Heaven Can Wait (1978) - Turner Classic Movies

Heaven Can Wait


1h 41m 1978
Heaven Can Wait

Brief Synopsis

When a football player dies early, he gets a second chance in the body of a crooked industrialist.

Film Details

MPAA Rating
Genre
Comedy
Adaptation
Fantasy
Romantic Comedy
Release Date
1978
Location
California, USA

Technical Specs

Duration
1h 41m
Sound
Stereo
Color
Color
Theatrical Aspect Ratio
1.85 : 1, 2.35 : 1

Synopsis

Shortly before the Super Bowl, a quarterback named Joe Pendleton is almost killed in a car accident and an overly zealous angel takes him to heaven before his time. The archangel Mr. Jordan tries to return Joe to his body, but it has been cremated and Joe accepts the body of an elderly millionaire, Farnsworth, who was recently murdered by his wife and secretary and who are confounded to see him alive. As Farnsworth, Joe buys the football team so that he can be its new quarterback and begins training for the Super Bowl, while romancing a woman named Betty. When the murderers kill Farnsworth again, Joe gets the body of a quarterback who is about to die and leads the team to victory. After this, Mr. Jordan erases Joe's memory and he meets Betty again.

Videos

Movie Clip

Heaven Can Wait (1978) -- (Movie Clip) I'm Joe Pendleton! Jordan (James Mason) steps in when Farnsworth (Warren Beatty) can't convince trainer Corkle (Jack Warden) that he's really his dead-quarterback pal Joe, in Heaven Can Wait, 1978.
Heaven Can Wait (1978) -- (Movie Clip) Opening, Lookin' Good! Opening sequence from Heaven Can Wait, 1978, the hit romantic comedy starring Warren Beatty and Julie Christie, directed by Beatty and Buck Henry, written by Henry and Elaine May.
Heaven Can Wait (1978) -- (Movie Clip) I'm Not Leaving! Invisible Jordan (James Mason) is offering Joe (Warren Beatty) the body of Farnsworth, about to be killed by wife (Dyan Cannon) and aide (Charles Grodin) when English Betty (Julie Christie) arrives in Heaven Can Wait, 1978.
Heaven Can Wait (1978) -- (Movie Clip) His Will is Too Strong Farnsworth (Warren Beatty, who is really dead athlete Joe Pendleton) turns down a new body, as his conniving wife (Dyan Cannon) and aide (Charles Grodin) fail again to kill him, in Heaven Can Wait, 1978.
Heaven Can Wait (1978) -- (Movie Clip) Guy Named Porpoise Farnsworth (Warren Beatty, whom we know is really quarterback Joe Pendleton) invites reporters and critics (including Julie Christie) into his board meeting in Heaven Can Wait, 1978.
Heaven Can Wait (1978) -- (Movie Clip) Good Luck Mr. Farnsworth Millionaire Farnsworth (Warren Beatty, who's really deceased quarterback Joe Pendleton) tries out for the team he's just bought in Heaven Can Wait, 1978, directed by Beatty and Buck Henry.
Heaven Can Wait (1978) -- (Movie Clip) Call Me Joe Co-directors Warren Beatty (as quarterback "Joe Pendleton") and Buck Henry (as "The Escort") explain their problem to Mr. Jordan (James Mason) at the way-station in Heaven Can Wait, 1978.

Trailer

Film Details

MPAA Rating
Genre
Comedy
Adaptation
Fantasy
Romantic Comedy
Release Date
1978
Location
California, USA

Technical Specs

Duration
1h 41m
Sound
Stereo
Color
Color
Theatrical Aspect Ratio
1.85 : 1, 2.35 : 1

Award Wins

Best Art Direction

1978
Paul Sylbert

Award Nominations

Best Actor

1978
Warren Beatty

Best Cinematography

1978

Best Director

1978
Warren Beatty

Best Director

1978
Buck Henry

Best Picture

1978

Best Score

1978

Best Supporting Actor

1978
Jack Warden

Best Supporting Actress

1978
Dyan Cannon

Best Writing, Screenplay

1979
Warren Beatty

Articles

Heaven Can Wait (1978)


