Top 30 Most Amazing Grammy Performances of All Time

welcome to watch Mojo and today we're counting down our picks for the best spectacular numbers to ever grace the 30th Grammy Awards stage Alanis moriset, you should know that the word performance doesn't work for this number Justice, it's more like a confessional on Leah of dramatic staging or flashy choreography alenis morisette simply sits on a stool opens his mouth and lets you know how to sing for himself to say it was worth it would be putting it lightly moris set's distinctive voice ensures that the ballad reaches all the Right emotional notes and more than ever when he performed, Moriset had already won two Grammy Awards that night, he would win two more that night, including Album of the Year.

With all that in mind, it's no surprise that this Jacked Little Pill lands softly at No. 29. Ricky Martin, the Cup of Life From the moment Ricky Martin makes his over-the-top entrance, it's clear that the Grammy crowd is loving it. expect something special. Now is the

time

, don't stop putting pressure on him to prove it with this al

most

unique performance. He single-handedly turned Martin from an underground hit to a household name and for good reason, everything from the vocals to the instrumentation to Martin's own physique oozes with just the right amount of shine, at any given moment you can practically feel how much fun they are having.

On Cate, in fact, Martin's performance left such a strong impression that he is often credited with helping popularize Latin music around the world. Considering his lasting impact on the industry, a standing ovation is definitely in order. number 28 Annie Lennox and Hosier I Put a Spell on You Take Me to Church really says something when Hosier's Grammy-nominated Take Me to Church is just the appetizer to the main event during the final verse of their performance. Legendary soul singer Annie Lennox joins in to provide dazzling assistance if those harmonies somehow aren't enough. then segues into a once-in-a-life

time

performance of I Put a Spell on You, as you'd expect from a name like that, the results are practically enchanting, the way Lennox controls his voice, the stage and the crowd all at once.

It is truly a Marvel. to contemplate because Grammy or not Grammy this chilling duet is one for the 27th history books Kesha Camila Cabo Cindy Lopper Julia Michaels Andre Day and BB rexa orando based on the talent lineup this performance is a must see just for the precedent Kesha put together a powerhouse of female vocalists, both up-and-coming and industry veterans, surrounded her as she took the stage to pray for you, llamas and you, through hell. I learned how to fight and yes, it is as

amazing

as it sounds. Tesha's empowered singing is the very definition of soulful, especially when she's backed by a chorus of her peers, and when they all join in for some electric harmonies, we'd bet she didn't leave a single dry eye in the audience.

I hope the soul is changing, the Grammys have seen a lot of movement. performs throughout the years, but this group performance of the prayer is one that will never be replicated number 26 Billy is happier than ever, no amount of stage decoration or impressive effects can distract from the ease with which Billy eyh sports a live performance thanks to his unwavering voice in this iteration. Happier Than Ever has style and substance to spare, there's thunder, there's lightning, there's actual rain and there's more raw emotion than we've ever seen from eish before she delivers each lyric with such composure it's hard to decide if you should look at her respectfully. or rock out with her the answer is actually both or at least that's what the Grammy audience decided waiting until the final note to burst into a well-deserved roar of applause number 25 Melissa Ethridge and Jos Stone piece of my heart is difficult imagine someone The song could sum up the legacy of someone like Janice Joplin, and yet this moving tribute comes pretty close.

Jos Stone's impeccable belt has all the gravitas you'd expect from a performance of this magnitude. Come on, but when combined with Melissa Eth's trademark harshness, the song goes from great to iconic, the key to its success is that, despite the tragic circumstances, neither singer dives into the melodic drama Stone and Ethridge didn't remember Janice Joplin with the eulogy, they honored her with a full Grammy-style celebration, we can't think. of a higher note to go out at number 24 Kendrick Lamar and Imagine Dragons Mad City radioactive at first, you'd be forgiven for thinking this is a solo act after all Imagine Dragons are already stealing the show with radioactive when of the nothing Kendrick Lamar appears in a plume of smoke, take you is a of course, comes with some beats of his own and also indicates one of the sickest raps in Grammy history.

