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Broken China
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Price | New from | Used from |
Audio CD, Import, March 24, 1997 | $39.95 | — | $29.96 |
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Track Listings
1 | Breaking Water |
2 | Night of a Thousand Furry Toys |
3 | Hidden Fear |
4 | Runaway |
5 | Unfair Ground |
6 | Satellite |
7 | Interlude |
8 | Woman of Custom |
9 | Black Cloud |
10 | Far from the Harbour Wall |
11 | Drowning |
12 | Reaching for the Rail |
13 | Blue Room in Venice |
14 | Sweet July |
15 | Along the Shoreline |
16 | Breakthough |
Editorial Reviews
With Broken China, Pink Floyd's resident keyboard genius looks profoundly toward the future. This album explores deep musical terrain with evocative polyrhythms, world music influences and classical-sonic landscapes; as one would expect from Wright, the overall feeling is mysterious and brooding. Noted musicians include drummer Manu Katche (Peter Gabriel) and influential bassist Pino Palladino. Two tracks, "Reaching for the Rail" and "Breakthrough," feature compelling vocals by Sinead O'Connor."
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 5.67 x 4.8 x 0.39 inches; 3.46 ounces
- Manufacturer : EMI Europe Generic
- SPARS Code : DDD
- Date First Available : January 27, 2007
- Label : EMI Europe Generic
- ASIN : B000002UHG
- Number of discs : 1
- Best Sellers Rank: #112,749 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #1,986 in Progressive Rock
- #2,428 in New Age (CDs & Vinyl)
- #50,805 in Pop (CDs & Vinyl)
- Customer Reviews:
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A lot of the time this sounds a lot like Pink Floyd, more so than A Final Cut (not Floyd but a Water's solo album) or even A Momentary Lapse of Reason (not Floyd but a Gilmore solo album). Sometimes it sounds too much like Floyd - the guitar parts often sound like they are channeling Gilmore.
For the most part, though, I think it is pure Wright. If it sounds like Floyd it is because his sound was what, to my ears, made Floyd. Even their early sound was created much more by his keyboard work than Barret's or Gilmore's guitar. I can hear echoes (no pun intended) of earlier Floyd music on this album, but nothing is obviously lifted from an earlier work - everything here is new.
One small problem for me - Wright's voice works well a lot of the time but I wished he had chosen to have more guest vocalists. The two times he used Sinead O'Connor really, to my ears, make this stand out more - it was a nice break. Not a huge deal and the more I listen the more his voice grows on me. Still, if only Sinead were used on one or two more songs...
Unfortunately we will not hear any more new Richard Wright - he is playing "The Great Gig in the Sky". Such a huge loss to the music world... But he did leave a lot of wonderful music, including Broken China, an album that any Richard Wright fan, or Pink Floyd fan for that matter, should listen to.
Perhaps the most fulfilling thing about Wright's "Broken China" is that the keyboardist is found back in tune with himself, his purpose, and his music. Wright is often known to be unsatisfied with a lot of his work, and a bad case of writer's block in the late 1970s resulted in his exodus from Pink Floyd and two less than perfect solo projects. However, with "Broken China," the confidence which Wright regained from his reunion with Floyd has obviously paid off as he goes solo once more.
This 16-song cycle is a semi-conceptual piece dealing with the state of depression, something Wright's music expresses without flaws; his glistening musical arrangements blend together in a surreal flow, with the classic electronic touch. Former Pink Floyd session-contributor Anthony Moore's assistance is worthwhile on such great tracks as 'Night Of a Thousand Furry Toys,' 'Woman Of Custom,' and especially 'Reaching For the Rail' and 'Breakthrough' (both of which see Sinead O'Connor in guest spots). But Wright's work alone in the musical value makes "Broken China" the great work it is, evident on 'Satellite' and 'Sweet July.'
"Broken China" may very well be Richard Wright's masterpiece so far, even if the "new age" label is a bit far fetched. The confidence of a great musician is back and gleaming, and the album's ultimate result is above satisfactory.
This 16-song cycle, written by Wright and Anthony Moore, was released shortly after Pink Floyd's last studio album, "The Division Bell," and illustrates that Wright was a more prolific composer than most Floyd albums would lead us to believe. Moreover, the melodies are tight and smartly arranged.
In regard to packaging, the CD booklet is designed by long-time Floyd collaborator, Storm Thorgerson, and includes the lyrics, as well as front and back cover artwork reminiscent of "Wish You Were Here."
The comparisons between the themes of both "Wish You Were Here" and "Broken China" can't be overlooked. Conceptually, both albums mirror each other. Consider this lyric from "Breakthrough," the final track on the Wright CD. "You hide somewhere / you die somewhere / and then this senseless thought, / by hating more / you're feeling more / and that's how you get caught."
Yet, "Broken China" has an identity all its own. The strength of the material is a testament that Rick Wright was a skillful composer and a talented solo artist. I give the CD three stars for everything stated above. Recommended for the Pink Floyd completist.