Cris Collinsworth is Cementing His Legacy on Sunday Night Football | Barrett Media
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Cris Collinsworth is Cementing His Legacy on Sunday Night Football

“I try to always look forward, but that night forced me to look backwards and really appreciate how lucky I am to have the kind of people I have in my life.”

Derek Futterman

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Cris Collinsworth
Courtesy: NBC Sports

Wearing a uniform prominently displaying the team logo and player number, each player on the team prepares to take the gridiron. Regardless of the weather, the players run down the tunnel and are introduced to the crowd in a packed stadium, quickly becoming acclimated to their environment as they look for a victory. From the moment the coin flips until the end of the game, these athletes possess an intense focus on winning the contest and subsequently react to dynamic circumstances. Although he is no longer playing, Cris Collinsworth still takes center stage on gameday, except from inside a broadcast booth aligned with midfield.

While teams are able to accurately prognosticate parts of the game, real-time adjustments and other factors can engender unpredictable occurrences and outcomes. Collinsworth knows this well, unexpectedly stepping into the Sunday Night Football booth two years after returning to NBC Sports. Fifteen seasons later, he has been on the call for five Super Bowl championships and is the longest-tenured analyst in the history of an NFL prime-time television broadcast package.

As Collinsworth continues his work on Sunday Night Football with play-by-play announcer Mike Tirico, sideline reporter Melissa Stark, director Drew Esocoff and coordinating producer Rob Hyland, he considers himself fortunate to be part of a stellar, cohesive group of teammates.

“There’s not the in-fighting; there’s not the silliness that can go on in the corporate world sometimes,” Collinsworth said. “It’s really [that] everybody is talented and trying to pull their weight and make it easier, not harder on our co-workers.”

Throughout his playing career, Collinsworth was honored with various accolades and merits recognizing his aptitude and excellence on the football field. These characteristics have ostensibly evinced themselves as a sports media professional as a 17-time recipient of a Sports Emmy Award and recent inductee into the Sports Broadcasting Hall of Fame. Collinsworth was taken aback to see a preponderance of his colleagues, family and friends on hand for the ceremony.

“It’s funny – those Hall of Fame or awards kind of ceremonies forced me to do something I don’t do comfortably, which is look backwards,” Collinsworth said. “I try to always look forward, but that night forced me to look backwards and really appreciate how lucky I am to have the kind of people I have in my life.”

Before beginning his work in sports media, Collinsworth played college football at the University of Florida where he was a standout wide receiver and completed a degree in accounting. Upon being drafted to the National Football League by the Cincinnati Bengals, he earned Pro Bowl honors and finished second in voting for the Offensive Rookie of the Year award.

After his retirement from the league, Collinsworth began his immersion into media as the host of a sports talk radio show on 700 WLW. Over the next decade, he interacted with an innumerable number of callers and discussed collegiate and professional sports in the Cincinnati area.

Bob Trumpy, a former tight end for the Bengals, preceded him in the role before departing the outlet to take on more assignments calling games for NBC Sports both on television and radio. Even though he was approaching his third of eight seasons in the NFL, Collinsworth filled in for Trumpy for a previous edition of the Sports Talk program alongside Jeff Ruby. By the time he was added to the fill-in rotation in 1988, he knew of the task at hand.

“It’s the hardest thing I’ve ever done,” Collinsworth said. “You go in a studio; you’ve got three hours in a microphone and people think that the listeners just call no matter what you do. They don’t. You’ve got to make them call; you’ve got to make them want to call.”

Collinsworth worked with various radio hosts such as Andy Furman and Bill Cunningham and aimed to hone his craft. He made mistakes along the way and discovered different nuances of the medium while also being a good teammate for his colleagues. Moreover, he had to be genuine with his audience in order to get the listeners to engage with the program, offering his opinions on the teams and making sales calls on behalf of the company.

“You had to welcome guests in that you may not otherwise have on the show and interview people [where] you didn’t know anything about them or their sport,” Collinsworth said. “Yeah, it was a better education than I got doing anything else in my life, I’ll say that for sure.”

