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Have A Good Time
Reissued
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Have a Good Time
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MP3 Music, November 18, 1976
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Track Listings
1 | Keep Me Cryin' |
2 | Smile a Little Bit More |
3 | I Tried to Tell Myself |
4 | Something |
5 | The Truth Marches on |
6 | Have a Good Time |
7 | Nothing Takes the Place of You |
8 | Happy |
9 | Hold on Forever |
Editorial Reviews
Digitally remastered reissue of this 1976 album from the legendary Soul vocalist.
Product details
- Language : English
- Product Dimensions : 5.62 x 4.92 x 0.4 inches; 3.84 Ounces
- Manufacturer : Fat Possum
- Original Release Date : 2009
- Date First Available : June 17, 2009
- Label : Fat Possum
- ASIN : B002DKF45G
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #138,257 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #89 in Memphis Soul
- #4,907 in Rap & Hip-Hop (CDs & Vinyl)
- #74,232 in Pop (CDs & Vinyl)
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You won't be disappointed...
"Keep Me Crying" starts out in that wonderful hybrid of Southern soul and disco era dance rhythms that defined the sound of the previous album. "Smile A Little Bit More" is a sweetly melodic and rhythmically swinging uptempo number-whose sprightly nature has a gospel heavy country-western type soul flavor about it. "I Tried To Tell Myself" has a wah wah/string powered funk/soul groove infused into it while "Something" takes that same approach with a more late night cinematic jazzy funk-soul type flavor-therefore with a mild Thom Bell-meets-Norman Whitfield approach about it. "The Truth Marches On" finds Green again tackling the blues shuffle with his typically deeply personal delivery. The title song has something of a modern day (in the mid 70's that is) Sam Cooke approach about it with it's melodic soul shuffle.
"Nothing Takes The Place Of You" is a strongly country/gospel inflected soul ballad. "Happy" represents his classic sound most on this album while "Hold On Forever" concludes the album bridging both his old and new soul style to near perfection. The most important thing to say about this album is that its musically very contemporary for its time. As well as presenting a somewhat broader array of soul sub-genres than some of his music had earlier in the decade. In some sort of why,he was working towards a transition. Yet no one knew for sure where it was leading to. Al Green was broadly insinuating thematically though. These are all very much love songs. But they don't equate love with sex. These songs reflect a more spiritually emotional bond. Though today most know what his musical transition was going to be? It was albums like this,as musically expansive as things were beginning to get with Al Green,that expressed his lyrical focus in a new yet also satisfying manner.