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Frenemies: The Epic Disruption of the Ad Business (and Everything Else) Hardcover – June 5, 2018
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Advertising and marketing touches on every corner of our lives, and is the invisible fuel powering almost all media. Complain about it though we might, without it the world would be a darker place. And of all the industries wracked by change in the digital age, few have been turned on its head as dramatically as this one has. We are a long way from the days of Don Draper; as Mad Men is turned into Math Men (and women--though too few), as an instinctual art is transformed into a science, the old lions and their kingdoms are feeling real fear, however bravely they might roar.
Frenemies is Ken Auletta's reckoning with an industry under existential assault. He enters the rooms of the ad world's most important players, some of them business partners, some adversaries, many "frenemies," a term whose ubiquitous use in this industry reveals the level of anxiety, as former allies become competitors, and accusations of kickbacks and corruption swirl. We meet the old guard, including Sir Martin Sorrell, the legendary former head of WPP, the world's largest ad agency holding company; while others play nice with Facebook and Google, he rants, some say Lear-like, out on the heath. There is Irwin Gotlieb, maestro of the media agency GroupM, the most powerful media agency, but like all media agencies it is staring into the headlights as ad buying is more and more done by machine in the age of Oracle and IBM. We see the world from the vantage of its new powers, like Carolyn Everson, Facebook's head of Sales, and other brash and scrappy creatives who are driving change, as millennials and others who disdain ads as an interruption employ technology to zap them. We also peer into the future, looking at what is replacing traditional advertising. And throughout we follow the industry's peerless matchmaker, Michael Kassan, whose company, MediaLink, connects all these players together, serving as the industry's foremost power broker, a position which feasts on times of fear and change.
Frenemies is essential reading, not simply because of what it says about this world, but because of the potential consequences: the survival of media as we know it depends on the money generated by advertising and marketing--revenue that is in peril in the face of technological changes and the fraying trust between the industry's key players.
- Print length368 pages
- LanguageEnglish
- PublisherPenguin Press
- Publication dateJune 5, 2018
- Dimensions6.38 x 1.19 x 9.49 inches
- ISBN-100735220867
- ISBN-13978-0735220867
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“[A] timely dive into an industry in tumult. . . . Auletta, a veteran New York writer who has covered both Wall Street and the media for decades, does a remarkable job of digging into the personalities and the covert deals.”—Financial Times
“Auletta masterfully maps the rapidly evolving topography of the advertising industry. . . . Perhaps most prescient is Auletta’s spot-on analysis of the interplay between traditional and social media. . . . Other fascinating topics include how efforts such as Citibank’s Citi Bike bike-sharing program in New York City and YouTube Red represent new forms of advertising; how Facebook fell prey to Russian attempts to influence the 2016 U.S. presidential election; and how smartphones have revolutionized advertising. Intelligent and well researched, Auletta’s lively survey serves as an excellent primer to a brave new world.”—Publishers Weekly
“Auletta delves into how disruptions are impacting the most powerful agencies and personalities in the business and changing the way advertising is bought, sold, and created. With journalistic precision, the author profiles the executives and companies that have dominated the advertising, marketing, and media industries over the past decade before pivoting to describe how relatively new influencers such as Facebook and Google have overturned conventional thinking.”—Library Journal
“However distant, even repugnant, the advertising and marketing business might seem to the average consumer, it is the fuel that drives a First World economy, Auletta argues. . . . Astute, colorful, fully informed. . . . an important if utterly disquieting book.”—Booklist, starred review
“In this well-researched, personality-packed account, [Ken Auletta] examines the baffling choices facing advertisers (hundreds of media channels, billions of smartphones, etc.) and the technological threats to agencies, from ad blockers to targeted, computerized ad-buying. . . . [A] lively narrative, which delves into the major agencies and most corners of the business. . . . A bright, informative take on an industry in turmoil.”—Kirkus, starred review
“Now more than ever, advertising is the lifeblood that sustains most journalism, television, and entertainment. But with the advent of Google, Facebook, and other digital players, the advertising industry is being fundamentally disrupted. Ken Auletta brilliantly chronicles this drama with his usual combination of behind-the-scenes reporting filled with colorful characters, surprising revelations, and judicious insights. This riveting book shows again why Auletta is the premier reporter of our era on the fascinating and ever-changing worlds of communications and media.” — Walter Isaacson
“Ken Auletta is a wizard at deconstructing the advertising business of yesterday today and tomorrow. If you’re in or interested in media, toss this book at your peril…” —Barry Diller
“Frenemies really goes deep in examining the complexities of our industry from multiple points of view. You feel like you have a ringside seat in an industry that is going through enormous disruption. Well done!” — Bill Koenigsberg, chairman of the American Association of Advertising Agencies
"For any Madmen fan who wants to know what happened next, Ken Auletta's book is an entertaining, insightful and occasionally terrifying dive into the heart of 21st century advertising. Auletta is the Bob Woodward of the media industries; his access to the inside story is unparalleled, and his story-telling is a treat." — Tim Wu
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Product details
- Publisher : Penguin Press; First Edition (June 5, 2018)
- Language : English
- Hardcover : 368 pages
- ISBN-10 : 0735220867
- ISBN-13 : 978-0735220867
- Item Weight : 1.35 pounds
- Dimensions : 6.38 x 1.19 x 9.49 inches
- Best Sellers Rank: #1,470,476 in Books (See Top 100 in Books)
- #1,712 in Advertising (Books)
- #2,189 in Company Business Profiles (Books)
- #4,773 in Communication & Media Studies
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About the author
Ken Auletta has written the Annals of Communications column for The New Yorker since 1992. He is the author of twelve books, including Three Blind Mice: How the TV Networks Lost Their Way; Greed and Glory on Wall Street: The Fall of The House of Lehman; and World War 3.0: Microsoft and Its Enemies. In naming him America's premier media critic, the Columbia Journalism Review said, "no other reporter has covered the new communications revolution as thoroughly as has Auletta." He lives in Manhattan with his wife.
