The romance genre has been a staple of fiction since long before the first movies were made. Love's one of those rare universal themes, after all, and both romantics and cynics have always been able to find - and enjoy - different stories about fictional characters falling in (or out of) love. And like many broad genres, it's possible to combine romantic storylines with various other tried and true genres, which can add extra emotional engagement to a story, or otherwise ensure it attracts a wider audience.

Depending on one's definition of "romance," it might well be one of the most well-represented genres in cinema, thanks to the popularity of romantic subplots. However, when it comes to deciding the greatest romance movies of all time, it's best to focus on those films where the romance-focused aspect of the story feels like a priority. What follows are some of the best movies that emphasize - and thereby epitomize - the romance genre, and are ranked below from great to greatest.

45 'Closer' (2004)

Directed by Mike Nichols

Those who are after a nice or pleasant movie probably won’t find it with Closer, which is a surprisingly dark and emotionally intense romance film. It takes an approach that might normally be played for comedy – a tangling of romantic partners when two couples clash and form a complex web of infidelity and lies – but looks at the ramifications of doing such a thing with grit and plenty of hard feelings.

Closer is, therefore, something of a miserable movie, but it’s also captivating and admirable for how brutally honest it gets in its exploration of the hazards of love. Also helping things immensely is the fact that the four lead actors here all give genuinely great performances, with Julia Roberts, Jude Law, Natalie Portman, and Clive Owen all getting ample opportunities to shine.

Rent on Apple TV

44 'The Man Who Loved Women' (1977)

Directed by François Truffaut

A movie about love that’s well-loved by Wes Anderson, The Man Who Loved Women feels like one of the more under-appreciated efforts from French filmmaker François Truffaut (best known for The 400 Blows). The Man Who Loved Women begins with the titular man’s funeral, and a series of flashbacks play out among all who are gathered there… most of them being women the man was once involved with in some romantic capacity.

It's a cinematic eulogy for a flawed womanizer, and though his behavior is hard to admire or agree with, it doesn’t really feel like The Man Who Loved Women is glorifying its protagonist. It gets a good deal of mileage from its neat structure and never feels boring thanks to the various episodic misadventures one gets to continually see play out in flashback. Any fan of Truffaut ought to give it a shot, as it’s one of his most distinctive films.

Watch on Tubi

43 'A Scene at the Sea' (1991)

Directed by Takeshi Kitano

Though it revolves around a relationship, A Scene at the Sea is hard to place into a genre, simply because it screams “slice of life” more than just about any other film out there. Indeed, it mostly plays out by the seaside, with the very simple story centering on two young hearing-impaired people who are a couple, and what happens when one of them develops an interest in surfing.

In that sense, A Scene at the Sea eventually morphs into a sports movie of sorts, all the while being genuinely sweet/quietly romantic, and showcasing a gentle sense of humor every now and then for good measure. It’s warm and endearing as a film, and certainly different from many other movies directed by Takeshi Kitano, given he’s most well-known for directing numerous violent gangster/yakuza movies.

Buy on Amazon

42 'Challengers' (2024)

Directed by Luca Guadagnino

Sure, Challengers is a very recent movie, and there’s always a risk of calling something an all-time great when the dust hasn’t yet settled, and it still feels like a film’s reputation could grow or shrink. But, for now, Challengers does feel like a modern classic and is yet another great entry within the vast and always exciting filmography of Luca Guadagnino, who’s one of the most exciting filmmakers working today.

To describe the plot of Challengers might not make it sound very exciting, given it is, ostensibly, a “love triangle movie.” But in combining this concept with an inventive structure, exciting tennis sequences, expressive and honest performances, and a true sense of visual style, Challengers ends up being even better than the sum of its already very good parts. It’s a romance film that’s able to do things differently, and most of the risks pay off, making it likely that it will continue to feel like a great romantic movie well into the future.

Watch in Cinemas

41 'A Star Is Born' (1954)

Directed by George Cukor

There are many versions of A Star Is Born, and it’s probably more a matter of personal taste which one’s considered the best. The 1954 version could, however, be the best when judged as a romance film, because the relationship at the film’s core just feels extra passionate, tragic, and achingly real here, with both Judy Garland and James Mason giving – arguably – the greatest performances of their respective careers.

Like any other A Star Is Born, the plot here contrasts a young woman’s rise to fame with an older man’s fall from it, and the way they try to stick by each other, even if life seems to have vastly different plans for them. Beautifully shot and also containing numerous great musical sequences, 1954’s A Star Is Born is excellent all around, and one of the best tragic romance films ever made.

40 'Jules and Jim' (1962)

Directed by François Truffaut

Alongside Jean-Luc Godard, François Truffaut was perhaps the most famous of all French directors in the history of cinema (coincidentally, Goddard and Truffaut apparently didn’t get along, but that’s another story). Truffaut is likely best known for 1959’s The 400 Blows, a coming-of-age drama, but many of his films are definable as romantic dramedies, and in the latter category, Jules and Jim is one of his very best.

The two titular characters are friends living lives defined by youth and a carefree attitude (the whole thing taking place before World War I increases the sense of optimism), with both also falling for the same young woman, Catherine. Jules and Jim has a certain energy and vibrancy to it that prevents it from ever feeling too downbeat, though it’s perhaps one of the less outwardly comedic movies about romance that Truffaut made. Nevertheless, it should strike a chord for those who are young, those who remember being young, or those who still sometimes feel young at heart.

39 'The Band Wagon' (1953)

Directed by Vincente Minnelli