#22ndSFF Catalogue by Sarajevo Film Festival

KATALOG / CATALOGUE

GLAVNI SPONZORI

EKSKLUZIVNI SPONZORI

REALIZOVAN UZ PODRÅ KU

FESTIVALSKI PARTNER

KATALOG / CATALOGUE Urednik / Editor Lamija Ćehajić Izvori / Sources Bakir Milić, Lamija Ćehajić, Altijana Marić Đorđević, Asja Krsmanović, Amra Mehić Prevod / Translation Sabina Nikšić Lektura / Proofreading Jasna Kovo (bosanski jezik / Bosnian) Sabina Nikšić (engleski jezik / English) Grafičko oblikovanje i DTP / Graphic design and DTP BOOM! Produkcija Štampa / Print BLICDRUK d.o.o. Sarajevo Tiraž / Print run 2000

SARAJEVO FILM FESTIVAL Zelenih beretki 12, 71000 Sarajevo, Bosna i Hercegovina Tel. +387 33 209 411; +387 33 221 516, Fax. + 387 33 263 381 programmes@sff.ba, www.sff.ba 4

22. Sarajevo Film Festival l IMPRESSUM

Sadržaj / Contents

7 Festival Introduction 8 Žiri / Jury 19 Nagrade / Awards 21 Takmičarski program - igrani film / Competition Programme - Feature Film 37 Takmičarski program - kratki film / Competition Programme - Short Film 47 Takmičarski program - dokumentarni film / Competition Programme - Documentary Film 73 U fokusu / In Focus 85 Open Air 95 Kinoscope 117 Shorts

European Shorts Cinefondation Cannes: Winners 2016 Zagreb Film Festival - najbolje od Kockica / Best Of Checkers Festival Mediteranskog Filma Split / Mediterranean Film Festival Split

133 Summer Screen 145 Posvećeno / Tribute to Amat Escalante 155 Dječiji program / Children’s Programme 171 TeenArena 183 Human Rights Day 189 Suočavanje s prošlošću / Dealing with the Past 197 207

Sarajevo Film Festival Partner Presents Doha institut za film / Doha Film Institute Made in Qatar 2016 Sarajevo Film Festival Guests Present

Filmoteca Unam and San Cristobal International Film Festival The Morelia International Film Festival

215 Pretpremijere / Avant Premiere 221 Specijalne projekcije / Special Screenings 225 BiH FILM 239 Sponzori / Sponsors 274 Hvala / Thank You 275 Festival Team 276 Index - Films 278 Index - Directors

CONTENTS l 22. Sarajevo Film Festival

GLAVNI SPONZORI

EKSKLUZIVNI SPONZORI

FESTIVALSKI PARTNER

REALIZOVAN UZ PODRŠKU

ZVANIČNI IT DOBAVLJAČ

ZVANIČNO VINO

ZLATNI SPONZORI

SREBRENI SPONZORI

PARTNERI

INTERNACIONALNI PARTNERI

TEHNIČKA PODRŠKA

22. Sarajevo Film Festival l SPONZORI

TEHNIČKA PODRŠKA

PODRŠKA

ZVANIČNA ZAŠTITARSKA AGENCIJA

ZVANIČNI PREVOZNIK FILMOVA

SREBRENI SPONZORI

Dobrodošli na 22. Sarajevo Film Festival / Welcome to the 22nd Sarajevo Film Festival Kada se svježe štampani posteri i programi Sarajevo Film Festivala počnu pojavljivati na gradskim ulicama, uzbuđenje i radoznalost naših sugrađana nam donose novu energiju i motivišu nas da sa dodatnim elanom obavljamo završne radove pred veliki događaj.

E When freshly printed posters and programs of the Sarajevo Film Festival start appearing on the streets, excitement and curiosity of our fellow-citizens bring us new energy and motivate us to wrap up the final works preceding the big event with additional enthusiasm.

Ponosni smo na reputaciju koju smo stekli, kod kuće i u inostranstvu, i dirnuti aktivnim doprinosom stanovnika našeg grada koji posjetom kinima, učešćem u festivalskim aktivnostima, prisustvom panel-diskusijama, i, prije svega, toplim dočekom koji priređuju našim gostima, kreiraju svečanu atmosferu u danima festivala. U tom slavljeničkom duhu, i s velikim zadovoljstvom, želim vam dobrodošlicu na 22. Sarajevo Film Festival.

We are proud of the reputation we have gained, both at home and abroad, and touched by active contribution of our fellow-citizens, who, by watching films, participating in the festival activities, attending panel discussions, and first and foremost, by giving a warm welcome to our guests, actively contribute to the creation of the festive atmosphere during the festival days. In that celebratory sprit and with a great pleasure, I extend you a welcome to the 22nd Sarajevo Film Festival.

Tokom godina smo ulogu drugog doma za mlade, perspektivne filmske autore iz regije prihvatili kao ključnu i najljepšu karakternu crtu našeg Festivala. SFF je postao istinsko mjesto okupljanja i regionalnih filmskih autora na kojem se povezuju sa ostatkom svijeta i započinju međunarodnu karijeru. Najbolja potvrda tome su i ovogodišnji takmičarski programi koji će predstaviti, uglavnom, prve i druge filmove, s ukupno devet svjetskih premijera. Programom “Posvećeno...” nastavit ćemo već ustaljenu praksu odavanja priznanja renomiranim filmskim autorima čiji jedinstveni i hrabri autorski izraz može biti neiscrpan izvor inspiracije, znanja i ohrabrenja umjetnicima mlađe generacije. Ove godine ćemo imati čast da ugostimo mladog, ali već veoma značajnog meksičkog reditelja Amata Escalantea, koji će festivalskoj publici predstaviti svoj jedinstveni stvaralački opus. Ponosni smo na kontinuirani razvoj našeg CineLink projekta koji će u ovogodišnjem, četrnaestom izdanju, predstaviti dvije nove platforme za podršku filmskim stvaraocima. CineLink Drama projekt je osmišljen kao odgovor na rastući evropski i svjetski trend proizvodnje televizijskih sadržaja nastalih ukrštanjem vrhunske filmske produkcije i visokokvalitetnih televizijskih serijala. Smatrajući da postoji veliki potencijal za razvoj ovog žanra, takozvane filmo-televizije, u jugoistočnoj Evropi, okupit ćemo na jednom mjestu autore, producente i finansijere iz regije i svijeta, u želji da doprinesemo i proizvodnji i promociji kvalitetnih TV serijala proizvedenih na području bivše Jugoslavije. Druga nova platforma, Market istinitih priča (True Stories Market), zamišljena je kao otvoreni izvor moderiranih priča, svjedočanstava i vizuelnih sadržaja direktno vezanih za nedavnu historiju bivše Jugoslavije. Ovi materijali će biti dostupni rediteljima i producentima kao izvor inspiracije za njihove eventualne filmske projekte koji bi prenijeli ove priče široj javnosti i na taj način pridonijeli procesu izlječenja i pomirenja. Nadam se da ćete uživati u programu 22. Sarajevo Film Festivala i programu koji smo za vas pripremili!

Over the years, we have accepted our role of the second home for young, promising authors from the region, as the key and the most beautiful feature of our Festival. SFF has become a true gathering place for regional film authors where they connect to the rest of the world and launch their international career. The best proof of that are this year’s competition programs that will introduce, mostly, the first and second films, with the total of nine world premiers. The program “Tribute to…” will continue the tradition of paying tribute to renowned film authors whose unique and brave auteur expression may be inexhaustible source of inspiration, knowledge and encouragement for the artists of younger generation. This year we will have a pleasure of hosting a young but already quite distinctive Mexican director Amat Escalante, who will present his unique artistic opus to the festival audience. We are proud at the continuous development of our CineLink project that will, in this year’s 14th edition, introduce two new platforms for extending support to filmmakers. CineLink Drama project is designed as a response to the growing European and world trend of television content production, created by merging top film production and high-quality television series. Considering there is a large potential for the development of this genre, so-called filmo-vision in Southeast Europe, we will gather authors, producers and financiers from the region and the world in order to contribute to the production and promotion of high-quality TV series produced in the territory of former Yugoslavia. The other new platform, True Stories Market, is envisaged as an open source of moderated stories, testimonies and visual contents directly related to the recent history of the former Yugoslavia. These materials will be accessible to directors and producers, as a source of inspiration for their potential film projects, which would pass these stories on to wider public and thereby contribute to the process of healing and reconciliation. I hope you will enjoy the program of the 22nd Sarajevo Film Festival and the program we have prepared for you! U ime SFF tima / On behalf of the SFF team, Mirsad Purivatra

FESTIVAL INTRODUCTION l 22. Sarajevo Film Festival

Žiri Takmičarskog programa – igrani film / Competition Programme Jury– Feature Film

22. Sarajevo Film Festival l ŽIRI

ELIA SULEIMAN Reditelj (Palestina) / Director (Palestine)

ZEYNEP ATAKAN Producentica (Turska) / Producer (Turkey)

PREDSJEDNIK ŽIRIJA Palestinski reditelj Elia Suleiman je rođen u Nazarethu. Svoja prva dva, višestruko nagrađivana kratka filma, INTRODUCTION TO THE END OF AN ARGUMENT i HOMAGE BY ASSASSINATION, snimio je dok je živio u New Yorku u periodu od 1981. do 1993. godine. Njegov dugometražni igrani prvijenac CHRONICLE OF A DISAPPEARANCE proglašen je najboljim filmom Filmskog festivala u Veneciji 1996. DIVINE INTERVENTION, film koji je snimio 2002. godine, osvojio je Nagradu žirija i FIPRESCI nagradu Međunarodnog udruženja filmskih kritičara na Filmskom festivalu u Kanu, kao i nagradu za najbolji strani film Evropske filmske akademije dodijeljenu u Rimu. Suleiman je 2007. godine bio izabran među 35 filmskih reditelja koji su radili na omnibusu TO EACH HIS OWN CINEMA produciranom povodom šezdesete godišnjice Filmskog festivala u Kanu. Njegov posljednji film THE TIME THAT REMAINS prikazan je u zvaničnoj takmičarskoj selekciji Filmskog festivala u Kanu 2009. godine. Suleiman je 2012. godine završio rad na kratkom filmu DIARY OF A BEGINNER, dijelu omnibusa 7 DAYS IN HAVANA. Omnibus je prikazan u okviru zvanične Un Certain Regard selekcije Filmskog festivala u Kanu. Elia Suleiman trenutno obnaša dužnost umjetničkog savjetnika Filmskog instituta u Dohi i priprema svoj novi igrani film.

E PRESIDENT OF THE JURY Palestinian director Elia Suleiman was born in Nazareth. He directed his first two widely awarded short films INTRODUCTION TO THE END OF AN ARGUMENT and HOMAGE BY ASSASSINATION while living in New York from 1981 to 1993. His debut feature film CHRONICLE OF A DISAPPEARANCE won the Best First Film Prize at the 1996 Venice Film Festival. In 2002, DIVINE INTERVENTION won the Jury Prize and the FIPRESCI International Critics Prize of the Cannes Film Festival as well as the Best Foreign Film Prize at the European Awards in Rome. In 2007, he was selected among 35 directors who contributed to a collective film TO EACH HIS OWN CINEMA produced to honor the 60th anniversary of the Cannes Film Festival. His last feature THE TIME THAT REMAINS was screened in the official competition selection of the 2009 Cannes Film Festival. In 2012 Suleiman completed a short film DIARY OF A BEGINNER for inclusion in the collective feature 7 DAYS IN HAVANA. The film was selected for the official Un Certain Regard program of the Cannes Film Festival. Elia Suleiman is currently serving as artistic advisor for the Doha Film Institute and is preparing his next feature film.

Nakon što je diplomirala na Odjelu za primijenjenu umjetnost, film i televiziju Univerziteta Marmara, Atakan je u periodu od 1986. do 1999. radila kao rediteljica i producentica za televiziju i u marketinškoj industriji. Atakan je 2004. bila jedna od osnivačica reklamne produkcijske agencije, da bi pet godina kasnije počela raditi kao producentica na međunarodnim filmskim projektima. Atakan je 2007. osnovala produkcijsku kompaniju Zeyno Film, a 2010. je osvojila Prix Eurimages evropsku koprodukcijsku nagradu Evropske filmske akademije i osnovala YAPIMLAB fond. Atakan je predsjednica Saveza turskih filmskih producenata EWA od 2011. godine, a 2014. je izabrana na mjesto potpredsjednice Evropske ženske audiovizuelne mreže EWA. Atakan je 2014. godine osvojila Bilge Olgaç nagradu za profesionalne zasluge na Međunarodnom festivalu ženskog filma Leteća metla. Producirala je filmove WINTER SLEEP, ONCE UPON A TIME IN ANATOLIA, THREE MONKEYS i CLIMATES reditelja Nuri Bilge Ceylana, kao i IN NOWHERE LAND Tyfuna Pirselimoglua i LOLA + BILIDIKID Kutluga Atamana.

E In the period from 1986 to 1999, after graduating from the Department of Fine Arts, Film and TV of the Marmara University, Atakan worked as an assistant director and producer in the television and advertising industry. In 2004 Atakan co-founded an advertising production company and five years later she begun producing international film projects. In 2007, Atakan founded Zeyno Film. In 2010, she won the European Film Academy’s Prix Eurimages European Co-Production award, and founded YAPIMLAB. Atakan has been the chairwoman of SE-YAP, the Turkish Guild of Film Producers, since 2011. In 2014, she was elected vice president of EWA, the European Women’s Audiovisual Network. She won the Bilge Olgaç Achievement Award at the Flying Broom International Women’s Film Festival in 2014. Atakan produced Nuri Bilge Ceylan’s WINTER SLEEP, ONCE UPON A TIME IN ANATOLIA, THREE MONKEYS and CLIMATES, as well as IN NOWHERE LAND by Tayfun Pirselimoglu and LOLA + BILIDIKID by Kutlug Ataman.

JURY l 22. Sarajevo Film Festival

NIKOLA ĐURIČKO Glumac (Srbija) / Actor (Serbia)

THOMAS HAILER Kurator Međunarodnog filmskog festivala u Berlinu (Njemačka) / Curator Of The Berlin International Film Festival (Germany)

10 22. Sarajevo Film Festival l ŽIRI

Nikola Đuričko rođen je 1974. godine u Beogradu, Srbija. Diplomirao je glumu na Fakultetu dramskih umetnosti u Beogradu, a na filmu i televiziji debitovao je 1984. godine. Ostvario je uspješnu glumačku karijeru i odigrao brojne zapažene uloge kako na filmu i televiziji tako i u pozorištu, te je dobitnik brojnih nagrada. Od 1995. godine u stalnom je radnom odnosu u Jugoslovenskom dramskom pozorištu u Beogradu. Prvu značajnu ulogu odigrao je u kultnom filmu POSLEDNJI KRUG U MONCI iz 1989. godine. Zapažen je bio i u poznatim domaćim ostvarenjima DO KOSKE (1996), LAJANJE NA ZVEZDE IZ 1998., ZONA ZAMFIROVA (2002), KAD PORASTEM BIĆU KENGUR (2004), PLJAČKA TREĆEG RAJHA (2004) MONTEVIDEO, BOG TE VIDEO (2010), SMRT ČOVEKA NA BALKANU (2012). U skorije vrijeme je ostvario uloge u TV serijama LEGENDS (2015) i THE LAST PANTHERS (2015) kao i u filmovima WORLD WAR Z (2013) reditelja Marca Forstera i u rediteljskom prvijencu Angeline Jolie IN THE LAND OF BLOOD AND HONEY (2011).

E Nikola Đuričko was born in 1974 in Belgrade, Serbia. He graduated acting at the Faculty of Dramatic Arts in Belgrade and made his film and TV debuts in 1984. He’s had an active and successful career both in film and television as well as in theatre, having appeared in numerous distinctive roles. He has won multiple awards for his work. He has been employed in the Yugoslav Dramatic Theatre in Belgrade since 1995. He made his first notable appearance in the well known film POSLEDNJI KRUG U MONCI (1989), and then he continued making outstanding roles in the films DO KOSKE (1996), LAJANJE NA ZVEZDE IZ 1998, ZONA ZAMFIROVA (2002), KAD PORASTEM BIĆU KENGUR (2004), PLJAČKA TREĆEG RAJHA (2004) MONTEVIDEO, BOG TE VIDEO (2010), SMRT ČOVEKA NA BALKANU (2012). He has recently appeared in successful TV series LEGENDS (2015) and THE LAST PANTHERS (2015), as well as in Marc Forster’s WORLD WAR Z (2013) and Angelina Jolie’s directing debut IN THE LAND OF BLOOD AND HONEY (2011).

Thomas Hailer radi kao savjetnik direktora Međunarodnog filmskog festivala u Berilnu za takmičarski i Berlinale Special program, te koordinira programsku komunikaciju između svih programa i odjela festivala. Hailer također savjetuje direktora festivala o pitanjima vezanim za umjetničko pozicioniranje i strukturalni razvoj festivala, sa specijalnim naglaskom na usklađivanje individualnih festivalskih programa sa potrebama Evropskog filmskog marketa. Hailer je bio direktor programske sekcije festivala za mladu publiku “Generation” u periodu od 2002. do 2008. godine kada je sa ciljem privlačenja mlađih autora uveden i 14plus takmičarski program. Hailer je šef studija pri obrazovnoj inicijativi Njemačkog udruženja za dječiji film “Akademie für Kindermedien”. Do 2008. je u profesionalnom kapacitetu dramaturga i script doctora nadzirao razvoj projekata pri Filmskoj fondaciji “Kuratorium Junger Deutscher”.

E Thomas Hailer advises the Berlin Festival Director on all questions pertaining to the Competition and Berlinale Special programs and synchronizes program-related communication processes across the sections and departments of the Berlinale. He is also consulting the Festival Director in the artistic positioning and structural development of the Berlinale, with special emphasis on the dovetailing of all individual sections with the European Film Market. He was the Head of the Berlinale’s Young Audience Section Generation from 2002 - 2008, a period marked by introduction of the 14plus competition program - the expansion aimed at including young adults. Hailer is the Head of Studies at the Akademie für Kindermedien, a training initiative by the German Children’s Film Society. Until 2008, his activities as a dramaturge and a script doctor included project supervision at the Kuratorium Junger Deutscher Film Foundation.

ANGELIKI PAPOULIA Glumica (Grčka) / Actress (Greece)

Angeliki Papoulia je rođena u Atini, Grčka. Obrazovanje je stekla na Univerzitetu u Atini (pozorišne studije) i pri dramskoj školi Empros teatra, gdje je diplomirala 2000. godine. Ostvarila je glavnu ulogu u filmu DOGTOOTH Yorgosa Lanthimosa koji je na Filmskom festivalu u Kanu 2009. godine osvojio nagradu Un Certain Regard programa, te je nominiran za nagradu za najbolji film na stranom jeziku Američke filmske akademije 2010. godine. Papoulia je za ovu ulogu osvojila nagradu Srce Sarajeva za najbolju glumicu Sarajevo Film Festivala. Papoulia je ostvarila glavnu ulogu i u Lanthimosovom filmu ALPS koji je nagrađen priznanjem Osella za najbolji scenarij na Međunarodnom filmskom festivalu u Veneciji 2011. godine, kao i u filmu A BLAST Syllasa Tzoumerkasa koji je premijerno prikazan na Filmskom festivalu u Locarnu 2014. godine. Papoulia je posljednji put sarađivala sa Lanthimosom na njegovom filmu THE LOBSTER koji je osvojio Nagradu žirija na Filmskom festivalu u Kanu 2015. godine.

E Angeliki Papoulia was born in Athens, Greece. She graduated from the Athens University (Theatre Studies) and the “Empros” Theatre Drama School in 2000. She played the leading role in DOGTOOTH, a Yorgos Lanthimos’s film that won the “Prix Un Certain Regard” of the 2009 Cannes Film Festival and was nominated for the Best Foreign Language Film at the 83rd Academy Awards. Papoulia won the Heart of Sarajevo Award for Best Actress for her role in this film. She also appeared in the main role in Yorgos Lanthimos’s ALPS which won the Osella for Best Screenplay at the 68th Venice International Film Festival, as well as in Syllas Tzoumerkas’s A BLAST that premiered at the 2014 Locarno Film Festival. Her latest collaboration with Yorgos Lanthimos was in THE LOBSTER which won the Jury Prize at the 2015 Cannes Film Festival.

JURY l 22. Sarajevo Film Festival 11

Žiri Takmičarskog programa – kratki film / Competition Programme Jury – Short Film

12 22. Sarajevo Film Festival l ŽIRI

Prije nego što će preuzeti poziciju koordinatora za odnose sa javnošću Evropske filmske akademije, Fatima Djoumer radila je za Međunarodni filmski festival u Berlinu. Djoumer je 1993. imenovana za šeficu Odjela za međunarodne odnose mreže nezavisnih kina Europa Cinemas. Europa Cinemas podržava distribuciju evropskih filmova van zemlje njihovog porijekla, te razvija interes mlade publike za evropsku kinematografiju.

E Fatima Djoumer worked for the Berlin International Film Festival before taking over public relations duty for the European Film Academy. In 1993 she became the Head of International Relations of Europa Cinemas, where she supports the worldwide distribution of European films. Europa Cinemas supports the distribution of European films outside their country of origin. It works with young audiences to develop their interest in European films.

Dušan Kasalica je rođen u Nikšiću, Crna Gora. Diplomirao je režiju na Fakultetu dramskih umjetnosti u Cetinju, Crna Gora, gdje trenutno radi kao saradnik u nastavi na Odjelu za filmsku i televizijsku režiju. Njegov kratki film A MATTER OF WILL dobitnik je nagrade Srce Sarajeva za najbolji kratki film 21. Sarajevo Film Festivala, a prikazan je i na brojnim drugim prestižnim festivalima širom svijeta. Kasalica trenutno razvija više projekata na kojima bi trebao raditi kao reditelj ili kao producent, a također završava rad na svome novom kratkom filmu SOA.

E Dušan Kasalica was born in Nikšić, Montenegro. He graduated the film directing from the Faculty of Drama Arts in Cetinje, Montenegro, where he now works in the Department of Film and Television directing. His short film A MATTER OF WILL won the Heart of Sarajevo award for the best short film of the 21st Sarajevo Film Festival and was screened in other prestigious festivals around the world. He is currently developing several projects, either as director or as producer, and is also finishing his new short film SOA.

Jure Pavlović je rođen u Splitu, a režiju je diplomirao na Akademiji dramske umjetnosti Sveučilišta u Zagrebu, Hrvatska. Učestvovao je u brojnim međunarodnim filmskim radionicama, uključujući Berlinale Talents, Sarajevo Talent Campus, Sources 2 itd. Njegovi su kratki filmovi prikazani na brojnim međunarodnim filmskim festivalima, uključujući Međunarodni filmski festival u Berlinu i Clermont Ferrand festival, te su osvojili i nekoliko filmskih nagrada. Za kratki film PICNIC je 2015. godine osvojio Nagradu za najbolji kratki film Evropske filmske akademije.

E Jure Pavlović was born in Split and graduated directing from the Academy of Dramatic Arts in Zagreb, Croatia. He participated in various international workshops, including Berlinale Talents, Sarajevo Talent Campus, Sources 2, etc. His short films were screened and awarded in numerous international film festivals, including the Berlin International Film Festival and Clermont Ferrand. His short film PICNIC won the European Film Academy Award (EFA) for the Best European short in 2015.

FATIMA DJOUMER Međunarodni odnosi i događaji, Europa Cinemas (Francuska) / International Relations & Events Of Europa Cinemas (France)

DUŠAN KASALICA Reditelj (Crna Gora) / Director (Montenegro)

JURE PAVLOVIĆ Reditelj (Hrvatska) / Director (Croatia)

JURY l 22. Sarajevo Film Festival 13

Žiri Takmičarskog programa – dokumentarni film / Competition Programme Jury – Documentary Film

14 22. Sarajevo Film Festival l ŽIRI

TINE FISCHER Osnivačica i direktorica Festivala CPH:DOX (Danska) / Founder and Festival Director Of CPH:DOX (Denmark)

FERNAND MELGAR Reditelj i producent (Švajcarska) / Director and Producer (Switzerland)

ALEXANDER NANAU Producent, reditelj i snimatelj (Njemačka, Rumuniija) / Producer, Director and Cinematographer (Germany/Romania)

Tine Fischer je osnivačica i direktorica međunarodnog filmskog festival CPH:DOX, kao i CPH:LAB-a i CPH:FORUM-a. Fischer je pet godina radila za Danski filmski institut. Fischer je 2009. godine uspješno završila evropski produkcijski obrazovni program EAVE. Vlasnica je produkcijske kompanije Fischer Film i producentica filma ACCIDENTES GLORIOSOS Maura Andrizzia i Marcusa Lindeena (nagrada Orizzonti Filmskog festivala u Veneciji). Kao izvršna producentica je radila na filmovima KILLING STRANGERS (Berlinale - Forum), LA ULTIMA PELICULA (TIFF), SOLECITO (Filmski festival u Kanu, Director’s Fortnight program) i STRANDED IN CANTON (Filmski festival Tribeca). Fischer je također producirala obuhvatan filmski, umjetnički i web projekt LITTLE SUN islandskog umjetnika Olafura Eliassona koji je premijerno predstavljen u galeriji Tate Modern, kao i njegov nedavni filmski projekt ICE WATCH prezentiran u okviru konferencije Ujedinjenih Nacija o klimatskim promjenama COP21.

E Tine Fischer is the founder and director of the international film festival CPH:DOX. She is also the director and founder of CPH:LAB and CPH:FORUM. For five years Fischer worked at the Danish Film Institute. Fischer graduated from the European producers program EAVE in 2009. She is the owner of the Fischer Film production company and had produced ACCIDENTES GLORIOSOS by Mauro Andrizzi & Marcus Lindeen (Orizzonti Award at Venice Film Festival). She worked as executive producer on KILLING STRANGERS (Berlinale – Forum), LA ULTIMA PELICULA (TIFF), SOLECITO (Cannes, Director’s Fortnight) and STRANDED IN CANTON (Tribeca). Fischer also produced an extensive film, art and web project LITTLE SUN with Icelandic artist Olafur Eliasson which premiered at Tate Modern, as well as Eliasson’s recent ICE WATCH film project during COP21.

Fernand Melgar je početkom osamdesetih godina prošloga stoljeća sa prijateljima osnovao Le Cabaret Orwell, kao i međunarodno poznato rok okupljalište La Dolce Vita. Nakon što je neko vrijeme prikazivao eksperimentalne filmove, Meglar postaje samouki nezavisni filmski reditelj i producent. Autor je eksperimentalnih filmova i revolucionarnih TV segmenata prikazivanih 1983. Melgar se 1985. godine pridružio produkcijskoj kompaniji Climage gdje je producirao preko 20 dobro dokumentarnih filmova. Njegov dokumentarni film EXIT – THE RIGHT TO DIE osvojio je više međunarodnih filmskih nagrada, uključujući Golden Link UER nagradu za najbolju evropsku koprodukciju i Švicarsku filmsku nagradu. Sa dokumentarcem THE FORTRESS osvojio je nagradu Zlatni leopard Međunarodnog filmskog festivala u Locarnu, kao i mnoga druga međunarodna filmska priznanja. Melgarov dokumentarac SPECIAL FLIGHT osvojio je više od trideset međunarodnih filmskih nagrada, uključujući Švicarsku filmsku nagradu i Prix Europa.

E In the early 80s Fernand Melgar and his friends founded Le Cabaret Orwell, as well as the internationally famous rock venue La Dolce Vita. After first screening experimental films, Melgar turned into a self-taught independent film director and producer. He created experimental films and iconoclastic television segments in 1983. In 1985 he joined the production company Climage where he produced over 20 well-accepted documentaries. His documentary EXIT – THE RIGHT TO DIE received several international awards including the Golden Link UER Award for the best European co-production and the Swiss Cinema Award. His documentary THE FORTRESS won the Golden Leopard at the Locarno Film Festival and many other international awards. His film SPECIAL FLIGHT received more than thirty international awards, including the Swiss Film Award and the Prix Europa.

Alexandar Nanau je rođen u Rumuniji. Njegov dokumentarac THE WORLD ACCORDING TO ION B nagrađen je međunarodnom nagradom Emmy 2010. godine i prikazan je na preko 70 međunarodnih filmskih festivala, osvojivši brojne nagrade. Njegov prvi dugometražni dokumentarni film, PETER ZADEK INSZENIERT PEER GYNT, iz 2006. godine premijerno je prikazan na Međunarodnom filmskom festivalu u Minhenu, te je prikazivan u kinima širom Njemačke i Austrije tokom 2006. Nanau je član Akademije umjetnosti u Berlinu te Instituta Sundance. Njegov posljednji dugometražni dokumentarac TOTO AND HIS SISTERS nominovan je za nagradu Evropske filmske akademije te je uspješno prikazan na brojnim međunarodnim filmskim festivalima na kojima je osvojio nekoliko nagrada, uključujući Srce Sarajeva za najbolji dokumentarni film na 21. izdanju Sarajevo Film Festivala. Film je prikazan u kinima u Francuskoj početkom 2016. godine pod naslovom TOTO ET SES SOEURS.

E Alexander Nanau was born in Romania. His documentary film, THE WORLD ACCORDING TO ION B received the International Emmy Award in 2010 and was screened at over 70 international film festivals receiving numerous other awards. His first feature documentary, PETER ZADEK INSZENIERT PEER GYNT (2006) premiered at the Munich International Film Festival and was released in cinemas across Germany and Austria in 2006. Nanau is a fellow of the Akademie der Künste Berlin and the Sundance Institute. His latest feature documentary TOTO AND HIS SISTERS is a European Academy Award nominee and was successfully screened at numerous international festivals where it won several awards including the Heart of Sarajevo Award for Best Documentary at the 21st Sarajevo Film Festival. The film was released in French cinemas at the start of 2016 as TOTO ET SES SOEURS.

JURY l 22. Sarajevo Film Festival 15

Ĺ˝iri za nominaciju sarajevskog kandidata za nagradu Evropske filmske akademije za 2016. u kategoriji kratki film / Jury for the Selection of the Sarajevo Short Film Nominee for the European Film Awards 2016

16 22. Sarajevo Film Festival l Ĺ˝IRI

RENEN SCHORR Kustos i producent (Izrael) / Curator and Producer (Israel)

LEJLA HODŽIĆ Kostimografkinja (Bosna i Hercegovina) / Costume designer, (Bosnia and Herzegovina)

SANJA RAVLIĆ Hrvatska predstavnica u filmskom fondu Eurimages (Hrvatska) / Eurimages representative for Croatia (Croatia)

Još od kasnih sedamdesetih godina prošloga stoljeća, aktivista, reditelj i edukator Renen Schorr jedan je od vodećih predstavnika izraelske filmske scene. Schorr je režirao i producirao odlično prihvaćeni dugometražni igrani film LATE SUMMER BLUES, jedan od najuspješnijih izraelskih filmova svih vremena za koji je osvojio nagradu Izraelske filmske akademije za najbolji film. Njegov drugi rediteljski uradak, igrani film THE LONERS, nominovan je za 11 nagrada Izraelske filmske akademije. Schorr je krajem 1989. osnovao izraelsku državnu školu filma Sam Spiegel na čijem čelu se i danas nalazi u ulozi direktora. Schorr je dao ključni doprinos prijemu Izraela u Evropsku filmsku akademiju. Pokrenuo je ključne promjene u sistemu javnog finansiranja filmske produkcije u Izraelu kao jedan od inicijatora i osnivača Izraelskog filmskog fonda i inicijator osnivanja Novog fonda za film i televiziju. Osnovao je Međunarodni filmski laboratorij Sam Spiegel 2011. godine.

E Renen Schorr has been a key figure in the Israeli film arena since the late seventies as a film activist, film director and educator. Schorr is a director-producer whose critically acclaimed full-length feature Late Summer Blues won the Israeli Academy Award for Best Film and became one of the most successful Israeli movies of all times. His second feature-length film as a director, The Loners, was nominated for 11 Israeli academy awards. In late 1989, Schorr created The Jerusalem Sam Spiegel Film School, Israel’s national film school. Under his leadership, the school has become a major catalyst in the renaissance of Israeli cinema. Schorr has contributed significantly to the entry of Israel to the European Film Academy. He pioneered major developments in the Israeli public film funds as one of the three initiators and founders of The Israel Film Fund and the initiator of The New Fund for Film & Television. In 2011 he founded the Sam Spiegel International Film Lab.

Lejla Hodžić rođena je 1973. godine u Sarajevu, Bosna i Hercegovina. Diplomirala je na Akademiji likovnih umjetnosti u Sarajevu, na Odsjeku za grafički dizajn. Radi u oblasti savremene umjetnosti u Bosni i Hercegovini i inostranstvu od 1993. godine (Art centar Obala Sarajevo 1993.-1994., Sarajevski Centar za savremenu umjetnost - koordinator programa vizuelnih umjetnosti - 1997.-2003.). Od 2000. godine aktivna je u MSE, mreži kustosa i umjetnika srednjeg jugoistoka Evrope. Od 2004. godine radi kao kostimograf u pozorištu i na filmu. Bila je kostimograf za film Jasmile Žbanić GRBAVICA, koji je 2006. godine na festivalu Berlinale nagrađen Zlatnim medvjedom, kao i za filmove iste rediteljke NA PUTU i OTOK LJUBAVI, koji su izabrani za oficijelne takmičarske programe u Berlinu i Locarnu. Članica je Udruženja likovnih umjetnika primijenjenih umjetnosti i dizajnera Bosne i Hercegovine (ULUPUBIH) te Udruženja filmskih radnika Bosne i Hercegovine (UFRBIH) te Udruženja scenografa i modnih dizajnera MODIKO. Živi u Sarajevu.

