- Born
- Died
- Birth nameLucille Fay LeSueur
- Nicknames
- Billie Cassin
- Cranberry
- Billie
- Height5′ 3″ (1.60 m)
- Joan Crawford was born Lucille Fay LeSueur on March 23, 1906, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she'd had three stepfathers. It wasn't an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities. After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in Pretty Ladies (1925).
Three films quickly followed; although the roles weren't much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in Our Dancing Daughters (1928), which elevated her to star status. Crawford had cleared the first big hurdle; now came the second, in the form of talkies. Many stars of the silents saw their careers evaporate, either because their voices weren't particularly pleasant or because their voices, pleasing enough, didn't match the public's expectations (for example, some fans felt that John Gilbert's tenor didn't quite match his very masculine persona). But Crawford wasn't felled by sound. Her first talkie, Untamed (1929), was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as Grand Hotel (1932), Sadie McKee (1934), No More Ladies (1935), and Love on the Run (1936); movie patrons were enthralled, and studio executives were satisfied.
By the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. Mildred Pierce (1945) gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress. The following year she appeared with John Garfield in the well-received Humoresque (1946). In 1947, she appeared as Louise Graham in Possessed (1947); again she was nominated for a Best Actress from the Academy, but she lost to Loretta Young in The Farmer's Daughter (1947). Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in Sudden Fear (1952). This time the coveted Oscar went to Shirley Booth, for Come Back, Little Sheba (1952). Crawford's career slowed after that; she appeared in minor roles until 1962, when she and Bette Davis co-starred in What Ever Happened to Baby Jane? (1962). Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, "She's slept with every male star at MGM except Lassie", and Crawford said of Davis, "I don't hate [her] even though the press wants me to. I resent her. I don't see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She's phony, but I guess the public really likes that.")
Crawford's final appearance on the silver screen was in the flop Trog (1970). Turning to vodka more and more, she was hardly seen afterward. On May 10, 1977, Joan died of a heart attack in New York City. She was 71 years old. She had disinherited her adopted daughter Christina and son Christopher; the former wrote a tell-all book called "Mommie Dearest", The Sixth Sense published in 1978. The book cast Crawford in a negative light and was cause for much debate, particularly among her friends and acquaintances, including Douglas Fairbanks Jr., Crawford's first husband. (In 1981, Faye Dunaway starred in Mommie Dearest (1981) which did well at the box office.) Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.- IMDb Mini Biography By: Ed Stephan <stephan@cc.wwu.edu> and Denny Jackson, with assistance from Copy Editor
- SpousesAlfred Steele(January 14, 1956 - April 19, 1959) (his death)Phillip Terry(July 21, 1942 - April 25, 1946) (divorced, 1 child)Franchot Tone(October 11, 1935 - April 11, 1939) (divorced)Douglas Fairbanks Jr.(June 3, 1929 - May 15, 1934) (divorced)
- ChildrenChristopher CrawfordCindy Crawford
- ParentsThomas E. LeSueurAnna Bell Johnson
- RelativesHal Le Sueur(Sibling)Daisy McConnell(Sibling)
- Glamorous sense of fashion
- Frequently played women put through an extensive amount of suffering
- Later in her career, her large eyebrows and "smear" lipstick
- Shoulder pads
- Was asked to take over Carole Lombard 's role in They All Kissed the Bride (1942) after Lombard died in an airplane crash returning from a war bond tour. Crawford then donated all of her salary to the Red Cross, which found Lombard's body, and promptly fired her agent for taking his usual 10%.
- She had a cleanliness obsession. She used to wash her hands every ten minutes and follow guests around her house wiping everything they touched, especially doorknobs and pieces from her china set. She would never smoke a cigarette unless she opened the pack herself, and would never use another cigarette out of that pack if someone else had touched it.
- She once said in an interview that she and her arch-rival and What Ever Happened to Baby Jane? (1962) costar Bette Davis had nothing in common. In reality, they had a handful of similarities in their personal lives. They both had fathers who abandoned their families at a young age, they rose from poverty to success while breaking into films during the late 1920s and early 1930s, had siblings and mothers who milked them financially once they became famous, became Oscar-winning leading ladies, were staunch liberal Democrats and feminists, had four husbands, had adopted children, and had daughters who wrote books denouncing them as bad mothers.
- She disliked her "new" name and initially encouraged others to pronounce it Jo-Anne Crawford. In private, she liked to be referred to as Billie.
- Whenever she stayed in a hotel, no matter how good or reputable it was, she always scrubbed the bathroom herself before using it.
- I need sex for a clear complexion, but I'd rather do it for love.
- [In The Women (1939)] Norma Shearer made me change my costume sixteen times because every one was prettier than hers. I love to play bitches and she helped me in this part.
- If you start watching the oldies, you're in trouble. I feel ancient if Grand Hotel (1932) or The Bride Wore Red (1937) comes on. I have a sneaking regard for Mildred Pierce (1945), but the others do nothing for me.
- Love is fire. But whether it is going to warm your hearth or burn down your house, you can never tell.
- Nobody can imitate me. You can always see impersonations of Katharine Hepburn and Marilyn Monroe. But not me. Because I've always drawn on myself only.
- The Sixth Sense (1972) - $2,500
- Trog (1970) - $50,000 (estimated)
- Pilot (1969) - $50,000
- I Saw What You Did (1965) - $50,000
- Hush...Hush, Sweet Charlotte (1965) - $50,000 + 25% in profits + $5,000 in living expenses
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