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Anger is an Energy: My Life Uncensored Paperback – 7 May 2015
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With his next band, Public Image Ltd (PiL) Lydon expressed an equally urgent impulse in his make-up - the constant need to reinvent himself. From their beginnings in 1978 he set the template for a band that continues to challenge and thrive in the 2010s. He also found time for making innovative new dance records with the likes of Afrika Baambaata and Leftfield.
Following the release of a solo record in 1997, John took a sabbatical from his music career into other media, most memorably his own Rotten TV show for VH1 and as the most outrageous contestant ever on I'm a Celebrity ... Get Me Out of Here!He then fronted the Megabugsseries and one-off nature documentaries and even turned his hand to a series of much loved TV advertisements for Country Life butter.
Lydon has remained a compelling and dynamic figure - both as a musician, and, thanks to his outspoken, controversial, yet always heartfelt and honest statements, as a cultural commentator.The book is a fresh and mature look back on a life full of incident from his beginnings as a sickly child of immigrant Irish parents who grew up in post-war London, to his present status as a vibrant, alternative national hero.
About the Author
- Print length544 pages
- LanguageEnglish
- PublisherSimon & Schuster UK
- Publication date7 May 2015
- Dimensions19.7 x 3.6 x 13.2 cm
- ISBN-10147113721X
- ISBN-13978-1471137211
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Product details
- Publisher : Simon & Schuster UK (7 May 2015)
- Language : English
- Paperback : 544 pages
- ISBN-10 : 147113721X
- ISBN-13 : 978-1471137211
- Dimensions : 19.7 x 3.6 x 13.2 cm
- Best Sellers Rank: 62,448 in Books (See Top 100 in Books)
- 65 in Punk Music
- 394 in Rock & Pop Musician Biographies
- 1,285 in Theatre & Performance Artist Biographies
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I bought Lydon's book hoping to find out how much of the character we're led to believe he is, was media story and how much was truth. I quickly learned within the first pages to have an even greater respect for Lydon than I had before. The book is very forthright and frank, there's a statement at the start about it being in Lydon's own words with only basic corrections for spelling and grammar. It's exactly what you'd expect from Lydon, nothing but an honest appraisal of his life from his earliest memories and lots and lots of opinions of what he thought of those around him as he moved through life.
I suppose the most surprising thing I learned is how emotional and honest Lydon is, everything he did was driven by a desire to simply entertain and educate. Contrary to the nonsense printed in the press, nothing he's done ever had any intended malice but simply through necessity. I was interesting though to see how much he's mellowed, despite his need to be seen as a grumpy old curmudgeon, he comes over as a very friendly and open person. The press have always painted him as a divisive person but he's the opposite, he wants nothing but to be inclusive, drawing in all forms of music, all races, colours and creeds. Growing up in a truly multi-cultural environment of north London, he learned early on that if you have 2 arms, 2 legs and a head then your a human being, race and religion are things simply used to try to divide people.
After reading the book I have much greater respect for him as a person. The main message he puts over is, do what you want and follow your own path of creativity and you'll be far happier than if you simply follow the herd. If you want something, get off your backside and work for it and never let anyone stop you, side step them if you have to and get where you want to be.
As an aside I've also started buying PiL albums and having an understanding why he wrote the music he did and how hard it was to get the music out here, it means so much more when listening to it.
You'll notice that this review is about him rather than the book, because the book is, for better or worse, Johnny Rotten.
I am a few months younger than John and grew up a couple of miles away from him. My childhood was more fortunate than his but in almost every other respect we experienced and saw many of the same things in our early years. He came to the same conclusion that I eventually did about the world, but much sooner.
I have just received the book and not yet read it but read a few recent interviews. He is often regarded as 'angry' or 'bitter' or 'difficult', and he sometimes is those things, but his main characteristics are passion and intellect. He is also clearly an emotional man and is not at all embarrassed about that now, which very few men are ever able to do.
