A quick search online indicates that The Wicker Tree is in eminent danger of being buried in a sea of middling to bad notices, and that is a real shame, for while the film is certainly flawed, it is nevertheless a unique and valuable piece of storytelling.
First, we must do away with the looming shadow of its predecessor: The Wicker Man it is most decidedly not - but then, what is? If one judges The Wicker Tree on its paucity of similarities to its spiritual forbear, then one will naturally consider it a failure simply because it was never intended to faithfully recreate the original film in the first place. The Wicker Tree, rather, is a black comedy/commentary painted in bold strokes that deals not in the nature of sacrifice, but in the nature of the various roles we play throughout our lives, and whether we are guided by or can avoid not faith, but fate.
Young former country-pop singer Beth Boothby (Brittania Nicol) has rejected her debauched, secular and trashy (literally, check the lyrics) music and image to embrace evangelical Christianity and folksier, mostly religious tunes. Together with her cowboy fiancee Steve (Henry Garrett) and their matching purity rings, she's on her way to Scotland (a country that was all but entirely Christian before North America was even discovered) to witness to those kilted heathens who - horror of horrors! - don't even believe in angels.
(Side note: that most critics seem to have missed the fact that The Wicker Tree is a black comedy playing on and with broad stereotypes even after having the above setup literally spelled out for them in the first ten minutes of the film is beyond me.)
It is in Scotland that Beth meets Lord Lachlan Morrison and his wife, Lady Delia (Graham McTavish and the criminally underused Jacqueline Leonard), and the wheel of fate is set inexorably in motion. Beth and Steve demonstrate time and again that they are not only naive, but also not intellectually equipped to engage in matters of philosophy or any faith other than their own, and so both fail utterly to sense the danger surrounding them. Interestingly, despite their intellectual disparity, Lachlan has an inner struggle that almost parallels Beth's - against who they were, who they are, and what they desire to be. While Beth struggles to live down her ignoble past, Lachlan faces questions about the nature and sincerity of his faith in the present, and rightly so, for it seems that, as owner of the local nuclear plant, he is fully cognizant of the fact that it is most likely his own business that has caused local birth rates to drop precipitously, though publicly he insists that he and his followers need only find the right sacrifice to solve their reproductive ills.
Betrayals of self, faith and others like these abound in The Wicker Tree. Steve is easily lead astray by local seductress Lolly (a stunning Honeysuckle Weeks), convincing him that he has failed both as man and a Christian. Lolly in turn attempts not once but twice to betray her fellow cultists while Lachlan all but admits to his wife his faith has abandoned him. It is Beth, however, who finally demonstrates most savagely that fate, not faith, rules this universe, as she betrays her own evangelical ideals in a moment of anger and despair.
Philosophical undercurrents aside, another question on a lot of minds seems to be whether or not this is a standard "horror" film. The answer is...complicated. It is at least as much a horror film as The Wicker Man, though by today's standards, neither film is stictly "horror" at all. The Wicker Tree does have horror elements, but also comedy elements and musical elements - more important than what genre to slot it into is that it is not always successful at blending all those genres, and that is in part why I concede that it is flawed.
Foremost among these flaws? It is unfortunately true that casting two unknowns in the lead roles was a gamble that did not entirely pay off. Nicol and Garrett both give some truly stilted line readings, but these moments in no way overshadow the film as whole. One would have liked to have seen the aforementioned parallels between Beth and Lachlan better defined, but they and other subplots remain underutilized. Finally, the shoestring budget is unfortunately very much evident in some of the cinematography and editing, but save for one scene in which Steve seems to doing some kind one-man see-saw act, the issues are minor and not overly distracting.
To sum up: Imperfect, but with a unique story and philosophical core. Put The Wicker Man out of your mind and give The Wicker Tree a shot strictly on its own merits. You will almost certainly find something to like.
