Marry My Husband: Episodes 15-16 (Final) » Dramabeans Kdrama
 
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Marry My Husband: Episodes 15-16 (Final)

Our fairytale turns the page to its final chapter, circling back to how it all began. With significant character growth and satisfying villain takedowns, the story remains imbued with magic to the very end, as our leads take their final steps towards a happily ever after.

 
EPISODES 15-16

After Min-hwan’s attempted strangulation and his well-deserved pummeling by Ji-hyuk, they wind up in a holding cell, where Ji-hyuk’s swiftly released and Min-hwan has to wheedle Yoo-ra into bailing him out. “You cry for fairness in a disadvantageous situation, but revel in your strength when you have the upper hand,” Ji-hyuk accurately points out, to the oblivious Min-hwan’s protests. In the aftermath, a deeply retraumatized Ji-won can barely stave off her panic, but the unwavering support of Joo-ran and Ji-hyuk eventually enable her to pull through.

Since Min-hwan has demonstrated his utter lack of remorse, it’s time for Ji-hyuk to pile on the pressure. The very next day, Min-hwan finds out that he’s been fired, and he needs to repay his company loans pronto. The clincher comes when Min-hyuk receives a copy of his company insurance policy, which allows him to claim 500 million won in the event of his spouse’s accidental death.

Driven to desperation by his debt, Min-hwan pays Yoo-ra a visit at her hotel suite, requesting for her to provide the means with which to take Soo-min out. That works out perfectly for Yoo-ra, since Soo-min is holding an incriminating voice recording over her head. With a little assistance, Min-hwan will take Soo-min out and go down for murder, allowing Yoo-ra to wash her hands of these pesky shrimps.

Marry My Husband: Episodes 15-16 (Final)

As for Soo-min, the wheels are also being set in motion. When Ji-hyuk asks to meet up, Soo-min preens at the perceived attention, but Ji-hyuk cuts to the chase. Pretending to sympathize with her plight, he suggests that they charge Min-hwan and Ji-won for adultery. She’ll get compensation, and he’ll get Ji-won back.

Soo-min smiles sweetly, before her gaze grows hard. She can’t understand why he dislikes her, to which Ji-hyuk delivers another astute observation. Soo-min is someone who only cares about herself, at the expense of everyone around her. “You aren’t trustworthy, so you don’t trust anyone, because you assume everyone is like you,” Ji-hyuk remarks, leaving Soo-min seething.

Marry My Husband: Episodes 15-16 (Final)

Soo-min may not trust Ji-hyuk, but above all, she can’t stand the thought that Ji-won is still more sought-after than her. Confronting Ji-won in the company building, Soo-min sneers at her for seducing her husband, but the self-assured Ji-won doesn’t back down in the slightest. “Why would I sleep with someone else’s man? It’s not like I’m you,” Ji-won retorts.

To rub salt into the wound, Ji-won “mistakenly” sends Soo-min texts addressed to Min-hwan, laughing over how no one takes Soo-min seriously anymore. Infuriated, Soo-min immediately calls Ji-hyuk to take him up on his offer, playing right into our leads’ hands.

Lured to the hotel by Ji-won, Soo-min barges into the suite room, believing she’s going to catch Min-hwan and Ji-won in the act. Instead, she finds herself living through Ji-won’s experience — Min-hwan and Yoo-ra are canoodling in bed, gloating over claiming Soo-min’s life insurance. Furious, Soo-min snaps photos of the cheating couple, but Yoo-ra’s secretary knocks her out cold.

Soo-min awakens out in the middle of nowhere, bound by rope in an unfamiliar house. It’s the final step of Min-hwan’s insurance fraud, and she’s the only obstacle between him and a fresh start. To him, Soo-min no longer amounts to anything other than a pawn. When he heads outside to cut the gas pipes, however, he returns to an empty room and unraveled rope on the floor.

Min-hwan’s hubris proves to be his undoing, because Soo-min swiftly incapacitates him with a kick to his sterile family jewels. Slamming a whiskey glass over his head when he attempts to yank her back, Soo-min shoves him away. Min-hwan falls back, flailing through the air — and then he crashes onto a glass table, bleeding out just as Ji-won had. Karma’s hit the bullseye with a side helping of poetic justice; Min-hwan reaped exactly what he sowed.

Marry My Husband: Episodes 15-16 (Final)

The next morning, the malfunctioning black box footage of Joo-ran’s cheating husband is miraculously restored to normal, since Fate has already claimed its victim and has no further need to trap Joo-ran in a tragic marriage. As Fate continues on its crusade, Yoo-ra’s villain arc grinds to an abrupt halt when her rage-filled rampage through the road ends in a fatal car accident.

It isn’t exactly clear how Ji-hyuk’s destiny was transferred to Yoo-ra, but perhaps the parallel lies in how Yoo-ra wrought her own downfall through her manipulation of Min-hwan, just as Ji-hyuk’s emotional spiral was brought about by his grief for Ji-won. In any case, the heart mark on Ji-hyuk’s collarbone disappears with Yoo-ra’s demise, symbolizing the completion of the fated path and his liberation from his mournful end.

Just as a leopard never changes its spots, Soo-min shirks responsibility once again by fleeing the scene of the crime and evading the police. Hell-bent on dragging Ji-won down with her, Soo-min tricks her into opening her apartment door in order to bind her and commit arson. Predictably, she repeats the lines she’d uttered on Ji-won’s original death day, gloating smugly that she’s won.

“No, I’ve won,” Ji-won counters. Snapping the cable tie on her thigh and disarming Soo-min with a judo flip, Ji-won reveals that Soo-min’s walked straight into her trap. When Seok-joon found out that Soo-min had purchased paint thinner, Ji-won decided to play into her plan and turn the tables. Now that the home CCTV has recorded Soo-min’s arrogant admission of her crimes, she’s going down for good. No longer will Ji-won run away or be subjected to Soo-min’s whims — she’s faced Soo-min head-on, and emerged victorious.

Marry My Husband: Episodes 15-16 (Final)

Elsewhere, another triumph is on the horizon. Not only does Seok-joon physically defend Joo-ran from her scum of a spouse, but he also represents her in court and wins her case. Joo-ran’s divorce suit ends in her favor, and she promises to treat Seok-joon to a meal as thanks, then heads out to celebrate with Ji-won and Hee-yeon at Eun-ho’s newly-opened restaurant.

Good things come in pairs, which means Joo-ran also pulls through her surgery without any complications. The squad — by which I mean our three lovely OTPs — share a celebratory dinner at Ji-won’s apartment, in which Seok-joon denies that he’s there for Joo-ran, then promptly cracks open a beer bottle, cracks a joke, and cracks up laughing. Omg, the stoic man smiles! And Joo-ran takes the initiative in asking Seok-joon for a ride home! I’m squeeing so loud you can probably hear it on the moon.

