Laura Wilson | British Crime Writer

Laura

Wilson

British Crime Writer

Thanks for visiting my website.

I write psychological crime novels, sometimes with contemporary settings, and sometimes with settings in the recent past, including the DI Stratton series, which is set in the 1940s and 50s.

You’ll find details of all my books, as well as some  links to articles about research and related subjects, and to my crime and thriller reviews for the Guardian.

I love to hear from readers, so do contact me using the form below.

 

 

My Books

The Other Woman

She wants everything you've got

Sophie has an enviable life – beautiful house, successful husband, three children, and a black Labrador to complete the perfect tableau. But all that is about to change.

A message arrives at Sophie’s house, scrawled across her own round robin Christmas newsletter: HE’S GOING TO LEAVE YOU. LET’S SEE HOW SMUG YOU ARE THEN, YOU STUPID BITCH. Perhaps she should ignore it, but she ignored the last one. And the one before that.

When her plan to identify and confront the other woman goes violently wrong, Sophie must go to extreme lengths to keep her life and her family together, all the while guarding her devastating secret…

'Deliciously dark, at times grisly, and always darkly comic thriller’

The Sunday Mirror

'A lesson in brilliant pacing. Just when the reader thinks there can be no further twist to the story, Laura Wilson provides one... A delightful read.'

The Times

‘Compulsive, horrifying and irresistibly funny’

Val McDermid

The Wrong Girl

Be careful what you wish for…

Janice Keaton is living a quiet, easy life when a longed-for reunion with the daughter she gave up for adoption several decades earlier drags her into a lethal confrontation with the past.

Did her brother die a natural death? Is her former lover, a rock star, really an acid casualty, or was there another reason for his abrupt withdrawal from public life? And what is her granddaughter hiding?

The Wrong Girl is a compelling tale of the dark side of celebrity obsession, of how we choose the guilt we can live with, and how, despite our best efforts, the past comes back to haunt us all.

'Wilson is one of the most original and sensitive crime writers. This is a gripping novel about three generations of women in one family uncovering each others' secrets, including a ten-year-old who thinks she may be the long-vanished girl she sees pictures of on the news.'

The Daily Express

'Thoughtful, scary and true, this is reminiscent of Barbara Vine at her best.'

The Mail on Sunday

The Riot

DI Stratton 5

August 1958: Notting Hill is sweltering in a heatwave.

DI Ted Stratton’s dirt-poor new manor is a powder keg of racial tension. A rent collector is stabbed and a series of street fights between Teddy boys and recent immigrants from the Caribbean sparks further unrest. Young runaway Irene, on the verge of prostitution, finds her loyalties lie on both sides of the fight.

A race riot breaks out – the worst Britain has ever seen. Stratton must tread a path through the violence and prejudice to find the killer and save Irene before Notting Hill explodes.

'…offers startling insights into an unfamiliar world. A party goes disastrously wrong, ending in a riot, and the novel is a sombre reminder of just how poor and divided London remained in the 1950s'

The Sunday Times

'The Riot is the latest in her award-winning DI Stratton series, and the tang of Wilson's period detail pops off the page... A richly imagined, compassionate story, rooted in a messily knotted historical reality that resonates today.'

Metro

A Willing Victim

DI Stratton 4

Shortlisted for the 2021 Ellis Peters Award for Best Historical Crime Novel

On a dank November day in 1956, DI Ted Stratton is called to a murder scene in Soho. Just before his death, the victim, loner Jeremy Lloyd, gave a photograph of an unknown woman to a fellow lodger for safekeeping.

Stratton’s enquiries lead him to a sinister foundation in Suffolk, where he meets a boy, Michael, who has been proclaimed as the next in a long line of spiritual leaders. The woman in the photograph is the boy’s mother, who has disappeared.

When a woman’s body is found in woods nearby, Stratton initially assumes he has found the Michael’s mother, but the reality turns out to be far more terrifying…

 

'Wilson is as adroit at the straight-forward mechanics of the crime mystery as she is at evocative prose shot through with a keen sense of the past.'

