Elmore James – King Of The Slide Guitar
Label: | Capricorn Records – 9 42006-2 |
---|---|
Format: | 2 x CD, Compilation |
Country: | US |
Released: | |
Genre: | Blues |
Style: | Chicago Blues |
Tracklist
1-1 | The Sky Is Crying | |
1-2 | Baby Please Set A Date | |
1-3 | Held My Baby Last Night | |
1-4 | Dust My Broom | |
1-5 | Bobby's Rock | |
1-6 | Rollin' And Tumblin' | |
1-7 | Done Somebody Wrong | |
1-8 | Something Inside Of Me | |
1-9 | I'm Worried | |
1-10 | Fine Little Mama | |
1-11 | I Need You | |
1-12 | Early One Morning | |
1-13 | I Can't Stop Loving You | |
1-14 | Strange Angel | |
1-15 | She Done Moved | |
1-16 | My Baby's Gone | |
1-17 | Stranger Blues | |
1-18 | Anna Lee | |
1-19 | (My) Bleeding Heart | |
1-20 | Standing At The Crossroads | |
1-21 | One Way Out | |
1-22 | My Kind Of Woman | |
1-23 | Person To Person | |
1-24 | Find My Kind Of Woman (Previously Unreleased Alternate Take) | |
1-25 | Find My Kind Of Woman | |
1-26 | So Unkind | |
2-1 | Got To Move | |
2-2 | Shake Your Moneymaker | |
2-3 | Look On Yonder Wall | |
2-4 | Sunnyland Train | |
2-5 | Mean Mistreatin' Mama | |
2-6 | Go Back Home Again | |
2-7 | You Know You're Wrong | |
2-8 | You Know You Done Me Wrong | |
2-9 | I've Got A Right To Love My Baby | |
2-10 | Every Day I Have The Blues | |
2-11 | Dust My Broom | |
2-12 | It Hurts Me Too | |
2-13 | Talk To Me Baby | |
2-14 | Can't Stop Loving My Baby | |
2-15 | She's Got To Go | |
2-16 | Hand In Hand | |
2-17 | Pickin' The Blues | |
2-18 | Twelve Year Old Boy | |
2-19 | I Believe | |
2-20 | I Gotta Go Now | |
2-21 | Up Jumped Elmore | |
2-22 | Make My Dreams Come True | |
2-23 | Back In Mississippi (A Conversation) | |
2-24 | Blacksnake Blues |
Companies, etc.
- Recorded At – Beltone Studios
- Recorded At – Cosimo Recording Studio
- Recorded At – A-1 Sound Studios
Credits
- Art Direction, Design, Design [Booklet] – Kim Champagne
- Baritone Saxophone – Paul "Hucklebuck" Williams* (tracks: 1-17 to 2-1)
- Bass – Homesick James (tracks: 1-1 to 1-16), James Williamson (2) (tracks: 1-1 to 1-16), Sammy Lee Bully (tracks: 2-2 to 2-6), Unknown Artist (tracks: 1-17 to 2-1, 2-7 to 2-24)
- Compilation Producer – Diana Reid Haig
- Coordinator [Special Projects] – Mark Pucci
- Design [Booklet] – Michael Diehl
- Drums – Belton Evans (tracks: 1-6 to 1-16), Earl Williams (tracks: 1-17 to 2-1), King Mose (tracks: 2-2 to 2-6), Odie Payne (tracks: 1-1 to 1-5), Sam Myers (tracks: 2-2 to 2-6), Unknown Artist (tracks: 2-7 to 2-24)
- Engineer – Dick Charles
- Guitar – Riff Ruffin (tracks: 1-17 to 2-1), Jimmy Spruill* (tracks: 1-6 to 1-16)
- Guitar, Vocals – Elmore James
- Harmonica – Sam Myers (tracks: 2-3)
- Illustration – Josh Gosfield
- Liner Notes – Chris Morris (15)
- Liner Notes [Introduction] – Phil Walden
- Liner Notes, Research, Compiled By – Diana Haig*
- Mastered By [Digital] – Lee Herschberg
- Photography By [Elmore James] – George Adins*
- Piano – John "Big Moose" Walker* (tracks: 2-2 to 2-6), Johnny Acey (tracks: 1-17 to 2-1), Johnny Jones* (tracks: 1-1 to 1-5), Walking Willie (tracks: 2-7 to 2-24)
- Producer, Engineer – Bobby Robinson
- Saxophone – J.T. Brown (tracks: 1-1 to 1-5), Paul "Hucklebuck" Williams* (tracks: 1-6 to 1-16)
- Saxophone, Piano – Unknown Artist (tracks: 1-6 to 1-16)
- Tenor Saxophone – George Coleman (tracks: 1-17 to 2-1)
- Trombone – Dickie Harris (tracks: 1-17 to 2-1)
- Trumpet – Danny Moore (tracks: 1-17 to 2-1)
Notes
Issued with 16-page booklet.
