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A Trip Down the Sunset Strip
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A Trip Down the Sunset Strip
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Price | New from | Used from |
MP3 Music, February 1, 2006
"Please retry" | $9.49 | — |
Vinyl, April 1, 2017
"Please retry" |
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| $33.52 | $32.73 |
Track Listings
1 | Eight Miles High |
2 | Sunset and Clark |
3 | Psychotic Reaction |
4 | Over Under Sideways Down |
5 | Sunshine Superman |
6 | Non-Stop |
7 | Arriba |
8 | Kicks |
9 | Mr. Tambourine Man |
10 | Puff (The Magic Dragon) |
11 | Along Comes Mary |
12 | Pot Luck |
Editorial Reviews
In the annals of sixties West Coast exploitation album-making, A Trip Down the Sunset Stripby the Leathercoated Minds is in a class all by itself. Serving up radically rearranged, cool covers of the era, red hot guitar instros (courtesy of producer J.J. Cale), and authentic sound effects from the Strip, it succeeds as the perfect time capsule of Los Angeles teeming teen scene, c.1966. From the pristine Viva Records mono master tape.
Product details
- Package Dimensions : 5.55 x 4.97 x 0.54 inches; 3.21 Ounces
- Manufacturer : Alliance
- SPARS Code : DDD
- Date First Available : February 10, 2007
- Label : Alliance
- ASIN : B000CQO15M
- Number of discs : 1
- Best Sellers Rank: #736,933 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #277,448 in Rock (CDs & Vinyl)
- #419,104 in Pop (CDs & Vinyl)
- Customer Reviews:
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As far as I know,this is the only album released because of a photograph. Viva Records had a great photo of Sunset Boulevard (on the cover) and didn't know how to exploit it. So they put together a studio group and recorded covers of then popular songs,along with some instrumentals,and sound effects (supposedly recorded on Sunset Blvd.),and released the album-to practically zero sales.
The group was made up primarily of musicians from the Oklahoma area,like Leon Russell,the folk duo GYPSY TRIPS (also on the cover),and J.J. Cale. The group also included musicians who went on to join Taj Mahal's early band,and others. With Cale producing,arranging,and playing guitar-this album has a curious appeal. The instrumentals were guitar-oriented,with Cale playing some BYRDS-like guitar ("Arriba","Pot Luck",etc.),on the self-penned tunes. The covers ("Eight Miles High",Psychotic Reaction","Over Under Sideways Down",etc.) all have slightly odd yet enjoyable,commercial arrangements. The use of horns give several tracks ("Kicks",Sunshine Superman") added interest and depth to the album's appeal. With the addition of sound effects (used sparingly) the album screamed exploitation,but today has a time machine-like appeal.
This album is for collectors/fans of late 60's Los Angeles pop-rock,J.J. Cale,or just slightly odd-ball period releases. But (to my surprise) this album seems to get played more often than something like this would seemingly warrant. There's nothing "heavy",no message-just covers of some good songs (with some ear-catching arrangements),along with some good (and surprising) J.J. Cale guitar. And in the end that's all you need for a curious,enjoyable trip back to a time when small,independent record labels released anything and everything to hopefully make a buck. And this is certainly worth more than that.
For more music from the Viva label,check out "Ain't It Hard",which includes three tracks from this album,along with a number of other locally known groups like GYPSY TRIPS,THE SOUND SANDWICH,and SUNDAY SERVANTS,among others. This album,too,has a curiously enjoyable sixties time-period appeal.
Featured on the album’s cover are Roger Tillson and Sunset Strip it-girl Terrye Newkirk, a folk rock duo from Hollywood who released a 45 under the name The Gypsy Trips in 1965. Their single, “Ain’t It Hard” was one of the more straight ahead dives into the adventures of lysergic, singing ”And your brother’s in the bathroom with acid in his head, And there’s no place to go cause the town’s all dead.” While certainly not some of the best lyrics, they did glimmer that kids where tired of towns that rolled up the sidewalks and blanketed the neighborhood at 10 PM. It’s worth noting that The Electric Prunes released this song as their first single in May of 1966.
It’s been said that The Sunset Strip was synonymous with action and excitement, and had become a focal flash point of all West Coast trends. The Strip was the hub of all things creative for the hip and those who wished to be perceived as, complete with avant garde styles of both dress and behavior, where unkept hair, flowing beads and brightly patterned clothing were the norm. On weekends the traffic was often backed up for miles with cars filled with both the hip and the tourists who gawked open mouthed at the unbelievably dressed people, and on every corner, folks were discussing music, politics, and the latest trends.
While Terrye Newkirk did not perform on this album Tillson did, along with the album’s arranger and producer John J. Cale [JJ Cale], along with a grouping of musicians who’s identities have been lost to the ages. JJ Cale is credited with writing and playing on the instrumental tracks, while most of the other songs were covers of numbers that were current hits. There are many versions of the nature and reason for this production, and I assure you, these are the facts. The album, as I said, complete with cover versions, was a bit of performance art, in that what it intended to do was to walk the listener down the Sunset Strip, complete with crowd noises that would fade in and out as attention became centered and then moved on … where at a head shop perhaps “Eight Miles High” was filtering from an open door, and from a club “Psychotic Reaction” might be blasting, then the listener gets lost in the crowd again before the song “Sunshine Superman” is heard from the open door of a bar, or “Mr. Tambourine Man” can be heard from a car waiting at a stoplight … it was all too much, but then with numbers like “Over Under Sideways Down,” who’s to say one way or the other.
Of course, hearing all this and being fifteen or sixteen years old at the time, and living anywhere in America other than the West Coast, this all made perfect sense, and like moths to a flame, thousands more were drawn to the City of Angels, where they could feed their heads, and experience first hand the glitter, the glamor, and the excitement of this singular point in history.
Please, listen to this with a knowing smile, laugh out loud if you will, but this release was a genuine artifact from the middle of the psychedelic storm, one who’s high water mark can still be seen across the landscape of America.
Review by Jenell Kesler
Donovan and the first four J.J.Cale compositions that were ever recorded (four instrumentals, actually). It was after hearing this album (and the obscure single "After Midnight", which is not on the album), that Eric Clapton decided to make his version of it. It became an international hit and finally allowed J.J.Cale to get a real record contract under his own name at Shelter Records, where he released "Naturally" in 1972. Although this here is not a GREAT album, it is certainly one that has it's historical importance for American Music and it was one of the most unfindable records that I have ever been looking for.
Thank you to Captain Trip for finally rereleasing it.