At the same time, Collinsworth was attending law school at the University of Cincinnati and might have considered a career as a tax attorney had he not worked in sports media. Three weeks after he was cut by the Bengals, Collinsworth was offered and subsequently accepted a position on the HBO program Inside the NFL as a reporter responsible for filing features. Aside from the radio show, legal studies and reporting work, he also filled in as a color commentator on four college football games for NBC Sports. By the next year, Collinsworth was on nine of these live game broadcasts and became a regular member of the studio cast of Inside the NFL – all while continuing to host on the radio.

“I was talking about everybody, everything, everywhere,” Collinsworth said. “…There was no internet; [it] wasn’t like you could look up something on the internet, so whatever you knew was something you saw or read about, and it was just wild. The decade of the ‘90s clearly was the craziest time of my life.”

Utilizing the versatility he strived to develop, Collinsworth seamlessly made the move into the studio as a member of The NFL on NBC Pregame Show beginning in the 1996 season. Every week, he provided his insights and intellect surrounding the slate of games taking place around the league. Collinsworth was on a panel with host Greg Gumbel and analysts Joe Gibbs and Ahmad Rashad before a seminal moment in the broadcast history of the NFL occurred.

NBC lost broadcasting rights to the NFL when CBS agreed to an eight-year contract with the league to serve as the television home of all AFC games, a deal that was worth an estimated $500 million per year. At the suggestion of NBC Sports company chairman Dick Ebersol, Collinsworth left the outlet and joined FOX Sports as part of its FOX NFL Sunday studio program, retaining his presence within the fabric of football coverage. Over the ensuing four seasons, he had the chance to work alongside host James Brown and analysts Terry Bradshaw and Howie Long, augmenting his ability to seamlessly implement entertainment and moments of levity into nuanced football esoterica.

“I’m glad I did,” Collinsworth said of leaving NBC Sports. “I learned a lot from them and then skipped over to do the games.”

FOX Sports shuffled its announcing lineup in 2002, assigning Collinsworth to a new three-person booth including play-by-play announcer Joe Buck and color commentator Troy Aikman. The alteration resulted from John Madden’s decision to sign a contract to call Monday Night Football games on ABC with play-by-play announcer Al Michaels after his contract expired, timing with Pat Summerall’s initial retirement.

Rather than having one analyst replace the distinguished broadcaster and former Super Bowl champion with the Oakland Raiders, the network opted to instantiate a new lead booth. The endeavor marked a new challenge for Collinsworth since he had never been part of a broadcast triumvirate before. Additionally, he continued to host his Sports Talk radio program while having a family and traveling the country to call these weekly matchups.

“Ordinarily you hit a button and you talk to the producer and you tell them what you want to talk about,” Collinsworth explained. “Well Troy and I were seeing different things all the time, and Richie Zyontz, our poor producer; it was like a gameshow. Did Troy or I hit the button first to get into Richie to try and say something?”

NBC agreed to a six-year contract that granted it rights to a new league prime-time television broadcast package, Sunday Night Football, and two Super Bowl championship games, ahead of the 2006 season.

“When NBC got football back, Dick Ebersol called me right away and I ended up coming back to NBC,” Collinsworth said. “I did the studio again for about three years there and then John retired – surprised all of us – and that’s when I went back in to replace him again.”

Prior to that time though, Collinsworth’s presence was expanding as a member of three different broadcast networks covering the NFL. Whether it was working on Football Night of America on NBC, co-hosting Inside the NFL on HBO or contributing to NFL Network programming, his shrewd expertise and attention to detail was conspicuous.

When he started working with Al Michaels regularly on Sunday Night Football in 2009, he had been known as someone who tried to be authentic with the audience. After all, he had balanced objectivity and subjectivity for several years in a variety of different roles where he gradually earned the trust of consumers.