Elmore's last great recordings occurred in the 1960s when he was signed by New York producer/label-owner Bobby Robinson. Unlike many of his contemporaries, James seemingly got better as the years went by and while none of the sides feature a slide guitar anywhere near as nasty as his early Modern and Flair recordings, he's still obviously giving it all on each and every side. These recordings are the ones most commonly issued on James and have surfaced on so many different compilations -- all with varying levels of sound quality--that it would be futile to list them all here. Fortunately, to make things easier we have this two-disc 50-song box set rounding up at least one extant take of everything Elmore recorded with Robinson at the helm. While some of the material are recuts of his best known tunes ("Dust My Broom" resurfaces here in two versions from two different sessions and the version of "It Hurts Me Too" included here -- it was originally cut for Chief in the late '50s -- became a posthumous hit for him), the majority of it breaks new ground and stands as some of Elmore's most emotion-laden work. Nice essays in the booklet make up for the disgusting art work that adorns the box.
John A. Williamson (aka: Homesick James)
Elmore's last great recordings occurred in the 1960s when he was signed by New York producer/label-owner Bobby Robinson. Unlike many of his contemporaries, James seemingly got better as the years went by and while none of the sides feature a slide guitar anywhere near as nasty as his early Modern and Flair recordings, he's still obviously giving it all on each and every side. These recordings are the ones most commonly issued on James and have surfaced on so many different compilations -- all with varying levels of sound quality--that it would be futile to list them all here. Fortunately, to make things easier we have this two-disc 50-song box set rounding up at least one extant take of everything Elmore recorded with Robinson at the helm. While some of the material are recuts of his best known tunes ("Dust My Broom" resurfaces here in two versions from two different sessions and the version of "It Hurts Me Too" included here -- it was originally cut for Chief in the late '50s -- became a posthumous hit for him), the majority of it breaks new ground and stands as some of Elmore's most emotion-laden work. Nice essays in the booklet make up for the disgusting art work that adorns the box.
John A. Williamson (aka: Homesick James)
Barcode and Other Identifiers
- Barcode: 0 9362-42006-2 8
- SPARS Code: AAD
- Matrix / Runout (disc 1, variant 1): 1 42006-2.1 SRC=01 M2S1
- Matrix / Runout (disc 2, variant 1): 1 42006-2.2 SRC=01 M2S6
- Matrix / Runout (disc 1, variant 2): 1 42006-2.1 SRC=01 M3S5
- Matrix / Runout (disc 2, variant 2): 1 42006-2.2 SRC=01 M5S3
- Matrix / Runout (disc 1, variant 3): 1 42006-2.1 SRC=01 M3S4
- Matrix / Runout (disc 2, variant 3): 1 42006-2.1 SRC=01 M5S2
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | King Of The Slide Guitar, Capricorn Records Presents (2×CD, Compilation, Reissue, Mono) | Capricorn Records | 9 42006-2 | US | 1992 |
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