More Than a Secretary (1936) - Turner Classic Movies

More Than a Secretary


1h 17m 1936
More Than a Secretary

Brief Synopsis

A secretary gets the glamour treatment to win her boss' heart.

Photos & Videos

More Than a Secretary - Movie Poster
More Than a Secretary - Jumbo Lobby Cards
More Than a Secretary - Lobby Card

Film Details

Also Known As
Help Wanted Female, Safari in Paradise
Genre
Comedy
Romance
Release Date
Dec 24, 1936
Premiere Information
not available
Production Company
Columbia Pictures Corp. of California, Ltd.
Distribution Company
Columbia Pictures Corp. of California, Ltd.
Country
United States
Screenplay Information
Based on the short story "Safari in Manhattan" by Matt Taylor in Collier's (4 Jan 1936).

Technical Specs

Duration
1h 17m
Sound
Mono (Western Electric Noiseless Recording)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8 reels

Synopsis

Carol Baldwin and her roomate Helen Davis are the owners of the Supreme Secretarial School. When they chastise Maizie West, one of their worst students, she accuses them of jealousy over her success with men. Carol is forced to take a job as secretary to Body and Brain magazine editor, Fred Gilbert. Fred adheres to a strict exercise and diet regime which he expects Carol to follow as well. Carol rebels and after Bill catches a cold which forces him to remain at home in bed, she takes the opportunity to liven up the magazine. Bill is furious, but Carol advises him to loosen up and eat a good steak. After the magazine's circulation improves because of Carol's changes, Bill apologizes and asks her to dinner. Fred's old friend, Bill Houston, begs him to take Maizie, his secretary, off his hands because his wife is returning from Europe. Fred becomes infatuated with Maizie. He promotes Carol to associate editor, but when he begins to neglect his job because of Maizie, Carol quits. Fred follows Carol to her school and agrees to transfer Maizie to a job with the magazine's owner, Mr. Crosby. Carol refuses to accept his apology, however, and goes on a trip with Helen. Unable to find her, Bill fills the next issue of the magazine with photos of Carol in an effort to get her back. When Carol returns, she spanks Maizie and then accepts Fred's proposal.

Photo Collections

More Than a Secretary - Movie Poster
Here is the American one-sheet movie poster for Columbia's More Than a Secretary (1936), starring Jean Arthur and George Brent. One-sheets measured 27x41 inches, and were the poster style most commonly used in theaters.
More Than a Secretary - Jumbo Lobby Cards
More Than a Secretary - Jumbo Lobby Cards
More Than a Secretary - Lobby Card
More Than a Secretary - Lobby Card
More Than a Secretary - Behind-the-Scenes Photos
More Than a Secretary - Behind-the-Scenes Photos

Film Details

Also Known As
Help Wanted Female, Safari in Paradise
Genre
Comedy
Romance
Release Date
Dec 24, 1936
Premiere Information
not available
Production Company
Columbia Pictures Corp. of California, Ltd.
Distribution Company
Columbia Pictures Corp. of California, Ltd.
Country
United States
Screenplay Information
Based on the short story "Safari in Manhattan" by Matt Taylor in Collier's (4 Jan 1936).

Technical Specs

Duration
1h 17m
Sound
Mono (Western Electric Noiseless Recording)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8 reels

Articles

More Than a Secretary


Made during the heyday of screwball comedy and starring an actress who would become one of the genre's icons, More Than a Secretary (1936) is pleasant but standard fare about a frumpy secretary in love with her boss who takes off her glasses and turns into a glamour girl to win her man. But the film has several elements that give it added interest. It's set in an offbeat milieu - the boss, played by George Brent, is an avid vegetarian who's the editor of a fitness magazine; it provides a look at the development of Jean Arthur's comic talent; and it features a wicked comic performance by now-forgotten B-movie dumb blonde, Dorothea Kent.

Arthur had been knocking around Hollywood since the silent era, stuck in unmemorable roles in forgettable films. When her contract with Paramount ended in 1931, she moved to New York and launched a stage career. Signed by Columbia in 1934, Arthur finally hit her stride in the screwball The Whole Town's Talking (1935). Her next few films were nothing special, but then she caught the attention of Columbia's top director, Frank Capra. Carole Lombard had been signed for the part of the cynical reporter in Capra's Mr. Deeds Goes to Town (1936), but pulled out at the last minute to make My Man Godfrey (1936). Capra signed Arthur for the role over the objections of Columbia studio head Harry Cohn, who thought she was a has-been. The film was a critical and popular success, earned Capra his second Best Director Oscar®, and made Jean Arthur a star.

Arthur next scored another hit with RKO's The Ex-Mrs. Bradford (1936), a private-eye comedy in the Thin Man (1934) mold. Columbia quickly threw her into two more films to capitalize on her success - Adventure in Manhattan (1936) and More Than a Secretary. Neither attracted much attention. Reviews for More Than a Secretary were tepid, barely mentioning the performances of Arthur or Brent. Instead, they praised the supporting players, particularly Kent, who played the bimbo secretary who is Arthur's rival for Brent's affections. "Maizie, brightly played by blonde Dorothea Kent, is a redeeming feature," wrote Frank Nugent in the New York Times. "If More Than a Secretary had given us more of Maizie and less of the dull business between Mr. Brent and Miss Arthur it would have been a happier farce." The Variety reviewer tapped Kent for stardom: "...there's a standout by a new girl whose possible future may more than justify the making of this picture...The player is Dorothea Kent, a small platinum blonde with a face and a figure and apparently more ability than ordinarily goes with such a cutie....If dumbbell roles are not her exclusive specialty, Miss Kent is a promising picture girl." Unfortunately for Kent, she never escaped those "dumbbell roles." She had a few B-movie starring roles, notably in Carnival Queen (1937) and Strange Faces (1938), but she was typecast as a bimbo because of her looks and voice, and relegated to supporting roles for the rest of her career.