Radioactive and Mad City don't seem like a good fit but somehow the songs blend into a high energy beat that has the entire room on their feet the message is loud and clear this is the collaboration none of us knew we needed number 23 artha Franklin Nessun Dorma minutes into the 40th Annual Grammy Awards one of the planned performers felt seriously ill, but as they say, The Show Must Go On the Grammys needed someone who could deliver a broadcast-level performance with a split second notice myet AKA they needed Atha Franklin moments later, the queen of soul stepped on Ag and showed everyone why she is one of the best note that Nas Dorma is an opera song and the arrangement was also not scripted in tone, it is a true testament to Franklin's natural talent that, despite those obstacles, you still can't say this is unrehearsed, suffice it to say that Artha Franklin garnered a lot of respect that 22nd night Christina agilera Lil Kim Maya and pink with Patty Lael and Missy Elliot lady marmalad in 2001 Mula Rouge brought together four of the best singers in the business for an inspired version of lady marmalad at the following Grammys Christina Aguilera Lil Kim Maya and Pink reunited for a performance that deserves to be seen for itself.

The incomparable energy of this live act puts the studio version to shame, especially since they got Missy Elliott and Patty Lael to join the latter of whom appear in the second half. just to brag, not that we're completely complaining, the 44th Grammy Awards got a musical Tor to force that you won't find anywhere else number 21 LL Cool J Queen Latifah Buster ryes Missy Elliot and many, many more 50 years of fashion -hop to properly celebrate half a century of the hip-hop genre, the Grammys pulled out all the stops, push me to call the and we referred to all of them during the nearly 15-minute show, several iconic hip-hop artists came to the stage including Run DMC IC tea salt and Peppa Method Man, you get the point, seriously, we'd be here all day if we listed them, the whole medley is a total embarrassment of riches showcasing the best that hip hop has to offer, Whether you're an old school fan or a total newbie, there's a little bit for everyone here.

Enjoy such a fascinating achievement. We're sure no one will forget hip-hop anytime soon. Number 20 Shania Twain Man I feel like a woman, the best part. Performing at the Grammys is the prerogative of having a little fun and this outstanding country artist did just that, come on girls wearing a striking outfit and a lot of personality. Twain flaunts dazzling stage control that has the audience in an uproar before the song. She even plays the chorus like I feel like a man, I feel like a woman with the help of an equally energetic band and an incredibly catchy melody.

There's just no denying the pure, stylish fun of this number. It's also an incredibly appropriate song choice for the ceremony dubbed the Women's Grammy Year, since all of the artists nominated for Album of the Year were women, Twain herself was nominated for the prestigious award, and after a performance like this, we see by What at number 19, The White Stripes Seven Nation Army Death Letter, it is impossible not to touch the legendary opening with your toe. riff from this musical duo, Anthem, but the song itself isn't even the best part of this bold act, while the seamless transition to the heavier death card is also a highlight, what really steals the show is when the lyrics completely fade into an unforgettable. sequence the garage rock band offers us a guitar and drum duet that is on par with some of the best rock and roll

performances

of all time. don't look what to do, it's a shocking number that relies not only on the excellent songs but the musical talents of its artists number 18, the bouncers Madonna and DEA Soul Feelgood Inc, hung up, it should surprise no one that the Queen of Pop always delivers, but when you back it up with the virtual band gorillas and add soul rap, for good measure, you have the recipe for an iconic performance.

Madonna struts the stage like she owns it and the stellar combination of her Abba-inspired hit with feel-good ink matches her electric enthusiasm, it's impossible to look away from her as the pop icon struts. gives it everyone dancing first in the middle of the virtual screenings then the live dancers number 17 Amy wins house you know I'm not a good rehab before she took home the record of the year later in the night this soulful singer presented a combo of their iconic hits without the benefit. from the official Grammy stage The live broadcast from London didn't seem to slow her down one bit and her signature vocal touch proved that she was worthy of her future honor.

There's an authentic quality to Wine House's delivery that elevates any of her

performances

, though in this case the snazzy suits and jazz aesthetic didn't hurt either, it seems like she didn't need the Grammys audience to hype her up, although we wouldn't expect anything less from someone so talented number 16. Beyoncé I love drought sandcastles to call this 9 A one-minute sensory spectacle, memorable would be an understatement, dazzling costumes, powerful direction and the unrivaled voice of Beyoncé are just the beginning. There's an undeniable cinematic quality here that alone raised the bar for what a musical performance could be if all that weren't impressive enough.

She accomplished all of this while she was pregnant with twins. Her focus on motherhood is inspiring, especially given her sincere portrayal and intimate expression of love. It's ambitious in every sense of the word and we may never see anything like it. Grace on the Grammy Stage Never Again, Number 15 Eric Clapton Tears in Heaven Most would take the Grammys as an opportunity to take a live show to the next level, but on a night full of bombastic performances, it's the reserved ones who really They stand out, letting the music speak for itself. Clapton and Company sit solemnly performing with The brutal sadness that the song deserves saw Clapton resolutely avoid any onstage antics that would take away from the emotional weight of the song, especially considering the many losses earlier in Clapton's life that always inspired it. the epitome of class.

