King Crimson Albums: songs, discography, biography, and listening guide - Rate Your Music
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King Crimson

In the Court of the Crimson King
Formed
Disbanded
8 December 2021
Members
Robert Fripp (guitar, keyboards), Ian McDonald (saxophone, flute, keyboards, 1969), Greg Lake (bass, vocals, 1969-70), Michael Giles (drums, 1969-70), Peter Sinfield (lyrics, 1969-71), Gordon Haskell (bass, vocals, 1970), Andy McCulloch (drums, 1970), Mel Collins (saxophone, flute, 1970-72, 2013-21), Boz Burrell (bass, vocals, 1971-72), Ian Wallace (drums, 1971-72), Jamie Muir (percussion, 1972-73), John Wetton (bass, vocals, 1972-74), David Cross (violin, viola, flute, keyboards, 1972-74), Bill Bruford (drums, percussion, 1972-97), Tony Levin (bass, 1981-99, 2003-21), Adrian Belew (guitar, vocals, 1981-2013), Trey Gunn (bass, Chapman stick, Warr Guitar, 1994-2003), Pat Mastelotto (drums, percussion, 1994-2021), Gavin Harrison (drums, 2007-21), Bill Rieflin (drums, keyboards, 2013-20), Jakko M. Jakszyk (vocals, guitar, 2013-21), Jeremy Stacey (drums, keyboards, 2016-21)
Related Artists
Also Known As
Discipline, ProjeKct X
Genres
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Discography

903
Credits 67 Filmography 3

Album

Showing all (13)
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
+115
4.32
66,038
982
66,038
982
+58
3.56
16,117
259
16,117
259
+56
3.65
13,620
214
13,620
214
Cover art: Lizard
1970
+46
3.73
13,305
214
13,305
214
Cover art: Islands
1971
+53
4.03
22,035
312
22,035
312
+45
3.72
11,864
173
11,864
173
+50
4.24
34,017
412
34,017
412
Cover art: Red
1974
+41
4.02
20,902
260
20,902
260
+33
3.29
7,428
105
7,428
105
Cover art: Beat
1982
+32
3.37
6,985
109
6,985
109
+16
3.46
5,936
89
5,936
89
Cover art: THRAK
1995
+10
2.96
4,022
85
4,022
85
+9
3.46
5,073
98
5,073
98
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Live Album

Showing 10 of 332 show all
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
+21
3.12
1,707
78
1,707
78
+37
3.91
2,092
52
2,092
52
Cover art: USA
1975
+13
4.23
1,913
57
1,913
57
+6
3.79
654
18
654
18
Cover art: Epitaph
Epitaph [archival]
1997
+7
4.21
1,755
36
1,755
36
 
3.81
4
4
-
Show all 332 Live Albums

EP

Showing all (10)
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
 
3.77
46
46
-
+5
3.52
628
12
628
12
Cover art: VROOOM
1994
 
3.83
73
2
73
2
Cover art: Dinosaur
1995
 
3.36
52
52
-
+1
3.46
43
2
43
2
Cover art: Schizoid Man
Schizoid Man [archival]
1996
 
3.72
16
16
-
Cover art: Live EP 2014
Live EP 2014 [live]
2015
+1
3.33
109
1
109
1
 
3.43
17
1
17
1
Cover art: Uncertain Times
2018

Single

Showing 15 of 64 show all
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
+8
3.54
331
4
331
4
 
4.43
2,224
14
2,224
14
 
3.95
350
2
350
2
+1
3.95
385
385
-
 
3.76
134
134
-
Cover art: Dinosaur
1995
 
3.78
116
2
116
2
Show all 64 Singles

Music video

Showing 3 of 7 show all
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
 
3.00
11
11
-
Cover art: Heartbeat
1982
 
3.70
13
1
13
1
Cover art: Sleepless
1984
 
4.45
14
14
-
Cover art: Starless
Starless [live]
2016
Show all 7 Music videos

Appears On

Showing 11 of 28 show all
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
+1
3.41
23
23
-
+1
3.62
203
2
203
2
Cover art: Buffalo 66
Buffalo 66 [motion picture soundtrack]
1998 • Album Vincent Gallo
+1
3.46
21
21
-
 
