John Pomeroy, and Gary Goldman all left Disney to pursue this project, which had originally been rejected by their former employer as "too dark" to be a commercial success. They were followed soon after by twenty other Disney animators, dubbed "The Disney Defectors" by the trade press.
- PatzerDragon's bad eye switches from his right to his left throughout.
- Crazy CreditsThe production storyboards are used for background in the end credits.
- Alternative VersionenIn the late 1990s VHS and DVD prints in addition to the 2003 reissue of the DVD release, the United Artists logo is plastered with the 1994 variant.
- VerbindungenEdited into Feivel, der Mauswanderer (1986)
- SoundtracksFlying Dreams
Composed by Jerry Goldsmith
Lyrics Written and Performed by Paul Williams
Orchestrations: Arthur Morton
Arranged by Ian Fraser
Lullaby Performed by Sally Stevens
Ausgewählte Rezension
Don Bluth's Best work!
Anybody who doesn't like this movie just doesn't love animation. How can a proclaimed fan of feature animation not be dazzled by the extravagance of Don Bluth's work seen in NIMH? Here is a perfect example of what happens when artists are given free reign to just create whatever their vivid imaginations may produce. To me, the greatest triumph of this movie is the art itself. Its greatest flaw is that it was cheapened by a sequel! Why in the name of HUMANITY was a sequel made? A masterpiece of this magnitude should not be so insulted as to be milked for every dollar that the bean counters say it can!
But I digress...
Bluth's use of highly stylized art to influence your emotions is rarely seen in others' work. The whole point of animation is that you are not limited by the bounds of reality, so thorns and cobwebs can be just that much more twisty and foreboding. Owls' eyes can glow- not because they do, but because it just plain looks cooler. The bright and sunny entrance to the rats' lair can suddenly fade to a background of blood red as Mrs. Brisby runs in terror from Brutus' electrified blade. What plot holes does using a lit electric lamp as a diving bell produce? Who cares? The concept just looks awesome on screen! The effects animation is spectacular in this movie as well. The glow of Nicodemus' eyes, the sparkling of the fairy dust ink and the flaming letters of the movie title screen are great, and the radiance emitting from Mrs. Brisby as the sheer strength of her character lifts her home from the mud is fantastic.
If the story were no more than a shabby framework to lace all of this cool art together, it would be good enough, but there's a lot going for it as well. It's not a complicated story, but its message of love, devotion, and courage shown in the meekest of people (mice?) is enough to inspire anyone! Mrs. Brisby's simple wish for the safety of her family drives her to the greatest of courage, despite her apparant simplicity and weakness. She stands as a model for all of us to aspire to.
Animation should never be considered something just for kids. It should not require the characters to burst into song at regular intervals, or the story to be sappy and condescending. NIMH does none of this. It is truly a movie for movie-lovers of all ages. Disney, take a hint!!! Don Bluth, keep making movies like this, and your field will reach an entirely new level of acceptance among older viewers in America.
But I digress...
Bluth's use of highly stylized art to influence your emotions is rarely seen in others' work. The whole point of animation is that you are not limited by the bounds of reality, so thorns and cobwebs can be just that much more twisty and foreboding. Owls' eyes can glow- not because they do, but because it just plain looks cooler. The bright and sunny entrance to the rats' lair can suddenly fade to a background of blood red as Mrs. Brisby runs in terror from Brutus' electrified blade. What plot holes does using a lit electric lamp as a diving bell produce? Who cares? The concept just looks awesome on screen! The effects animation is spectacular in this movie as well. The glow of Nicodemus' eyes, the sparkling of the fairy dust ink and the flaming letters of the movie title screen are great, and the radiance emitting from Mrs. Brisby as the sheer strength of her character lifts her home from the mud is fantastic.
If the story were no more than a shabby framework to lace all of this cool art together, it would be good enough, but there's a lot going for it as well. It's not a complicated story, but its message of love, devotion, and courage shown in the meekest of people (mice?) is enough to inspire anyone! Mrs. Brisby's simple wish for the safety of her family drives her to the greatest of courage, despite her apparant simplicity and weakness. She stands as a model for all of us to aspire to.
Animation should never be considered something just for kids. It should not require the characters to burst into song at regular intervals, or the story to be sappy and condescending. NIMH does none of this. It is truly a movie for movie-lovers of all ages. Disney, take a hint!!! Don Bluth, keep making movies like this, and your field will reach an entirely new level of acceptance among older viewers in America.
hilfreich•894
- ZeroByte
- 30. Dez. 1998
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Details
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.665.733 $
- Eröffnungswochenende in den USA und in Kanada
- 386.530 $
- 5. Juli 1982
- Weltweiter Bruttoertrag
- 14.665.733 $
- Laufzeit1 Stunde 22 Minuten
- Farbe
- Sound-Mix
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By what name was Mrs. Brisby und das Geheimnis von NIMH (1982) officially released in India in Hindi?
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