E Lejla Hodžić was born in 1973, in Sarajevo, Bosnia and Herzegovina. She graduated at the Academy of Fine Arts Sarajevo, Department of Graphic Design. She has worked in the field of contemporary arts in Bosnia and Herzegovina and abroad from 1993 (Obala Art Center Sarajevo 1993-94, Sarajevo Center for Contemporary Art program coordinator for visual arts 1997-2003). Since 2000 she has been actively involved in MSE (Middle-South-East) network of curators and artists. From 2004 she works as a costume designer for films and theatre. She was the costume designer for director Jasmila Žbanić’s film GRBAVICA, awarded with a Golden Bear at Berlinale in 2006, as well as in same director’s film ON THE PATH and LOVE ISLAND, which officially competed in Berlin and Locarno, respectively. Member of Association of Applied Artists in Bosnia and Herzegovina (ULUPUBIH), Association of Filmmakers in Bosnia and Herzegovina (UFRBIH) and Association of Costume and Fashion Designers (MODIKO). She lives in Sarajevo.

Sanja Ravlić je započela karijeru 1987. godine kao urednica scenarija i producentica u Dramskom programu Hrvatske radiotelevizije (HRT). Nakon što je diplomirala na Britanskoj državnoj školi za film i televiziju (NFTS), radila je kao producentica nezavisnih filmova i radio producentica za svjetski servis BBC-a u Hrvatskoj i u Velikoj Britaniji. U oktobru 2007. se pridružila timu koji je činio okosnicu tada novouspostavljenog Hrvatskog audiovizuelnog centra (HAVC). U HAVC-u je od 2010. do 2012. bila voditeljica razvoja, a od 2013. do 2015. voditeljica koprodukcija, što je ujedno i funkcija na koju se vratila u julu ove godine. Također je i članica HAVC-ovog Odjela za poticanje ulaganja u audiovizuelnu proizvodnju koji upravlja hrvatskim programom finansijske podrše audiovizuelnoj industriji kroz povrat dijela sredstava uloženih u produkciju, te autorica Nacionalnog strateškog programa za audiovizuelnu industriju za 2010-2014. Sanja je od 2008. do 2016. bila hrvatska predstavnica u upravnom odboru evropskog filmskog fonda Eurimages. Članica je Evropske filmske akademije i Programskog vijeća Hrvatske radiotelevizije.

E Sanja Ravlić began her career in 1987 as a Script Editor and Associate Producer at the Drama Department of Croatian Radiotelevision (HRT). Upon graduation from the British National Film and Television School (NFTS) she worked in the UK and Croatia, both as independent film producer and radio producer for the BBC World Service. In October 2007, she joined the core team of the newly founded Croatian Audiovisual Centre. From 2010 till 2012 she was Head of Development of the Croatian Audiovisual Centre and from 2013 till 2015 and again from 2016 Head of Co-productions. She is also a member of the Croatian Audiovisual Centre’s Committee for the Encouragement of Investment in Production of Audiovisual works which manages Croatia’s audiovisual production cash rebate scheme, as well as the co-author of the Croatian National Strategic Programme for the Audiovisual Industry 2010 – 2014. Sanja has been Croatia’s national representative on the Board of Management of Eurimages from 2008 till 2016. She is a member of the European Film Academy and a member of the Programme Advisory Council of the Croatian public broadcaster; Croatian Radiotelevision. JURY l 22. Sarajevo Film Festival 17

Cicae žiri / Cicae Jury

PIERRE-ALEXANDRE MOREAU Predsjednik Cinémas studija, Tours (Francuska) / President of Cinémas Studio, Tours (France)

ERDMANN LANGE Atlantis Filmtheaterbetriebsgesellschaft Mannheim (Njemačka) / Atlantis Filmtheaterbetriebsgesellschaft Mannheim (Germany)

GIACOMO MARTINI Umjetnički direktor Filmskog festivala Bella Basilicata (Italija) / Artstic Director of BELLA BASILICATA FILM FESTIVAL (Italy)

Cineuropa žiri / Cineuropa Jury

VLADAN PETKOVIĆ Dopisnik - Slovenija/Hrvatska (Srbija) / Correspondent - Slovenia/Croatia (Serbia)

18 22. Sarajevo Film Festival l ŽIRI

DAVID GONZALEZ Urednički koordinator - Cineuropa (Španija) / Editorial Coordinador - Cineuropa (Spain)

Nagrade / Awards

ZVANIČNE NAGRADE

OFFICIAL AWARDS

Takmičarski program - igrani film

Competition Programme - Feature Film

SRCE SARAJEVA ZA NAJBOLJI FILM

HEART OF SARAJEVO FOR BEST FILM

Novčana nagrada u iznosu od 16.000 €

Financial award in the amount of 16,000 €

SPECIJALNA NAGRADA ŽIRIJA

SPECIAL JURY PRIZE

Novčanu nagradu od 10.000 € osigurava agnès b.

Financial award in the amount of 10,000 € is provided by agnès b.

SRCE SARAJEVA ZA NAJBOLJU GLUMICU

HEART OF SARAJEVO FOR BEST ACTRESS

Novčana nagrada u iznosu od 2.500 €

Financial award in the amount of 2,500 €

SRCE SARAJEVA ZA NAJBOLJEG GLUMCA

HEART OF SARAJEVO FOR BEST ACTOR

Novčana nagrada u iznosu od 2.500 €

Financial award in the amount of 2,500 €

Takmičarski program - kratki film

Competition Programme - Short Film

SRCE SARAJEVA ZA NAJBOLJI FILM

HEART OF SARAJEVO FOR BEST FILM

Novčana nagrada u iznosu od 2.500 €

Financial award in the amount of 2,500 €

Takmičarski program - dokumentarni film

Competition Programme - Documentary Film

SRCE SARAJEVA ZA NAJBOLJI FILM

HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM

Novčanu nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske

Financial award in the amount of 3,000 € is provided by the Swiss Federal Department of Foreign Affairs

SPECIJALNA NAGRADA ŽIRIJA

SPECIAL JURY PRIZE

Novčanu nagradu u iznosu od 2.500 € osigurava Al Jazeera Balkans

Financial award in the amount of 2,500 € is provided by Al Jazeera Balkans

PARTNERSKE NAGRADE

PARTNER AWARDS

NOMINACIJA SARAJEVSKOG KANDIDATA ZA EVROPSKU FILMSKU NAGRADU 2016.

SARAJEVO SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS 2016

Pobjednik ulazi u konkurenciju za Nagradu Evropske filmske akademije (EFA) za najbolji kratki film.

The winner is nominated for the European Film Academy (EFA) Best Film Award.

NAGRADA ZA LJUDSKA PRAVA

Award for the best film of the Competition Programme - Documentary Film dealing with the subject of human rights. Award in the amount of 3,000 € is provided by the Swiss Federal Department of Foreign Affairs.

Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmičarskog programa dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske.

EDN TALENT GRANT EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumentarističke mreže, u svrhu podrške talentovanim autorima dokumentarnog filma iz regije.

CICAE NAGRADA Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa - igrani film. Nagrađeni film će dobiti posebnu podršku CICAE za distribuciju, prikazivanje filma i kontakt s publikom, putem mreže od 3.000 kina.

NAGRADA PUBLIKE Partner - Raiffeisen Bank

CINEUROPA NAGRADA Nagradu dodjeljuje portal Cineuropa, posvećen evropskoj kinematografiji i njenim stvaraocima, i to filmu koji, osim što neosporno posjeduje umjetničke kvalitete, također promovira ideje evropskog dijaloga i integracije. Vrijednost nagrade iznosi 5.000 €.

HUMAN RIGHTS AWARD

EDN TALENT GRANT EDN Talent Grant has been created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary filmmakers from the region.

CICAE AWARD The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme - Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas.

AUDIENCE AWARD Partner - Raiffeisen Bank

CINEUROPA AWARD The prize is awarded by the Cineuropa portal, a site dedicated to the European cinema and film professionals, and is given to a film that, besides having indisputable artistic qualities also promotes the idea of European dialogue and integration. The value of this award is 5,000 €.

AWARDS l 22. Sarajevo Film Festival 19

Takmičarski program - igrani film / Competition Programme - Feature Film

Albüm / Album, Mehmet Can Mertoğlu

Bezbog / Bezbožnica / Godless, Ralitza Petrova

Câini / Psi / Dogs, Bogdan Mirică

Igla ispod praga / The Black Pin, Ivan Marinović

Inimi cicatrizate / Srca s ožiljkom / Scarred Hearts, Radu Jude

Die Liebhaberin / Sljedbenica / A Decent Woman, Lukas Valenta Rinner

Tarla / Livada / The Field, Cemil Ağacıklıoğlu

Vlažnost / Humidity, Nikola Ljuca

In The Same Garden / U istom vrtu, Ali Asgari, Adrian Sitaru, Alexandre Rockwell, Rolf De Heer, Gurvinder Singh, Chema García Ibarra, Roger Deutsch, Sergey Bodrov, Andrej Landin

Svi severni gradovi / Svi sjeverni gradovi / All the Cities of the North, Dane Komljen

Transmania, Dalibor Matanić, Sonja Tarokić, Hana Jušić, Bobo Jelčić, Zvonimir Jurić, Vlatka Vorkapić, Jasna Zastavniković, Filip Šovagović, Ivan Salaj, Tanja Golić, Petar Orešković, Stanislav Tomić, Edi Mužina, Ivan Sikavica, Sara Hribar

Takmičarski program / Competition Programme 2016.

Elma Tataragić

Kako se približavamo 14. izdanju Takmičarskog programa i 22. izdanju Sarajevo Film Festivala, nemoguće je ne zapitati se da li pravljenje i prikazivanje filmova, kao i sanjanje o filmu, uopšte imaju smisla. Filmski autori i drugi umjetnici žele shvatiti svijet u kojem žive i kroz svoja djela ga propituju. Jedno od osnovnih pitanja koja postavljaju jeste da li prikazivanje filmova ima smisla u svijetu u kojem živimo, svijetu u kojem je sve teže naći prave vrijednosti, u kojem je teško reći šta je prava umjetnost. U svijetu koji se raspada ponekad je izuzetno teško pronaći razlog za prikazivanje filmova. Pa ipak, mi iz godine u godinu radimo upravo to i svake godine pronalazimo sve više i više razloga da nastavimo. Svaki film uvršten u naš program nudi vlastiti odgovor na postavljena pitanja. Svi su ti odgovori različiti, ali svaki je legitiman. Ove godine, za učešće u programu prijavljeno je 198 igranih filmova iz 20 zemalja regije. Na kraju, u programu će biti predstavljeno 11 filmova, od kojih će se 8 boriti za nagrade Srce Sarajeva, a tri (dva omnibusa i jedan igrani film) će biti prikazana izvan konkurencije. Odabrani filmovi odraz su raznolikosti i vitalnosti regionalnih kinematografija, kao i različitih umjetničkih glasova i izbora. U program su uvrštena dva filma iz Turske: drugi igrani film Cemila Ağacıkoğlua TARLA / LIVADA, koji će u Sarajevu imati međunarodnu premijeru, i ALBÜM / ALBUM debitantski igrani film talentovanog reditelja Mehmeta Can Mertoğlua koji je premijerno prikazan u programu Sedmica kritike ovogodišnjeg Filmskog festivala u Kanu. Rumunsku kinematografiju će u programu također predstavljati dva filma: debitantski film Bogdana Miricăe CÂINI / PSI koji je prvi put prikazan u Un Certain Regard programu u Kanu, te četvrti film Radua Jude INIMI CICATRIZATE

22 22. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

/ SRCA SA OŽILJKOM, koji će nekoliko dana prije predstavljanja sarajevskoj publici biti premijerno prikazan u takmičarskom programu Međunarodnog filmskog festivala u Locarnu. Zadovoljstvo nam je što će u našem programu ponovo biti predstavljena i Bugarska sa debitantskim ostvarenjem Ralitze Petrove BEZBOG / BEZBOŽNICA, koje će također biti premijerno prikazano u takmičarskom programu u Locarnu. Još jedan debitantski film dolazi nam iz Srbije. Radi se o prvom filmu Nikole Ljuce VLAŽNOST koji je ove godine prikazan u Berlinu, u programu Forum. Rijetko imamo priliku da u našem programu ugostimo crnogorske autore, ali ćemo ove godine imati zadovoljstvo da premijerno prikažemo debitantski film Ivana Marinovića IGLA ISPOD PRAGA. Austrija će u programu biti zastupljena filmom DIE LIEBHABERIN / SLJEDBENICA Lukasa Valenta Rinnera čija je radnja smještena u predgrađa Buenos Airesa, a film će u Sarajevu imati svjetsku premijeru. U programu ćemo izvan konkurencije upriličiti dvije svjetske premijere za dva omnibusa, hrvatski TRANSMANIA i turski IN THE SAME GARDEN / U ISTOM VRTU. Konačno, publici ćemo predstaviti i debitantski igrani film Daneta Komljena SVI SEVERNI GRADOVI / SVI SJEVERNI GRADOVI, primjer jedinistvenog pristupa filmskoj naraciji i eksperimentalnom vizuelnom izrazu nastao u srbijansko-bosanskohercegovačkocrnogorsko-francuskoj koprodukciji. Značajno je naglasiti da Sarajevo nastavlja biti mjesto predstavljanja autora iz regiona i njihovih jedinstvenih pristupa životu i filmu; autora koji imaju hrabrosti da eksperimentišu i igraju se sa različitim filmskim formama, ali i onih koji ostaju vjerni klasičnom filmskom izrazu. Ovaj program odražava upravo taj široki autorski spektar.

Filmovi koje smo uvrstili u ovogodišnji program će vas odvesti na uzbudljiva mjesta, ponekad mračna, a ponekad sjajna. Uvući će vas u svoj svijet i ponuditi vam nekoliko sati u kojima će te moći da sanjate. Neki će vas filmovi navesti da pogledate oko sebe, neki da odvratite pogled, dok će vam neki skrenuti pažnju na ključne stvari koje možete pronaći i u svome životu. Ovi će vam filmovi reći i pokazati stvari koje je naprosto nemoguće izraziti riječima.

we cover. Eventually, the programme presents 11 films, 8 films competing for the Heart of Sarajevo Award and three Out-of-Competition titles (two omnibus and one feature film). This selection reveals the diversity and the vitality of the regional cinema as well as all the different artistic voices and choices at the same time.

E As we are approaching the 14th edition of the Competition Programme and the 22nd of Sarajevo Film Festival, one cannot help but wonder why does it make sense to make, show and dream films. Filmmakers and artists in general are interested in making sense of the world and they also pose questions with their work. Living in the world where it is quite rare to find real and true values and where it is difficult to deem what true art is, while it is falling apart, it is indeed too often hard to find true reason for presenting films. And yet every year we do. And every year we find more and more reasons to go on. Every film selected for the programme has an answer on its own, a very different but legitimate one.

There are two films from Turkey in the programme: a second feature TARLA / THE FIELD by Cemil Ağacıkoğlu with its International Premiere, and ALBÜM / ALBUM, a debut feature by talented young director Mehmet Can Mertoğlu which premiered at this year’s Cannes Film Festival in Critics’ Week. Also presented by two films is the Romanian cinema with the debut CÂINI / DOGS, by Bogdan Mirică, which opened at Cannes’s Un Certain Regard, and a fourth film by Radu Jude INIMI CICATRIZATE / SCARRED HEARTS which premieres in Locarno Competition, right before we show it in Sarajevo. It is wonderful to have a Bulgarian film in the Competition again with Ralitza Petrova’s debut feature BEZBOG / GODLESS, which will also be screened in Locarno Competition. Another debut feature is coming from Serbia and it is VLAŽNOST / HUMIDITY by Nikola Ljuca, which was presented earlier this year in the Forum programme of the Berlin Film Festival. It does not happen often that we have a film from Montenegro but this year the programme will present the World Premiere of the debut IGLA ISPOD PRAGA / THE BLACK PIN by Ivan Marinović. From Austria the programme will present DIE LIEBHABERIN / A DECENT WOMAN, a debut feature by Lukas Valenta Rinner set in the outskirts of Buenos Aires, showing in Sarajevo as a World Premiere as well.

In total, our team was approached with 198 feature films from the 20 countries of the region

Out of Competition, the programme will present two omnibus films: TRANSMANIA from

Umjetnost i film nisu prosta imitacija onoga što priroda stvara već metafizička nadogradnja koja nam omogućava da prevaziđemo prirodu. Umjetnost je, kako bi to Nietzche rekao, ključna i metafizička aktivnost čovječanstva, i nesumnjivo najviši oblik ljudske djelatnosti. Velika umjetnost nam omogućava da damo značaj svojim životima pri tome vodeći računa kako o razumu tako i o emocijama. Ovogodišnja selekcija dokaz je te teze.

Croatia and IN THE SAME GARDEN from Turkey, both as World Premieres. Finally, we will also present the debut feature from by Dane Komljen SVI SEVERNI GRADOVI / ALL THE CITIES OF THE NORTH, an extraordinary and unusual take on both narrative and experimental film. It is important to notice that Sarajevo continues to be a platform where we present authors from the region who have their own approach to life and filmmaking, who are bold to experiment and play with forms of cinema, but also the ones who remain loyal to classic forms of cinema. This selection shows exactly this range of works. Selected films will take you to exciting places, sometimes dark and sometimes bright. These films will open their worlds to you and for at least two hours (sometimes even more) you will be able to dream away. Some films will make you look around you and some will make you look away, while some will draw attention to something essential which you can find in your own life as well. These films will tell you and show you things words cannot just convey. Art and film, in not just an imitation of nature, but a metaphysical complement that will enable the transcendence of nature itself. It is a fundamental and metaphysical activity of mankind, and most certainly, the art is the highest form of human activity, as Nietzsche used to say. Great art offers us a way of conceptualizing our lives as meaningful by taking into consideration both reason and emotion. This year’s selection is the proof of this. Elma Tataragić Selektorica / Programmer

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Albüm / Album Par bez djece priprema fotoalbum sa slikama iz perioda lažne trudnoće načinjenim na plaži, radnom mjestu, tokom odmora kod kuće. Vjeruju da će album pomoći djetetu, koje namjeravaju usvojiti, da ih prihvati kao voljene, biološke roditelje. Naravno, tako će imati i nešto što mogu podijeliti sa svojim prijateljima i radnim kolegama. Bahar i Cüneyt su prosječan par koji dijeli tipična, uskogruda uvjerenja, snove i nadanja pripadnika urbane srednje klase. Dijete će upotpuniti sliku savršenog života koju njih dvoje nastoje projicirati. Mehmet Can Mertoğlu rođen je 1988. godine u Akhisaru, Turska. Studirao je tursku književnost na Univerzitetu Boğaziçi u Istanbulu. Njegov kratki film YOKUŞ / NAGIB prikazan je na više međunarodnih filmskih festivala, uključujući festivale u Rotterdamu, Edinburgu i Angersu, kao i Nouveau Cinema festivalu u Montraelu. ALBÜM je njegov prvi dugometražni igrani film. E A childless couple sets out to prepare a fake photo album of a pseudo pregnancy period complete with photos taken on a beach, at work or while they are lounging at home. One day, it could persuade their adopted child that they are its loving biological parents. Of course, they also want to have an album that they can share with their friends and co-workers. Bahar and Cüneyt are a typical middle-class couple sharing the beliefs, dreams and preoccupations of their narrow-minded social group. A child would complete their image of a perfect couple.

Mehmet Can Mertoğlu was born in Akhisar, Turkey, in 1988. He studied Turkish literature at Boğaziçi University in Istanbul. His short film YOKUŞ / THE SLOPE has been screened in various film festivals including Rotterdam, Edinburgh, Montréal Nouveau Cinema and Angers. ALBUM is his debut feature.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, France, Romania, 2016, Colour, 104 min, Turkish Režija / Director: Mehmet Can Mertoğlu Scenarij / Screenplay: Mehmet Can Mertoğlu Direktor fotografije / Director of Photography: Marius Panduru Montaža / Editor: Ayhan Ergürsel, Mehmet Can Mertoğlu Zvuk / Sound: Serdar Öngören Kostimografija / Costume Design: Seda Yılmaz Producent / Producer: Yoel Meranda, Eytan İpeker Produkcija / Production: Kamara, A.S.A.P. Films, Parada Film Uloge / Cast: Sebnem Bozoklu, Murat Kiliç, Rıza Akın, Mihriban Er, Ali Meriç, Müfit Kayacan Kontakt / Contact: Match Factory; info@matchfactory.de; www.the-match-factory.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - ALBÜM / ALBUM 2011 - FER / GLIMMER (kratki film / short film) 2008 - YOKUŞ / THE SLOPE (kratki film / short film)

Bezbog / Bezbožnica / Godless Gana živi u jednom zabačenom gradu u Bugarskoj, gdje radi kao njegovateljica starijih osoba oboljelih od demencije, dok istovremeno prodaje njihove lične karte na ilegalnom tržištu lažnih identiteta. Gana živi sa svojom nezaposlenom majkom koju finansijski izdržava, ali s kojom gotovo da i ne govori. Ljubav ne pronalazi ni u vezi sa svojim momkom automehaničarem. Nakon što je seksualna privlačnost među njima nestala, njihova jedina intimna spona jeste zajednička ovisnost o morfiju. Čini se da ništa ne može probuditi njenu savjest, čak ni slučajno ubistvo pacijenta zbog kojeg bi se mogle razotkriti njene nezakonite radnje. Ralitza Petrova rođena je u Bugarskoj, a filmsku režiju je studirala na Državnoj školi za film i televiziju u Velikoj Britaniji. Njeni su filmovi postigli veliki uspjeh na vodećim filmskim festivalima, uključujući festivale u Kanu, Berlinu i San Sebastijanu, kao i u umjetničkim centrima poput Centra Pompidou u Parizu. Dobitnica je nagrade UIP za najbolji evropski kratki film na Međunarodnom filmskom festivalu u Berlinu. Ralitza je 2013. bila učesnica više programa za podršku razvoju filma, uključujući program Elevator organizacije Kreativna Engleska, Le Groupe Quest program, te TorinoFilmLab FrameWork program, u okviru kojeg je projekt njenog debitantskog igranog filma GODLESS osvojio jednu od glavnih produkcijskih nagrada. Ralitza je s filmom GODLESS prošle godine osvojila Restart nagradu Work in Progress programa Sarajevo Film Festivala. E In a remote Bulgarian town, Gana looks after demented elderly people while also trafficking their ID cards to be sold on the underground fake identity market. At home, she provides for her jobless mother with whom she hardly ever speaks. Her relationship with her mechanic boyfriend is no shelter for love either - with sexual attraction vanished, their intimacy is reduced to a shared addiction to morphine. Nothing seems to have an impact on the nurse’s conscience, not even an accidental murder of a patient that threatens to expose her fraudulent dealings.

Ralitza Petrova was born in Bulgaria. She studied film directing at the UK’s National Film and Television School. Her films won acclaim at international film festivals, including festivals in Cannes, Berlin, and San Sebastian, as well as in numerous art venues such as the Center Pompidou in Paris. She was awarded the Prix UIP, Best European Short Film at Berlinale. Ralitza is an alumna of the 2013 Creative England’s Elevator Programme, 2013 Le Groupe Ouest, as well as 2013 TorinoFilmLab’s FrameWork in which her debut feature GODLESS received one of the main production prizes. In 2015, Ralitza won the Restart Award of the Work in Progress section of the Sarajevo Film Festival for GODLESS.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Bulgaria, France, Denmark, 2016, Colour, 103 min, Bulgarian Režija / Director: Ralitza Petrova Scenarij / Screenplay: Ralitza Petrova Direktor fotografije / Director of Photography: Krum Rodriguez, Chayse Irvin Montaža / Editor: Donka Ivanova, Ralitza Petrova Zvuk / Sound: Momchil Bozhkov Kostimografija / Costume Design: Vanina Geleva Producent / Producer: Rossitsa Valkanova, Eva Jakobsen, Katrin Pors, Mikkel Jersin, Laurence Clerc, Olivier Thery Lapiney, Philippe Akoka Produkcija / Production: Klas Film, Snowglobe, Alcatraz Films, Film Factory Uloge / Cast: Alexandr Triffonov, Irena Ivanova, Dimitar Petkov, Ventzislav Konstantinov, Ivan Nalbantov, Ivanka Gorshinina, Petra Elenkova Kontakt / Contact: Heretic; info@heretic.gr; www.heretic.gr FILMOGRAFIJA / FILMOGRAPHY: 2016 - BEZBOG / GODLESS 2009 - BY THE GRACE OF GOD (kratki film / short film) 2007 - ROTTEN APPLE (kratki film / short film) 2005 - LUNCHBREAK (kratki film / short film)

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Câini / Psi / Dogs Roman se vraća na imanje u blizini granice s Ukrajinom koje je nedavno naslijedio od djeda. Odlučan je da proda prostrano, ali zapušteno imanje. Međutim, lokalni policajac ga upozorava da je njegov djed bio vođa lokalnih kriminalaca koji se neće lako odreći zemlje i pripadajućeg krijumčarenja. Bogdan Mirică rođen je 1978. godine. Diplomirao je na Fakultetu za žurnalistiku i komunikacije Univerziteta u Bukureštu, a 2008. je završio studij za scenaristiku i produkciju na Univerzitetu Westminister u Londonu. Godine 2010. napisao je i režirao kratki film BORA BORA, koji je dobio nagradu Najbolji evropski kratki film na Premiers Plans festivalu u Angiersu, Francuska. Njegov film PSI je prikazan u Un Certain Regard programu 69. izdanja Filmskog festivala u Kanu. E Roman returns to the land near the border with Ukraine he had just inherited from his grandfather. Roman is determined to sell the vast but desolate property, but a local policeman warns him that his grandfather was a local crime boss and that his men will not let go of the land - or their smuggling business.

Bogdan Mirică was born in 1978. He had graduated from the Faculty of Journalism and Communications of the Bucharest University before completing his screenwriting and production studies at the University of Westminster in London in 2008. In 2010, he wrote and directed the short film BORA BORA, the winner of the Best European Short Film Award of the Premiers Plans Festival in Angiers. DOGS was selected for the Un Certain Regard section of the 69th Cannes Film Festival.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, France, Bulgaria, Qatar, 2016, Colour, 104 min, Romanian Režija / Director: Bogdan Mirică Scenarij / Screenplay: Bogdan Mirică Direktor fotografije / Director of Photography: Andrei Butică Montaža / Editor: Roxana Szel Muzika / Music: Codrin Lazăr, Sorin Romanescu Zvuk / Sound: Sam Cohen Kostimografija / Costume Design: Elena Stoyanova Scenografija / Production Design: Augustina Stanciu Producent / Producer: Elie Meirovitz, Marcela Ursu, Stephan Komandarev, Katya Trichkova Produkcija / Production: EZ Films, 42 KM FILM, ARGO FILM Uloge / Cast: Dragoş Bucur, Gheorghe Visu, Vlad Ivanov Kontakt / Contact: BAC Films sales@bacfilms.fr FILMOGRAFIJA / FILMOGRAPHY: 2016 - CȂINI / DOGS 2014 - UMBRE / SHADOWS (TV serija / TV series) 2010 - BORA BORA (kratki film / short film) 2010 - JUNKIE (kratki film / short film)

Igla ispod praga / The Black Pin Sveštenik Petar strahuje da je nebo postalo ravnodušno. Bog više ne interveniše. Petra je napustila žena, u sukobu je sa sinom, a majka ga samo ponekad prepoznaje jer je oboljela od Alzhajmerove bolesti. Kada se Petar usprotivi velikoj prodaji zemljišta u svojoj otočnoj parohiji, grupa živopisnih i osvetoljubivih seljana odluče da ga otjeraju. Koristeći se kreativnim metodama, oni uspijevaju ubijediti cijelo praznovjerno selo da je Petar uzrok svih nevolja na otoku. Ivan Marinović rođen je 1984. godine u Kotoru, Crna Gora. Magistrirao je režiju 2011. godine na čuvenoj praškoj filmskoj akademiji - FAMU. Snimio je nekoliko kratkih filmova, kao i zapaženi dokumentarni film HVALI MORE, DRŽ’ SE KRAJA. IGLA ISPOD PRAGA je njegov debitantski dugometražni igrani film. Scenario je osvojio nagrade na Jerusalem Film Lab radionici 2014. godine, kao i na CineLink radionici Sarajevo Film Festivala iste godine. E Father Peter fears that the universe has become indifferent. God no longer intervenes in earthly affairs. Peter’s wife abandoned him, his son disobeys him and his mother suffers from Alzheimer’s and hardly ever recognizes him. When Peter becomes an obstacle to a large property sale in his small island parish, a group of interesting, but vengeful villagers decides to force him to leave. Using very creative methods, they convince the entire superstitious village that Peter is the cause of all the troubles on their island.

Ivan Marinović was born in 1984 in Kotor, Montenegro. He graduated from the Film and Television School (FAMU) of the Academy of Performing Arts in Prague (MA degree in film directing), in 2011. He made several short films, as well as the well-received documentary PRAISE THE SEA, STICK TO THE SHORE. THE BLACK PIN is his feature debut. The film script was awarded at the Jerusalem Film Lab workshop and the CineLink workshop of the 2014 Sarajevo Film Festival.

SVJETSKA PREMIJERA / WORLD PREMIERE Montenegro, Serbia, 2016, Colour, 93 min, Serbian Režija / Director: Ivan Marinović Scenarij / Screenplay: Ivan Marinović Direktor fotografije / Director of Photography: Đorđe Arambašić Montaža / Editor: Ivan Vasić Muzika / Music: Toni Kitanovski Zvuk / Sound: Sofija Jovanov Kostimografija / Costume Design: Magdalena Klasnja Scenografija / Production Design: Irena Marjanov Producent / Producer: Ivan Marinović Produkcija / Production: Adriatic Western, EED Productions Uloge / Cast: Nikola Ristanovski, Bogdan Diklić, Jelisaveta Sablić, Filip Klicov, Leon Lučev, Dejan Đonović, Ljubomir Bandović Kontakt / Contact: Soul Food Films; info@soulfoodfilms.com; www.soulfoodfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - IGLA ISPOD PRAGA / THE BLACK PIN 2011 - HVALI MORE, DRŽ’ SE KRAJA / PRAISE THE SEA, STICK TO THE SHORE (dokumentarni film / documentary) 2010 - A FOOTBALL STORY (kratki film / short film)

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Inimi cicatrizate / Srca s ožiljkom / Scarred Hearts SRCA S OŽILJKOM je film čija je radnja smještena u 1937., inspirisan istoimenim romanom rumunskog književnika Maxa Blechera. Film prati Emanuela, muškarca u ranim dvadesetim godinama života, koji boluje od tuberkuloze kostiju i svoje dane provodi u jednom sanatorijumu na obali Crnoga mora. Nakon što se zaljubi u jednu pacijentkinju, Emanuel počinje pričati priču o svojim i naporima drugih pacijenata da vode ispunjen život dok njihova tijela lagano propadaju, ali umovi odbijaju da se predaju. Radu Jude rođen je 1977. godine u Bukureštu, Rumunija. Jude je 2003. diplomirao filmsku režiju na Univerzitetu za medije u Bukureštu. Pažnju je privukao sa svojim debitantskim igranim filmom, THE HAPPIEST GIRL IN THE WORLD, koji je 2009. prikazan u programu Forum Filmskog festivala u Berlinu. Njegov drugi igrani film, EVERYBODY IN OUR FAMILY, premijerno je prikazan u Berlinu, da bi potom bio nagrađen na filmskim festivalima u Sarajevu i Namuru. Jude je sa svojim igranim filmom AFERIM! osvojio Srebrenog medvjeda za najbolju režiju na Međunarodnom filmskom festivalu u Berlinu 2015. godine. E SCARRED HEARTS, inspired by Romanian author Max Blecher’s novel, is set in 1937. It centers on Emanuel, a man in his early 20s, who spends his days at a sanatorium on the Black Sea coast, suffering from bone tuberculosis. After falling in love with another patient, he narrates his and his fellow patients’ attempts to live life to the full as their bodies slowly wither but their minds refuse to give in.

Radu Jude was born in Bucharest, Romania in 1977. He graduated film directing from Bucharest’s Media University in 2003. He drew attention with his debut feature THE HAPPIEST GIRL IN WORLD. The film was screened in the Berlinale’s Forum section in 2009. His second feature, EVERYBODY IN OUR FAMILY, premiered at Berlinale and received awards at the Sarajevo and Namur film festivals. Jude was awarded the Silver Bear Award for Best Director of the 2015 Berlin Film Festival for his feature film AFERIM!.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, Germany, 2016, Colour, 136 min, Romanian Režija / Director: Radu Jude Scenarij / Screenplay: Radu Jude Direktor fotografije / Director of Photography: Marius Panduru RSC Montaža / Editor: Cătălin Cristuțiu Muzika / Music: Cristinel Sirli Zvuk / Sound: Dana Bunescu Kostimografija / Costume Design: Dana Păpăruz Scenografija / Production Design: Cristian Niculescu Producent / Producer: Ada Solomon Produkcija / Production: HiFilm & Komplizen Film Uloge / Cast: Ilinca Harnut, Lucian Teodor Rus, Ivana Mladenović, Serban Pavlu, Alexandru Dabija, Marian Olteanu Kontakt / Contact: Beta Cinema; beta@betacinema.com; www.betacinema.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - INIMI CICATRIZATE / SCARRED HEARTS 2015 - AFERIM! 2014 - TRECE SI PRIN PERETE / IT CAN PASS THROUGH THE WALL (kratki film / short film) 2013 - O UMBRA DE NOR / SHADOW OF A CLOUD (kratki film / short film) 2012 - TOATĂ LUMEA DIN FAMILIA NOASTRĂ / EVERYBODY IN OUR FAMILY 2011 - FILM PENTRU PRIETENI / A FILM FOR FRIENDS 2009 - CEA MAI FERICITA FATA DIN LUME / THE HAPPIEST GIRL IN THE WORLD 2007 - ALEXANDRA (kratki film / short film)

Die Liebhaberin / Sljedbenica / A Decent Woman Kućna pomoćnica, zaposlena u ekskluzivnom ograđenom naselju u predgrađu Buenos Airesa, kreće u potragu za seksualnom i mentalnom slobodom u nudističkom svingerskom klubu penjući se preko strogo štićenih zidova. Lukas Valenta Rinner rođen je 1985. u Austriji. Rinner je studirao film na prestižnom Filmskom univerzitetu u Buenos Airesu. Debitovao je 2010. sa kratkim filmom CARTA A FUKUYAMA, a dvije godine kasnije je osnovao argentinsko-austrijsku produkcijsku kompaniju Nabis Filmgroup. E A housemaid, who works in an exclusive gated community on the outskirts of Buenos Aires, embarks on a journey of sexual and mental liberation in a nudist swinger-club on the other side of the high security fence.

