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  • Ambient

    Emphasizes texture and tone over traditional musical structure, aimed at evoking a particular atmosphere or mood.

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    Emphasizes texture and tone over traditional musical structure, aimed at evoking a particular atmosphere or mood.

  • Blues

    Originated toward the end of the 19th century in African American communities in the United States, particularly the Deep South; drew on traditional Spirituals and Work Songs; highly influential to the whole of Western popular music.

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    Originated toward the end of the 19th century in African American communities in the United States, particularly the Deep South; drew on traditional Spirituals and Work Songs; highly influential to the whole of Western popular music.

  • Classical Music

    Part of a broad generalization about the structure and function of music throughout history across the globe, describing traditions distinct from Traditional Folk Music and popular music.

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    Part of a broad generalization about the structure and function of music throughout history across the globe, describing traditions distinct from Traditional Folk Music and popular music.

  • Country

    American genre derived from Southern and Appalachian forms of American Folk Music and later Rock and Pop influences, with a focus on the life and culture of rural America.

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    American genre derived from Southern and Appalachian forms of American Folk Music and later Rock and Pop influences, with a focus on the life and culture of rural America.

  • Dance

    Rooted in Disco and developed largely within Electronic Dance Music; emphasizes rhythm and is generally produced for play by DJs at clubs, parties, or festivals.

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    Rooted in Disco and developed largely within Electronic Dance Music; emphasizes rhythm and is generally produced for play by DJs at clubs, parties, or festivals.

  • Electronic

    Uses non-traditional electronic instrumentation and sound manipulation technology as the primary backbone of a composition.

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    Uses non-traditional electronic instrumentation and sound manipulation technology as the primary backbone of a composition.

  • Experimental

    Most radical approaches throughout history, featuring non-traditional production methods resulting in sounds and styles that go largely beyond traditional boundaries.

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    Most radical approaches throughout history, featuring non-traditional production methods resulting in sounds and styles that go largely beyond traditional boundaries.

  • Folk

    Rooted in mostly oral traditions of the peoples of the world, encompassing international Traditional Folk Music as well as Western Contemporary Folk which arose in the 1940s.

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    Rooted in mostly oral traditions of the peoples of the world, encompassing international Traditional Folk Music as well as Western Contemporary Folk which arose in the 1940s.

  • Hip Hop

    Emerged primarily on the United States east coast in African American communities in the late 1970s; emphasizes rhythmic beat patterns and a type of spoken vocal delivery known as rapping.

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    Emerged primarily on the United States east coast in African American communities in the late 1970s; emphasizes rhythmic beat patterns and a type of spoken vocal delivery known as rapping.

  • Industrial & Noise

    Umbrella encompassing Noise and Industrial, as well as later derivatives that combine the latter aesthetics with other styles and in more accessible directions which fall under Post-Industrial.

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    Umbrella encompassing Noise and Industrial, as well as later derivatives that combine the latter aesthetics with other styles and in more accessible directions which fall under Post-Industrial.

  • Jazz

    Originating in African American communities in the Southern United States around the turn of the 20th century, building on New Orleans Brass Band ensemble and influences from Ragtime and Blues to become a very popular style by the emergence of Swing in the 1930s.

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    Originating in African American communities in the Southern United States around the turn of the 20th century, building on New Orleans Brass Band ensemble and influences from Ragtime and Blues to become a very popular style by the emergence of Swing in the 1930s.

  • Metal

    Driving and distorted riffs, aggressive drumming, vigorous vocals, and an all-around show of brute force in its early days, since branching into dozens of subgenres.

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    Driving and distorted riffs, aggressive drumming, vigorous vocals, and an all-around show of brute force in its early days, since branching into dozens of subgenres.

  • Musical Theatre and Entertainment

    Range of styles of theatre individually popular in the United States or in various countries in Europe, mostly from the 19th century to the mid-20th century.

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    Range of styles of theatre individually popular in the United States or in various countries in Europe, mostly from the 19th century to the mid-20th century.

  • New Age

    Broad genre centered on peaceful, meditative melodies, using a wide variety of instrumentation.

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    Broad genre centered on peaceful, meditative melodies, using a wide variety of instrumentation.

  • Pop

    Umbrella of popular styles closely tied to mass production and mass marketing, focusing on catchiness and accessibility through melody, rhythm, lyrics, and hooks.

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    Umbrella of popular styles closely tied to mass production and mass marketing, focusing on catchiness and accessibility through melody, rhythm, lyrics, and hooks.

  • Psychedelia

    Umbrella of styles intended to replicate or enhance the altered state of consciousness brought on by the use of psychedelic drugs, originating in the 1960s.