As for our main couple, now that all the conniving complications are out of the way, they’re free to enjoy days of domestic bliss. Ji-won takes Ji-hyuk back to the pond from their first meeting, where she proposes amidst the meaningful scenery. To her surprise, he abruptly walks away, then returns with a bouquet of flowers and a beautiful diamond ring. Getting down on one knee, Ji-hyuk proposes to her, and they share a tearful, tender kiss.

In this timeline, Ji-won finally gets the stunning wedding she deserves. Clad in a regal gown and shimmering tiara, she’s every bit the fairytale princess. Come 2016, Ji-won’s progressed from an office worker to the director of a charitable foundation, providing second chances to those in need just like how she was granted a do-over. By 2017, our leads are the tired parents of twin sons, and with 2023 comes an adorable newborn that Hee-yeon and Gramps can’t help but coo over.

Before long, our time-traveling couple arrive at Ji-won’s original death day. To commemorate the magic of their new beginning, they visit an art gallery of cherry blossom paintings. As Ji-hyuk expresses his gratitude to Ji-won for imbuing the day with new meaning, she thanks him for giving her a reason to look forward to tomorrow. “I’m happy,” Ji-won says, cherishing what brought her here, and ready to step forward into a brighter future.

Marry My Husband: Episodes 15-16 (Final)

With that, we’ve arrived at the end of our journey, with its many plot threads tied up into a satisfying bow. At its heart, this story was always about Ji-won rediscovering herself and flourishing for the better, but it also took it one step further by showcasing Ji-won’s positive influence on those around her when she allows herself to shine — from her encouragement of Joo-ran, to her accidental matchmaking of Eun-ho and Hee-yeon, and even the way she helps Ji-hyuk open up. She sees past his untouchable chaebol exterior to all the little idiosyncrasies that she loves, and it’s exactly that earnest sincerity and steadfast resilience that convinces Grandpa to approve of their romance.

Perhaps there’s something to be said about the moral ambiguity of their actions, but the drama has taken pains to establish that its villains are people who would stop at nothing to achieve their goals. Within the rules of this universe, Ji-won was caught between a rock and a hard place — eliminate her aggressors, or be a bystander as an innocent friend takes the fall — and while she and Ji-hyuk took no joy in orchestrating the terrible trifecta’s deaths and downfall, they also knew it had to be done.

While Ji-won and Ji-hyuk may have set the stage, the villains’ conscious decisions were the linchpin that cemented their own destruction. It’s exactly as Ji-won said; they were given several chances to stop, but they actively chose not to. That’s what makes their comeuppance so satisfying, because they dug their own grave, and now they have to lie in it.

Of course, Soo-min and Min-hwan’s characters were elevated by phenomenal performances, ranging from Lee Yi-kyung’s nuanced portrayal and physical comedy to Song Ha-yoon’s sheer range of facial expressions and tonal shifts. That scene where Soo-min drops to banmal and threatens Yoo-ra was a testament to her position as the unrivaled superior villain, and her final scene was doubly gratifying. Beyond Soo-min’s incarceration, she’s trapped in the prison of her own mind, haunted by nightmares and ensnared by the delusions she feeds her bruised ego with.

The show’s storytelling may have faltered on occasional beats, but it knew the tale it wanted to tell, and it saw it through to the end. The consistency of its characters, as well as its thoughtful callbacks and careful attention to detail, made the world feel immersive and lived-in. I do wish we got post-timeskip scenes of our side couples, but I’m still glad for the sweet snippets we were given — Eun-ho sitting at the Yoo family table, Hee-yeon getting a dedicated bouquet toss and excitedly presenting the flowers to Eun-ho, as well as Joo-ran firmly cutting off her ex-husband and teasing the start of something new with Seok-joon.

It may all feel a little pat, but ultimately, Marry My Husband was a feel-good show with lots of unexpected depth that grounded its fantasy in reality, and its central message — of treasuring yourself — is one I think we could all stand to learn from.

Marry My Husband: Episodes 15-16 (Final)

 
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I really, really liked the first 10-11 episodes of this drama. As for the later part, I realised yesterday that it has all the hallmarks of the Telenovelas I used to watch as a child, but in condensed form (minus the toxic lead that plagued those): long suffering heroine, betreyal, makeover, revenge, love story, villains and their evil machinations, everyone plotting murder left and right,, crazy antagonist trying to steal the lead’s man, actual murder, bad guys ending up either dead or in jail with possible insanity on top and the gran finale lavish wedding. This revelation helped me enjoy it for what it was. I still wish they did some things differently, it needed less Yura and more Ju Ran and Mr Lee but it was mostly a fun ride.

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Random recommendation that is probably redundant as everyone has already moved on from this series (and recap page!) :)

If you want a contrast to MMH, try Call it Love (Disney +/Hulu US). It is also ostensibly a 'revenge' drama but one where (this isn't a spoiler as it's part of the premise) you don't really want her vengeance to succeed. The leads (esp ML) convey a quiet yearning that is beautifully done. It's more of a character study than a Makjung, but I haven't felt so invested in an OTP getting together for a while...

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Thanks for the recommendation, that one escaped my radar as I think it premiered at a time when I was on a Kdrama break. I’ve added it to my to watch list, it seems beanies liked that one.

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I started Call it Love a few months back and I can’t remember why I put it on hold. I may have to check it out again because your description of it as a character study has piqued my interest.

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Oh wait I was thinking of “crazy love,” not “call it love.”

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From the synopsis that looks like it's prob quite a different kind of show :)

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Well, everyone got their happy ending.
I didn’t enjoy the show as much as others did, but I did like the theme of being a better version of yourself given a second chance.
I found some episodes enjoyable while some were a chore.

The show was elevated by Lee Yi-kyung and Song Ha-yoon. They both were perfect. And the ending for both of them (and the awful mother) was perfect. Yu-Ra was just added to die, and was a annoying character.

The two Secretaries deserved a happy ending. I hope there is one waiting for them.

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Thanks, @solstices for your fantastic recaps of this drama--one that I truly enjoyed from beginning to end.

Sure, there were scenes and even sometimes characters (**cough Yoo-ra cough**) that I would skim past while watching each week, but truly not many.

I like makjang, though, and was never under any illusion that this show was part fantasy, part makjang, part rom-com. I also don't require for "rules of fate" to be consistent as long as they're fun and don't end with philosophical musings on the painful nature of being human--and I thought this drama delivered on that.

My absolute favorite scene of this drama may end up being the physical fight between Soo-min and Min-hwan in the pension house. I literally sat up and watched every...single...second. Who was going to win out? Who was going to die? How was it going to play out?? I honestly usually don't focus on violence that closely--it was successfully not only about their physical relationship but also their mental states of desperation...and then also the way that the "fate" in this show was seemingly as much a roll of the die as it was about something fixed and directly transferrable.

