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Edgeplay - A Film About The Runaways
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Additional DVD options | Edition | Discs | Price | New from | Used from |
DVD
April 5, 2005 "Please retry" | — | 1 | $27.39 | — | $12.65 |
Format | Color, Full Screen, NTSC, Dolby |
Contributor | Sandy West (III), Kim Fowley, Lita Ford, Joan Jett, Victory Tischler-Blue, Suzi Quatro, Cherie Currie See more |
Language | English |
Runtime | 1 hour and 50 minutes |
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Product Description
See the gripping rise of the first all-girl hard rock band, its hopes and dreams, and its eventual disintegration as the result of media belittling, in-fighting and drug use amidst rumors of verbal and emotional abuse by the band's management.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 7.5 x 5.25 x 0.75 inches; 3.2 ounces
- Director : Victory Tischler-Blue
- Media Format : Color, Full Screen, NTSC, Dolby
- Run time : 1 hour and 50 minutes
- Release date : April 5, 2005
- Actors : Lita Ford, Kim Fowley, Cherie Currie, Joan Jett, Suzi Quatro
- Language : English (Dolby Digital 5.1)
- Studio : IMAGE ENTERTAINMENT
- ASIN : B00061QJ58
- Number of discs : 1
- Best Sellers Rank: #55,738 in Movies & TV (See Top 100 in Movies & TV)
- #1,215 in Music Videos & Concerts (Movies & TV)
- #1,481 in Documentary (Movies & TV)
- Customer Reviews:
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If you are looking for another typical, VH-1 styled look at the fun and excesses of a dysfunctional rock band, this complex film may disappoint you. Edgeplay is not a film intended to excite, gawk, or fawn over it's subjects, and I say subjects rather than "subject" intentionally, as it's a film about people, not about the rock 'n roll lifestyle. There is no whimsy for the joyful free-sex and drugs of the 70's, or any fanboy enthusiasm for The Runaways as a band.
What there is, is an insightful and compassionate look at a tragic and yet stoic group of young women, who made history, without ever recieving any praise, who made great music without ever selling many records, and who paid dearly in many ways for their now legendary status, with a good part of their childhoods.
Edgeplay is a documentary about the all-girl hard-rock band The Runaways, who so much like their tourmates The Ramones, set the next two decades on fire, without getting any of the credit or rewards.
Victory Tischler-Blue, the director, writer and concience of Edgeplay, endured a 6-year trial-by-fire getting this film made and released,(and is a story as compelling as any in her movie), and I think much of the raw honesty and poignance in this film is in some ways a direct result of that struggle.
There is an almost Dickensian cast of characters: A young, Joan Jett-Talented and driven, yet shy and unsure of herself, Cherie Currie-A striking blonde, who never expected to be a singer, and yet, much like Lana Turner sitting at a soda fountain, was chosen to be one, Kim Fowley-A slimy Svengali who unashamedly preyed on very, young girls to make himself rich, and makes no apology, Sandy West-A tomboyish, young drummer who simply loved playing her drums, and wanted no more than to spend her life doing it, Jackie Fox-A doe-eyed bassist who found out earler than the others that stardom could be an empty trophy cup, Lita Ford-Fiesty, tough, and driven, and Vicky Blue-The bassist who walked into this dysfunctional family in the midst of meltdown, and yet stayed on the outside enough, and more importantly, grew-up enough to make this incredible film.
I think Miss Blue, ex-band member and director of Edgeplay, knew something that Margaret Mitchell, author of Gone With The Wind knew. Mrs. Mitchell once said about the theme of her novel, " I often wondered why some people could rise above great adversity, while others, just as brave and smart, go under. All I know is that my daddy called that quality "gumption". I wanted to write about people that had gumption, and those who didn't". Well whether intentional or not (though I expect it was), that is exactly what Miss Tischler-blue has done here.
As most will know, Lita Ford and Joan Jett managed to escape the musical ghetto that was The Runaways, to find great success in the music business. The original bassist is now a successful attorney. Cheri Currie, although never achieving the same level of success, managed to find work in Hollywood for many years, and has continued with a low-profile music and art career. Sandy West, however was plagued with misfortune after her band dissolved, falling into desperately hard times, both financially, and otherwise, and much of this is explored unflinchingly in Edgeplay.