“I think I learned that you don’t have to be mean-spirited, but you’ve got to be honest and you’ve got to be willing to say what others may not feel comfortable saying because your relationship isn’t really with the players and coaches anymore; it’s with the audience,” Collinsworth articulated. “It’s with the people that are watching on television, and you have to earn their trust that whether it’s something positive or negative that you’re saying, it’s what you honestly believe.”

Collinsworth has always tried to take the approach that he is supplying commentaries for the benefit of the viewers. Throughout the week while fans take part in activities unrelated to the game, he is watching film, having conversations with personnel and determining what he believes will be salient and apropos before kickoff.

Much like suiting up on the field though, the game is unpredictable and it is imperative to be nimble enough to adjust in real time. Maintaining a keen awareness of his audience filled with consumers possessing varied levels of fandom, he does not want to “sell anyone anything;” rather, he aspires to convey his knowledge without overwhelming viewers.

“They want to take three hours and watch a football game and not have the announcer wear them out [or] feel like the announcer’s a shill for players and coaches in the league,” Collinsworth said, “but know that I’ve done my homework and hopefully it’s a little bit fun [and] a little bit relaxing…. I want to tell you I’ve researched it for a whole week [and that] I know what’s going on with these teams, and by the end of it, I hope you know a little bit more about it as well.”

Aside from his pedagogical abilities wherein he translates recondite concepts into comprehensive parlance with aplomb, Collinsworth has become synonymous with entertaining aspects of the game. When NBC previously opened Sunday Night Football games, Al Michaels would appear solo on camera to deliver a monologue about the game before the shot panned to include Collinsworth in the frame. That tradition ended when Mike Tirico assumed play-by-play responsibilities on the broadcast, but Collinsworth was worried that Michaels’ departure would cause more than just a change in the open format.

“Mike is really talented – I mean really talented – and really works hard,” Collinsworth said. “He does all the special teams stuff for us, he talks to the general managers most weeks [and] he is a research machine. He just absolutely is and I have great respect for that, but we’ve also kind of struck a personal relationship that I was afraid I was going to really miss because Al and I were really good friends.”

NBC Sports recently underwent a change in leadership with the appointment of new division president Rick Cordella. Collinsworth has great respect for the broadcast network, claiming that Dick Ebersol is probably the person who has had the greatest influence on him outside of family members. Ebersol resigned from the company in 2011 and was succeeded by Mark Lazarus, who currently serves as the chairman of NBCUniversal Media Group.

“[He was] a guy who believed in me when I gave him no reason to believe in me or when I was making big mistakes or whatever,” Collinsworth said. “He just kept giving me new opportunities and [I will] be forever grateful to him. And maybe it’s part of Dick’s legacy – he hired most of the people that work at NBC now – but they’re just good people and everybody wants to make it better.”

Before Cordella’s promotion, Pete Bevacqua had been leading the business unit, which also broadcasts games in the Big Ten Conference, NASCAR and the Olympic Games. Bevacqua left the network to become the new athletic director of the University of Notre Dame, with whom NBC recently inked a new contract to extend their partnership of broadcasting the football team’s home games. Collinsworth’s son, Jac, is the play-by-play announcer on those games and co-hosts Football Night in America, oftentimes from the site of the game itself.

“Mark Lazarus really set the tone when he came in, and he ultimately had to do the impossible – which is sort of like when I had to replace John Madden – he had to replace Dick Ebersol, and then he just set up a structure that continued that way,” Collinsworth said. “It’s just been – as long as I’ve been there, it’s just been an easy place to go to work and a place you want to go to work.”

Collinsworth currently has two more years under contract with NBC Sports to deliver analysis in the Sunday Night Football booth. The network is slated to broadcast Super Bowl LX in two seasons from Levi’s Stadium in Santa Clara, Calif., which would mark his sixth time calling the championship contest. Although there is ambiguity surrounding what lies beyond that, Collinsworth will always have a tie to the game of football both on and off the gridiron and looks forward to the broadcasts to come.