It's that...or the last scene of Soo-min having a full-on mental breakdown in jail. The way the prison guards were calming her by rubbing her back while she was simply wild with fear and delusion was simply astounding.

Would recommend to others--especially as a binge watch!

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I also thought a guard was rubbing Soo Min’s back and it seemed so weird but then decided they were actually cuffing her. Maybe?

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For myself, I didn't think it was weird, per se, I thought--that's probably a trick you can authentically use to calm prisoners down who are this upset (gif here).

She needs to be reassured. That's what she's always needed. That gesture is super-reassuring.

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What was weird to me was that prison guards would really do that instead of harshly manhandling the psychotic prisoner into solitary. I hope it does happen IRL.

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I think he was the cat - the cherry blossom petals were on both the body guard and cat

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That fight was excellent. I truly didn’t know which one would win and who’d get Ji-won’s fate.

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New Drama Word for me: Makjang
Googled and found in Dramakicks.com:
"In the context of dramas, makjang is a type of drama that is difficult to understand or accept based on common sense or the moral standards of an average person. It chooses to play up outrageous storylines to hook viewers in despite how ridiculous the story goes. These dramas feature things such as forced situations/settings, tangled relationships, affairs, and birth secrets.

Other hallmarks of makjang dramas include switched identities, revenge plots, power struggles, death, memory loss, blackmail, and evil rich people."

Sound like most of dramas to me.
Is this a good description?

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Yup! In English, you can think the word "melodrama" if you like--or a soap opera on steroids...

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A perfect word to describe my last watch-Hotel King🤣🤣

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[Editor’s Note: The term makjang gets tossed around a lot and has become shorthand for a certain type of storytelling—the kind with over-the-top plot twists, often designed to take the story in hairpin turns, all for the purposes of eliciting strong reactions (and high ratings). Not all makjang dramas employ tropes like birth secrets, revenge-facelifts, or kimchi slaps, and not all dramas that employ those tropes are makjang dramas. But the correlation is high, because the makjang style loves devices that help drive its extreme, emotion-provoking storylines. -javabeans]

(Copied and pasted from a 2017 DB post)

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Thank you for your very kind review and analysis, @solstices. You are very generous

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When I first heard about the show, I was concerned about the length whether show would have enough meat to fill out 16 episodes and my hunch proved right. The show would have been more effective with 12 or 14 episodes.

The last two episodes proved that why Min-hwan and Soo-min are superior and effective antagonists. These actors talents elevated the show and made show enjoyable.

I wasn't fan of Yu-ra. She was just a plot device to punish villain's without getting lead's hand getting too dirty or turning them into darker shade of grey. She was their to increase episode count and to take on Ji-hyuk's fate and die.

It was nice to see that show wrapped up everything nicely with pretty bow. It had potential of being my most fun show of the year had it been shorter.

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I liked many things about this drama, particularly the outstanding performances. I also really appreciated the nice, long, complete ending that was delivered. Too often k-dramas stop short at the denouement and give us very little to savor for the completion. We even got a wedding scene.

@solstices, I like your take on the moral ambiguity aspect as I must admit this is the one piece of the story that just didn't quite work as well for me. I felt at times that Ji-won and Ji-hyuk manufactured situations to bring out the innate bad behaviors of the antagonists. Maybe I didn't watch closely enough. Would they have behaved as such otherwise? Was the gift of reliving those 10 years not enough for JW and JH? Ahh well, the story wouldn't have been quite as interesting without that and the transfer of fate rules.

This was not a drama I had planned on watching, but I'm glad I did. It was really nice to see PMY recover from last year's disastrous drama, and I was truly blown away by Song Ha Yoon.

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I hope it's okay to say this now: I'm glad that this drama didn't handle the infertility storyline the same way the comic did. I'm also glad that it toned down the fates of Min-hwan and Soo-min. I really wish it had given Soo-min a different fate entirely, but alas.

The ending of ep 16 was happy, really happy, imo a little too happy. I felt that way about the comic, though. Such unadulterated happiness felt a little tonally off after the face of all that misery, especially when in the drama the main couple orchestrated a lot of the other characters' downfalls. I also wish they'd had more follow-up on the side couples, who I cared about far more than the main couple. We go that far into the future and we don't get definitive endings for Hui-yeon and Ms. Yang?

In the end I'm gonna say what I've said before: the drama did a good job trying to improve upon things, but imo in the end was still limited by the source material. My complaint was that Soo-min in the comic was like a cardboard cutout villain, and in this drama Soo-min was a great character, while the role of cardboard cutout went to Yoo-ra.

I just have to add this as more evidence to my theory that revenge stories just aren't for me, unless the story ultimately ends with the person deciding to let go of their anger and desire for retribution and live their best life.

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I'm with you on the ending. I thought they would find a way to punish the bad people that involved the realization that those people were simply irrelevant. Maybe it's my American sensibility, but I found the way Ji won and Ji hyuk behaved to be distasteful, and I didn't find the rationale that they had to engineer events so that the good people avoided the bad fates very convincing. The acting was great as usual, but the story left me unmoved and unsatisfied.

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I thought the drama veered from the source material in order to really try to convince the audience that the bad people were bad enough (despite the leads giving them chances) that they had to meet their demise.

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My tastes run more towards the darker side of the drama spectrum, so I've been watching stuff like A Bloody Lucky Day and A Killer Paradox recently. The problem with Marry My Husband is that, for all its fluffy rom-com accoutrements, its revenge element is almost identical to what you might find in the shows mentioned above. Like Lee Tang in A Killer Paradox or Ji-an/Jin-man in A Shop for Killers, Ji-won is in a kill-or-be-killed situation (or, even worse, a kill-or-Joo-ran-dies situation). In fact JW's situation is arguably worse: you might escape from a phalanx of hitmen if you're extremely lucky, but you can't run away from fate. So I find it very hard to condemn JW and Ji-hyuk, both of whom have already died violent deaths once before.

I do blame the writer, though. What's with JW's dad being such a sinister figure, letting death play such a crucial role in his game of second chances? I was hoping that things could get resolved without anyone dying, but alas it was not to be.

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I agree with most of what has been written here (and thanks @solstices), but I really needed Ji-won to fully address that her MOTHER WAS PART OF A PLOT TO KILL HER before she could be that happy. I mean, a little therapy, please?

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Yes, that part definitely seemed randomly left off as a loose end. I thought we might get a 2-for1 jail visit scene in the end, where Ji Won is visiting her mom and Su-Min, both in each their jails. And they could have shown how each person was still trying to manipulate Ji-won, which might have given her some moral justification for everything she had done to bring them down. And that visit would definitely have made Su-min go cuckoo!! A lost opportunity

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A hand shake... I'm feeling robbed!

For the drama, I never really liked it. The plot didn't really make sense and for me the main characters were the less interesting and neither PMY neither NIW couldn't elevate their role.

I see no ressemblance between Ji-Won at the beginning and Ji-Won at the end, they're two very different people and not one who grew up.

