Annie (1982 film)
Theatrical release poster
|Directed by||John Huston|
|Produced by||Ray Stark|
|Screenplay by||Carol Sobieski|
|Music by||Ralph Burns|
|Edited by||Michael A. Stevenson|
|Distributed by||Columbia Pictures|
|Box office||$57 million (North America)|
Annie is a 1982 American musical comedy-drama based on the 1977 Broadway musical of the same name by Charles Strouse, Martin Charnin and Thomas Meehan, which in turn is based on the Little Orphan Annie comic strip created by Harold Gray. Directed by John Huston and written by Carol Sobieski, the film stars Albert Finney, Carol Burnett, Ann Reinking, Tim Curry, Bernadette Peters, Geoffrey Holder, Edward Herrmann and Aileen Quinn as the title character. Set during the Great Depression in 1933, the film tells the story of Annie, an orphan from New York City who is taken in by America's richest billionaire, Oliver Warbucks. Principal photography took place for six weeks at Monmouth University in New Jersey.
Produced by Ray Stark's Rastar and released by Columbia Pictures on June 18, 1982, Annie received mixed reviews from film critics and grossed $57 million on a $50 million budget. The film was nominated for two Academy Awards for Best Production Design and Best Song Score and its Adaptation. A television film sequel, titled Annie: A Royal Adventure! was released in 1995. In their first film collaboration, Disney and Columbia Pictures produced a made-for-television film version in 1999. Columbia released another film adaptation on December 19, 2014.
In 1933, after the Great Depression, a young orphan named Annie was living in the Hudson St. Home for Girls in New York City, which is run by Miss Hannigan, a cruel alcoholic who forces the orphans to clean the building daily ("It's the Hard Knock Life for Us"). With half of a locket as her only possession, Annie remains optimistic that her parents, who left her on the doorstep as a baby, will return for her ("Maybe"). Annie sneaks out with help from a laundry man named Mr. Jules Bundles and adopts a stray dog, which she names Sandy ("Dumb Dog"). Unfortunately, Annie is returned to the orphanage shortly after by a police officer ("Sandy").
Grace Farrell, secretary to billionaire Oliver Warbucks, arrives to invite an orphan to live with Warbucks for a week in order to improve his public image. Annie is chosen and she and Sandy travel to Warbucks' mansion where they meet his many servants and two bodyguards, Punjab and the Asp ("I Think I'm Gonna Like It Here"). Initially dismissive of Annie due to her being female, Warbucks is charmed into letting her stay; he takes Annie and Grace to the Radio City Music Hall to watch a movie, Camille, while beginning to develop affection for Annie ("Let's Go to the Movies"). Grace urges him to adopt Annie ("We Got Annie") and he meets with Miss Hannigan, convincing her to sign the adoption papers while Hannigan drunkenly tries to seduce him ("Sign").
Warbucks reveals his plans to Annie, even offering her a new locket, but she declines. She explains the purpose of her broken locket and her hope that her parents will return with the other half. Warbucks appears on Bert Healy's radio show and offers $50,000 to find Annie's parents ("You're Never Fully Dressed Without a Smile"). This causes mass hysteria with many would-be parents appearing to claim the money. To escape the madness, Warbucks flies Annie to the White House and introduces her to President Franklin D. Roosevelt and his wife Eleanor. Roosevelt informs them of his plan to introduce a social welfare program to help America's impoverished and asks Warbucks to head it; Annie encourages him to help ("Tomorrow"). Upon returning home, Annie is disheartened when Grace reveals none of the potential parents knew about the locket.
Miss Hannigan is visited by her con artist brother Rooster and his girlfriend Lily St. Regis; they plot to pose as Annie's parents to gain the reward. The trio search the orphans' belongings and Miss Hannigan reveals that Annie's real parents died in a fire years ago; therefore she (Hannigan) possesses the other half of the locket ("Easy Street"). Annie's friends overhear the conversation and try to sneak out, but are caught and locked away. Rooster and Lily succeed with the ruse and Annie is kidnapped minutes after leaving the mansion ("Maybe (Reprise)"). However, her friends ultimately reach Warbucks and tell him the truth; shocked and horrified, he informs the FBI and the police, who begin a citywide search.