This film works on so many levels that I sometimes am awed by it. When you watch it the first time, you see and hear the story of a rock band. When you watch it a second time however, you begin to become absorbed by the enormous differences in these women. All but one of the members, now in middle-age and 25 years away from The Runaways, still carry deep emotional scars from their experiences, that seem to transcend anything that has happened to them since. All but one of them breaks down on camera in a way that's agonizing to watch. Is it really possible to carry resentment from teenaged slights and squabbles into middle age? Once the women start talking to Miss Blue's camera, you find out that you can indeed.
The only one who does not seem affected by her experiences so long ago is Lita Ford, who I found, quite unexpectedly, the most fascinating of all. After 4 decades or so of life, I like to think I know false bravado when I see it, and yet in Lita I saw none. It's amazing to watch her face as she walks back over the same old paths as the others while recounting her experiences, and yet, to her, it was almost like describing a movie she had seen, and enjoyed, but could only partially remember; not because it wasn't exciting, but because, well....it was only a movie. Lita ends-up being Edgeplay's Scarlett O'Hara. The one who had gumption.
Of course Joan Jett became a star as well, but we'll never know her thoughts and feelings on things, as she declined to participate in the film. As I understand it, she was violently opposed to the film, it apparently not focusing enough on her, and did everything in her power to crush the film before it could be released. This is utterly mystifying, as her treatment in the film is not-at-all negative, and if anything, she comes across as rather inoffensive and hard-working. Very strange.
Edgeplay is, in many ways, the "Clockwork Orange" of rock documentaries. From the dark, sadonic tales of excess and loss-of-innocence, to the startlingly effective and moody camerawork, (which usually annoys me, but here served a real dramatic purpose for a change), this is a film that anyone can get something out of, whether you're a Runaways fan or not.
After posting a review of Edgeplay on another site, I was amazed and delighted to recive an email from the director of the film, thanking me for my good review, and expressing her relief that someone "got" what she was trying to achieve with Edgeplay. Yes Victory, because of your long journey in making this poignant, affirming, yet disturbing documentary, we all got more than we could have hoped for. Don't worry. You did good.
The differences in accounts of each member is very much the point of the film as they were so diverse and this corresponded in turn with the problematic assessment of their manager Kim Fowley. Certainly five sets of female teenage hormones made for a combustible mixture but Kim Fowley's love of 'boot camp' , him as the drill sergeant and them as raw recruits, might have knocked the band into shape but also made for abusive relationships. He also encouraged inter band jealousies which could only have worked to his advantage in the classic 'divide and rule' manoeuvre. Cherie was enabled to hog the spotlight she was most abused and comes over as the most bitter, while the tough, feistier Lita Ford let it roll off her and is now the most philosophical and least damaged of them all. Joan Jett comes over as the peacemaker, trying to hold things together but being ground down in the end (Her own separate testimony in 'The Runaways' film was that Kim Fowley was grandiose and funny
Common to all accounts is how they slaved away on inadequate money and how their drug consumption and craziness stepped up, bit at a time and only in Japan did they get the proper appreciation they deserved yet this is where Jackie Fox cracked up. The aftermath which included Cherie quitting the band seems to have ushered in phase two of the band where their next producer, John Alcock carried on the damage in splitting Lita and Sandy and Lita from Joan and their new bassist Vicky who fulfils a fascinating dual role in this film in being also the producer / interviewer in this film and sometime interviewee when her younger self is dealt with equally fairly under the camera spotlight. The saddest note is struck by Sany West who remained obviously heartbroken after the band breakup.
What I'm not certain about is whether the right note was struck between the personality problems and band dissensions and the fact that the Runaways made great rock and roll and their story is success, not tragedy. What ought to be given its due weight is how Victory Tichler Blue managed to sustain the atmosphere over hours of filming by which all participants in the film were enabled to honestly speak their points of view. This is no mean feat as there are such obvious conflicts when even 25 years of time wouldn't necessarily have been the great healer that it's cracked up to be.