Song Ha-Yoon was stunning in this role. Her character was the most interesting, she wasn't a clown villain like LYK, her reasons and her ways were well written. Her acting did justice to her role. It's sad they went on the makjang side with money, murders by adding a new villain etc because I don't think her character needed it.

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Yess, 100% agree with everything you said, ha. Also Song Ha Yoon was really fantastic in this role, she has great range.

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Welp, that ended. Liberal fast forward button. Also they started using a weird filter at the end there, hmmm. The beginning was meh with some good points, but then it went to hell and just became bad, but at least I got my bean.

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Hey @kafiyah-bello. Sorry for being such a rube/newb, but what exactly does getting a bean mean, and how do I get one too! :)

I did try looking on the site on the resources pages (FAQs and Glossary) but I couldn't find anything - it's perfectly possible I may be missing something obvious though...

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First things first, you have a freaking great name, 😊.

2. All questions are welcome

3. To answer your question, lol. At the end of the year we all do a count of how many shows we have watched. A bean per show. So I got a bean for finishing this terrible drama, so I can add it to my bean count at the end of the year. Then depending on how many beans you get, you can give as many beans as you want to your favorite shows of the year. It is just a fun thing dramabeans does for us beanies(commenters). I hope this answered your question.

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well thank you kind Madam/Sir! I'm sure some people just think I'm sneezing, rather than being both a Beatles and a K-drama fan :)

I appreciate your fulsome explanation and I now eagerly await the end of 2024 so I too can participate in this uniquely beanie ritual... Huzzah!

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You can see how it works here :
https://www.dramabeans.com/2023/12/2023-year-in-review-the-bean-count/

If you watch a lot of dramas, I advise you to write them down somewhere as you go. It will be easier.

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I'm am a madame. And you are most welcome.

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Does it count if you watch older dramas? I think i go through about one a week, just catching up on everything I've missed....

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No, old dramas don't count. 😭
I only started watching new dramas towards the end of 2023, otherwise I just went picking whatever looked fun, was liked by others, and preferably had a "no" to the question "Is the ending sad" on DoesTheDogDie.com

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I think you made a good choice catching up on the older ones ...a great way to pick up on the beginnings of some of the tropes that are standard in Kdramas and are still evolving. I also enjoyed watching some of the bigger stars in their earlier works which brought them into the spotlight (like Ji Sung in 'Secret Love' and "Kill Me Heal Me" ---both such different projects) or Jang Hyuk's breakthrough comedy in "Fated to Love You". Hopefully you found some other classics. Too bad there's no bean count for the 'oldies but goldies'. Some of my favourite watches are from 2013---2017. Maybe a 'Vintage Bean' count would be fun one year.

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Since one of my main gripes about many kdrama romances is that they don't even have a kiss at the end, let alone showing the couple married and sleeping together and then with children, I'm not going to complain too hard about the extended ending of this show. There were actually some sweet moments in the fluff--I liked Ji-won teasing of Ji-hyuk and vice versa because it made the relationship seem a little less ponderously fated. Although, with the one family scene with the cute twin boys practicing being boring like Dad, showing Hee-yeon also with an infant, I was almost expecting Gramps to bring out a couple of babies of his own, produced as the result of a marriage with a young trophy wife stuck reliving someone else's fate. Nothing like time travel to ease S. Korea's demographic collapse!

Despite my general satisfaction with the happy ending, I still think this show could have been 4 episodes shorter. I think a lot of the climactic action and time line substitutions could have played out the same--it just would have had fewer of the absurd twists of episodes 12-14.

Ultimately then, though it was a close call, in the battle of the time travel bad marriage revenge dramas, I slightly preferred Perfect Marriage Revenge. Both had somewhat lackluster main couples--although, of course, Park Min Young was quite a bit more glamorous and her character better developed than her counterpart in Perfect Marriage Revenge. The villains were more flamboyant and more complex in this one, but I liked the supporting cast a bit more in PMR.

Also, I think I'd rather have a glowing date tattoo on my wrist than wear a heart on my chest, especially since its usually on my sleeve.

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Hui-yeon was holding their child, not her own (would I have been happier if she'd had one with the chef? Yes, yes I would have)

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I guess I assumed there would be more scenes of parental exhaustion if it was theirs!

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I had to look closely at the kid painting - its 5 pairs of footprints, including tiny ones for the baby, make it clear that the new one is JW's and JH's third child.

I wouldn't have minded seeing chef again or seeing him and Hui-yeon with a baby, but the show made it clear she likes her career and likes being an aunt, so it's not like she got cheated.

@hacja I appreciate the recent trend of showing new-parent exhaustion as a coda to the happy-ever-after ending. Money can't eliminate that, but it sure can help. Funny how one seldom sees nannies for wealthy families in dramas even though they must exist. PMR was more realistic in that respect - there was at least the one former housekeeper who'd had a child-raising role. And I also thought PMR was better paced and more consistently engaging, although MMH's two main villains are extraordinary. Overall this was entertaining enough for a weeknight diversion and I enjoyed it all the way through.

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Yeah, I didn't need a baby with the chef, just would have liked to see him hanging out with her while she was babysitting or something

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Park Ming Yang is my girls crush but she was quite invisible in this drama. Su Min steal the show. It is a perfect binge watch KD.

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After a few tedious episodes, I thought the show finished strong with two very well-paced and true-to-character finale episodes that wrapped everything up in a satisfying way. There were some very dark moments, including Soo-min and Min-hwan's ugly fight that culminated in Min-hwan's much-deserved death, and even Min-hwan's horrible mother expressing her absolutely sincere and devastating grief at his funeral (and staying true to character by blaming Ji-won for his death). But I loved the little bits of humor, too--Ji-won mimicking Ji-hyuk furrowing his brow to the camera, her look of pain when she first tried to snap the zip-tie in judo class, and Seok-joon's laughter at the group dinner.

Finally, I appreciated that there was no tidy about-face or character growth from either Soo-min or Min-hwan. They remained selfish and shallow villains who met the exact end they deserved. That said, both actors did a tremendous job giving depth and complexity to their roles, helping to elevate the entire show and making it seem much smarter at times than it actually was.

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I already ranted about the ghastly wedding dress on my wall so won’t talk about it here again haha! The rising star of the entire plot was none other than SoMin. I read an article shared by another beanie about how hard it was for her play this complicated sociopathic character and how she herself felt like a victim to SoMin. Kudos to her kudos 👏🏽👏🏽👏🏽

Overall I liked the writing until they bought YuRa’s unnecessary character. But I guess she was introduced to be the ‘fate tranferer’ for JuHyuk’s death. Last episode was all fan service but I was glad they shared that jail scene with SoMin. Did I say she is amazing? I did? Okay.

All in all it was nicely paced and I would recommend it.