Annie convinces the felons to pull over, only to escape and destroy Warbucks's check. In his fury, Rooster chases Annie up a raised railroad bridge in an effort to kill her; Miss Hannigan, who never wanted Annie hurt, attempts to stop Rooster, but her own brother knocks her out. As Rooster and Annie reach the top of the bridge, Punjab is able to rescue Annie, reuniting her with Warbucks and Grace. Rooster and Lily are arrested while Annie is officially adopted by Warbucks ("I Don't Need Anything But You"). At a Fourth of July party in which the orphans, a redeemed Miss Hannigan, and the Roosevelts attend, Warbucks gives Annie the new locket and she embraces her new father. Warbucks also kisses Grace (reciprocating the feelings she secretly harbors for him) implying that the two will eventually marry. The fireworks as in the ending credits crackle overhead and write Annie's name.
- Aileen Quinn as Annie, a 10-year-old orphan girl
- Albert Finney as Oliver "Daddy" Warbucks, a billionaire businessman who adopts Annie as his daughter. Sean Connery and Cary Grant were also considered for the role before Finney was chosen.
- Carol Burnett as Miss Agatha Hannigan, a cruel and slovenly drunkard who manages the orphanage
- Tim Curry as Daniel Francis "Rooster" Hannigan, Agatha's con-artist brother
- Bernadette Peters as Lily St. Regis, Rooster's petty-thieving girlfriend
- Ann Reinking as Grace Farrell, Warbucks's personal secretary
- Edward Herrmann as Franklin D. Roosevelt, the 32nd President of the United States
- Lois de Banzie as Eleanor Roosevelt, First Lady of the United States
- Geoffrey Holder as Punjab, Warbucks's Indian bodyguard
- Roger Minami as The Asp, Warbucks's chauffeur and a martial arts expert from Japan
- Toni Ann Gisondi as Molly, a fellow orphan who acts as Annie's surrogate younger sister
- Rosanne Sorrentino as Pepper, a bossy 14-year-old fellow orphan
- Lara Berk as Tessie, a fellow orphan who constantly exclaims, "Oh my goodness, oh my goodness!" throughout the film
- April Lerman as Kate, who acts as a surrogate mother to her fellow orphans. She often wears her hair in pigtail braids.
- Robin Ignico as Duffy, a fellow orphan who is Pepper's best friend
- Lucie Stewart as July, a fellow orphan who rarely speaks
- Peter Marshall as Bert Healy, a radio show host
- Irving Metzman as Mr. Bundles, a laundry man whose truck Annie stows away in
- Ken Swofford as Weasel, a greasy uniformed cop who chases down young fugitives from Miss Hannigan's orphanage
- I. M. Hobson as Drake, Warbucks's head butler who hides his allergy to dogs.
- Colleen Zenk, Mavis Ray, and Pamela Blair as Cecile, Mrs. Greer and Annette, Warbucks's maids
- Lu Leonard as Mrs. Pugh, Warbucks's maid and cook
- Victor Griffin as Saunders, one of Warbucks's servants
- Angela Lee, Martika, Amanda Peterson, and Shawnee Smith as orphans/backup dancers
- Martha as Herself
- Meg as Herself
Film producer Ray Stark wanted both John Huston and Joe Layton (while working as the director and choreographer, respectively) to also be the executive producer on the film, because it was too large an enterprise for one person. Regarding Huston being given the job of directing the first (and what would be the only) musical in his 40-year directing career, screenwriter Carol Sobieski stated: "Hiring John [Huston] is an outsider risk, and Ray's [Stark] a major gambler. He loves this kind of high risk situation."
Sobieski, who wrote the screenplay, introduced major differences between the stage musical and the film adaptation. In the stage musical, it is Christmas when Miss Hannigan, Rooster and Lily are caught at the Warbucks mansion by the United States Secret Service thus foiling their plan to kidnap Annie, while in the film (due to summertime shooting) Annie is kidnapped and on the eve of the Fourth of July, leading to Warbucks organizing a citywide search and a climactic ending on the B&O Bridge. Punjab and The Asp, Warbucks's servants/bodyguards, from the original comic strip, appear in the film in supporting roles.
Miss Hannigan's redemption at the end is also a new development on the part of the film – in the musical, Miss Hannigan briefly balks at Rooster's intention to make Annie "disappear" with his switchblade, but is soon lured by his promises of a life on Easy Street. In Meehan's 1980 novelization, Miss Hannigan shows no qualms whatsoever about Annie being killed. In both of these media, Miss Hannigan ends up being arrested alongside Rooster and Lily at the Warbucks mansion.