The lyrics to 'Never Mind The Bollocks' deserve a re-appraisal. They are witty, clever and incisive and they express certain emotions that some young males (and no doubt females as well) felt, and still feel I expect, in a way that was unique. He used rhythm in an extraordinary way to do this and Paul credited him with that in a documentary on the making of NMTB. The only other artist I know that did something similar is Dylan on his earlier stuff (you try singing along in time to 'Chimes Of Freedom'). Steve, Paul and Glen were all very talented guys and they had real passion about what they were doing.
It is a pity they had a manager who was also 'talent' but lacked intelligence. All good managers are the exact opposite to this and none of the Pistols realised it at the time. It must still torment John. I think he has controlled his anger remarkably well given the crap he had to put up with from McLaren for so many years.
Two LPs from that period were head and shoulders above anything else and are still landmarks that I never tire of hearing. 'Never Mind The Bollocks...' and 'The Ramones'.
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I haven't read Lydon's first autobiography, which sounds great (he writes/talks brilliantly and evocatively about his childhood and family) but the later stuff is mostly point-scoring and bitching. This is fine when the subject is something as interesting as his Sex Pistol or even PiL days, but it becomes dull when he's on about his nature documentaries and I'm A Celebrity, Get Me Out of Here!
Well, where should I start? I totally love `Anger is an Energy', much more than `No Irish, No Blacks, No Dogs'. It is less aggressive and very positive in a way. However, if you are hunting after juicy details and scandals, this book is obviously not for you. Mr. Lydon is quite decent in these regards and does not mention many names or private stuff. This book is more about emotions, ideas and trends in a man's life, memories and deeds re-thought and re-analyzed.
Now I don't think that everything in this book is 100 % accurate and it should be regarded as gospel of any sort. No, it could not possibly be so - a guy is talking about his life, it should be subjective and biased. The ghost writer - Andrew Perry - is Lydon's fan all right, so I don't think he interrupted or opposed Mr. Lydon's speech much.
Yet `Anger is an Energy' is full of amazing vibe. I generally enjoy an interesting plot and whatever else, Lydon definitely had / has an eventful life. He talks of himself and unveils his story in a very appealing, humorous and acid way - even if the described story is quite grim.
The main character - with bits and tats from real Mr. Lydon, I hope - is hilarious. He really has a rough start, but his relentless energy, audacity and people around him are such great fun. His life is actually very rich - with events, people, ideas, music, pain, gain, evil and good luck, death of the loved ones and near-death experience. The variety and differences are rather colorful. And these colors are not much smudged by drug haze which is a great thing for a reader.
"We were often portrayed as speed-crazed maniacs onstage, but that was far from the reality. The other three weren't `up there' at all. Regardless of Steve joining AA years later, he's never been big on anything, barely a pinch of salt by equivalent. And me, I stopped. I wasn't going to become too infected with drug pleasures, because I really wanted to conquer the opportunity. Also, you can't be singing on any kind of upper, forget it, ain't gonna work, with your heartbeat racing..."
The guy there is not lucky at all. Everything he touches turns out to be a problem or at least an issue. Yet his sentiments are quite understandable and his ideas reflect some individuality. He is not preaching any ideology or offer universal pill of happiness, but in the end this book is a praise to being what you are and doing what you - and only you - think is right, no, what you feel is right for you. Then everything is easy:
"When we went back to the shop and I sang to Alice Cooper's "Eighteen" and various other records off the jukebox, I really wanted it. I was up for it. I instantly had the mannerisms, the characterizations of the words. That I could do, I just couldn't sing. A minor thing..."
And yes, I am quite biased, because I really, really loved this guy, main character - and I don't care if he is a fiction or reality. He has charisma and bravery - in very nontraditional and somehow uncomfortable way. He takes the risk to be beaten up just because of weird clothes and color of his hair. Now, that is a strange cause to die for.