“We’ll see how I’m doing after that [and] what they want to do,” Collinsworth said pertaining to his future in the broadcast booth. “I really don’t know; I really haven’t thought about that too much, so we’ll figure it out when we get there.”

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Ryan Clark is Ready for ‘The Pivot’ to Grow with Channing Crowder, Fred Taylor and Fanatics

“We want to be a place where you can just be yourself and you can love yourself and truly tell your story and show people who you are.”

Derek Futterman

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Ryan Clark
Courtesy: The Pivot

Answering a call from Emmy Award-winning producer Alicia Zubikowsi, Ryan Clark learned of a potential new media venture in a niche space. Zubikowski had produced the I Am Athlete podcast for nearly two years, which rapidly proliferated in size, scope and prominence. A financial dispute among the colleagues, however, led to the departures of Channing Crowder and Fred Taylor from the roster, along with Zubikowski, and they branched out on their own to actualize a new vision. After speaking with Zubikowski, Clark met with Crowder virtually and evinced compatibility that compelled him to become involved in the project.

Less than two years later, The Pivot Podcast has quickly amassed notoriety and prestige within sports media. The athlete-driven podcast contains weekly conversations with contemporaries and luminaries alike, to talk sports, music and entertainment. Clark, Crowder and Taylor possess an evident rapport and retains the audience while encouraging prospective listeners to hear the genuine endeavor.

“We felt like there was some synergy there, we thought we could do some good things and we decided to give it a try,” Clark said. “I had already been doing my own podcast that I was funding myself, editing myself and cutting promos myself just because I understood what the space was and I knew that that’s where a lot of media was going, and at the time I didn’t have a partnership or anyone kind of showing me the way, but I was like, ‘These people have already been successful.’”

Since its launch in the winter of 2022, The Pivot Podcast has amassed over 158 million views and 870,000 subscribers on YouTube alone. The show has welcomed guests across a variety of professions, some of whom have included Caleb Williams, Snoop Dogg, Gayle King and Travis Kelce. During its time in circulation, it has made an indelible impact on the landscape and recently agreed to a multi-year partnership with Fanatics.

Through the deal, The Pivot Podcast will feature Fanatics’ verticals surrounding commerce, betting, collectibles and events, and the Fanatics Sportsbook garnering the title of the “official sportsbook” of the show. Additionally, the program will be part of company events such as Fanatics Fest NYC and its annual Super Bowl party.

“Luckily for us, it’s been such a blessing,” Clark said. “Some of the stories we’ve been able to tell, the people we’ve been able to work with and have as guests on the show, and then obviously now having an opportunity to partner with Fanatics and be a part of Michael Rubin’s team and sort of head their media division, especially when you’re speaking of Alicia and what she’ll be able to do, it just makes so much sense.”

Fanatics itself had inked some deals in the sports media space over the last year, including agreements with Bleacher Report and Overtime, but they were largely under the aegis of merchandising and/or live events. The company also hired Ed Hartman as its chief strategy officer in media, trying to discover content that fits various key business sectors. For The Pivot, retaining creative control and autonomy over the content was essential and being involved in other ventures added more value to the proposition.

“To be a part of those things and bringing those things to the world, but also an opportunity to showcase the athletes and entertainers that are part of the Fanatics family – and I think that’s a different and a bigger opportunity than any podcast has ever had with any partnership, and that is why it was important for us to find the right partnership,” Clark said. “And if I’m being honest, our producer has turned down multiple deals saying that she believed that this was the one before this was ever even a thing that Michael Rubin was talking about.”

Reaching this point required hard work, consistency and confidence that The Pivot would ultimately resonate with audiences and establish a rapport in the space. Luckily for Clark, he had a viable fallback plan in that he was working at ESPN as an NFL analyst, a role he had positioned himself to attain while he was still an active player.

During his career, he had worked on 93.7 The Fan hosting a radio show from a hibachi restaurant in Pittsburgh and also appeared on local television. Clark played 13 years in the NFL as a safety and won a Super Bowl championship as a member of the Pittsburgh Steelers in the 2008 season.