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You can tell the writers tried to have a cohesive story. But it still doesn’t make sense to me why that had to transfer his fate to her. What was wrong with the way it played out in the source material? Is it because it didn’t meet some “fate transfer rule”?

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I tried to understand it but gave up because it was too hard 😂

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Alas. While I enjoyed the first half so much I gave it a 10, by the end I felt it was generous to rate it a 7. Somewhere around the halfway point, it seemed to throw everything but the kitchen sink into the plot. It began to stretch my suspended disbelief beyond its stretching point and felt, well, a bit soapier than I could handle. The constant murder/revenge twists were excessive.

I did read the manhwa and I remember also growing disappointed by the end, though I think for different reasons. At least this one had a satisfying, fairy tale ending, even if I grew tired of the characters and their lives before we got there. But again, I barely remember the manhwa.

Oh well. I still think the actors were fine. The plot just dragged.

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Honestly, I'm glad this has come to an end. I had a love hate relationship with this drama. And the hate part overtook the love over time.

Once again, what I got is a teaser instead of a full blown answer. The open ended way they wrapped up Seok-joon and Joo-ran's story was met with displeasure. They could have done more. Cut out at least a few minutes off the leads time and fully conclude the love story I wanted to see develop.

However, I must congratulate Marry My Husband for not shying away from showing the burnout from tending to two newborn minions. The look on both Ji-hyuk and Ji-won's was golden - very apt.

The leads were the weakest part of the story for me. And it took the first four episodes to realize that it was a wise choice to cast Lee Yi-kyung as Min-hwan even though he'd have nailed Ji-hyuk to better perfection. But then...gwenchana. Song Ha-yoon performed way better than Park Min-young did. I've finally said it. I didn't think I'd say this about PMY but I just had to. This is the weakest drama I've seen her in out of all of her's that I've watched. She was so bad in here.

Most of the times when she was walking around, she was strutting instead of walking it felt fake and unnatural. It was stiff and uncomfortable. Even in scenes that didn't require her to walk that way she did walk like that nonetheless. It is bad.

The final Ji-won Soo-min showdown had me laughing at the ridiculousness. I was asking myself what cable tie she extricated herself from that required her supposed judo training. One tiny kpiiiiiiiiiiiiiiish and it'll be gone. I was expecting a proper beat up and not a arm wrestle that didn't even feel like it. Who binds a arm like that? They should have just stopped with the shoulder throw and not mess the whole thing up with that lacklustre arm wrestle to the ground.

Min-hwan's ending shocked the hell out of me. That was a transfer I wasn't expecting. Yu-ra? I wasn't expecting hers too nor did it have any impact. But I did think it is a perfect gift after all the drama she caused.

This was a love hate watch. And I think I have successfully earned my first proper reluctant bean of the year. I'll give that bean to Seok-joon if need be.

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Someone, I think on here, said that Park Min-young acted more like she was in a romcom than a revenge drama and I completely agree with that

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A rom-com? That's me being generous cause most of the times, I thought she was in another production entirely. No one wakes up from the bed the next morning and walk across the hallway the way she did last week.

I was like "🤦🏽‍♂️🤦🏽‍♂️🤦🏽‍♂️. This is not natural. You're not filming a reality TV show about your day to day activities from waking up to sleeping at night. You're acting on set." Walk like someone who just woke up and not one a picture on display for the camera. I have very big complaints about her acting in this drama. Very big ones. And it kinda feels bad that I'm critiquing a favorite of mine in this manner.

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I noticed her walk as well. It was like of a movie star who was dropped in an office forced to work among the plebs.

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I blame the shoes. Super-high heels are one of PMY's trademarks, but I wish she had modified that for this role. They looked ridiculous more often than not.

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@elinor That could be the case. There was a scene in episode 4 in which Ji-won tells Ji-hyuk to consider changing his style. She then runs off tip-toing. I felt PMY broke character there and it continued in most of her office scenes.

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I share your views. PMY is a favourite of mine too and she looked too out of place after her transformation. It was like she was a completely different person with no semblance of her older self! She looked like a million dollars and it didn’t match with her surrounding.

I was also surprised that SH outshone MY with her acting chops by a mile. Tbh I don’t think any other lead would have been able to shine next to SH.

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I completely agree - I don't understand how getting a short hairstyle changes someone character 180 degrees (is her soul in her hair, like Samson???). There was a space between looking completely dowdy and the well-paid actress she is. I wish the costume team would have truly gone for smart "business" than evening cocktail outfits after the transformation (some of her office outfits seemed more appropriate in a nightclub even by KPOP fashion standards!)

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Unfortunately I have to agree with you on this. Usually I like her, but that strut everywhere was so distracting to me.
This show started out good - then slowly went downhill. The last episode felt more like a modeling show for all the different outfits worn by PMY.
I finished it and I got my Bean. Sigh.

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The glass table of doom strikes one last time. Not a fan of Yoo-ra and Min-hwan dying though. I prefer they lived to suffer through life like Soo-min. But two deaths were still owed.

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Soo-min and Min-hwan’s characters were the stars of this entire thing.

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Thank you for the recaps solstices.
I appreciate the show gave us more than the usual two minutes at the end for the happily ever after fan service but I felt exhausted making it to the end.
Both the second leads, Soo-min and Min-hwan stole and saved this show. If it wasn't for them I would have dropped this long ago.
PMY was just meh and I think a big part of the problem for me was her character strutting uncomfortably around the office in her high heels and ridiculously glamorous, high end fashion - it was more about making PMY look good than being faithful to her character. Solstices made the comment about the leads' morally ambiguous choices which didn't sit well either.  
I congratulate the lead characters actually being able to get pregnant as every time we had a scene with them in bed they were dressed like it was the middle of winter. 
Also Yu ra and Min-hwan being caught in bed together by Soo-min made me laugh, it was comparable to a dead fish kiss. Don't get me wrong  I'm not asking for a lot of skin but it's hard to believe there is any desire when the characters are fully dressed in day wear to sleep or have sexy times :) 

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I don't understand why the drama has become so prudish in the later episodes when I think of one of the first episodes where Min-whan poses naked in front of Ji-won (even though an important body part was strategically covered). I remember that scene so well because it was hilarious and I was pleasantly surprised at what the writers dared to do here.

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I forgot about that scene, it was so funny.

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I found the morality of the show too distracting from the personal growth story arc. I mean, she kinda was just as bad towards the end there but I’m being logical, and it’s just a show. It wasn’t a wow for me. Good acting by the villains though

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Thanks for the recap. I read somewhere that the last episode ended with the highest ratings yet, so kudos to the cast and crew!. And just to inject some positivity into this thread, I did like this show. I do like revenge stories, so there's that. Was the show perfect? Definitely not. But it delivered. And I think the OTP still carried the show, together with the villains. Yura was an unlikeable character but I get now why she was there, to take on Ji Hyuk's fate. Oh, and I like the wedding dresses too, PMY could pull it off and she did.

