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Masked and Anonymous
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Additional DVD options | Edition | Discs | Price | New from | Used from |
DVD
May 2, 2017 "Please retry" | DVD-R | 1 | $11.80 | $18.86 |
DVD
October 14, 2014 "Please retry" | — | 1 |
—
| — | $19.98 |
Purchase options and add-ons
Genre | Drama |
Format | Multiple Formats, Dolby, NTSC, Subtitled, Widescreen, Closed-captioned, Anamorphic, Color, AC-3 |
Contributor | Bob Dylan, Grey Water Park Productions, Inc.; Marching Band Productions; Spitfire Pictures, Jessica Lange, Angela Bassett, Jeff Rosen, Luke Wilson, Larry Charles, Jeff Bridges, Penelope Cruz, John Goodman, Nigel Sinclair See more |
Language | English |
Runtime | 1 hour and 46 minutes |
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Product Description
Product Description
Music legend and Academy Award winner Bob Dylan (Best Song, Wonder Boys, 2000) -- accompanied by Academy Award winner Jessica Lange (Best Actress in a Leading Role, Blue Sky, 1994), Penelope Cruz (Vanilla Sky), Jeff Bridges (Seabiscuit), John Goodman (O Brother, Where Art Thou?) and Luke Wilson (Charlie's Angels: Full Throttle) -- takes center stage in the craziest, funniest comedy of the year! Dylan is Jack Fate, a former traveling troubadour who is sprung from jail by his scheming manager toheadline a sketchy and misguided benefit concert. With unforgettable cameo appearances by Angela Bassett, Bruce Dern, Ed Harris, Giovanni Ribisi, Mickey Rourke, and Christian Slater and featuring a sizzling soundtrack with four new Dylan recordings plus performances of Dylan classics from Los Lobos, Grateful Dead, Jerry Garcia and more!
Amazon.com
Masked and Anonymous is a mesmerizing experiment in surreal drama with lyrical content, a cinematic approximation of an epic Bob Dylan song on the order of "Desolation Row." Not coincidentally, Dylan is a co-writer and star of this 2003 film, playing an enigmatic folk-rocker named Jack Fate, a political prisoner in an unnamed, civil war-torn country. Set free to headline a benefit concert organized by an unscrupulous promoter (John Goodman) and television executive (Jessica Lange), Jack embarks on a fateful journey through a battle-scarred land. Taken literally, Masked and Anonymous proves bewildering, even exasperating, but as a feverish act of unrestrained political satire the film has a lot to offer, including some of the best recent performances by Goodman, Lange, Jeff Bridges (as a cynical journalist), Val Kilmer (a babbling prophet), Luke Wilson (a musician), and Giovanni Ribisi (a haunted soldier). Dylan himself proves a stiff cipher, but fun to watch. --Tom Keogh
Set Contains:
Masked & Anonymous on DVD comes with a commentary track from director Larry Charles, who is good on the details of the shooting schedule, but vague about the movie's aspirations. There are some deleted scenes (none of which shed any more light on the plot), another Dylan performance, and a 20-minute making-of featurette, with the many supporting stars waxing lyrical about the freewheeling shooting style and semi-theatrical staging. The anamorphic widescreen picture is unexceptional, as is the Dolby 5.1 soundtrack, which naturally enough works best with the music. --Mark Walker
Product details
- Aspect Ratio : 1.78:1
- Is Discontinued By Manufacturer : No
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Product Dimensions : 7.75 x 5.5 x 0.5 inches; 3.2 Ounces
- Director : Larry Charles
- Media Format : Multiple Formats, Dolby, NTSC, Subtitled, Widescreen, Closed-captioned, Anamorphic, Color, AC-3
- Run time : 1 hour and 46 minutes
- Release date : February 17, 2004
- Actors : Angela Bassett, Jeff Bridges, Penelope Cruz, Bob Dylan, John Goodman
- Subtitles: : French
- Producers : Nigel Sinclair, Larry Charles, Jeff Rosen
- Language : English (Dolby Digital 5.1), Unqualified
- Studio : Columbia Tristar
- ASIN : B00000F2L9
- Number of discs : 1
- Best Sellers Rank: #14,640 in Movies & TV (See Top 100 in Movies & TV)
- #164 in Musicals (Movies & TV)
- #2,189 in Drama DVDs
- Customer Reviews:
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Finding Gold on The Independent Film Channel
I just saw a film on an a television channel that specializes in Independent, off beat, didn't quite make it films. It was made in 2003 and is called Masked and Anonymous. I'd neither seen nor heard of it. It was directed, produced and written by Larry Charles, who penned the first five seasons of the Seinfield sitcom. Bob Dylan co-authored the script under the pseudonym "Sergei Petrov." I have no idea why Dylan, who also was the central character and star, used a pseudonym.
According to Wikipedia the people's encyclopedia, the film was funded by the British Broadcasting Corporation (BBC) and filmed in 20 days.
