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Fight Club: A Novel Kindle Edition
The first rule about fight club is you don't talk about fight club.
Chuck Palahniuk showed himself to be his generation’s most visionary satirist in this, his first book. Fight Club’s estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basements of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateOctober 17, 2005
- File size768 KB
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Editorial Reviews
Amazon.com Review
But while the ingredients are the same, Ballard and Palahniuk bake at completely different temperatures. Unlike his British counterpart, who tends to cast his American protagonists in a chilly light, holding them close enough to dissect but far enough away to eliminate any possibility of kinship, Palahniuk isn't happy unless he's first-person front and center, completely entangled in the whole sordid mess. An intensely psychological novel that never runs the risk of becoming clinical, Fight Club is about both the dangers of loyalty and the dreaded weight of leadership, the desire to band together and the compulsion to head for the hills. In short, it's about the pride and horror of being an American, rendered in lethally swift prose. Fight Club's protagonist might occasionally become foggy about who he truly is (you'll see what I mean), but one thing is for certain: you're not likely to forget the book's author. Never mind Ballardesque. Palahniukian here we come! --Bob Michaels
From Publishers Weekly
Copyright 1996 Reed Business Information, Inc.
From Booklist
From Kirkus Reviews
Review
― Robert Stone
"Fight Club offers diabolically sharp and funny writing."
― Washington Post Book World
"An astonishing debut . . . Fight Club is a dark, unsettling, and nerve-chafing satire."
― Seattle Times
From the Back Cover
About the Author
From The Washington Post
From AudioFile
Product details
- ASIN : B000U0O9FM
- Publisher : W. W. Norton & Company; Reissue edition (October 17, 2005)
- Publication date : October 17, 2005
- Language : English
- File size : 768 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 221 pages
- Best Sellers Rank: #54,736 in Kindle Store (See Top 100 in Kindle Store)
- #82 in Satire
- #175 in Satire Fiction
- #429 in Fiction Satire
- Customer Reviews:
About the author
Chuck Palahniuk's nine novels are the bestselling Snuff, Rant, Haunted, Lullaby and Fight Club, which was made into a film by director David Fincher, Diary, Survivor, Invisible Monsters, and Choke, which was made into a film by director Clark Gregg. He is also the author of the non-fiction profile of Portland Fugitives and Refugees and the non-fiction collection Stranger Than Fiction. He lives in the Pacific Northwest.
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Palahniuk is also a master storyteller. The plot of Fight Club unfolds incrementally, at just the right pace. Pieces gradually click into place until everything gels at the end—and blessedly, Palahniuk knows exactly when that end should come. He doesn’t drag out things for hundreds of superfluous pages. His writing style is as spare and fit as his characters.
That said, I’m not sure how well Fight Club has aged. That’s not because of any “un-PC” elements in the plot (although those definitely exist). It’s more because of the book’s fairly naive view of how the world works and how it can be changed.
Fight Club purports to be—at least to some degree—a response to capitalism and consumerism and their “emasculating” effect on society. It’s no stretch at all to compare the community of men created by the book’s fight clubs to today’s real-life Proud Boys. Like Tyler’s “space monkeys”, the Proud Boys have generated attention and taken some action, like helping to launch a failed coup of the US government on January 6, 2021. But ultimately, the actions of both groups—the space monkeys and the Proud Boys—seem like futile, misguided attempts to reclaim some fabled masculine identity.
If the book were written today, all of Tyler’s explosive know-how would have to be channeled into screen-friendly social media campaigns. The Proud Boys have shown that, at least in America, brute force alone can’t compete with the power of influencers, the vast budgets the fuel consumer culture, or the other complexities of capitalist society.
Having watched the movie was the strongest reason why I didn't feel the need to read the book. It always bumped in my mental vault, the fact that someone had come up with such a powerful and compelling idea, executed it impecably on screen (Norton's and Pit's acting was phenomenal; perhaps Pit's finest performances). I finally gave the book a try. I was surprised to see that the book was short. It didn't put me off at all, it was just an observation, especially after having watched the movie I expected a lengthier book.
As I read through the pages I was aware of the nuances with the movie, something that made my neurons glitch from time to time, for I expected one thing, yet found something else. Yet, Palahniuk's mastery of his unique style and narrative kept me reading and reading, constantly trying to decipher why the writing style was so good and so bold and so... damn original.
The story itself is strong, consistent to the bone and detail oriented without being overwhelming. I figured Fight Club was very successful because it defined a putrid, rotten world that exists within the human realm. Fight Club gave this world a face, a personality, a tangible morphology we could finally grasp. This world occupies the mind of the bluest, the raw material of hatred towards the organized, paved by those who seek to control through the creation of rules that determine a beings reality. This reality has a big blind-spot, and the world Palanhniuk described in Fight Club defined this blind-spot and exploited it. This blind-spot is an individual's need to feel unique, and yet, the opposing desire to feel he is part of a movement, a group, to be part of a collective. To be part of Fight Club one had to slay one's reality, to lay naked midst the ugly and emerged reborn, only to join a new set of dogmas. This is portrayed as the idea of propagating organized-chaos, an idea that spread through the mediocre like a virus. The virus lived among society cloaked under the veil of working men, men who seemed to follow a set of social rules; the virus unveiled during the night, during Fight Club. An integrant of Fight Club was a menacing soul in search of freedom, from social expectations and the boxed-in sensation felt by binding rules of how one must supposedly behave midst peers. The soul within Fight Club sought freedom, even from itself, only to be lured by its desire to belong, to be part of the clan: the paradox of wanting to be unique and yet, the inevitability of desiring to be part of cult, to be part of the change. Man's demise is served cold in Fight Club, for example, when Tyler makes soap out of fat rendered by liposuction--society's shame--, sold back to the thinned as soap, purchasing what once was thought as biological waste, now regarded precious and a standard of "high society".
To leave aside the story, I would like to mention Palahniuk's writing style. To achieve the deliverance of a message so profound, in such a raw manner, using short sentences and explicit imagery is indeed a literary achievement. I truly enjoyed this read, far better than watching the movie. The movie, however, is also an achievement in itself.
Top reviews from other countries
The way of fight club is to do not talk about it.