Lukas Valenta Rinner was born in 1985 in Austria. Rinner studied film at Buenos Aires’ prestigious Universidad del Cine. He made his debut in 2010 with short film CARTA A FUKUYAMA. He founded the Austro-Argentinian production company Nabis Filmgroup in 2012.

SVJETSKA PREMIJERA / WORLD PREMIERE Austria, South Korea, Argentina, 2016, Colour, 100 min, Spanish Režija / Director: Lukas Valenta Rinner Scenarij / Screenplay: Ana Godoy, Ariel Gurevich, Lukas V. Rinner, Martin Shanly Direktor fotografije / Director of Photography: Roman Kasseroller, Andres Hilarion Montaža / Editor: Ana Godoy Muzika / Music: Jimin Kim, Jongho You Zvuk / Sound: Nahuel Palenque Producent / Producer: Lukas Valenta Rinner, Ana Godoy Produkcija / Production: Nabis Filmgroup GmbH Uloge / Cast: Iride Mockert, Martin Shanly, Andrea Strenitz, Mariano Sayavedra Kontakt / Contact: Austrian Film Commission; office@afc.at; www.afc.at FILMOGRAFIJA / FILMOGRAPHY: 2016 - DIE LIEBHABERIN / A DECENT WOMAN 2015 - PARABELLUM 2010 - CARTA A FUKUYAMA / A LETTER TO FUKUYAMA (kratki film / short film)

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Tarla / Livada / The Field Zanesen snovima i ambicijama, Tarik se opterećuje velikim dugovima. Nakon što se aktiviraju nalozi za zapljenu njegove kuće i poslovnog prostora, Tarikov život se raspada i on dolazi na ivicu razvoda sa svojom ženom. Iako pod velikim pritiskom utjerivača dugova, Tarik je odlučan da se ne preda i da se bori do samoga kraja. Ali puno toga je izvan Tarikove kontrole, pa kriza u njegovoj branši remeti njegove planove. Prodaja zemlje koju posjeduje u svom rodnom gradu Tarikova je posljednja šansa. Cemil Ağacıklıoğlu je fotograf i reditelj rođen 1959. godine u Istanbulu. U periodu od 1995. do 2008. godine održao je osam samostalnih fotografskih izložbi, od kojih su tri pretočene u knjige fotografija. Učestvovao je i na više fotografskih izložbi širom svijeta. Oslanjajući se na bogato umjetničko i tehničko iskustvo, Cemil se 2010. okrenuo filmu i snimio svoj igrani prvijenac SEPTEMBER. Film je prikazan na brojnim filmskim festivalima, između ostalih i u takmičarskom programu Međunarodnog filmskog festivala u Londonu i Festivala svjetskog filma u Montrealu. E Carried away by his dreams and ambitions, Tarık finds himself bogged down with heavy debt. With property seizure orders issued for his home and workplace, Tarik’s life falls apart and he comes close to divorcing his wife. Suffocating under the pressure of a loan shark, he is determined to hold on and fight to the end. But there is much that is not under his control: a crisis in the industry spoils his plans. Selling a field he owns in his hometown becomes Tarik’s last resort...

Cemil Ağacıklıoğlu is an Istanbul-based photographer and director born in in İstanbul in 1959. Between 1995 and 2008 he held 8 private photo exhibitions, including three that were turned into photo books. He also participated in numerous collective exhibitions around the world. Relying on his strong artistic and technical background, Cemil switched to film and completed his feature film debut EYLȔL / SEPTEMBER in 2010. EYLȔL was screened at numerous international film festivals, including in the competition program of the London Fİlm Festival and the Montreal World Film Festival.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Turkey, 2016, Colour, 85 min, Turkish Režija / Director: Cemil Ağacıklıoğlu Scenarij / Screenplay: Cemil Ağacıklıoğlu Direktor fotografije / Director of Photography: Cemil Ağacıklıoğlu Montaža / Editor: Orhan Örsman, Emel Kumbur Muzika / Music: Dogan Duru Zvuk / Sound: Murat Senurkmez Producent / Producer: Taha Altaylı, Sezgi Üstün San Produkcija / Production: Galata Film Uloge / Cast: Serkan Ercan, Ilgaz Kocatürk, Kenan Bal, Hale Akınlı, İlyas Özçakır Kontakt / Contact: Galata Film; info@galatafilm.com; www.galatafilm.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - TARLA / THE FIELD 2012 - ŐZȔR DILERIM / APOLOGIES 2010 - EYLȔL / SEPTEMBER 2008 - POLICE (kratki film / short film) 2007 - IT WAS WHITE (kratki film / short film) 2006 - THE THREAD (kratki film / short film) 2005 - I AM IVAN (kratki film / short film)

Vlažnost / Humidity Petar je zgodan i harizmatičan menadžer uspješne kompanije koja velike državne projekte snabdijeva građevinskim materijalom. Po povratku s poslovnog puta, njegova žena Mina ga sačekuje na aerodromu. Oni dolaze kući i, dok on spava, Mina nestaje bez traga. Petar počinje da laže i skriva njen nestanak, trudeći se da održi savršenu sliku života koji je izgradio. Međutim, u kovitlacu sumnjivih poslovnih dogovora, priprema za porodičnu slavu, sestrinih bračnih problema, nesanice i razuzdanih noćnih izlazaka po beogradskim klubovima, Petrovi strahovi sve više izlaze na površinu i što se on više trudi da ih potisne, oni su sve jači. Nikola Ljuca rođen je 1985. godine u Beogradu, Srbija. Studirao je filmsku režiju na Fakultetu dramskih umetnosti u Beogradu. Njegovi kratki filmovi ČETVRTAK, NAREDNIK i SCENE SA ŽENAMA prikazani su na više međunarodnih filmskih festivala i osvojili su niz nagrada. Učestvovao je u nekoliko međunarodnih filmskih radionica, uključujući Sarajevo Talents, Berlinale Talents i Filmsku akademiju festivala u Locarnu, a također je bio i član žirija filmskih festivala u Sarajevu i Prištini VLAŽNOST je njegov prvi igrani film, a premijerno je prikazan u okviru sekcije Forum Međunarodnog filmskog festivala u Berlinu 2016. godine. E Petar is a handsome, charismatic manager at a successful company that supplies construction material to big state projects. He is returning from a business trip and his wife Mina is picking him up at the airport. At home, while Petar is asleep, Mina disappears. Trying to maintain the picture-perfect image of himself, Petar gradually starts lying and hiding from everyone that she is gone. At work, the pressure grows as a new shady deal approaches. In the constant summer heat, Petar can’t sleep and spends the nights running. He tries to turn to someone, but both his friends and his family are consumed with their own issues. No one sees he’s unwell. He won’t admit anything’s wrong, but his emotions are pouring out and the more he tries to suppress them, the harder they hit back.

Nikola Ljuca was born in Belgrade, Serbia in 1985. He studied film directing at the Faculty of Dramatic Arts in Belgrade. His short films THURSDAY, SERGEANT and SCENES WITH WOMEN were screened in numerous international film festivals winning several awards. He participated in the Sarajevo Talents, Berlinale Talents and Locarno Filmmakers Academy and was a member of the juries of the Sarajevo and Pristina film festivals. His debut feature HUMIDITY premiered in the Forum section of the 2016 Berlin Film Festival.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Serbia, Netherlands, Greece, 2016, Colour, 113 min, Serbian, English, French Režija / Director: Nikola Ljuca Scenarij / Screenplay: Staša Bajac, Nikola Ljuca Direktor fotografije / Director of Photography: Maja Radošević Montaža / Editor: Jelena Rosić, Nataša Damnjanović, Vladimir Vidić Muzika / Music: Janja Lončar Zvuk / Sound: Evelien Van der Molen Kostimografija / Costume Design: Dejana Vučićević Scenografija / Production Design: Zorana Petrov Producent / Producer: Nataša Damnjanović, Vladimir Vidić, Derk-Jan Warrink, Joost de Vries, Leontine Petit, Nikos Moutselos, Ivica Vidanović Produkcija / Production: Dart Film, Lemming Film, 2.35 (Two Thirty Five), Cinnamon Production Uloge / Cast: Miloš Timotijević, Tamara Krcunović, Maria Kraakman, Katarina Marković, Dragan Bakema, Milan Marić, Slaven Došlo, Jasna Ornela Bery, Feđa Stojanović, Jelena Stupljanin Kontakt / Contact: Soul Food; info@soulfoodfilms.com; www.soulfoodfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - VLAŽNOST / HUMIDITY 2011 - SCENE SA ŽENAMA / SCENES WITH WOMEN (kratki film / short film) 2011 - NAREDNIK / SERGEANT (kratki film / short film) 2010 - ČETVRTAK / THURSDAY (kratki film / short film) 2008 - POČETAK LETA / THE BEGINNING OF SUMMER (kratki film / short film)

COMPETITION PROGRAMME - FEATURE FILM l 22. Sarajevo Film Festival 31

Chema García Ibarra Film

In The Same Garden / U istom vrtu U ISTOM VRTU je omnibus sastavljen od kratkih filmova koji se bave temom tursko-jermenskih odnosa iz ljudske perspektive kroz međuljudske lične priče. Film ima za cilj da nas podsjeti na našu kompleksnu historiju i čovječnost kroz neospornu i ujedinjujuću snagu filmske umjetnosti. E IN THE SAME GARDEN is a collection of short films focusing on the Turkish-Armenian relations from a human perspective and through personal stories. The film strives to use the unparalleled and unifying power of cinema to remind us of our complex history and humanity.

FILMOGRAFIJA / FILMOGRAPHY: Ali Asgari: 2016 - IN THE SAME GARDEN (segment VIKA); 2016 - THE SILENCE (short film); 2015 - THE PAIN (short film); 2014 - THE BABY (short film); 2013 - BISHTAR AZ DO SAAT (short film) 2012 - BARBIE (short film); 2011 - TONIGHT IS NOT A GOOD NIGHT FOR DYING (short film) Adrian Sitaru: 2016 - IN THE SAME GARDEN (segment HERO TEST); 2016 - THE FIXER; 2016 - ILLEGITIMATE; 2014 - ART (short film); 2014 - EXCURSIE (short film); 2014 - COUNTERPART (short film); 2012 - DOMESTIC (short film); 2011 - LORD (short film); 2011 - BEST INTENTIONS; 2010 - THE CAGE (short film); 2008 - HOOKED Alexandre Rockwell: 2016 - IN THE SAME GARDEN (segment HOME); 2013 - LITTLE FEET; 2010 - PETE SMALLS IS DEAD; 2002 - 13 MOONS; 1998 - LOUIS & FRANK; 1995 - FOUR ROOMS (segment THE WRONG MAN); 1994 - SOMEBODY TO LOVE; 1992 - IN THE SOUP; 1990 - THE SONS Rolf De Heer: 2016 - IN THE SAME GARDEN (segment TOP OF THE HILL); 2013 - CHARLIE’S COUNTRY; 2012 - THE KING IS DEAD!; 2009 - TWELVE CANOUES; 2008 - CREATION ROCK: DAWURRA (short doc.); 2003 - ALEXANDRA’S PROJECT; 1998 - DANCE ME TO MY SONG; 1996 - THE QUIET ROOM; 1991 - DINGO; 1988 - INCIDENT AT RAVEN’S GATE Gurvinder Singh: 2016 - IN THE SAME GARDEN (segment INFILTRATOR); 2015 - THE FOURTH DIRECTION; 2011 - ALMS FOR A BLIND HORSE Chema García Ibarra: 2016 - IN THE SAME GARDEN (segment DISCO SHINES); 2013 - MISTERIO (short film); 2009 - PROTOPARTICULAS (short film); 2008 - EL ATAQUE DE LOS ROBOTS DE NEBULOSA (short film); 2006 - EL CAMINO DE CARNE (short film) Roger Deutsch: 2016 - IN THE SAME GARDEN (segment THE DISAPPEARANCE); 2016 - THE BOY ON THE TRAIN; 2013 - SUITE ANCIENNE (short film); 2012 - INTERMEZZO (short film); 2011 - PRELUDE (short film); 2009 - HERE AND THERE (short film); 2008 - ACT YOUR AGE (short film); 2006 - FLOWER SONGS (short film); 2003 - SANCTI SPIRITUS (documentary); 2003 - THE WAY IT ALWAYS HAPPENS (short film) Sergey Bodrov: 2016 - IN THE SAME GARDEN (segment DANCE WITH THE WHALES); 2014 - SEVENTH SON; 2010 - 42 ONE DREAM RUSH (short film); 2010 - A YAKUZA’S DAUGHTER NEVER CRIES; 2007 - DRUNKEN SAILOR (documentary); 2007 - MONGOL: THE RISE OF GENGHIS KHAN; 2005 - NOMAD: THE WARRIOR; 2002 - BEAR’S KISS; 1999 - RUNNING FREE; 1996 - PRISONER OF THE MOUNTAINS Andrej Landin: 2016 - IN THE SAME GARDEN (segment AND A CALM SWEPT OVER); 2013 - INTO THE SILENT SEA (short film); 2012 - DIE MAUER (short film); 2011 - GREASY LAKE (short film); 2010 - DESOLATE ROADS (short film) 32 22. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

OUT OF COMPETITION

SVJETSKA PREMIJERA / WORLD PREMIERE Turkey, Romania, Hungary, USA, Australia, India, Spain, Italy, Sweden, 2016, Colour, 125 min, Armenian, English, Italian, Punjabi, Romanian, Spanish, Turkish, Urdu Režija / Director: Ali Asgari, Adrian Sitaru, Alexandre Rockwell, Rolf De Heer, Gurvinder Singh, Chema García Ibarra, Roger Deutsch, Sergey Bodrov, Andrej Landin Scenarij / Screenplay: Sergey Bodrov, Kirill.S. Oganesyan, Rolf De Heer, Fanoosh Samadi, Ali Asgari, Roger Deutsch, Gábor Holtai, Chema Garciá Ibarra, Andrej Landin, Gurvinder Singh, Adrian Sitaru, Alexandre Rockwell Direktor fotografije / Director of Photography: Michael Pricke, Christopher Walters, Ian Jones, Alberto Marchiori, Dániel Szőke, Ion De Sosa, Ben Fischinger, Sunayana Singh, Adrian Silișteanu RSC, Phil Parmet Montaža / Editor: Layla Jian Luo, Julie Delord, Tania Nehme, Mauro Rossi, Vica Éva Kovács, Almog Avidan Antonir, Bhupesh Micky Sharma, Mircea Olteanu, Costi Zaharia Muzika / Music: Erkan Oğur, Sig; Patchipatchi, Love Martinsen, David Engellau, Tanjar Junaid Zvuk / Sound: Frederic Le Louet, James Curie, Denny De Angelis, Bálint Zándoki, Leti Argudo, Fanny Martin, Ioan Filip, Julien Perez Kostimografija / Costume Design: Jenna Wright, Rachel Morrison, Lavinia Bonsignore, Leonor Diaz, Ana Cântăbine, Maria Tapciuc; Keseh Morgan Scenografija / Production Design: Thaddeus Stefan Gesek, Everett Galisa, Ilaria Sadun, Stephanie Spiegel, Producent / Producer: Sergeyi Bodrov, Christopher Walters, Rolf De Heer, Giovanni Pompili, Roger Deutsch, John R. Hallström, Cenk Ertürk, Mehmet Güngören Produkcija / Production: Erbay Medya Uloge / Cast: Paul Elia, Deniz Akdeniz, Anais Lilit, Arthur Darbinyan, Anoush Nevart, Marine Galstyan, Yasemin Sannino, Sargis Galstyan, Arman Avetisjan, Ercan Özçelik, Péter Linka, Anna Herczenik, Marina Gera, Emőke Zsigmond, Juan José Faz, Amine Midoune, Allan Antonie Terrasson, Fátima Kounbache, Ani Hovhannisyan, Alix Wilton Regan, Sam Vicenti, Punyet Miro Kontakt / Contact: Hayet Benkara; hb@hayetbenkara.com

Svi severni gradovi / Svi sjeverni gradovi / All the Cities of the North Bijela soba i podignuti plavi šator u njoj, gdje dva muškarca dijele odnos za koji riječi ne postoje. Boban i Boris žive u napuštenom kompleksu gotovo identičnih bungalova, okruženi zalutalim magarcima, plastičnim bocama i crvenim bobicama, trskom, visokim drvećem i sezonskim radnicima. Uhodani obrasci njihove svakodnevice bivaju preokrenuti dolaskom Daneta u ovaj skriveni prostor. Sa njim dolazi i spoljni svijet i donosi priče o drugim vremenima, o gradovima na sjeveru i jugu, o tome kako se nešto pravi. Nove veze se uspostavljaju, stare mijenjaju. Ljubav može biti krhka kada joj ne damo ime. Ne, ne zovi me ‘druže’. Kako da te zovem onda? Dane Komljen rođen je 1986. godine u Banjoj Luci. Diplomirao je filmsku i TV režiju na Fakultetu dramskih umetnosti u Beogradu 2011. godine. Za svoj rad dobio je brojna priznanja, a njegovi filmovi prikazani su na festivalima širom svijeta. E A white room with a blue tent erected inside is where two men share a relationship which words cannot describe. Boban and Boris live inside an abandoned complex of almost identical bungalows, sharing the space with stray donkeys, plastic bottles, red berry bushes, cane grass, tall trees and seasonal workers. Their daily routine is interrupted when another man, Dane, enters their secluded world. Dane brings with him the outside world, stories about how things are made, and about other times and cities in the north and in the south. New relationships are built and old ones are changing. Love can be very fragile if we do not name it. Don’t call me “comrade”. How shall I call you, then?

Dane Komljen was born in 1986 in Banja Luka. He graduated film and TV directing from the Faculty of Dramatic Arts in Belgrade in 2011. His films were screened at festivals around the world, winning numerous awards.

OUT OF COMPETITION

REGIONALNA PREMIJERA / REGIONAL PREMIERE Serbia, Bosnia and Herzegovina, Montenegro, France, 2016, Colour, 100 min, Serbian Režija / Director: Dane Komljen Scenarij / Screenplay: Dane Komljen Direktor fotografije / Director of Photography: Ivan Marković Montaža / Editor: Dane Komljen, Nataša Damnjanović Muzika / Music: Boris Isaković Zvuk / Sound: Igor Čamo Producent / Producer: Nataša Damnjanović, Vladimir Vidić, Amra Bakšić Čamo, Adis Đapo Produkcija / Production: Dart Film, SCCA/pro.ba Uloge / Cast: Boban Kaluđer, Boris Isaković, Dane Komljen Kontakt / Contact: Dart Film; office@dartfilm.com; www.dartfilm.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - SVI SJEVERNI GRADOVI / ALL THE CITIES OF THE NORTH 2014 - VIŠAK VJETRA / SURPLUS OF WIND (kratki film / short film) 2013 - TINY BIRD (kratki film / short film) 2012 - TJELESNA FUNKCIJA / BODILY FUNCTION (kratki film / short film) 2010 - JA VEĆ JESAM SVE ONO ŠTO ŽELIM DA IMAM / I ALREADY AM EVERYTHING I WANT TO HAVE (kratki film / short film)

COMPETITION PROGRAMME - FEATURE FILM l 22. Sarajevo Film Festival 33

Ivan Salaj Film

Transmania TRANSMANIJA - Uvrnuta igra. Ovaj film režiralo je petnaest reditelja. Svako od njih nastavljao je priču sa svojih pet minuta filma, koja je zasnovana isključivo na posljednjoj minuti prethodne priče. Na ovaj način postignuti su izuzetno dramatični preokreti koji dovode gledaoca na rub napetosti svakih pet minuta. E TRANSMANIA - A Twisted Game. Fifteen directors collaborated on this film. Each had to contrib-

ute a five minute bit, based solely on the last minute of the previous 5-minute segment. Together, they generated a story with very dramatic plot twists in which suspense builds up every five minutes keeping the viewers in a constant state of expectation and excitement. FILMOGRAFIJA / FILMOGRAPHY: Dalibor Matanić: 2016 - TRANSMANIA; 2016 - THE NEWSPAPERS; 2015 - THE HIGH SUN; 2013 - HANDYMEN; 2011 - DADDY; 2011 - MEZZANINE (short film); 2010 - MOTHER OF ASPHALT; 2009 - PARTY (short film); 2008 - LIKA CINEMA; 2006 - I LOVE YOU; 2005 - 100 MINUTES OF GLORY, 2002 - DROUGHT (short film); 2002 - FINE DEAD GIRLS; 2000 - THE CASHIER WANTS TO GO TO THE SEASIDE Zvonimir Jurić: 2016 - TRANSMANIA; 2014 - THE REAPER; 2013 - BIJELA (short film); 2010 - YELLOW MOON (short film); 2009 - THE BLACKS; 2004 - SEX, DRINK AND BLOODSHEED; 2003 - THE ONE WHO WILL STAY UNNOTICED; 1996 - NEBO ISPOD OSIJEKA (short film) Tanja Golić: 2016 - TRANSMANIA; 2013 - SLUČAJNO (short film); 2006 - ČEKAJTE ČEKAJTE (short film); 2006 - NIJE DA ZNAM, NEGO JE TAKO (short film); 2001 - MOJA GRAFIKA (short doc.) Stanislav Tomić: 2016 - TRANSMANIA; 2011 - TATA OF FORMATA (documentary); 2011 - JOSEF; 2005 - OTAC; 2003 - HRVATI U AUSTRIJI (short doc.); 2000 - MISSED AIM (short film); 1999 - BAG (short doc.); 1994 - CEMENT, SUBSTITUTION, COCAINE: THE CHASE (short film) Sonja Tarokić: 2016 - TRANSMANIA; 2014 - ON SHAKY GROUND (short film); 2012 - JA SAM SVOJ ŽIVOT POSLOŽILA (short film); 2011 - YOU BITCH! (short film); 2010 - SMART GIRLS (short film) Ivan Sikavica: 2016 - TRANSMANIA; 2014 - KO DA TO NISI TI (short film); 2013 - THE SON (short film); 2012 - BABYSITTER (short film); 2010 - ŠPANSKO THE CONTINENT (short film) Bobo Jelčić: 2016 - TRANSMANIA; 2013 - A STRANGER; 2005 - ONO SVE ŠTO ZNAŠ O MENI Edi Mužina: 2016 - TRANSMANIA Petar Orešković: 2016 - TRANSMANIA; 2016 - PRAZNIK DEMOKRACIJE (short film); 2013 - SIMON MAGUS; 2011 - GET A MOVE ON (short film); 2006 - DEAD MAN WALKING (documentary); 2006 - U JEDNOM TRENUTKU (short film); 2002 - THE END OF THE GAME (short film) Sara Hribar: 2016 - TRANSMANIA; 2012 - ONCE UPON A WINTER’S NIGHT; 2009 - LIBERTANGO (short film); 2009 - TA TVOJA MALA RUKA (short film); 2007 - PUSTI ME DA SPAVAM (short film) Hana Jušić: 2016 - TRANSMANIA; 2016 - QUIT STARING AT MY PLATE; 2015 - NO WOLF HAS A HOUSE (short film); 2012 - CHILL (short film); 2012 - TERARIJ (short film); 2010 - SMART GIRLS (short film) Vlatka Vorkapić: 2016 - TRANSMANIA; 2015 - ODGOĐENA REVOLUCIJA (documentary); 2015 - BESPLATNO (short doc.); 2012 - SONJA AND THE BULL; 2010 - GABRIEL (documentary); 2009 - AKVAREL (documentary); 2007 - ZADNJI PUT (short doc.); 2003 - ANA’S POEMS (short doc.); 1993 - DISTRACTED VIEWING THROUGH A WINDOW (short film) Jasna Zastavniković: 2016 - TRANSMANIA; 2005 - ZADNJI DAN KUĆNOG LJUBIMCA (short film); 1996 - IME MAJKE; NARANČA (short doc.); 1994 - CRIME AND PUNISHMENT (short film); 1994 - DRUGS (short film) Filip Šovagović: 2016 - TRANSMANIA; 2013 - FASHION TENSION; 2010 - STRAIGHT-PULL (short film); 2005 - PUSCA BISTRA Ivan Salaj: 2016 - TRANSMANIA; 1995 - SEE YOU; 1992 - HOTEL SUNJA (short doc.); 1991 - DRUGI KAT, PODRUM (short film) 34 22. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

OUT OF COMPETITION

SVJETSKA PREMIJERA / WORLD PREMIERE Croatia, 2016, Colour, 93 min, Croatian, English, Hungarian Režija / Director: Dalibor Matanić, Sonja Tarokić, Hana Jušić, Bobo Jelčić, Zvonimir Jurić, Vlatka Vorkapić, Jasna Zastavniković, Filip Šovagović, Ivan Salaj, Tanja Golić, Petar Orešković, Stanislav Tomić, Edi Mužina, Ivan Sikavica, Sara Hribar Scenarij / Screenplay: Dalibor Matanić, Sonja Tarokić, Hana Jušić, Bobo Jelčić, Zvonimir Jurić, Vlatka Vorkapić, Jasna Zastavniković, Filip Šovagović, Ivan Salaj, Sara Hribar, Tanja Golić, Petar Orešković, Stanislav Tomić, Edi Mužina, Ivan Sikavica Direktor fotografije / Director of Photography: Danko Vučinović, David Oguić, Tomislav Sokač, Marko Miščević, Filip Filković Philatz, Raul Brzić, Tamara Dugandžija, Silvio Jesenković, Mario Marko Krce, Hrvoje Franjić, Tomislav Mareković, Dragan Marković Markoni, Marko Stanić, Jasenko Rasol, Bojana Burnać Montaža / Editor: Jelena Drobnjak Muzika / Music: Leut Magnetik, ABOP, Miladojka Youneed Zvuk / Sound: Bojan Gagić i Miodrag Gladović Kostimografija / Costume Design: Martina Franić Scenografija / Production Design: David Lušičić Producent / Producer: David Lušičić Produkcija / Production: Zebra Creative Network Uloge / Cast: Frano Mašković, Lana Barić, Goran Bogdan, Jadranka Đokić, Milivoj Beader, Nikša Marinović, Ivana Krizmanić, Žarko Radić, Alexa Wild Kontakt / Contact: Zebra Creative Network; david@zebra.com.hr; www.zebra.com.hr

Takmičarski program - kratki film / Competition Programme - Short Film

4:15 P.M. Sfârșitul Lumii / 4:15 poslijepodne, smak svijeta / 4:15 P.M. The End of the World, Gabi Virginia Șarga, Cătălin Rotaru

Alepou / Lisica / Fox, Jacqueline Lentzou

Cosmorama, Eren Aksu

Csoszogj úgy / Šepaj ovako / Limp Like That, Petra Szőcs

Devojkata što pagja / Djevojka koja pada / The Falling Girl, Vladimir Lukash

Limbo, Konstantina Kotzamani

Mă cheamă Costin / Zovem se Costin / My Name is Costin, Radu Potcoavă

Superbia, Luca Tóth

Tranzicija / Transition, Milica Tomović

Zvir / The Beast, Miroslav Sikavica

Veličina kratkog filma / Greatness of the Short Film Istinski ljubitelji filma će sigurno reći da nema ništa uzbudljivije od kratke forme jer tokom jednog uobičajnog filmskog termina mogu za nešto manje od dva sata uplivati u više svjetova, poći na više putovanja i vratiti se bogatiji za više priča. Kratki film je definitivno najslobodnija filmska forma jer integrira elemente narativnog, dokumentarnog, animiranog, ali i eksperimentalnog umjetničkog izričaja, ne robujući pritome nikakvim pravilima. Ograničenja postoje samo u trajanju koje, s druge strane, pruža slobodu od pritiska uzrokovanog budžetskim okvirima. Naša regija je svake godine sve aktivnija u produkciji kratkih filmova, a, u skladu s tim, ove godine je za Takmičarski program prijavljeno 400 kratkih filmova, od kojih je većina na visokom produkcijskom nivou i sa izuzetnim autorskim pristupom.

E All true cinephiles would doubtlessly agree that no film form is as exciting as the short film because it enables diving into several different worlds, traveling to several different places and returning wealthier for more stories during just one standard film screening slot of under two hours. Short film is without a doubt the most liberal film form because it embraces narrative, documentary, animated and experimental without imposing any specific rules. Short films are limited only by their duration, but this limited running time gives them freedom from the pressures arising from budgetary constraints. Every year, more and more short films are produced in our region. As the result, this year we have received 400 applications for our Short Film Competition Programme, most pertaining to films of a very high artistic and production value.

Ipak, u zvaničnu selekciju ušlo je 10 naslova. Selekcija predstavlja svu raznovrsnost u animiranim, narativnim i eksperimentalnim pričama i širinu regionalne filmske produkcije. Sarajevo Film Festival s programom kratkih filmova, koji se takmiče za nagradu Srce Sarajeva, nastavlja prepoznavati važnu ulogu koju kratki film ima u razvoju filmske umjetnosti, kao i u samoj kulturi “pričanja priča”, te na taj način daje snažno priznanje narednoj generaciji - ne samo filmaša nego i umjetnika.

Our final selection includes 10 titles and encompasses a variety of animated, narrative and experimental films from our region. With its Short Film Competition Programme, Sarajevo Film Festival continiues to recognize the importance of the short film form in the development of cinema but also within the storytelling traditions, thus giving recognition to the future generations of filmmakers and artists in general.

Iz Rumunije, koja apsolutno prednjači u broju (kvalitetnih) kratkih filmova, dolaze dva naslova: MĂ CHEAMĂ COSTIN / ZOVEM SE COSTIN Radua Potcoave i 4:15 P.M. SFÂRȘITUL LUMII / 4:15 POSLIJEPODNE, SMAK SVIJETA rediteljskog dvojca Gabi Vriginie Sarge i Cătălin Rotaru. Vrlo zanimljivu filmsku produkciju iz Grčke predstavljat će, također, dva filma: LIMBO Konstantine Kotzamani, premijerno prikazan na Filmskom festivalu u Kanu u okviru programa Sedmica kritike (Semaine della Critique), te ALEPOU / LISICA Jacqueline Lentzou. Mađarska je, također, u selekciji sa dva filma. Tu je fantastičan animirani film, premijerno prikazan na festivalu u Cannesu, SUPERBIA Luce Tóth i CSOSZOGJ ÚGY / ŠEPAJ OVAKO rediteljice Petre Szöcs, čiji je prethodni kratki film, također, prikazan u Takmičarskom programu. Iz Turske dolazi najeksperimentalniji film selekcije sa izraženim senzibilitetom za vizuelno. To je film COSMORAMA Erena Aksua, a iz Makedonije ćemo prikazat drugi animirani film u selekciji DEVOJKATA ŠTO PAGJA / DJEVOJKA KOJA PADA Vladimira Lukasha. Film TRANZICIJA rediteljice Milice Tomović iz Srbije u selekciju dolazi odmah nakon premijere u Locarnu, dok je hrvatski film ZVIR Miroslava Sikavice imao svjetsku premijeru na festivalu u Kanu u okviru programa Quinzaine des Realisateurs, gdje je i nagrađen. Sa sedam regionalnih premijera, jednom svjetskom i dvije međunarodne, Takmičarski program predstavit će svu raznolikost i snagu mladih i talentovanih autora filmske budućnosti - ne samo regije već i svijeta.

Our lineup this year includes two films from Romania, the country that is the greatest source of (high quality) shorts, namely: MA CHEAMA COSTIN / MY NAME IS COSTIN by Radu Potcoava, 4:15 P.M. SFÂRȘITUL LUMII / 4:15 P.M. THE END OF THE WORLD co-directed by Gabi Vriginia Șarga and Cătălin Rotaru. Exciting Greek cinema will be represented by two films: Konstantina Kotzamani’s LIMBO that premiered in the Critics’ Week section of the Cannes Film Festival and ALEPOU / FOX by Jacqueline Lentzou. Hungary will also be represented with two titles: Luca Tóth’s fantastic animated film SUBERBIA that premiered at Cannes and CSOSZOGJ ÚGY / LIMP LIKE THAT by Petra Szöcs whose previous short film had also been screened in one of the past editions of our programme. The most experimental title in this selection, with a very pronounced visual sensibility, is the Turkish entry COSMORAMA by Eren Aksu, while the second animated short is DJEVOJKATA ŠTO PAGJA / THE FALLING GIRL by Macedonian director Vladimir Lukash. TRANSITION by Milica Tomović from Serbia will be screened in our programme shortly after it premieres in Locarno, while the Croatian entry ZVIR / THE BEAST by Miroslav Sikavica premiered and claimed one of the awards at Directors’ Fortnight section of the Cannes Film Festival. With seven Regional and two International and one World Premiere, the Short Film Competition Programme of the Sarajevo Film Festival will present the variety and the strength of the young and talented filmmakers who represent the future of not only regional but also of the world cinema. Elma Tataragić Selektorica / Programmer

COMPETITION PROGRAMME - SHORT FILM l 22. Sarajevo Film Festival 39

REGIONALNA PREMIJERA / REGIONAL PREMIERE

4:15 P.M. Sfârșitul Lumii / 4:15 poslijepodne, smak svijeta / 4:15 P.M. The End of the World Dostavljač pošte prihvati da poveze autostopera. Kada ga autostoper upozori da smak svijeta samo što nije nastupio, dostavljač ga smatra ludim.

Romania, 2016, Colour, 15 min, Romanian Režija / Director: Gabi Virginia Șarga, Cătălin Rotaru Scenarij / Screenplay: Gabi Virginia Șarga, Cătălin Rotaru Direktor fotografije / Director of Photography: Tudor Platon Montaža / Editor: Andrei Iancu Zvuk / Sound: Ștefan Azaharioaie Producent / Producer: Adina Sădeanu & Alex Tudor Crăciun Produkcija / Production: Axis Media Production, Flama Booking Uloge / Cast: Alexandru Suciu, Elias Ferkin Kontakt / Contact: Gabi Suciu - Ultraviolet Media, gabi@ultravioletmedia.eu FILMOGRAFIJA / FILMOGRAPHY: 2016 - 4:15 P.M. SFÂRȘITUL LUMII / 4.15 P.M. THE END OF THE WORLD (kratki film / short film)

Gabi Virginia Șarga rođena je 1974. godine. Diplomirala je lutkarstvo na Državnom univerzitetu za pozorište i film u Bukureštu. Autorica je brojnih scenarija za televizijske emisije, sapunice i dokumentarne filmove. Cătălin Rotaru rođen je 1977. godine. Diplomirao je glumu na Državnom univerzitetu za pozorište i film u Bukureštu. Napisao je i režirao više predstava koje su se sa uspjehom igrale u pozorištima u Bukureštu. E A courier takes a hitchhiker on the road. When the hitchhiker warns him that the end of the world is around the corner, the courier labels him as crazy.

