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The Complete Philadelphia Sessions--A Brand New Me (Expanded Edition)
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From the manufacturer
About Us
THE REAL REAL GONE STORY
In 1993, two Ohio boys, Gordon Anderson and Gabby Castellana, both separately started businesses—Collectors' Choice Music and Hep Cat Records --that were to become two of the most important outlets for buyers and sellers of vintage music recordings. Now, 18 years later, they have joined forces to launch Real Gone Music, a reissue label dedicated to serving both the collector community and the casual music fan with a robust release schedule combining big-name artists with esoteric cult favorites.
Real Gone Music is a music company dedicated to combing the vaults for sounds that aren't just gone—they're REAL GONE.
What makes a piece of music real gone? It can be from any era, any genre, from superstar acts or the most overlooked artist—but if it's REAL GONE, it's an essential recording coming to you with excellent sound and packaging, designed to make you feel like you did the first time you bought an album or single at your local record store.
And, unique among American indie reissue labels, our release schedule is going to feature about ten titles per month. Because there is still a lot of music out there to rediscover, savor and celebrate.
"Get real gone…for a change!"
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Track Listings
1 | Brand New Me |
2 | Never Love Again |
3 | Bad Case Of The Blues |
4 | The Star Of My Show |
5 | Let's Talk It Over |
6 | Lost |
7 | Silly, Silly Fool |
8 | Let Me In Your Way |
9 | Joe |
10 | Let's Get Together Soon |
11 | I Wanna Be A Free Girl |
12 | Something For Nothing |
13 | Summer Love |
14 | Cherished |
15 | The Richest Girl Alive |
16 | Goodbye |
17 | Sweet Charlie |
Editorial Reviews
Having issued collections of her lost 1971 Jeff Barry-produced sessions (Faithful) and her entire 1970-1971 U.K. sessions (Come for a Dream), we have made chronicling the hallowed early '70s period of Dusty Springfield's career something of a mission here at Real Gone Music. And we have saved what just might be the best for last--this collection brings together, for the first time ever, all of the historic recordings made by Dusty at Sigma Sound Studios in Philadelphia with Gamble-Huff Productions for Atlantic Records. The 17 selections cover the ten 1969 recordings issued on Springfield's 1970 album A Brand New Me-- including the hit title song--plus 7 additional tracks from 1970 including the single "I Wanna Be a Free Girl," outtakes not issued until the 1990s on various compilations, and a previously unreleased track, "Sweet Charlie ." Additionally, because former iterations of this material have not been sonically quite up to snuff, each track is newly-remixed from the original multi-track masters by Ted Carfrae! Liner notes by Joe Marchese and rare images from Dusty's own collection complete this invaluable look at the seductive Ms. Springfield's foray into the Philly Soul sound. Put this together with our other Real Gone Dusty retrospectives and you have the full picture of Dusty's recordings from 1969-1971 that immediately followed her Dusty In Memphis pinnacle! 1969 recordings from original album: 1. Brand New Me 2. Never Love Again 3. Bad Case Of The Blues 4. The Star Of My Show 5. Let’s Talk It Over 6. Lost 7. Silly, Silly Fool 8. Let Me In Your Way 9. Joe 10. Let’s Get Together Soon Additional 1970 recordings: 11. I Wanna Be A Free Girl 12. Something For Nothing 13. Summer Love 14. Cherished 15. The Richest Girl Alive 16. Goodbye 17. Sweet Charlie (Previously Unreleased)
Product details
- Product Dimensions : 4.96 x 5.55 x 0.47 inches; 0.35 ounces
- Manufacturer : Real Gone Music
- Original Release Date : 2020
- Date First Available : May 11, 2017
- Label : Real Gone Music
- ASIN : B071NP4J9Q
- Number of discs : 1
- Best Sellers Rank: #202,457 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #93,302 in Pop (CDs & Vinyl)
- Customer Reviews:
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The material on this album is not on the level of "Memphis" , but what album is?
In MY opinion, this album is DUSTY at her vocal PEAK; she must have thought so, also, in that she was so secure about cutting her vocals.