I had never found Na In Woo swoonily handsome, probably because I am an 2D1N viewer, but I must admit he did look extremely good on that wedding scene.

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he looked very good at his wedding but what happened to his hair. two "clump" of hair obstructing his good looks just didn't look "decent" to me me. where was his hair dresser at this time? he didn't look good at all. sorry but it was a put off to me.

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Thanks @solstices for your wonderfully upbeat recaps, that always gave this drama the benefit of the doubt (and produced gems like "incapacitates him with a kick to his sterile family jewels" - heh. 

I was so invested in this at the start but I have to admit my interest and passion for it waned over the span of the series. 
As Elie Wiesel (and my mother!) said "the opposite of love is not hate, it's indifference." By which she meant that love and hate are both passionate emotions that show that person affects you in a significant way. Indifference is when you really don't care any more.

MMH made me think of this for two reasons in finale week. One because all the villains have really demonstrated this - they simply can't 'get over' their feelings for the FL/ML To really move on with their lives they needed to get past their hate and into indifference. Stop obsessing and focus on their own happiness. There was a Greek tragedy vibe to how they were all punished for failing to do that. 

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The other reason was because, sadly, I also reached a point of indifference with the show. I found myself momentarily confused by the complexities of the 'fate redistribution' plotting in Ep 15 but instead of feeling frustrated or angry, I realised I just didn't really care. 

There were some great visuals in the final eps - the Christmas and Wedding scenes were art directed beautifully, but all of this climactic crescendo ended not with a bang but a whimper (emotionally speaking).

I just didn't FEEL enough. They didn't make me care. There was no perfectly poised tear in my eye at any of it, and I felt a bit cheated as a result. (The villain scenes were tense and suspenseful, but the romantic climaxes of the Main and 2/3 OTP's were a bit dull or lacking)

This show started so well and had great promise, and it didn't completely go off the rails as others have, but ultimately I felt a bit let down. So I didn't hate it, but I became somewhat indifferent and that was disappointing ...

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So glad for Dramabeans recaps as I gave up on this drama after ten episodes but was curious to see how they tie up the loose ends. It started so well but then felt (to me anyway) so laborious and padded out. It really could and should have been ten episodes long and the pace would have been improved and the side stories shortened to be relevant but not so long. Great start, damp ending.

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I stopped watching at around episode 11. I had a number of issues with this drama…the chemistry between the leads was weak and PMY was just ok in this role if we’re all being honest. Her character was such a push over at times that I really couldn’t root for her at some points. Perfect Marriage Revenge did it better with a much smaller production budget.

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Me, I wished they’d given a few minutes of the extra looong epilogue to allow Knight Flower to properly end. 😂

But seriously, after expecting the worst after the past few episodes, it ended relatively decently for me. It even had a few good moments. I quite liked the parallel tracks where events unfolded in this timeline as they had in the alternative one. Some of the jokes landed well (snap that tie Ji-won!). The good guys (esp our secondary characters) got their happily-ever-afters and the villains came to satisfying ends. Soo-min in particular was fantastic once again (tho I’d have ended with her gaslighting her new jail BFF rather than in crazy town).

I’ll still mourn what could have been. Can’t disagree with all the critiques. But it wasn’t a total loss. Next!

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One thing which I cannot stand about the KD villains is their screeching. The villains here were no exceptions. I just cannot understand why they need that aspect. It turns them into cartoonish characters and (unfairly) makes me dislike the actors’ work.

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Absolutely 100% with you on that. I've been watching quite a few Chinese dramas lately, as they do seem to get better and better as the years pass - better stories, much better acting and very attractive casts. BUT, I do notice also that many of the female characters first tend to have very high-pitched voices and also they do a lot of screeching. Men are less shouty, too, although the volume does go up if there characters are caught in the wrong (but isn't that men the world over?)

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You said it Indy in your first sentence!

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After the episode(s) that featured the break up and Yura, I couldn't recapture my investment in this but I did think that once again I liked changes made for the drama. It was fitting for the show to have Min Hwan and Su Min's showdown and him dying by her hand. It was fitting for Min Hwan's mom to be lashing out at Ji Won at the funeral.

All I could think during Su Min's spiel to the other inmate is she's just gonna try to have Ji Won killed from prison. Also it's a very good thing Su Min is predictable and used flex ties versus something else.

I didn't connect at all with Yura's death (but then again, I didn't connect with her period). For what reason was she even driving like that? For what reason did she fire the assistant? Did she know he turned on her? But then why would she keep him around to make flight reservations. Is it supposed to be implied the assistant messed with the brakes?

It's gross (to me) that the grandfather knew or was told enough about Yura's crimes and his suggestion was "go to Africa to volunteer and reflect". I think that pricked my "eat the rich" type feelings haha. Seriously, she tried having 4 people murdered and the thought is "let's just send her out of the country and say she's reflecting and helping others".

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Just to think I wasn't even gonna watch this drama bc I'm allergic to FL's acting (City Hunter). But I'm so glad I did... I loved the ML and the potential he has. He's only 29 and it's going to be a joy watching him maturing and growing even more manly on the screen in the years to come. I think ML had the best stylist on this show. Everything he wore complemented him. FL seemed to have the worst. Her outfits were very generic and lacked complexity and nuance. You almost didn't need a stylist for her outfits, they looked like clothes that came off the rack. Last thing, this drama didn't change my mind about FL's acting ability/style. ML felt a lot more real and like a real person next to her. FL puts on a facade in front of the camera. When she smiles, it's beautiful but it never feels real. As an actress, that's the worst thing you can do. To her credit, she does have one of the most gorgeous three-quarter profiles in the biz. She missed the mark on several key scenes, including the baby scenes with ML. What should have been a warm and funny scene but her acting made it so awkward. It's strange that the director didn't catch her awkwardness and change the scenes around (for example, take out her speaking parts) Lastly, I really really would LOVE to see Marry My Husband made into a 100+ episode long daily drama starring the same ML with a different FL this time. I want to see ML with his long legs and arms and husky, warm voice and sweet eyes in a suit every single day for as long as possible on my screen.

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I just re-read my comment and realized how toxic it sounds. Ugh.

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I disagree. I thought it was very well-observed. We can't all like everything and I do find our lovely heroine was getting slightly more plastic with this performance, so really hoping she gets back on track with her next one. And I've never liked the ML until now.

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Thanks for the recap Solstices! I've earned my bean. This show was entertaining. Beanies, I'm enjoying comments, thanks for sharing. I agree that the show was probably a 9-10 star rating until Yu-Ra showed up, then it was more like a 7.

I liked the ending because it was actually a conclusion--not an open ending, not an implied ending but a real ending where we see the results of the character's actions. The show took time to fill in those missing 10 years with a wedding and babies, etc. Stepping us through that timeline back to the day they started the do-over confirmed that all that drama was worth the effort for the leads.