Gabi Virginia Șarga was born in 1974. She graduated in puppetry from the National University of Theatre and Cinema in Bucharest. She has extensive experience as a writer for television shows, soap operas and documentaries. Cătălin Rotaru was born in 1977. He graduated in acting from the National University of Theatre and Cinema in Bucharest. He has over ten years of experience as a writer for major TV networks in Romania. He wrote and directed plays that were successfully staged in theaters in Bucharest.

REGIONALNA PREMIJERA / REGIONAL PREMIERE

Alepou / Lisica / Fox Ljetni je dan u vreloj Atini. Stefanos, najstariji sin samohrane majke, ostaje kod kuće sa svojim mlađim bratom i sestrom i njihovim bolesnim psom Lucy. Slatko ljenčarenje, igre s vodom i zabavu, prekinut će šokantna Lucyna smrt. Stephanos nije ni svjestan da upravo proživljava svoj posljednji bezbrižni dan. Jacqueline Lentzou rođena je u Atini 1989. godine. Stekla je zvanje magistrice filma na Filmskoj školi u Londonu 2013. godine. Njen diplomski film THIRTEEN BLUE osvojio je nagradu Zlatno jaje na Međunarodnom filmskom festivalu u Reykjaviku, kao i prvu nagradu Festivala za film i video u Atini. Učestvovala je u programu Talents Sarajevo 2014., te u Berlinale Talents programu 2015. E A sweltering hot summer day in Athens. Stefanos, the oldest son in a fatherless family, is at home with his siblings and their sick dog Lucy. Lucy’s death will shock the siblings and interrupt their sweet laziness, water games and fun. Stephanos is unaware that this would be the last carefree day of his life.

Jacqueline Lentzou was born in1989 in Athens. She received the MA in filmmaking from London Film School in 2013. Her graduation film THIRTEEN BLUE won the Golden Egg Award in Reykjavik International Film Festival as well as the 1st award in Athens Film&Video Festival. She was selected to participate in Talents Sarajevo 2014. She also participated in Berlinale Talents in 2015.

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Greece, 2016, Colour, 28 min, Greek Režija / Director: Jacqueline Lentzou Scenarij / Screenplay: Jacqueline Lentzou Direktor fotografije / Director of Photography: Konstantinos Koukoulios Montaža / Editor: Smaro Papaevangelou Muzika / Music: Alexandros Voulgaris Zvuk / Sound: Leandros Ntounis Kostimografija / Costume Design: Eva Goulakou Scenografija / Production Design: Eva Goulakou Producent / Producer: Fenia Cossovitsa Produkcija / Production: Greek Film Center, Blonde S.A Uloge / Cast: Nikos Zeginoglou, Katerina Zisoudi, Nota Tserniafski Kontakt / Contact: Greek Film Center; see@gfc.gr; www.gfc.gr FILMOGRAFIJA / FILMOGRAPHY: 2016 - ALEPOU / FOX (kratki film / short film) 2015 - HIWA (kratki film / short film) 2015 - LUZ (kratki film / short film) 2013 - THIRTEEN BLUE (kratki film / short film) 2011 - AND THE KID (kratki film / short film) 2011 - INSIGHTS: A CINE- POEM ON VISION (kratki dokumentarni film / short doc.)

REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, 2015, Colour, 8 min, Turkish Režija / Director: Eren Aksu Scenarij / Screenplay: Eren Aksu Direktor fotografije / Director of Photography: Birkan Yorulmaz Montaža / Editor: Eren Aksu Zvuk / Sound: Jochen Jezussek Producent / Producer: Eren Aksu Produkcija / Production: Ateş Benek Uloge / Cast: Gülce Oral, Serdar Bakioğlu Kontakt / Contact: Eren Aksu; rnaksu@gmail.com

Cosmorama Mladi par odlazi na izlet na jedno ostrvo u blizini Istanbula. Očarani su pogledom na naizgled beskrajan grad i počinju razmišljati o propasti urbanih sredina.

FILMOGRAFIJA / FILMOGRAPHY: 2015 - COSMORAMA (kratki film / short film) 2013 - AYDINLIK (kratki film / short film)

Eren Aksu rođen je u Istanbulu u Turskoj 1987. godine. Studirao je film na Univerzitetu Bilgi u Istanbulu, a trenutno živi u Berlinu, gdje je i nastavio studije na Berlinskom univerzitetu za umjetnost. Autor je kratkih igranih i esejističkih filmova. COSMORAMA je započela svoj festivalski život na Međunarodnom festivalu kratkog filma u Oberhausenu. E A young couple goes on a day trip to an island near Istanbul. They find themselves captivated by the never ending cityscape and sink into a contemplation on urban decay.

Eren Aksu was born in Istanbul, Turkey, in 1987. He studied film at Istanbul Bilgi University. He currently lives in Berlin and continues his education at Berlin University of the Arts. He has been working on short fiction and essay films. COSMORAMA was first screened at the Oberhausen International Short Film Festival .

SVJETSKA PREMIJERA / WORLD PREMIERE

Csoszogj úgy / Šepaj ovako / Limp Like That Majka angažuje mladoga muškarca kao zamjenu za svoga pokojnoga supruga, nadajući se da će na taj način pomoći svojoj kćerci da preboli gubitak oca. Petra Szöcs je rođena u Rumuniji 1981. godine, a trenutno živi u Budimpešti. Germanistiku je studirala na Univerzitetu ELTE, a scenarij na Mađarskoj akademiji za dramsku umjetnost i film. Njen prvi kratki film THE EXECUTION uvršten je u zvanični takmičarski program Filmskog festivala u Kanu 2014. godine.

Hungary, 2016, Colour, 14 min, Hungarian, Romanian Režija / Director: Petra Szőcs Scenarij / Screenplay: Petra Szőcs, Gergö Nagy V. Direktor fotografije / Director of Photography: Botond Nagy, Márton Szigethy Montaža / Editor: Mátyás Fekete, László Dunai Zvuk / Sound: Péter Terner, Dániel Böhm Kostimografija / Costume Design: Katerina Csomor, Adél Török Producent / Producer: Camille Chandellier, Gábor Ferenczy, Attila László Juhász Produkcija / Production: La Petite Prod, Pioneer Hungary Uloge / Cast: Csaba Kriszti, Laura Punkosti, Ileana Gyongyi Ivascu, András Dancsuly Kontakt / Contact: La Petite Prod; diffusion@lapetiteprod.fr; www.lapetiteprod.fr FILMOGRAFIJA / FILMOGRAPHY: 2016 - CSOSZOGJ ÚGY / LIMP LIKE THAT (kratki film / short film) 2014 - A KIVÉGZÉS / THE EXECUTION (kratki film / short film)

E A mother hires a young man to be a substitute for her deceased husband. In that way, she’s hoping to help her mourning daughter cope with her grief.

Petra Szöcs was born in Romania in 1981. She lives in Budapest. She studied German studies at ELTE University and screenwriting at the Hungarian Academy of Drama and Film. Her first short film THE EXECUTION was selected for the official competition program of the 2014 Cannes Film Festival.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE

Devojkata što pagja / Djevojka koja pada / The Falling Girl Djevojka stoji na vrhu zgrade i gleda grad ispod sebe. Skače. Pada zatvorenih očiju da bi se na kraju našla u bari okružena bizarnim licima. Pad se nastavlja.

Macedonia, 2015, Black & White, 10 min, No Dialogue Režija / Director: Vladimir Lukash Scenarij / Screenplay: Ivan Shopov Direktor fotografije / Director of Photography: Zharko Ivanov Montaža / Editor: Krste Gospodinovski Muzika / Music: Vladimir Lukash Zvuk / Sound: Milan Simovski Producent / Producer: Zharko Ivanov Produkcija / Production: FlipBook Productions Kontakt / Contact: FlipBook Productions; ubanob@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - DEVOJKATA ŠTO PAGJA / THE FALLING GIRL (kratki film / short film)

Vladimir Lukash je makedonski slikar, jazz muzičar, animator i ilustrator rođen 1978. godine. Diplomirao je na Odsjeku za instrumentalni jazz pri Muzičkom fakultetu Univerziteta Goce Delcev u Štipu. Autor je više animacija, muzičkih spotova i umjetničkih videouradaka. E A girl stands on top of a building looking down at the city. She jumps. She falls with her eyes closed and eventually finds herself in a pond surrounded by bizarre faces. The falling continues...

Vladimir Lukash was born in 1978. He is a Macedonian painter, jazz musician, animator and illustrator. He graduated from the Department of Instrumental Jazz of the Music Arts Faculty of the “Goce Delcev’’ University in Stip. Lukash is the author of several animation clips, music videos and other works in the field of video-art.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, France, 2016, Colour, 29 min, Greek

Limbo Leopard će leći s kozom, vukovi će živjeti s janjcima, a dječak će im biti vođa. 12+1 dijete i leš kita naplavljeni su na obalu... Konstantina Kotzamani je rođena 1983. godine. Studirala je film na Odsjeku za primijenjene umjetnosti pri Aristotelovom univerzitetu u Solunu. Kao rediteljka je učestvovala u Talent Campus radionicama filmskih festivala u Berlinu i Sarajevu. Njen kratki film WASHINGTONIA premijerno je prikazan u takmičarskom programu Filmskog festivala u Berlinu 2014. godine. Grčka filmska akademija ga je proglasila najboljim kratkim filmom za 2014. godinu, a osvojio je i EFA nagradu Evropske filmske akademije na Međunarodnom filmskom festivalu u Gentu. E A leopard shall lie down with a goat, wolves shall live with lambs, and a young boy will lead them. 12+1 children and a carcass of a whale washed ashore...

Konstantina Kotzamani was born in 1983. She studied cinema at the Aristotle University of Thessaloniki, Department of Fine Arts. She participated in Berlin and Sarajevo Talent Campuses as a director. Her film WASHINGTONIA premiered in the Shorts Competition Program of the 2014 Berlinale. It received the 2014 Best Short Film Award of the Greek Film Academy and the European Film Academy EFA Award at the Gent International Film Festival.

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Režija / Director: Konstantina Kotzamani Scenarij / Screenplay: Konstantina Kotzamani Direktor fotografije / Director of Photography: Giorgos Karvelas Montaža / Editor: Yiannis Chalkiadakis Muzika / Music: Lawrence English Zvuk / Sound: Alex Sidiropoulos Kostimografija / Costume Design: Vasilieia Rozana Scenografija / Production Design: Dafni Kalogianni Producent / Producer: Ron Dyens, Maria Drandaki Produkcija / Production: Sacrebleu, Homemade Films, CNC, Greek Film centre, France Tv Uloge / Cast: Felix Margenfeld, Aggelos Ntanos, Luciano Cani, Haris Fountas, Hristos Psihramis, David Szymczak, Nikos Kassavetis, Thomas DImitropoulos, Konstantinos Pattakos, Nikos Gouvelis, Aggelos Kaldanis, Dimitris Xiros, Panagiotis Rapousis, Effi Rabsilber Kontakt / Contact: Homemade films; info@homemadefilms.gr; www.homemadefilms.gr FILMOGRAFIJA / FILMOGRAPHY: 2016 - LIMBO (kratki film / short film) 2015 - YELLOW FIEBER (kratki film / short film) 2014 - WASHINGTONIA (kratki film / short film) 2013 - MORNING PRAYERS (kratki film / short film) 2012 - ARUNDEL (kratki film / short film) 2012 - ZODIAC (kratki film / short film) 2011 - PIGS (kratki film / short film)

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Romania, 2016, Colour, 14 min, Romanian Režija / Director: Radu Potcoavă Scenarij / Screenplay: Radu Potcoavă Direktor fotografije / Director of Photography: Andrei Butica Montaža / Editor: Catalin Cristutiu Muzika / Music: Ioan Filip Zvuk / Sound: Ioan Filip Kostimografija / Costume Design: Malina Ionescu Scenografija / Production Design: Malina Ionescu Producent / Producer: Claudiu Mitcu Produkcija / Production: Claudiu Mitcu Uloge / Cast: Ioana Flora, Bogdan Albulescu, Tudor Oprisan, Dorian Boguta Kontakt / Contact: WeAreBasca, www.wearebasca.ro

Mă cheamă Costin / Zovem se Costin / My Name is Costin Petogodišnji Rares tvrdi da je njegovo pravo ime Costin Dumitru i da ga je prije šest godina ubio komšija koji je zatim zakopao njegovo tijelo u dvorištu škole u Vizuresti. Niko osim njega nije ništa čuo o tom ubistvu. Raresovi roditelji odlučuju da istraže njegove tvrdnje... Radu Potcoavă je rođen u Bukureštu 1978. godine. Diplomirao je filmsku režiju na Univerzitetu Hyperion u Bukureštu. Studirao je i dramaturgiju u Binger FilmLabu, partnerskoj obrazovnoj instituciji Škole za umjetnost u Amsterdamu. Učestvovao je u brojnim radionicama širom Evrope, uključujući Cinemart radionicu u Rotterdamu te Babylon radionicu u Berlinu. E Five-year-old Rares claims that his real name is Costin Dumitru. Six years ago, he had been murdered by a neighbor, then burried in the school back-yard, in Vizuresti. No one knows about this murder except him. Rares’s parents decide to start investigating...

FILMOGRAFIJA / FILMOGRAPHY: 2016 - MĂ CHEAMĂ COSTIN / MY NAME IS COSTIN (kratki film / short film) 2015 - MESAGERUL / THE MESSAGE (kratki film / short film) 2012 - TATAL MEU E CEL MAI TARE / DADDY RULZ (kratki film / short film) 2006 - HAPPY END (kratki film / short film) 2002 - ACEEASI GARA PENTRU DOI (kratki film / short film)

Radu Potcoavă was born in 1978 in Bucharest. He graduated film directing at Hyperion University in Bucharest. He also studied dramaturgy at Binger FilmLab, an affiliate of the School of Arts in Amsterdam. He has participated in numerous workshops throughout Europe, including Cinemart in Rotterdam and Babylon Workshop in Berlin.

REGIONALNA PREMIJERA / REGIONAL PREMIERE

Superbia U zemlji Superbiji stroga pravila razdvajaju društvo žena od društva muškaraca. Različite spolove razdvajaju različiti običaji i pravila ponašanja. Jedan muškarac i jedna žena uprkos svemu nalaze put da se spoje. Njihovi postupci postaju katalizator promjena u oba društva. Luca Tóth je rođena 1989. godine u Bukureštu. Studirala je animaciju u Školi dizajna Moholy-Nagy u Budimpešti i na Kraljevskom umjetničkom koledžu u Londonu. Njen kratki diplomski film THE AGE OF CURIOUS prikazan je u zvaničnom programu Filmskog festivala Clermont-Ferrand i osvojio je niz nagrada, uključujući specijalnu nagradu žirija Međunarodnog festivala i marketa animiranog filma u Annecyju i specijalnu nagradu na Festivalu animiranog filma u Stuttgartu.

Hungary, Czech Republic, Slovak Republic, 2016, Colour, 16 min, No Dialogue Režija / Director: Luca Tóth Scenarij / Screenplay: Luca Tóth Montaža / Editor: Luca Tóth Muzika / Music: Csaba Kalotás Zvuk / Sound: Péter Benjámin Lukács Scenografija / Production Design: Luca Tóth Producent / Producer: Péter Benjámin Lukács, Martin Vandas, Juraj Krasnohorsky Produkcija / Production: Fakt Visual Lab, Maurfilm, Artichoke, Boddah Kontakt / Contact: New Europe Film Sales, www.neweuropefilmsales.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - SUPERBIA (kratki film / short film) 2013 - THE AGE OF CURIOUS (kratki film / short film)

E In the land of Superbia strict rules divide the societies of women and men. Different customs and manners estrange the sexes far apart. A man and a woman find their ways to each other against all odds. Their actions become the catalyst of change within the societies.

Luca Tóth, was born in 1989 in Budapest. She studied animation at the Moholy-Nagy School of Design in Budapest and at the Royal College of Art in London. Her short graduation film THE AGE OF CURIOUS was screened in the official competition program of the Clermont-Ferrand Film Festival and received numerous awards including the Jury Prize at the Annecy IAFF and special mention at the ITF in Stuttgart.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE

Tranzicija / Transition Dva dana pred odlazak u Ameriku, gdje je primljena na postdiplomske studije, Jana koristi vrijeme da se pozdravi sa svojim bendom, prijateljima, bivšom djevojkom i porodicom. Samo njena sestra zna istinu – Jana ne odlazi iz zemlje zbog studija, nego da bi promijenila spol. Jana ima dva dana da se oprosti sa svojim životom.

Serbia, 2016, Colour, 21 min, Serbian Režija / Director: Milica Tomović Scenarij / Screenplay: Milica Tomović Direktor fotografije / Director of Photography: Dalibor Tonković Montaža / Editor: Jelena Maksimović Muzika / Music: Ana Đurović Zvuk / Sound: Jakov Munižaba Kostimografija / Costume Design: Olja MArkokvić Scenografija / Production Design: Magdalena Vlajić Producent / Producer: Vladimir Vasiljević Produkcija / Production: EED Productions Kontakt / Contact: EED Productions; vladimir@eed.rs; www.eed.rs FILMOGRAFIJA / FILMOGRAPHY: 2016 - TRANZICIJA / TRANSITION (kratki film / short film) 2011 - DIPLOMIRANJE (omnibus OKTOBAR / OCTOBER)

Milica Tomović je rođena 1986. godine u Beogradu. Diplomirala je režiju na Fakultetu dramskih umetnosti u Beogradu. Režirala je segment DIPLOMIRANJE omnibusa OKTOBAR. Njen film TRANZICIJA je na Beogradskom festivalu kratkog i dokumentarnog filma 2016. godine nagrađen Zlatnom plaketom za najbolji igrani film. E Jana has two days before she leaves for America to join a postgraduate study program there. She uses that time to say goodbye to the members of her band, her friends, relatives and her former girlfriend. Only her sister knows the truth - Jana is not leaving the country to study, but to have a sex reassignment surgery abroad. Jana has two days to say goodbye to her old life.

Milica Tomović was born in 1986 in Belgrade. She graduated in film and television directing from the Faculty of Dramatic Arts in Belgrade. She directed GRADUATION segment of the collective film OCTOBER. Her film TRANSITON won the Golden Plaque Award for the best feature film at the 2016 Belgrade Documentary and Short Film Festival.

REGIONALNA PREMIJERA / REGIONAL PREMIERE

Zvir / The Beast Lakomisleno prihvaćen građevinski posao u apartmanskom naselju na obali pretvara se u komplikaciju za bageristu iz zaleđa koji, da bi sačuvao očinski autoritet i obavio legalan, ali prljav posao, mora ukloniti neželjenog svjedoka. Miroslav Sikavica je rođen u Zagrebu 1975. godine. Nakon studija komparativne književnosti i hrvatskog jezika i književnosti na Filozofskom fakultetu u Zagrebu, upisuje studij filmske i TV režije na zagrebačkoj Akademiji dramske umjetnosti. E A hastily accepted job at a construction site in a coastal apartment complex turns into a major trouble for an excavator driver from the heartland who now has to get rid of an unwanted witness if he wishes to retain the paternal authority and get the legal, but dirty work done.

Miroslav Sikavica was born in Zagreb in 1975. After studying comparative literature and Croatian Language at the Faculty of Humanities and Social Sciences of the Zagreb University, he enrolled at the Zagreb Academy of Dramatic Arts where he is studying film and television directing.

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Croatia, 2016, Colour, 14 min, Croatian Režija / Director: Miroslav Sikavica Scenarij / Screenplay: Miroslav Sikavica, Marija Šimoković Sikavica Direktor fotografije / Director of Photography: Danko Vučinović Montaža / Editor: Marko Ferković Zvuk / Sound: Martin Semenčić Kostimografija / Costume Design: Morana Starčević Scenografija / Production Design: Veronika Radman Producent / Producer: Boris T. Matić, Lana Ujdur Produkcija / Production: Propeler Film Uloge / Cast: Marko Ban, Ivan Smoljo Kontakt / Contact: Propeler Film; info@propelerfilm.com; www.propelerfilm.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - ZVIR / THE BEAST (kratki film / short film) 2011 - OBLAK / THE CLOUD (dokumentarni film / documentary) 2007 - GOSPOĐA ZA PRIJE / MRS. BEFORE (kratki film / short film) 2003 - KAKO MIRIŠE NEBO / THE SMELL OF THE SKY (kratki dokumentarni film / short doc.)

Takmičarski program - dokumentarni film / Competition Programme - Documentary Film

Baglar, Berke Bas, Melis Birder

The Beast is Still Alive / Zvijer je još uvijek živa, Mina Mileva, Vesela Kazakova

Borders / Granice, Damjan Kozole

Cinema, mon amour / Kino, ljubavi moja, Alexandru Belc

Četiri pasoša / Four Passports, Mihajlo Jevtić

Daullet e Rezistencës / Bubnjevi otpora / Drums of Resistance, Mathieu Jouffre

The Dazzling Light of Sunset / Zasljepljujuća svjetlost sunčevog zalaska, Salome Jashi

Doar o rasuflare / Samo dašak / A Mere Breath, Monica Lazurean-Gorgan

Dubina dva / Depth Two, Ognjen Glavonić

Epomenos Stathmos: Oytopia / Iduća stanica: Utopija / Next Stop: Utopia, Apostolos Karakasis

Genç Pehlivanlar / Mladi hrvači / Young Wrestlers, Mete Gümürhan

Iza lica zrcala / A Two Way Mirror, Katarina Zrinka Matijević

Kino otok / Islands of Forgotten Cinemas, Ivan Ramljak

Korida, Siniša Vidović

My Own Private War / Moj vlastiti rat, Lidija Zelović

Reményvasút / Voz za zrelost / Train to Adulthood, Klára Trencsényi

Scream for me Sarajevo, Tarik Hodžić

Srce od drveta / The Heart of Wood, Namik Kabil

Svetlana, Pero Pavlović

Unten / Tamo dole / Down There, Đorđe Čenić, Hermann Peseckas

Zid smrti, i tako to / Wall of Death, and All That, Mladen Kovačević

Intimne priče, porodice, uspomene / Inner Narration, Family, Memory

Rada Šešić

Sa izuzetnom radošću najavljujemo program koji nudi dvadeset i jedan izvanredan, kreativan, autorski dokumentarac. Odabrani se filmovi bave raznovrsnim temama, uključujući tematiku ličnog i nacionalnog identiteta, migracije, socijalne pravde, porodičnih tajni, političkih misterija, ekonomskih kriza.... Neki od filmova iz novog ugla posmatraju teme koje mnogi možda smatraju već obrađenim i u potpunosti shvaćenim. Drugi se više fokusiraju na odnos između kolektivne, nacionalne memorije i ličnih sjećanja o historijskim događajima; govoreći o dramatičnim momentima života u prvom licu, iz lične perspektive autora ili kroz vrlo intimnu priču protagonista filma. Zanimljivo je da mnogi filmovi iz ovogodišnje selekcije govore o bolnim događajima iz prošlosti sa veće distance i na taj način snažno naglašavaju urgentnu potrebu za razgovorom. Za razliku od većine ranijih dokumetaraca iz regije, ovi filmovi ne upiru prst u nekoga drugog već autori polaze od samih sebe i od svoga okruženja. Reditelji češće pričaju priče obogaćene slojem podsvijesti, koje reflektiraju njihov vlastiti unutarnji konflikt. Činjenica da autori kroz svoje filmove kopaju unutar vlastite intime i preispituju vlastite stavove često je dobar i efikasan povod za gledaoce da se poistovjete sa sudbinom filmskih protagonista. Upravo zbog toga, smatram da će mnogi ovogodišnji filmovi, ukoliko im bude pružena prilika, biti dobro prihvaćeni kao filmovi na redovnom repertoaru kina, a ne samo na filmskim festivalima. Sa lokalne tačke gledišta, ovo su iznimno značajni filmovi jer njihovi su autori glasnici mnogih ljudi iz ovog regiona koji su zaokupljeni istim ili jednako zamršenim pitanjima. Njihove bolne i krajnje iskrene priče nam omogućavaju da smjestimo historijske teme u lični kontekst, da preživimo naše noćne more i uspostavimo vezu sa vlastitim uspomenama i strahovima. Fascinantno je posmatrati kako se filmovi koji se bave ličnom prošlošću odnose prema događajima koji su obilježili naša društva, stvarajući pritom uzbudljive, mnogoslojne priče koje nadilaze lokalni značaj i postižu univerzalnu

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vrijednost. Pritome ni jedan od odabranih filmova nema želju da moralizira; oni se naprosto pozivaju na našu zajedničku ljudskost, tako da i kada se bave pričama koje nemaju nikakvog dodira sa našim vlastititm iskustvima stimulišu našu maštu i osnažuju našu sposobnost moralnog rasuđivanja. Snaga nekolicine filmova iz ovogodišnje selekcije leži u autorskoj zrelosti samih dokumentarista, osobito onih što umjesno balansiraju između filmskog procesuiranja realnosti i izražavanja vlastitog stava o njoj. Među dvadeset i jednim odabranim filmom, svoje je mjesto našlo i pet kratkometražnih bisera, dokumentaraca koji su sljedbenici jake regionalne tradicije poetičnog filmskog izraza – sa malo ili posve bez riječi . U tim filmovima, priča se gradi isključivo filmskim jezikom, a gledaocu se ostavlja dovoljno prostora da uroni u začudnost filmskih prizora i kontemplaciju. Prije desetak godina dosta se žena iz našeg regiona opredijelilo za rad na produkciji dokumentarnog filma. Sada u regionu već imamo i dosta rediteljica te se stiče utisak da svijet dokumentarnog filma više nije isključivo utvrda muškaraca već kreativni poligon gdje sve više autorica uspješno pripovijeda svoje priče. Iako može zvučati kao stereotip, osjećam potrebu da ipak jasno kažem da žene istinski mijenjaju svijet dokumentarnog filma. Naime, one iskazuju posebnu senzibilnost prema određenim temama i zrcale svoju sliku svijeta na filmski drugačiji način. Ove godine osam autorica ima svoja ostvarenja u našem Takmičarskom programu. Prikazujući dinamične filmove koji navode na razmišljanje iz dvanaest različitih zemalja, Takmičarski dokumentarni program i njegov debatni segment Docu Corner postaju značajno mjesto za razgovor o našim društvima i položaju pojedinaca u njima, sa naročitim fokusom na ljudska prava. Ove godine će nam se pridružiti nešto više od stotinu mladih ljudi, aktivista iz desetak zemalja regije te iz nekoliko zemalja Zapadne Evrope, koji će svakodnevno rasprav-

ljati o bitnim temama problematiziranim u filmovima uvrštenim u ovogodišnji Takmičarski dokumentarni program. Prethodnog proljeća, naš je program gostovao u Francuskoj u okviru EGAM organizacije koja je u u Parizu realizovala fantastičnu prezentaciju Sarajevo sur Seine u sklopu koje je prikazano više od trećine filmova iz našeg prošlogodišnjeg dokumentarnog programa. Narednog će proljeća trećina filmova iz naše ovogodišnje selekcije također putovati u Pariz da bi učestvovali na drugom izdanju istog programa. Pored filmova, pozvani su i autori koji će svoje filmove predstaviti francuskoj publici, a zatim i javno razgovarati o njima u sklopu pariške verzije našeg Docu Cornera. To nam je zaista najbolji dokaz da se jak, originalan, autorski glas može daleko čuti i biti razumljiv različitim kulturama. Uspjeh svakog od dvadeset i jednog filma iz naše ovogodišnje selekcije zaista treba istaknuti i proslaviti, naročito kada se uzmu u obzir teški produkcijski uslovi za dokumentariste u skoro svim zemljama naše regije. Od srca čestitamo svim autorima, a vas srdačno pozivamo da pratite naš program! E We are happy to announce twenty-one exceptional work for you to discover; creative documentaries that examine issues as diverse as personal and national identity, migration, social justice, family secrets, political mysteries, economic crises and many others. Some films shed new light on issues that many people might have considered well known and fully understood. Several documentaries focus more strongly on the relationship between national and personal memory of historical events, recollecting the dramatic events either in first person singular or from the very intimate viewpoints of their main protagonists. By taking about painful past events from a somewhat more removed position, many of the films in our harvest this year underline the urgency to talk about the past. Unlike most of the documentaries that had previously been made in our region, the films in this year’s line-up do not point the finger at the other but at their own makers and their communities. A greater num-

ber of film directors have spiced their film narratives with a layer of their own subconscious and, as the result; the films are reflecting their own inner conflicts. Digging within one’s own intimacy, investigating personal thoughts and views, serves as an effective hook for the audience’s projective identification. Therefore, I feel that many of this year’s films would be, if given a chance, warmly received by cinema goers in general and not only at the international film festivals. From a local perspective, these are extremely important films because their makers speak up for many individuals in our region who are pondering over the same or similarly puzzling matters. Their painful and utterly sincere stories help us to appropriate history in a personal manner, to survive our nightmares and connect with our memories and fears. It is fascinating to observe how films about personal histories relate to events that have impacted our societies in general, developing exciting and multi-layered narratives of universal rather than just a local value. However, neither of the selected films is moralizing; they simply evoke our common humanity and even when they tell stories that are very remote from our own personal experiences, they stimulate our imagination and strengthen our capacity for moral judgement. The strength of several films in this year’s competition lies in the maturity of the regional documentary makers, especially in case of the authors whose films speak about our recent past in a way that balances a presentation of the observed reality and filmmakers’ own opinion about it. The 21 selected films include five strong short documentaries. These five continue the rich tradition of our region of producing powerful, poetic films - with no words or with very few words - that relay on visual language to deliver the story, thus enabling the viewers to indulge in magic imagery and contemplation. About a decade ago, many young females from our region chose the calling of a documentary film producer and now we also have many documentary film directresses. The world of docu-

mentary film is apparently no longer a fortress of men but a playground where an increasing number of female filmmakers are successfully expressing themselves. It might sound like a cliché, but I must openly say that women are changing the documentary film landscape with their specific sensibility for a number of topics and a unique way to portray the world that surrounds them. This year, our line up includes eight films made by women. By screening dynamic and thought-provoking films from twelve different countries, the Documentary Competition Program and its debating platform Docu Corner, have become an important arena in which we can discuss our societies and position of an individual in them, with special focus on human rights. This year, over a hundred young people, human rights activists from some ten countries of our region and from other parts of Europe, will join us to engage in daily discussions of relevant topics raised in films that will be screened in the Documentary Competition Program. Last year, our program was presented in France at the invitation of the Parisian EGAM initiative. EGAM had organized the amazing Sarajevo sur Seine program in which over a third of the films from our line-up had been screened. Several films from this year’s selection will also travel to Paris next spring to participate in the second edition of that program. Organizers had also invited the authors of those films to present their work to French audiences and to discuss it after the screenings in the Parisian version of our Docu Corner. This is the best prof that strong, fresh and original cinematic voices can travel far and that they can be understood and appreciated outside their cultural context. The success of the 21 film that we had selected for this year’s edition of our program deserves to be acknowledged and celebrated, especially considering the difficult environment in many countries of our region for documentary film production. We heartily congratulate the film makers and we welcome you all to our Programme! Rada Šešić Selektorica / Programmer

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Baglar Nižerangirani košarkaški tim iz radničkog grada Diyarbakira u jugoistočnoj Turskoj proširuje svoju misiju sa dobijanja utakmica na prevazilaženje predrasuda, siromaštva i političkih sukoba proizašlih iz decenijskog sukoba između turskih vlasti i kurdskih pobunjenika, koji se bore za lokalnu autonomiju i kulturološka prava. Berke Bas je studirala političke nauke na Univerzitetu Bogazici u Istanbulu, a zvanje magistrice medijskih nauka stekla je pri Novoj školi za društvena istraživanja u New Yorku. Bas je 1998. godine u New Yorku sa Melis Birder osnovala inHouse Projects produkciju. Bas trenutno živi u Istanbulu, gdje povremeno predaje na Odsjeku za film i televiziju Univerziteta Bilgi, a također je i suosnivačica Centra za dokumentarističke studije docIstanbul. Melis Birder je stekla zvanje magistrice medijskih nauka pri Novoj školi za društvena istraživanja u New Yorku. Suosnivačica je inHouse Projects produkcije, a od 2001. radi kao nezavisna dokumentaristica. Osnivačica je i bivša direktorica Organizacije za umjetnost i kulturu 2010+, koja ima za cilj da produbi i stimuliše društvenu, kulturnu i umjetničku saradnju između Turske i Iračkog Kurdistana. E An underdog basketball team from hard scrabble Diyarbakir in southeastern Turkey goes beyond winning games in their mission to rise above prejudice, poverty and political turmoil created by the decades long conflict between the Turkish state and Kurdish rebels who are fighting for local autonomy and cultural rights.