The film also featured five new songs, "Dumb Dog", "Sandy", "Let's Go to the Movies", "Sign" and "We Got Annie", and cut "We'd like to Thank You, Herbert Hoover", "N.Y.C", "You Won't Be an Orphan for Long", "Something Was Missing", "Annie" and "New Deal for Christmas". In addition, the song "Maybe" has two reprises whereas "Little Girls" and "Easy Street" do not.
Martin Charnin, the lyricist of Annie, was not impressed with the cinematic interpretation. In a 1996 interview, he dismissed the adaptation and its production. "The movie distorted what this musical was", Charnin reported. "And we were culpable for the reason that we did not exercise any kind of creative control because we sold the rights for a considerable amount of money." Charnin even said that Huston, who had never directed a musical before, and producer Ray Stark made major changes in the film that destroyed the essence of Annie. Warbucks, played by Finney, "was an Englishman who screamed". Hannigan, played by Burnett, was "a man-crazy drunk", and Annie was "cute-ed up". Worse, the emotional relationship between Annie and Warbucks was distorted. They even downplayed the hit song "Tomorrow" because "Stark thought it was corny".
Principal photography took place over the course of six weeks at Monmouth College, now Monmouth University, in West Long Branch, New Jersey, which has two mansions that were used in the film, one of which is the Shadow Lawn Mansion. The NX Bridge, an abandoned railroad bridge over the Passaic River in Newark, was used for location shooting of one of the climactic scenes.
Many of the street sets were filmed at Warner Bros. Burbank Studios, 4000 Warner Boulevard, Burbank, California. Production designer Dale Hennesy overhauled the old "Tenement Street" back lot set at Warner Bros. by outfitting many of the New York styled apartment and store front facades with actual New York fire escapes and other treatments specifically brought in for this production. Hennesy died during filming and the back lot set was renamed "Hennesy Street" in honor of the late production designer.
Originally, the song "Easy Street" was going to be the biggest musical number in the film. For this purpose, a specially-created outdoor street set was built, costing more than $1 million. It took one week to shoot the scene, but on reviewing the dailies, the scene was considered to be "overstuffed" and "sour." Therefore, a re-shoot was undertaken nearly two months after principal filming had been completed. The scene was replaced with a version shot indoors in a style that mimicked the ambience portrayed in the original stage musical.
|Soundtrack album from Annie by |
|Released||June 18, 1982|
|Various Artists chronology|
Annie is a soundtrack album for the 1982 film of the same name.
|1.||"Tomorrow"||Aileen Quinn & the Orphans||1:37|
|3.||"It's the Hard Knock Life"||Aileen Quinn, Toni Ann Gisondi & Chorus||3:42|
|4.||"Dumb Dog"||Aileen Quinn||0:54|
|5.||"Sandy"||Aileen Quinn & the Orphans||2:02|
|6.||"I Think I'm Gonna Like It Here"||Aileen Quinn & Ann Reinking||3:34|
|7.||"Little Girls"||Carol Burnett||3:36|
|8.||"Let's Go to the Movies"||Aileen Quinn, Ann Reinking, Albert Finney & Chorus||4:41|
|9.||"We Got Annie"||Ann Reinking, Lu Leonard, Geoffrey Holder & Roger Minami||2:22|
|10.||"Sign"||Carol Burnett & Albert Finney||2:51|
|11.||"You're Never Fully Dressed Without a Smile"||Peter Marshall, Chorus and Orphans||3:01|
|12.||"Tomorrow" (White House version)||Aileen Quinn, Albert Finney, Lois deBanzie & Edward Herrmann||2:24|
|13.||"Easy Street"||Carol Burnett, Tim Curry & Bernadette Peters||3:18|
|14.||"Maybe (Reprise)"||Aileen Quinn & Albert Finney||1:37|
|15.||"Finale/I Don't Need Anything But You/We Got Annie/Tomorrow"||Aileen Quinn, Albert Finney, Chorus and the Orphans||4:37|
