Directed by
| Joel Hopkins | ||
Writing Credits
| Joel Hopkins | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Robert Kessel | ... | production executive (uncredited) |
| Jawal Nga | ... | executive producer |
| Tim Perell | ... | producer |
| Guy Tannahill | ... | line producer |
| Nicola Usborne | ... | producer |
Music by
| Dickon Hinchliffe | ||
Cinematography by
| John de Borman | ... | director of photography |
Editing by
| Robin Sales | ||
Casting By
| Ali Farrell | ||
| Elaine Grainger | ||
| Laura Rosenthal | ||
Production Design by
| Jon Henson | ||
Art Direction by
| Suzanne Austin | ||
| Patrick Rolfe | ... | supervising art director |
Set Decoration by
| Robert Wischhusen-Hayes | ||
Costume Design by
| Natalie Ward | ||
Makeup Department
| Francesco Alberico | ... | makeup artist (as Francisco Alberto) |
| Tricia Cameron | ... | makeup artist: Ms. Thompson (as Patricia Cameron) |
| Julie Dartnell | ... | makeup artist |
| Daniel Erdman | ... | hair stylist: Mr. Hoffman |
| Marilyn MacDonald | ... | key hair stylist / key makeup artist |
| Valli O'Reilly | ... | makeup artist: Mr. Hoffman |
Production Management
| Kelly Howard-Garde | ... | unit production manager |
| Gavin Milligan | ... | unit manager |
| Michael Solinger | ... | post-production supervisor |
| Bryan Yaconelli | ... | executive in charge of production (uncredited) |
Second Unit Director or Assistant Director
| Jonny Benson | ... | first assistant director: second unit |
| Samson Haveland | ... | third assistant director (as Sam Haveland) |
| Henry Mackintosh | ... | floor runner |
| Kate McLaughlin | ... | second assistant director: crowd |
| Matthew Penry-Davey | ... | first assistant director |
| Lance Roehrig | ... | second assistant director |
| George Taylor | ... | runner |
| Sarah Hood | ... | third assistant director: second unit (uncredited) |
| Carly Taverner | ... | third assistant director: additional photography (uncredited) |
Art Department
| Jon-Claude Bates | ... | stand-by props |
| James Brooker | ... | dressing props |
| Gareth Cousins | ... | assistant art director |
| Dan Crandon | ... | construction manager |
| Tim Crowdy | ... | assistant construction manager |
| Quentin Davies | ... | prop storeman |
| Peter Davis | ... | supervising scenic painter |
| Peter Edge | ... | stand-by painter |
| Nick Flatt | ... | stand-by stagehand (as Nick Flat) |
| Bruce Gallup | ... | hod scenic painter |
| Dave Gray | ... | stand-by rigger (as David Gray) |
| Nadine Herrmann | ... | art department assistant |
| Prue Howard | ... | assistant buyer |
| Jason Htay | ... | site foreman |
| Ben Johnson | ... | stand-by prop |
| Garry Moore | ... | stand-by carpenter |
| Tony Moore | ... | construction rigger |
| Claire Pidgeon | ... | production buyer |
| Tim Powis | ... | workshop foreman |
| Vince Shaw | ... | construction rigger |
| Dafydd Shurmer | ... | stand-by props |
| Nick Thomas | ... | property master |
| Libby Uppington | ... | dressing prop |
| Caroline Barclay | ... | stand-by art director (uncredited) |
| Bruce Barnes | ... | carpenter (uncredited) |
| Simon Bradbury Philip | ... | stand-by: second unit (uncredited) |
| Mark Larkin | ... | graphic designer (uncredited) |
| Natalie Valentine | ... | Standby props: dailies (uncredited) |
| Mark Wallis | ... | carpenter (uncredited) |
Sound Department
| Mark Appleby | ... | adr recordist |
| Simon Chase | ... | dialogue editor |
| Lloyd Dudley | ... | sound assistant |
| Peter Eusebe | ... | sound maintenance |
| Richard Fordham | ... | dialogue editor |
| Peter Gleaves | ... | adr mixer |
| Paul Hanks | ... | foley artist |
| Mark Holding | ... | production sound mixer |
| Eddy Joseph | ... | supervising sound editor (as Eddie Joseph) |
| Mark Paterson | ... | re-recording mixer |
| Mike Prestwood Smith | ... | re-recording mixer |
| Colin Ritchie | ... | dialogue editor |
| Jamie Roden | ... | adr mixer / re-recording mixer |
| Chris Sturmer | ... | sound consultant: dolby |