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The Wicker Tree
Brittania Nicol
(Actor),
Henry Garrett
(Actor),
Robin Hardy
(Director)
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more Rated: Format: DVD
R
IMDb3.8/10.0
$9.09$9.09
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Additional DVD options | Edition | Discs | Price | New from | Used from |
DVD
April 30, 2012 "Please retry" | — | 1 | $27.74 | $20.97 |
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Genre | Horror |
Format | Multiple Formats, Color, Dolby, NTSC, Widescreen |
Contributor | Henry Garrett, Christopher Lee, Robin Hardy, Brittania Nicol, Graham McTavish |
Language | English |
Runtime | 1 hour and 36 minutes |
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Product Description
Charmed by the residents of Tressock, Scotland, two young missionaries accept the invitation to participate in a local festival, fully unaware of the consequences of their decision.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.36 Ounces
- Audio Description: : English
- Item model number : 25109547
- Director : Robin Hardy
- Media Format : Multiple Formats, Color, Dolby, NTSC, Widescreen
- Run time : 1 hour and 36 minutes
- Release date : April 24, 2012
- Actors : Brittania Nicol, Henry Garrett, Christopher Lee, Graham McTavish
- Dubbed: : Spanish
- Subtitles: : English, Spanish
- Studio : Anchor Bay Entertainment
- ASIN : B0073U2ETK
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #139,123 in Movies & TV (See Top 100 in Movies & TV)
- #5,426 in Horror (Movies & TV)
- Customer Reviews:
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Reviewed in the United States 🇺🇸 on April 27, 2012
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Reviewed in the United States 🇺🇸 on February 12, 2023
He did an excellent job, the rest was meh... but I watched it all the way through. I'd love to see this made over with good actors. Each one of those stars were for Graham.
Reviewed in the United States 🇺🇸 on November 2, 2022
Not a Wickerman sequel really. Lower budget. My rule is if the trailer isn’t good, the movie probably isn’t either. The trailer tells nothing about the film and the story itself is an ok premise but just isn’t all that great. Lot’s of Xtian music and if you aren’t into that, even though it’s kind of essential to the plot, it’s a little too much. For those who enjoyed the original Wickerman, and are pagan oriented in their personal beliefs, this will probably mostly disappoint. It makes a mockery of the May Day celebration and once again those who hold the day as a sacred one of beauty and the beginning of summer are portrayed as murderers or devil worshippers. (At least the original Wickerman had great Celtic music). It’s difficult for those who hold this type of faith to find something worthwhile to watch. Add this one to the pile. And don’t get me wrong, lot’s of people of all backgrounds like a good horror movie, which this “sort of” is, but it just doesn’t get off the ground enough. It starts to try and get interesting and just drops off. I just wasn’t crazy about it. The movie “MidSommer” has a similar premise and is a much better horror movie choice, bigger budget, better story. I’d go with that one.
Reviewed in the United States 🇺🇸 on January 15, 2019
Clever, visually engaging, technically impeccable, more provocative than the original and even somewhat offensive (not for me), but subtle film. Really, the only thing wrong with it is that lightning doesn't strike twice in the same spot and, maybe, the take on the ever going debate both this and the original touch upon hits pretty close to home. However, for example, complaining that the Wicker Tree is only a metaphor and has no real significance in the plot development is no grounds to dismiss this as garbage (by the way, the Wicker Tree IS visually depicted in a crucial scene, as opposed to what some reviewers would have you believe). I suspect that the particular branch of Christians depicted here, probably the most powerful and influential in the US and elsewhere, didn't like the satirical "trailer trash" depiction of its most prominent members. The ending was unexpected and, of course, there's absolutely no way it would replicate the gut-wrenching impact of the first for the unaware viewer and, again, to say the least, is far from the most chivalrous, polite and happy you'll ever see. Like the Strangers: Prey at Night, just to give an example or another unjustly maligned film, still not up to par with this one, the soundtrack is great and it does not only blend in seamlessly, but adds to and enhances the viewing experience. The inclusion of the folk song Old Mountain Thyme, which the Byrds brought to the attention of American audiences, is nothing short of genius. The many small, intriguing details would be enough to revisit for the non- religious biased audience. Nothing in this movie should be taken for granted!
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P. Benton
4.0 out of 5 stars
A Marmite film
Reviewed in the United Kingdom 🇬🇧 on April 12, 2016
While no classic, this is a million times better than the Wicker Man remake.
The makes of the Wicker Man have succeeded in making an enjoyable film, but not really one that is a worthy sequel to their masterpiece.
I guess there is too much comedy for some, and some of that comedy will raise the "is that intentionally funny" question to some viewers.
Personally, I think on the whole, it is played tongue in cheek most of the time.
And it works best as a satire on religion and religious beliefs. But there are elements of folk horror later in the film which work equally as well.
The sex and nudity are tastefully handled and it's used to further the narrative and the scenery and some of the performances are excellent.
The extras contain a "making of" which is pretty throw away but worth a watch once and a number of deleted scenes - only one of which is worth a watch. Plus there's the usual, and completely unnecessary trailer.
I don't think this is to everyone's taste, so it's definitely a case of rent before you buy - unless it's dirt cheap.