The tuxedo-clad Clapton nails every note and finishes. the song with a quick little bow skipping the usual praise that, although deserved, would damage the effect of the 14th performance Prince and Beyonce Purple Rain baby I'm a star, let's go crazy in love, it's a pleasure every time any of these legendary artists takes on stage, but that's nothing compared to when you put them together, their collaboration at the 2004 ceremony is everything we wanted and more, with all the style and personality of a union of two of the best musicians in the world. industry, their harmonies at the end of Purple Rain are iconic enough, but surprisingly the number continues to outdo itself over and over again with each transition before culminating in a final stretch that's downright cathartic.

The medley is an excellent combination of each artist's style, but with this raw stage power, we would have been happy even if she sang Happy 13th Birthday Mariah Carey if it was over The 1992 Grammys showed this acclaimed five-octave singer at her peak expression. His expert navigation of every riff, breath and belt is a masterclass in musical technique, but beyond the impressive technical aspects lies an emotionally charged expression that has weight behind every note and movement, there is an impeccable preparation and release that They rest solely on the shoulders of the car, but she proved herself up to the task with an astonishing display of talent and skill.

This is more than just a vocally complex number, it's a true performance and in less. 4 minutes manages to understand why Carrie is one of the great number 12 Bruce Springstein Dave Gro and Elvis Costello London Calling when a monumentally influential artist dies it sends ripples through the music world but also unites people in the history of the industry when the clashes Joe Strummer died punk The world lost a giant, but when the time came to honor him,The result was intense with the ferocity of fellow Brit Elvis Costello, the youthful energy of Dave Gro and the passionate delivery of Bruce Springsteen, the performance had enough grit and attitude to make the finale.

The appearance of Strummer, proud of Springsteen, made the tribute even more moving, as he was greatly inspired and admired by the late Strummer, making Springstein the ideal artist to give this grandfather of punk a final farewell number. 11 Christina Aguilera is a man's world, a man's world once the fog clears Aguilera's entrance there is a refreshing simplicity to the proceedings with no dancing or elaborate lighting just agile her voice and a spectacular tribute to the legendary James Brown no There is no need for anything more when his physique and imposing voice fill the auditorium matching the intense power of Brown's hit single, it is clear even before he falls to his knees that Agila is giving him all his power is the word that comes to mind mind here, especially for the final note that takes the house to new heights number 10 Beyonce and Tina Turner Proud Mary.

It would be pretty hard to top a live performance dancing with your husband, but a duet with your idol could do the trick after paying tribute to all the talented women who inspired her career. Beyoncé casts Turner as the magical woman who embodied everything they stood for. , stand up and surrender for the queen, returning the favor. Turner calls her back to the stage to duet on Proud Mary with an infectious sense of fun flowing from the stage, looking on like a proud mother. Turner sings her heart out as Beyoncé does her best to impress her thanks to some epic dance moves and an over-the-top back-and-forth performance with the couple to perfection. in sync from top to bottom, this stopper was a perfect passing of torch number nine Kanye West and Daft Punk stronger, hey mom, say what you want about his ego, but when it comes to putting on a performance, few can compare to Kanye West West.

She begins her performance on a somber note by performing a basic rendition of Hey Mama in tribute to her recently deceased mother. M. I know I will never let you go after wiping my tears. West switches into party mode and gets louder, but this version has a twist. Instead of just wrapping up his original sample, West makes it better to have the real Daft Punk perform alongside him, rather than with his touring pyramid. , club-style neon lights, and West's glow-in-the-dark inspired outfit made this a worthy all-around package. from Grammy history number eight radio head 15 Step it's impressive what some bands can do with access to a little extra production value when it's time to perform. 15 Step radio head didn't opt ​​for theatrics or conversational tricks to take their set to the next level, they decided to enhance the song itself and enlisted the help of a banned B college dealer for a drum line and additional vocals.

