Paramount Pictures described the film as "the heroic story of a North African dictator who risked his life to ensure that democracy would never come to the country he so lovingly oppressed." Paramount said the film was inspired by the novel Zabibah and the King by Iraqi dictator Saddam Hussein, though The New York Times later reported it is not an adaptation. Kristen Wiig and Gillian Jacobs had been considered for the role that Anna Faris eventually played and which Variety said "calls for strong improvisational skills". Baron Cohen, who also plays Efawadh in the film, based his performance primarily on Libya's Muammar Gaddafi. The film is dedicated to Kim Jong-il.
Movie's ratings
The Dictator
(2012)4
Country | |
Runtime | 1 hr 23 min |
Budget | $65 000 000 |
Premiere: World | $179 379 533 May 16, 2012 |
USA | $59 650 222 |
Other countries | $119 729 311 |
Box Office – Budget | $114 379 533 |
Premiere: USA | $59 650 222 May 16, 2012 |
first day | $4 175 274 |
theaters | 3014 |
rollout | 230 days |
Digital: World | August 21, 2012 |
Parental Advisory | Sex & Nudity, Profanity, ... |
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Production Companies |
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Also Known As |
Finchley's Dream
(United States)
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Description
The heroic story of a dictator who risked his life to ensure that democracy would never come to the country he so lovingly oppressed.Сast and Crew
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Critique: 45
The Dictator isn’t as outrageous or screamingly funny as Borat. There are laughter-free stretches. And yet, the character of Admiral General...
On the laughmeter The Dictator is closer to Borat than to the misfired Bruno, which is to say it’s funny for about half of its brisk 83...
The easily offended will be appalled. The rarely offended may be appalled. But they’ll have to stop laughing long enough to realize it.
Cohen and Charles offer a lot of admittedly witty observations, but they don’t build into anything bigger or smarter. They’re too...
Transitioning back into a scripted dynamic after his quasi-documentary performance excursions with «Bruno» and «Borat," Baron Cohen loses none...
The Dictator starts at outrageous and rockets on from there. Screw the occasional sputter.
There are several jokes that overplay their hands, as if something that was only vaguely funny the first time around will become hilarious on its f...
Its dolly – and crane-operated polish points toward an acquiescence to Tinseltown mores, which until now Baron Cohen hovered cheekily above.
Directed by Cohen’s longtime collaborator Larry Charles, The Dictator mixes its high and low comedy with surprising success.
I think I can feel it disappearing from my mind even as I am trying to remember it… It’s Baron Cohen going at 50mph rather than 100mph.
For the most part, the movie’s rhythms feel slightly off – there are long stretches without a laugh – and there is a mean-spir...
On the laughmeter The Dictator is closer to Borat than to the misfired Bruno, which is to say it’s funny for about half of its brisk 83...
A bit scattershot and schticky, the film never quite settles into a consistent comic rhythm. Yet for fans of Baron Cohen’s work there ar...
This isn’t the last word on cinematic send-ups of totalitarianism – for that, we still have Charlie Chaplin’s The Great Dictator&n...
It ends up being a lot less hilarious than «Borat,'' and not quite as funny as «Bruno.''
He may be playing a fascist but Sacha Baron Cohen’s The Dictator is democratically offensive.
The Dictator starts at outrageous and rockets on from there. Screw the occasional sputter.
It reasserts Baron Cohen as a comic force who can’t be ignored, dedicated to pushing the envelope and working with real ideas.
By turns hysterical, heretical, guilty, innocent, silly, sophisticated, teasing and tedious.
One of the cleverest moments in Sacha Baron Cohen’s The Dictator comes during the first five seconds: a memorial dedication to Kim Jong Il. I...
Nothing here is sustained, neither the feel-good redemption narrative nor the insistence that the jolly hero is a genuinely fearsome monster.
The Dictator is loose and slap-happy and full of sharp political barbs and has funny actors moving in and out – and at a lickety-split 83...
You have to give Baron Cohen credit, not only for audaciousness (as he has proved with his worldwide promotional stunts for The Dictator) but for h...
Although the character of Aladeen seems awfully predictable by Baron Cohen standards, the movie itself veers from one hilarious, absurd and patentl...
Baron Cohen balances the stupid, outrageous, over-the-top stuff with almost, ahem, radically provocative observations and pronouncements…
Aladeen makes a witty speech. It details democracy’s flaws with emphasis on the American brand, and it almost makes you like him ...
Cohen is actually Chaplin’s antithesis, a first-world bully content to target the Other.
There are several jokes that overplay their hands, as if something that was only vaguely funny the first time around will become hilarious on its f...
Typically, political correctness couldn’t be farther from the filmmakers' mind, and yet, what the pic most sorely lacks is the sort of humani...
Cohen employs a comic range that ricochets between wicked political barbs and the lowest anatomical farce, to often funny and occasionally hil...
The Dictator keeps the gags coming as fast as it can manage, sometimes in big gross-out setpieces like an impromptu baby delivery, but more often i...
The Dictator is funny, in addition to being obscene, disgusting, scatological, vulgar, crude and so on.
It doesn’t, in truth, offer much of a twist on the genre. It does, however, deliver laughs and weapons-grade offensiveness.
The film has a vicious edge that the Marx Brothers didn’t have, and it’s too low-minded to achieve their enchanting blend of anarc...
The old comic spark is, sadly, MIA, and the humour is offensive in the most tiresome way possible.
You would strain to identify The Dictator as a clever movie. But it doesn’t quite work as a big dumb movie either.
The problem is that, unlike Ali G, Borat, and Brno, Aladeen is less a force of nature than a scripted performance.
There’s a marked flatness to the film, a real heaviness. Jokes sink, energy is low.
Baron Cohen’s demonstrations of political ''outrageousness'' feel all too canned, planned, and defanged.
It builds up to this extraordinary finale and this speech he makes, which is like something out of Frank Capra practically.
Sacha Baron Cohen and Larry Charles' The Dictator is indefensible and hilarious, an unruly thing that invites you to laugh at things you feel you s...
For all the movie’s messiness and lack of conviction, Baron Cohen makes so many of his gags stick to the wall that it’s easy to forgive...
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Watched
I liked Aladin more than Bruno, but less than Borat. Because in it, like in the last one, there are many meme scenes, the same race with a pistol in the hands of a dictator, or inspection of a warhead. Translated to English
Watched
Eh, that’s why in his scripts there is always exactly the same amount of masterpiece-brilliant miracle as there is worthless bad taste? I hope someday I will fully understand this man. Okay, this time the genius prevailed. It’s unfair – it hits where it hurts too much. Translated to English
Watched
The film is very funny. I laughed. There were many funny moments and funny jokes. If you like things that involve laughter, then give The Dictator a chance. Translated to English
Watched
What incredibly flat humor this film has. Even the toilet jokes in Borat seem wittier. Here, too, large stars began to light up – it’s complete horror. I watched it on rewind. Translated to English