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Early Takes Volume 1

Digipack

4.7 4.7 out of 5 stars 465 ratings

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Audio CD, Soundtrack, May 1, 2012
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Track Listings

1 My Sweet Lord (Demo)
2 Run of the Mill (Demo)
3 I'd Have You Any Time (Early Take)
4 Mama You've Been on My Mind (Demo)
5 Let It Be Me (Demo)
6 Woman Don't You Cry for Me (Early Take)
7 Awaiting on You All (Early Take)
8 Behind That Locked Door (Demo)
9 All Things Must Pass (Demo)
10 The Light That Has Lighted the World (Demo)

Editorial Reviews

Early Takes Volume 1

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 5.55 x 4.92 x 0.47 inches; 3.25 ounces
  • Manufacturer ‏ : ‎ UMe
  • Item model number ‏ : ‎ 25120414
  • Original Release Date ‏ : ‎ 2012
  • SPARS Code ‏ : ‎ ADD
  • Date First Available ‏ : ‎ March 8, 2012
  • Label ‏ : ‎ UMe
  • ASIN ‏ : ‎ B007IE4DSG
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.7 4.7 out of 5 stars 465 ratings

Customer reviews

4.7 out of 5 stars
4.7 out of 5
465 global ratings

Top reviews from the United States

Reviewed in the United States on June 20, 2013
Imagine the privileged thrill of sitting in the living room of your favorite musician(s) while they play their newest material for you. That's exactly how this album feels, and it's great! Doubly so for me, because "All Things Must Pass" is this Beatle Nut's favorite Harrison album. In case you're wondering, no, I never knew George, but I do have a unique take on the artist/fan perspective. More on that shortly.

There's so much more here than "All Things..."! Of the ten tracks, four are new. Two of those, Harrison's take of his own idol, Bob Dylan's "Mama, You've Been On My Mind", and a touching version of the Everly Brothers' "Let It Be Me" are in themselves more than worth the album's cost.

I mentioned sitting with a favorite artist while they play for you. I've had that that blessed and rare experience. If you've ever heard of the late Blues legend John Lee Hooker, I knew him very well for the final twenty years of his life. John Lee was very much my "Grandpa-by-adoption", and when he came to play Kansas City or Chicago, we'd spend a couple of days together. His bandmates would be hunting up girls, (I was already married), while Hook and I would glance at old movies or a ballgame on TV, and just talk, for hours.

George's "Early Takes Volume 1" brings back all those memories. I share some of these with you here, so that you might understand what it's like to have a hero/musician share his art and life with you, and, therefore, why this album carries extra meaning for this writer.

The day we met, "Hook" played songs for me backstage, when we were the only two in the room. When he was writing new material, he'd sing it for me, over the phone, (He in CA, and I in KS). Better still, he never failed to call me on my December birthday, and sing with that voice that defines his genre, "Happy Birthday" to me. Amazing. Quickly! Find his Grammy-winning album, "The Healer", or his "I'm in the Mood" duet with Bonnie Raitt, and you'll understand. Trust me.

I was born with cerebral palsy in my legs, so walking long distances was hard. John Lee, out of consideration, gave me some incredible "help" for this.

Whenever the concert promoter sent the limo to bring Mr. Hooker to his concert venue, John Lee made sure that I alone rode with him. (In part because, despite my legs, my upper body was "bodyguard" large. As such, I could make sure "Hook" didn't get shoved around in a crowd). I also got, not a backstage pass, but an on-stage pass, and a chair. This way, I could watch his whole show comfortably from the wings, and not battle huge crowds, such as the 450,000 that so joyously saw John Lee Hooker close the 1988 Navy Pier Blues Festival in Chicago.

The hilarious part of this was, whenever I climbed out of a limo with "Hook", fans waiting backstage naturally assumed, especially given the longer hair and full beard that I wore back then, that I must surely be in the John Lee Hooker band. Despite my insistence to these fans that I was just John Lee Hooker's friend, they asked - even demanded - my autograph. While laughing about this later, I asked John Lee what to do. He too, cracked up laughing. Then, with the charming, grandfatherly wisdom that was so typical of John Lee, he said, "Just keep the fans happy 'n sign for 'em, John. You ain't doin' any harm." Since *nobody* can read my signature anyhow, I signed a few. Sorry, if by chance, any of those fans ever read this. My autograph's only good on a check! I only felt badly when someone made me sign a book on the same page as a signature from the great Bob Dylan. That seemed to me as a kind of rock 'n' roll sacrilege.

If you're even a moderate Beatles/Harrison fan, you'll love this album. As most fans know, George was the most private of all The Beatles. To "peek behind the curtain" and see these great songs, as well as the unreleased gems, develop is indeed a treat! It's a damned shame that he had to die** before we got to hear them.