| Oliver Tarney | ... | supervising sound editor |
| Carol Thomas | ... | head of operations: Soundelux London (as Carol Jones) |
| Ceri Thomas | ... | assistant sound editor |
| Andy Thompson | ... | adr mixer |
| Simon Trundle | ... | foley mixer |
| Tim Atkins | ... | adr recordist (uncredited) |
| Dillon Bennett | ... | assistant sound editor (uncredited) |
| Courtney Bishop | ... | adr recordist (uncredited) |
| Jason Chiodo | ... | re-recording mixer: marketing (uncredited) |
| Nick Foley | ... | adr recordist (uncredited) |
| Simon Jones | ... | re-recording mixer (uncredited) |
| Michael Miller | ... | adr mixer (uncredited) |
| Kevin Penney | ... | additional foley editor (uncredited) |
| Peter Staubli | ... | sound effects editor (uncredited) |
| Greg Zimmerman | ... | adr recordist (uncredited) |
Special Effects by
| Neal Champion | ... | special effects supervisor |
| Alistair Anderson | ... | special effects technician (uncredited) |
| Bernard Newton | ... | special effects (uncredited) |
Visual Effects by
| Charlotte Gray | ... | digital restoration |
| Jonathan Hanton | ... | digital restoration |
| Scott Liddle | ... | digital restoration |
| Jonathan Mann | ... | digital restoration |
| Simon Wilkinson | ... | visual effects (uncredited) |
Camera and Electrical Department
| Jonathan Ames | ... | video assist assistant |
| Dave Armstrong | ... | grip: dailies (as David Armstrong) |
| Chris Bailey | ... | practical electrician |
| Carl Campbell | ... | electrician |
| Richard Churchhouse | ... | electrician |
| Malcolm Cooper | ... | camera truck driver |
| David Cross | ... | grip |
| Roy Elston | ... | electrical rigger |
| Warren Ewen | ... | rigging gaffer |
| Max Glickman | ... | second assistant camera |
| Leigh Gold | ... | focus puller |
| Merritt Gold | ... | focus puller: second unit |
| Eugene Grobler | ... | electrician |
| Rodrigo Gutierrez | ... | additional camera operator |
| Mark Hanlon | ... | best boy |
| Adam Harris | ... | Additional electrician |
| Dash Lilley | ... | camera trainee |
| Andy Long | ... | gaffer |
| Brian Mcgivern | ... | generator operator |
| Malcolm Mclean | ... | director of photography: second unit (as Malcolm McLean) |
| Felix Milburn-Foster | ... | trainee grip |
| James Perry | ... | second assistant camera |
| Alastair Rae | ... | camera operator / steadicam operator |
| Laurie Sparham | ... | still photographer |
| Zoe Whittaker | ... | video assist operator |
| Lawrence Bewsher | ... | video operator: additional photography (uncredited) |
| Luke Chisholm | ... | grip: re-shoots (uncredited) |
| Wailoon Chung | ... | electrician extra (uncredited) |
| James Cronly | ... | video assistant: pick-ups (uncredited) |
| John de Borman | ... | camera operator (uncredited) |
| Paul Edwards | ... | steadicam operator: additional photography (uncredited) |
| Conor Finlay | ... | lighting technician (uncredited) |
| David Holliday | ... | key grip: re-shoots (uncredited) |
| Paul Hymns | ... | grip: "b" camera (uncredited) |
| Adam Lee | ... | balloon light technician (uncredited) |
Casting Department
| Maribeth Fox | ... | casting associate: US |
| Kate Ringsell | ... | casting associate: UK |
| Brendan Donnison | ... | voice casting (uncredited) |
| Ali Farrell | ... | casting: USA (uncredited) |
| Laura Rosenthal | ... | casting: USA (uncredited) |
Costume and Wardrobe Department
| Annette Allen | ... | costume assistant |
| Tom Hornsby | ... | costume master |
| Gilly Martin | ... | costume supervisor |
| Tamsin Wright | ... | personal dresser: Mr. Hoffman |
| Esme Young | ... | seamstress |
| Peter Edmonds | ... | costume assistant (uncredited) |
| Steve O'Sullivan | ... | set costumer (uncredited) |
| Lucilla Simbari | ... | costume assistant (uncredited) |
Editorial Department
| Matt Adams | ... | digital intermediate consultant |
| Matthew Benns | ... | digital intermediate data manager |
| Dan Dolan | ... | digital scanning |