Berke Bas studied political sciences at Bogazici University, Istanbul and received a masters degree in media studies at New School for Social Research, New York. She co-founded inHouse projects with Melis Birder in New York in 1998. Located in Istanbul, she is a part-time lecturer at Film TV department of Istanbul Bilgi University and founding member of docIstanbul - Documentary Studies Center. Melis Birder received a masters degree in media studies at the New School for Social Research, New York. As a co-founder of inHouse projects, she has done independent documentary work since 2001. She is a founder and a former director of 2010+, an arts and culture organization aiming to diversify and stimulate social, cultural and artistic relations between Turkey and Iraqi Kurdistan region.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Turkey, 2016, Colour, 81 min, Turkish Režija / Director: Berke Bas, Melis Birder Scenarij / Screenplay: Berke Bas, Melis Birder Direktor fotografije / Director of Photography: Berke Bas, Melis Birder and Zeynel Dogan Montaža / Editor: Melis Birder Muzika / Music: Sam Miille, Miser, Diskking and Cityboy, Sersem MC and Deniz Bolayir Zvuk / Sound: Berke Bas, Melis Birder, Zeynel Dogan Producent / Producer: Berke Bas and Melis Birder Produkcija / Production: inHouse projects Kontakt / Contact: Berke Bas & Melis Birder; berkebas@mac.com, melisbirder@mac.com FILMOGRAFIJA / FILMOGRAPHY: Berke Bas: 2016 - BAGLAR (dokumentarni film / documentary) 2010 - PLANET GALATA: A BRIDGE IN ISTANBUL (dokumentarni film / documentary) 2010 - CONCRETE PARK (dokumentarni film / documentary) 2009 - HUSH! / LA CHANSON DE NAHIDE (dokumentarni film / documentary) 2008 - WHAT A BEAUTIFUL DEMOCRACY! (dokumentarni film / documentary) 2005 - IN TRANSIT (dokumentarni film / documentary) Melis Birder: 2016 - BAGLAR (dokumentarni film / documentary) 2009 - VISITORS (dokumentarni film / documentary) 2005 - THE TENTH PLANET: A SINGLE LIFE IN BAGHDAD (dokumentarni film / documentary) 2002 - CROSSING BROOKLYN (dokumentarni film / documentary)

The Beast is Still Alive / Zvijer je još uvijek živa Mlada Bugarka posmatra globalno jačanje ljevičarske ideologije, od čijih se posljedica njena zemlja još uvijek oporavlja. U polumističnom razgovoru sa svojim mrtvim dedom, ona razotkriva put njegove transformacije od svećenika do komuniste, pa zatim do militantnog antikomuniste. Unuci je dosta hipokrizije modernih bugarskih socijalista, koji već 25 godina vode njenu zemlju u propast, dok se istovremeno zalažu za uspostavu socijalističkog sistema socijalne zaštite. Mina Mileva je diplomirala režiju animiranog filma u školi La Cambre u Briselu i na Filmskoj akademiji u Sofiji. Mileva je 2008. godine s Veselom Kazakovom osnovala produkcijsku kompaniju Activist38. Njihov izrazito uspješan dokumentarac, UNCLE TONY, THREE FOOLS AND THE SECRET SERVICE, izazvao je mnoštvo kontroverzi u Bugarskoj, ali je, istovremeno, prikazivan i nagrađen na više prestižnih međunarodnih filmskih festivala. Film je premijerno prikazan na Sarajevo Film Festivalu, da bi zatim bio uvršten u programe više vodećih međunarodnih filmskih festivala, uključujući festivale u Varšavi i Kairu. Novi revolucionarni film dvaju režiserki, THE BEAST IS STILL ALIVE, osvojio je IDFA Forum nagradu 2015. Vesela Kazakova je diplomirala glumu na Državnoj akademiji za pozorište i film u Sofiji, kao i produkciju na Ekonomskom fakultetu, također u Sofiji. Za svoje prve uloge u pozorištu i na filmu proglašena je najboljom mladom glumicom u Bugarskoj 2002. godine. Nakon toga je odigrala glavne uloge u šest filmova, osvojivši više prestižnih glumačkih nagrada, kako u Bugarskoj tako i u inostranstvu, uključujući nagradu Srebreni George u Moskvi 2005., te Shooting Stars nagradu Međunarodnog filmskog festivala u Berlinu 2006. Vesela je nakon toga počela producirati pozorišne predstave, da bi se zatim posvetila filmskoj produkciji i režiji. E A young Bulgarian woman observes the global resurgence of leftist ideology while her country still

suffers from its consequences. In a semi-mystic dialogue with her late granddad she traces his transformation from a priest to a communist, then a militant anti-communist. The granddaughter is fed up with the hypocrisy of modern Bulgarian socialists who continuously advocate the introduction of a socialist welfare system while leading her country to ruin for the past 25 years. Mina Mileva graduated animated film directing at La Cambre in Brussels and Sofia’s Film Academy. In 2008 she founded Production Company Activist38 with Vesela Kazakova. Their latest acclaimed documentary UNCLE TONY, THREE FOOLS AND THE SECRET SERVICE had caused major controversy in Bulgaria but it also achieved prestigious selections abroad and international awards. It premiered at Sarajevo film Festival and made it to several A-list festivals such as Warsaw IFF and Cairo IFF. The next revolutionary film by the two directors is called THE BEAST IS STILL ALIVE, which got IDFA Forum Award 2015. Vesela Kazakova graduated both acting and producing respectively in the National Academy for Theatre and Film Arts and University of Economics in Sofia. Her first roles in the cinema and on stage brought her the debut awards for best young actress in Bulgaria in 2002. Further lead roles in six films have snapped up prestigious prizes for best female actress in Bulgaria and abroad, Silver George Award in Moscow in 2005 and Berlinale Shooting Stars Award in 2006. Vesela started producing theatre performances and then gradually turned to film producing and directing.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Bulgaria, 2016, Colour and b&w, 91 min, Bulgarian, English, Greek, Spanish Režija / Director: Mina Mileva, Vesela Kazakova Scenarij / Screenplay: Mina Mileva, Vesela Kazakova Direktor fotografije / Director of Photography: Alie Crawford, Vesela Kazakova, Mina Mileva, Plamen Gelinov, Dimitar Kostov Montaža / Editor: Donka Ivanova Muzika / Music: Emilian Gatzov Zvuk / Sound: Georgi Marinov Kostimografija / Costume Design: Mina Mileva Scenografija / Production Design: Mina Mileva Producent / Producer: Mina Mileva, Vesela Kazakova Produkcija / Production: Activist38, BNT, NovaFilm Uloge / Cast: Roussy Chanev, Vesela Kazakova Kontakt / Contact: Activist38; mina@activist38.com, vesela@activist38.com; www.activist38.com FILMOGRAFIJA / FILMOGRAPHY: Mina Mileva: 2016 - THE BEAST IS STILL ALIVE (dokumentarni film / documentary) 2014 - UNCLE TONY, THREE FOOLS AND THE SECRET SERVICE (dokumentarni film / documentary) 2008 - TELLING TALES (TV animirana serija / animated series) 1998 - UN VERRE OU DEUX (kratki film / short film) Vesela Kazalkova: 2016 - THE BEAST IS STILL ALIVE (dokumentarni film / documentary) 2014 - UNCLE TONY, THREE FOOLS AND THE SECRET SERVICE (dokumentarni film / documentary) 2008 - BECAUSE OF HER (dokumentarni film / documentary)

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Borders / Granice Prekrasan je jesenji dan. Kolona migranata i izbjeglica u pratnji vojske i policije prelazi „šengensku granicu“ između Hrvatske i Slovenije, na putu ka prihvatnom centru u slovenačkom gradu Brežice. Damjan Kozole je rođen 1964. u slovenačkom gradu Brežice. Ovaj nagrađivani slovenački autor između ostalog je režirao devet dugometražnih igranih i dva dugometražna dokumentarna filma, uključujući SPARE PARTS, koji je nominovan za nagradu Zlatni medvjed na 53. međunarodnom filmskom festivalu u Berlinu, i SLOVENIAN GIRL, koji je 2009. prikazan na filmskim festivalima u Torontu, Pusanu i Sarajevu. Američki filmski institut je 2005. godine bio domaćin retrospektive filmova Damjana Kozle u Sjedinjenim Američkim Državama i u Kanadi. E A beautiful autumn day. Escorted by police officers and soldiers, a line of migrants and refugees make their way from the “Schengen area border” between Croatia and Slovenia to a reception center in the Slovenian town of Brežice.

Damjan Kozole was born 1964 in Brežice, Slovenia. He is an award-winning Slovenian filmmaker whose directing credits include nine feature films and two feature documentaries, among them the critically acclaimed SPARE PARTS, nominated for the Golden Bear Award at the 53th Berlinale and SLOVENIAN GIRL that was released worldwide after premiering in 2009 at Toronto, Pusan and Sarajevo film festivals. In 2005, the American Film Institute hosted a retrospective of a Damjan Kozole’s films in the United States and Canada.

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SVJETSKA PREMIJERA / WORLD PREMIERE Slovenia, 2016, Colour, 10 min, Slovenian Režija / Director: Damjan Kozole Scenarij / Screenplay: Damjan Kozole Direktor fotografije / Director of Photography: Matjaž Mrak Montaža / Editor: Jurij Moškon Zvuk / Sound: Julij Zornik Producent / Producer: Danijel Hočevar Produkcija / Production: Vertigo Kontakt / Contact: Vertigo; danijel@vertigo.si; www.vertigo.si FILMOGRAFIJA / FILMOGRAPHY: 2016 - BORDERS (dokumentarni film / documentary) 2016 - NIGHTLIFE 2013 - ULAY: PROJECT CANCER (dokumentarni film / documentary) 2012 - LONG VACATION (dokumentarni film / documentary) 2009 - SLOVENIAN GIRL 2008 - FOREVER 2005 - LABOUR EQUALS FREEDOM 2003 - SPARE PARTS

Cinema, mon amour / Kino, ljubavi moja KINO, LJUBAVI MOJA prati Viktora Puricu – upravnika, bivšeg kinooperatera i cjeloživotnog zaljubljenika u film – i njegove vjerne uposlenice Corneliju i Lorenu u svakodnevnoj borbi da od zatvaranja sačuvaju panoramsko kino Dacia u rumunskom gradu Piatra Neamt, inače jedno od rijetkih preostalih kina u Rumuniji. Nakon što je proživio zlatno doba kinematografije, Viktor sanja o povratku dobrih starih vremena i istovremeno vodi bitku da preživi novu, surovu realnost. Alexandru Belc je rođen 1980. godine u gradu Brasov, Rumunija. Diplomu je stekao na Filmskoj akademiji u Bukureštu 2007., a potom je radio kao prvi asistent režije, između ostalih i na filmovima Corneliua Porumboiua i Cristiana Mungiua. Režirao je nekoliko kratkih igranih i dokumentarnih filmova, uključujući i svoj debitantski dugometražni dokumentarac 8TH OF MARCH, s kojim je 2012. godine osvojio nagradu Srebreno oko koja se dodjeljuje za najbolji dokumentarni film istočne i centralne Evrope. Film je prikazan na Festivalu evropskog filma u Bukureštu, Međunarodnom filmskom festivalu Media Wave u Mađarskoj, Transilvanijskom međunarodnom filmskom festivalu Cluj-Napoca, Making Waves festivalu u New Yorku, te na Festivalu umjetničkog filma Szolonk, gdje je proglašen najboljim dokumentarnim filmom. Njegov kratki dokumentarni film THE SOUND OF MOUNTAINS prikazan je na Međunarodnom filmskom festivalu u Berlinu, dok je REBEL REBEL doživio međunarodnu premijeru na Međunarodnom filmskom festivalu Visions du Réel 2010. E CINEMA, MON AMOUR follows the story of Viktor Purice - manager, former projectionist and lifelong cinephile - and his two loyal employees, Cornelia and Lorena, in their everyday battle to preserve one of the last remaining cinemas in Romania - the Dacia Panoramic Cinema in Piatra Neamt. Having lived through “the golden age” of cinema, Viktor dreams about a return of the good old days while struggling to keep up with the new harsh reality.

Alexandru Belc was born in 1980 in Brasov City, Romania. He graduated from the Bucharest Film Academy in 2007 and has worked as the 1st assistant director for directors such as Corneliu Porumboiu and Cristian Mungiu. He directed several shorts, both fiction and documentary films, including his documentary debut 8TH OF MARCH that was screened at the European Film Festival in Bucharest, Media Wave International Film Festival in Hungary, Transilvania International Film Festival Cluj-Napoca and Making Waves Festival in New York. The film was awarded the Best Documentary Film prize at the Fine Art Film Festival in Szolnok and nominated for the 2012 Sliver Eye Award. His short documentary film THE SOUND OF MOUNTAINS was screened at Berlinale, whilst REBEL REBEL had its international premiere at Visions du Réel International Film Festival in 2010.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, Czech Republic, 2015, Colour, 70 min, Romanian Režija / Director: Alexandru Belc Scenarij / Screenplay: Alexandru Belc, Tudor Giurgiu, Ilinca Micu Direktor fotografije / Director of Photography: Tudor Vladimir Panduru Montaža / Editor: Ion Ioachim Stroe Muzika / Music: Cezar Popescu Zvuk / Sound: Vlad Voinescu, Filip Muresşan Producent / Producer: Tudor Giurgiu, Hanka Kastelicová, Radovan Sibrt, Viktoria Hozzova Produkcija / Production: Libra Film Productions, Pink Productions, HBO Europe Uloge / Cast: Victor Purice, Cornelia Chelmu, Lorena Cosău, Gheorghe Purice, Matthias Helwig, Laura Baron Kontakt / Contact: CAT&Docs (Catherine Le Clef), cat@catndocs.com; www.catndocs.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - CINEMA, MON AMOUR (dokumentarni film / documentary) 2010 - REBEL REBEL (kratki dokumentarni film / short doc.) 2007 - THE SOUND OF MOUNTAINS (kratki dokumentarni film / short doc.)

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Četiri pasoša / Four Passports Film je priča o imigraciji i identitetu nakon nestanka Jugoslavije, ispričana iz ugla reditelja Mihajla Jevtića. Film prati period od Socijalističke Federativne Republike Jugoslavije do današnje Srbije, od Mihajlovog djetinstva do njegove srednje životne dobi. Ovo je film koji je napravio muškarac koji se sprema da napusti svoju zemlju; priča o njegovom koferu spakovanom za trajni odlazak. Priča o četiri pasoša i jednoj zemlji - oproštaj koji je pripreman 25 godina. Kombinujući animaciju sa snimcima današnjice i arhivskim porodičnim snimcima načinjenim Super 8 kamerom, Mihajlo daje svoj osvrt na odrastanje u društvu koje se raspada. Mihajlo Jevtić je rođen u Beogradu 1978. godine. Studirao je pri francuskoj školi za režiju dokumentarnog filma „Atelier Varan Paris“, a bivši je učesnik Berlinale Talent Campus programa. Mihajlo predaje film u Akademskom filmskom centru u Beogradu, a 2012. godine je osnovao produkcijsku kompaniju „Film the World“. U proteklih deset godina je napisao, režirao i producirao šest filmova (po tri kratka igrana i kratka dokumentarna filma) koji su prikazani u takmičarskom programu više od 70 festivala kratkog filma širom svijeta. Snima dokumentarne, igrane i eksperimentalne filmove i pobornik je ideje da među različitim filmskim žanrovima ne postoji jasno određena granica. E The film tells a story of immigration and identity after the dissolution of former Yugoslavia, as seen through the eyes of filmmaker Mihajlo Jevtic. it follows the period of transition of the Socialist Federal Republic of Yugoslavia into today’s Serbia and Mihajlo’s transition from a child into a middle aged man. It is a film made by a man who is about to leave his country for good and about the contents of his immigrant’s suitcase. Story about one country and four passports, a farewell that was in the making for 25 years. Combining the present-day footage, his family’s Super 8 home videos and animation, Mihajlo reflects on growing up in a society that has been falling apart. Mihajlo Jevtić was born in Belgrade in 1978. He attended the French Documentary Filmmaking School Atelier Varan Paris and is an alumni of the Berlinale Talent Campus. Mihajlo teaches filmmaking at the Belgrade Academic Film Center. He founded “Film the World” production company in 2012. Over the past 10 years, Mihajlo wrote, directed and produced six films (three fiction shorts and three short documentaries) that were screened in competition at over 70 short film festivals worldwide. He has made documentary, fiction and experimental films and does not believe in clear demarcation between the three film genres.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Serbia, Croatia, Germany, 2016, Colour, 83 min, Serbian Režija / Director: Mihajlo Jevtić Scenarij / Screenplay: Mihajlo Jevtić Direktor fotografije / Director of Photography: Mihajlo Jevtić, Staša Tomić, Bojana Burnać, Slavko Jevtić, Stefan Vogt (animation) Montaža / Editor: Aleksandar Stojanov Muzika / Music: Various Zvuk / Sound: Vladimir Uspenski, Vladimir Živković Producent / Producer: Natalia Imaz, Mihajlo Jevtić, Morana Komljenović, Iva Tkalec Produkcija / Production: parabellum film (Germany), Film the World (Serbia), Fade In (Croatia) Uloge / Cast: Slavko Jevtić, Kaća Jevtić, Jelena Krneta, Maja Lagator, Ena Lagator, Nikola Milosavljević, Bojan Marjanović, Zorka Jevtić, Mihajlo Jevtić Kontakt / Contact: parabellum film; imaz@parabellumfilm.de; www.parabellumfilm.de; Film the World; mihajlo.jevtic@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - ČETIRI PASOŠA / FOUR PASSPORTS (dokumentarni film / documentary) 2014 - SPORI DANI U BEPU / SLOW DAYS IN BEPPU (kratki dokumentarni film / short doc.) 2012 - GAGARIN I JA / GAGARIN AND ME (kratki film / short film) 2008 - DOBOŠ / SNARE DRUM (kratki film / short film) 2007 - MILE U TAMNOM VILAJETU / MILAN IN THE KINGDOM OF DARKNESS (kratki film / short film) 2005 - SAM, SAM, SAM DA NISI / ALONE, ALONE, YOU SHOULD NEVER BE ALONE (kratki dokumentarni film / short doc.) 2004 - U KUTIJI / IN THE BOX (kratki dokumentarni film / short doc.)

Daullet e Rezistencës / Bubnjevi otpora / Drums of Resistance Nakon što se grandiozni koncept Jugoslavije počeo urušavati, svijet je svjedočio nekim od najbrutalnijih ratova dvadesetog stoljeća. Mnogima, koji su raspad Jugoslavije posmatrali izvana, bilo je nemoguće shvatiti erupciju nasilja na jugoistoku Evrope. Federacija u kojoj su različite etničke grupe i zajednice decenijama mirno živjele odjednom je postala poprište brutalnih sukoba različitih nacionalističkih ideologija. Mathieu Jouffre je diplomirao na Školi za umjetnost u Lionu 2005., nakon čega je počeo putovati diljem Zapadnog Balkana. Tri godine je živio u Sarajevu, gdje je snimio dokumentarni film CREATING HAMLET: PRINCE OF TURKEY, o postavci predstave Hamlet u režiji Harisa Pašovića u Narodnom pozorištu u Sarajevu, kao i igrani film DUB. Mathieu se 2009. godine preselio u Pariz. U međuvremenu, snimio je i režirao još nekoliko kratkih filmova, uključujući seriju kratkih filmova TAX, o taxi vozačima u Parizu. Mathieu je proteklih osam godina sarađivao na više dokumentarnih projekata na Zapadnom Balkanu. E When the narrative of grand Yugoslavia began to unravel, the world witnessed some of the worst wars of the 20th century. Many people outside the region had difficulty grasping the violence that erupted in southeastern Europe. A federation comprised of different ethnic groups and communities that peacefully co-existed for decades had suddenly become a battleground of nationalist aspirations.

Mathieu Jouffre graduated from the Fine Arts School of Lyon, in 2005. That same year, he began traveling in the Western Balkans. He lived in Sarajevo for three years during which time he made a documentary film about theater performance “Creating Hamlet: prince of Turkey’’ staged by director Haris Pasovic at the National Theater in Sarajevo, as well as feature film DUB. In 2009, Mathieu moved to Paris. In the meantime, he also made and directed several short films, including a short film series TAX about cab drivers in Paris. Over the past eight years Mathieu intermittently lived in the Western Balkans where he collaborated on several documentary projects.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Kosovo, 2016, Colour, 65 min, Albanian Režija / Director: Mathieu Jouffre Scenarij / Screenplay: Mathieu Jouffre and Besa Luci Direktor fotografije / Director of Photography: Mathieu Jouffre Montaža / Editor: Mathieu Jouffre, Besa Luci Muzika / Music: Liburn Jupolli Zvuk / Sound: Edon Morina Producent / Producer: Besa Luci Produkcija / Production: MB Office Kontakt / Contact: MB Office; besaluci@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - DRUMS OF RESISTANCE (dokumentarni film / documentary) 2012 - TAX (omnibus - tri kratka filma / three short films) 2007 - DUB

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The Dazzling Light of Sunset / Zasljepljujuća svjetlost sunčevog zalaska U centru filmske priče nalazi se lokalna televizijska stanica, a sam film oslikava pseudo-etnografski portret jedne male zajednice u Gruziji. Stari rituali i običaji oblikuju život tog maloga grada, mada su iskvareni udaljeni odsjaji modernoga svijeta već okupirali kolektivnu svijest. Žiteljima ove zajednice ništa nije tako važno kao to da u javnosti ostave najbolji mogući utisak. Ovaj filmski kaleidoskop likova, mjesta i događaja razotkriva način života jedne male zajednice i njene hibridne društvene vrijednosti. Salomé Jashi je rođena u Tbilisiju, Gruzija, 1981. godine. Prvobitno je studirala žurnalistiku i nekoliko godina radila kao reporterka, da bi 2005. osvojila stipendiju British Councila za studij dokumentarnog filma na Koledžu Royal Holloway Univerziteta u Londonu. Po povratku u Gruziju s prijateljima je osnovala produkcijsku kompaniju Sakdoc Film. Osim što je snimala filmove, Salomé je bila aktivna učesnica Caucadoc projekta namijenjenog razvoju dokumentarističke filmske scene na Južnom Kavkazu. Istovremeno, kao predavačica učestvuje u radu međunarodnih filmskih radionica. E The film centers on a small town television station to paint a pseudo-ethnographic portrait of a community in Georgia where rituals and traditions shape the local lifestyle although twisted reflections of the modern world had already penetrated the collective mind. Presentation of one’s self in the best possible light is of essence. This cinematic kaleidoscope of characters, places and evens reveals the life of a small community and its hybrid social values. Salomé Jashi was born in Tbilisi, Georgia in 1981. She studied journalism and worked as a reporter for several years. In 2005, she was awarded a British Council scholarship to study documentary filmmaking at Royal Holloway, University of London. Upon her return to Georgia, Salomé co-founded Sakdoc Film production company with her close friends. Along with filmmaking, Salomé took part in Caucadoc project aimed at supporting the development of documentary film scene in the South Caucasus. She also provides tutoring at international film workshops.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Germany, Georgia, 2016, Colour, 74 min, Georgian Režija / Director: Salome Jashi Scenarij / Screenplay: Salome Jashi Direktor fotografije / Director of Photography: Salome Jashi Montaža / Editor: Derek Howard Zvuk / Sound: David Sikharulidze Ivane Gvaradze Giorgi Khancheli Producent / Producer: Urte Fink, Salome Jashi, Gregor Streiber Produkcija / Production: Inselfilm, Sakdoc Kontakt / Contact: Inselfilm; urte.fink@email.de; www.inselfilm.de FILMOGRAFIJA / FILMOGRAPHY: 2016 - THE DAZZLING LIGHT OF SUNSET (dokumentarni film / documentary) 2011 - BAKHMARO (dokumentarni film / documentary) 2010 - THE LEADER IS ALWAYS RIGHT (dokumentarni film / documentary) 2009 - SPEECHLESS (kratki film / short film) 2006 - THEIR HELICOPTER (kratki dokumentarni film / short doc.)

Doar o rasuflare / Samo dašak / A Mere Breath SAMO DAŠAK istražuje duboko kontradiktornu prirodu porodične ljubavi. Istovremeno put ka inicijaciji i teološka parabola, film prati sedam godina u životu rumunske porodice Sicrea i sve uspone i padove glave porodice Dobrina koji čeka da se dogodi čudo zahvaljujući kojem bi se njegova najmlađa kći oslobodila invalidskih kolica i prohodala. Dok pratimo kako djeca postaju odrasli ljudi, svjedoci smo utjecaja koji Dobrinova duboka veza s Bogom ima na međuljudske odnose unutar njegove porodice. Monica Lãzurean-Gorgan je diplomirana rediteljka i autorica pet dokumentarnih filmova za TV kanal RAI1. Njen dokumentarni film MY VOTE je 2011. godine prikazan na Međunarodnom filmskom festivalu u Rotterdamu, Međunarodnom filmskom festivalu Documenta Madrid, te na Sarajevo Film Festivalu, gdje je i nagrađen. A MERE BREATH je u stadiju razvoja, 2014. godine, proglašen najboljim dokumentarnim projektom i nagrađen HBO Adria nagradom i Cat&Docs nagradom za najbolji dokumentarni projekt u skopu Rough Cut Boutique programa Sarajevo Film Festivala. E A MERE BREATH explores the profoundly contradictory nature of family love. Both a journey of initiation and a theological parable, the film follows seven years in the life of Sicrea family in Romania, capturing trials and tribulations of Dobrin who is waiting for a miracle that will help his youngest daughter get up from her wheelchair. As we watch his children grow up and become adults, we witness the deep impact of Dobrun’s close connection to God on relationships between members of his family.

Monica Lãzurean-Gorgan holds a BA in Film Directing. She has made five documentaries for RAI1. In 2011, her documentary MY VOTE was selected for Rotterdam IFF, Documenta Madrid IFF and awarded at Sarajevo Film Festival. A MERE BREATH documentary project was declared the best documentary project of the 2015 Sarajevo Rough Cut Boutique and awarded the HBO Adria and Cat&Docs prizes.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2016, Colour, 67 min, Romanian Režija / Director: Monica Lazurean-Gorgan Scenarij / Screenplay: Monica Lazurean-Gorgan Direktor fotografije / Director of Photography: Marius Apopei, Barbu Balasoiu Montaža / Editor: Andrei Gorgan Zvuk / Sound: Tudor Petre Producent / Producer: Monica Lazurean-Gorgan, Hanka Kastelikova Produkcija / Production: Manifest Film, HBO Kontakt / Contact: Monica Lazurean-Gorgan, monica.manifestfilm@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - DOAR O RASULFARE / A MERE BREATH (dokumentarni film / documentary) 2010 - MY VOTE (dokumentarni film / documentary) 2009 - PITCHING SESSION (dokumentarni film / documentary) 2008 - THE DEVIL’S CHOICE (dokumentarni film / documentary)

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Dubina dva / Depth Two Godine 2001., na periferiji Beograda je otkrivena masovna grobnica u kojoj je pronađeno više od 700 ljudskih tijela. Uprkos činjenici da se nalazi nedaleko od samog centra glavnog grada Srbije, i da je na lokaciji nađeno 75 tijela djece - danas, 15 godina kasnije, ova masovna grobnica je i dalje bez ikakvog obilježja ili spomenika, i skoro niko u današnjoj Srbiji ni ne zna za ovaj slučaj i priču iza njega. On je i dalje javna tajna. U pokušaju da otkrije, rasvijetli i da glas ovim pričama, i dalje zakopanim u tišini, film se, meditativnim i hipnotišućim stilom, obraća doživljajima, mašti i osjećanjima gledaoca. Ognjen Glavonić je rođen 1985. godine. Diplomirao je filmsku režiju na Fakultetu dramskih umetnosti u Beogradu. Srednjometražni dokumentarac ŽIVAN PRAVI PANK FESTIVAL premijerno je prikazan u Centru Pompidou, na festivalu Cinéma du Réel, u Parizu, Francuska. Nakon toga, film je učestovao na preko 50 međunarodnih filmskih festivala, među kojima su: IFF Rotterdam, CPH:DOX, IndieLisboa, Festival dei Popoli. Glavonićev dugometražni dokumentarni film DUBINA DVA premijerno je prikazan na 66. filmskom festivalu u Berlinu. Ognjen je trenutno u fazi predprodukcije svog prvog dugometražnog igranog filma TERET. Glavonić je direktor i jedan od osnivača Pančevo Film Festivala. E In 2001, a mass grave holding the remains of over 700 people was found on the outskirts of Belgrade. Despite its proximity to the center of Serbia’s capital and the fact that it hid the remains of 75 children, the mass grave had never been marked with a monument or in any other way and almost no one in today’s Serbia knows about this case and the story behind it. It is still a public secret. In an attempt to give voice to the story of this mass grave that remains buried behind a wall of silence, the films employs a meditative and hypnotic language to communicate with viewers’ experiences, imagination and emotions. Ognjen Glavonić was born in 1985. He holds a degree in film directing from the Faculty of Dramatic Arts in Belgrade. His mid-length documentary ZIVAN MAKES A PUNK FESTIVAL premiered at Cinéma du Réel Film Festival in Paris, France. The film has been screened at over 40 international film festivals including IFF Rotterdam, CHP:DOX, IndieLisboa and Festival dei Popoli. Glavonić’s feature length documentary DEPTH TWO premiered at the 66th Berlin Film Festival. He is currently in preproduction of his debut feature film BURDEN. Glavonić is the director and one of the founders of the Pančevo Film Festival.

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BiH PREMIJERA / B&H PREMIERE Serbia, 2016, Colour, 80 min, Albanian, Serbian Režija / Director: Ognjen Glavonić Scenarij / Screenplay: Ognjen Glavonić Direktor fotografije / Director of Photography: Tatjana Krstevski Montaža / Editor: Jelena Maksimović Zvuk / Sound: Jakov Munižaba Producent / Producer: Dragana Jovović, Sandra Orlović Produkcija / Production: Non-Aligned Films, Fond za humanitarno pravo Kontakt / Contact: Non-Aligned Films; ognjenglavonic@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - DUBINA DVA / DEPTH TWO (dokumentarni film / documentary) 2014 - ŽIVAN PRAVI PANK FESTIVAL (dokumentarni film / documentary) 2012 - OD PEPELA / FROM THE ASHES (kratki film / short film) 2011 - OKTOBAR (omnibus) 2010 - RITAM GITARA, PRATEĆI VOKAL (kratki film / short film) 2009 - ŽIVAN PUJIĆ JIMMY (kratki dokumentarni film / short doc.)

Epomenos Stathmos: Oytopia / Iduća stanica: Utopija / Next Stop: Utopia Nakon što je fabrika Vio.Me. u Grčkoj zatvorena, grupa radnika odlučuje poduzeti radikalne mjere. Oni zauzimaju fabriku i pokušavaju sami upravljati njom poštujući pravila direktne demokratije. Njihov poduhvat inspiriše aktiviste širom svijeta, a bivša vlasnica fabrike u nevjerici posmatra kako se njen porodični biznis pretvara u simbol jačajuće radikalne ljevice. Samoupravljanje i borba da se sastavi kraj s krajem za radnike se pretvaraju u jedinstvenu avanturu punu napetosti i sukoba. Apostolos Karakasis je rođen 1970. u Solunu, Grčka. Studirao je film i video na West Surrey koledžu za umjetnost i dizajn u Velikoj Britaniji. Tokom bogate karijere u TV industriji fokusirao se na kulturološke i historijske teme. Kao reditelj je radio na mnogim dokumentarnim serijalima za grčku javnu televiziju ERT. U protekle dvije godine angažovan je na velikim audiovizuelnim prezentacijskim projektima dokumentarističke prirode (grčki paviljon na Svjetskoj izložbi EXPO u Šangaju 2010.). Karakasis od 2006. godine predaje montažu i dokumentarni film na Školi filma Aristotelovog univerziteta u Solunu. E After the Greek Vio.Me. factory shuts down, a group of former workers decides to take radical action. They occupy the factory and attempt to put it back in operation running it as a self-managed business. Their venture inspires activists around the world, while former owner watches in astonishment as her family business turns into a symbol of the up-and-coming radical left movements. The self-management attempt turns into a unique and conflict-ridden adventure for the workers who are struggling to make ends meet. Apostolos Karakasis was born in 1970 in Thessaloniki, Greece. He studied film and video at the West Surrey College of Art & Design in the UK. His extensive body of work for television mainly focuses on cultural and historical issues. He directed numerous documentary series produced by the Greek public television ERT. In the past two years he collaborated on large-scale documentary audiovisual presentation projects (Greek pavilion at the 2010 Shanghai Expo ). He teaches editing and documentary filmmaking at the Film Department of the Aristotle University in Thessaloniki since 2006.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, 2016, Colour, 91 min, Greek Režija / Director: Apostolos Karakasis Scenarij / Screenplay: Apostolos Karakasis Direktor fotografije / Director of Photography: Apostolos Karakasis, Thanasis Kafetzis, Dimitris Stampolis Montaža / Editor: Apostolos Karakasis, Chronis Theocharis Muzika / Music: Stavros Gasparatos Zvuk / Sound: Persefoni Miliou Producent / Producer: Marco Gastine, Eleni Chandrinou Produkcija / Production: MINIMAL FILMS (Greece) Kontakt / Contact: MINIMAL FILMS (Greece); eleni.chandrinou@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - EPOMENOS STATHMOS: OYTOPIA / NEXT STOP: UTOPIA (dokumentarni film / documentary) 2009 - NATIONAL GARDEN (dokumentarni film / documentary) 2008 - MANOS HADJIDAKIS: EIDOLO STON KATHREFTI (dokumentarni film / documentary) 1999 - ETON 98 (kratki dokumentarni film / short doc.) 1994 - POS NA ZEITE EPITYHOS MONOS SAS (kratki film / short film)

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Genç Pehlivanlar / Mladi hrvači / Young Wrestlers Dvadeset i šest dječaka, koji žive, uče i pate na sportskoj akademiji u turskoj proviniciji Amasya, spremni su izdržati mnogo toga kako bi zadovoljili svoju sportsku strast i ostvarili snove o hrvačkoj karijeri. Oni se suočavaju s uobičajenim izazovima adolescencije u okruženju kojim dominiraju muškarci u kontradiktornom modernom turskom društvu. Kamera ih snima i prati, ali bez uplitanja u njihovu rutinu, te nam tako omogućava da posmatramo njihov svakodnevni život na razmeđu između prijateljskih i takmičarskih nagona. Mete Gümürhan je rođen 1975. u Rotterdamu, gdje je i diplomirao 2009. godine nakon studija na Odsjeku za audiovizuelni dizajn i umjetnost Akademije Willem de Kooning. Tokom studija, 2007. godine, pokrenuo je kompaniju Kaliber Film, čiju je istoimenu podružnicu osnovao u Istanbulu 2012. Živi na relaciji Rotterdam-Istanbul. Film YOUNG WRESTLERS je njegov debitantski rediteljski projekt, a trenutno radi na svom prvom igranom filmu MNK BOY, za kojeg je dobio podršku od Ministarstva kulture Republike Turske. Pohađao je Berlinale Talents, IDFA Academy, CineMart Rotterdam Lab i EAVE radionice. E Living, learning, suffering for their passion: the 26 boys living at a sports academy in the Turkish province of Amasya will endure a lot to fulfill their wrestling dreams. They face the usual challenges of adolescence in a male dominated environment and in the contradictory contemporary Turkish society. The observational camera remains unobtrusive while still allowing us to experience the boys’ everyday life on the verge between camaraderie and competition.