The Independent

'An intelligent, thought-provoking crime novel with a particularly poignant ending.'

The Spectator

A Capital Crime

DI Stratton 3

US title: The Wrong Man
Longlisted for the 2011 Theakston’s Old Peculier Crime Novel of the Year Award

London,1950: When John Davies confesses to strangling his wife and baby daughter, it looks like an easy case for DI Ted Stratton. When Davies recants, blaming respectable neighbour Norman Backhouse for the crimes, nobody believes him, and he is convicted and hanged.

Later, after a series of gruesome discoveries, Stratton begins to suspect that there has been a terrible miscarriage of justice. Did an innocent man hang for a murder he didn’t commit? Worse still – is the murderer still out there?

Based on real-life events: the framing of Timothy Evans for murders committed by notorious serial killer John Christie.

 

'It is a bold move to give a fictional detective a notorious real-life case to investigate... The author's imaginative reconstructions of both investigations, and the dawning horror of Stratton and his colleagues as they realise they may have the wrong man, is brilliantly handled... a sinister, atmospheric and engaging novel.

The Sunday Times

'This is historical crime fiction at its best.'

The Guardian

An Empty Death

DI Stratton 2

Shortlisted for the 2009 Ellis Peters Award for Best Historical Crime Novel

After almost five years of conflict, London’s inhabitants are war weary, and DI Ted Stratton is no exception. After rescuing a neighbour from the rubble of her bombed-out house, he’s called to investigate the death of a doctor. Stratton begins to suspect that something sinister is going on – that a faceless shadow is stalking the hospital corridors…

Meanwhile, Stratton’s wife Jenny helps to look after the bombed-out, traumatised neighbour. When she claims that her soldier husband is an imposter, Jenny thinks that she must be in shock, but the truth is stranger, and far more dangerous…

 

'Wilson skillfully evokes the atmosphere of 1940s London in this deftly plotted and thought-provoking thriller.'

The Good Book Guide

'Wilson's series of detective novels set around the time of the Second World War has become one of the genre's great pleasures.'

The Mail on Sunday

Stratton’s War

DI Stratton 1

US Title: The Innocent Spy
Winner of the 2008 Ellis Peters Award for Best Historical Crime Novel

When the body of a silent film star is found impaled on railings, DI Ted Stratton is unconvinced by the suicide verdict. Ignoring orders to close the case, he investigates and soon finds himself deep in Soho’s criminal underworld.

Meanwhile, MI5 agent Diana Calthrop is working on a covert operation to infiltrate a pro-Nazi group with links to senior establishment figures. But questioning her boss’s loyalties may not be a smart move…

When their paths cross, Stratton and Diana start to uncover the truth. But fighting these enemies – within and without – could lead to more than they bargained for…

 

'Wilson's seventh novel is atmospheric and exciting... a great book.'

The Observer

'Laura Wilson writes beautifully, creates characters we believe in and applies a vivid imagination to well-researched facts. Convincing and exciting.'

The Literary Review

A Thousand Lies

It's often said that a picture paints a thousand words... but what if every single one is a lie?

Shortlisted for the 2006 CWA Gold Dagger

In 1987, Sheila Shand killed her father. At her trial, it emerged that Sheila, her sister, and her mother had been subjected to a reign of terror and abuse. Years later, investigative journalist Amy Vaughan discovers a newspaper cutting about the Shand case while clearing out her dead mother’s flat. Concluding that they are related, she visits Sheila’s mother, who is in a care home. The more Amy looks into the case, the more her immediate family’s past comes back to haunt her, and she uncovers a web of lies and deceit – and two long-buried skeletons…

 

The Observer

‘Wilson is the equal of Rendell and Walters in exploring the dark depths of the twisted psyche. But she’s just as good at laying bare the emotions of damaged victims. A Thousand Lies is superb – creepy, moving and surprising.’

‘Secures her place near the top of the crime writing Premiership.'

