Manhunt (video game)
|Genre(s)||Stealth, survival horror|
Manhunt is a stealth-based survival horror video game developed by Rockstar North and published by Rockstar Games, originally released for the PlayStation 2 in November 2003, and for Microsoft Windows and Xbox in April 2004. Manhunt was released through the PlayStation Network for the PlayStation 3 in 2013 and PlayStation 4 in 2016.
In the game, the player controls James Earl Cash, a death row prisoner forced to participate in a series of snuff films for disgraced film producer Lionel Starkweather, earning his freedom by murdering criminal gang members sent to hunt him on camera.
Manhunt received positive reviews from critics, with particular praise directed at its dark tone and violent nature, and won several accolades. Manhunt was subject to a significant video game controversy due to the level of graphic violence depicted, banned in several countries, and implicated in a murder by the UK media, although this implication was later rejected by the police and courts. Manhunt spawned the sequel Manhunt 2 in 2007, and as of March 2008, the Manhunt series has collectively sold 1.7 million copies.
Manhunt is a stealth-based urban horror styled game played from a third-person perspective. The game consists of twenty levels, called "scenes", as well as four unlockable bonus scenes. Players survive the scenes by dispatching enemy gang members, occasionally with firearms, but primarily by stealthily executing them. At the end of each scene, players are graded based on their performance, and awarded one to five stars. Unlockable content becomes available only when the player achieves three or more stars on a certain number of levels. On normal difficulty (called "Fetish"), players can earn only four stars; one is awarded for completing the scene under a certain amount of time, and one to three stars are awarded based on the brutality of the executions carried out during the scene. On hard difficulty (called "Hardcore"), players are graded out of five stars; one for speed, one to three for brutality and one for simply completing the scene. To gain the maximum number of stars, a set number of brutal executions must be carried out over the course of each scene; face-to-face fighting does not award stars.
In order to carry out executions, players must approach a hunter from behind, undetected. To facilitate this, each scene is full of "dark spots" (shadows where the player can hide). Enemies cannot see into the shadows (unless they see the player actually entering the area). A standard technique in the game is to hide in the shadows and tap a wall to attract the attention of a nearby hunter. When the hunter has examined the area and is moving away, players can emerge from the shadows behind them, and execute them. The game has three levels of execution, with each level progressively more violent and graphic than the last: "hasty" executions are quick and not very bloody, "violent" are considerably more gory, and "gruesome" are over-the-top blood-soaked murders. Players are entirely in control of which level they use; once players have locked onto an enemy, the lock-on reticule changes color over time to indicate the three levels: white, yellow and red.
Over the course of the game, players can use a wide variety of weapons, including plastic bags, baseball bats, crowbars and a variety of bladed items. Later in the game, firearms become available (which cannot be used for executions). Should players take damage, their health depletes; health can be restored through the use of painkillers, which are available throughout each scene. Players also have a stamina meter which depletes as they sprint, but automatically replenishes when remaining stationary. Manhunt also makes use of the PlayStation 2's optional USB Microphone and the Xbox Live microphone feature on the Xbox in their respective versions of the game. When such a device is connected, players can use the sound of their own voice to distract in-game enemies. This adds an extra element to the stealth aspect of the game, as players must refrain from making noises such as coughing as these sounds too can attract the attention of any nearby hunters.
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In 2003 in Carcer City, a journalist (Kate Miller) reports on the news about James Earl Cash (Stephen Wilfong), a death row prisoner recently executed by lethal injection. However, Cash was only sedated, awakening to an unknown voice referring to himself as "The Director" (Brian Cox) giving him instructions through an earpiece. The Director promises Cash his freedom, but only if he murders "Hunters" – gang members sent to hunt him – in special areas filmed by CCTV. Cash is instructed to kill members of "The Hoods", a gang of corrupt police officers patrolling an abandoned area of Carcer City. Cash kills the Hoods but is abducted by the Cerberus, a unit of mercenaries working as private security for the Director. Cash is told he "has more to do before the night is out" and subsequently forced to kill a series of increasingly dangerous gangs. First, Cash faces a Nazi skinhead gang called "The Skinz" in a scrapyard. Then, Cash faces a sadistic paramilitary called "The Wardogs" in an abandoned zoo, using Cash's family as hostages to bait him out. Then, Cash faces a gang called "The Innocentz", consisting of Hispanics, occultist gangsters known as "Skullyz" and demented perverts known as "The Babyfaces", in the streets, a shopping mall, a graveyard, and a chemical factory in an abandoned area of Carcer City. Cash discovers that the Director had his family killed and furiously vows revenge.