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    Umbrella of styles intended to replicate or enhance the altered state of consciousness brought on by the use of psychedelic drugs, originating in the 1960s.

  • Punk

    Musical and cultural product of Punk Rock known for its simplistic, brash playstyle and anti-establishment themes.

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    Musical and cultural product of Punk Rock known for its simplistic, brash playstyle and anti-establishment themes.

  • R&B

    Umbrella of styles covering the most popular forms of Black American music from the late 1940s, when the term Rhythm & Blues first appeared; includes the developments of Soul and Funk in the '60s and '70s, and the Contemporary R&B of the 1980s onward.

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    Umbrella of styles covering the most popular forms of Black American music from the late 1940s, when the term Rhythm & Blues first appeared; includes the developments of Soul and Funk in the '60s and '70s, and the Contemporary R&B of the 1980s onward.

  • Regional Music

    Music of regional cultural traditions, that is or was predominantly played and produced in these regions.

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    Music of regional cultural traditions, that is or was predominantly played and produced in these regions.

  • Rock

    Typically uses a verse-chorus structure with a backbeat rhythm and the electric guitar at the forefront; generally heavier and/or faster than its predecessors.

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    Typically uses a verse-chorus structure with a backbeat rhythm and the electric guitar at the forefront; generally heavier and/or faster than its predecessors.

  • Singer-Songwriter

    Heavily focused on lyrics and songwriting, with musical accompaniment tending to take lower precedence.

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    Heavily focused on lyrics and songwriting, with musical accompaniment tending to take lower precedence.

  • Spoken Word

    Usually unaccompanied vocal readings.

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    Usually unaccompanied vocal readings.

  • Uncategorized

  • Ambient Pop

    Emphasizes texture and atmosphere with a degree of structural experimentation, drawing on Dream Pop, Neo-Psychedelia, and Post-Rock while tending towards more minimal, repetitive arrangements which may incorporate elements of Electronic or Krautrock.

    Emphasizes texture and atmosphere with a degree of structural experimentation, drawing on Dream Pop, Neo-Psychedelia, and Post-Rock while tending towards more minimal, repetitive arrangements which may incorporate elements of Electronic or Krautrock.

  • ASMR

    Recordings intended to induce a pleasurable tingling sensation in the listener.

    Recordings intended to induce a pleasurable tingling sensation in the listener.

  • Beatboxing

    Form of vocal percussion developed during the 1980s, primarily involving the art of producing drum beats, rhythm, and musical sounds using one's mouth, lips, tongue, voice, and more.

    Form of vocal percussion developed during the 1980s, primarily involving the art of producing drum beats, rhythm, and musical sounds using one's mouth, lips, tongue, voice, and more.

  • Bugle Call

    Short tunes played on a bugle; used in militaries for communication.

    Short tunes played on a bugle; used in militaries for communication.

  • Comedy

    Range of styles, both musical and non-musical, that always set out to make the listener laugh through humor.

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    Range of styles, both musical and non-musical, that always set out to make the listener laugh through humor.

  • Dark Cabaret

    Dark, moody style incorporating elements of Cabaret in a modern context, with varied instrumentation.

    Dark, moody style incorporating elements of Cabaret in a modern context, with varied instrumentation.

  • Darkwave

    Expands on the dark, introspective and sorrowful atmosphere of Gothic Rock; borrowing aspects from Electronic and other non-Rock influences.

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    Expands on the dark, introspective and sorrowful atmosphere of Gothic Rock; borrowing aspects from Electronic and other non-Rock influences.

  • Easy Listening

    Typically instrumental, including lush arrangements and melodies played by orchestras or big bands aiming for light entertainment.

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    Typically instrumental, including lush arrangements and melodies played by orchestras or big bands aiming for light entertainment.

  • Field Recordings

    Material recorded outside of a recording studio for the purpose of capturing the audible illustration of an environment.

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    Material recorded outside of a recording studio for the purpose of capturing the audible illustration of an environment.

  • Gospel

    Arising from vocal Christian tradition often featuring emotive performances, layered accompaniments, and themes of faith and salvation.

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    Arising from vocal Christian tradition often featuring emotive performances, layered accompaniments, and themes of faith and salvation.

  • Hanmai

    Chinese performance style featuring a performer shouting lyrics over an upbeat backing track.

    Chinese performance style featuring a performer shouting lyrics over an upbeat backing track.

  • Mantra

    Sounds, words or phrases, often repeatedly chanted, used in religions originating in the Indian subcontinent, and spiritual practices influenced by them.

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    Sounds, words or phrases, often repeatedly chanted, used in religions originating in the Indian subcontinent, and spiritual practices influenced by them.