The Birmingham Post

The Lover

In war-torn London, a ‘Blackout Ripper’ is at work…

Winner of the 2005 Prix du Polar Europeen (France)
Shortlisted for the 2004 CWA Gold Dagger
Shortlisted for the 2004 CWA Ellis Peters Award for Best Historical Crime Novel

Autumn 1940, and London is in the grip of the Blitz. An unidentified female corpse is discovered in an alleyway in Soho – the fourth to have been found in a matter of weeks.

Rene is a prostitute with a young son to support. She can cope with the air-raids, but each night on the streets is a terrifying ordeal as the killer begins to pick off her friends. Lucy is a young office worker, struggling to cope as her suburban world descends into chaos. Jim is a fighter pilot, a handsome hero with a killer instinct that makes him perfectly suited to the daily challenge he faces in the skies of southern England. But the strain is beginning to tell…

'Wilson is one of those crime writers who break every boundary in the genre; she steps wholeheartedly into the ranks of genuine literary writing while never losing the ability to tell vital, lively, give-me-more stories.’

The Sunday Herald

‘A tense and intelligent psychological thriller that confirms Laura Wilson’s seat at the high table of British crime writing.’

The Guardian

Hello Bunny Alice

Murder was the first lie. The second will be even worse.

US title: Telling Lies to Alice

I had the dream again last night. I’m at the bottom of a lake looking through the window of a car… and there’s a skeleton behind the wheel, dressed as a Bunny Girl…

Playboy Bunny Alice Conway’s world was shattered when her fiancé, famous comic Lenny Maxted, committed suicide. Now, in 1976, Alice leads a quiet, reclusive life in Oxfordshire – until a newspaper cutting arrives, anonymously, in the post, an unexpected visitor turns up at her door, and the dark secrets of the past come flowing back. And a car containing human remains is discovered in a lake…

‘Hello Bunny Alice is both a striking evocation of Sixties showbiz life and a tense woman-in-peril thriller… engrossing and thrilling.’

The Observer

‘The menace is powerfully managed, and the terror of being trapped by someone by turns deranged and dangerous is vividly recounted… A breathtaking read from a distinctive writer.’

Manchester Evening News

My Best Friend

My name is Gerald Arthur Haxton. I am 8 years old. This is my diary...

If I’d been like those children my mother wrote about, I’d probably have been running the country by now, but there it is. I don’t mind. I’ve got Jack.

 As the country celebrates the 50th anniversary of VE-Day, Gerald Haxton is unable to escape his tragic past. He talks to his stillborn twin brother, Jack; still fears his domineering mother, famous children’s author Marjorie Haldane, and he remains traumatised by his discovery, in 1944, of the battered corpse of his sister Vera. Desperately lonely, Gerald finds solace in following 12-year-old Mel, who bears a striking resemblance to Vera. When Mel disappears, all eyes turn accusingly on him…

‘All the personalities are sharply drawn and the sense of inevitable doom slowly builds up as the story unfolds. The writing is spare and without a wasted word. This book has real class.’

The Sunday Telegraph

‘What's intriguing about this, her third novel, is hearing a writer find and exercise more and more of her true voice. It is distinctive, confiding and truthful. It is, thrillingly, like no one else's.'

The Literary Review

Dying Voices

A deadly legacy…

Dodie Blackstock, child of a multimillionaire, was only eight in 1976, the year her mother was kidnapped. Dodie’s father refused to pay the ransom, rescue attempt went disastrously wrong, and no body was ever found. Now Dodie is twenty-nine, and her mother’s body has just been discovered – but she has only been dead for forty-eight hours.

Dodie returns to the family home, Camoys Hall, and begins to piece together the fragments of her mother’s life, whilst trying to come to terms with her own troubled past. But someone is watching her every move…

‘Compulsive reading. The author has an ear for dialogue and a gift for creating believable characters.’