In the mid 70s, I was roughly the same age at the time The Runaways debuted, and I identified with them in ways that were more a part of my imagination than how it really was. I could never have imagined the abuses they endured just to get on stage. After watching this video, I'm awe-struck that both Joan and Lita had the fortitude to carry on with their respective careers after such a swindled start. Also, as a Joan Jett fan myself today still, I wanted to add that after watching the film closely I think it's pretty obvious why she didn't want to participate, and I don't think it has anything to do with it "not being enough about her." There's an aspect, albeit fascinating for us outside of the music business, about this documentary that is gossipy, sad, and back biting. She lived it and overcame it. Why should she have to re-hash it?
Anyway, this video is awesome. All grrls should have a copy.
Top reviews from other countries
私は後追い世代で、特に、このバンドは、映画The Runnawaysをレンタルして知ったバンドなのですが、Cherry Pie!!!!の曲がすごく気に入ったのと、Joan Jettに恋したのと(笑)、映画の方のレビューを見ていたときに、どなたかが、彼女たちのドキュメンタリーがあると書いていらして、Googleで検索した結果、こちらの商品だと知りました。
amazon.comで購入しようかと迷っていたのですが、幸いこちらの方でまだ安いお値段で出品して頂いていたので、ラッキーでした。
前置きが長くなりましたが、キム・フォウリーの厳しさ、口の悪さ、それでメンバーがどれだけ傷ついたかという事。
また、キム・フォウリーのせいか、それとも、誰かがベースのプラグを引き抜いたかで、日本ツアーの際に、Jackie Foxが自殺未遂をしてしまった事等も入っていました。
印象的だったのは、最初に国内ツアーの時、Charrine Kurryが車の中でホームシックになってLita Fordに言ったところ、「私だって家に帰りたい。でも、このツアーを終えたとき、私は何かビッグなものになっていたいから、どれだけ我慢しているかわかる?」って言った事です。
Lite Fordっていえば、80年代メタルを聴かれる方には結構身近な名前だと思いますが(Cinderella以外あまり80年代メタルは好きじゃない私です)、彼女にもそのような時代がやっぱりあったんだなーって思いました。
また、Sandy Westが、最後に「The Runnawaysは、最高なバンドだと思う。皆最高だと思っていたし、メンバー自身も最高だと思っていたし、ファンだって認めているし。だったら、再結成してもいいんじゃないの?ねえ、そう思わない?」って言っているのを聞いて、とても悲しかったです。
Leider fanden sie wenig Zuspruch, obwohl sie in der Tat überaus talentiert waren. Von den meisten männlichen Kollegen nur belächelt, endete das erste Frauenprojekt dieser Art, in einem Desaster.
Von Managern, Tourleuten und Plattenverlegern ausgebeutet, endete die Story leider viel zu früh. Dafür machten Joan Jett, Lita Ford und Cherie Currie später Solo auf sich aufmerksam.
In diesem Film erzählen die Pionierinnen von einst ihre Geschichte aus heutiger Sicht - schockierend und einfühlsam. Lediglich Joan Jett, die öffentlich nicht gerne über ihr Privatleben spricht, fehlt in der Dokumentation, die ansonsten sehr gelungen ist.
Es ist zudem eines der letzten Interviews, die die leider 2006 tragischer Weise an Krebs verstorbene Schlagzeugerin der Band, Sandy West gegeben hat. Bis zuletzt appelierte sie an ihre ehemaligen Bandkolleginnen, dass eine Reunion der Band eine Sensation versprechen könnte. Leider vergeblich.
Derzeit wird der Kinofilm "Neon Angels", von Joan Jett und Kenny Laguna, nach der Buchvorlage von Cherie Currie, verfilmt. Er erzählt die Geschichte der Runaways, vom Anfang bis zur Trennung. Ob er auch hierzulande zu sehen sein wird bleibt abzuwarten.
Einstweilen kann man "Edgeplay" als Dokumentation zur Einstimmung auf "Neon Angels" als durchaus hilfreich ansehen.
It shows a weird but flashy background of the old time Band
ruff real ruff
I was disappointed in the fact that there was no real concert footage and also the fact that one of the key members namely Joan jett refused to participate in it.
The one good thing is that it was recorded before we prematurely lost Sandy west [ the drummer] so for that it is worth getting. It is only for real fans of the runaways.