As for all the bitching about the mixes and tracking; I'm reminded of listening to records with many music legends in their homes and seeing that they had a $29 record player, or listened on a AM radio station. Soul cuts through the airwaves; the other is tech/geek BS, in my opinion.
it's fascinating to see the Philly sound at it's earliest; some of the tracks..."Free Girl" , for example, are almost bizarre...music from another planet....Who were these aimed at? Some of the additional cuts are very strong, and I'm grateful to Thom Bell, Gamble & Huff for doing what they could to give DUSTY to the world. The title track is, simply, one of the greatest recordings ever. Dusty's stature continues to grow with time; sorry that she can't enjoy her stellar reputation; not just England's star, but, arguably, the best, most soulful, pop singer ever.
First, the 2015 release "Faithful" collected all of the recordings Dusty did with Jeff Barry in 1971 for her aborted third album with Atlantic Records, and put them all on one album for the first time. Next was "Come For a Dream: The UK Sessions", which compiled the various recordings Dusty did in her native England (for Phillips Records) between 1970-1971, some of which had turned up on her 1972 UK-only album "See All Her Faces", and several which went unreleased for years afterward.
Now we have the new release, "A Brand New Me: The Complete Philadelphia Sessions", a compilation which includes all the tracks from what happens to be one of my favorite Dusty albums, 1970's "A Brand New Me" ("From Dusty With Love" overseas), recorded with Philly Soul legends Gamble & Huff and Thom Bell, along with the seven more tracks she recorded in Philly after that album's release. The only track from these additional sessions that saw release at that time was "I Wanna Be a Free Girl" (it stalled outside the Top 100). Five other tracks remained unreleased for decades, and then turned up haphazardly on various releases...and then there's one song that, until now, has never been released. EVER.
So, one of my favorite Dusty albums is getting the Real Gone treatment in a sweet re-release, one in which nearly all of the tracks have feature between 20 seconds to a full minute of additional content (usually Dusty repeating the chorus or ad-libbing), and a wonderful brand new track.
Why not 5 stars?
Unlike Faithful and Come For a Dream, this new disc features not just remastering, but remixing of all the tracks. EXTENSIVE remixing.
Normally I love hearing alternate takes and alternate versions of songs, but in this case the new mixes don't always work. The flutes and strings are turned up loud, REALLY loud, on "Bad Case of the Blues", to the song's detriment. The French horn that is a staple in many early Philly Soul recordings - most famously opening up the Delfonics classic "Didn't I (Blow Your Mind This Time)" - was prominently featured in the original mix of "I Wanna Be a Free Girl", but it seems to be drowned out in the new mix on this album. Even the buoyant title track suffers - during the extended fadeout we are treated to the sublime sound of Dusty's continued ad-libs, but unfortunately she's battling with some strings that have been turned up very loudly. Of the later tracks, the new mixing does no favors to "Goodbye" (the haunting piano riff which drives the song is badly muted) or "Something For Nothing" (which strips Dusty's double-tracked vocal to a single, but also waters down the percussion, sapping the song of its energy and punch).
It's not all bad; Dusty's voice is crisp, clear and (more often than not) center stage. And at times the new mixes help the song- "Lost" has never sounded so fresh and exciting, and "The Star of My Show", "Let's Talk it Over" and "Never Love Again" also sound great on this new release.
Also, the extended fadeouts overall are wonderful, although at times they do hint at the frenetic pace in which they were recorded (Dusty put down all of her vocals for the Brand New Me album between September 19th and 23rd, 1969). Whereas Dusty would sometimes live with a song for months before recording it, that was a luxury she didn't have in Philadelphia.
But while these new mixes make it an overall mixed bag for me, the set is still valuable enough to merit 4 Stars, mostly on the strength of the extended fadeouts....and the new track, a shimmering, otherworldly charmer titled "Sweet Charlie", where Dusty provides a stellar vocal. It's a gross injustice that this song has languished so long. Fortunately, it now takes it's rightful place alongside other gems in Dusty's canon...and even if some other songs in this particular set have been dressed up in a manner that doesn't always fit, this is still a MORE than worthwhile purchase for Dusty fans.