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To Throw Away Unopened: A Memoir Hardcover – Illustrated, 5 April 2018
SHORTLISTED FOR THE COSTA BOOK OF THE YEAR AWARDS 2018
'Fierce, direct, unashamed. She masks nothing ... Scythes through the myths, the distortions, the adornments and finds the rich, distinctive stories underneath.' The Sunday Times
'A chronicle of outsiderness ... Searingly honest ... A painstaking and painful dissection of familial fallout.' The Observer
What was I fighting for? Even now I'm not sure. Something so old and so deep, it has no words, no shape, no logic.
Every memoir is a battle between reality and invention - but in her follow up to Clothes, Music, Boys, Viv Albertine has reinvented the genre with her unflinching honesty.
To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power, and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in blood-letting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger. It is a brutal expose of human dysfunctionality, the impossibility of true intimacy, and the damage wrought upon us by secrets and revelations, siblings and parents.
Yet it is also a testament to how we can rebuild ourselves and come to face the world again. It is a portrait of the love stories that constitute a life, often bringing as much pain as joy. With the inimitable blend of humour, vulnerability, and intelligence that makes Viv Albertine one of our finest authors working today, To Throw Away Unopened smashes through layers of propriety and leads us into a new place of savage self-discovery.
LONGLISTED FOR THE GORDON BURN PRIZE
- Print length304 pages
- LanguageEnglish
- PublisherFaber & Faber
- Publication date5 April 2018
- Dimensions15.24 x 2.54 x 20.96 cm
- ISBN-100571326218
- ISBN-13978-0571326211
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Review
Genuinely startling ... There are multiple books wriggling inside its cover: a family history, a meditation on grief, tracts on female beauty and on anger ... Albertine's writing is not indulgently cathartic but fierce, direct, unashamed. She masks nothing. The result is a book that does for the family memoir what is predecessor did for the rock autobiography: scythes through the myths, the distortions, the adornments and finds the rich, distinctive stories underneath. (Victoria Segal Sunday Times)
A chronicle of outsiderness ... Driven by a relentless honesty about herself and the dysfunctional family dynamic she was born into, which she lays bare with an almost forensic eye ... Her conversational style of writing is lullingly deceptive, allowing the revelations, when they come, to explode like well-placed time bombs in the narrative ... Searingly honest ... A painstaking - and painful - dissection of her own familial fallout ... Viscerally unsettling. (Sean O'Hagan The Observer)
A brave and uncompromising work, a tale of discontent and destructive behaviour across the generations that brims with sadness and wisdom. (Independent)
Incandescent ... Equal parts Nora Ephron and SCUM Manifesto ... On the page Albertine is wry and vibrant, and seems to hold nothing back. (The New York Times)
The tension explodes in one, horrifying climax - a bloody skirmish at her mother's deathbed. It is almost unbearable reading. But it also highlights her skill as a chronicler of the experience of modern adulthood ... Albertine breaks more new ground [...] and emerges from grief into something like clarity, though her tendency for brutal self-reflection remains intact. All the rigour and rage of her punk heritage make this utterly compelling writing. No sentimental tropes, no bittersweet reconciliations - but perhaps some kind of future. (Financial Times)
Albertine grapples with the inherent contradictions of love and loyalty. Her eye-watering honesty, about everything from sex and shitting to the people who make and unmake us, is the engine of this book. It's a declaration of both love and war ... Past traumas drop deep anchors, abutting the present-day reality of a life, but Albertine has made compelling art out of what lies beneath, and is heading for a new horizon. (Sinéad Gleeson Irish Times)
The strength of her voice carries the reader through ... [Her family] are fractured, uncompromising and unmediated. The same might be said of this book ... [which] is emphatically true to her nature, above all in how it finds its own form. (Lavinia Greenlaw New Statesman)
Unflinching, frank, detailed, funny, disarming, deadpan yet passionate. When you read this, her second memoir, it feels slightly as if someone has grabbed you by the coat lapels and insisted that you listen to what happened to them on the bus; you may be cautious at first, but it turns out to be completely gripping, involving not only the bus but the passengers and how she feels about them and herself, complete with tirades about society and convention, asides about past boyfriends, the nature of male and female roles and expectations, anger, revenge, violence, manipulation, families, history. You can't tear yourself away. (TLS)
To Throw Away Unopened finds Albertine drilling deep into the myths that she had been sold by her own family, [her] prose is blunt-cut, but her thoughts are nuanced. Each emotional outburst is unpicked with exhilarating precision.