The makes of the Wicker Man have succeeded in making an enjoyable film, but not really one that is a worthy sequel to their masterpiece.
I guess there is too much comedy for some, and some of that comedy will raise the "is that intentionally funny" question to some viewers.
Personally, I think on the whole, it is played tongue in cheek most of the time.
And it works best as a satire on religion and religious beliefs. But there are elements of folk horror later in the film which work equally as well.
The sex and nudity are tastefully handled and it's used to further the narrative and the scenery and some of the performances are excellent.
The extras contain a "making of" which is pretty throw away but worth a watch once and a number of deleted scenes - only one of which is worth a watch. Plus there's the usual, and completely unnecessary trailer.
I don't think this is to everyone's taste, so it's definitely a case of rent before you buy - unless it's dirt cheap.
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Buff
1.0 out of 5 stars
By no means a worthy companion film to The Wicker Man
Reviewed in the United Kingdom 🇬🇧 on January 24, 2023
This film was utterly dreadful!
I wasn't expecting much; but 'The Wicker Tree' is by no means a worthy companion film to 'The Wicker Man'.
And don't take the fact that Robin Hardy wrote and directed this dross as any sort of recommendation.
Just re-watch the original film again and be thankful for that.
I wasn't expecting much; but 'The Wicker Tree' is by no means a worthy companion film to 'The Wicker Man'.
And don't take the fact that Robin Hardy wrote and directed this dross as any sort of recommendation.
Just re-watch the original film again and be thankful for that.
Trevor Willsmer
2.0 out of 5 stars
Robin Hardy's Tales of the Bleeding Obvious
Reviewed in the United Kingdom 🇬🇧 on December 17, 2012
With 2010's The Wicker Tree, the long discussed but not exactly awaited not-quite-sequel to
The Wicker Man - Special Edition Director's Cut (2 disc set) [DVD] [1973
], only the third film in his 39-year career as director, Robin Hardy shows some technical improvement over his more rough-and-ready work on The Wicker Man and the silly and dreary
The Fantasist [1986] [DVD
] but is hobbled by the fact that as a screenwriter he's no Anthony Shaffer even if he is still relentlessly ploughing the same furrow four decades on. Where Shaffer's Wicker Man screenplay had black wit to compliment its twists and unsettling setting, Hardy's a more obvious scribe telling a less interesting story that would struggle to fit a half hour episode of Tales of the Very Much As We Expected. This time instead of a Christian copper it's a pair of American evangelists, aw shucks cowboy for Christ Henry Garrett and born again Britney Spears-type Brittania Nicol, who are lured to a Scottish village as part of their mission to convert the godless heathen people of Scotland, and naturally the villagers have their own reasons for welcoming them. This time it's not just their crops that have failed: since an accident at the local Nuada nuclear power plant the population has been rendered infertile and some much-needed new blood is the solution...
Pitched as a `filme fantastique' rather than a horror film, it plays out more like an episode of Tales of the Bleeding Obvious en route to its now overfamiliar ending. Even if there had never been a Wicker Man this wouldn't have made much impact because, unfortunately, this time round there's surprisingly little weirdness, mystery or threat as it just ambles flatly along, rarely descending into awfulness but just as rarely threatening to rise above mediocrity. Despite the best efforts of Graham MacTavish in Ben Kingsley-lite mode, it sorely lacks a figure as commanding as Christopher Lee's Lord Sommerisle to lift its spirits (an ailing Lee was long scheduled to play the part until an injury ruled him out). Even Lee himself can't do much with his brief compensatory cameo as an `elderly gentleman' in a flashback scene, exchanging the blasphemous bon mots of the earlier film that wittily picked away at its examination of the nature of faith and sacrifice with bland dialogue that you've heard a million times before, half of them probably in a class room while you were staring out the window. Honeysuckle Weeks fills in the Britt Ekland-ish role this time, but her sex scene is played more for laughs than eroticism, complete with comedy mugging that wouldn't be out of place in a Robin Askwith film. Unsurprisingly laughs, intentional or otherwise, are in as short supply as surprises or chills.
On the plus side the film does a decent job of integrating Keith Easdale's folk songs into the film (with John Scott filling in the gaps in the underscore) and there's a hint of a good scene when the local laird dismisses environmentalists concerns about his power plant by pointing out how much deadlier the sun is or his admission that religious conviction is often driven by which faith best fits your current needs, but the film is pretty much a one-time-only viewing for hardcore fans of the original. Where The Wicker Man haunted many who saw it for decades, this one is probably best forgotten. Still, at least it doesn't have Nic Cage in a bear suit punching women and screaming about bees...
