This article features new albums from Mack Avenue Records. To order Joey DeFrancesco’s new album, More Music, click here.
The mega-faceted jazz musician Joey DeFrancesco celebrated his 50th birthday in April, and has quite a résumé to show for it. More Music is his 39th studio album as a leader. Characteristically, he has delivered an effusive mainstream hard-bop/soul-jazz effort.
DeFrancesco plays organ, piano, keyboards, trumpet and tenor saxophone — often more than one on the same track. That’s not doubling, that’s quintupling. And that doesn’t count his laid-back, everyman vocals on the standard-in-waiting, “And If You Please.” For good measure, DeFrancesco wrote and arranged all the material. Two highly simpatico players are all the support he needs. Lucas Brown plays organ, keyboards, acoustic and electric guitar. His comparatively restrained organ work countervails the leader’s unbridled effervescence. Drummer Michael Ode drives the entire affair with muscular swing. His 25-second solo intro to “Just Beyond the Horizon” is straight-up wild. No bassist necessary, by the way.
DeFrancesco plays his trumpet with spark (“Free”) and his tenor sax with warmth (on the ballad “Lady G” and the near-ballad “Angel Calling”), but — no surprise — it’s on Hammond B-3 that he shines brightest. He showcases that instrument on “Just Beyond the Horizon,” “Roll With It,” “Soul Dancing” and the title track, his fingers dancing across the keys with boundless swagger.
View Joey DeFrancesco’s artist profile on the Mack Avenue Records website here.
DeFrancesco plays organ, piano, keyboards, trumpet and tenor saxophone — often more than one on the same track. That’s not doubling, that’s quintupling. And that doesn’t count his laid-back, everyman vocals on the standard-in-waiting, “And If You Please.” For good measure, DeFrancesco wrote and arranged all the material. Two highly simpatico players are all the support he needs. Lucas Brown plays organ, keyboards, acoustic and electric guitar. His comparatively restrained organ work countervails the leader’s unbridled effervescence. Drummer Michael Ode drives the entire affair with muscular swing. His 25-second solo intro to “Just Beyond the Horizon” is straight-up wild. No bassist necessary, by the way.
DeFrancesco plays his trumpet with spark (“Free”) and his tenor sax with warmth (on the ballad “Lady G” and the near-ballad “Angel Calling”), but — no surprise — it’s on Hammond B-3 that he shines brightest. He showcases that instrument on “Just Beyond the Horizon,” “Roll With It,” “Soul Dancing” and the title track, his fingers dancing across the keys with boundless swagger.
View Joey DeFrancesco's artist profile on the Mack Avenue Records website