1978 was a year of serious films that examined the sexual, political and social upheavals that had swept the country during the previous decade. So it was a surprise when one of the most political and provocative filmmakers of the era made a sweetly retro romantic fantasy that became one of the biggest hits of the year. Warren Beatty produced, co-directed, and co-wrote, as well as starred in Heaven Can Wait (1978), a remake of Here Comes Mr. Jordan (1941). The story, in the original film, was about a boxer named Joe Pendleton, who is prematurely escorted into the afterlife by a bumbling heavenly messenger, and must find another body to inhabit so he can live out his allotted days. Beatty wanted boxer Muhammad Ali to star, but Ali wisely decided to stick to boxing, and Beatty decided to play the part himself. Beatty knew nothing about boxing, but had played high school football, so he changed the character to a Los Angeles Rams quarterback.

The reason Beatty chose such an unlikely project, he told the press, was that he was planning to direct the enormously complicated Reds (1981), and decided he needed something simpler for his directing debut. According to some sources, however, Beatty had first approached Peter Bogdanovich, Mike Nichols, and Arthur Penn to direct Heaven Can Wait. But those directors all knew how hands-on Beatty was in shaping every film he produced, and turned him down. Once he decided to direct and write Heaven Can Wait himself, Beatty enlisted Buck Henry as co-director, and Elaine May as co-writer. Henry also played the hapless escort whose mistake sets Joe's predicament in motion.

Beatty had some grandiose notions about who should play Mr. Jordan, the celestial administrator who tries to straighten out the mess the escort has made. He wanted Cary Grant, who would have been ideal, but Grant had retired a dozen years earlier, and had no interest in returning to the screen. Beatty also considered his political mentor, former Senator Eugene McCarthy, the anti-war Democrat who ran for president in 1968. James Mason ultimately played the role, elegantly and with great authority.

Beatty persuaded his former lover Julie Christie to play his love interest in Heaven Can Wait, although their affair was over. And although their past relationship reportedly caused some tensions during production, their onscreen chemistry remained dazzling. Unable to leave his (and Christie's) political convictions completely out of the film, Beatty made Christie's character an environmental activist who challenges the millionaire developer whose body Joe Pendleton has inhabited. Playing the millionaire's scheming wife and her lover were Dyan Cannon and Charles Grodin, who both gave outstanding comic performances. Cannon was nominated for an Oscar®, as was Jack Warden, who played Joe's coach. Former Rams Deacon Jones, Les Josephson, and Jack T. Snow as football players, and real-life sportscasters Bryant Gumbel and Curt Gowdy added to the atmosphere.

Heaven Can Wait was an enormous success, taking in $77 million. And the critics liked it as much as the public. Frank Rich of the New York Times wrote that Heaven Can Wait "has everything going for it: big laughs, populist politics, billowy sequences set in heaven, a murder plot, a climactic Super Bowl game, a supporting cast of choice comic actors, and best of all, a touching (but PG) romance...." According to Charles Champlin of the Los Angeles Times, "What Heaven Can Wait preserves and presents is a wonderful innocence - funny, lyrically romantic and optimistic."

At Oscar® time, Heaven Can Wait earned nine nominations. Beatty was nominated in four different categories: actor, director, writer, and producer of a Best Picture nominee. He was only the second person to achieve that grand slam -- the first was Orson Welles for Citizen Kane (1941). Warden and Cannon received supporting actor and actress nominations, and the film was also nominated for cinematography, musical score, and art direction. But in this year of big pictures with serious themes, The Deer Hunter and Coming Home took most of the major awards. Heaven Can Wait won only one, for art direction. But three years later, Beatty was again nominated in the four major categories, for Reds. That film earned a total of 12 nominations, and won three awards, including Best Director for Beatty.