Although Clark had been told as a player that he had a chance to thrive in sports media, his formative years in the business broadened his understanding of the landscape and how to achieve success. Upon retiring from the NFL, he signed a multi-year agreement with ESPN to appear on NFL Live, SportsCenter, ESPN Radio shows and additional network programming.

Over the last several years, he has been a consistent part of NFL Live. Clark explained that the show contains underdogs who have crafted chemistry that has coalesced into an on-air product and meaningful friendships. Laura Rutledge, Dan Orlovsky, Marcus Spears, Mina Kimes and Adam Schefter work with Clark and blend their football knowledge and expertise with entertainment.

“I could see how much work they all put into their craft, and I respected that, and then once you get that respect and you start to work together, now you get to know the people,” Clark said. “You get to know about their kids, you get to know about their home life, you get to know about what makes them tick and what makes them themselves, and then we care about each other.”

As members of the show watch NFL games every week, they remain in constant communication through a group chat. Additionally, Clark ensures that he is actively listening to what his colleagues say on the air so he can disseminate informed, substantive opinions that play a part in the overall product.

“The smartest of analysts understand what they have to be on each show based on who they’re working with,” Clark said. “I think you just also have to be versatile enough to do that. You have to know when you’re on NFL Live, that show is so heavy X and O; that show is so heavy, ‘Let’s educate – let’s talk about the things that are important in ball, even if they aren’t the most popular things.’”

Starting last season, Clark was added to Monday Night Countdown as a studio analyst as part of a revamped iteration of the program hosted by Scott Van Pelt. Joining Clark as analysts on the show were his NFL Live colleague Marcus Spears and incumbent analyst Robert Griffin III. While there were some memorable moments both in studio and on site throughout the year though, Clark felt that the show struggled to capture an essence on the air.

“I think the show is just hard because it’s sort of like rolled over the entire infrastructure and changed the people, and it happened so late that I don’t think we ever got an opportunity to find our voices on that show, and we tried to work through that throughout the season,” Clark said. “….I think last year was a learning experience where if I’m being really honest, we did bad TV sometimes, which was new for me because I felt like I haven’t done bad TV in a very long time, and it was embarrassing for me because I put so much time into it.”

Former Philadelphia Eagles center and Super Bowl champion Jason Kelce is joining the show and was formally introduced this week. During a charity golf outing this offseason, Clark had a chance to meet Kelce and learn more about him as a person while also answering questions about ESPN and the sports media business.

“I told him to be himself because being himself is what got him here,” Clark said. “He’s a first-ballot Hall of Famer in my opinion, so he has so much knowledge, experience and wisdom that people will crave, and he can give it to them uniquely with his personality, with his honesty [and] with the openness and vulnerability about who he is. Other than that, he’s going to have to learn.”

Akin to Clark hosting The Pivot and working at ESPN, Kelce hosts the New Heights podcast with his brother, and will now be joining Monday Night Countdown on ESPN. Clark anticipates that Kelce will be a huge addition, referring to him as the “hottest free agent ever,” and hopes to grant him longform chances to express himself on the air. Being on the show for a second season, however, nearly was not a reality for Clark amid an expiring contract at ESPN.

“I was gone,” Clark said. “I wasn’t considering – I was done. Normally they extend your contract until it gets done most times. I was out – my contract had ended.”

Clark took part in discussions with other people in the business, some of which included having his own show and organizations starting networks around him. Throughout the process, he was cognizant about the relationships and memories he had built at ESPN and was appreciative for various personalities speaking up for him, including Mike Greenberg and Stephen A. Smith. In the end, Clark signed a multi-year extension with the network that implemented a raise and additional responsibility while also continuing his other projects.

“Obviously my family is the NFL Live crew,” Clark said. “Scott Van Pelt and I probably share one of the most memorable nights in television when Damar Hamlin went down. And so those relationships were things that I didn’t want to leave unless there was a good enough reason to leave, and I don’t think that’s just money.”

