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Four Kings: Leonard, Hagler, Hearns, Duran and the Last Great Era of Boxing Paperback – September 1, 2009
Purchase options and add-ons
- Print length364 pages
- LanguageEnglish
- PublisherMcBooks Press
- Publication dateSeptember 1, 2009
- Dimensions6 x 1.05 x 9 inches
- ISBN-101590132386
- ISBN-13978-1590132388
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Editorial Reviews
Review
"Boxing's last Golden Age gets the book it deserves. Kimball's breezy, detail-packed book . . . provides vivid, knowledgeable accounts of the action. He also draws clear colorful portraits of [the] four fighters." "--Sports Illustrated"
"Kimball's accounts of the fights are riveting blow-by-blows, the "big event" context is palpably rendered, and each of the fighters re-emerges from the mists of memory as colorful and compelling as ever. Boxing fans . . . will savor Kimball's work." "--Booklist"
""Four Kings" is a thriller and George Kimball a prince among sportswriters . . . an epic poem of a book, a book that lifts the heart." --Frank McCourt, author, "Angela's Ashes", '"Tis", and "Teacher Man"
"A a terrific book. Kimball was there and never missed a moment of it. His account of the fighters, the fights and the colorful supporting players is rich with insights and details." --Vincent Patrick, author, " The Pope of Greenwich Village" and" Family Business"
"George Kimball is one of America's best-loved sportswriters and Four Kings shows why. With skill, grace and humor, he brings to life a remarkable era and four uniquely gifted athletes." --Jeremy Schaap, ESPN reporter and author, "Cinderella Man: James J. Braddock", "Max Baer and the Greatest Upset in Boxing History"
"Kimball writes with insight and humor. The bigger the fight, the better he tells it." --Thomas Hauser, author, "Muhammad Ali: His Life and Times"
Chosen for Booklist Online's 10 Top Sports Books of 2009
"Boxing's last Golden Age gets the book it deserves. Kimball's breezy, detail-packed book . . . provides vivid, knowledgeable accounts of the action. He also draws clear colorful portraits of [the] four fighters." "--Sports Illustrated"
"Very accurate and well-researched . . . a phenomenon . . . well-written. I couldn't put it down. I loaned it to a friend and he won't give it back" --Emanuel Steward, World Champion Boxing trainer
"Bottom line: Check out the book." --Don Steinberg, ESPN.com
"Kimball's accounts of the fights are riveting blow-by-blows, the 'big event' context is palpably rendered, and each of the fighters reemerges from the mists of memory as colorful and compelling as ever. Boxing fans . . . will savor Kimball's work." --"Booklist"
"George Kimball's excellent and accurate account of the grandeur--indeed the majesty--of the confrontations among Hagler, Hearns, Leonard, and Duran is an exciting read. I highly recommend it." -- Bob Arum, CEO, Top Rank, Inc.
About the Author
Product details
- Publisher : McBooks Press (September 1, 2009)
- Language : English
- Paperback : 364 pages
- ISBN-10 : 1590132386
- ISBN-13 : 978-1590132388
- Item Weight : 1.21 pounds
- Dimensions : 6 x 1.05 x 9 inches
- Best Sellers Rank: #618,456 in Books (See Top 100 in Books)
- #211 in Boxing (Books)
- #848 in Sports History (Books)
- Customer Reviews:
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About the author
George Kimball is author of Four Kings: Leonard, Hagler, Hearns, Duran and the Last Great Era of Boxing, and of Manly Art, a boxing collection which will be published by McBooks Press in April of 2011. On June 1 2010 Fore Angels Press published "The Fighter Still Remains," which he co-edited with John Schulian. A past winner of the Nat Fleischer Award for Excellence in Boxing Journalism, he lives in New York City, and writes the weekly “America at Large” column for The Irish Times. Kimball (b. 1943) also co-edited the forthcoming anthology At the Fights: American Writers on Boxing (with John Schulian) for the Library of America. A career newspaperman, Kimball spent ten years as sports editor of The Boston Phoenix and 25 more as a sports columnist for the Boston Herald.
