Audience Member
Agnieszka Holland's Oscar nominee for Best Foreign Language Film is a searing tragedy about the tumultuous amour of an older solipsistic Polish farmer harbouring a younger Jewish woman fleeing from the Gestapo.
Rated 4/5 Stars •
Rated 4 out of 5 stars
01/22/23
Full Review
dave j
Monday, October 1, 2013
(1985) Angry Harvest/ Bittere Ernte
(In German with English subtitles)
DRAMA/ WAR
Adapted from Hermann H. Field novel centers on an old single impotent Austrian farmer during WWII secluding a middle aged Jewish lady into his secret cellar. At first, she resists his advances since she's assuming that her husband might still be alive but eventually gives in since she was exactly what he was looking for as a wife. I was involved until the end for the actions almost contradicts what viewers initially saw in much of the movie leaving with more questions than it gives viewers answers such as he could've informed her that her husband's still alive, if she didn't want to leave.
2 out of 4 stars
Rated 2.5/5 Stars •
Rated 2.5 out of 5 stars
03/30/23
Full Review
Audience Member
This 1985-86 Oscar nominee for Best Foreign Film (from Germany) stars Armin Mueller-Stahl whose work in Barry Levinson's "Avalon" I so admired. This is a very bizarre, dark, complex Holocaust tale of faith, guilt, lust, pain and survival.
Stahl and his co-star Elisabeth Trissenaar have a complicated, often confusing cinematic chemistry which can either engage or repulse the viewer.
This is a film not for the faint of heart. Elements of intrigue, deception, and an over-arching understanding of the central characters' differing religious beliefs will draw the viewer into this taut passionate tale.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
02/24/23
Full Review
Audience Member
A somewhat unconventional Holocaust story, centering around a conflicted man of questionable integrity who does a good deed for a wrong reason. The story is a bit uneven, but the acting is solid and the ending is ironic as it is thought-provoking. I'm surprised how little-known this movie is, it certainly deserves better.
Rated 4/5 Stars •
Rated 4 out of 5 stars
02/09/23
Full Review
walter m
On the way back from visiting Mrs. Kaminska(Tilly Laurenstein), Leon(Armin Mueller-Stahl) stops for a rest, only to have his food stolen by Rosa(Elisabeth Trissenaar). Catching up to her, she passes out in his arms and he takes her back home with him. At first alarmed when he finds out that she is Jewish and having just escaped from a transport, he still decides to nurse her back to health, despite the risk. Anyway, he has more important things to confess to the priest like his constant masturbation. In return, he says that Leon needs to get married without bringing up his unmarried sister Pauline(Anita Hofer). At least Walden(Wolf Donner) comes along and asks Leon if he wants to do something for his fatherland which surely will get his mind off of everything else.
Even as it feels theatrically staged at times, "Angry Harvest" is still a compelling movie with one heck of an ending that ties everything together. The movie provides an incisive look at the perversity inside men's hearts. And outside of Leon's chastity(which causes a whole load of problems), this is not referring to anything sexual(The only time I have seen cupping in person had nothing to do with trying to lower a fever), but to a group of people, with one eye on a post-war world, expoiting and extorting Jews during World War II who are desperate to survive.(The movie takes place after the Germans lose at Stalingrad but otherwise this is a more complicated occupation than normal.) By contrast, Leon tries to be principled in attempting to do the right thing but is hampered by his inexperience at reading other people's signals.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
03/31/23
Full Review
Audience Member
The lesson here seems to be that captivity comes in many forms, and one is not necessarily any better than another. Leon, the "hero" of the story, is a bastard by any measurement, and one whose occasional bouts of guilt or compassion at first win your sympathy, but eventually only emphasize his uglier qualities. Rosa is a less interesting character, almost all victim, and its her lack of depth that lowers the film a bit. Overall, however, I found it more engaging than Europa Europa.
Rated 4/5 Stars •
Rated 4 out of 5 stars
01/17/23
Full Review
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