Clark started hosting Inside the NFL last season on The CW, a storied sports franchise that presents highlights, analysis and interviews every week during the NFL season. After spending approximately four decades on HBO and subsequent years on Showtime and Paramount+, the program moved to broadcast television for the first time. Clark conceptualizes his role as a point guard who is able to score when necessary and successfully facilitate his colleagues Jay Cutler, Chad “Ochocinco” Johnson, Chris Long and The Pivot co-host Channing Crowder.

“I think that was the hardest adjustment with Inside the NFL initially was like, ‘Okay, how do I set these guys up for success while still doing something I’m really good at, which is analyzing football?,’” Clark said, “and it’s taken some time to really sort of find a space for it, but I think I did find that on Inside the NFL.”

In working on The Pivot, Clark built relationships organically through conversations surrounding strategy, content creation and lifestyle. One episode in particular that stands out to him is when the show interviewed former NBA forward Michael Beasley where he opened up about his mental health struggles and hardships he has endured throughout his life. Furthermore, he talked about struggling to find the right people and explained that everyone stole from him except his kids. Clark, Crowder and Taylor sympathized with Beasley and offered him assistance, underscoring the unscripted, genuine nature of the show.

“Everybody wants The Rock to be able to come on their show and talk about his battles with depression, but we also want Kevin Hart to be able to come on the show and invite him to nudist camp too,” Clark said. “We want to be a place where you can just be yourself and you can love yourself and truly tell your story and show people who you are. And I don’t necessarily know if it’s distinctive in effort or goal; I think it’s been distinctive in execution, which, in the end, is what we deliver to people.”

Through the new partnership with Fanatics, Clark looks forward to continuing to take part in candid conversations and storytelling on The Pivot while continuing to thrive in his work with ESPN and The CW. As someone who attained a successful NFL career after signing as an undrafted free agent, he maintains a mentality built on an indefatigable work ethic and resolute dedication towards his professional endeavors. Once the show signed the partnership with Fanatics, it had an opportunity to interview Tom Brady, who discussed topics including his experience being the subject of a Netflix roast and the lessons he learned playing in the NFL.

“Not everybody understands Tom Brady, right?,” Clark said. “Who knows that story? Who has ever lived that, ‘I’m the greatest to ever do something’? But everybody has understood what it’s like to struggle; what it’s like to doubt yourself, right? And so we bring them that story, and in bringing them that story, we talk about the things that Fanatics is doing and the ways that they are now moving in the sports world.”

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Christopher ‘Mad Dog’ Russo Making the Most of His Resurgence with the Help of ESPN

Far from a close-minded fuddy-duddy. He is an open-minded observer of sports, one of the greatest of all time.

John Molori

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Screengrab of First Take on ESPN with Chris Russo
Screengrab from ESPN/First Take

The true essence of Christopher ‘Mad Dog’ Russo, Version 2024 can be found in the open to the May 15 edition of First Take on ESPN.

In the aftermath of the Knicks defeating the Pacers in Game 5 of the Eastern Conference Semifinals, superstar showstopper Stephen A. Smith opened the program with an emotionally joyous soliloquy lauding his favorite New York basketball team. Smith was jubilant, ebullient, and thrilled.

The segment ended with Smith walking over to panelists Russo and Kendrick Perkins and hugging them in glee. After the show’s open, the Knick rapture continued, that is, until “Mad Dog” was let out of the kennel.

Russo brought things back down to earth, predicting that Indiana would win Game 6 of the series. He then went through a mental historical timeline of the Knicks choking in playoff games at home. This level of historic context is largely lost on modern sports fans, many of whom believe that nothing existed before LeBron James or Tom Brady.

Russo’s beautiful dose of reality ticked off the jovial Smith but set the discourse on a more levelheaded road. Russo is a talking history book, and let’s face it, not everybody likes history class. The difference, however, is that Christopher Russo lived this history, and indeed, made history himself. A 2022 National Radio Hall of Fame inductee, he has uniquely entertained sports fans for more than four decades, becoming one of the most memorable and imitated personalities ever.