Director: Warren Beatty, Buck Henry
Producer: Warren Beatty
Screenplay: Warren Beatty, Elaine May, based on the play by Harry Segall
Cinematography: William A. Fraker
Editor: Robert C. Jones, Don Zimmerman
Costume Design: Theadora Van Runkle, Richard Bruno
Art Direction: Edwin O'Donovan
Music: Dave Grusin
Principal Cast: Warren Beatty (Joe Pendleton), Julie Christie (Betty Logan), James Mason (Mr. Jordan), Jack Warden (Max Corkle), Charles Grodin (Tony Abbott), Dyan Cannon (Julia Farnsworth), Buck Henry (The Escort), Vincent Gardenia (Det. Lt. Krim).
C-101m. Letterboxed.

by Margarita Landazuri
Heaven Can Wait (1978)

Heaven Can Wait (1978)

1978 was a year of serious films that examined the sexual, political and social upheavals that had swept the country during the previous decade. So it was a surprise when one of the most political and provocative filmmakers of the era made a sweetly retro romantic fantasy that became one of the biggest hits of the year. Warren Beatty produced, co-directed, and co-wrote, as well as starred in Heaven Can Wait (1978), a remake of Here Comes Mr. Jordan (1941). The story, in the original film, was about a boxer named Joe Pendleton, who is prematurely escorted into the afterlife by a bumbling heavenly messenger, and must find another body to inhabit so he can live out his allotted days. Beatty wanted boxer Muhammad Ali to star, but Ali wisely decided to stick to boxing, and Beatty decided to play the part himself. Beatty knew nothing about boxing, but had played high school football, so he changed the character to a Los Angeles Rams quarterback. The reason Beatty chose such an unlikely project, he told the press, was that he was planning to direct the enormously complicated Reds (1981), and decided he needed something simpler for his directing debut. According to some sources, however, Beatty had first approached Peter Bogdanovich, Mike Nichols, and Arthur Penn to direct Heaven Can Wait. But those directors all knew how hands-on Beatty was in shaping every film he produced, and turned him down. Once he decided to direct and write Heaven Can Wait himself, Beatty enlisted Buck Henry as co-director, and Elaine May as co-writer. Henry also played the hapless escort whose mistake sets Joe's predicament in motion. Beatty had some grandiose notions about who should play Mr. Jordan, the celestial administrator who tries to straighten out the mess the escort has made. He wanted Cary Grant, who would have been ideal, but Grant had retired a dozen years earlier, and had no interest in returning to the screen. Beatty also considered his political mentor, former Senator Eugene McCarthy, the anti-war Democrat who ran for president in 1968. James Mason ultimately played the role, elegantly and with great authority. Beatty persuaded his former lover Julie Christie to play his love interest in Heaven Can Wait, although their affair was over. And although their past relationship reportedly caused some tensions during production, their onscreen chemistry remained dazzling. Unable to leave his (and Christie's) political convictions completely out of the film, Beatty made Christie's character an environmental activist who challenges the millionaire developer whose body Joe Pendleton has inhabited. Playing the millionaire's scheming wife and her lover were Dyan Cannon and Charles Grodin, who both gave outstanding comic performances. Cannon was nominated for an Oscar®, as was Jack Warden, who played Joe's coach. Former Rams Deacon Jones, Les Josephson, and Jack T. Snow as football players, and real-life sportscasters Bryant Gumbel and Curt Gowdy added to the atmosphere. Heaven Can Wait was an enormous success, taking in $77 million. And the critics liked it as much as the public. Frank Rich of the New York Times wrote that Heaven Can Wait "has everything going for it: big laughs, populist politics, billowy sequences set in heaven, a murder plot, a climactic Super Bowl game, a supporting cast of choice comic actors, and best of all, a touching (but PG) romance...." According to Charles Champlin of the Los Angeles Times, "What Heaven Can Wait preserves and presents is a wonderful innocence - funny, lyrically romantic and optimistic." At Oscar® time, Heaven Can Wait earned nine nominations. Beatty was nominated in four different categories: actor, director, writer, and producer of a Best Picture nominee. He was only the second person to achieve that grand slam -- the first was Orson Welles for Citizen Kane (1941). Warden and Cannon received supporting actor and actress nominations, and the film was also nominated for cinematography, musical score, and art direction. But in this year of big pictures with serious themes, The Deer Hunter and Coming Home took most of the major awards. Heaven Can Wait won only one, for art direction. But three years later, Beatty was again nominated in the four major categories, for Reds. That film earned a total of 12 nominations, and won three awards, including Best Director for Beatty. Director: Warren Beatty, Buck Henry Producer: Warren Beatty Screenplay: Warren Beatty, Elaine May, based on the play by Harry Segall Cinematography: William A. Fraker Editor: Robert C. Jones, Don Zimmerman Costume Design: Theadora Van Runkle, Richard Bruno Art Direction: Edwin O'Donovan Music: Dave Grusin Principal Cast: Warren Beatty (Joe Pendleton), Julie Christie (Betty Logan), James Mason (Mr. Jordan), Jack Warden (Max Corkle), Charles Grodin (Tony Abbott), Dyan Cannon (Julia Farnsworth), Buck Henry (The Escort), Vincent Gardenia (Det. Lt. Krim). C-101m. Letterboxed. by Margarita Landazuri