Unlike most Anchor Bay DVDs there are at least some extras - a 12-minute making of featurette made up of very rough and jerky footage that looks like it's been downloaded off the internet, 9 deleted scenes and a surprisingly effective trailer - as well as a decent 2.35:1 widescreen transfer
Pitched as a `filme fantastique' rather than a horror film, it plays out more like an episode of Tales of the Bleeding Obvious en route to its now overfamiliar ending. Even if there had never been a Wicker Man this wouldn't have made much impact because, unfortunately, this time round there's surprisingly little weirdness, mystery or threat as it just ambles flatly along, rarely descending into awfulness but just as rarely threatening to rise above mediocrity. Despite the best efforts of Graham MacTavish in Ben Kingsley-lite mode, it sorely lacks a figure as commanding as Christopher Lee's Lord Sommerisle to lift its spirits (an ailing Lee was long scheduled to play the part until an injury ruled him out). Even Lee himself can't do much with his brief compensatory cameo as an `elderly gentleman' in a flashback scene, exchanging the blasphemous bon mots of the earlier film that wittily picked away at its examination of the nature of faith and sacrifice with bland dialogue that you've heard a million times before, half of them probably in a class room while you were staring out the window. Honeysuckle Weeks fills in the Britt Ekland-ish role this time, but her sex scene is played more for laughs than eroticism, complete with comedy mugging that wouldn't be out of place in a Robin Askwith film. Unsurprisingly laughs, intentional or otherwise, are in as short supply as surprises or chills.
On the plus side the film does a decent job of integrating Keith Easdale's folk songs into the film (with John Scott filling in the gaps in the underscore) and there's a hint of a good scene when the local laird dismisses environmentalists concerns about his power plant by pointing out how much deadlier the sun is or his admission that religious conviction is often driven by which faith best fits your current needs, but the film is pretty much a one-time-only viewing for hardcore fans of the original. Where The Wicker Man haunted many who saw it for decades, this one is probably best forgotten. Still, at least it doesn't have Nic Cage in a bear suit punching women and screaming about bees...
Unlike most Anchor Bay DVDs there are at least some extras - a 12-minute making of featurette made up of very rough and jerky footage that looks like it's been downloaded off the internet, 9 deleted scenes and a surprisingly effective trailer - as well as a decent 2.35:1 widescreen transfer
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JRL
2.0 out of 5 stars
Deeply disappointing, not even a shadow of its illustrious forebear.
Reviewed in the United Kingdom 🇬🇧 on August 19, 2015
Waste of space. It is a complete retread of The Wicker Man ... by numbers, blindfolded, without conviction. A shame, because there are some potentially interesting angles that are completely missed. The young US couple coming to evangelise the Scots has been queried by some reviewers, but this is exactly what goes on in evangelical/fundamentalist Christian circles, so is grounded in reality - but isn't delivered with genuine feel for that world. There was no link between the power station down the road and the pagan beliefs of the locals, when so much could have been made of that. Given the breakdown of traditional religious observance in UK and the diversification of modern spiritualities there is so much fertile territory that is just ignored. We don't bat an eyelid at pagans now, but the sinister ones can now hide in the open - possibilities again missed there. So, a very, very weak film. I watched it so you don't have to. If you really must get it, get the cheapest version you can find.
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mark
2.0 out of 5 stars
Couldn't stop giggling....not sure i was supposed to
Reviewed in the United Kingdom 🇬🇧 on September 5, 2018
Plot was OK, a few of the performances were OK but that lead actor in the cowboy hat just stopped me taking it seriously - yee haw.The female lead slightly better but still comical,looked a bit like shreks wife half way between ogre and princess.
Did Robert Hardy have to cast them to get funding for the film? Surely they couldn't have passed any sort of screen test. Fiona Bruce was quite good in it though :-)
When the male lead met his maker we all cheered despite the gruesome circumstances.
ps. the 2 leads don't even have Wikipedia listings.....even my dog has one of those......someone out there must know the truth - whose children are they?
Did Robert Hardy have to cast them to get funding for the film? Surely they couldn't have passed any sort of screen test. Fiona Bruce was quite good in it though :-)
When the male lead met his maker we all cheered despite the gruesome circumstances.
ps. the 2 leads don't even have Wikipedia listings.....even my dog has one of those......someone out there must know the truth - whose children are they?
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