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The Lost Voice of Soul

Compilation, Best of

Timi Yuro Format: Audio CD

4,7 35 Sternebewertungen

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Titelverzeichnis

1	Hurt
2	Just Say I Love Him
3	Trying
4	Smile
5	Let Me Call You Sweetheart
6	Count Everything
7	I Know (I Love You)
8	What's A Matter Baby
9	Only Love Me
10	That's Right, Walk On By
11	Should I Ever Love Again
12	The Love Of A Boy
13	I Ain't Gonna Cry No More
14	Insult To Injury
15	Make The World Go Away
16	Leaving On Your Mind
17	She's Got You
18	Are You Sure
19	I'd Fight The World
20	Gotta Travel On
21	Down In The Valley
22	Permanently Lonely
23	A Legend In My Time
24	Call Me
25	Something Bad On My Mind
26	It'll Never Be Over For Me

Produktbeschreibungen

Timi Yuro war eine US-amerikanische Soul- und Rhythm-and-Blues-Sängerin. Die hier vorliegende Best-Of-Compilation "The Lost Voice Of Soul" vereint 26 Songs dieser Ausnahmekünstlerin auf einer CD, darunter Stücke wie "Hurt", "Let Me Call You Sweetheart", "Should I Ever Love Again", "She's Got You", "It'll Never Be Over For Me", u.v.a.

Produktinformation

Produktabmessungen ‏ : ‎ 12,4 x 14,2 x 1,19 cm; 98,09 Gramm
Hersteller ‏ : ‎ 3010 RECOR
Modellnummer ‏ : ‎ CDRPM117
Erscheinungsdatum ‏ : ‎ 2014
Label ‏ : ‎ 3010 RECOR
ASIN ‏ : ‎ B000024AR2
Anzahl Disks ‏ : ‎ 1

Amazon Bestseller-Rang: Nr. 351,764 in Musik-CDs & Vinyl (Siehe Top 100 in Musik-CDs & Vinyl)
- Nr. 6,454 in Modern R&B
- Nr. 7,250 in Blues (Musik-CDs & Vinyl)

Kundenrezensionen:
4,7 35 Sternebewertungen

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Spitzenbewertungen aus Deutschland

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Ton van Baar

simply the best

Rezension aus Deutschland vom 9. Juli 2019

Verifizierter Kauf

She was the best singer ever

Nützlich

Peter Durward Harris

Strongest compilation of Timi's music available

Rezension aus Deutschland vom 1. Dezember 2002

Timi will be forever remembered for Hurt, a record which has often been covered (including by Juice Newton, who had a country number one with it, and Elvis), but never bettered. You will find it on any Timi compilation (except The voice that got away, a companion volume to this CD) but Timi deserves to be remembered for much more, as this collection shows. Even 26 tracks does not cover everything worthwhile, but there's another 26 on The voice that got away, for those who want to explore further.
Perhaps Timi was best at the tearjerkers like Hurt, but it is a measure of her brilliance that she did a wide variety of songs really well. This collection includes a lot of mainstream pop, some more R+B, and even some country songs. It would be a good idea if a record company would issue a separate compilation of her country recordings, just as has been done for Ray Charles and others. As it is, they are sandwiched between all the other stuff, but that's a minor criticism.
This is an outstanding compilation of one of the finest - and most under-rated - singers of the sixties (or any era, come to that).

7 Personen fanden diese Informationen hilfreich

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Spitzenrezensionen aus anderen Ländern

Alle Rezensionen ins Deutsche übersetzen

Cody Robert at Spokane

LITTLE TIMI, TRAPPED IN A WORLD OF HURT

Rezension aus den Vereinigten Staaten vom 20. April 2016

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Rosemary Timotea Aurro (1940-2004) seemed pretty exotic in the 1960s, a Liberty postadolescent hitmaker with a peculiar stage name and a sensitively raspy baritonal voice that suggested a litre-size vocal counterpart to the late great Aldo Ray. She too was Italian-American, born in Chicago and reared in Los Angeles, and on these hurting hits and rare album cuts recorded in her debutante years 1961-68 Yuro sounds astonishingly mature, experienced and worldly, wounded and trapped in the bathos of hurting songs but also defiantly protofeminist in retaliating against emotional abuse and rejection. Little Timi was a radical vocal streetfighter, decades ahead of her turbulent time. Emotionally battered but yet a feisty survivor, Yuro's gutsy, singular voice--very urban on the signature hits, deeply countrified on the rarer Nashville covers--is thankfully not lost as the collection title suggests.

This is a standard hits survey, in variable 1993 transfers ranging from fair to excellent, and the loud "wall of sound" hit production values give this potent voice especially resonant backing, as on "What's a matter baby," "That's right, walk on by" and the great "Insult to injury." On the older songs we hardly yearned to hear again--"Let me call you sweetheart," "Down in the valley," "Gotta travel on"--Yuro delivers big-band modernist updates that are stylistically apt, grooved deeply and every bit as memorable as her big Phil Spectorish smashes.

