Directed by
| Steve Barron | ||
Writing Credits
| Rob Sprackling | ||
| Johnny Smith | ... | (as John R. Smith) |
Cast (in credits order)
Produced by
| Steve Barron | ... | producer |
| Charles Finch | ... | executive producer |
| Nigel Green | ... | executive producer |
| Robert Halmi Sr. | ... | executive producer |
| Robert Jones | ... | executive producer |
| Miara Martell | ... | line producer |
| Neil Peplow | ... | producer |
| Luc Roeg | ... | executive producer |
| J.N.R. Smith | ... | associate producer |
| Johnny Smith | ... | associate producer (as John R. Smith) |
| Rob Sprackling | ... | associate producer |
Music by
| Antony Genn | ||
| Duncan Mackay | ||
| Mark Neary | ||
Cinematography by
| Mike Eley | ||
Editing by
| Colin Green | ||
Casting By
| Nina Gold | ||
Production Design by
| John Reid | ||
Art Direction by
| Ged Boyan | ||
| Gerard Bryan | ... | (as Ged Bryan) |
| Marcos Flaksman | ||
Set Decoration by
| Steve Oakes | ||
Costume Design by
| Siobhan Barron | ||
Makeup Department
| Alex King | ... | makeup artist |
| Gill Rees | ... | key makeup artist |
Production Management
| Candice Chubb | ... | production manager: second unit |
| Caíque Martins Ferreira | ... | production manager |
| Justin Anderson Smith | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Jonny Benson | ... | third assistant director: additional photography |
| Melanie Dicks | ... | first assistant director |
| Anne Pinheiro Guimarães | ... | second assistant director: Brazil |
| Mark J. Ingram | ... | second assistant director |
| Lance Roehrig | ... | third assistant director |
| Barbara Sette | ... | assistant director |
| Sarah Shepherd | ... | assistant director |
Art Department
| Nick Cosens | ... | dressing prop |
| Daniel Flaksman | ... | assistant art director |
| Robert Haynes | ... | stand-by art director |
| Monica Rochlin | ... | set dresser |
| Nick Turnbull | ... | property master |
| Lloyd Vincent | ... | stand-by prop |
Sound Department
| Fraser Barber | ... | sound |
| Peter Burgis | ... | foley artist |
| Arthur Graley | ... | foley editor / sound editor |
| Nigel Heath | ... | pre-dub mixer |
| John Lewis Aschenbrenner | ... | boom operator (as John Lewis) |
| Dan Morgan | ... | dialogue editor |
| Julian Slater | ... | supervising sound editor |
| Richard Welsh | ... | dolby sound consultant |
| Aad Wirtz | ... | re-recording mixer |
Visual Effects by
| Henry Badgett | ... | roto artist: MPC |
| Tim Baier | ... | compositing artist |
| Angela Barson | ... | compositing artist / digital compositor |
| Paul Bayliss | ... | composite artist / digital compositor |
| Danny Brunton | ... | roto artist |
| Ditch Doy | ... | CG animation |
| Stefan Drury | ... | visual effects coordinator |
| Dan Duran | ... | digital artist (as Daniel Walton) |
| Michael Elson | ... | head of production |
| Davina Gottschalk | ... | composite artist / digital compositor |
| Ed Hawkins | ... | digital compositor |
| Charley Henley | ... | composite artist / digital compositor |
| Martin Hobbs | ... | digital lab production supervisor |
| Max Horton | ... | colourist |
| Rita Kunzler | ... | composite artist / digital compositor |
| Douglas Larmour | ... | digital compositor |
| Amanda Libotte | ... | visual effects producer |
| Natalie MacDonald | ... | roto artist |
| Jolene McCaffrey | ... | digital compositor: MPC |
| Paul O'Shea | ... | visual effects artist |
| Sandra Roach | ... | composite artist / digital compositor |
| Serdar Simga | ... | digital matte painter |
| Mark Stannard | ... | composite artist / digital compositor |
| Jelena Stojanovic | ... | composite artist / digital compositor |
| Glen Swetez | ... | visual effects artist: MPC |
| Ben Thompson | ... | cg animator |
| Baier Tim | ... | digital compositor |
| Sheila Wickens | ... | digital compositor (as Sheila Gorman) |
| Ammann Christine Wong | ... | roto artist (as Christine Wong) |
| Tom Wood | ... | visual effects supervisor: MPC |
Stunts
| Andreas Petrides | ... | stunt coordinator |
Camera and Electrical Department
| Tom Collins | ... | still photographer |
| Oliver Driscoll | ... | assistant camera / clapper loader |
| Mike Eley | ... | camera operator |
| Nicky George | ... | camera trainee |
| Tony Haughey | ... | key grip |
| Nyika Jancsó | ... | additional camera: Hungary |
| Ben Koeller | ... | video assist |
| Phil Penfold | ... | best boy |
| Dan Shoring | ... | focus puller |
Casting Department
| Louis Elman | ... | adr voice casting |
| Tamara Gillon | ... | casting assistant |
Costume and Wardrobe Department
| Leigh Nicol | ... | wardrobe assistant |
Editorial Department
| Sascha Dhillon | ... | associate editor |
Location Management
| Andy Ewings | ... | location liaison |
| Mike Higgins | ... | unit location manager |
| Nathan Jones | ... | assistant location manager |
| Philip Morris | ... | location manager |
Music Department
| Cameron Craig | ... | music recordist |
| Antony Genn | ... | musical director |
| Andy Richards | ... | score mixer |
Script and Continuity Department
| Caroline O'Reilly | ... | script supervisor |
Additional Crew
| Andy Ansah | ... | football consultant |
| Oliver Barron | ... | production assistant |
| Tessa Beazley | ... | production coordinator |
| Sam Benjamins | ... | production assistant |
| Trisha Caney | ... | Assistant accountant |
| Kylie Connell | ... | legal & business affairs assistant |
| Carlton Jarvis | ... | medical advisor / medical special effects |
| Debbie Moore | ... | production accountant |
| Luke Morris | ... | production executive |
| Ruth Steadman | ... | assistant to director |
| Valeria Costa Amorim | ... | production coordinator (uncredited) |
| Caroline Stirling | ... | production assistant (uncredited) |