They took a simple song and developed it into something incredibly brilliant with some spooky but hypnotic dance moves from Tom. Stunning choreography from York by the already busy musicians and a set that kept the sound at the forefront. This performance allowed radio bosses to show what they can do with a little musical assistance. Kendrick Lamar number seven. Black or berry is fine. Three Untitled Kendrick Lamar is no stranger. to stunning performances at the Grammys, so when he wanted to send a message to the entire country, he knew where to do it. When Lamar walked on stage dressed in rags, it was clear that something distinctly different was happening until you get old.

Lamar begins his meddling in a prison scene. chained together with his inmates and the band playing themselves immediately making their message loud and clear telling the African American story the performance is forceful and visceral going from prison to a tribal bonfire each line echoes the pain in Lamar's heart and he spits out every a verse with reckless abandon closing an image of Compton written on a map of Africa, leaving viewers with much to think about. number six Daft Punk Stevie Wonder Fel Williams and NY Rogers Get Lucky Daft Punk are as mysterious as they come, but they still seemed It was a little strange when they didn't appear on stage for their second TV performance, but after a wonderful opening from Farell Stevie Wonderer and Nile Rogers, the robots appear from behind the veil to carry the song into the next chorus and are throwing in samples from all over the place. their career along the way, the set changes to a party when they start mixing Roger's song, Leaf freak, and Wonders, another star, making it the

most

passionate jam session between artists the stage has ever seen thanks to the song's infectiously fun collaboration and musicianship. one that had everyone from Beyoncé dancing to The Beatles' number five, Pink Glitter in the Air, even for an artist known for pushing the envelope, we think she outdid herself here, what starts out as a soulful ballad soon turns becomes an innovative and empowering anthem as the pink strips are almost stripped. and hangs from the ceiling, have you ever cast Glitter in the Air impressively?

It maintains a soft voice even when immersed in water and left spinning in the air. As technically impressive as it is captivating to behold, this act is a testament to the artist's unwavering creativity. spirit that defines why it is so popular to this day dazzling and historic lyrics it is safe to say that no one has ever sung or sung as well as this number four Eminem and Elton John Stan some collaborations don't have to make sense, just The work Eminem's dark and brooding Stan had enough visual story and lyrics to make it notable, but some artists are never satisfied with Eminem's performance that mixes the Recreations music video with theatrics to make the song come to life in a whole new way.

It doesn't stop there. although in the first chorus, just when the Dao sample should appear, a curtain appears revealing Elton John at the piano playing the instrument and singing the vocals, resulting in a spectacular performance of a collaboration that no one expected to surpass the original song in one. Swoop number three Adele Rolling in the Deep If you've got one of the most recognizable singles in decades, sometimes it's best to just give the crowd what they want to take to the stage in style. Adele went back in time and gave a performance like a classic kuner we could have had.

Starting off with a beautiful intro from Acappella, the lights dim before revealing a full band and backing vocalists to round out the sound on an already massive track. Adele remains center stage behind her microphone throughout the song, but she doesn't let that stop her from dominating the crowd. and putting every ounce of emotion into the performance, nailing every note along the way, you'll make me number two, Whitney Houston, I Will Always Love You, we could fill an entire list of Houston's Grammy appearances alone, but if We would have to choose just one. There is no doubt which is the best in a performance that is nothing short of extraordinary.

Houston's lovely voice makes it seem like the song was written for her. Just when you think he's at the limit of his range, he effortlessly sings another chorus with enough conviction to leave your jaw clean on the floor, but the song Only continues to grow and even after all these years, the riveting ending never fails to please. give us chills after a performance like that, a standing ovation doesn't seem like enough before we continue. Be sure to subscribe to our Channel and hit the bell to receive notifications about our latest videos. You have the option to receive notifications for occasional videos or for all of them.

If you're on your phone, make sure you go into your settings and turn on notifications number one. Michael Jackson The Way. You Make Me Feel Man in the Mirror Leave it to the King of Pop to put on the best show the stage has seen in decades to come by opening his infamous dance moves with a swing version of The Way You Make Me Feel Jackson doesn't hold back . moving around using the entire stage, often alone after a moonwalk solo that blows his fellow dancers out of the water, Jackson shifts into a seemingly minimalist rendition of the man in the mirror, but by the time Michael reaches the key change, the song reaches its climax as a complete.

The gospel choir joins in and Jackson delivers one final memorable moment by dropping to his knees and belting out the rest of this 10-minute epic that cements him in Grammy history. What's your favorite Grammy performance of all time? Let us know if it was on our list in the comments. Next you called me sugar. Did you enjoy this video? Check out these other Watch Mojo clips and be sure to subscribe and hit the bell to get notified about our latest videos.