Hope the cast enjoys their reward trip to Viet Nam and that Na In-Soo can join them before his military service begins. Now my calendar is clear for Imperial Heir.

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It's weird that I am defending Park Min-young here, cos I'm certainly no fan of hers. There's no doubt Lee Yi-kyung and Song Ha-yoon stole the show. However, if you look past the top star glamour and its attendant inappropriate outfits, I feel that PMY's portrayal of a lonely woman crushed by abuse, gaslighting and everyday sexism in the earlier episodes was thoroughly convincing. I agree with some Beanies here that the Ji-won of the last few episodes is barely the same woman, but I was also pretty impressed by the mid-show Ji-won who started taking tentative steps to assert herself, and the glee she conveyed at every small success.

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I do like her steeliness here and her ability to switch from vulnerable to tough in an instant.

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I was also pleasantly surprised by PMY in the first half before she defaulted to her glossy mode--tho there were a few moments when it cracked. I had so hoped Ji-won and Ji-hyuk would return at the end to their earlier dorky selves, complete with glasses and comfy clothes, while jamming it up in their band, Endless F. Parade. Isn't that so @elinor ?

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The glossiness of marrying a 1%er was not to my taste either but they clearly had a playbook for the depiction of him as a nice chaebol heir so all the conspicuous consumption was justified. And, the
noblesse oblige also kicked in to ‘charity wash’ the chaebol money! Hurrah for the Korean capitalism! /s/.

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I was hoping Ji-hyuk would use his second chance to break away from U&K and do his own thing. Yoo-ra can take over the company, since granddad likes her so damn much. But nope, we got the conspicuous consumption instead. Sigh.

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the big chaebol wedding had me rolling my eyes. it's rare that someone born to wealth would give it up unless for a special reason. it's also rare that people marry outside their own socioeconomic class. That's just not how people act in the real world. I dated someone whose family was a lot better off than mine, and I felt so uncomfortable and like I was out of their league.

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I would have loved to see the comfy-sweats-and-glasses band make a comeback, although that was mostly to make her look ill and desperate. I get that the high-gloss office wear in the middle and the chaebol look at the end were meant to emphasize JW's recovery of both health and agency - PMY's physical condition didn't change much so they have to do something else to make her look 'better' by conventional beauty standards. If she goes back to sweats, she signals she's poor and sick, not relaxed. Plus, cynically, I'm sure she's wearing sponsored or her own clothes and I don't believe she'd want/be permitted to change her cultivated image that much.

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the unfortunate thing about wearing sponsored clothing is that it's not always the best looking or fitting.

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She talked about her style in the drama :
https://www.allkpop.com/article/2024/02/park-min-young-speaks-out-in-defense-of-the-criticism-over-boas-acting-in-marry-my-husband

Personaly, I don't understand why she thought her characted needed to change completely of style. For me, she thought more for Park Min-Young than for her character.

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@Kurama ah that seems to be a common mistake actors make about their appearance, they feel like they have to differentiate how they look in different dramas. They overestimate how much viewers care about looks, IMHO. We're just here for the story, if it's immersive enough, we forget how you looked like in your last drama, whether you have the same length of hair or wear the same style of clothes as your previous character. I think actors feel like they have to look completely different for each role in order to fully immerse in it. IMHO they overly rely on that stuff. As a viewer, I don't really think about that as much as I care about how well written and how well they are able to portray that role.

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Well, I thought I would enjoy ANYTHING with this actress, but I thought it was very disappointing; she is such a good actress I can't understand why she would waste her talents on something as ridiculous as this, unless she was just filling in time until something better comes along. I'm as willing as anybody to go with the flow and suspend all disbelief, but I became more and more aware of how artificially perfect everybody was, not a hair out of place, lipstick perfect, model-style clothes, how totally over-the-top villainous the villains were and how impossibly perfect the ML and FL were. In my opinion it just got sillier and sillier towards the end and it certainly won't get a bean from me. Come on PMY, you are insanely talented, give us something that will make us laugh and cry, get involved with the characters and the story, and actually care what happens to you at the end. I watched out of respect and gratitude for all the good dramas you have done, but that really wasn't good enough. In the language of somebody who posts regularly on this site, that was D-.

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I felt that way too about PMY in this show, but I wonder, since she's starting to be a bit older than most romance leads, if she is not getting the best scripts as often as before. It would be a shame.

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I love quality makjang. This drama is more like the daily dramas that I like to watch (if they're good) I've seen a lot of dramas over the years, and Marry My Husband is one of the better ones. There are a lot worse dramas out there. I actually felt that PMY was extremely lucky to get this plum role.

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I've looked up makjang, what a WONDERFUL word, there's nothing quite as nuanced in the English dictionary as far as I can see! I love a bit of melodrama, but in this I frequently found myself giggling when I should have been holding my breath, riven with anxiety on behalf of our heroine. By the way, that trick with those luggage thinggys the Wicked Friend tied round her wrists DOES work. I went online and found a lesson in how to break them if you did get tied up by someone intending you harm. The trick is you have to centre the knot between your wrists before you try and break them, and you really have only one go at it, it is so blooming painful if you don't get it right the first time it takes you a day or two to try it again! So - a tip for all single ladies living alone! Go check it out online.

On the subject of making, I am presuming that Penthouse fell into that category. I really did try and watch it, but the constant screeching combined with the perfectly-coiffed cast, hair which remained perfectly in place even if you fell of a tall building and were a corpse, finally got to me and I had to stop watching it. And another thing, is it a Korean genetic thing that men can perform their marital (or whatever) duties even when absolutely trashed? That certainly doesn't apply to British men. I am a great believer in the "willing suspension of disbelief" and my "believing" is very supple, but Penthouse broke the elastic and I've never really recovered from that.

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I watched Penthouse too but overall didn't enjoy it. It was like watching a train wreck. You can't keep your eyes off of it, but in the end it's not something that gives you pleasure. Also, there's almost no humor in it and I remember complaining that there was no handsome guys in it at all. What's the fun in watching a trashy drama if there aren't any eye candies? For me, that was the biggest issue with Penthouse - lots of beautiful actresses but not enough eye candies FOR the ladies to enjoy. But watching Marry My Husband, not only does it have a breathtaking ML but the story was well written! It leaves you feeling so good at the end.

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I really wanted to like this drama but I found the insistence on packaging a really painful psychological thriller as a rom-com disturbing. All the fluffy silliness of the romantic asides felt creepy. Who has the heart to joke around, buy jewelry and flirt over cake while plotting how to make others be murdered, die from cancer or killed in an accident, regardless of how much they may deserve it? The constant back and forth between the psychological horror and fluffy teenage-grade innocent romance gave me whiplash and made me feel like somehow this show was lacking a moral compass more than shows that simply present gratuitous violence. I am not sure how this happened, but this is how it felt to me.