| Paul Ensby | ... | colourist |
| Todd Kleparski | ... | digital intermediate project manager |
| Jonathan Sales | ... | assistant editor |
| Ben Setterfield | ... | digital scanning |
| Dominic Thomson | ... | digital editor (as Dom Thomson) |
| Nick Moore | ... | additional editor (uncredited) |
Location Management
| Richard George | ... | assistant location manager |
| Sarah Hamilton | ... | location assistant |
| Tom Howard | ... | location manager |
| Steve Keane | ... | security and location assistant |
| Charlie Somers | ... | supervising location manager |
| Phil Hounam | ... | location manager (uncredited) |
Music Department
| Philip Bagenal | ... | music recordist |
| Hal Cazalet | ... | piano consultant |
| Gary Chester | ... | music mixer / orchestra recordist |
| The Filmharmonic Orchestra Prague | ... | orchestra |
| Michael Hill | ... | music supervisor |
| Dickon Hinchliffe | ... | orchestrator |
| Jennifer Jesperson | ... | music clearances |
| Adam Klemens | ... | conductor |
| Petr Pycha | ... | orchestra contractor |
| Nigel Stone | ... | music editor |
Script and Continuity Department
| Libbie Barr | ... | script supervisor |
Transportation Department
| Alexander Aben | ... | grip truck (as Alex Aben) |
| Julian Anthony | ... | unit driver |
| Gavin Ball | ... | minibus driver |
| Colin Bressington | ... | costume truck driver |
| Gary Cook | ... | costume truck driver |
| Gwyn Ethall | ... | minibus driver |
| Barry Goodwin | ... | unit driver |
| Tony Jayes | ... | unit driver |
| Alex Jones | ... | costume truck driver |
| Constantine Jury | ... | facility driver |
| Dennis McCleod | ... | construction truck |
| Pete Newman | ... | unit driver |
| Lol Smith | ... | unit driver (as Laurence Smith) |
| John Wright | ... | facilities manager |
| Piotr Walczak | ... | transport facilities manager: reshoot (uncredited) |
Additional Crew
| Chris Allies | ... | title designer |
| Steven Barnet | ... | catering manager: Bon Appetit (as Steve Barnett) |
| Katie Bretherton | ... | production runner |
| Mitchell Brown | ... | catering assistant: Bon Appetit |
| Francesca Budd | ... | assistant: Mr. Hopkins |
| Fiona Carruthers | ... | assistant: Ms. Usborne & Mr. Perell |
| Peter Clark | ... | assistant accountant |
| Lauren Dark | ... | runner / stand-in |
| Andrew Gwyn Davies | ... | production coordinator |
| Glenn Diot | ... | assistant production coordinator |
| Marilyn Goldsworthy | ... | production accountant |
| Bev Harris | ... | catering assistant: Bon Appetit |
| Viv Irish | ... | assistant: Ms. Thompson |
| Stacy Mann | ... | unit publicist |
| Joy Maxwell Davis | ... | unit nurse (as Joy Maxwell-Davis) |
| Natalie Moore | ... | assistant accountant |
| Mark Munnelly | ... | accountant |
| Rozza Reader | ... | head chef: Bon Appetit (as Ray 'Rozza' Reader) |
| Tom Routledge | ... | medical consultant |
| Neil Samuels | ... | catering assistant: Bon Appetit |
| Matthew Shapiro | ... | assistant: Mr. Perell, New York |
| Rory Shaw | ... | assistant: Mr. Hoffman |
| Andy Soane | ... | catering assistant: Bon Appetit |
| George Taylor | ... | stand-in |
| Ken Timon Hill | ... | legal |
| Michael Wade | ... | stand-in: Mr. Hoffman |
| Jo Cameron Brown | ... | dialect coach (uncredited) |
| Celine Coulson | ... | floor runner (uncredited) |
| Paul Hayes | ... | floor runner: dailies (uncredited) |
| Will Haynes | ... | production assistant: additional photography (uncredited) |
| Lisa Heathcote | ... | food stylist (uncredited) |
| Carlton Jarvis | ... | medical advisor (uncredited) |
| Kate Penlington | ... | post production co-ordinator (uncredited) |
| Christopher Verone | ... | production staff (uncredited) |
| Mike Woodley | ... | aviation consultant (uncredited) |
Thanks
| Stephanie Allin | ... | the producers wish to thank |
| Alison Simmons | ... | the producers wish to thank: The Grosvenor House |
| Jenny Tobin | ... | the producers wish to thank |
| Jim Todd | ... | the producers wish to thank |