Hamilton Camp (1934-2005)


Hamilton Camp, the diminutive yet effervescent actor and singer-songwriter, who spent nearly his entire life in show business, including several appearances in both television and films, died of a heart attack on October 2 at his Los Angeles home. He was 70.

He was born October 30, 1934, in London, England. After World War II, he moved to Canada and then to Long Beach with his mother and sister, where the siblings performed in USO shows. In 1946, he made his first movie, Bedlam starring Boris Karloff as an extra (as Bobby Camp) and continued in that vein until he played Thorpe, one of Dean Stockwell's classmates in Kim (1950).

After Kim he received some more slightly prominent parts in films: a messenger boy in Titanic (1953); and a mailroom attendant in Executive Suite (1954), but overall, Camp was never a steadily working child actor.

Camp relocated to Chicago in the late '50s and rediscovered his childhood passion - music. He began playing in small clubs around the Chicago area, and he struck oil when he partnered with a New York based folk artist, Bob Gibson in 1961. The pair worked in clubs all over the midwest and they soon became known for their tight vocal harmonies and Gibson's 12-string guitar style. Late in 1961, they recorded an album - Gibson and Camp at the Gate of Horn, the Gate of Horn being the most renowned music venue in Chicago for the burgeoning folk scene. The record may have aged a bit over the years, but it is admired as an important progress in folk music by most scholars, particularly as a missing link between the classic era of Woody Guthrie and the modern singer-songwriter genre populated by Bob Dylan and Joan Baez.

Gibson and Camp would split within two years, and after recording some albums as a solo artist and a brief stint with Chicago's famed Second City improvisational comedy troupe, Camp struck out on his own to work as an actor in Los Angeles. His changed his name to Hamilton from Bob, and despite his lack of vertical presence (he stood only 5-foot-2), his boundless energy and quick wit made him handy to guest star in a string of familiar sitcoms of the late '60s: The Monkees, Bewitched, and Love, American Style. By the '70s there was no stopping him as he appeared on virtually every popular comedy of the day: The Mary Tyler Moore Show, M*A*S*H, Laverne & Shirley, Three's Company, and WKRP in Cincinnati.

Eventually, Camp's film roles improved too, and he did his best film work in the latter stages of his career: Blake Edward's undisciplined but still funny S.O.B. (1981); Paul Bartel's glorious cult comedy Eating Raoul (1982); and Clint Eastwood's jazz biopic on Charlie Parker Bird (1988). Among his recent work was a guest spot last season as a carpenter on Desperate Housewives, and his recent completion of a Las Vegas based comedy Hard Four which is currently in post-production. Camp is survived by six children and thirteen grandchildren.

by Michael T. Toole

Hamilton Camp (1934-2005)