The Director forces Cash to face "The Smileys", a gang of schizophrenic psychopathic inmates who have taken over their insane asylum. Cash is instructed to follow the "White Rabbit", a man dressed in a rabbit costume, through the asylum until the Director ultimately betrays him for the "final scene" of his film. Cash unexpectedly survives and escapes the asylum, prompting the Director to deploy the remaining Wardogs, led by the vicious Ramirez (Chris McKinney), to hunt Cash down and kill him. Ramirez catches Cash and decides to play a final game of cat and mouse with him. Cash manages to kill Ramirez and the Wardogs, and the journalist reporting on Cash suddenly arrives in her car and rescues him. She explains that the Director is Lionel Starkweather, a famous former film producer from Los Santos who now produces for a snuff film ring. The journalist has been compiling evidence against Starkweather and now has enough to expose him, but needs to retrieve some from her apartment. Starkweather blackmails Gary Schaffer, the corrupt chief of the Carcer City Police Department, to apprehend Cash and the journalist. Cash escorts the journalist to her apartment, protecting her from the police, and heads off to deal with Starkweather personally.
Cash fights police and SWAT teams hunting him through the subway and streets until he is cornered in a train yard. Cash is almost summarily executed before the police are killed by the Cerberus, who recapture Cash and bring him to Starkweather's mansion compound where he is almost executed again. The Cerberus are distracted when Piggsy (Hunter Platin), a mentally disturbed, chainsaw-wielding psychopath who wears a pig's head as a mask and is normally kept chained up in Starkweather's attic, breaks free. Cash progresses through the garden and mansion, killing members of the Cerberus along the way, until he is confronted by Piggsy in the upper levels of the mansion. Cash triumphs after luring Piggsy onto a grate that collapses under his weight and causes him to fall to his death. Afterwards, Cash finally confronts Starkweather in his office and disembowels him with Piggsy's chainsaw, killing him.
Later, the media and the police arrive at the mansion, with the journalist exposing Starkweather's snuff ring and police complicity, and Schaffer is criminally prosecuted for corruption. Cash, however, is nowhere to be found.
Rockstar North began development of Manhunt in the mid-early nineties, building the game with the RenderWare engine that had been used for the Grand Theft Auto titles. In September 2003, GamesMaster published a preview of Manhunt, commenting "[Rockstar North has] scraped its imagination to further twist the way games are made in the future and delivers a chiseled, no-apologies assault on gaming standards. [...] it possesses a warped subtlety that questions game reality... It creates a barren, harsh, violent experience and then punctures it with something trippy and darkly comic..."
Many more news outlets, including magazines and websites such as GameSpy, GameSpot and IGN, all previewed Manhunt from late 2003 to early 2004, when the game was released on PlayStation 2, Microsoft Windows and Xbox. Rockstar also released exclusive merchandise, limited editions and pre-order bonuses such as official soundtracks, a Piggsy figure, and a handheld voice changer. During the release of the first game, a former Rockstar employee admitted that the game almost caused a mutiny in the company, saying that the team had "already weathered plenty of controversy over GTA III and Vice City—we were no strangers to it—but Manhunt felt different. With GTA, we always had the excuse that the gameplay was untethered—you never had to hurt anybody that wasn't a "bad guy" in one of the missions. You could play completely ethically if you wanted, and the game was parody anyway, so lighten up".
The PlayStation 2 version of Manhunt was made available for the PlayStation 3 on May 14, 2013, under the PlayStation Network's PS2 Classics category. It was later released for the PlayStation 4 on March 22, 2016, upscaled to 1080p and with support for trophies.
