As the long-time music director of the Choir of King's College, Cambridge, Stephen Cleobury led an extraordinary career during which he fundamentally shaped that venerable institution artistically. He championed contemporary music to a degree unusual for a conductor at the heart of the English choral tradition.

Cleobury (pronounced "CLOW-bury" with the first syllable rhyming with "how") was born in Bromley, in Kent County in southeast England, on December 31, 1948. His younger brother, Nicholas Cleobury, is also a conductor. Cleobury's musical career began, as with so many other choral directors, as a boy soprano, in his case at Worcester Cathedral. Cleobury attended St. John's College, Cambridge, as an organ scholar, studying organ and choral music with David Willcocks and George Guest. His first post was as sub-organist at Westminster Abbey. In 1976, he conducted a new work, The Lion of Suffolk, by Malcolm Williamson at a memorial service for Benjamin Britten, and he continued to emphasize contemporary music in his programming. He also worked at the Northampton Grammar School and St. Matthew's Church in Northampton in the 1970s. In 1979, Cleobury was promoted to master of music at Westminster Cathedral.

He moved to King's College as music director in 1982, a position that also involved conducting the school's centuries-old choir. To general listeners, the choir may be best known for its annual, internationally broadcast Christmas-season Festival of Lessons and Carols, which Cleobury revivified through the commissioning of a new work for the event each year. He became director of the Cambridge University Musical Society in 1983; with that university-wide choral-orchestral group, he was able to conduct larger works, including a new piece in 2009 by Peter Maxwell Davies, The Sorcerer's Mirror, that addressed the threat of climate change and marked the 800th anniversary of Cambridge. Cleobury also served as director of the BBC Singers from 1995 to 2007 and continued to be associated with the group as conductor laureate.

He led the Choir of King's College in recordings for a wide variety of labels, as organist as well as choir director, on the choir's own label in the 2010s. For that imprint, he released a recording of Herbert Howells' An English Mass in 2019. Cleobury retired in September of 2019 following a long battle with cancer and passed away in York on November 22, 2019. His influence will continue to be felt in the many choral arrangements he had made, in use at King's and around the world. ~ James Manheim

Alison Balsom must be counted among the most popular classical trumpeters in the 2000s, as she's gained wide international recognition only since the turn of the century. Her first recording, Music for Trumpet and Organ, was issued in 2002, and her first major award came in 2006, when the jurors of the Classical BRIT Awards named her Young British Classical Performer. Balsom's repertory is broad, taking in a mixture of the standard repertory, original works, and arrangements. In 2020, she released the album Magic Trumpet on Warner Classics.

Balsom was born in the English county of Hertfordshire in 1978. She grew up in Royston, where she began trumpet studies in her early childhood. At nine, she began lessons with Adrian Jacobs at Greneway School in Royston and four years later enrolled in the Junior Department at the Guildhall School of Music, where her most important teacher was John Miller. From ages 15 to 18, she played in the National Youth Orchestra of Great Britain, and from 1997 to 2001, she studied at the Guildhall School of Music and Drama, where her teachers included Stephen Keavy and Paul Beniston. Later studies were at the Paris Conservatory of Music and Royal Scottish Academy of Music and Drama. Balsom also studied privately with Håkan Hardenberger from 2001 to 2004. During her student years, Balsom played in several orchestral ensembles and became a concerto finalist in the 1998 BBC Young Musicians Competition.

Following the release of her first album on EMI, Balsom began drawing attention not only across England but internationally, as well. She next signed an exclusive contract with EMI, and her second recording, Bach: Works for Trumpet, was issued in 2005 to rave reviews. In 2006, she was awarded Solo CD of the Year by Brass Band World Magazine for her album Caprice. In 2011, she commissioned and recorded Seraph by James MacMillan, and has made her own arrangements by the likes of Bach, Haydn, Mozart, and many others, and secured other commissions to expand the repertoire for trumpet.

Balsom's concert schedule reflects her in-demand status with tours at major venues in Europe, the U.S., and elsewhere around the world. Yet, she also is open to new creative endeavors. Balsom assumed the lead role in the play Gabriel, produced at Shakespeare's Globe Theatre in the summer of 2013. Her recordings in the 2010s have branched out from standard repertory into thematic collections that called on the talents of a variety of arrangers. These included Paris (2014), Légende (a 2016 collection of neoclassic trumpet-and-piano sonatas that included pop elements), and Jubilo (also 2016). A favorite performer at the British Broadcasting Corporation's Proms concerts, she premiered the trumpet-and-orchestra work Joie éternelle by composer Qigang Chen there in 2014. The 2020 album Magic Trumpet offers a glimpse into Balsom's encompassing repertory, spanning from Baroque to 20th century works.

Balsom's long list of awards includes being named the 2013 Artist of the Year by the Gramophone Awards and her designation as Officer of the Order of the British Empire in 2016. ~ Robert Cummings & James Manheim