He created Mad Dog Sports Radio on SiriusXM in 2008 and headlines the channel with his popular Mad Dog Unleashed show. In addition, he hosts the daily High Heat program on MLB Network. Still, it is one of Russo’s earliest and most recent gigs that set him apart.

Beginning in 1989 and for the next 19 years, Russo and Mike Francesa hosted the landmark Mike and the Mad Dog afternoon driveshow on WFAN radio in New York. It was a ratings mammoth and ensconced Russo as a stone-cold sports media legend.

I am going to make the case that Russo’s latest incarnation as a First Take Wednesday regular is just as significant. It has exposed a whole new audience to the Russo experience. On a more basic level, it is just really special to see a classic radio guy like Russo welcomed into the most progressive and popular sports talk show on the air right now.

Kudos to Stephen A. Smith for making Russo a regular on his program. You can tell that Smith, author of an historically significant media career himself, truly respects those who came before him and blazed the trail. In fact, to a certain extent, Smith is a media offspring of Russo. They both possess riveting personalities, unquestioned bravery, and on-air dominance. Like or dislike, agree or disagree, these are two men who must be listened to and respected.

With Max Kellerman’s 2021 exit from First Take, I was doubtful as to what would happen to the program. My worst thought was that Smith would bring in a bevy of co-hosts who would bow to his greatness – like Jerry Jones’ Cowboys’ coaching hires since Jimmy Johnson. Thankfully, Smith went in the other direction. Russo has the same cache as Smith, so there is no hero worship. He says what he feels and talks straight – real talk in a colorful and exciting manner.

As the Knicks discussion continued, Smith wanted to tap into Russo’s New York sports sensibilities and emotion asking Russo if he felt Madison Square Garden shaking during the Knicks’ Game 5 win. It didn’t work. Russo responded that at 65 years-old, he has been in the Garden for many big games and then cautioned Smith to take it easy with the Knicks.

He again harkened back to New York’s less than sparkling history in big games and menacingly joked that it is his job to “spoil Stephen A’s fun.” Russo then spectacularly took the air out of the building with an ominous What If asking what the Knicks would do if it came down to a Game 7 and the game was tied with the clock winding down.

Russo is also self-deprecating. When host Molly Qerim asked him for a prediction on the Nuggets-Timberwolves series, Russo said that he predicted that the Bills would blow out the Giants in Super Bowl XXV – the famed Scott Norwood missed field goal game. Qerim, who does an excellent job in controlling Hurricane Christopher, acknowledged the obscure reference.

While Russo has a database of past stats and stars, he is not lost in history. In fact, on this edition of First Take, he made a bold statement that the Nuggets’ Nikola Jokić has the greatest offensive skill set of any center in the history of the NBA. These are not the words of a stodgy curmudgeon whose mind cannot be changed.

Russo is an astute observer of our games. He sees greatness and gives that greatness credit. Far from a close-minded fuddy-duddy. He is an open-minded observer of sports, one of the greatest of all time. His opinions are not to be chided. They are to be listened to and appreciated.

During First Take’s Quick Takes segment, Russo ably put his encyclopedic knowledge to use. The question posed was whether the Celtics or Lakers are the greatest franchise in NBA history. Russo’s analysis was spot on and long overdue. First, he discounted the Minneapolis Lakers’ five titles as part of the pro-Lakers argument. He also cited the Celtics’ overall dominance when the two franchises have met in the NBA Finals over the decades.

Lastly, he remarked that the Celtics have had four eras of greatness: Russell in the 1960s, Havlicek-Cowens in the 1970s, Bird in the 1980s, and Pierce-Garnett in the late 2000s, while the Lakers have only two: Magic-Abdul-Jabbar in the ‘80s and Shaq-Kobe in the 2000s. It was the best analysis of a longtime debate.