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This lucky reviewer was privileged to see the end of this era, to watch the last two of the nine super fights these four boxers fought with each other. Thus I was delighted to find this beautiful book, which told me details I had never heard, even though I followed the fighters and the sport closely. "Four Kings: Leonard, Hagler, Hearns, Duran and the Last Great Era of Boxing" radiates the feeling boxing fans had in these glorious days.
Naturally, all of it began with the childhood of the four kings, Duran, Hagler, Hearns, and Leonard. Please note that I listed their names in alphabetical order because I do not want to give preference to any of them; the book makes clear how each of them helped to bring out the best in all others. Kimball tells us how it happened.
Duran came from the very poorest circumstances: "Food was scarce; unable to care for him, his mother literally gave the boy away on several occasions. He (Duran) followed Toti to a boxing gym at the age of eight, and had his first amateur bout a year later."
Hagler was shy: "On his first night Hagler once again watched in silence. On the second, Goody (Petronelli) walked over and asked with a smile, "Hey, kid, do you want to learn how to fight?" "That's what I'm here for," said Marvin. Goody told him to come back the next night and bring along his gear. Gear? All he had was a pair of cutoff jeans and some tennis shoes."
Hearns was skinny, worked hard, and was grateful to be able to participate at out-of-town trips Kronk Recreation Center's Emmanuel Stewart arranged for. Leonard, who among boxers was described as having "choirboy"-looks really sang in a church choir before he started boxing.
The book also tells the stories of their trainers, promoters, and gyms. All of them evolved with their respective fighters. There are also the stories in connection with their names. Ray Charles, after who Leonard was named, sang "America the Beautiful" before the second Leonard-Duran fight, at the Superdome, in New Orleans. Leonard won that fight. Hagler had his name legally changed from Marvin Nathaniel to Marvelous Marvin Hagler. Hearns had gotten his nickname because:"Tommy's like a Hit Man," the manager observed. "He does his business and then gets out of town." And Duran had more colorful descriptions assigned to him and his name, than anybody's mother would like to know.
Kimball's writing style is fast-paced, information-packed, and entertaining.
Fight Hagler vs Duran: "The rows of scar tissue Hagler wore like combat ribbons around his eyebrows could provide an inviting target, even for a boxer more observant of the Marquis of Queensberry rules than Roberto Duran."
Readers, who may not know about the "Queensberry rules for the sport of boxing", (written in the 19th century these are the rules, on which the rules of modern boxing are based), as well as other facts, might have a harder time with this book; boxing fans however will be mesmerized by the riveting content Kimball manages to tie together to complete a beautiful picture of the boxers, the sport and the times.
Those, who miss the days when boxing was shown on the networks rather than pay-per-view, when ratings came from who fought who and not from manipulated or hyped stories, and Tommy Hearns (hailing from Detroit) could be "Motor City Cobra" with pride, will love this book.
In a way it is a neat thing that this book was written now. I read it close to my computer and watched some of the fights again on Youtube.
If you are ever looking for a gift for an important man in your life age 55+, who lived through the Golden Era, I recommend to buy this book. The chances to go wrong with "Four Kings" are remote.
Thank you, George Kimball, for this treasure.
Gisela Hausmann - author & blogger
Ray Leonard, Marvin Hagler, Thomas Hearns, and Roberto Duran are among the major colonnades of the '70s and '80s for boxing. A lot of fight fans can argue what era and class remains the golden age of boxing. Yet, when you observe the careers of these four fighters, you would be hard-pressed to argue against the tenure of their time.
In fact, if HBO and their mesmerizing 24/7 series portrayals of boxers today would have been available in the mid-80s, boxing would have remained one of the most popular sports today. I just wish that someone could turn the classic footage from the HBO Boxing preludes for each fight into a mini 24-7 series...HBO's Greatest Fights are close, but we need more.
Yes, it's true. The stories of Leonard, Duran, Hearns, and Hagler and how they intertwined haven't been highly described or investigated in detail. Fortunately, Kimball had the inside look at each fighter's climb with his job writing at the Boston Herald.