Mete Gümürhan was born in Rotterdam in 1975. In 2009, he graduated from the Audiovisual Design & Art Department of the Willem de Kooning Academy in Rotterdam. During his studies at Willem de Kooning Academy, in 2007, Mete founded the Kaliber Film productions. In 2012 Mete established a branch of Kaliber Film in Istanbul. He is based in Rotterdam and Istanbul. YOUNG WRESTLERS is his directorial debut. He is currently working on his fiction film project MNK Boy, which won the support of the Turkish Ministry of Culture. He is an alumnus of the Berlinale Talents, IDFAcademy, CineMart’s Rotterdam Lab and EAVE.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, Netherlands, 2016, Colour, 90 min, Turkish Režija / Director: Mete Gümürhan Scenarij / Screenplay: Mete Gümürhan Direktor fotografije / Director of Photography: André Jäger Montaža / Editor: Ali Aga, Inèz Poortinga Zvuk / Sound: Cenker Köktenn, Huibert Boon Producent / Producer: Aydin Dehzad, Aslı Akdağ, Zeynep Aşkın Korkmaz, Kaan Korkmaz Produkcija / Production: Kaliber Film, Filmaltı Uloge / Cast: Muhammed Ceylan, Beytullah Onur, Baran Kendirlioğlu, Harun Kılıç, Ahmet Yücel, Ümit Yılmaz Kontakt / Contact: Widehouse, info@widehouse.org; www.widehouse.org FILMOGRAFIJA / FILMOGRAPHY: 2016 - YOUNG WRESTLERS (dokumentarni film / documentary)

Iza lica zrcala / A Two Way Mirror IZA LICA ZRCALA je autoričina lična potraga za unutrašnjim mirom, smještena u postojbini njenih predaka – zabačenom ličkom kraju u Hrvatskoj. U Lici postoji mnoštvo tunela, ali nakon svakog mračnog tunela punog tajni, strahova i tame – predstavljenog kroz organske, eksperimentalne kadrove – započinje novo godišnje doba. Iskustvo upotpunjuju zabilježene slike krajolika i ljudi, snimljeni zvuci i glas naratora. Katarina-Zrinka Matijević je rođena u Zagrebu 1973. godine. Filmsku i televizijsku režiju je diplomirala 2002. godine na Akademiji dramske umjetnosti u Zagrebu, a filozofiju i komparativnu književnost na Filozofskom fakultetu, također u Zagrebu. Režirala je više dokumentarnih i kratkih filmova, koji su prikazivani na festivalima širom svijeta. Njen studentski film DUEL osvojio je više značajnih nagrada na festivalima studentskog filma, uključujući Nagradu “Jelena Rajković”, Oktavijana i Veliku nagradu na Danima hrvatskog filma. E A TWO WAY MIRROR is the author’s personal quest for inner peace, set in the remote land of her ancestors - the Croatian region of Lika. There are many tunnels in Lika, and after every dark tunnel, filled with secrets, fear and darkness - all shown through organic, experimental images - a new season of the year begins. The images of the land and people, captured sounds and the voice of the narrator complete the experience.

Katarina-Zrinka Matijević was born in Zagreb in 1973. She earned a degree in film and TV directing at the Academy of Dramatic Arts in 2002, and holds a degree in philosophy and world literature from the Faculty of Humanities and Social Sciences in Zagreb. She has directed and written several documentaries and short films screened at festivals around the world. Her student film DUEL has won awards at prominent student festivals, including the Jelena Rajković Award, the Oktavijan Award and the Grand Prix at the Days of Croatian Film.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2016, Colour, 42 min, Croatian Režija / Director: Katarina Zrinka Matijević Scenarij / Screenplay: Katarina Zrinka Matijević Direktor fotografije / Director of Photography: Vjeran Hrpka Montaža / Editor: Ana Štulina Muzika / Music: Šumovi protiv valova Zvuk / Sound: Ivan Zelić Producent / Producer: Nenad Puhovski, Tamara Babun Produkcija / Production: Factum Kontakt / Contact: Factum; martina@zagrebdox.net, info@factum.com.hr; www.factum.com.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 - A TWO WAY MIRROR (dokumentarni film / documentary) 2004 - PEŠČENOPOLIS (dokumentarni film / documentary) 2000 - ON COWS AND MEN (dokumentarni film / documentary) 1998 - DUEL (dokumentarni film / documentary)

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Kino otok / Islands of Forgotten Cinemas Poetski dokumentarac o izgubljenoj kulturi posjećivanja kina u malim mjestima na hrvatskim otocima tokom druge polovine prošlog stoljeća. Šestero svjedoka vremena prisjeća se svojih omiljenih filmova i događaja vezanih uz gledanje i prikazivanje filmova koji su im obilježili živote. Ivan Ramljak je filmski kritičar, reditelj i nezavisni kustos. Trenutno uređuje program Kratkog utorka u kinu Tuškanac u Zagrebu. Dosad je režirao pet kratkih filmova, od toga četiri igrana u kolaboraciji s Markom Škobaljem i jedan dokumentarni. E A poetic documentary about the lost culture of cinema-going in small towns on Croatian islands, a culture that had been particularly strong in the second half of the last century. Six protagonists recall the past times, their favorite movies and events related to film screenings that had a profound impact on their lives. Ivan Ramljak is a movie critic, film director and independent curator. He currently curates Tuesday Shorts program of Zagreb’s Tuskenc Cinema. Ramljak directed five short films, including four short features that he codirected with Marko Skobalj, and one short documentary.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2016, Colour, 35 min, Croatian Režija / Director: Ivan Ramljak Scenarij / Screenplay: Ivan Ramljak Direktor fotografije / Director of Photography: Ivan Slipčević Montaža / Editor: Damir Čučić Zvuk / Sound: Hrvoje Radnić Producent / Producer: Vanja Jambrović Produkcija / Production: Restart Kontakt / Contact: restart@restarted.hr; www.restarted.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 - ISLANDS OF FORGOTTEN CINEMAS (kratki dokumentarni film / short doc.) 2013 - TRAPULA (kratki film / short film) 2011 - IN UTERO (kratki film / short film) 2009 - OSLOBOĐENJE U 26 SLIKA (kratki film / short film) 2009 - NAJPAMETNIJE NASELJE U DRŽAVI (kratki film / short film) 2008 - BABA VIŠNJINA (kratki dokumentarni film / short doc.)

Korida KORIDA prati troje protagonista na njihovom dirljivom proputovanju kroz fascinantni svijet bosanskih borbi bikova, takozvanih korida. Svijet korida je pun mitova i herojskih priča koje prethodno gotovo da i nisu filmski zabilježene. KORIDA nudi uzbudljiv, dramatičan i zabavan novi pogled na svijet o kojem gotovo ništa ne znamo, iako se njegove granice protežu skoro do našeg kućnog praga. To je priča o zaostavštini arhaičnih vremena u modernim društvima, priča o odnosu čovjeka sa prirodom i o ujedinjujućoj snazi borbi bikova. Siniša Vidović je rođen u Rijeci, Hrvatska, a posljednjih 20 godina živi u Austriji. Studirao je film i video na Univerzitetu za umjetnost i industrijski dizajn u Lincu. Njegov kratki diplomski film VATER MORGAN prikazivan je na prestižnim filmskim festivalima širom svijeta, a proglašen je najboljim austrijskim kratkim studentskim filmom za 2008. Iste godine kada je nagrađen, Vidović je osnovao vlastitu produkcijsku kompaniju Forafilm, pod čijim je okriljem producirao i režirao više nagrađivanih video radova i reklama. KORIDA je njegov prvi dugometražni dokumentarni film. E KORIDA follows three protagonists on their touching journey through the fascinating world of Bosnian bullfights, the Koridas. It is a world full of myths and heroic tales which has hardly been captured on film up until now. In an exciting, dramatic and entertaining manner KORIDA offers a new perspective of a universe that we barely know about and yet it extends all the way to our front doors. The film talks about the still vital archaic remnants within modern societies, about the relationship between humans and nature and about the unifying power of bullfights.

Siniša Vidović was born in Rijeka, Croatia. He has been living in Austria for the past 20 years. He studied film and video at the University of Arts and Industrial Design in Linz. His graduation short film VATER MORGANA has been screened at prestigious festivals worldwide and won the Best Austrian Student Short Film Award 2008. That same year he founded his production company Forafilm, through which he produced and directed several award-winning videos and commercials. KORIDA is his first feature documentary.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2016, Colour, 87 min, Bosnian, Croatian, German, Serbian Režija / Director: Siniša Vidović Scenarij / Screenplay: Senad Halilbašić, Siniša Vidović Direktor fotografije / Director of Photography: Lukas Kronsteiner, Siniša Vidović Montaža / Editor: Cordula Werner Muzika / Music: Karwan Marouf Zvuk / Sound: Atanas Tcholakov, Predrag Djorda, Hjalti Bager-Jonathansson Producent / Producer: Arash T. Riahi & Karin C. Berger Produkcija / Production: Golden Girls Filmprduktion & Filmservices GmbH Kontakt / Contact: office@goldengirls.at; www.goldengirls.at FILMOGRAFIJA / FILMOGRAPHY: 2016 - KORIDA (dokumentarni film / documentary) 2008 - VATER MORGANA (kratki film / short film) 2004 - THE STEEL TOWN STORY (kratki film / short film) 2004 - ANDERE BAUSTELLE (kratki film / short film)

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My Own Private War / Moj vlastiti rat Mama, koja je razlika između dobra i zla? Šta se desi kada kolektivna trauma uđe u porodicu? Kako izaći na kraj s vlastitom ratnom prošlošću? Kako da svoju djecu oslobodite toga tereta? U ovom iznimno intimnom dokumentarcu Lidija Zelović pokušava odgovoriti na prethodna pitanja na osnovu vlastitog životnog iskustva. Lidija Zelović je rođena u Zagrebu 1970., a djetinjstvo je provela u Sarajevu. Studirala je jugoslavensku književnost i srpskohrvatski jezik. Sarajevo napušta tokom rata 1993. godine i kao izbjeglica se seli u Holandiju. U Amsterdamu je studirala film. Njen prvi film ONCE UPON A TIME nominiran je za najbolji holandski kratki film za 1998., a MY FRIENDS je nominiran za najbolji holandski dokumentarni film za 2007. godinu. Njen posljednji dokumentarac MY OWN PRIVATE WAR osvojio je Priznanje direktora Međunarodnog festivala dokumentarnog i TV filma u Sevastopolju. E Mama, what is the difference between good and bad? What happens when collective trauma enters a family? How do you get to terms with your own war history? And how can you ensure that your children don’t have to carry this burden? In this very personal documentary Lidija Zelović tries to answer these questions. The story is based on the fimmaker’s personal experiences.

Lidija Zelović was born in 1970 in Zagreb and grew up in Sarajevo. She studied Yugoslav literature and Serbo-Croatian Language. In 1993, during the war in Sarajevo, she fled to Netherlands, where she studied film science in Amsterdam. Her first film ONCE UPON A TIME was nominated for the best Dutch short film in 1998, and her film MY FRIENDS was nominated for the best Dutch documentary in 2007. Her latest documentary MY OWN PRIVATE WAR won the Festival Director’s Award at the Sevastopol International Documentary Film and Television Festival.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Bosnia and Herzegovina, Netherlands, 2016, Colour, 57 min, Croatian, Dutch, English, Serbian Režija / Director: Lidija Zelović Scenarij / Screenplay: Lidija Zelović, Rogier Kappers Direktor fotografije / Director of Photography: Alexander Goekjian, Marinus Groothof, Lidija Zelović, Tatjana Bozic Montaža / Editor: Alexander Goekjian Zvuk / Sound: Sam Simons, Rogier Kappers Producent / Producer: Margie Monfils Produkcija / Production: IKON docs (Netherlands), Forum (Bosnia and Herzegovina) Uloge / Cast: Lidija Zelović Kontakt / Contact: IKON docs; margie.monfils@ikon.nl FILMOGRAFIJA / FILMOGRAPHY: 2015 - MY OWN PRIVATE WAR (dokumentarni film / documentary) 2014 - YASSINE GOES TO SYRIA (dokumentarni film / documentary) 2012 - THE HOUSE THAT FATA NEVER BUILT (dokumentarni film / documentary) 2005 - JUST ANOTHER DAY (dokumentarni film / documentary) 2003 - END GAME (dokumentarni film / documentary) 1998 - ONCE UPON A TIME THERE WAS A COUNTRY (kratki dokumentarni film / short doc.)

Reményvasút / Voz za zrelost / Train to Adulthood VOZ ZA ZRELOST je priča o sazrijevanju troje mladih koji spas od životnih nedaća nalaze u radu za Dječiju željeznicu u Budimpešti. Kada rade na željeznici, uživaju da se pretvaraju da su odgovorni, odrasli ljudi, ali kod kuće su prisiljeni na naglo odrastanje. Dječija željeznica je metafora autora filma za današnju Mađarsku: zemlju obilježenu neuspjelom političkom i društvenom tranzicijom, u kojoj su društvene veze pokidane, a društvene institucije propale. Klára Trencsényi je rođena 1975. godine. Radi kao samostalna rediteljica i snimateljica na kreativnim i društveno angažovanim dokumentarcima. Završila je studij na Mađarskoj filmskoj akademiji u Budimpešti 2005., te postala diplomirana direktorica fotografije. Kao snimateljica je radila na brojnim međunarodnim produkcijama s rediteljima i rediteljicama iz Holandije, Amerike i Mađarske (npr. 2005. na filmu THE ANGELMAKERS, rediteljke Astrid Bussink, koji je nagrađen nagradom IDFA). Učestvovala je u brojnim filmskim radionicama, uključujući radionicu “Nedjelja na selu” 2008., Berlinale Talent Campus 2008. i EsoDoc radionicu 2006. Trencsényi je 2010. organizovala myDEER 2010 – prvu radionicu za autore kreativnog dokumentarnog filma i forum za predstavljanje projekata u Mađarskoj. E TRAIN TO ADULTHOOD is a coming-of-age story about three youngsters who find an escape from life’s ordeals by working on the Budapest Children’s Railway. While they enjoy playing at being responsible adults on the Train, at home they are forced to mature abruptly. The Children’s Train is a metaphor used by the filmmakers to explore present-day Hungary: a country faltering in its political and social transition, where community ties have been broken and social institutions collapsed.

Klára Trencsényi was born in 1975. She works as a freelance director and cinematographer, making creative and socially minded documentaries. She graduated from the Hungarian Film Academy in Budapest in 2005, becoming a director of photography. As a cinematographer, she worked on numerous international productions collaborating with Dutch, American and Hungarian directors (e.g. the IDFA awarded THE ANGELMAKERS directed by Astrid Bussink in 2005). She participated in ‘A Sunday in the Country’ workshop of the 2008 Berlinale Talent Campus and EsoDoc 2006. In 2010, she organized the first creative documentary workshop and pitching forum in Hungary, myDEER 2010.

BiH PREMIJERA / B&H PREMIERE Hungary, 2015, Colour, 79 min, Hungarian Režija / Director: Klára Trencsényi Scenarij / Screenplay: Klára Trencsényi Direktor fotografije / Director of Photography: Márton Vízkelety, Klára Trencsényi Montaža / Editor: Judit Czakó Muzika / Music: Andor Sperling Zvuk / Sound: Rudolf Várhegyi Producent / Producer: Julianna Ugrin Produkcija / Production: Éclipse Film Kontakt / Contact: Éclipse Film; julianna.ugrin@eclipsefilm.hu FILMOGRAFIJA / FILMOGRAPHY: 2016 - TRAIN TO ADULTHOOD (dokumentarni film / documentary) 2011 - CORVIN VARATIONS (dokumentarni film / documentary) 2009 - BIRDS’ WAY (dokumentarni film / documentary) 2009 - 3WEDDINGS - ELENA&LEO (kratki dokumentarni film / short doc.) 2007 - A CHANCE (dokumentarni film / documentary)

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Scream for me Sarajevo Dokumentarni film o Sarajevu pod opsadom, muzici u tom gradu, s akcentom na 14. decembar 1994. i koncert Brucea Dickinsona u BKC-u. O ljudima koji su rizikovali svoje živote da bi svirali pred ljudima koji su rizikovali svoje živote da bi živjeli. Tarik Hodžić je rođen u Sarajevu 1976. godine. Student je prava na Pravnom fakultetu u Sarajevu, a od 2004. godine paralelno studira i režiju na sarajevskoj Akademiji scenskih umjetnosti. Hodžić je prethodno radio kao televizijski i radio voditelj i muzički urednik, te kao grafički dizajner u agenciji Cyber-net. E A documentary film about Sarajevo during the 1992-95 siege; specifically a film about the music scene in the besieged Bosnian capital with special focus on a concert held in the city’s BKC music hall by Bruce Dickinson on December 14, 1994. It is a film about people who risked their lives to perform for the people who risked their lives in order to live them.

Tarik Hodžić was born in Sarajevo in 1976. He is studying law at the Faculty of Law of the Sarajevo University. Since 2004 he has also been studying film directing at the Sarajevo’s Academy of Performing Arts. Over the years Hodžić worked as TV and radio host and music editor, as well as a graphic designer for Cyber-net design agency.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2016, Colour and b&w, 90 min, Bosnian, English Režija / Director: Tarik Hodžić Scenarij / Screenplay: Tarik Hodžić, Jasenko Pašić Direktor fotografije / Director of Photography: Amel Đikoli Montaža / Editor: Tarik Hodžić Muzika / Music: Bruce Dickinson Zvuk / Sound: Nenad Nešo Kovačević Producent / Producer: Adnan Ćuhara Produkcija / Production: Prime Time Uloge / Cast: Bruce Dickinson, Alex Elena, Chris Dale, Jasenko Pašić, Feđa Štukan, Erol Gagula Kontakt / Contact: Prime Time, adnan@primetime.co.ba; www.primetime.co.ba FILMOGRAFIJA / FILMOGRAPHY: 2016 - SCREAM FOR ME SARAJEVO (dokumentarni film / documentary) 2014 - BEHAR (kratki film / short film) 2012 - LEAGUE OF EXTRAORDINARY GENTLEMEN (dokumentarni film / documentary) 2010 - BALANCE (kratki film / short film) 2006 - TAJNA VISOČKE PIRAMIDE / THE SECRET OF THE BOSNIAN PYRAMIDS (dokumentarni film / documentary)

Srce od drveta / The Heart of Wood Čovjek napravi srce od drveta i onda svira na njemu. Ćamil Metiljević istim rukama radi težak posao, a potom pravi čaroban instrument i svira na njemu. Namik Kabil rođen je u Tuzli 1968. godine. Završio je studij filma na Santa Monica Collegu i Los Angeles City Collegu u Los Angelesu, SAD. Trenutno u Sarajevu radi kao pisac, scenarista i filmski reditelj. Napisao je nekoliko scenarija za televizijske projekte, te za igrani film KOD AMIDŽE IDRIZA reditelja Pjera Žalice. Njegov dokumentarni film INFORMATIVNI RAZGOVORI dobitnik je nagrade Srce Sarajeva za najbolji dokumentarni film Sarajevo Film Festivala 2007. godine. E A man makes a heart of wood and then he plays it. Ćamil Metiljević uses his two hands for hard manual labor, but also to make a magical music instrument and play it.

Namik Kabil was born in Tuzla, Bosnia and Herzegovina, in 1968. He studied film at Santa Monica College and Los Angeles City College in Los Angeles, USA. He currently lives in Sarajevo where he works as a novelist, script writer and film director. He wrote several TV scripts, as well as the screenplay for DAYS AND HOURS a feature film by Bosnian director Pijer Zalica. Kabil’s documentary INTERROGATION won the Heart of Sarajevo Award for the best documentary at the 2007 Sarajevo Film Festival.

SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2016, Colour, 30 min, Bosnian Režija / Director: Namik Kabil Scenarij / Screenplay: Namik Kabil Direktor fotografije / Director of Photography: Aziz Čeho Montaža / Editor: Aziz Čeho Muzika / Music: Ćamil Metiljević Zvuk / Sound: Aziz Čeho Producent / Producer: Edin Lonić Produkcija / Production: Federalna televizija (FTV) Uloge / Cast: Zejna Metiljević, Ćamil Metiljević Kontakt / Contact: namik.kabil@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - SRCE OD DRVETA / THE HEART OF WOOD (dokumentarni film / documentary) 2011 - MAGNET (kratki dokumentarni film / short doc.) 2009 - VJERNICI (kratki dokumentarni film / short doc.) 2008 - ČUVARI NOĆI 2007 - INFORMATIVNI RAZGOVORI (dokumentarni film / documentary) 2005 - POVRATAK (dokumentarni fim / documentary) 2003 - SEX PLANETA (kratki film / short film)

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Svetlana Dokumentarni film SVETLANA govori nam o životnim izazovima i neizvjesnostima koje život nosi. Milan je čovjek koji je na putu od komunizma do kapitalizma skrenuo s tračnica i stjecajem nesrećnih okolnosti našao se u međuprostoru u kojem se ne snalazi. Milanova životna priča je teška, turbulentna, nabijena emocijama i životnim iskustvima koja su nekada bila okrutna prema njemu. Spas od sjećanja na težak život pronalazi u konstatnom radu i čekanju Svetlane. Pero Pavlović je rođen 1980. godine u Bosni i Hercegovini. Studije filmske i TV kamere završio je 2009. godine na Akademiji umjetnosti u Banjoj Luci, a master studije na Katedri za kameru na Fakultetu dramskih umetnosti u Beogradu. Jedan je od osnivača Asocijacije snimatelja Bosne i Hercegovine. Radio je na poziciji vodećeg snimatelja na državnoj televiziji Bosne i Hercegovine, od 2002. do 2012. godine. Trenutno radi za televizijsku kuću Al Jazeera Balkans. E SVETLANA talks about challenges and uncertainties one faces during life. Milan is a man who had been sidetracked during transition from communism to capitalism, finding himself in an in-between land. Story of his life is difficult, turbulent, filled with emotions and sometimes cruel experiences. He finds salvation from the memories of his hard life in endless work and waiting for Svetlana.

Pero Pavlović was born in 1980 in Bosnia and Herzegovina. He graduated film and television cinematography at the Banja Luka Academy of Arts in 2009, and completed his master’s degree at the Department for Cinematography of the Faculty of Dramatic Arts in Belgrade. He is one of the founders of the Association of Cinematographers of Bosnia and Herzegovina. Pavlović spent ten years, from 2002 to 2012, with the Television of Bosnia and Herzegovina, working as the public broadcaster’s chief videographer. At the moment he works for the Al Jazeera Balkans television channel.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2016, Colour, 25 min, Bosnian Režija / Director: Pero Pavlović Scenarij / Screenplay: Pero Pavlović Direktor fotografije / Director of Photography: Pero Pavlović Montaža / Editor: Siniša Zigić Zvuk / Sound: Predrag Blagojević Producent / Producer: Zoran Galić Produkcija / Production: VizArt Production Kontakt / Contact: VizArt Production; vizart@vizartfilms.com; www.vizartfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - SVETLANA (dokumentarni film / documentary) 2008 - ZVUK TIŠINE (dokumentarni film / documentary) 2006 - LJUDI SMO, ZAR NE? (dokumentarni film / documentary)

Unten / Tamo dole / Down There Kako je moguće da su – od kasnih šezdesetih do devedesetih godina prošloga stoljeća – djeca školskog uzrasta, iz godine u godinu, u društvenim centrima diljem Austrije, polagala zakletvu jugoslavenskom predsjedniku Titu? Zbog čega su ta djeca u kapitalističkoj državi – daleko od njihove domovine – morala učiti o jugoslavenskom radničkom samoupravljanju i eksploataciji radničke klase u kapitalizmu? Zapravo, šta je “domovina”? Kako se neko preko noći iz komuniste pretvori u nacionalistu? Đorđe Čenić je dijete jugoslavenskih “gastarbajtera”, rođen 1975. u Lincu, Austrija. Studirao je historiju i slavistiku. Živi u Salzburgu, gdje radi kao historičar, muzičar i filmski autor. Hermann Peseckas je rođen 1950. godine u Njemačkoj. Živi u Salzburgu, gdje i radi kao reditelj. Osnivač je Studio Westa. E How can it be that for years, between the late 1960s and 1990s, the primary school children were swearing an oath to Yugoslav president Tito in community centers across Austria? And why they had to learn about the Yugoslav system of workers’ self-management and about the exploitation of working classes in capitalism in a capitalist country far away from their homeland? And what is “home” anyway? How does a communist turn into a nationalist overnight?

Đorđe Čenić was born in 1975 in Linz, Austria, to ‘’gastarbajter’’ parents from Yugoslavia. He studied history and Slavic studies. He lives in Salzburg and works as a historian, musician and filmmaker. Hermann Peseckas is a Salzburg-based filmmaker born in Germany in 1950. He is a founding member of Studio West.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Austria, 2016, Colour, 87 min, Croatian, German, Serbian Režija / Director: Đorđe Čenić, Hermann Peseckas Scenarij / Screenplay: Đorđe Čenić, Hermann Peseckas Direktor fotografije / Director of Photography: Đorđe Čenić, Hermann Peseckas Montaža / Editor: Dominik Spritzendorfer Muzika / Music: Đorđe Čenić aka Djoki Django Zvuk / Sound: Andreas Hamza Producent / Producer: Đorđe Čenić Produkcija / Production: Đorđe Čenić Kontakt / Contact: Đorđe Čenić; djordjecenic55@yahoo.com FILMOGRAFIJA / FILMOGRAPHY: Đorđe Čenić: 2016 - UNTEN / DOWN THERE (dokumentarni film / documentary) 2007 - GASTARBAJTERI (dokumentarni film / documentary) 2006 - ROMSKI BAL (dokumentarni film / documentary) 2000 - DER ZEREMONIENMEISTER (kratki dokumentarni film / short doc.) Hermann Peseckas: 2016 - UNTEN / DOWN THERE (dokumentarni film / documentary) 2013 - IN MEINEN ADERN FLIESST KASACHISCHER TEE (dokumentarni film / documentary) 2009 - DIE ROMA VON STOLIPINOVO (dokumentarni film / documentary) 2005 - DER MORD VON SANTA CRUZ (dokumentarni film / documentary)

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Zid smrti, i tako to / Wall of Death, and All That Kao desetogodišnja djevojčica, Brankica je bila glavna atrakcija seoskih vašara. Njena su starija braća bili proslavljene akrobate na zidu smrti, legende bivše Jugoslavije, a ona je bila princeza zida. Njena braća odavno nisu među živima, a Brankici je 43 godine i već je baka šestoro unučadi. Brankica i dalje izvodi iste smrtonosno opasne trikove na motoru i vozi se po rubovima šest metara visoke drvene bačve. Život provodi uz posljednji preostali zid smrti, rastrzana između melanholičnih uspomena i klaustrofobične sadašnjosti. Mladen Kovačević je studirao filmsku režiju u Beogradu, Londonu i Kejp Taunu. Poslije studija se posvetio dokumentarnom filmu. Za par godina snimio je nekoliko naručenih i tematskih dokumentaraca, kao i debitantski autorski dokumentarac UNPLUGGED sa kojim postiže veliki međunarodni uspjeh i koji je premijeru imao u takmičarskom programu festivala Visions du Reel 2013. Film je od tada prikazan na oko 80 festivala na kojima je osvojio deset nagrada. ZID SMRTI, I TAKO TO imao je svjetsku premijeru u takmičarskoj selekciji festivala Visions du Réel 2016., i osvojio je nagrade za najbolji film i najbolju kameru na Beldocsu 2016. E Brankica was the central attraction at country-fairs, when she was just 10 years old. Her big brothers were star acrobats on the wall of death, legends in former Yugoslavia, she was the princess of the wall. Now, her brothers are long gone, she is the only one left behind. A 43-year-old grandmother of six grandchildren, she is repeating the same old stunts on her motorcycle while riding on the sidewalls of the 6 meters wide wooden barrel. She lingers between her melancholic memories and the claustrophobic existence around the last remaining wall of death.

Mladen Kovačević studied film directing in Belgrade, London and Cape Town. After his studies, Mladen dedicated himself to documentary filmmaking. In just a few years, he made several commissioned and thematic documentaries, as well as his debut documentary feature - the unpretentiously offbeat and highly acclaimed UNPLUGGED, which premiered in competition at Visions du Réel 2013, and has since won ten awards at over 80 festivals worldwide. His latest film WALL OF DEATH, AND ALL THATpremiered in the international competition at Visions du Réel 2016, and has since won the Best Film and the Best Camera awards at 2016 Beldocs.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Serbia, Croatia, 2016, Colour, 62 min, Serbian Režija / Director: Mladen Kovačević Scenarij / Screenplay: Mladen Kovačević Direktor fotografije / Director of Photography: Pablo Ferro Montaža / Editor: Jelena Maksimović Muzika / Music: Nemanja Mosurović Zvuk / Sound: Aleksandar Protić Kostimografija / Costume Design: na Scenografija / Production Design: na Producent / Producer: Mladen Kovačević, Tibor Keser Produkcija / Production: Horopter Film Production (Serbia), Restart (Croatia) Kontakt / Contact: mladen.kovacevic@horopter.rs, www.horopter.rs; tibor@restarted.hr, www.restarted.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 - WALL OF DEATH, AND ALL THAT (dokumentarni film / documentary) 2013 - UNPLUGGED (dokumentarni film / documentary)

U fokusu / In Focus

Abluka / Mahnitost / Frenzy, Emin Alper

Bacalaureat / Matura / Graduation, Cristian Mungiu

Interruption / Prekid, Yorgos Zois

Nočno življenje / Noćni život / Nightlife, Damjan Kozole

S one strane / On the Other Side, Zrinko Ogresta

Sieranevada, Cristi Puiu

Smrt u Sarajevu / Death in Sarajevo, Danis Tanović

U fokusu / In Focus 2016 Ovogodišnji program U fokusu donosi 7 naslova koji su obilježili filmski svijet u protekloj godini. Među prvim filmovima koji su odabrani bili su filmovi koji su izuzetno uspješno započeli svoje festivalske živote na Filmskom festivalu u Veneciji prošle godine. Radi se o turskom filmu ABLUKA / MAHNITOST reditelja Emina Alpera, drugi film reditelja, koji nam donosi intenzivnu psiho-socijalnu dramu smještenu u svijet nadolazeće apokalipse. ABLUKA je namjerno opresivan prikaz društva dovedenog do ruba zbog straha od terorizma. Drugi film je INTERRUPTION / PREKID grčkog debitanta Yorgosa Zoisa, koji je razvijan kroz CineLink koprodukcijski market. Film koji je inspirisan istinitim događajem donosi intrigantnu priču sa zaključkom koliko je zbunjujuće, opasno, ali istovremeno i oslobađajuće, miješati i poigravati se sa stvarnošću i fikcijom. Radnja filma se dešava u pozorištu, na sceni postmoderne adaptacije Eshilove “Orestije”, s ciljem da se sruše sve konvencije i da se izgradi novi hibridni svijet na pepelu starog. Sa filmskog festivala iz Berlina dolaze, također, dva naslova. Jedan je hrvatski film S ONE STRANE reditelja Zrinka Ogreste koji je u Berlinu prikazan u okviru programa Panorama. Ova potresna psihološka drama donosi jedan neobičan i neočekivan preokret u tretiranju teme rata i poslijeratnog perioda u bivšoj Jugoslaviji. Izvanrednu glavnu ulogu ostvarila je hrvatska glumica Ksenija Marinković, a direktor fotografije Brako Linta briljira u savršenoj kompoziciji poprilično skučenog svijeta glavne junakinje. U svom sedmom igranom filmu SMRT U SARAJEVU, Danis Tanović tretira bosanskohercegovačku zbilju na datum proslave stogodišnjice atentata nad Franzom Ferdinandom. Ova izuzetno stručno modulirana drama je jedan od najjasnijih i najhrabrijih zaključaka o paralizovanom bosanskohercegovačkom društvu, smještena u propale prostore poznatog sarajevskog hotela. Film je u Berlinu osvojio Srebrenog Medvjeda, a u filmu se snažno ističe glumački ansambl te autorska ekipa, što ga čini odličnim izborom za ovogodišnji program U fokusu.

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Na filmskom festivalu u Kanu u zvaničnoj selekciji prikazana su čak dva rumunska filma. Film kanskog pobjednika Cristiana Munguia BACALAUERAT / MATURA donosi priču o korumpiranosti rumunskog društva kroz vrlo jednostavan, možda i naivan zaplet. Ovo je izuzetno inteligentan film koji daje sliku blijedog i anemičnog stanja rumunskog društva nakon perioda velikih nada. Za ovaj film Mungiu je osvojio nagradu za najboljeg reditelja festivala u Cannesu. Drugi rumunjski film je SIERANEVADA reditelja Cristia Puia, koji donosi priču o porodičnom okupljanju, te nam kroz to pruža majstorski portret savremene srednje klase u Rumuniji, ali i niz mudrih, perceptivnih refleksija o relativnosti istine, o varljivosti sjećanja, o prekidanju historije te o značaju religije. Iz Slovenije ove godine dolazi film NOČNO ŽIVLJENJE / NOĆNI ŽIVOT Damjana Kozolea, reditelja koji je poznat sarajevskoj publici, a koji je ove godine nagrađen nagradom za najboljeg reditelja na filmskom festivalu u Karlovym Varyma. Film je inspirisan istinitim događajem koji se desio u Sloveniji, a istražuje jedan izuzetno nasilan napad na advokata i špekulacije o tome šta se zaista desilo. Film se praktično dešava tokom jedne noći kada glavna junakinja (Pia Zemljič) otkriva da joj je muž napadnut i da mu se doktori bore za život. Okolnosti su neobične, a sa svakim novim saznanjem slučaj je sve opskurniji, no iznenađenje je da je jedina stvar koja junakinju zanima, sakriti istinu. Fizička bol je mnogo manje alarmantna od prijetnje da se nečiji ugled uruši. Ovogodišnji program U fokusu predstavlja snažan uvid u teme koje opsjedaju naše evropsko društvo, te niz sjajnih filmova reditelja od kojih su neki debitanti a neki već iskusni i priznati veterani filmske umjetnosti.