Hamilton Camp, the diminutive yet effervescent actor and singer-songwriter, who spent nearly his entire life in show business, including several appearances in both television and films, died of a heart attack on October 2 at his Los Angeles home. He was 70. He was born October 30, 1934, in London, England. After World War II, he moved to Canada and then to Long Beach with his mother and sister, where the siblings performed in USO shows. In 1946, he made his first movie, Bedlam starring Boris Karloff as an extra (as Bobby Camp) and continued in that vein until he played Thorpe, one of Dean Stockwell's classmates in Kim (1950). After Kim he received some more slightly prominent parts in films: a messenger boy in Titanic (1953); and a mailroom attendant in Executive Suite (1954), but overall, Camp was never a steadily working child actor. Camp relocated to Chicago in the late '50s and rediscovered his childhood passion - music. He began playing in small clubs around the Chicago area, and he struck oil when he partnered with a New York based folk artist, Bob Gibson in 1961. The pair worked in clubs all over the midwest and they soon became known for their tight vocal harmonies and Gibson's 12-string guitar style. Late in 1961, they recorded an album - Gibson and Camp at the Gate of Horn, the Gate of Horn being the most renowned music venue in Chicago for the burgeoning folk scene. The record may have aged a bit over the years, but it is admired as an important progress in folk music by most scholars, particularly as a missing link between the classic era of Woody Guthrie and the modern singer-songwriter genre populated by Bob Dylan and Joan Baez. Gibson and Camp would split within two years, and after recording some albums as a solo artist and a brief stint with Chicago's famed Second City improvisational comedy troupe, Camp struck out on his own to work as an actor in Los Angeles. His changed his name to Hamilton from Bob, and despite his lack of vertical presence (he stood only 5-foot-2), his boundless energy and quick wit made him handy to guest star in a string of familiar sitcoms of the late '60s: The Monkees, Bewitched, and Love, American Style. By the '70s there was no stopping him as he appeared on virtually every popular comedy of the day: The Mary Tyler Moore Show, M*A*S*H, Laverne & Shirley, Three's Company, and WKRP in Cincinnati. Eventually, Camp's film roles improved too, and he did his best film work in the latter stages of his career: Blake Edward's undisciplined but still funny S.O.B. (1981); Paul Bartel's glorious cult comedy Eating Raoul (1982); and Clint Eastwood's jazz biopic on Charlie Parker Bird (1988). Among his recent work was a guest spot last season as a carpenter on Desperate Housewives, and his recent completion of a Las Vegas based comedy Hard Four which is currently in post-production. Camp is survived by six children and thirteen grandchildren. by Michael T. Toole

Keene Curtis (1923-2002)


Keene Curtis, a veteran Broadway, television and film actor who was familiar to many viewers the snippy upstairs restaurant owner John Allen Hill for the final three seasons of Cheers, died on October 13th of complications of Alzheimer's disease at a retirement center in Bountiful, Utah. He was 79. Born in Salt Lake City in 1923, Curtis grew up in Bountiful, in a family that adored theater. His father built his young son a miniature stage out of an old chiffonier, using a towel for a curtain. Curtis soon began to make his own little theaters out of cardboard boxes and put on shows for the neighborhood kids. No doubt of his calling, Curtis went on to receive his bachelor's and master's degrees in Theater Arts from the University of Utah, where he was a student actor and cheerleader. He had returned to college after spending three years in the Navy, and made his film debut when Orson Welles discovered him for his production of Macbeth (1948) and cast him in the role of Lennox, and launching his career. Despite the promising film debut, Curtis dedicated himself to the stage for the next twenty years, but it was not until he won a Tony Award in 1971 as best featured actor in a musical for The Rothschilds did his profile rise. After his stint as Daddy Warbucks in the Broadway production of Annie Curtis began to venture into television and films, where his baldpate and rich diction enlivened many programs, particularly in comedies where he made a superb comic foil. In addition to his role on Cheers, Curtis’ other television credits include: MASH Ally McBeal, The Drew Carey Show and Caroline in the City. Among Curtis’ most notable films: Heaven Can Wait (1978) The Buddy System (1984), Sliver (1993) and Fred Schepisi’s I.Q. (1994) where Curtis turned in a charming cameo as President Dwight Eisenhower. In 1998, Curtis endowed a scholarship at the University of Utah to help graduates of the school's Actor Training Program launch their careers. He also donated to the university his Tony Award and 48 boxes of theater memorabilia and personal papers, including a 1961 letter from Noel Coward, who praised Curtis' "firmness, patience, efficiency and most of all your ability to handle people with tact and imagination." He is survived by his sister-in-law, nieces and nephews. Michael T. Toole

