Alfred de Musset - Poems by the Famous Poet - All Poetry

Famous poet /1810-1857

Alfred de Musset

Alfred de Musset was born in December of 1810, in Paris, France.  At the age of seventeen, in 1827, he recieved first place in an open competition of French essay, vowing to dedicate himself to the theatre, stating "I want to be Shakespeare or Schiller." Two years later, he published his first poetic collection, entitled Contes d'Espagne et d'Italie ( Contes of Spain and Italy).  This first publication recieved much praise, and made him an immediate success.



In 1830, spurned by the failure of his second collection, La Nuit Vénitienne (The Venetian Night), Musset distanced himself from the literary scene.  He returned two years later, after the death of his father from cholera, with the publication of A quoi rêvent les jeunes filles (With What the Girls Dream).



The following year, in 1833, Musset began a brief relationship with novelist George Sand, and the pair fled to Venice, Italy, where Musset soon became taken with illness and supposed madness.  He spent weeks in bed, and began to have a series of rather vivid hallucinations.  When Musset regained his strength, he ended the relationship with Sand, returning to Paris.



Between the years of 1834 and 1839, Musset continued to publish volumes of poetry, including Fantasio, Night of May, and Night of December. In 1836, Musset published an autobiographical novel, Confession d'un enfant du siècle. In 1839, his health began to wane, and he started to sink deeper into a depressive state, and spent less time writing. Around this time, he was named librarian with the Ministry of the Interior, which gave him the opportunity for a comfortable lifestyle.  



1840 saw the publication of Musset's Complete Works in two volumes, and his writing from this time until 1847 became sporadic.  It was in that year that Musset finally started to become a dramatic author, fulfilling his earlier prophecy of being in the theatre.  In 1848, he lost his title of librarian.



In 1852, Musset met Louise Colet, and they shared a short lived romance.  In this time, he dedicated a poem to Colet, professing his undeniable love to her.  It is presumed that Musset told Colet of his relationship with George Sand, for following Musset's death, Colet published the novel Lui, which used the romance as it's framework.



Alfred de Musset died on May 2, 1857 in Paris.  His years of illness and depression, as well as heartbreak, had finally taken their toll on him.  Few turned out for his funeral, and he is buried, according to his wishes, in the shade of a willow tree.



bibliographical information from alalettre.com   and wam.umd.edu




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Juana

Again I see you, ah my queen,
Of all my old loves that have been,
The first love, and the tenderest;
Do you remember or forget -
Ah me, for I remember yet -
How the last summer days were blest?

Ah lady, when we think of this,
The foolish hours of youth and bliss,
How fleet, how sweet, how hard to hold!
How old we are, ere spring be green!
You touch the limit of eighteen
And I am twenty winters old.

My rose, that mid the red roses,
Was brightest, ah, how pale she is!
Yet keeps the beauty of her prime;
Child, never Spanish lady's face
Was lovely with so wild a grace;
Remember the dead summer time.

Think of our loves, our feuds of old,
And how you gave your chain of gold
To me for a peace offering;
And how all night I lay awake
To touch and kiss it for your sake, -
To touch and kiss the lifeless thing.

Lady, beware, for all we say,
This Love shall live another day,
Awakened from his deathly sleep;
The heart that once has been your shrine
For other loves is too divine;
A home, my dear, too wide and deep.

What did I say—why do I dream?
Why should I struggle with the stream
Whose waves return not any day?
Close heart, and eyes, and arms from me;
Farewell, farewell! so must it be,
So runs, so runs, the world away,

The season bears upon its wing
The swallows and the songs of spring,
And days that were, and days that flit;
The loved lost hours are far away;
And hope and fame are scattered spray
For me, that gave you love a day
For you that not remember it.
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Analysis (ai): This poem reflects on a lost love, recalling the youthful passion and bliss that has faded with time. The speaker remembers the woman as his first and most tender love, but now they are both older and the relationship is in the past.

The poem has a nostalgic tone, as the speaker looks back on the happy days of their youth. He remembers the woman's beauty and grace, and the way they used to spend their time together. However, he also recognizes that their love is now over, and that they have both moved on.

The poem is written in a simple, straightforward style, with a regular rhythm and rhyme scheme. This simplicity helps to convey the speaker's sense of loss and regret, as he reflects on the fleeting nature of love and youth.

The poem can be compared to other works by the author, such as "La Nuit d'octobre" and "Rolla." These poems also explore themes of love, loss, and the passage of time. However, "Juana" is more focused on the specific relationship between the speaker and the woman, and it has a more personal and intimate tone.

The poem is also reflective of the time period in which it was written. The mid-19th century was a time of great social and political change, and many people were feeling a sense of nostalgia for the past. This nostalgia is evident in the poem's longing for the lost love and youth of the speaker.
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To Saint-Beuve

Friend, you have spoken well: in us, such as we are,
There frequently exists a certain flower
That blossoms, fades and from the heart its leaves are shed.
"In three quarters of mankind, you must understand,
A poet has died young who is outlived by the man."
Well said, my friend - and a little too well said.

You didn't pay attention, lining out your thought,
That your pen made poetry then and there, unsought.
In his own tongue you took Apollo's name in vain.
I betray you to your injured Muse: Read again,
And remember that in all of us frequently there keeps
A poet young and vibrant, who is not dead, but sleeps.
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Analysis (ai): In "To Saint-Beuve," Alfred de Musset explores the duality within individuals, suggesting that a poetic spirit often lies dormant within. The poem acknowledges the loss of poetic inspiration in some, while asserting that it remains present within others, waiting to be awakened.

Musset's poem is notable for its simplicity and directness, contrasting with his earlier, more elaborate works. The language is straightforward, with a focus on clear and concise expression. This minimalistic approach allows the poem's central idea to shine through without unnecessary ornamentation.

Musset's exploration of the inner self and the role of poetry reflects the Romantic era's emphasis on introspection and the individual experience. The poem aligns with other Romantic works that explore the conflict between the imaginative and the rational, highlighting the power of poetry to unlock the hidden depths of the human spirit.
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Song Of Fortunio

If you suppose I'm going to say
    Whose love I dare,
I would not for an empire's sway
    Her name declare.

Nay, sing we turn about this air
    If you think meet,
That I adore her --- she is fair
    As is the wheat.

I to her whim where-er it leads,
    Or bids, defer,
And I can if my life she needs
    Give that to her.

The anguish which a love untold
    Makes us endure,
My heart has torn, mt heart will hold
    Till death, I'm sure.

But I too fondly love to say
    Whose love I dare;
I's for my darling die --- not aye
    Her name declare.




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Analysis (ai): "Song of Fortunio" is a sonnet that conceals the identity of the speaker's beloved. The speaker refuses to reveal their name, emphasizing the secrecy and intensity of their love. The poem's structure reinforces this secrecy through the use of end rhyme and repetition, creating a sense of circularity and entrapment.

Compared to other works by Musset, "Song of Fortunio" is more concise and focused, expressing the speaker's unwavering devotion and unwillingness to compromise their love's anonymity. It reflects the Romantic period's preoccupation with intense emotions, secrecy, and the transformative power of love. However, the poem's brevity and lack of symbolic imagery distinguish it from Musset's other, more elaborate works.
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