The PlayStation 2 and PC versions of Manhunt received "generally favorable reviews", while the Xbox version received "average" reviews, according to the review aggregation website Metacritic. As of March 26, 2008, the Manhunt series has sold 1.7 million copies worldwide. At the 7th Annual Interactive Achievement Awards, the game was nominated for "Console Action Adventure Game of the Year". In 2010, it was included in 1001 Video Games You Must Play Before You Die, and listed at #85 in IGN's "Top 100 PlayStation 2 Games". Manhunt received a "Gold" sales award from the Entertainment and Leisure Software Publishers Association (ELSPA), indicating sales of at least 200,000 copies in the United Kingdom.
The game's dark nihilistic tone and violent nature were singled out by many critics as representing something unique in the world of video gaming. GameSpot concluded that, "like it or not, the game pushes the envelope of video game violence and shows you countless scenes of wholly uncensored, heavily stylized carnage". Game Informer praised the PS2 version's audacity and competent technical capabilities, stating "it's a frightening premise that places gamers in a psychological impasse. The crimes that you commit are unspeakable, yet the gameplay that leads to these horrendous acts is so polished and fierce that it's thrilling." IGN complimented the same console version's overall challenge, calling it a "solid, deep experience for seasoned gamers pining for some hardcore, challenging games". Edge gave the same console version eight out of ten, saying, "Like GTA there's more to this than shock and awe. Within its linear structure there is a lot of freedom within which to act, much more so than both Splinter Cell and Metal Gear Solid 2, the titles which Manhunt most closely resembles." WatchMojo.com listed the game at #6 in its "Top 10 Rockstar Games", calling it the publisher's "most controversial game to date" while adding that "if you've got the stomach for it, the tense stealth experience is really exhilarating from start to finish."
The Chicago Tribune was especially complimentary of the game, arguing that it marked a significant moment in video gaming history;
Manhunt is easily the most violent game ever made. It will likely be dismissed by many as a disgusting murder simulator with no reason to exist. But Manhunt also is the Clockwork Orange of video games, holding your eyes open so as to not miss a single splatter – asking you, is this really what you enjoy watching? Had Manhunt been poorly made, using the snuff film angle as a cheap gimmick, the game would have been shameful and exploitative. What elevates it to a grotesque, chilling work of art is both presentation and game play. Manhunt is solid as a game; it's engaging to use stealth as you creep through the streets of this wicked city, using your smarts to avoid death, while dishing out much of your own. It's Ubisoft's Splinter Cell meets the cult Faces of Death videos [...] If Manhunt succeeds at retail, it will say more about America's fascination with violence than any political discourse or social debate. That makes Manhunt the most important video game of the last five years.
The PS2 version received some criticism. Certain gameplay elements, such as the shooting mechanics, were called "frustrating" by Eurogamer, who claimed that "more than half the time the targeting reticule refuses to acknowledge an oncoming enemy until they're virtually in front of you." GameSpot concurred, noting that the "AI is much worse in the more action-oriented levels". 1UP.com said that one quickly became "tired of [the] violence ... AI quirks [and] repetitive level design."
The controversy surrounding the game stems primarily from the graphic manner in which the player executes enemies. In 2007, former Rockstar employee Jeff Williams revealed that even the game's staff were somewhat uncomfortable about the level of violence; "there was almost a mutiny at the company over that game." Williams explained that the game "just made us all feel icky. It was all about the violence, and it was realistic violence. We all knew there was no way we could explain away that game. There was no way to rationalize it. We were crossing a line."
The violence in the game drew the attention of U.S. Representative Joe Baca, who was the sponsor of a legislation to fine those who sell adult-themed games to players younger than 17. Baca said of Manhunt, "it's telling kids how to kill someone, and it uses vicious, sadistic and cruel methods to kill". The media was also drawn into the debate. For example, The Globe and Mail wrote "Manhunt is a venal disconnect for the genre. There's no challenge, just assembly-line, ritualistic slaughter. It's less a video game and more a weapon of personal destruction. This is about stacking bodies. Perhaps the scariest fact of all: Manhunt is so user-friendly that any sharp 12-year-old could navigate through the entire game in one sitting."