In a debate about Bronny James and his NBA hopes, Russo again was the voice of reason giving a very realistic analysis of why he is not a top pro prospect. It is clear that Russo has nothing to prove, nobody to impress, and no apple to polish. He made his bones years ago, and his takes are refreshing and objective.

The cherry on top of Russo’s First Take sundae was his What Are You Mad About? segment. Viewers tuning into this part of the program are no doubt wondering who the hell, and at times, what the hell they are watching. Russo pushes the limits of his angst, heart rate, blood pressure, and decibel level picking apart several news items from the week in sports. At times, he closes his blurbs screaming to the heavens, “May God strike me down!”

In this particular segment, he went off on late NBA playoff start times, the intrigue surrounding the 2024 NFL schedule release, and his distaste towards the vulgar humor in the Tom Brady roast. Russo gets up close to the camera and goes off in a boisterous way. It is simultaneously fantastic and frightening.

In his last piece on the roast, Russo looked into the camera and yelled to Brady, “How stupid can you be!” This is the same question I will pose to anyone who dismisses Russo as an out of touch old guy. This cat is no curmudgeon. He is a killer. Elderly? No, epic. Bygone? How about straight up bad ass. That is Christopher “Mad Dog” Russo, Version 2024.

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How to Renegotiate Your Annual Sports Radio Advertising Contract

Reducing expenses within an annual radio agreement takes a strategic negotiation and budget management approach.

Jeff Caves

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Graphic that shows two people negotiating
Graphic Courtesy: Soject.com

If you are a small to medium-sized business, there is no doubt you are facing rising costs, and making ends meet is a top priority. Sometimes, that means cutting expenses on things you have committed to via contract, like a 2024 annual radio advertising agreement with level monthly payments. You are on the air each month and appreciate the value of advertising consistently. You understand the necessity to maintain a market presence within the budget you laid out last year. You negotiated a win-win contract and are happy with it. However, with your costs spiraling to deliver your services, cost-cutting measures have become critical for financial viability in the long term and better cash flow in the short term. You are now tasked with the need to reduce expenses wherever you can, and your sports radio advertising is next on the list. The station doesn’t want to lessen your committed budget. It’s time for strategic negotiation and decision-making. Here are some effective strategies to accomplish this objective while keeping your annual budget intact:

Pricing and Rates

Initiate negotiations on pricing and rates for ad spots with the radio station. They know where they have more demand than supply and could even make more money by freeing up some of your commercials to be sold to other clients, sometimes at higher rates. This is typically during the weekday drive time periods; you probably got an annual rate for your commitment. If the station is willing, you could move into off-peak nighttime buys or weekends. Off-peak hours typically come at a lower cost and can still reach a substantial audience, enabling you to stretch your budget further. Give the station 30 days to see if they can accomplish this, and if not, go to plan ‘B.’

Longer Commitments

Consider committing to a longer-term contract, like a multi-year agreement, to potentially lower your monthly cash commitment. Maybe you could move off $2,000 per month from July to December and move it to the first six months of 2025. Emphasize your dedication to maintaining a consistent advertising presence over time, which can incentivize the radio station to continue the partnership.

Frequency and Unit Length

If the station allows you to reduce the monthly budget, focus on maximizing frequency by strategically choosing the length of ad units. Instead of running only thirty and sixty-second ads, opt for :15 slots to increase frequency without exceeding your budget. Shorter units are more cost-effective per spot and can deliver well-known messages repeatedly.

Budget Reallocation and Trade

Explore avenues for reallocating funds within your annual budget to optimize expenses. For instance, negotiate a reduction in the monthly budget and allocate the saved funds to months where your cash flow is strongest. Having a payment schedule that matches your cash flow will give you the best chance to meet expenses. Furthermore, explore opportunities for service or trade to offset your monthly bill, leveraging resources you have already paid for that may match up well with what the station needs.

Reducing expenses within an annual radio agreement takes a strategic negotiation and budget management approach. Concentrating on pricing, rates, contract length, frequency, and budget reallocation can keep your station relationship intact, honor your contract, and increase cash flow.

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