"So, there I was in mid-Hackney at 3 a.m., and I had to run the gang gauntlet to get back to Finsbury Park. That was a death walk, a serious death walk, particularly how I was dressing and how I was. I gave a toss for no one. I knew it was coming. Even local Arsenal boys, they'd still have a reason to row with me, just because of my attitude and I - don't - back - down."
It is hard to resist such approach to life and some funny quirks of character put out with utmost style and force. However, if you do not like lunatics, you obviously will never like the book. It is a story of a crazy human being, very determined, straightforward, stubborn, witty and maddeningly irritating. All his friends and people who matter in his life are also quite lunatic. Even his enemies and people who harm him - they are far away from being normal. The book is full of mad, mad world and uncompromising ideas, violence, twisted but powerful energy while at the same time offering positive and optimistic approach to all of these. I was literally roaring with laughter while reading through Mountjoy prison experience:
"On my arrival, the warders decided to make an example of me. They stripped me, threw me into the yard and hosed me down. But you know, you can strip me, cover me in flea powder and laugh at the size of my penis, it doesn't matter. It - does - no - matter. Over the years I've noticed that when these institutions get hold of you, the one thing they're trying to embarrass you about is your nakedness, and your penis. Let me tell you, Johnny's got a perfect penis to laugh at, and he don't care. That's not ever going to be a problem."
Admittedly, after reading Lydon's biographies, I tried to listen to his music. I still don't like it - just a couple of songs from Sex Pistols and 4-5 from PiL, but whether I am influenced by his books or not, after listening to his bands, I actually understood why he is considered influential by some.
What I did not like about the book - well, the detailed description of bands and songs the main character is listening to. I love music as well, but reading about music is not very captivating for me. Sometimes it was hard for me to understand the language - well, English is my third language, so all the manipulations, somewhat unconventional wording and slang, which I could not possibly look up in a dictionary - these were a challenge for me. In a way these add up to the flavor of the book, but it was hard for me to unveil the idea behind some paragraphs - and it took some time and consideration.
I suppose some will find Lydon's words offensive - even when describing his friends (Sid Vicious, for example) or discussing some of the popular groups, but I don't mind his subjective opinions (although I am a fan of the majority of the music bands he so passionately criticizes, like Rolling Stones, Nirvana, to name a few). He also seems contradicting himself a lot, although I attribute the discrepancies to his sense of humor and irresistible urge to disturb the audience. Eventually, he forces the reader to take everything with a grain of salt and have a good laugh. I think Lydon sums that all up very well:
"I'm not deliberately out to antagonize an audience or spite them or anything like that, but if they adopt the attitude of `This isn't what we expected', then yippee, I'm gonna wallow in that, because you shouldn't sit back and expect anything at all. You can make the choice to like it or not like it, but if you're going to hate it because it doesn't sound like the previous album, you're not a John Lydon follower at all. You don't understand me. I don't follow myself so please - don't - follow - me."
All in all, the book turned out to be one of my favorites. I have not enjoyed reading literature for quite a while, so thank you, Mr. Lydon, I had quite a time. I will definitely recommend this book to anybody - either interested in music or not, it is captivating and rich, much better than most of modern fiction.
Besonderes interessant sind dabei die Hintergründe der Entstehung einiger Lieder und Hinweise auf die damit verbundenen Thematiken.
Natürlich sind solide Englischkenntnisse hilfreich für die Lektüre, aber die Sprache ist zumeist einfach gehalten. Der working class Jargon beinhaltet zwar auch einige Vokabeln, die ohnehin in keinem Wörterbuch zu finden sind, doch der Kontext macht die Bedeutung ziemlich klar. So entgehen einem als nicht englischer Muttersprachler vielleicht ein paar sprachliche Nuancen, aber die grundsätzliche Aussage ist gut verständlich.
Mir hat das Buch viel Spaß gemacht und den Mensch John Lydon etwas näher gebracht.