(5***** Daily Telegraph)Viv Albertine sets a new standard with this second memoir [...] One of the most significant voices in British non-fiction. (Mojo 4****)
A poignant and funny memoir ... She gives a sensitive glimpse into the inner life of a nonconformist who has overcome an impoverished, dysfunctional upbringing and found some sort of place in the world ... Albertine's dark humour and sharp prose lift her into another league. (Clive Davis The Times)
An unflinching, often painful look at family dysfunction. She begins with cheeky bravado and righteous anger toward men, middle age, and awkwardness ... All are saved from bleakness by the author's chipper voice, in turns dry, profane, self-deprecating, and darkly funny ... For memoir fans who appreciate an engaging, unsentimental take on knotty family dynamics. (Library Journal)
I'm smitten with Viv Albertine's beautiful, tough, ribald, unsparing memoir. It's so rare to encounter writing this frank and fearless about love, violence, loneliness, mess of all kinds ... To Throw Away Unopened is a book for all ages and experiences. (Olivia Laing)
Viv Albertine captures the texture, habits, and tics of working class life in long-ago mid-century London. But, pivoting on a duet of startling end-of-life revelations, To Throw Away Unopened also shows us the power and possibility of change. In any medium, Viv Albertine is a visionary cultural force. (Chris Kraus)
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About the Author
Product details
- Publisher : Faber & Faber; Main edition (5 April 2018)
- Language : English
- Hardcover : 304 pages
- ISBN-10 : 0571326218
- ISBN-13 : 978-0571326211
- Dimensions : 15.24 x 2.54 x 20.96 cm
- Best Sellers Rank: 223,234 in Books (See Top 100 in Books)
- 214 in Punk Music
- 1,111 in Biographies about Artists, Architects & Photographers
- 1,931 in Biographies on Novelist & Playwrights
- Customer reviews:
About the author
Viviane Katrina Louise "Viv" Albertine (born 1 December 1954, Sydney, Australia) is a British singer and songwriter, best known as the guitarist for the English punk group The Slits. She lives in Hackney, London.
Bio from Wikipedia, the free encyclopedia. Photo by Michael Putland [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons.
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Here, Viv reflects upon events leading up to, around and after her mother's death. The title of the book comes from a bag she found on top of a wardrobe containing her mother's diaries, which she found when going through her things after she died.
She also had to do the same with her father's things - finding diaries from both parents giving their side of the story at the time.
Viv hears about that her mother may imminently die just as she's about to attend her own book launch event - she abandons this to rush to her mother's bedside.
But things don't go they way she hoped... the timeline of this painful time is dotted throughout the book at intervals - with Viv's own recollections and extracts from her parents' diaries in between.
This all makes for another very personal, honest, emotional and compelling read and Viv once again opens her heart and bares her soul.
Her brutal honesty is an absolute joy, and she writes in a way that no one else has dared to before.
Once again the reader is drawn into Viv's inner and outer worlds, and the sense of empathy and understanding is huge - as well as making us think about our own lives and experiences.
This wasn't always an easy read, but Viv's zest and dark humour shines through very brightly, and once again she's come up with a beautifully written and heart-wrenching masterpiece.
I don't think I'd have the courage to write such a candid memoir of family life, but thank God some people do.
However, if that all sounds a bit worthy, I should add that there is plenty of bite and wit to enjoy, along with a vivid evocation of a London that no longer exists, for better or worse. I also really liked the way the book was structured, slowly unveiling the extraordinary night Albertine's mother died. It made the book hard to put down.
You don't have to be a music fan to enjoy this book; its appeal is universal.