As entertainment and cultural artifact, Manhunt is totally disturbing. But so is the evening news, the "I'll eat anything for money" lunacy of Fear Factor and the unfettered, misanthropic gunplay of Bad Boys II, so I will defend until my last breath Rockstar's right to sell this stuff to me and anyone else who wants it. ... Do I think games such as these could have dire psychological consequences, particularly for young people? As always, I remain agnostic on the matter. Who knows, really? The debate will never be resolved. The American military obviously thinks there's something there: The troubling new TV ad campaign for the U.S. reserves lures potential young soldiers with tales of adventure accompanied by blatant, video-game-styled animation. And, curiously, no one has complained about or tried to ban SOCOM: U.S. Navy SEALs, in which stealth and killing figure even more heavily than in Manhunt.
Murder of Stefan Pakeerah
The controversy surrounding Manhunt reached a peak on July 28, 2004, when the game was linked to the murder of 14-year-old Stefan Pakeerah by his 17-year-old friend Warren Leblanc in Leicestershire, England. Initial media reports claimed that police had found a copy of the game in Leblanc's bedroom, which police had seized as evidence, and Giselle Pakeerah, the victim's mother, stated "I think that I heard some of Warren's friends say that he was obsessed by this game. To quote from the website that promotes it, it calls it a psychological experience, not a game, and it encourages brutal killing. If he was obsessed by it, it could well be that the boundaries for him became quite hazy." Stefan's father, Patrick, added "they were playing a game called Manhunt. The way Warren committed the murder this is how the game is set out, killing people using weapons like hammers and knives. There is some connection between the game and what he has done." Patrick continued "The object of Manhunt is not just to go out and kill people. It's a point-scoring game where you increase your score depending on how violent the killing is. That explains why Stefan's murder was as horrific as it was. If these games influence kids to go out and kill, then we do not want them in the shops." A spokesman for the Entertainment and Leisure Software Publishers' Association (ELSPA) responded to the accusations by stating "We sympathize enormously with the family and parents of Stefan Pakeerah. However, we reject any suggestion or association between the tragic events and the sale of the video game Manhunt. The game in question is classified 18 by the British Board of Film Classification and therefore its copies should not be in the possession of a minor. Simply being in someone's possession does not and should not lead to the conclusion that a game is responsible for these tragic events."
During the subsequent media coverage, the game was removed from shelves by some vendors, including both UK and international branches of Game and Dixons. Rockstar responded to this move by stating, "we have always appreciated Dixons as a retail partner, and we fully respect their actions. We are naturally very surprised and disappointed that any retailer would choose to pull any game ... We reject any suggestion or association between the tragic events and the sale of Manhunt." Rockstar also reiterated that the game was intended for adults only; "Rockstar Games is a leading publisher of interactive entertainment geared towards mature audiences, and [it] markets its games responsibly, targeting advertising and marketing only to adult consumers ages 18 and older." As the media speculated that the game could be banned completely, there was a "significantly increased" demand for it both from retailers and on Internet auction sites. Giselle Pakeerah responded to this by saying "it doesn't really come as surprise, they say no publicity is bad publicity. But I must say I'm saddened and disappointed. The content of this game is contemptible. It's a societal hazard and my concern is to get it off the shelves as there's enough violence in society already."
Shortly after the murder, later-disbarred American attorney Jack Thompson, who has campaigned against violence in video games, claimed that he had written to Rockstar after the game was released, warning them that the nature of the game could inspire copycat killings; "I wrote warning them that somebody was going to copycat the Manhunt game and kill somebody. We have had dozens of killings in the U.S. by children who had played these types of games. This is not an isolated incident. These types of games are basically murder simulators. There are people being killed over here almost on a daily basis". Soon thereafter, the Pakeerah family hired Thompson with the aim of suing Sony Computer Entertainment (SCE) and Rockstar Games for £50 million in a wrongful death claim.
