Almost a decade after seagulls and crows wreaked havoc on Tippi Hedren's coiffure in "The Birds" and just one year after "Willard" let his rats do the dirty work, this Nature vs. Man flick came along to continue the legacy (a legacy which would gain even more steam in the wake of "Jaws," with man thereafter having to fend off every beast and insect imaginable except for gnats!) Elliott plays a photojournalist, canoeing off an island owned by Milland, who is capsized by Milland's irresponsible grandson Roake. He is invited to Milland's mansion for a shower and some dry clothes just as an annual family celebration is taking place. The family is more commandeered to appear there by Milland rather than taking part out of pleasure, but they are present nonetheless. Before anyone can even cut the cake, a groundskeeper has been found dead from a snakebite and it isn't long before members of the family are being picked off, one by one, by snakes, spiders, iguanas, turtles(!) and pretty much everything EXCEPT frogs, which sort of watch and ribbit as the bodies pile up before staking their claim at the end. Top-billed Milland is wheelchair-bound here and barks his lines at the cast of lesser-knowns. He is appropriately steely, stubborn and unpleasant and not a little bit foolish! Elliott, near the start of his lengthy career, is hunky and appealing. His eye-poppingly revealing jeans belong in some sort of museum for erotic denim. Van Ark, also in one of her early roles, is fresh and pretty and compliments Elliott well, though her character is given precious little to do. Roarke, better known for playing tough bikers, lends a surprising and mystifying sense of homoerotica to his womanizing role. Borden plays his frustrated and complaining wife and is given one of the sillier scenes in the movie when she is "stuck" in some ankle-deep mud and gets assaulted by a giant turtle. Pace makes an impression as the model girlfriend of one of the grandsons. She's one of the few people who will give Milland what for. Irving is a memorably batty presence, traipsing off into the swamp after a rare butterfly. Others in the cast are basically on hand to croak at the opportune moment. There's an attempt here to suggest that Everglade animals finally had their fill of man's oppression and pollution and decided to retaliate. Elliott photographs endless debris over the opening credits to where one expects a teary Chief Dan George to drift by and bemoan the situation. This is rather briskly forgotten as the increasingly preposterous attacks and deaths begin to mount up. The situations of these encounters, paired with the amateurism in the acting, provide unintentional humor in ample quantities! Regardless of the fact that this is a rather shoddily-written and choppily-edited movie with some silly scenarios and, in some cases, really poor acting, it remains entertaining and compelling for most of its non-oppressive running time. Oddly, the trailer for the film shows many different takes than those which appear in the finished movie. One key scene in particular, involving quicksand/swamp water, only appears in the trailer and on the video case. The Nature vs. Man genre would continue to pop up throughout the 70's until Irwin Allen's massive bomb "The Swarm" slammed a temporary lid on the trend.
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