Throughout the book, he details the camp, pre-lim fights, and although Kimball interjects a lot of his own personal recollections and `I was there' descriptions that can stall the stroies, he provides sharp detail in each fighter's career. He also gives the chewy analysis upon how each fighter intertwined with one another for each fight.
Yet, the treats are found in the details provided by his notes and hanging with the great men who were in the corners. For example, due to his proximity to Brockton, Massachusetts as a Boston Herald reporter, Kimball pulls scintillating details from the rise of Hagler and through his conversations with Hagler's trainers, Goody and Pat Petronelli.
From Kimball's insights, you're not only able to see what drove Hagler for his fights, but also feel the loyalty, trust, and close bonds that Hagler had instilled throughout his career. Throughout the read, I grew to be a huge Hagler fan just alone upon the close circle that he kept throughout his career.
The sincere frustration that Hagler and the Petrocellis must have felt waiting for the big fights to come with Leonard and Hearns is symbolic of Hagler's final fight with Ray Leonard...He was robbed. The saving grace is that we saw him dominate the middleweight division for the time that we had. The bottom line here says that Hagler is the statue of this era, and I wish that we could grab more details upon him and his management team. He is what boxing is about and how fighters should handle their business.
Gems are also found in the conversations and details that Kimball gleams from Emmanuel Steward with his experience with Thomas Hearns. Kimball takes great care to compile all of the tidbits to determine who was the greatest talent of them all, and if not for the drama often found in Hearns's camps and pre-fight preparations, we may not even be questioning who the greatest fighter of all-time was.
Just for fun, take a look back at the Hearns-Duran fight via YouTube...What a master display of three minutes. The talent is incredible.
As for Leonard, Kimball eases through the events and depiction of Leonard. During the read, you definitely get to see the gloss that followed Leonard throughout his career and how the shine shielded a lot of his shortcomings in both in and out of the ring. After Leonard's rise from the `76 Olympics to the mainstream, you almost want to snicker at his results after the `No Mas' decision.
Kimball also finds nice details surrounding the rise of Duran and his camps throughout the book. If there is a fighter who seems to be neglected for his legendary career, it's `El Cholo', Roberto Duran, and Kimball fits the bill with great anecdotes and inside details.
Although the read provides great details, I would have liked to have seen more details and insights upon Roberto Duran, Kimball touches upon a lot of strong theories into Duran's strategies, his famed `No Mas' call, and his rise to the top of the heap. Yet, I would have liked to have heard more details from "Los Manos de Piedras" himself.
As a side note, unfortunately, with the passing of Duran's long-time trainer and boxing legend, Ray Arcel, we're not able to hear Arcel's voice as often as any boxing aficionado would hope to have from the legendary cornerman...(Check out Dave Anderson's "In The Corner" if you're looking for more Arcel nuggets and other tips from boxing great trainers. Kimball used Anderson's book as a reference. (In fact, I'll have another review for you shortly...I'm still reading the chapters on Eddie Futch, Kevin Rooney, and George Benson for a second go-around...Yes, that much fun.)
This reader would also like to see more answers of why Aaron Pryor couldn't have been included into rotation...Now, the neglection of Aaron Pryor for the great welterweight division runs, that's an overlooked story...Talk about a travesty for fight fans. (Note of bias: Pryor is this reviewer's favorite all-time fighting talent...Bar-none.)
In a lot of ways, I found that the read is more like the diving into the footnotes of the great depictions that were found in SIs and Ring Magazines. Lots of facts and interview snippets without a lot of gloss. The read also explores the great question:
Where are the big rivalries in the sport of boxing today...?
The book offers the mainstream opinions surrounding the topic.
First, the separation of divisions absolutely killed the rivalries. Second, the networks of HBO, Showtime, and other cable outlets dividing the fighters for their own promotions and not allowing them to have bouts within their divisions in order to protect their own promotional interests for their boxing schedules.
Kimball adds another theory from Gil Clancy that is a simple one to add to the answer the puzzle for the fall of boxing in the late '80s and '90s...Crack. According to Clancy, you had a whole generation that was skipped because of the inner-city drug wars, and the result is that boxing lost it's hold in the great urban cities.