Keene Curtis (1923-2002)

Keene Curtis, a veteran Broadway, television and film actor who was familiar to many viewers the snippy upstairs restaurant owner John Allen Hill for the final three seasons of Cheers, died on October 13th of complications of Alzheimer's disease at a retirement center in Bountiful, Utah. He was 79. Born in Salt Lake City in 1923, Curtis grew up in Bountiful, in a family that adored theater. His father built his young son a miniature stage out of an old chiffonier, using a towel for a curtain. Curtis soon began to make his own little theaters out of cardboard boxes and put on shows for the neighborhood kids. No doubt of his calling, Curtis went on to receive his bachelor's and master's degrees in Theater Arts from the University of Utah, where he was a student actor and cheerleader. He had returned to college after spending three years in the Navy, and made his film debut when Orson Welles discovered him for his production of Macbeth (1948) and cast him in the role of Lennox, and launching his career. Despite the promising film debut, Curtis dedicated himself to the stage for the next twenty years, but it was not until he won a Tony Award in 1971 as best featured actor in a musical for The Rothschilds did his profile rise. After his stint as Daddy Warbucks in the Broadway production of Annie Curtis began to venture into television and films, where his baldpate and rich diction enlivened many programs, particularly in comedies where he made a superb comic foil. In addition to his role on Cheers, Curtis’ other television credits include: MASH Ally McBeal, The Drew Carey Show and Caroline in the City. Among Curtis’ most notable films: Heaven Can Wait (1978) The Buddy System (1984), Sliver (1993) and Fred Schepisi’s I.Q. (1994) where Curtis turned in a charming cameo as President Dwight Eisenhower. In 1998, Curtis endowed a scholarship at the University of Utah to help graduates of the school's Actor Training Program launch their careers. He also donated to the university his Tony Award and 48 boxes of theater memorabilia and personal papers, including a 1961 letter from Noel Coward, who praised Curtis' "firmness, patience, efficiency and most of all your ability to handle people with tact and imagination." He is survived by his sister-in-law, nieces and nephews. Michael T. Toole

Quotes

He's been drugged by those two downstairs. This is a murder. See how he's slowly sliding into the water?
- Mr. Jordan
He got my team. The son of a bitch got my team.
- Former Owner
What kind of pressure did he use, Milt?
- Advisor to Former Owner
All I asked was sixty-seven million, and he said "okay."
- Former Owner
Ruthless bastard.
- Advisor to Former Owner

Trivia

The role of Joe Pendleton was originally a boxer in Here Comes Mr. Jordan (1941). Warren Beatty originally wanted to have Muhammad Ali play the boxer. When Ali's boxing schedule prevented him from doing the movie, Warren Beatty - who could not box but could play football - recast the lead role as a football player

The fictitious Super Bowl game (Rams vs. Steelers) was filmed during halftime of the Rams/Chargers preseason at the L.A. Memorial Coliseum on September 1, 1977.

The first choice for Mr. Jordan was Cary Grant.

Mary Steenburgen was a finalist for the part that went to 'Julie Christie' .

Miscellaneous Notes

Released in United States June 28, 1978

Remake of "Here Comes Mr. Jordan" (1941) directed by Alexander Hall.

Released in USA on video.

Completed shooting June 1978.

Released in United States Winter January 1, 1978

Released in United States June 28, 1978

Released in United States Winter January 1, 1978