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This is very similar to what happened to me while watching You Are My Spring. The constant back and forth gave me nausea like seasickness.
The romantic parts there were more moody than fluffy, but the whiplash between them and the violent parts was very disturbing, like you said about this show.

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Well, you never know what couples are into. LOL.

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Wow, you put it so much better than I did! Well said, and I completely agree

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Well strictly speaking Ji-won and Ji-hyuk were trying to prevent someone from dying from cancer. That said, I completely agree that the show should have been an out and out psychological thriller. For me, the horror started in ep1: what JW was subjected to in her first life was all the more dreadful for being true to life. But because of its life-for-a-life aspect, the supernatural element actually made things worse: the second chance turned out to be more of a zero-sum game than, well, Squid Game, and with equally high stakes. On the one hand, I knew Ji-won had to go through with it in order to stay alive. On the other hand, I was disappointed that her "to hell with fate" attitude after Ji-hyuk's encounter with the dump truck didn't extend to reflecting on the ethical implications of her plot.

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I think part of the problem was they were packing in so much into 16 episodes. The Glory suffered from this issue too. A lot of things happen but there's no time to properly process them. So a lot of details are skipped over. That's why I believe this story should be told in a long daily drama with 20+ episodes.

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Thank you for this. There's been a raging debate about this on Twitter and I've been struggling to articulate exactly why I have a problem with the morality of the story. If Mr. Lee had snapped and offed Juran's husband it probably wouldn't have bothered me as much because he was framed as a morally gray character at the start (though that got downplayed a lot as his crush on Juran developed) but having these supposed white hat characters alternate romantic moments in his luxury condo with plotting to kill people created whiplash. J2 going to the funeral really put it over the edge for me, there was no justification for that except to gloat over Minhwan's death.

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Do you have a link to the twitter thread? I'm quite interested in this specific discussion topic

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An excellent summary of this show! Even though the premise was absurd and the plot points a bit over the top, I didn't care. I loved seeing Park Min-young do her thing again, as she has not really been doing her thing in the last few dramas. And by "her thing," I mean, making me care about a character! I never had to think about whether I liked the FL or not, though the whole drama. I just identified with her as a sort of everywoman, even though honestly I am nothing at all like that character.

But, as everyone has said, it was Lee Yi-kyung and Song Ha-yoon that made the drama. Their villainy was so bad, yet they managed to make these into real characters with complex motivations and emotions. I hope they will both get more roles out of this. I would love to see Song Ha-yoon playing a variety of characters.

Na In-woo overcame a truly terrible hairstylist to entertain me with his beautiful voice and pretty eyes, but this was hardly his breakout role. I know, I made an argument that the ML has hobbies, friends, family relationships, and a cat. Nevertheless, in terms of his lines, the writers really gave him very little to work with here. I loved him in Mr. Queen, but it took me ages to recognize that this was the same actor. One thing I did like was the scene where he eats ice cream because he's upset that the FL should go with someone else.

I do have a few criticisms of the show, but I'm putting them in another comment!

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haha I actually loved Na In Woo'd old school hairstyle in this drama, it reminded me of the boys I used to like back in the day! ('90s!)

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It looked so sprayed in some scenes, like a wig! I didn't know that was an actual trend in the past. He's such a handsome kid.

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haha I think we called it the Aaron Kwok hairstyle

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Sorry that I'm so long winded. I only had a few criticisms of the show.

Though I had no problem with the Yura subplot, I really disliked the "moral of the story" thrown into the last two episodes. (I had no problem with it because the extra villain helped move the plot along nicely, as we say.) Essentially the writers show a bizarre belief in noblesse oblige when the grandfather offers Yura a way out in the form of charitable volunteering. Then we contrast this with the FL's eventual foundation work. This is some b.s. I watch k-dramas to see people trash the rich as disgusting gangsters. Seriously! Didn't the original comic end with the ML leaving the corporation? Does volunteering "in Africa" (the world's largest continent) make up for attempting to murder three people?

Because of your influence, dear Beanies, I've come to notice fashion and hair choices more. I found it discordant to see the heroine tottering on her stilettos in the last scene after several scenes of her learning to do martial arts. The costumers in these dramas frequently put the leads in far less flattering clothes than the outfits from this drama. These were outstandingly pretty dresses and suits. Na In-woo can really fill out a suit. The problem was that nothing about their appearance in the drama had anything to do with their personalities.

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I loved reading your take on the outfits in this drama and how it should relate to the characters more. I'm starting a drama called Make A Woman Cry, and the attention to detail for the FL's outfits is outstanding. It really puts the stylist for FL in Marry My Husband to shame. There are many scenes in Make A Woman Cry where I wanted to screenshot the FL's outfit because they were so well put together and I wanted to save it for my own future reference when shopping!

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It looked to me that the newborn was Hee-yeon and Eun-Ho's child.

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did anyone notice call back to PRM(Perfect Marriage Revenge) at the end with the photos of "a happier spring" by FM in PMR.

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Ok, so this ended, and the most shocking thing that I wanted to talk about was the character development of the masochistic, "kkonde" manager Kim Gyeong-uk. I don't even know how to reach to his character's development into a semi-decent human being, apologizing to Ji-won for undermining her meal-kit project where he requested chefs to not take their calls/meetings (but of course, he never apologized for giving HER original idea to Su-min). If they could show this development, couldn't they atleast have shown Ms. Yangand Mr. Lee atleast dating in the final 3 minutes of the show???

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And I was disappointed that Ms Yang didn't wear something more festive and feminine to the wedding.

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He was sadistic not masochistic. He loved himself plenty and didn’t torture himself. Just brutalised others.

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His redemption arc felt unnecessary, unearned. On a related note, these comments just clicked for me that I saw the actor perform another negative role in FxC last week as a nasty robber-murderer. I hope he isn't pegged into a type.

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Right? IMO Soo-min deserved redemption more than he did. Dude was just a misogynist

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You are right - he is sadistic, and it is the other M word I was looking for - male chauvinist!

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I completely agree. I HATED him and I didn't understand why they gave him a redemption arc. He was such a male chauvinist.

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This pretty satisfying, maybe even more than The Glory because Song Ha-yoon knocked out of the park as Soo-min. Poor BoA, feels like it'd be better a short cameo because she looked real bad next to the veterans. And I'm a fan.

Not only does it have the truck death but the glass table of doom too haha.

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Yes I thought it was a more enjoyable watch than The Glory, which spent too much time on the bullies who weren't that interesting, to be honest.

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If they were going to introduce a second villain, it would have to be someone even more sinister and villainy than the first villains. I felt like we didn't really have any more room in our hearts for another villain. So it had better be a really good one, if any. They would need to cast someone who could upstage Song Ha Yoon. I've heard it said that two villains are less powerful than just having one main villain in a story.

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I really liked this one until episode 11 ,it did fell short after it but I still wouldn't say it's bad. The ending was good.

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