4.24
49
4
49
4
Cover art: Beyond the Beginning
2005 • Video Emerson, Lake & Palmer
+1
4.21
29
29
-
+2
4.07
26
26
-
Cover art: From the Beginning
2007 • Compilation Emerson, Lake & Palmer
 
3.22
10
10
-
 
5.00
3
3
-
Cover art: Essential Fix
2022 • DJ Mix Froff
 
-
-
Cover art: Dummy Mix 644
2022 • DJ Mix FaltyDL
 
-
-
Cover art: Mp3 Player Archive
2023 • DJ Mix juvenilemoogs
Show all 28 Appearances

Compilation

Showing 3 of 70 show all
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
+5
3.98
433
12
433
12
Cover art: Vrooom Vrooom
Vrooom Vrooom [live]
2001
+6
3.85
337
11
337
11
Show all 70 Compilations

V/A Compilation

Showing 3 of 41 show all
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
+1
4.16
87
4
87
4
+4
3.87
83
4
83
4
Cover art: Bumpers
1970
Show all 41 V/A Compilations

Bootleg / Unauthorized

Showing 3 of 133 show all
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
 
3.89
13
1
13
1
Cover art: Heretic
Heretic [live]
1974
+2
4.20
20
1
20
1
 
4.07
15
15
-
Show all 133 Bootlegs / Unauthorized releases

Video

Showing 4 of 12 show all
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
+3
4.18
198
8
198
8
Cover art: Deja Vrooom
Deja Vrooom [live]
1999
+1
4.17
193
10
193
10
 
4.22
108
4
108
4
Show all 12 Videos

Additional release

Showing 5 of 20 show all
Issues
AverageAvg.
Ratings
Reviews
Ratings/Rev.
Title
/
Release Date
 
3.14
139
3
139
3
+1
2.83
102
5
102
5
Cover art: Nashville Rehearsals 1997
2000
 
3.21
85
2
85
2
 
3.51
12
2
12
2
 
2.63
18
18
-
Cover art: Sex, Sleep, Eat, Drink, Dream - Guitar and Bass
2024
Show all 20 Additional releases
In the Court of the Crimson King
  • "King Crimson are one of the few prog bands whom one can actually call 'progressive', using the dictionary definition of the term. Once Robert Fripp figured out that the psychedelic trappings of their first four albums didn't suit them very well, he set about making them over as a much grittier, earthier outfit. In the 1980s they became a poly-rhythmic machine, following a path laid down by Talking Heads' Remain in Light and adding its own peculiar angularity. In the 1990s and beyond, they've adopted sort of a nu-metal outlook, although not without throwing in flashbacks to the mid-1970s and 1980s eras. Every listener tends to prefer one era or the other, of course. But no era has come close to being completely dismissed the way that the 'pop' eras of Yes and Genesis have been, by certain sections of their fanbases. If any 'progressive' band, other than Pink Floyd, were taken seriously by the Rock And Roll Hall Of Fame, King Crimson would have been inducted during their first year of eligibility."
  • Biography

    Arguably the founding fathers of Progressive Rock, King Crimson's roots were planted in 1968 when guitarist Robert Fripp and brothers Michael and Peter Giles formed a trio called Giles, Giles and Fripp. The three would release one commercially unsuccessful album before deciding to expand a bit. First they added saxophone/flute player Ian McDonald, followed by lyricist Peter Sinfield. Their lineup would be completed when Peter Giles departed and was replaced by Greg Lake. They decided on the name King Crimson and went into the studio in 1969 where they essentially gave birth to progressive rock with the release of In the Court of The Crimson King in October 1969. After touring the UK and USA, McDonald and Michael Giles left the band at the end of the year. With McDonald out of the lineup, his place was taken by Mel Collins. Midway through the recording of the second album In the Wake of Poseidon, Lake departed the band to go work with Keith Emerson on what would become another one of prog's seminal bands, Emerson, Lake & Palmer. Gordon Haskell came in as his replacement to finish the vocals parts, and the Giles brothers returned as rhythm section. Keith Tippett was added as pianist. The album had nowhere near the commerical success of its predecessor and was dubbed a carbon copy by critics. Both Giles brothers proceeded to exit the band. Haskell took over the bass, while Andy McCulloch joined as drummer for the jazzier Lizard, a lineup which wasted no time collapsing.