E This year’s edition of the In Focus section brings seven titles which captivated the world of film in the past year. Among the first titles selected for our programme were two films whose successful tour of the international festival circuit begun at the 2015 Venice Film Festival: respective Turkish and Greek entries ABLUKA / FRENZY and INTERRUPTION. FRENZY, the second feature from Turkish filmmaker Emin Alper, is an intense psycho-social drama set in a landscape approaching apocalypse and an intentionally oppressive parable of a society brought to the brink of defeat by its fear of terrorism. Greek director Yorgos Zois’s feature debut INTERRUPTION, developed through CineLink Coproduction Market, is an intriguing story inspired by a real-life event and shows how mixing reality and fiction is confusing, dangerous, but yet liberating. The film uses a theatrical stage set for a post-modern adaptation of Aeschylus’ “Oresteia” to break down conventions and build a new hybrid world from the ashes of the old one.

Our line-up also includes two films that were screened at Berlin Film Festival. S ONE STRANE / ON THE OTHER SIDE by Zrinko Ogresta, from Croatia, previously showcased in the Berlinale’s Panorama section, is a moving psychological drama that brings a new and unexpected twist to the subject of war and post-war years in the former Yugoslavia. Branko Linta’s brilliant camerawork gives the real sense of the narrow world of the film’s main female character remarkably performed by Croatian actress Ksenija Marinković. In his seventh feature SMRT U SARAJEVU / DEATH IN SARAJEVO, Danis Tanović probes the reality of present day Bosnia-Herzegovina on the 100th anniversary of the assassination of Austrian Archduke Franz Ferdinand in Sarajevo. Tanović’s expertly modulated drama, set in a decaying Sarajevo hotel, is one of the clearest and bravest summations of Bosnia-Herzegovina’s paralyzed society. The film, notable for its strong cast and creative crew, won the Silver Bear Award at Berlin Film Festival, making it a perfect match for 2016 In Focus line-up.

The selection includes two Romanian films both screened in competition of the 2016 Cannes Film Festival. Romanian Palme d’Or winner Cristian Mungiu’s latest film BACALAUERAT / GRADUATION uses its simple, possibly even a naïve plotline, to tell a story about corruption-infested Romanian society. This deeply intelligent film, that paints a bleak picture of the anemic Romanian society that emerged after a period of great hope, brought Mungiu the Best Director Award in Cannes. The second Romanian film is Cristi Puiu’s SIERANEVADA, a story about a family reunion which offers not only a masterful portrait of the contemporary Romanian middle class but also a number of wise, perceptive reflections on the relativity of truth, the failings of memory, the interpretations of history and the significance of religion. In Focus will also present Slovenian entry NOČNO ŽIVLJENJE / NIGHTLIFE by Damjan Kozole, a director well-know by Sarajevo audiences, who won the Best Director Award at the last Karlovy Vary Film Festival. Inspired by a true event in Slovenia, the film explores a violent attack on an attorney and the speculation as to what really happened. The story unfolds over the course of one night during which the lead female character (Pia Zemljič) discovers that her husband had been attacked and that doctors are fighting to keep him alive. The circumstance of the attack are unusual and are becoming increasingly obscure as more facts are revealed, but the most surprising discovery is that the primary concern of the attacked attorney’s wife is to hide the truth about what really happened. Physical harm is far less alarming than the threat of reputation damage. This year’s edition of the In Focus offers a good insight into the topics that our European society obsesses about, and a number of magnificent films both by first-time and by experienced, internationally renowned directors. Elma Tataragić Selektorica / Programmer

IN FOCUS l 22. Sarajevo Film Festival 75

Abluka / Mahnitost / Frenzy Istanbul se bori s političkim nasiljem. Visokopozicionirani policijski oficir Hamza nudi Kadiru uslovno puštanje iz zatvora. Uslov za puštanje na slobodu je da Hamza pristane raditi za novu obavještajnu jedinicu sastavljenu od sakupljača smeća. Kadir prihvata ponudu i počinje skupljati smeće u oronulim naseljima kako bi u otpadu tražio materijale preostale nakon kućne izrade eksplozivnih naprava. U jednom od oronulih naselja, Kadir nalazi svoga mlađeg brata Ahmeta. Emin Alper rođen je 1974. godine. Studirao je ekonomiju i historiju, a stekao je zvanje doktora moderne turske historije. Za svoj prvi igrani film, BEYOND THE HILL, dobio je niz nagrada, uključujući Caligari filmsku nagradu Međunarodnog filmskog festivala u Berlinu, kao i APSA nagradu za najbolji film azijsko-pacifičke regije. Alper je, također, po vlastitom scenariju snimio kratke filmove RIFAT i THE LETTER. FRENZY je njegov posljednji igrani film s kojim je osvojio specijalnu nagradu žirija na Međunarodnom filmskom festivalu u Veneciji. E Istanbul is in the grip of political violence. Hamza, a high-ranking police officer offers Kadir a conditional release from prison. To be released Kadir has to accept working for a new intelligence unit of garbage collectors. Kadir accepts the offer, and starts collecting trash from shanty towns and inspecting it for evidence of bomb-making activity. Kadir finds his younger brother Ahmet in one of the neighborhoods... Emin Alper was born in 1974. He studied economics and history and holds a PhD in Modern Turkish History. His first feature, BEYOND THE HILL has received numerous awards, including the Caligari Film Prize from the Berlin International Film Festival and the Best Film recognition in the Asia Pacific Screen Awards. Alper also wrote and directed short films RIFAT and THE LETTER. His latest film FRENZY received the Special Jury Prize of the Venice IFF.

France, Qatar, Turkey, 2015, Colour, 119 min, Turkish Režija / Director: Emin Alper Scenarij / Screenplay: Emin Alper Direktor fotografije / Director of Photography: Adam Jandrup Montaža / Editor: Osman Bayraktaroglu Muzika / Music: Cevdet Erek Zvuk / Sound: Cenker Kökten Kostimografija / Costume Design: Nurten Tinel Scenografija / Production Design: İsmail Durmaz Producent / Producer: Nadir Öperli, Enis Köstepen, Cem Doruk Produkcija / Production: Liman Film, Paprika Films, Insignia Productions Uloge / Cast: Mehmet Ozgur, Berkay Ates, Tülin Özen Kontakt / Contact: Match Factory; info@matchfactory.de; www.the-match-factory.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - ABLUKA / FRENZY 2012 - TEPENIN ARDI / BEYOND THE HILL 2006 - RIFAT (kratki film / short film) 2005 - THE LETTER (kratki film / short film) NAGRADE / AWARDS: - Nagrada Bisato d’Oro za najboljeg reditelja, Venecija 2015. / Bisato d’Oro Award for Best Director, Venice 2015 - Nagrada Arca CinemaGiovani za najbolji film, Venecija 2015. / Arca CinemaGiovani Award for Best Film, Venice 2015 - Specijalna nagrada žirija, Venecija 2015. / Special Jury Prize, Venice 2015 - Nagrada za najbolji balkanski film, Sofia IFF 2016. /

Best Balkan Film Award, Sofia IFF 2016

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Bacalaureat / Matura / Graduation Doktor Romeo Aldea, nastanjen u planinskom gradiću u Transilvaniji, svoju je kćerku Elizu odgajao s idejom da će kada napuni 18 godina napustiti porodični dom kako bi živjela i studirala u inostranstvu. Njegov plan bi se uskoro trebao ostvariti; Eliza je dobila stipendiju za studij psihologije u Velikoj Britaniji. Samo je potrebno da položi maturu što je puka formalnost za tako dobru učenicu. Dan prije njenog prvog pismenog ispita, Eliza je napadnuta a ovaj napad bi mogao da naruši njenu budućnost. Cristian Mungiu je rumunski scenarista i reditelj rođen u Iași, Rumunija, 1968. godine. Prije nego što je započeo studij filma, radio je kao nastavnik i novinar za štampane medije, radio i televiziju. Njegov debitantski igrani film WEST premijerno je prikazan u Directors’ Fortnight programu Filmskog festivala u Kanu 2002. godine i bio je apsolutni kino hit u Rumuniji. Njegov naredni film 4 MONTHS, 3 WEEKS AND 2 DAYS osvojio je Zlatnu palmu na Filmskom festivalu u Kanu, kao i nagrade Evropske filmske akademije za najbolji film i najboljeg reditelja. Bio je član žirija Filmskog festivala u Kanu 2013. GRADUATION je njegov peti igrani film. E Romeo Aldea, a physician living in a small mountain town in Transylvania, has raised his daughter Eliza with the idea that once she turns 18, she will leave to study and live abroad. His plan is close to succeeding – Eliza has received a scholarship to study psychology in the UK. She just has to pass her final exams – a formality for such a good student. On the day before her first written exam, Eliza is assaulted in an attack that could jeopardize her entire future.

Cristian Mungiu is a Romanian writer- director born in Iași, Romania in 1968. Before studying film, he worked as a teacher and journalist for the press, radio and TV. His debut film, OCCIDENT / WEST, was premiered in Quinzaine des Réalisateurs in Cannes in 2002 and was an audience hit in Romania. His second feature, 4 MONTHS, 3 WEEKS AND 2 DAYS, was awarded the Palme d’Or in Cannes. It also won the European Film Academy awards for best film and best director. He was a jury member of the Cannes Film Festival in 2013. BACALAUREAT / GRADUATION is his fifth film.

Romania, France, Belgium, 2016, Colour, 128 min, Romanian Režija / Director: Cristian Mungiu Scenarij / Screenplay: Cristian Mungiu Direktor fotografije / Director of Photography: Tudor Vladimir Panduru Montaža / Editor: Mircea Olteanu Kostimografija / Costume Design: Brandusa Ioan Scenografija / Production Design: Simona Paduretu Producent / Producer: Cristian Mungiu Produkcija / Production: Mobra Films, Why Not Productions, Wild Bunch Uloge / Cast: Adrian Titieni, Maria Drăguș, Lia Bugnar, Malina Manovici, Vlad Ivanov, Valeriu Andriuta, Eniko Benczo Kontakt / Contact: Wild Bunch; edevos@wildbunch.eu; www.wildbunch.biz FILMOGRAFIJA / FILMOGRAPHY: 2016 - BACALAUREAT / GRADUATION 2012 - DUPA DEALURI / BEYOND THE HILLS 2009 - AMINTIRI DIN EPOCA DE AUR / TALES FROM THE GOLDEN AGE 2007 - 4 LUNI, 3 SAPTAMÂNI SI 2 ZLIE / 4 MONTHS, 3 WEEKS AND 2 DAYS 2002 - OCCIDENT / WEST NAGRADE / AWARDS: - Nagrada ICS - Nagrada žirija, Kan 2016. / ICS Award - Prix du Jury, Cannes 2016 - Nagrada za najboljeg reditelja, Kan 2016. / Award for Best Director, Cannes 2016 - Nominacija za Zlatnu palmu, Kan 2016. / Palme d’Or nomination, Cannes 2016

IN FOCUS l 22. Sarajevo Film Festival 77

Interruption / Prekid U pozorištu u centru Atine igra se postmoderna teatarska adaptacija jedne klasične grčke tragedije. Kao i svake večeri, publika zauzima mjesta i predstava počinje. Odjednom, svjetla na pozornici se gase. Na scenu se penje grupa naoružanih mladih ljudi obučenih u crno. Izvinjavaju se za prekid i pozivaju publiku da im se pridruži na sceni. Publika je zbunjena, još uvijek im nije jasno da li je ovaj prekid dio predstave ili nije. Predstava se nastavlja, samo što sada život imitira umjetnost umjesto da umjetnost imitira život. Yorgos Zois rođen je u Atini 1982. godine. Studirao je primijenjenu matematiku i nuklearnu fiziku na Državnom tehničkom univerzitetu u Atini, dok je filmsku režiju studirao u Atini i Berlinu. Njegov debitantski kratki film, CASUS BELLI, premijerno je prikazan na 67. filmskom festivalu u Veneciji 2010. godine. Njegov drugi kratki film, OUT OF FRAME, također je prikazan u Veneciji, u okviru 69. izdanja festivala, a s njim je osvojio nagradu Evropske filmske akademije za najbolji kratki film, kao i niz drugih nagrada za vizuelni i dramaturški kvalitet. INTERRUPTION je njegov prvi dugometražni igrani film. Film je snimljen po scenariju za koji je osvojio CNC CineLink nagradu za razvoj scenarija 2011. godine. E A postmodern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the stage lights go out. A group of young people, dressed in black and carrying guns, come onto the stage. They apologize for the interruption and invite people from the audience to join them on stage. The audience is captivated by the ambivalence, uncertain if the interruption is a part of the play or not. The play resumes with one main difference: life imitates art and not the other way around.

Yorgos Zois was born in Athens in 1982. He studied applied math, nuclear physics at the NTUA and film direction in Athens and Berlin. His debut short film, CASUS BELLI, premiered at the 67th Venice Film Festival in 2010. His second short film, OUT OF FRAME, premiered at the 69th Venice Film Festival in 2012 and won the EFA award for the Best European short film and several distinctions for its visual form and concept of narration. INTERRUPTION is his first feature film, the script of which was awarded the development prize by CNC at CineLink 2011.

Greece, France, Croatia, 2015, Colour, 110 min, Greek Režija / Director: Yorgos Zois Scenarij / Screenplay: Yorgos Zois Direktor fotografije / Director of Photography: Yannis Kanakis Montaža / Editor: Yannis Chalkiadakis Muzika / Music: Sylvain Chauveau Zvuk / Sound: Hrvoje Petek, Alexandros Sidiropoulos, Aris Louziotis, Hervé Buirette Kostimografija / Costume Design: Zorana Meić, Eva Goulakou Producent / Producer: Maria Drandaki, Elie Meirovitz, Siniša Juričić Produkcija / Production: Pan Entertainment, EZ Films, JDP in association with Nukleus Film Uloge / Cast: Alexandros Vardaxoglou, Sofia Kokkali, Pavlos Iordanopoulos, Hristos Karteris, Romanna Lobats, Angeliki Margeti, Natassa Brouzioti, Aineias Tsamatis, Constantinos Voudouris, Maria Kallimani, Areti Seidaridou, Spyros Sidiras, Christos Sougaris, Alexandros Sotiriou, Elena Topalidou, Maria Filini, Vasilis Andreou, Daphne Ioakimidou-Patakia, Alexia Kaltsiki Kontakt / Contact: Ez-film ray@ez-films.com; www.ez-films.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - INTERRUPTION 2012 - TITLOI TELOUS / OUT OF FRAME (kratki film / short film) 2010 - CASUS BELLI (kratki film / short film) NAGRADE / AWARDS: - Nagrada Grčke filmske akademije za najboljeg debitanta 2016. / Hellenic Film Academy Award for Best Newcomer 2016

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Nočno življenje / Noćni život / Nightlife Poznati advokat jedne je noći pronađen na trotoaru uz glavnu ulicu u centru Ljubljane. Jedva da je svjestan, leži u lokvi krvi i tijelo mu je prekriveno psećim ugrizima. Doktori se u bolnici bore za njegov život dok se njegova šokirana žena mora suočiti sa svojim najdubljim strahovima. Tokom te noći, ona će prekršiti sva moralna pravila za koja se čitav život zalagala. Ovo je film o društvu u kojem je strah pokretačka snaga. Damjan Kozole rođen je 1964. godine u Brežicama, Slovenija. Ovaj nagrađivani slovenački reditelj iza sebe ima devet igranih i tri dugometražna dokumentarna filma, uključujući i izrazito cijenjeni film SPARE PARTS, koji je nominovan za Zlatnog medvjeda na 53. međunarodnom filmskom festivalu u Berlinu, kao i širom svijeta distribuirani film SLOVENIAN GIRL, koji je 2009. premijerno prikazan na festivalima u Torontu, Pusanu i Sarajevu. Američki filmski institut 2005. godine je organizovao retrospektivu filmova Damjana Kozole u Sjedinjenim Američkim Državama i Kanadi. E One night, a high-profile attorney is found on the pavement along a main road through Ljubljana. He is barely conscious, lying in a pool of blood, and covered in dog bites. Doctors at the medical center fight to keep him alive while his wife, in shock, confronts her deepest fears. During the course of the night she will break every moral standard she has stood up for in her life. This is a film about a society where fear is the driving force.

Damjan Kozole was born 1964 in Brežice, Slovenia. He is an award-winning Slovenian filmmaker whose directing credits include nine feature films and two feature documentaries, among them the critically acclaimed SPARE PARTS, nominated for the Golden Bear Award at the 53rd Berlinale and worldwide released SLOVENIAN GIRL, which premiered in 2009 at Toronto, Pusan and Sarajevo Film Festival. In 2005, the American Film Institute hosted a retrospective of Damjan Kozole’s films in the United States and Canada.

Slovenia, Macedonia, Bosnia and Herzegovina, 2016, Colour, 85 min, Slovenian Režija / Director: Damjan Kozole Scenarij / Screenplay: Damjan Kozole, Ognjen Sviličić Direktor fotografije / Director of Photography: Miladin Čolaković Montaža / Editor: Jurij Moškon, Ivo Trajkov Muzika / Music: Kostov, Silence Zvuk / Sound: Igor Čamo, Julij Zornik, Gašper Loborec Kostimografija / Costume Design: Zora Stančič Scenografija / Production Design: Dušan Milavec, Neža Zinajić Producent / Producer: Danijel Hočevar, Labina Mitevska, Amra Bakšić Čamo, Adis Đapo Produkcija / Production: Vertigo Uloge / Cast: Pia Zemljič, Jernej Šugman, Marko Mandić, Peter Musevski, Jana Zupančić, Petre Arsovski, Mojca Partljič, Dejan Spasić, Matija Vastl Kontakt / Contact: Vertigo; info@vertigo.si; www.vertigo.si FILMOGRAFIJA / FILMOGRAPHY: 2016 - BORDERS (dokumentarni film / documentary) 2016 - NOČNO ŽIVLJENJE / NIGHTLIFE 2013 - ULAY / PROJECT CANCER (dokumentarni film / documentary) 2012 - DOLGE POČITNICE / LONG VACATION (dokumentarni film / documentary) 2009 - SLOVENKA / SLOVENIAN GIRL 2008 - ZA VEDNO / FOREVER 2005 - DELO OSVOBAJA / LABOUR EQUALS FREEDOM 2003 - REZERVNI DELI / SPARE PARTS 2000 - PORNO FILM 1997 - STEREOTIP 1988 - REMINGTON 1986 - USODNI TELEFON NAGRADE / AWARDS: - Nagrada za najboljeg reditelja, Karlovy Vary 2016. / Award for Best Director, Karlovy Vary 2016

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S one strane / On the Other Side Vesna je srednjovječna medicinska sestra koja živi i radi u Zagrebu. Ona mirno provodi život ispunjen uobičajenim dnevnim obavezama: čuva dijete svoga sina i pomaže u organizaciji kćerkinog vjenčanja. Jednoga dana neočekivano prima telefonski poziv od svoga muža Žarka koji je porodicu napustio uoči rata kako bi se borio “za drugu stranu”. Žarkov povratak unosi nemir u Vesnin pažljivo izgrađen život i prijeti da ugrozi njen novi identitet. Zrinko Ogresta rođen je 1958. godine u Virovitici, Hrvatska. Scenarista je i reditelj koji radi kao profesor filmske režije na Akademiji dramske umjetnosti u Zagrebu, a ujedno je i član Evropske filmske akademije. Dobitnik je niza značajnih nagrada, među kojima se ističu nominacija za Evropsku filmsku nagradu za najboljeg mladog reditelja, Prix Italia, Velika nagrada Filmskog festivala u Puli, Velika nagrada Međunarodnog filmskog festivala MedFilm u Rimu, Velika nagrada Međunarodnog filmskog festivala u Haifi, nagrada publike i nagrada za najboljeg reditelja Filmskog festivala u Puli, specijalna nagrada žirija Kristalni globus festivala u Karlovym Varyma, Velika nagrada Međunarodnog filmskog festivala u Denveru te Velika nagrada Međunarodnog filmskog festivala u Milanu. E Vesna is a middle-aged visiting nurse in Zagreb. Quietly she goes about her daily life of mundane chores: babysitting for her son, helping her daughter prepare for her wedding. Out of the blue she gets a call from her husband Žarko, who left his family on the eve of the war to fight for “the other side”. His reappearance sends her carefully reconstructed life in a tailspin, endangering her new identity.

Zrinko Ogresta was born in 1958 in Virovitica, Croatia. He is a screenwriter and film director, a member of the European Film Academy and teaches film directing at the Academy of Dramatic Arts in Zagreb. Some of his most notable prizes include a nomination for the European Film Award for best young director, Prix Italia, Grand Prix Pula FF and GP Rome IFF MEDFILM, Grand Prix Haifa IFF, GP Rome IFF MEDFILM, Best Director & Audience Awards Pula FF, Crystal Globe Special Jury Prize at the Karlovy Vary IFF, Grand Prix Denver IFF, GP Milan IFF.

Croatia, Serbia, 2016, Colour, 85 min, Croatian Režija / Director: Zrinko Ogresta Scenarij / Screenplay: Mate Matišić, Zrinko Ogresta Direktor fotografije / Director of Photography: Branko Linta Montaža / Editor: Tomislav Pavlic Muzika / Music: Mate Matišić, Šimun Matišić Kostimografija / Costume Design: Katarina Zaninović Scenografija / Production Design: Tanja Lacko Producent / Producer: Ivan Maloča, Interfilm Produkcija / Production: Interfilm (Croatia), Zillion Film (Serbia) Uloge / Cast: Ksenija Marinković, Lazar Ristovski, Tihana Lazović, Robert Budak, Toni Šestan, Tena Jeic Gajski, Vinko Kraljević, Ivan Brkić, Alen Liverić, Marija Tadić Kontakt / Contact: Cercamon; sebastien@cercamon.biz; www.cercamon.biz FILMOGRAFIJA / FILMOGRAPHY: 2016 - S ONE STRANE / ON THE OTHER SIDE 2013 - PROJEKCIJE / PROJECTIONS 2008 - IZA STAKLA / BEHIND THE GLASS 2003 - TU / HERE 1999 - CRVENA PRAŠINA / RED DUST 1995 - ISPRANI / WASHED OUT 1991 - KRHOTINE: KRONIKA JEDNOG NESTAJANJA / FRAGMENTS: CHRONICLE OF A VANISHING 1991 - NE DIRAJTE MI RAVNICU (kratki film / short film) 1991 - PRIZORI SA VIROVITIČKOG BOJIŠTA (dokumentarni film / documentary) NAGRADE / AWARDS: - Grand Prix ‘’Beogradski pobednik’’, FEST, Beograd 2016. / Grand Prix ‘’Beogradski pobednik’’ (‘’The Victor of Belgrade’’) , FEST, Belgrade 2016 - Velika Zlatna arena za najbolji film, Zlatna arena za režiju, Zlatna arena za scenarij, Zlatna arena za najbolju žensku glavnu ulogu, Zlatna arena za najbolju mušku glavnu ulogu, Zlatna arena za montažu, Zlatna arena za oblikovanje zvuka, Filmski festival u Puli 2016. / Grand Golden Arena - best film, Golden Arena - best director, Golden Arena - best screenplay, Golden Arena - best actress in leading role, Golden Arena - best actor in leading role, Golden Arena - best editing, Golden Arena - best sound editing, Pula Film Festival 2016

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Sieranevada Tri dana nakon napada na redakciju satiričnog magazina Charlie Hebdo u Parizu i četrdeset dana nakon smrti njegovog oca, četrdesetogodišnji doktor Lary provodi subotu u Bukureštu na porodičnom okupljanju u čast preminuloga. Okupljanje ne protiče po planu, okupljeni žustro raspravljaju i na površinu izbijaju dijametralno suprotna mišljenja. Prisiljen da se sukobi sa svojim strahovima i prošlošću i da preispita svoje mjesto u porodici, Lary ima samo jedan izbor - da obznani istinu. Cristi Puiu rođen je u Bukureštu 1967. godine. Studirao je film pri školi vizuelnih umjetnosti École Supérieure d’Arts Visuels u Ženevi. Njegov prvi igrani film STUFF AND DOUGH uvršten je u Directors’ Fortnight program Filmskog festivala u Kanu 2001. i osvojio je niz međunarodnih nagrada. Nakon što je 2004. godine s kratkim filmom CIGARETTES AND COFFEE osvojio nagradu Zlatni medvjed Filmskog festivala u Berlinu, Puiu snima dugometražni film THE DEATH OF MR. LAZARESCU, s kojim 2005. godine osvaja nagradu Un Certain Regard programa Filmskog festivala u Kanu. Njegov film AURORA, iz 2010. godine, drugi je u seriji filmova pod zajedničkim imenom SIX STORIES FROM THE OUTSKIRTS OF BUCHAREST. E Somewhere in Bucharest, three days after the attack on Charlie Hebdo in Paris and forty days after his father’s death, 40-year-old doctor Lary spends one Saturday at a family gathering in memory of the deceased. The event does not go as planned. Discussions are heated, fierce differences of opinion arise. Forced to face his fears and his past, and obliged to reconsider his place in the family, Lary is left with no choice but to tell the truth...

Cristi Puiu was born in Bucharest in 1967. He studied cinema at the École Supérieure d’Arts Visuels in Geneva in the 1990s. In 2001, he shot his first feature, STUFF AND DOUGH was selected for the Quinzaine des Réalisateurs section of the Cannes Film Festival, the film has won several awards. Winner of the Golden Bear for the best short film at the Berlin International Film Festival in 2004 for CIGARETTES AND COFFEE, Cristi Puiu then shot THE DEATH OF MR. LAZARESCU, which won the Prix Un Certain Regard in Cannes in 2005. His film AURORA from 2010 is the second episode of the SIX STORIES FROM THE OUTSKIRTS OF BUCHAREST.

Romania, France, Bosnia and Herzegovina, Croatia, Macedonia, 2016, Colour, 173 min, Romanian Režija / Director: Cristi Puiu Scenarij / Screenplay: Cristi Puiu Direktor fotografije / Director of Photography: Barbu Balasoiu Montaža / Editor: Letitita Stefanescu, Ciprian Cimpoi, Iulia Muresan Zvuk / Sound: Jean Paul Bernard, Filip Muresan, Christophe Vingtrinier Kostimografija / Costume Design: Maria Pitea, Doina Raducut Producent / Producer: Anca Puiu Produkcija / Production: Mandragora Uloge / Cast: Mimi Branescu, Bogdan Dumitrache, Judith State, Dana Dogaru, Sorin Medeleni, Ana Ciontea, Rolando Matsangos Kontakt / Contact: Elle Driver; festival@elledriver.eu, sales@elledriver.eu; www.elledriver.fr FILMOGRAFIJA / FILMOGRAPHY: 2016 - SIERANEVADA 2014 - LES PONTS DE SARAJEVO / BRIDGES OF SARAJEVO (segment DAS SPEKTRUM EUROPAS) 2013 - TROIS EXERCISES D’INTERPRÉTATION / THREE EXERCISES OF INTERPRETATION 2010 - AURORA 2005 - MOARTEA DOMNULUI LAZARESCU / THE DEATH OF MR.LAZARESCU 2004 - UN CARTUS DE KENT SI UN PACHET DE CAFEA / CIGARETTES AND COFFEE (kratki film / short film) 2001 - MARFA SI BANII / STUFF AND DOUGH NAGRADE / AWARDS: - Nagrada ICS za najbolji scenarij, Filmski festival u Kanu 2016. / International Cinephile Society ICS Award, Best Screenplay, Cannes 2016.

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Smrt u Sarajevu / Death in Sarajevo Sarajevo, 28. juni 2014. godine. U hotelu Europa, najboljem hotelu u gradu, direktor Omer sprema se da dočeka delegaciju istaknutih diplomata. Na stotu godišnjicu atentata, koji se smatra povodom Prvog svjetskog rata, iz Sarajeva bi se trebao poslati poziv na mir i razumijevanje u svijetu. Ali osoblje hotela muče druge brige. Nakon što mjesecima nisu dobili plate, oni planiraju stupiti u štrajk. Istovremeno, u izolovanom predsjedničkom apartmanu, gost iz Francuske uvježbava svoj govor. Danis Tanović rođen je 1969. godine u Zenici, Bosna i Hercegovina. Za svoj prvijenac NIČIJA ZEMLJA dobija nagradu za najbolji scenarij na Filmskom festivalu u Kanu 2001. i Oscara za najbolji strani film 2002. godine. NIČIJA ZEMLJA je osvojila ukupno 42 nagrade, što je učinilo ovaj film jednim od najnagrađivanijih debitantskih filmova u historiji filma. Za filmove EPIZODA U ŽIVOTU BERAČA ŽELJEZA i SMRT U SARAJEVU Tanović je nagrađen Srebrenim medvjedom na Berlinskom filmskom festivalu 2013. i 2016. godine. E Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech.

Danis Tanović was born in 1969 in Zenica, Bosnia and Herzegovina. His debut feature NO MAN’S LAND was awarded the Best Script Award at the Cannes Film Festival in 2001 and 2002 American Academy Award for Best Foreign Film. NO MAN’S LAND won a total of 42 awards, making it one of the most awarded debut films in the history of filmmaking. Tanović has received the Silver Bear award at Berlin Film Festival for his films AN EPISODE IN THE LIFE OF AN IRON PICKER in 2013 and DEATH IN SARAJEVO in 2016.

France, Bosnia and Herzegovina, 2016, Colour, 85 min, Bosnian, English, French Režija / Director: Danis Tanović Scenarij / Screenplay: Danis Tanović Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Redžinald Šimek Muzika / Music: Mirza Tahirović Zvuk / Sound: Samir Fočo Kostimografija / Costume Design: Ina Arnautalić, Hatidža Nuhić Scenografija / Production Design: Mirna Ler Producent / Producer: Francois Margolin, Amra Bakšić Čamo Produkcija / Production: Margo Films, SCCA/pro.ba Uloge / Cast: Jacques Weber, Snežana Vidović, Izudin Bajrović, Vedrana Seksan, Muhamed Hadžović, Faketa Salihbegović-Avdagić, Edin Avdagić Kontakt / Contact: Match Factory; info@matchfactory.de; www.the-match-factory.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - SMRT U SARAJEVU / DEATH IN SARAJEVO 2014 - TIGERS 2013 - EPIZODA U ŽIVOTU BERAČA ŽELJEZA / AN EPISODE IN THE LIFE OF AN IRON PICKER 2011 - PRTLJAG / BAGGAGE (kratki film / short film) 2010 - CIRKUS COLUMBIA / CIRCUS COLUMBIA 2009 - TRIJAŽA / TRIAGE 2005 - L’ENFER / HELL 2001 - NIČIJA ZEMLJA / NO MAN’S LAND 1999 - BUĐENJE 1994 - PORTRET UMJETNIKA U RATU / THE PORTRAIT OF THE ARTIST IN WAR (dokumentarni film / documentary) NAGRADE / AWARDS: - Srebreni medvjed - Velika nagrada žirija, Berlinale 2016. / Silver Bear - Grand Jury prize, Berlinale 2016 - FIPRESCI nagrada, Berlinale 2016 / FIPRESCI Award, Berlinale 2016

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Open Air

Captain Fantastic / Kapetan Fantastični, Matt Ross

Dobra žena / A Good Wife, Mirjana Karanović

Flaskepost fra P / Zavjera vjere / A Conspiracy of Faith, Hans Petter Moland

Florence Foster Jenkins / Neslavno slavna Florence, Stephen Frears

I, Daniel Blake / Ja, Daniel Blake, Ken Loach

Julieta, Pedro Almodóvar

Love & Friendship / Ljubav i prijateljstvo, Whit Stillman

Tour de France / French Tour, Rachid Djaïdani

Captain Fantastic / Kapetan Fantastični Izolovan od društva duboko u šumama na zapadu Sjeverne Amerike, jedan je predani otac (Viggo Mortensen) posvetio život odgoju svoje šestoro mlade djece i cilju da od njih načini izvanredne odrasle osobe. Međutim, usljed tragičnih događanja, porodica biva prisiljena napustiti raj koji su izgradili za sebe i uputiti se u svijet koji oca navodi da preispita svoje stavove o ulozi roditelja i dovodi u pitanje sve čemu je naučio svoju djecu. Matt Ross je studirao glumu na školi Juilliard, a kratko vrijeme je pohađao i studij filma na Univerzitetu u New Yorku. Njegov prvi dugometražni igrani film 28 HOTEL ROOMS, u kojem su uloge ostvarili Marin Ireland i Chris Messina, premijerno je prikazan u programu Next Međunarodnog filmskog festivala Sundance, da bi zatim učestvovao na brojnim drugim filmskim festivalima. Ross je bio scenarista i režiser osam kratkih filmova, uključujući THE LANGUAGE OF LOVE, koji je premijerno prikazan na festivalu Sundance, a zatim i na brojnim drugim festivalima u Americi i inostranstvu. Ross je kao glumac ostvario uloge u sljedećim filmovima: THE AVIATOR Martina Scorsesea, GOOD NIGHT, AND GOOD LUCK Georgea Clooneya, THE LAST DAYS OF DISCO Whita Stillmana i AMERICAN PSYCHO Marya Harrona. Magazin Variety ga je 2016. uvrstio na svoju listu deset reditelja čiji rad treba pratiti. E Deep in the forests of the Pacific Northwest, isolated from society, a devoted father (Viggo Mortensen) dedicates his life to transforming his six young children into extraordinary adults. But when a tragedy strikes the family, they are forced to leave this self-created paradise and begin a journey into the outside world that challenges his idea of what it means to be a parent and brings into question everything he’s taught them.

