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      Melinda and Melinda

      2004, Comedy/Drama, 1h 40m

      157 Reviews 10,000+ Ratings

      What to know

      Critics Consensus

      Woody Allen's uneven Melinda and Melinda fails to find neither comedy nor pathos in what seems like a rehash of his previous themes. Read critic reviews

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      Movie Info

      While dining out with friends, Sy (Wallace Shawn) suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda (Radha Mitchell) ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband.

      • Rating: PG-13 (Sexuality|Adult Situations|Some Substance Material)

      • Genre: Comedy, Drama

      • Original Language: English

      • Director: Woody Allen

      • Producer: Letty Aronson

      • Writer: Woody Allen

      • Release Date (Theaters):  original

      • Release Date (Streaming):

      • Box Office (Gross USA): $3.8M

      • Runtime:

      • Distributor: Fox

      • Production Co: Perido Productions

      • Aspect Ratio: Flat (1.37:1)

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      News & Interviews for Melinda and Melinda

      Critic Reviews for Melinda and Melinda

      Audience Reviews for Melinda and Melinda

      • Dec 17, 2012

        I guess I have to see it again. Don't watch M & M if you are tired - it is too confusing realizing which story you are in.

        Super Reviewer
      • Mar 06, 2012

        Even in his weakest movies, Woody Allen manages to make me think, and M and M was no exception. Is life really a comedy or tragedy according to the way you look at it? Probably. Will Ferrell was the surprise Woody Allen wannabee and he really pulled it off, I thought better than Woody manages to nowadays. None of these characters were anybody I liked, but I was rooting for all of them, so some magic was being performed somewhere. I look at this movie as something to be seen in the context of Allen's entire body of work, not as a single note.

        Super Reviewer
      • Jan 07, 2012

        Woody Allen has long made both dramas and comedies, and even some hybrids of the two. This film though, is perhap the first time where he really blended them in a unique or interesting way. The movie is a frame story sort of deal concerning a group of friends (two of which are playwrights) at a restaurant discussing which is the more true to life type of story: a comedy or tragedy? To make their respective points, they tell one love story about the same woman, two different ways, comedically and tragically, with each story having some of the same types of details) the initial setups, plot points, and just some small stuff like preference for certain things, etc). This is a really fun premise, and it's done pretty well. To really make things lively, the two stories are told intertwiningly, instead of one after the other, as a result, the movie as a whole is a giant ball of comedy and drama, but I'm not gonna say how it all ends, since that would spoil the fun. I'll just go ahead and say though, that the film does conclude in maybe the most appropriate way possible. Heck, you might even be able to figure it out just by the premise alone. I won't say which of the stories about Melinda is the better one, or the preferred one, since I just can't do it. They both have their strengths and weaknesses, offer up some universal truths, and have some good stuff going on. No, the film isn't perfect, and it does move kinda slow, and a lot of this is just more of Allen being Allen instead of truly branching out and doing something groundbreaking. However, even when he rehashes, it's a joy because he's just a great kind of artist whom you don't mind listening to every time he talks, even if he's repeating the same stuff over and over. The cast is populated with lots of names, from Radha Mitchell playing both sides of Melinda, Will Ferrell as the Allen surrogate, Wallace Shawn as one of the storytellers, and Chiwetel Ejiofor playing the only real character who actually seems fleshed out instead of just being a caricature or sketch of a real person. The performances are pretty good though, even if Ferrell doesn't quite make the role his own and Sevigny and Peet try hard but still sorta seem to struggle. Ejiofor and Mitchell are the best (hands down), but like I said, even though not everyone is great, no one really sucks here. I kinda wished for something that didn't seem to be very plodding or rather directionless at times, but I won't that this was boring or a waste of time. It's not completely satisfying, but it works pretty well as a side dish as opposed to a full meal, ie: watch it along with some other stuff instead of making it the highlight of a movie night.

        Super Reviewer
      • Jul 31, 2011

        The film is set in Manhattan and stars Radha Mitchell as the protagonist Melinda, in two storylines; one comic, one tragic. Chloë Sevigny, Jonny Lee Miller, and Chiwetel Ejiofor star in the tragedy story alongside Mitchell, while Will Ferrell, Amanda Peet, and Steve Carell star in the comedy story. Despite the bad critics, for me this is a delicious movie, directed with maestry by Allen.

        Super Reviewer

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