From this blogga's point of view, after watching the fall of USA Boxing over the past decade from our dominance in the Olympics, we need to know more. I wish that we could see rivalries nurture and grow like the `Four Kings.' Yet, I think we'll have to turn to tennis or even ...Yeeech, the UFC in 40 years, to ever see a time like this one again.
Here's to Brockton, Mass, Washington, D.C., Guarere, Panama, and Detroit, Michigan...Thanks to George Kimball, and enjoy this read.
Top reviews from other countries
I bought it after reading an obituary of Marvin Hagler's. I was too old to really remember any of the fights (think I might have seen the Minter-Hagler one on TV) but as an armchair boxing fan I've heard and know the names well. This book nicely filled in the gaps and sent me shuffling back to You Tube to catch up on what I'd missed.
The Four Kings time is a great era in boxing in the sense that it provided the link between the Ali-Foreman era and the Tyson-Lewis late eighties and nineties run. I loved the well-drawn pen portraits of each fighter which were anything but hagiographies - none of them came out of the book looking like angels though each had plenty of divine moments.
Duran sounds hilarious and frightening - a proper character, engaged in his own constant fight between the destruction and creation of himself, the world being a sideshow - while Hearns sounds laid-back, fairly (foul-mouthedly) inarticulate but quietly intelligent and probably the most likable of the four. Leonard, the most articulate and extrovert, features prominently but comes across as weirdly insecure while Hagler seems a somewhat bitter, driven, chip-on-the-shoulder man who, even when he was winning, never seemed to be able to please the person who mattered the most: himself. The image of him sitting in his room for hours before fights building up his psyche is intense and harsh. Moreso his inability to accept the judges' decision in his last fight against Leonard - until the end of his life.
As far as the boxing goes, there's everything: headbutts, low blows, knockouts, broken hands and ribs and dodgy cards and weather. Of course there's championships and slips and hooks and jabs and enough knockout punches to please any beered up crowd. The trainers (also era-linking) get their own sideshow subplot and there's a nice, wry running commentary on what the press and boxing writers were saying at the time, which links nicely with other boxing books.
Kimball obviously knows his stuff and if there's any slight criticism from me it's that the book is very (obviously) American-centric: I felt that Duran was made to seem difficult to understand or know simply because he spoke another language or came from somewhere outside the USA. Pretty sure a guy who spoke his mind as freely as Duran did (always quoted in broken English, too) must have articulated his thoughts in easily-translatable Spanish somewhere. How was Hearns, Leonard and Hagler's Spanish? But anyway - it's a small whinge. And the tiny bit of Duran's autobiography which was quoted in the book didn't leave me salivating for more!
Well-recommended!
The four boxers couldn't be any more different: Sugar Ray smooth, graceful, all jazz and soul, Duran tough, dirty, raw and playful, Marvellous Marvin a shaven headed macho bullet, and Hearns the talented classy Detroit gentleman.
This is a great, thrilling ride through the years when these four were kings of the ring. Kimball writes with the easy flow of a fine sports journalist, with an eye for noirish detail and a sly humour ("a Panamanian street dog had stopped Ken Buchanan with a punch to the family jewels"). There's a hint of Hemingway in the clipped punchy sentences. An atmosphere thick with cigar smoke and the dull thud of gloved fist thumping hard flesh. He records the poetry of boxing; describing rounds as "stanzas" and gifted dancing moves as "pirouettes". The first Leonard/Hearns fight is said to be "a symphony in five distinct movements".
Kimball himself could have stepped right out of Damon Runyon - ex hippy poet turned shabby sportswriter, losing an eye in a bar room brawl (may not be true), Lucky Strike chain smoker permanently hustling a deadline.
It's a ringside seat that pulls no punches, and takes us to the gyms, promoter's offices, restaurants and lounge bars where deals are made, and to over heated TV broadcasts in saturated blood heavy 80s colour. (And thanks to the ubiquity of YouTube, all these fights are quickly located - the commentary on the first round takedown of Leonard vs Andy Price is timeless).
This is Dashiell Hammett for the baby boomers. Writers who can capture this pace and excitement seem long gone, and the boxing ring now seems a detached, hostile place, lacking glamour or style. A much missed era.