Timi resisted, but did not completely reject, her facile classification as a "soul singer" (she was actually bigger than that) and preferred simply to present to the microphone as a unique vocal "stylist." Nonetheless her hits and keeper songs have a soul overlay, regularly produced by the ex-Mercury masterminds Clyde Otis and Belford Hendricks who had made jukebox pop stars out of Dinah Washington, Sarah Vaughan and Brook Benton. (When the singer went to Mercury itself she was produced by Quincy Jones.)

What is unique here is the compilers' canny sampling of nearly half of Yuro's masterpiece album (produced by Ed Silvers and Dave Pell) MAKE THE WORLD GO AWAY (1963), only available digitally in its rarer "Liberty Bell" reprint. Yuro covers Nashville standards like no one else, except perhaps Damita Jo (DeBlanc) or Esther Phillips or Kay Starr. The depth of hurt and direct confessional communication with the listener is achingly intense, and these album tracks (recorded in Hollywood and Manhattan with Hendricks, Marty Paich and Ernie Freeman) are even more stunning than her signature chart hits: I defy any listener not to be profoundly moved by "Legend in my time," "Are you sure," "I'd fight the world," "Leaving on your mind" and "She's got you." Even more a victim than Patsy Cline, Timi's got the signed photo, the class ring and the records that still sound the same (imagine discophile Timi mooning over a portable stereo and stacks of her own 45s), but another woman's gotten her man.

This is devastating enough--what a long list of superior weepy songs from a keeper album--but here's also "Permanently lonely," possibly the most intense track Yuro ever recorded. Hell hath no fury, and our scorned Timi delivers the quietus to an entire heedless gender in this quietly revenge-driven anthem of vindictive relationship retaliation. (In Nashville the next decade the great Beaumont-born belter Billie Jo Spears paid Timi homage, covering both "Hurt" and "Permanently lonely" as well.) These songs--and perhaps even Timi's artistry--seemed routinely disposable back in their decade, but in this century they now speak more to female empowerment and the rediscovered depth of this singer's stylishly Italo-American soul. You go, girl.

5 Personen fanden diese Informationen hilfreich

Rezensionen auf Deutsch übersetzen

Robert

One of the Very Best

Rezension aus Kanada am 20. Januar 2013

Verifizierter Kauf

If only awareness of Timi Yuro's fantastic voice and song stylings matched that voice itself, you could not keep her CDs on the shelf. This one is a terrific sampler of what she had to offer and I would recommend it without hesitation - pick any two or three songs and the price of admission will already seem cheap.

Rezensionen auf Deutsch übersetzen

Colin Lowth

Wonderful voice

Rezension aus dem Vereinigten Königreich vom 11. Juni 2012

Verifizierter Kauf

So pleased I bought this CD. Timi Yuro has the best Soul/Country voice I've heard in many a long day. Some of the lesser known tracks give most new pleasure, but "Hurt" and "Smile" are quite outstanding. Would have liked a few more happy tracks though, as the lyrics of most of the songs are about love lost and pain - so not really a car CD..
But undoubtedly she was a great great singer.

Rezensionen auf Deutsch übersetzen

Down Home Hip to the Jive

Having Her Soul CD Trumps Having a Genie's Lamp

Rezension aus den Vereinigten Staaten vom 31. März 2013

Verifizierter Kauf

The soul of a genie can be summoned from the genie's lamp with all its magical powers, but this CD releases the soul of a singer through the power of her emotive voice. There is musical magic in Timi Yuro's twenty-six performances on Soul! that leaves no doubt she reached the utmost depths of her affective and visceral feelings when she recorded these songs. Rare vocal power to rival that of any power conjured up and commanded by a genie . . . unadulterated soul sung from the primal essence of her being. Just as the genie ultimately owns the lamp, she owns these songs as if they were written personally by her.

All twenty-six songs are a tour de force that showcases her extraordinary gifts both as a vocalist and interpreter of song. She undoubtedly rivals any of the premier and best female soul singers of any generation. She is the "lost voice of soul", but the power of her voice is not lost on this album . . . it reigns supreme . . . leaving any genie to wonder how such a diminutive woman could summon and exhibit her emotions with unpretentious, riveting power. "The Lost Voice of Soul" unleashes some of her best work, and reminds us that there were or are few other artists whose voices command our attention and approval like her voice.

RPM Records of the United Kingdom is the British company that's responsible for this compilation of seventy minutes of originally recorded songs. To their credit they elected not to use rerecordings as Yuro's voice changed over time, and it's these earlier versions that capture the full power of her soulful voice.

Eine Person fand diese Informationen hilfreich

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Michael J. Rossiter

What a waste of talent

Rezension aus dem Vereinigten Königreich vom 16. Oktober 2009

Verifizierter Kauf

This little lady was the best white female soul singer ever. She lets her heart go on so many songs, and that is what soul is all about.
She never got the recognition she deserved, which is a great shame, and now we have lost her, it's too late

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Details zur Produktsicherheit

Siehe Compliance-Details für dieses Produkt(Verantwortliche Person für die EU).

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