  • Marching Band

    Covering the music of Western-derived marching bands, primarily used for entertainment, competition, military, and parade settings, typically involving large-scale orchestras featuring a variety of instruments.

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    Covering the music of Western-derived marching bands, primarily used for entertainment, competition, military, and parade settings, typically involving large-scale orchestras featuring a variety of instruments.

  • Mashup

    Songs created by mixing parts of two or more recordings together.

    Songs created by mixing parts of two or more recordings together.

  • Mechanical Music

    Generated by self-playing devices, which read and reproduce music through purely mechanical means with no major electronically controlled elements.

    Generated by self-playing devices, which read and reproduce music through purely mechanical means with no major electronically controlled elements.

  • Parlour Music

    Early form of light, sentimental popular music; popular in USA and Europe from the late 1700s to the 1870s.

    Early form of light, sentimental popular music; popular in USA and Europe from the late 1700s to the 1870s.

  • Shibuya-kei

    Eclectic scene emerging from the Shibuya district of Tokyo near the end of the 1980s; often borrows kitschy, retro-inspired aesthetics alongside diverse musical influences from Indie Pop, 1960s Pop and Easy Listening, Jazz, and Electronic styles.

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    Eclectic scene emerging from the Shibuya district of Tokyo near the end of the 1980s; often borrows kitschy, retro-inspired aesthetics alongside diverse musical influences from Indie Pop, 1960s Pop and Easy Listening, Jazz, and Electronic styles.

  • Ska

    Originated in Jamaica in the late 1950s, characterized by a signature off-beat rhythm (referred to as the ‘skank’ rhythm), chop-style guitar work, busy bass lines and a use of horn sections.

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    Originated in Jamaica in the late 1950s, characterized by a signature off-beat rhythm (referred to as the ‘skank’ rhythm), chop-style guitar work, busy bass lines and a use of horn sections.

  • Sound Effects

    Non-musical audio works, including recorded sounds and sounds recreated synthetically or by other means, which are either sounds of known objects or abstract noise manifestations.

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    Non-musical audio works, including recorded sounds and sounds recreated synthetically or by other means, which are either sounds of known objects or abstract noise manifestations.

  • Visual kei

    Fashion-oriented styles that take influence from Gothic Rock, Glam Rock, and Heavy Metal.

    Fashion-oriented styles that take influence from Gothic Rock, Glam Rock, and Heavy Metal.

  • YTPMV

    Internet-based musical remixes which sequence small samples from audiovisual material as a method of composition, usually with a humorous or memetic approach.

    Internet-based musical remixes which sequence small samples from audiovisual material as a method of composition, usually with a humorous or memetic approach.

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News & Updates

Petit Malo - Dans mon kwatta, Cover art
3d | New Genre
Mbolé: Festive, energetic and urban, influenced by Bikutsi, Bend-skin and Makossa; mainly based on hand-clapping and drumming accompanied by rhythmic singing.
Ustad Amir Khan - Ananya, Cover art
4d | New Genre
Tarana: Vocal composition with Persian or Arabic syllables and phonemes.
Hoàng Oanh / Tô Kiều Ngân - Đẹp Hậu Giang / Bao giờ em lấy chồng, Cover art
4d | New Genre
Ngâm thơ: Vietnamese Poetry recitation backed by traditional instruments.
Pierre Didi Tchakounté - Meguela, Cover art
6d | New Genre
Mangambeu: Celebratory style featuring mbira-like instruments and polyrhythms, from western Cameroon.
Ensemble Micrologus - O Yesù Dolce - Laudi Italiane del Quattrocento, Cover art
10d | New Genre
Lauda: Vernacular, devotional sung poetry, composed in Italy in the late Medieval and Renaissance periods.
Shakti - This Moment, Cover art
10d | New Genre
Konnakol: Traditional song utilizing solkattu, syllablic patterns to mimic instrumentation.
LXNGVX - Montagem Mysterious Game, Cover art
11d | New Genre
Brazilian Phonk: Merges Funk brasileiro's rhythms, vocals, and energy, with the energetic and nocturnal production typical of the Drift Phonk scene, and Phonk House.
Glenn Gould - Preludes, Fughettas and Fugues, Cover art
22d | New Genre
Fugue: Contrapuntal composition and technique for a fixed numbers of musical voices; following the imitations of one main theme.
Lunchbox - Plz Dont Go, Cover art
23d | New Genre
New Jazz: Colorful, repetitive synths and synthetic instruments, playful vocal chops, and wonky bass selections set to bouncy Trap drums.
กันตรึม ดงมัน [Kantrum Dongman] - Northern Khmer Spirit Music in Thailand, Cover art
23d | New Genre
Kantruem: Form of fast-paced dance music played by the Khmer people of northeast Thailand.
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