**Cancer, from smoking, even though Mr. Harrison had quit years before. As was sung in, "I'm So Tired", "...and curse Sir Walter Raleigh, he was such a stupid git!" Raleigh learned to smoke tobacco from American Indians, and so he introduced that deadly habit to Colonial America.
23 people found this helpful
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Reviewed in the United States on February 19, 2024
Great album, swift delivery
Reviewed in the United States on October 10, 2023
Great quality and great price.
Reviewed in the United States on May 13, 2012
These days, the market seems awash with reissues containing demos and out-takes that were never intended (and barely fit) for public consumption. Most of them are good for curiosity value, but don't reward repeated listening. I'm pleased to say that this is not one of those collections.

In the liner notes of the 30th Anniversary edition of 
All Things Must Pass , George wrote that he thought the production was embarrassingly overblown and was very tempted to go back and remix it all but in the end, he decided to release it in the form that people were familiar with. What we have on Early Takes is what we might have heard had George decided to strip back the arrangements.

With the possible exception of My Sweet Lord, there is very little here that sounds unfinished. Instead, it's more like what the songs would sound like had Unplugged been around in the early 70s. I'd Have You Any Time is definitely superior to the album version and Woman Don't You Cry for Me (one of the few selections not taken from the All Things Must Pass era) is an excellent solo bluegrass piece - a more timeless arrangement than the funk version that was eventually released on 
Thirty Three & 1/3 .

Early Takes is a short album, only ten tracks and 30 minutes long, and priced accordingly. Executive producer Olivia Harrison and Compilation producer Giles Martin have avoided the temptation to fill a disc with everything they can possibly find in the vault. As such, it's a fitting, respectful and truly intimate glimpse at the early directions of some of George's songs. Far from being a fans-only curio, it's an excellent album in its own right.
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Reviewed in the United States on June 7, 2012
This album isn't revelatory and in no way outshines Harrison's studio albums. It is an excellent bonus disc that was originally included with the documentary's blu-ray edition. For those of us who don't feel the need to own the film (though I did enjoy it on television), it's a real treat that it has been given a separate release. One might accuse a collection like this of being a cash grab, but it's priced very low, and the sound quality is excellent. So, it is respectful of the fans, provided for those of us who will forever be hungry for more music by this wonderful artist.

I would hate for them to get to the point where they're releasing music from the bottom of the barrel, but, as this collection is called "Volume 1," I think we can all look forward to a "Volume 2" with more great demos--unless they do as the Traveling Wilburys did and skip straight to "Volume 3!"
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Reviewed in the United States on May 5, 2012
Yes it's short time-wise, but my god listen to what you get!! I've never been a fan of the "we've got 70 plus minutes to fill on this here cd, so put everything available on regardless of quality" etc school of thought. For me, the old vinyl lp standard of 35 minutes overall (about 18 min per side) was always a perfect constraint with which an artist can do their thing (exceptions being some double lp sets, ie the White Album, Physical Graffiti, Exile On Main Street).

In any event, if you like George's work you'll LOVE this set, and for complainers who cry 'rip off', I would just point out how Olivia Harrison did NOT do what most major rock figures routinely do, which is to make these "bonus" or "extras/out-takes" sets available ONLY if you buy them as part of an uber-pricey super-deluxe boxes costing hundreds. Instead, you only have to drop a tenner.

And if you LOVE George's work, well you've already bought this haven't you?

;-)

Cheers!
MMK
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Top reviews from other countries

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Michel Dagenais
5.0 out of 5 stars Superbe musique
Reviewed in Canada on January 11, 2024
À écouter !
CD en excellent état
Holtonr
5.0 out of 5 stars Great album...
Reviewed in the United Kingdom on April 10, 2022
This is a great album. Let It Be Me is the song that I like the best. Would like to hear an orchestrated version of the song along with any unreleased songs to make a new album. Many of the Buddy Holly songs got released after his death from public demand. Now is the time to release unreleased songs of George Harrison. Would not like to see old albums re-released but complete new albums. New unreleased songs is the way to go. Any George Fan will still be missing him and already owns the albums. They would like to hear a new set of songs George left unreleased.
2 people found this helpful
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Gabriel Ayax
5.0 out of 5 stars Georges Harrison sin artificios.
Reviewed in Mexico on April 3, 2020
Esta recopilación presenta versiones tempranas de canciones clásicas de Harrison como solista. Lejos de los arreglos excesivos de Spector, de calidad un tanto cuestionable, el disco ofrece piezas desnudas, honestas y cálidas. Aquí se escucha al Harrison más entrañable.
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Steamy Ashtray
5.0 out of 5 stars Great great record. Great
Reviewed in Australia on February 2, 2024
Super bloody steamy. Demolished a couple darts while jamming to these tunes. One of my fave records. It’s gotta be a 10/10 from me.
york
5.0 out of 5 stars 期待以上の内容でした!
Reviewed in Japan on February 13, 2023
他のレビューにもありますがこれは1枚のアルバムとしてりっぱに成立していると思います。単なるアウトテイク集ではないと思わせる内容でしたし音質も普通に聴けるレベルでした。