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Don Heck: A Work of Art Hardcover – August 26, 2014
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- Don Heck remains one of the legendary names in comics, considered an “artist's artist,” respected by peers, and beloved by fans as the co-creator of Marvel Comics characters Iron Man, Hawkeye, and Black Widow, and for his long stint on Marvel Comics' team book The Avengers. In Don Heck: A Work of Art, author John Coates has meticulously researched and chronicled information on Don’s storied 40-year career, including his time at DC, Dell, Gold Key, and as “ghost” artist on Lee Falk’s The Phantom newspaper strip. From personal recollections from Don’s surviving family, long-time friends, and industry legends, to rare interviews with Heck himself (where he discusses his career, artistic technique, triumphs, frustrations, and love of drawing), this book is full of insight into ― and first-hand anecdotes from ― the early days of Marvel Comics. It also features an unbiased analysis of sales on Don’s DC Comics titles, an extensive art gallery (including published, unpublished, and pencil artwork), a Foreword by Stan Lee, and an Afterword by Beau Smith.
- Print length192 pages
- LanguageEnglish
- PublisherTwoMorrows Publishing
- Publication dateAugust 26, 2014
- Reading age16 years and up
- Dimensions9 x 1 x 12 inches
- ISBN-10160549058X
- ISBN-13978-1605490588
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- Publisher : TwoMorrows Publishing (August 26, 2014)
- Language : English
- Hardcover : 192 pages
- ISBN-10 : 160549058X
- ISBN-13 : 978-1605490588
- Reading age : 16 years and up
- Item Weight : 1.68 pounds
- Dimensions : 9 x 1 x 12 inches
- Best Sellers Rank: #2,568,503 in Books (See Top 100 in Books)
- #590 in Comic & Graphic Novel Literary Criticism
- #3,345 in Literary Graphic Novels (Books)
- #4,781 in Artist & Architect Biographies
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About the author
Writer and historian of comics, new pulp, and anything I can get my hands on. Worked for Marvel, Heroic, Lucky, Eclipse, THE CREEPS, Pro Se, Claypool, InDELLible, and others. Old but immature, Christian, trying to hang on.
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Heck showed his versatility by doing superior work in many genres. His pre-Code work in horror and war remains startling; in superhero comics, he excelled with the Avengers, Iron Man, Wonder Woman, the Flash, the Justice League, and many others. Heck preferred to ink his pencils himself but, as noted in a review above, during his career he was paired with far too many short-term inkers, some of whom were frankly unsuitable or inferior. Heck was thus prevented from creating a "brand" akin to Kirby-Sinnott, Colan-Palmer, or DC's Swan-Klein. Don's own inks were simultaneously loose and disciplined--a neat trick that gives those pages vitality and power.
The book bursts with well-reproduced Heck art in color and black and white, but page design is very busy. My eyes jumped nervously around most spreads, and I didn't react well to a multiplicity of typefaces, some of which are not particularly attractive. But that has nothing to do with Don Heck. He was a professional's professional, and now he has a tribute he deserves.
Don was rock solid. He should've storyboarded movies in Hollywood. He was mistreated by editors at Marvel & DC and left to felt inept. I wish I had made contact with him years ago. Hollywood wood have LOVED his artwork in films. He was really good and mistreated by New York comic groups. Beau Smith wrote a nice closing to the book and the interviews with Don were very well done by John Coates and Beau Smith plus the interviewers. A fine tribute to a former Marvel cartoonist giant who in the end was treated poorly by foolish fan boy editors at Marvel & DC. I include Stan Lee in that bunch of idiots as well.