Despite the the obvious low priority and short shooting schedule, here is a partial list some of actors who have commanded millions for roles they've played, who signed on to work for union scale . The current Screen Actor's Guild (SAG) daily rate, is $880; and the weekly rate is $3,280. Here are some you will probably recognize: John Goodman, Jeff Bridges, Penélope Cruz, Val Kilmer, Mickey Rourke, Jessica Lange, Luke Wilson, Angela Bassett, Bruce Dern, Cheech Marin, Ed Harris; Christian Slater and Fred Ward.
Let's face it, the opportunity to work with a living legend like Bob Dylan doesn't come along every day, even for stars to work for what was minimum wage to them, just to be a part of it.
Masked and Anonymous is set in an undated future world in which chaos and a dictatorial, third world type government reign. Dylan plays a washed up but legendary music icon, Jack Fate, who is obviously supposed to be Dylan himself. Fate is the estranged son of the the President/Dictator of the United States is in prison when the film begins.
Fate is sprung from prison by Uncle Sweetheart (John Goodman) -- a shady concert promoter -- to be featured in, a giant charity concert, with which the desperate promoter plans to pay off his own debts. Goodman's character is being pursued by criminal types to whom he owes a lot of money. He. has described the concert as "something that will be bigger than Woodstock."
It seems that this film is mostly a platform for Bob Dylan's music, politics and philosophy, and that's all right with me. Not an actor, the former Robert Zimmerman still manages to deliver his lines and voice-overs in an acceptable, though somewhat monotone voice and the actors working for scale seem to try no less harder than if they were starring in a film based on a Nobel Prize winning novel.
Goodman plays as the blowhard con man who will say anything to make the concert a success, is very believable; Val Kilmer gave an exceptional performance as a hippy-like prophet who loves animals and hates people; the always beautiful Jessica Lange, plays an aging former world famous actress, working as a go-between manager is superb as usual -- implementing orders from the unidentified criminal syndicate bosses through Goodmans's character, who must in turn persuade Fate to go along with the orders disguised as "requests;" Christian Slater is outstanding as a philosophical stagehand, watching and commenting on the often chaotic situation.
Last but not least, Mickey Rourke Plays, Edmund, a sort of foster brother to Dylan's character, who says to the music legend at one point: "I'm the man your father always wanted you to be."
I will not give a way any more of the rice paper thin plot or the ending. As an example of cinematic art, most critics gave it a violent thumbs down, but I'm not a cinematic critic. If you came of age in the sixties, saw Woodstock as an almost religious event -- and especially if you are a Bob Dylan fan -- you need to watch this film. I just ordered it on CD for a few dollars and I generally don't collect films or CDs. It can also be downloaded directly for immediate viewing.
This film is worth seeing, especially if you fit the criteria of an aging Dylan fan who came of age in the 1960s, or a student of the music of that era. Here are a few quotes from Masked and Anonymous:
Bob Dylan is the pivotal character, and gets the most screen time. I can't get over how much he is looking like a short Vincent Price these days, what with his thin haggard face and pencil thin goatee. Dylan is getting a lot of press these days, since Martin Scorsese released the new documentary on him--shown first on PBS, and released immediately in DVD.
The world of the near distant future seems to be a mess--rife with revolution and anarchy. The president of the US, who looks like a Central American dictator reject, is dying of a social disease secondary to his pedophilia. Bob Dylan is supposed to be his prodigal son--who once had a career as protest rock star (some stretch for Dylan), and who has been cooling his heels in a filthy prison as a political prisoner.
The film swarms with big stars doing cameos and small roles. It is the kind of independent small film that might have been a real classic, but has ended up a poorly edited mish-mash. Yet, having said that, I wouldn't be surprised if some day it reached a kind of cult status for its use of Bob Dylan and all those stars--kind of a grand and noble close call to greatness--a film almost impossible to fully comprehend--a plot almost too silly to reflect. Yet a movie that stays with you, irritating your intellect.
John Goodman rants and raves as a sleezy con man promoter. Jessica Lange looks great as his producer partner, although her dialogue makes very little sense. Giovanni Ribissi had a nice scene as a burned out freedom fighter. Jeff Bridges plays a burned out alcoholic reporter, who carries a gun, and gets beat up a lot--after spouting divers non-sequiters and poetry. Penelope Cruz wanders about lost as his religious zealot, ex-whore girlfriend--crossing herself hundreds of times just prior to and following all the scenes she is in. Mickey Rourke plays a gangster White House Chief of Staff, who takes over the country once the President dies. He is supposed to be a childhood friend of Dylan's--a foundling that El Presidente raised and kept beside him. Christian Slater and Chris Penn play philosophizing stage hands who do a poor imitation of a Greek Chorus--and mostly stand around with their arms crossed, looking perplexed.
But Bob Dylan is the focus--if there is one. He and his band perform 8 or 10 songs, and it is fun to watch him and listen to him--although he mumbles so much half of the lyrics are lost--even to the engineers who struggled to make them audible. This film will entertain you, and perplex you. I liked it, even though it played out like a rough cut, and the religious existential apocalyptic images do not mesh well. Give it a look for yourself.