    With a new lineup, Fripp, Sinfield, Collins, future Bad Company bassist Boz Burrell and drummer Ian Wallace, the band toured in 1971 for the first time since 1969. Islands was released later that year. The 1972 USA tour resulted in the poor quality live album Earthbound (released by Robert Fripp to get the band out of their record deal). The band officially broke up following the tour.

    It wasn't long before King Crimson returned, though. Fripp almost instantly put together a new lineup featuring bassist/vocalist John Wetton, drummer Bill Bruford, violinist David Cross, percussionist Jamie Muir, and lyricist Richard Palmer-James. This lineup brought a harder edged and more improvisational sound to the table, quickly recording 1973's Larks' Tongues in Aspic and 1974's Starless and Bible Black (for which Muir quietly exited the band) to much fanfare. Things were quick to turn sour, though, with Cross departing after the 1974 tour. Fripp brought back both Mel Collins and Ian McDonald for 1974's Red, one of the band's most acclaimed releases. With this, the band broke up again, although Bruford and Wetton went on to become founding members of the supergroup U.K..

    In 1981, Robert Fripp decided to create a new project called Discipline, for which he recruited singer/guitarist Adrian Belew, bassist Tony Levin, and a returning Bill Bruford on drums. The resulting album ended up being released under the King Crimson name, although its title retained the project's original name. Discipline introduced a more 80s oriented sound and was hailed as a triumphant return by many fans. This would be one of the longer lasting King Crimson lineups, putting out two more records (Beat and Three of a Perfect Pair) before breaking up once again in 1984 (following a tour which would later be documented on the Absent Lovers live album).

    There was no action in the KC camp for an extended timespan, the closest being in 1989 when Fripp, his wife Toyah Wilcox and future KC bassist Trey Gunn started a project called Sunday All Over The World.

    In 1991, Fripp invited David Sylvian to become the lead singer for King Crimson. Although Sylvian declined the offer, he and Fripp formed a duo project Fripp/Sylvian, which also featured Trey Gunn and drummer Jerry Marotta. On tour Pat Mastelotto played the drums, as can be heard on the live album Damage. The Fripp/Sylvian tour led directly into the reformation of King Crimson of 1994. The 80s lineup reunited, with the addition of bassist Trey Gunn and drummer Pat Mastelotto. This "double trio" lineup released Thrak in 1995.

    Looking for new musical ideas and searching for King Crimson's next direction, the members started to work in smaller sub-groups, the ProjeKcts over the next few years. However, Levin and Bruford both ended up leaving before too long, reducing them to a four-piece for 2000's The ConstruKction of Light. That same four-piece lineup produced The Power to Believe in 2003. At the end of that year, Trey Gunn left the band, and Tony Levin returned to the lineup.

    In 2007, Porcupine Tree drummer Gavin Harrison joined the band as a second drummer. This formation toured the USA in 2008, but no new studio recordings were released.

    21st Century Schizoid Band, a band with King Crimson alumni plus Jakko M. Jakszyk toured the world performing the 1960s and 70s repertoire of King Crimson. Another splinter group, The Crimson ProjeKCt, with Adrian Belew, Tony Levin, and Pat Mastelotto, primarily focused on repertoire from the early 1980s through to the mid-90s.

    In 2011, A Scarcity of Miracles: A King Crimson ProjeKct, a collaboration from Jakko M. Jakszyk, Robert Fripp, and Mel Collins, with Gavin Harrison and Tony Levin was released. Although officially not a King Crimson album, it was a hint of things to come. This lineup with drummers Bill Rieflin and Pat Mastelotto was later announced as the new formation for a 2014 USA tour. The new lineup never recorded a new studio album, but focused on reworking old material. The live repertoire included songs from the run of albums between In the Court of the Crimson King and Red, as documented on several live albums like Radical Action (To Unseat the Hold of Monkey Mind) and Meltdown: Live in Mexico. Most of the material wasn't performed in over 40 years. In 2016 Rieflin took a sabbatical from the band, to be replaced by Jeremy Stacey. After returning Rieflin became a fulltime keyboardist until his death in 2020. The band played their final concert December 2021.

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