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As CEO of MediaLink, a “strategic advisory and business development firm,” he’s a svengali/consigliere/media whisperer-type guy who’s a conduit between the biggest players among ad agencies, media buying firms, holding companies, brands, publishers, and platforms. And curiously, he’s at the center of Auletta’s new book “Frenemies.”
Auletta takes a big-picture look at the forces that have rocked the advertising, marketing, and media worlds, and covering it all is no easy feat. We get an inside look at the contentious spat between the ANA and AAAA over media kickbacks and rebates, the voluminous media account reviews that occurred in 2015 & 2016, the rise of publishers producing brand content to replace ad revenue, the impact of consultancies, PR firms, and platforms like Google and Facebook getting in on the ad action, the prominence of outlets like Netflix, and more.
The book gets its title because all of these entities are portrayed as frenemies — simultaneously partnering and competing for revenue as well as the consumer’s attention. Oh, and the consumer is a frenemy too, throwing the media world into chaos by demanding content for next to no cost without those pesky, interruptive ads while leaving valuable personal data breadcrumbs with every click. Through all these disruptive changes, Auletta puts Michael Kassan at the center of all the machinations.
Auletta spent lots of time with industry bigwigs, so the book is filled with quotes from a cross-section of figures. In addition to Kassan, he spends a lot of time focused on WPP’s Martin Sorrell, and “Frenemies” went to press before Sorrell left the holding company he started. It’s clear the book’s paperback edition will have some juicy updates.
But despite Auletta’s mostly straightforward writing and reporting style, he drops many asides that reveal how feckless he finds the whole nature of advertising.
As an advertising copywriter and someone with a deep knowledge of ad industry history, I was struck by how dismissive and disdainful Auletta writes about creatives and creativity. He’s very snarky about the pursuit of “big ideas” and “brand stewardship.” His constant references to the fictional world of “Mad Men” and Don Draper, which get old quickly, show how little patience or respect he has for the actual advertising product and the people who make it. This extends to editorial sloppiness, too: At one point he refers to the famed advertising agency CP+B as its outdated moniker “Crispin Porter.” And other than a few Jeff Goodby, Bob Greenberg, and Jerry Della Femina quotes, we don’t hear much from the creative side of the industry.
That may be the biggest lesson of “Frenemies” — Auletta, as he himself admits, is following the money. As an outsider to the ad industry, he focuses on the intrigue at the top of the corporate ladder, which largely takes place in private suites at conferences and Manhattan dinners. It’s a valid perspective — by keeping a birds-eye view throughout the book, he gives us an accurate picture of the massive shifts in spending and power taking place. Because that is what’s affecting all of us, no matter what we do in the advertising and marketing industries or where we do it.
Auletta wrote “Frenemies” in a way that reads like an extended magazine profile, personality-driven with Kassan at the center and countless others swirling around him lending their quotes. You don’t have to be working in the advertising or marketing industries to understand the picture Auletta paints of an industry gone haywire, and I suspect the book will gain more traction among curious outsiders because of that. So if you’re truly wondering what it looks like at the top of the advertising, marketing, and media industries from a keen reporter with a nice expense account, “Frenemies” makes a worthwhile read.
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Reviewed in Italy on May 18, 2022
The whole business model of agencies is under threat and consulting companies as we now are joining the bandwagon for a piece of the cake.
While I enjoyed the biographical elements and provided a sort of gripping edge to the book sort of ones you see in TV dramas and absolutely make it enjoyable to read.
The book at times goes into borderline flattery of Medialink and Michael Kassan which is off putting at times but I wouldn’t call it a deal breaker to say.
The book was definitely worth the time and money and a must read for people who want to understand the new age and era of advertising that we are heading to.