Roger Ebert gave the film three stars out of four and reported that it "is not about anything," but "I sort of enjoyed the movie. I enjoyed the energy that was visible on the screen, and the sumptuousness of the production numbers, and the good humor of several of the performances -- especially those by Albert Finney, as Daddy Warbucks, and Carol Burnett, as the wicked orphanage supervisor, Miss Hannigan. Aileen Quinn sort of grew on me, too." Vincent Canby of The New York Times wrote, "'Annie' is far from a great film but, like the Music Hall in the good old days, it is immaculately maintained and almost knocks itself out trying to give the audience its money's worth. They don't build movies like this anymore." Variety wrote, "Whatever indefinable charm the stage show has is completely lost in this lumbering and largely uninteresting and uninvolving exercise, where the obvious waste reaches almost Pentagonian proportions." Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and called it "a bit of a letdown," writing that Quinn "often comes across as one of those self-conscious stage kids" and that the four new songs "are not the least bit memorable," but Finney gives the best performance in the film as "he steadily turns into a quite wonderful father figure." Sheila Benson of the Los Angeles Times wrote that the film "staggers under monstrous production numbers, orphans doing gymnastic flips, dancing maids and butlers and the Radio City Music Hall complete with Rockettes ... But a kid with Annie's moxie deserves more. Or perhaps less. What she deserves is an atmosphere of innocence, warmth and inventiveness, to let the film generate the joy that must have enveloped theater audiences over the past five years." Gary Arnold of The Washington Post panned the film as "Overproduced and underinspired," with Burnett's performance "the closest thing to a saving grace." Pauline Kael wrote in The New Yorker that the story "cries out for a cockeyed fairy-tale tone" but instead "has the feel of a manufactured romp ... Every sequence seems to be trying too hard to be upbeat and irresistible, and it's all ungainly."
On Rotten Tomatoes, Annie has a score of 57% based on 28 reviews with an average rating of 5.24/10. The site's critical consensus reads, "John Huston proves an odd choice to direct, miring Annie in a sluggish, stagebound mess of an adaptation, but the kids are cute and the songs are memorable." On Metacritic the film has a score of 39 out of 100 based on 10 critics, indicating "generally unfavorable reviews".
Annie opened theatrically on June 18, 1982 and grossed $5.3 million in its wide opening weekend, ranking #5 at the box office. The film grossed $57 million domestically against a budget of $50 million, making it the tenth highest-grossing film of 1982.
Awards and nominations
Annie received Oscar nominations for Best Art Direction-Set Decoration and Best Music, Original Song Score and Its Adaptation or Best Adaptation Score. Additionally, Carol Burnett and Aileen Quinn each received a Golden Globe Award nomination for Best Actress in a Motion Picture – Comedy/Musical and New Star of the Year in a Motion Picture – Female (Quinn). Quinn won the Young Artist Award, Best Young Motion Picture Actress. Conversely, the film was nominated for a Stinkers Bad Movie Awards for Worst Picture.
- Young Artist Award 1981–1982
- Golden Raspberry Award
- Academy Awards
- Young Artist Award 1981–1982
- Best Young Supporting Actress in a Motion Picture – Toni Ann Gisondi
- Hollywood Foreign Press Association
- Golden Raspberry Award
- Stinkers Bad Movie Awards
- Worst Picture
The film was released on VHS, Betamax and CED Videodisc on November 5, 1982 by RCA/Columbia Pictures Home Video. It was re-issued in 1983, 1984, 1985, 1994, and 1997 (in a "Broadway Tribute Edition" to coincide with the original play's Broadway 20th anniversary revival that year). There were two widescreen LaserDiscs released, one in 1989 and another in 1994. The film was released in a widescreen DVD edition on December 12, 2000.
A "Special Anniversary Edition" DVD was released on January 13, 2004 (four days before producer Stark's death). Despite the fact that the first DVD was widescreen, the DVD was in pan and scan (but with DTS sound). Reviewing the disc for DVD Talk, Glenn Erickson, while praising the film overall, called the pan and scan transfer an "abomination that's grainy and lacking in color." He also noted that the short retrospective featurette with Ms. Quinn contained clips from the film in the correct aspect ratio. Erickson also called the music video of "It's the Hard-Knock Life" by Play "pretty dreary" and attacked the other, child-oriented extras by saying "Musicals and kids' films aren't just for tots ... and this disc is little more than a headache." However, several countries in Region 2 received widescreen versions of this edition including the United Kingdom. The film was released as a "sing-along edition" on Blu-ray on October 2, 2012 in celebration of the 30th anniversary of the film and the 35th anniversary of the Broadway version set a revival in November 2012.