The Sunday Telegraph

'Like her stunning debut, A Little Death, Laura Wilson’s Dying Voices takes the reader back and forth between a menacing present and a terrible past… The writing is graceful and intelligent, and one puts the book down eager for the next.’

The Sunday Times

A Little Death

I've been waiting for this for a long, long time...

Shortlisted for the 2001 Anthony Award for Best Paperback Original (USA)
Shortlisted for the 1999 CWA Ellis Peters Award for Best Historical Crime Novel

London, 1955. Three bodies are found in a house – but when the police search for the murder weapon, vital evidence is destroyed. One of the victims is former society beauty Georgina Gresham, prime suspect in the notorious murder of her husband, James, almost thirty years earlier. Beside her lie the bodies of her brother Edmund and housekeeper Ada.

But there is a link with the past. In the 1890s, in a beautiful garden, three children played together. Their lives were secure, their future certain – until the youngest child was found with fatal head injuries…

‘Remarkably skilled first novel, told through three narrators flashing back from the 1950s to the First World War. Works as both a locked-room mystery and a nugget of social history. Great promise.’

The Daily Telegraph

‘Gripping, insidious exhumation of the secret lives of three elderly recluses… Time past evoked so strongly you can taste it. Intelligent, absorbing and highly accomplished. “Reminiscent of Barbara Vine” claim the publishers, and they could be right. But in her first novel Wilson is imitating no one. She may remind you of the best, but her talent is all her own.’

The Literary Review

Killer Women Crime Club Anthology #1

Foreward by Val McDermid

Shortlisted for the 2017 Audie Award for Best Short Story Collection

Blade-sharp and pared to the bone, these original stories by bestselling, award-winning female crime writers will lure you to the dark side. Fifteen perfectly twisted tales with a measure of evil, a dash of horror, and a dose of humour. Expect the unexpected…

Fifteen original stories by Jane Casey, Tammy Cohen, Sarah Hilary, Alison Joseph, Erin Kelly, Alex Marwood, Kate Medina, Colette McBeth, Melanie McGrath, D. E. Meredith, Louise Millar, Kate Rhodes, Helen Smith, Louise Voss and Laura Wilson.

'This is a wicked crop of 15 short stories by modern female crime writers, several of whom I’d read before but many more that I had not. Most of the stories are thrillingly entertaining, some are pretty funny and one or two of them are achingly heartbreaking.'

Amazon reader review

Killer Women Crime Club Anthology #2

Foreward by Laura Lippman

Bodies surface and disappear, seduce and corrupt in these original stories by bestselling, award-winning female crime writers from the Killer Women crime-writing collective. Keep your eyes peeled, your ears cocked and your wits about you as twenty deliciously twisted tales take you to surprising places…

Original stories by Rachel Abbott, Sharon Bolton, Jane Casey, Tammy Cohen, Julia Crouch, Elly Griffiths, Sarah Hilary, Amanda Jennings, Alison Joseph, Emma Kavanagh, Erin Kelly, Alex Marwood, Kate Medina, Colette McBeth, Melanie McGrath, D. E. Meredith, Louise Millar, Kate Rhodes, Helen Smith, Louise Voss and Laura Wilson.

'A lot of women have terrified me over the years, but none quite like these!'

Linwood Barclay

'Tough, brutal, scary and disturbing.'

The Times

About Me

 I was born and brought up in London, and have degrees in English literature from Somerville College, Oxford, and University College London.

I live  in Hackney, where I am currently working on my fifteenth novel. As well as writing crime fiction, I also write YA fiction under the name Jamie Costello.

I have programmed the Harrogate Crime Writing Festival (2009),  co-programmed the Killer Women Crime Fiction Festival (2016-2019), and taught on the City University Crime Thriller Novel MA Course (2013-2018). Since 2007, I have been the crime and thriller fiction reviewer for the Guardian newspaper.

 

Contact Me

For questions about opportunities and rights and options, please contact Veronique Baxter at David Higham Associates: reception@davidhigham.co.uk

If you’d like to send me a message or ask a question, please use the form here. I’d love to hear from you.