Better things were ahead for Jean Arthur, however. For her next film, she was loaned out to Paramount for one of her favorite roles - Calamity Jane in Cecil B. DeMille's The Plainsman (1936), opposite Gary Cooper, beginning a seven-year streak of superb performances in acclaimed films. Through it all, Arthur was plagued by shyness and crippling insecurity. When her Columbia contract ended in 1944, she did not renew it. Thereafter, her film appearances were infrequent, but always memorable. Her final film was Shane (1953). She died in 1991.

Director: Alfred E. Green
Producer: Everett Riskin
Screenplay: Dale Van Every, Ethel Hill, Aben Kandel, Lynn Starling, based on the story "Safari in Manhattan" by Matt Taylor
Cinematography: Henry Freulich
Editor: Al Clark
Costume Design: Bernard Newman
Art Direction: Stephen Goosson
Music: Morris Stoloff
Principal Cast: Jean Arthur (Carol Baldwin), George Brent (Fred Gilbert), Lionel Stander (Ernest), Ruth Donnelly (Helen Davis), Reginald Denny (Bill Houston), Dorothea Kent (Maizie West), Charles Halton (Mr. Crosby).
BW-80m.

by Margarita Landazuri
More Than A Secretary

More Than a Secretary

Made during the heyday of screwball comedy and starring an actress who would become one of the genre's icons, More Than a Secretary (1936) is pleasant but standard fare about a frumpy secretary in love with her boss who takes off her glasses and turns into a glamour girl to win her man. But the film has several elements that give it added interest. It's set in an offbeat milieu - the boss, played by George Brent, is an avid vegetarian who's the editor of a fitness magazine; it provides a look at the development of Jean Arthur's comic talent; and it features a wicked comic performance by now-forgotten B-movie dumb blonde, Dorothea Kent. Arthur had been knocking around Hollywood since the silent era, stuck in unmemorable roles in forgettable films. When her contract with Paramount ended in 1931, she moved to New York and launched a stage career. Signed by Columbia in 1934, Arthur finally hit her stride in the screwball The Whole Town's Talking (1935). Her next few films were nothing special, but then she caught the attention of Columbia's top director, Frank Capra. Carole Lombard had been signed for the part of the cynical reporter in Capra's Mr. Deeds Goes to Town (1936), but pulled out at the last minute to make My Man Godfrey (1936). Capra signed Arthur for the role over the objections of Columbia studio head Harry Cohn, who thought she was a has-been. The film was a critical and popular success, earned Capra his second Best Director Oscar®, and made Jean Arthur a star. Arthur next scored another hit with RKO's The Ex-Mrs. Bradford (1936), a private-eye comedy in the Thin Man (1934) mold. Columbia quickly threw her into two more films to capitalize on her success - Adventure in Manhattan (1936) and More Than a Secretary. Neither attracted much attention. Reviews for More Than a Secretary were tepid, barely mentioning the performances of Arthur or Brent. Instead, they praised the supporting players, particularly Kent, who played the bimbo secretary who is Arthur's rival for Brent's affections. "Maizie, brightly played by blonde Dorothea Kent, is a redeeming feature," wrote Frank Nugent in the New York Times. "If More Than a Secretary had given us more of Maizie and less of the dull business between Mr. Brent and Miss Arthur it would have been a happier farce." The Variety reviewer tapped Kent for stardom: "...there's a standout by a new girl whose possible future may more than justify the making of this picture...The player is Dorothea Kent, a small platinum blonde with a face and a figure and apparently more ability than ordinarily goes with such a cutie....If dumbbell roles are not her exclusive specialty, Miss Kent is a promising picture girl." Unfortunately for Kent, she never escaped those "dumbbell roles." She had a few B-movie starring roles, notably in Carnival Queen (1937) and Strange Faces (1938), but she was typecast as a bimbo because of her looks and voice, and relegated to supporting roles for the rest of her career. Better things were ahead for Jean Arthur, however. For her next film, she was loaned out to Paramount for one of her favorite roles - Calamity Jane in Cecil B. DeMille's The Plainsman (1936), opposite Gary Cooper, beginning a seven-year streak of superb performances in acclaimed films. Through it all, Arthur was plagued by shyness and crippling insecurity. When her Columbia contract ended in 1944, she did not renew it. Thereafter, her film appearances were infrequent, but always memorable. Her final film was Shane (1953). She died in 1991. Director: Alfred E. Green Producer: Everett Riskin Screenplay: Dale Van Every, Ethel Hill, Aben Kandel, Lynn Starling, based on the story "Safari in Manhattan" by Matt Taylor Cinematography: Henry Freulich Editor: Al Clark Costume Design: Bernard Newman Art Direction: Stephen Goosson Music: Morris Stoloff Principal Cast: Jean Arthur (Carol Baldwin), George Brent (Fred Gilbert), Lionel Stander (Ernest), Ruth Donnelly (Helen Davis), Reginald Denny (Bill Houston), Dorothea Kent (Maizie West), Charles Halton (Mr. Crosby). BW-80m. by Margarita Landazuri

Quotes

Trivia

Notes

Working titles for this film were Safari in Paradise and Help Wanted Female.