The film had its national television debut on February 24, 1986, on the NBC Monday Night Movie. To accommodate the broadcast restrictions, the film was shown in Pan and Scan and had its running time cut from 128 minutes to 96 minutes to run in the 2 hour time slot with commercials. Most of the cuts were made to musical numbers, with "Easy Street", "Little Girls", "Dumb Dog", "Sandy", "We Got Annie" and "Maybe" (reprise) being totally cut while the beginning of "Let's Go to the Movies" was cut jumping from Daddy Warbucks' office to the characters arrival at Radio City Music Hall. "Your Never Fully Dressed Without a Smile" was cut at the radio station, went to commercial, and returned at the scene of the mob of fake parents outside the gates, thus cutting the orphans from the number.
These cuts resulted in most of the music happening before the second commercial break, thus the first 30 minutes, which took place right after "I'm Gonna Like It Here". Most of Ann Rankins' part was cut from the broadcast.
Other trims were made, the most notable being the first appearance of Rooster and Lily when they come to borrow money. Due to the edits, Rooster and Lily are first seen dressed as Annie's parents, which occurred roughly 2/3 of the way into the broadcast.
The edited version of the film received a 19.3 rating, placing second to programming on CBS: Kate and Allie (19.7), Newhart (20.3), and part two of the film Blood and Orchids (25.6).
The edited version of the film was shown again on May 13, 1988 (rating of 9.4 losing its time slot) and for the last time on network television on January 28, 1990, when it was aired against Superbowl XXIV, with a rating of 9.4, placing second behind the football game on CBS and 3rd behind the Simpsons on Fox during the final 30 minutes of the film.
Less extensive edits were made to the film when it began airing on The Family Channel in the mid 1990s, with "Little Girls" and the above mentioned cut to "Let's Go to the Movies" being the only noticeable edits.
The complete film was shown less frequently after the 1999 Disney remake; however, the complete film is available for purchase on multiple streaming service.
- Comic book adaptation
Marvel Comics published a comic book adaptation of the film by writer Tom DeFalco and artists Win Mortimer and Vince Colletta in Marvel Super Special #23 (Summer 1982). The adaptation was also available as an Annie Treasury Edition and as a limited series.
The 1993 Hindi film King Uncle, starring Jackie Shroff, Shahrukh Khan, Anu Agarwal and Naghma, is loosely based on this film.
- Annie: A Royal Adventure! (1995)
A sequel, Annie: A Royal Adventure! was a made-for-television sequel that aired on ABC on November 18, 1995. It starred Ashley Johnson, Joan Collins, George Hearn and Ian McDiarmid. Aside from a reprise of "Tomorrow," there are no songs in it. No cast members from the 1982 film appeared in this sequel. Rooster, Lily and Grace Farrell were cut out of the sequel.
In the film, Warbucks (Hearn), Annie (Johnson), an eccentric scientist (McDiarmid) and one of the orphans travel to England where Warbucks is to be knighted by the King. However, the kids get mixed up in the scheme of an evil noblewoman (Collins) to blow up Buckingham Palace while all the heirs to the throne are present for Warbucks's knighting, thus making her queen.
- Annie (1999)
A made-for-TV movie version was broadcast on ABC on November 7, 1999, starring Kathy Bates as Miss Hannigan, Victor Garber as Daddy Warbucks, Alan Cumming as Rooster, Audra McDonald as Grace, Kristin Chenoweth as Lily, and newcomer Alicia Morton as Annie. Produced by The Walt Disney Company in association with Columbia TriStar Television, it received generally positive reviews and high ratings. It also earned two Emmy Awards and a 1999 George Foster Peabody Award. Although truer to the original stage musical than the 1982 version (as well as having a more comedic tone than the 1982 version's slightly dark one), it condensed much of the full story in order to make it more watchable for children. The film also featured a special appearance by Andrea McArdle, star of the original Broadway production.
- Annie (2014 film)
On January 20, 2011 it was announced that Will Smith was planning to produce Annie, a contemporary remake of the 1982 film. On May 25, 2012, it was announced that Jay-Z was writing new songs for the film. In January 2013, Sony Pictures selected Will Gluck to direct the film. Oscar nominee, Quvenzhané Wallis was cast as the title character. The film was released on December 19, 2014 to generally negative reviews from critics yet was commercially successful, earning $133 million on a $65 million budget.
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Toni Ann Gisondi, Annie
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