However, on the same day that Thompson was hired, the police officially denied any link between the game and the murder, citing drug-related robbery as the motive and revealing that the game had been found in Pakeerah's bedroom, not Leblanc's, as originally reported in the media. According to a spokesperson for Leicestershire Constabulary, "the video game was not found in Warren Leblanc's room, it was found in Stefan Pakeerah's room. Leicestershire Constabulary stands by its response that police investigations did not uncover any connections to the video game, the motive for the incident was robbery." The presiding judge also placed sole responsibility with Leblanc in his summing up, after sentencing him to life. The Pakeerahs' case against SCE and Rockstar was dropped soon thereafter.[unreliable source?]
Three years later, in the build-up to the release of Manhunt 2, the controversy re-ignited. Two days after announcing the game, which was set for release in July, Take-Two Interactive (Rockstar's parent company) issued a statement which read, in part: "We are aware that in direct contradiction to all available evidence, certain individuals continue to link the original Manhunt title to the Warren Leblanc case in 2004. The transcript of the court case makes it quite clear what really happened. At sentencing the Judge, defense, prosecution and Leicester police all emphasized that Manhunt played no part in the case." Later that day, however, Patrick and Giselle Pakeerah condemned the decision to release a sequel, and insisted that Manhunt was a factor in their son's murder. Upon the announcement of the sequel, Patrick stated "I'm very disappointed. This is rubbing salt into the wounds in the month we will be marking the anniversary of Stefan's death. I'm very surprised they are doing this after all that has happened and all the publicity." Giselle added "It is an insult to my son's memory that they have announced this game in the month we will be marking this anniversary. These game moguls are making a lot of money out of games which are morally indecent. Why do they have to pump more violence into society?" Leicester East MP Keith Vaz supported the Pakeerahs, claiming he was "astonished" that Rockstar were making a sequel: "It is contempt for those who are trying very hard to ensure something is done to control the violent nature of these games."
Several weeks later, Jack Thompson vowed to have Manhunt 2 banned, claiming that the police were incorrect in asserting the game had belonged to Pakeerah, and that Take-Two were lying about the incident:
[I] have been asked by individuals in the United Kingdom to help stop the distribution of Take-Two/Rockstar's hyperviolent video game Manhunt 2 in that country due out this summer. The game will feature stealth murder and torture. The last version allowed suffocation of victims with plastic bags. The original Manhunt was responsible for the bludgeoning death of a British youth by his friend who obsessively played the game. The killer used a hammer just as in the game he played. Take-Two/Rockstar, anticipating the firestorm of criticism with the release of the murder simulator sequel, is lying to the public on both sides of the pond in stating this week that the game had nothing to do with the murder.[unreliable source?]
His efforts to have Manhunt 2 banned were unsuccessful.
In New Zealand, the game was banned on December 11, 2003, with possession deemed an offence. Bill Hastings, the Chief Censor, stated "it's a game where the only thing you do is kill everybody you see ... You have to at least acquiesce in these murders and possibly tolerate, or even move towards enjoying them, which is injurious to the public good." The game was similarly "refused classification" in Australia on September 28, 2004 by the Classification Review Board, despite having already been on sale for almost a year at the time with the classification of MA15+ (restricted to ages 15 and over).
In Canada, following a meeting in Toronto on December 22, 2003 between Hastings and officials from the Ontario Ministry of Consumer and Business Services, Manhunt became the first computer game in Ontario to be classified as a film and was restricted to adults on February 3, 2004. Apart from Ontario, however, Manhunt had little or no classification problems elsewhere in North America. The British Columbia Film Classification Office reviewed the game after the controversy in Ontario and deemed the Mature rating by the ESRB to be appropriate. In Germany, the Amtsgericht in Munich confiscated all versions of Manhunt on July 19, 2004 for violation of § 131 StGB ("representation of violence"). According to the court, the game portrays the killing of humans as fun. They also said it glorified vigilantism, which they considered harmful.
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