Matt Ross studied acting at the Juilliard School and briefly studied film at NYU. Ross’ first feature film 28 HOTEL ROOMS which starred Marin Ireland and Chris Messina, premiered in the NEXT section at the Sundance Film Festival before playing at many other festivals. He has written and directed eight short films, including THE LANGUAGE OF LOVE, which premiered at the Sundance Film Festival before going on to screen at many domestic and international film festivals. As an actor, Ross’ on screen credits include Martin Scorsese’s The Aviator, George Clooney’s Good Night, and Good Luck, Whit Stillman’s The Last Days of Disco and Mary Harron’s American Psycho. In 2016, Ross was named one of Variety’s “10 Directors to Watch.”

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USA, 2016, Colour, 120 min, English, Esperanto Režija / Director: Matt Ross Scenarij / Screenplay: Matt Ross Direktor fotografije / Director of Photography: Stephane Fontaine Montaža / Editor: Joseph Krings Muzika / Music: Alex Somers Zvuk / Sound: Frank Gaeta Kostimografija / Costume Design: Courtney Hoffman Scenografija / Production Design: Russell Barnes Producent / Producer: Lynette Howell Taylor, Jamie Patricof, Shivani Rawat, Monica Levinson Produkcija / Production: Shivhans Pictures, Electric City Entertainment Uloge / Cast: Viggo Mortensen, George Mackay, Samantha Isler, Annalise Basso, Nicholas Hamilton, Shree Crooks, Charlie Shotwell Kontakt / Contact: Sierra/Affinity; sherry@sierra-affinity.com; www.sierra-affinity.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - CAPTAIN FANTASTIC 2012 - 28 HOTEL ROOMS 2009 - HUMAN RESOURCES (kratki film / short film) 1997 - THE LANGUAGE OF LOVE (kratki film / short film)

Dobra žena / A Good Wife Kada pedesetogodišnja Milena otkrije stravičnu prošlost svog naizgled idealnog supruga, u isto vrijeme saznavši da boluje od raka, počinje se buditi iz svog raja u predgrađu, u kojem je do tada živjela. Mirjana Karanović rođena je u Beogradu 1957. godine. Poznata je filmska, pozorišna i televizijska glumica. Debitovala je 1980. godine naslovnom ulogom u filmu Srđana Karanovića PETRIJIN VENAC. Svjetsku slavu je stekla ulogom majke u kultnom filmu Emira Kusturice OTAC NA SLUŽBENOM PUTU. Godine 2005. je tumačila glavnu ulogu u filmu Jasmile Žbanić GRBAVICA, koji je nagrađen Zlatnim medvjedom na Berlinskom filmskom festivalu. Ostvarila je preko 50 filmskih uloga, te je za svoj rad višestruko nagrađivana. DOBRA ŽENA je njen rediteljski prvijenac. E When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in.

Mirjana Karanović was born in Belgrade, Serbia in 1957. She is an acclaimed film, theatre and TV actress. She debuted in 1980 with the leading role in PETRIJIN VENAC by Srđan Karanović. The role of a mother in WHEN FATHER WAS AWAY ON BUSINESS by Emir Kusturica made her famous world wide. In 2005 she played the lead role in Jasmila Žbanić’s GRBAVICA (the film won Golden Bear at the Berlin Film Festival). She has appeared in over 50 film roles, and has won numerous awards for her work. A GOOD WIFE is her directorial debut.

Serbia, Bosnia and Herzegovina, Croatia, 2016, Colour, 94 min, Serbian Režija / Director: Mirjana Karanović Scenarij / Screenplay: Mirjana Karanović Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Lazar Predojev Muzika / Music: Dejan Pejović Zvuk / Sound: Dejan Pejović Kostimografija / Costume Design: Boris Čakširan Producent / Producer: Snežana Penev Produkcija / Production: This and That Productions Uloge / Cast: Mirjana Karanović, Boris Isaković, Jasna Đuričić, Bojan Navojec, Ksenija Marinković, Vlado Kerošević, Ermin Bravo Kontakt / Contact: Films Boutique; info@filmsboutique.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - DOBRA ŽENA / A GOOD WIFE

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Flaskepost fra P / Zavjera vjere / A Conspiracy of Faith Stara poruka u flaši, koja je nekada davno prevalila dug put preko okeana, pronađena je u Jutlandu. Tekst poruke teško je dešifrovati, ali, nakon što ona stigne do danskog istražitelja zaposlenog u odjelu Q, čudni zaposlenici odjela pronađu novi pristup njenom tumačenju i pokušavaju riješiti jedan stari i dijabolični slučaj uprkos činjenici da se trag koji prate ohladio. Hans Petter Moland rođen je 1955. godine u Norveškoj. Diplomirao je filmske studije na Emerson koledžu u SAD-u. Dobitnik je nagrada za reklame koje je snimao na najeminentnijim festivalima, uključujući i Filmski festival u Kanu. Kao filmski režiser debitovao je 1993. godine s filmom THE LAST LIEUTENANT. Uslijedili su filmovi ZERO KALVIN, ABERDEEN i THE BEAUTIFUL COUNTRY, koji je odabran za takmičarski program na Filmskom festivalu u Berlinu. Režirao je kratki film UNITED WE STAND, koji je višestruko nagrađen na velikim festivalima. Poznat je i po svom prijateljstvu i saradnji sa švedskim glumcem Stellanom Skarsgårdom, koji je glumio u tri Molandova filma, uključujući i EN GANSKE SNILL MANN, koji je bio nominovan za Zlatnog medvjeda na 60. izdanju Berlinalea. E An old note is found in a bottle in Jutland which has traveled very long across the ocean a long time ago. The note is hard to decipher, but when the Danish investigator from Section Q receives it, the odd personalities within the section find a new angle on it and try to unveil yet another old and diabolic case even though the lead is cold.

Hans Petter Moland was born in 1955 in Norway. He is a film graduate from Emerson College in the United States. He has been awarded prizes for his commercials at major festivals, including Cannes, before he made his feature debut in 1993 with THE LAST LIEUTENANT. He followed up with ZERO KELVIN, ABERDEEN and THE BEAUTIFUL COUNTRY, which was selected for competition in Berlin. He directed the short film UNITED WE STAND, which has been awarded prizes at several major film festivals. He is well known for his collaboration and friendship with Swedish actor Stellan Skarsgård, having directed him in three movies; ZERO KELVIN, ABERDEEN and EN GANSKE SNILL MANN, the latter being nominated for the Golden Bear at the 60th Berlin International Film Festival.

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Denmark, Germany, Sweden, Norway, 2016, Colour, 112 min, Danish Režija / Director: Hans Petter Moland Scenarij / Screenplay: Nikolaj Arcel, Jussi Adler-Olsen (novel) Direktor fotografije / Director of Photography: John Andreas Andersen Montaža / Editor: Olivier Bugge Coutte, Nicolaj Monberg Muzika / Music: Nicklas Schmidt Kostimografija / Costume Design: Manon Rasmussen Scenografija / Production Design: Soren Schwarzberg Producent / Producer: Peter Aalbæk Jensen, Louise Vesth, Maria Köpf Produkcija / Production: Zentropa Entartainments20, Det Danske Filminstitut Uloge / Cast: Nikolaj Lie Kaas, Fares Fares, Pål Sverre Hagen, Jacob Lohmann, Amanda Collin, Johanne Louise Schmidt Kontakt / Contact: TrustNordisk, www.trustnordisk.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - A CONSPIRACY OF FAITH 2014 - IN ORDER OF DISAPPEARANCE 2012 - WHEN BUBBLES BURST (dokumentarni film / documentary) 2010 - A SOMEWHAT GENTLEMAN 2006 - COMRADE PEDERSEN 2004 - THE BEAUTIFUL COUNTRY 2002 - UNITED WE STAND (kratki film / short film) 2000 - ABERDEEN 1995 - ZERO KALVIN

Florence Foster Jenkins / Neslavno slavna Florence Istinita priča o nasljednici Florence Foster Jenkins (Meryl Streep), koja je sanjala da postane operna pjevačica unatoč lošem pjevačkom glasu. Jenkins je koristila svoje veze, moć i bogatstvo kako bi privukla pozornost kao pjevačica. Hugha Granta ćemo gledati kao njenog partnera i menadžera St. Clairea Bayfielda. U filmu ćemo, također, vidjeti i veliku TV zvijezdu serije Teorija velikog praska, Simona Helberga, koji će pratiti Florencine nastupe za klavirom. Stephen Frears filmski je i televizijski reditelj rođen 1941. godine u Leicesteru, Engleska. Poznat je po filmovima koji se kroz priče jasno ocrtanih likova bave problematikom društvenih staleža. Svoj prvi igrani film GUMSHOE režirao je 1971. godine, a zatim je nakon daljeg rada na televiziji stekao priznanje sa svojim romantičnim filmom o homoseksualnoj ljubavi, MY BEAUTIFUL LAUNDRETTE, u kojem je jednu od uloga odigrao tada mladi Daniel Day-Lewis. Frears je nastavio nizati uspjehe sa filmovima PRICK UP YOUR EARS, zasnovanim na biografiji britanskog dramskog pisca Joe Ortona, te američkim produkcijama DANGEROUS LIAISONS i THE GRIFTERS, koji su nominovani za nagradu Oscar Američke filmske akademije. Za Oscara je nominovan i njegov film THE QUEEN, o reakciji britanske kraljevske porodice na smrt princeze Diane. E The true story of Florence Foster Jenkins (Meryl Streep), a New York heiress who dreamed of becoming an opera singer, despite having a terrible singing voice. Jenkins used her connections, power and wealth to get attention as a singer. Hugh Grant plays the role of her partner and manager St. Claire Bayfield. Simon Helberg, known by many from The Big Bang Theory, will be accompanying her on the piano during her performances.

Stephen Frears was born in Leicester, England in 1941. He is an English film and television director known for films that explore social class through sharply drawn characters. In 1971 he directed his first feature film, GUMSHOE. After more television work, he won acclaim for the gay romance MY BEAUTIFUL LAUNDRETTE, which starred a young Daniel Day-Lewis. He continued to garner praise with PRICK UP YOUR EARS, a biographical movie about British playwright Joe Orton, and the American films DANGEROUS LIAISONS and THE GRIFTERS, for which he received an Academy Award nomination. For THE QUEEN, which examines the British royal family’s reaction to the death of Princess Diana, Frears was again nominated for an Oscar.

United Kingdom, 2016, Colour, 110 min, English Režija / Director: Stephen Frears Scenarij / Screenplay: Nicholas Martin Direktor fotografije / Director of Photography: Danny Cohen Montaža / Editor: Valerio Bonelli Muzika / Music: Alexandre Desplat Kostimografija / Costume Design: Consolata Boyle Scenografija / Production Design: Alan MacDonald Producent / Producer: Michael Kuhn, Tracey Seaward Produkcija / Production: Paramount Pictures, Pathé Pictures International, BBC Films Uloge / Cast: Rebecca Ferguson, Meryl Streep, Hugh Grant, Simon Helberg, Neve Gachev, Nina Arianda, John Kavanagh Kontakt / Contact: Paramount Pictures; www.paramount.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - FLORENCE FOSTER JENKINS 2013 - PHILOMENA 2013 - MUHAMMAD ALI’S GREATEST FIGHT 2012 - LAY THE FAVOURITE 2010 - TAMARA DREWE 2006 - THE QUEEN 2002 - DIRTY PRETTY THINGS 2000 - HIGH FIDELITY 1992 - HERO 1990 - THE GRIFTERS 1988 - DANGEROUS LIAISONS 1987 - PRICK UP YOUR EARS 1985 - MY BEAUTIFUL LAUNDRETTE 1971 - GUMSHOE

OPEN AIR l 22. Sarajevo Film Festival 89

I, Daniel Blake / Ja, Daniel Blake Daniel Blake (59) veći je dio života radio kao stolar u Newcastlu. Sada mu je po prvi put u životu potrebna pomoć države. Njegov se život ukrštava sa životom samohrane majke Katie i njeno dvoje malodobne djece Daisy i Dylana. Ukoliko želi pobjeći iz sobe u svratištu za beskućnike u Londonu, Katie mora prihvatiti preseljenje u stan u nepoznatom gradu udaljenom nekih petsto kilometara od njenog trenutnog mjesta boravka. Daniel i Katie naći će se zarobljeni u ničijoj zemlji ograđenoj brutalnim birokratskim aparatom i pogođeni logikom društvene podjele današnje Velike Britanije na “ambiciozne i prosjake.” Kenneth „Ken“ Loach, rođen 1936. godine, engleski je filmski i televizijski reditelj. Poznat je po naturalističkom i socijalno-realističkom stilu režiranja, kao i po idealima koji su evidentni u njegovim filmovima koji se bave socijalnim problemima kao što su beskućništvo i radna prava. Na Filmskom festivalu u Kanu 2016. godine, s filmom JA, DANIEL BLAKE, osvojio je Zlatnu palmu. E Daniel Blake (59) has worked as a joiner most of his life in Newcastle. Now, for the first time ever, he needs help from the State. He crosses paths with single mother Katie and her two young children, Daisy and Dylan. Katie’s only chance to escape a one-roomed homeless hostel in London has been to accept a flat in a city she doesn’t know, some 300 miles away. Daniel and Katie find themselves in no-man’s land, caught on the barbed wire of welfare bureaucracy as played out against the rhetoric of ‘striver and skiver’ in modern-day Britain.

Kenneth “Ken” Loach, born in 1936, is an English film and television director. He is known for his naturalistic, social realist directing style and for his socialist ideals, which are evident in his film treatment of social issues such as homelessness and labour rights.His latest film, I, DANIEL BLAKE, won a Palme d’Or at the Cannes Film Festival in 2016.

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United Kingdom, France, Belgium, 2016, Colour, 100 min, English Režija / Director: Ken Loach Scenarij / Screenplay: Paul Laverty Direktor fotografije / Director of Photography: Robbie Ryan Montaža / Editor: Jonathan Morris Muzika / Music: George Fenton Zvuk / Sound: Kevin Brazier Kostimografija / Costume Design: Joanne Slater Scenografija / Production Design: Fergus Clegg, Linda Wilson Producent / Producer: Rebecca O’Brien Produkcija / Production: Sixteen Films, Why Not Productions, Les Films du Fleuve, Wild Bunch, BBC, BFI Uloge / Cast: Dave Johns, Hayley Squires, Dylan McKiernan, Briana Shann, Kate Rutter, Sharon Percy, Kema Sikazwe Kontakt / Contact: Wild Bunch; edevos@wildbunch.eu; www.wildbunch.biz FILMOGRAFIJA / FILMOGRAPHY: 2016 - I, DANIEL BLAKE 2014 - JIMMY’S HALL 2013 - THE SPIRIT OF ‘45 2002 - SWEET SIXTEEN 1995 - LAND AND FREEDOM 1991 - RIFF-RAFF 1990 - HIDDEN AGENDA 1969 - KES 1967 - POOR COW

Julieta Julieta je srednjovječna žena koja sa svojim momkom Lorenzom živi u Madridu. Njih dvoje planiraju preseliti u Portugal kada Julieta jednoga dana slučajno susreće Beau, prijateljicu svoje kćerke Antie, koja joj otkriva da se Antia udala i živi u Švicarskoj s mužem i troje djece. Nakon što 12 godina nije imala nikakvog kontakta s kćerkom, Julieta slomljenog srca otkazuje put u Portugal i seli se u svoju nekadašnju zgradu, u nadi da će Antia jednoga dana pokušati stupiti u kontakt s njom i poslati joj pismo. Pedro Almodóvar Caballero rođen je 1949. godine u mjestu Calzada de Calatrava, Španija. Radi kao filmski reditelj, scenarist i producent. Almodóvar je uvjerljivo najuspješniji i međunarodno najpriznatiji španski reditelj svoje generacije. Njegove filmove karakteriziraju kompleksna priča, elementi melodrame i pop kulture, korištenje popularnih pjesama, satirični humor, jake boje i sjajan dekor. Želja, strast, porodica i identitet, Almodovarove su preovladavajuće teme. Njegovi filmovi uživaju popularnost širom svijeta, a on je postao jedna od glavnih figura svjetske kinematografije. Zajedno s mlađim bratom Agustinom Almodóvarom osnovao je produkcijsku kompaniju El Deseo SA koja je producirala gotovo sve njegove filmove. Godine 2001. izabran je za počasnog člana Američke akademije znanosti i umjetnosti. E Julieta is a middle aged woman living in Madrid with her boyfriend Lorenzo. The two are about to move to Portugal when Julieta has a casual encounter with Bea, her daughter Antia’s former best friend. Bea tells her that Antia is married with three children and has been living in Switzerland with her family. Heartbroken after 12 years of not having any contact with her daughter, Julieta cancels the journey to Portugal and moves back to her old building in hope that one day Antia might communicate with her, at last by sending her a letter.

Pedro Almodóvar Caballero is a Spanish film director, screenwriter and producer born in 1949 in Calzada de Calatrava, Spain. He is without a doubt the most internationally recognized and successful Spanish directors of his generation. His films are characterized by complex narrative, elements of melodrama and pop culture, use of popular songs, satirical humor, strong colors and glossy decor. Desire, passion, family and identity are his recurring topics. His films have a huge international following and he had become one of the leading figures of the world cinema. Most of his films were produced by El Deseo SA, a production company which he had founded together with his younger brother Agustin Almodóvar. In 2001 he became an honorary member of the American Academy of Arts and Sciences.

Spain, 2016, Colour, 96 min, Spanish Režija / Director: Pedro Almodóvar Scenarij / Screenplay: Pedro Almodóvar, Alice Munro (short stories) Direktor fotografije / Director of Photography: Jean-Claude Larrieu Montaža / Editor: José Salcedo Muzika / Music: Alberto Iglesias Zvuk / Sound: Sergio Bürmann Kostimografija / Costume Design: Sonia Grande Scenografija / Production Design: Antxon Gómez Producent / Producer: Agustín Almodóvar, Esther García Produkcija / Production: El Deseo Uloge / Cast: Emma Suárez, Adriana Ugarte, Daniel Grao, Inma Cuesta, Michelle Jenner, Darío Grandinetti, Rossy de Palma Kontakt / Contact: Filmnation Entertainment; ssaldana@filmnation.com; www.filmnation.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - JULIETA 2013 - I’M SO EXCITED! 2011 - THE SKIN I LIVE IN 2009 - LOS ABRAZOS ROTOS / BROKEN EMBRACES 2006 - VOLVER 2002 - HABLE CON ELLA / TALK TO HER 1999 - ALL ABOUT MY MOTHER 1991 - HIGH HEELS 1988 - WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN 1986 - MATADOR 1982 - LABYRINTH OF PASSION 1980 - PEPI, LUCI, BOM AND OTHER WOMEN LIKE MOM 1978 - SALOME (kratki film / short film) 1977 - SEXO VA, SEXO VIENE (kratki film / short film) 1976 - MUERTE EN LA CARRETERA (kratki film / short film)

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Love & Friendship / Ljubav i prijateljstvo Lijepa mlada udovica Lejdi Susan Vernon odlazi na imanje rođaka svoga pokojnog muža kako bi se sklonila od živopisnih glasina o svojim flertovima koje se šire po visokom društvu. Tokom boravka na imanju odlučuje da pronađe novog muža i osigura budućnost svoje za udaju stasale, ali neodlučne, kćeri Frederice. Whit Stillman je sa svojim prvijencem METROPOLITAN debitovao na Filmskom festivalu Sundance 1990., da bi zatim osvojio niz nagrada i nominaciju za nagradu Oscar Američke filmske akademije za najbolji originalni scenarij. Stillman je ušao u svijet filma u Španiji gdje je radio kao agent prodaje za više španskih reditelja, uključujući Fernanda Coloma i Fernanda Trueba. Diplomirao je historiju na Harvardu, a tokom studija je uređivao univerzitetske novine Harvard Crimson. Stillmanov debitantski roman „Posljednji dani diska“ bio je bestseler San Francisco Chroniclea i osvojio je nagradu Prix Fitzgerald u Francuskoj 2014. E Beautiful young widow Lady Susan Vernon visits to the estate of her in-laws to wait out the colourful rumours about her dalliances circulating through polite society. Whilst ensconced there, she decides to secure a husband for herself and a future for her eligible but reluctant daughter, Frederica.

Whit Stillman’s first film, METROPOLITAN, debuted at the 1990 Sundance Film Festival and went on to win a number of awards as well as an Academy Award nomination for Best Original Screenplay. Stillman had started in film in the Spanish film industry where he first worked as the foreign sales agent for Spanish directors including Fernando Colomo and Fernando Trueba. He graduated with a history degree from Harvard where he was an editor of the Harvard Crimson. Stillman’s debut novel, The Last Days of Disco, was a San Francisco Chronicle bestseller and won the 2014 Prix Fitzgerald in France.

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Ireland, Netherlands, France, USA, United Kingdom, 2016, Colour, 92 min, English Režija / Director: Whit Stillman Scenarij / Screenplay: Whit Stillman Direktor fotografije / Director of Photography: Richard Van Oosterhout Montaža / Editor: Sophie Corra Muzika / Music: Mark Suozo, Benjamin Esdraffo Zvuk / Sound: Jean Luc Audy Kostimografija / Costume Design: Eimer Ní Mhaoldomhnaigh Scenografija / Production Design: Anna Rackard Producent / Producer: Katie Holly, Lauranne Bourrachot, Whit Stillman Produkcija / Production: Amazon Studios, A Westerly Films, Blinder Films, Chic Films Production Uloge / Cast: Kate Beckinsale, Chloë Sevigny, Xavier Samuel, Emma Greenwell, Tom Bennett, Stephen Fry, James Fleet, Jemma Redgrave, Justin Edwards, Jenn Murray Kontakt / Contact: MongrelMedia; info@mongrelmedia.com; www.mongrelmedia.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - LOVE & FRIENDSHIP 2011 - DAMSELS IN DISTRESS 1998 - THE LAST DAYS OF DISCO 1994 - BARCELONA 1990 - METROPOLITAN

Tour de France / French Tour Far’Hook je mladi dvadesetogodišnji reper. Nakon jedne situacije poravnavanja računa, prisiljen je da napusti Pariz na neko vrijeme. Njegov producent, Bilal, zamoli ga da ga zamijeni te da bude pratilac njegovom ocu Sergeu na turneji obilaska svih luka Francuske, slijedeći korakeslikera Josepha Verneta. Uprkos generacijskim i kulturološkim razlikama, razvija se neočekivano prijateljstvo između talentovanog repera i zidara sa sjevera Francuske tokom putovanja koje će ih odvesti u Marsej, na posljednji koncert - koncert pomirenja. Rachid Djaidani, sin Alžirca i Sudanke, rođen je 1974. Odrastao je u malom gradu Gresillonsu, Francuska. Sa 20 godina, on i njegov brat dobili su angažman kao zaštitari na setu ‘’periferijskog film’’ u Chanteloup-Les-Vignes Mathieua Kassovitza i Vincenta Cassela. Postao je bokserski šampion regije Île-de-France prije nego što je odlučio postati glumac. Učlanio se u teatarsku trupu Peter Brook te sa njima putovao svijetom pet godina. Njeg prvi roman Boumkoeur izdat je 1999. godine kada započinje i spisateljsku karijeru. Potom je 2004. Paralelno, snimio je dugometražni dokumentarac NA MOJOJ LINIJI. 2008. je dobio Stendhal stipendiju za putovanje u Njujork gdje je finansiran njegov četvrti roman. 2012. je njegov film RENGAINE6 prikazan u programu DIRECTORS’ FORTNIGHT na Filmskom festivalu u Kanu. E Far’Hook is a young 20-year old rapper. Following a settlement account , he is obliged to leave Paris for a while. His producer, Bilal, asks him to take his place and to accompany his father Serge tour the ports of France, following the footsteps of painter Joseph Vernet . Despite the clash of generations and cultures, an unlikely friendship will develop between this promising rapper and bricklayer from northern France during a journey that will take them to Marseille for a final concert, that of reconciliation.

France, 2016, Colour, 95 min, French Režija / Director: Rachid Djaïdani Scenarij / Screenplay: Rachid Djaïdani Direktor fotografije / Director of Photography: Luc Pagès (AFC) Montaža / Editor: Nelly Quettier Muzika / Music: Clément « Animalsons » Dumoulin Zvuk / Sound: Jérôme Pougnant, Margot Testemale, Julien Perez Producent / Producer: Anne-Dominique Toussaint Produkcija / Production: Les Films Des Tournelles Uloge / Cast: Gérard Depardieu, Sadek, Louise Grinberg, Nicolas Marétheu, Mabô Kouyaté, Alain Pronnier, Raounaki Chaudron Kontakt / Contact: Cité Films; contact@citefilms.com; www.citefilms.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - TOUR DE FRANCE 2015 - ENCRE (dokumentarni film / documentary) 2012 - HOLD BACK 2007 - SUR MA LIGNE (dokumentarni film / documentary)

Rachid Djaidani was born in 1974 to an Algerian father and a Sudanese mother. He grew up in a town in France called Grésillons. At 20, with his brother, he was hired as a stage safety officer on a “suburban movie” in Chanteloup-les-Vignes by Mathieu Kassovitz and Vincent Cassel. He became a boxing champion of Île-de-France and then decided to become an actor. He entered the theater group Peter Brook and toured the world for five years. His first novel, Boumkoeur appeared in 1999. Alongside his work as a writer, he made a feature documentary ON MY LINE. In 2008, he received a Stendhal scholarship, which is granted to finance a trip to New York in order to implement his fourth novel. In 2012 he was selected for the Directors’ Fortnight at Cannes for his RENGAINE6 film.

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Kinoscope

98 À peine j’ouvre les yeux / Dok otvaram oči / As I Open My Eyes, Leyla Bouzid 99 Aquarius / Akvarijus, Kleber Mendonca Filho

100 Baden Baden, Rachel Lang 101 Boi neon / Neonski bik / Neon Bull, Gabriel Mascaro 102 Cameraperson / Kamermanka, Kirsten Johnson 103 Cartas da Guerra / Pisma iz rata / Letters from War, Ivo M. Ferreira 104 Ema / Majka / Mother, Kadri Kõusaar 105 Évolution / Evolucija / Evolution, Lucile Hadžihalilović 106 The Fits / Nemir, Anna Rose Holmer 107 L’avenir / Sve što dolazi / Things to Come, Mia Hansen-Løve 108 Lao Shi / Stari kamen / Old Stone, Johnny Ma 109 Neruda, Pablo Larraín 110 Rester vertical / Ostani uspravan / Staying Vertical, Alain Guiraudie 111 Shelley, Ali Abbasi 112 Tempestad / Nevrijeme / Tempest, Tatiana Huezo 113 Toni Erdmann, Maren Ade 114 Under the Shadow / U sjeni, Babak Anvari

Uvod / Introduction

Mike Goodridge

Mathilde Henrot

Alessandro Raja

96 22. Sarajevo Film Festival l KINOSCOPE

Program Kinoscope ove godine navršava pet godina i naš tročlani tim selektora već pola decenije uživa u pruženoj prilici da sarajevskoj publici predstavi inovativne filmove. Publika koja prati Kinoscope program istinski je zahtjevna, ali i spremna prihvatiti rizike. Reaguju na hrabre filmske autore, odlična glumačka ostvarenja i društvena pitanja problematizirana u filmovima u našem izboru. Cijene klasične autorske filmove, ali su također voljni prigrliti lude nove pristupe pričanju filmskih priča. Njihova glad za dokumentarnim podjednako je neutaživa kao i njihova glad za narativnim igranim filmom. Vole filmove iz svih dijelova svijeta. Potraga za filmovima koji će zabaviti i isprovocirati Sarajlije istinski je zabavna. Osjećamo da je ovo, peto po redu, izdanje našeg programa najbolje do sada, sa širokom lepezom različitih filmova različitog stila. U skladu sa našim zadatkom da predstavimo svježe autorske glasove, dvanaest od sedamnaest filmova u ovogodišnjem programu prvi su ili drugi filmovi svojih reditelja. Devet ovogodišnjih filmova režirale su žene, što nije rezultat svjesnog izbora selektorskog tima već je, nadajmo se, odraz novog trenda rastuće ženske ravnopravnosti u svijetu filma. Ove godine imamo četiri “povratnika” u naš program. Tatiana Huezo iz Meksika se nakog svog sjajnog filma MJESTO MOJE MALO (Kinoscope 2012) publici predstavlja sa još jednim iskrenim i dubokim dokumentarcem NEVRIJEME. Alain Guiraudie iz Francuske se nakon filma STRANAC SA JEZERA (Kinoscope, 2013) vraća sa sjajno ekscentričnim OSTATI USPRAVAN. Mia Hansen- Løve, koja nam je prethodno predstavila svoj film ZBOGOM PRVA LJUBAVI (Kinoscope, 2012), na svome je novom samouvjerenom filmu SVE ŠTO DOLAZI sarađivala sa Isabelle Huppert koja je ostvarila još jednu uobičajeno sjajnu i nekarakteristično toplu ulogu. Kleber Mendonça Filho iz Brazila se također vraća u Bosnu i Hercegovinu sa svojim drugim filmom AKVARIJUS nakon što smo u našem programu ugostili njegov igrani prvijenac ZVUCI IZ KOMŠILUKA (Kinoscope, 2012). AKVARIJUS je bio jedno od iznenađenja ovogodišnjeg takmičarskog programa Filmskog festival u Kanu i jasan je dokaz da je Mendonça Filho jedan od najboljih reditelja svoje generacije. Treći film njemačke rediteljice Maren Ade TONI ERDMANN, također dolazi u Sarajevo nakon Kana gdje je bio jedna od glavnih tema ljubitelja filma. Ova izuzetna komedija je, bez sumnje, drugačija od bilo čega što ste ranije imali priliku pogledati i teško se ne diviti izuzetnoj tapiseriji humora i tragedije koju je u filmu isplela izvrsna

Ade kao i Sandri Huller u izvrsno odigranoj glavnoj ulozi. Iznenađuje činjenica da u Kanu nisu nagrađene ni Ade niti Huller, kao ni Mendonça niti legendarna brazilska glumica Sonia Barga koja samouvjereno dominira radnjom njegovog AKVARIJUSA. Mnogi su bili iznenađeni što nije odato priznanje snažnim i kompleksnim glumačkim ostvarenjima dvaju glumica koje su nosile radnju ta dva filma. Potrebno je napomenuti da u našoj ovogodišnjoj selekciji, osim značajnog broja filmova koje su režirale žene, također imamo očigledan porast broja filmova u kojima su žene nositeljice glavnih uloga. Bez obzira na međusobne razlike, filmovi poput komedije MAJKA estonske rediteljice Kadri Kõusaar, neobične priče o odrastanju NEMIR američke rediteljice Anne Rose Holmer i komedije BADEN BADEN francuske rediteljice Rachel Lang o nesuvislim životnim izborima jedne mlade žene, u centru svoje pažnje imaju žene. Usljed toga, naš ovogodišnji program obiluje filmovima koji obiluju fantastično odigranim ženskim ulogama. Ironično je da nekoliko filmova u našem izboru odbacuje tradicionalno prihvaćene polne uloge i sa njima povezana očekivanja. U svome debitantskom filmu DOK OTVARAM OČI tuniška rediteljica Leyla Bouzid prati mladu Tunižanku koja nastoji izgraditi pjevačku karijeru u društvu koje koristi svaku priliku da je opstruira. U svome očaravajućem i seksipilnom filmu NEONSKI BIK brazilski reditelj Gabriel Mascaro predstavlja mačo rodeo jahača koji je opsjednut modom i svojim kolegicama šije glamurozne kostime. Naročito neobičnu zamjenu tradicionalnih muško-ženskih uloga nalazimo u drugom filmu Lucile Hadzihalilović EVOLUCIJA u kojem su muškarci ti koji koji rađaju djecu. Također, ako ste mislili da kamerom obično rukuju muškarci, trebali biste pogledati film KAMERMANKA, opčinjavajuću priču o vlastitom životu autorice Kirsten Johnson. Johnson je jedna od najplodotvornijih direktorica fotografije u svijetu dokumentarnog filma a, između ostalog, radila je na filmovima Citizenfour, Fahrenheit 9/11 i Darfur Now. Johnson u svome filmu kombinuje isječke iz vlastitog profesionalnog opusa i snimke koje je načinila tokom privatnih putovanja, specifično putovanja po Bosni i Herecegovini, gradeći kolaž koji pruža jedinstven uvid u izazovima ispunjen svijet dokumentarnog filma. Snaga riječi je u fokusu dva filma iz naše ovogodišnje selekcije. Iz Portugala nam stiže prelijepa crno-bijela drama Ive M. Ferreira PISMA IZ RATA, zasnovana na pismima koja je António Lobo

Antunes pisao svojoj ženi dok je kao vojni doktor radio u Angoli sedamdesetih godina prošloga stoljeća. Pisma otkrivaju Antunesovu veliku ljubav prema svojoj ženi, ali i njegov prezir portugalskih kolonijalnih vlasti u Angoli i rata uopće. Drugi od dva pomenuta filma je fantastično inventivni uradak Pabla Larraina NERUDA koji tka živopisnu priču o čileanskom pjesniku i simboličnoj snazi njegove poezije u borbi protiv desničarskih sila kasnih četrdesetih godina prošloga stoljeća. Ovo je prvi Larrainov film koji će biti prikazan u programu Kinoscope, ali NERUDA je očigledan dokaz da on ubrzano postaje jedan od najsamouvjerenijih svjetskih reditelja. Jedini azijski film u našoj ovogodišnjoj selekciji je 80-minutni STARI KAMEN, napeti triler Johnnija Ma o opasnostima svakodnevnog života u modernoj Kini. Ma je rođeni Kinez koji je odrastao u Kanadi i u STAROM KAMENU predstavlja kinesku priču sa zapadnjačkom preciznošću i intenzitetom. Naše ovogodišnje ponoćne projekcije rezervisane su za dva debitantska filma svjesno konstruirana na način da uznemire gledaoce i zavuku im se pod kožu. Ali Abbasi u svome filmu SHELLY nudi zastrašujući pogled na evropski koncept slobode kretanja u priči o ženi iz Rumunije koja postaje surogat majka za jedan mračan danski par. Istinski strašan film Babaka Anvarija U SJENI jezu smješta u bombama oštećenu zgradu u Teheranu u vrijeme iransko-iračkog rata. Uz proslavu pete godišnjice programa Kinoscope, pozivamo stare i nove gledaoce da nam se pridruže na projekcijama i želimo vam sretno i ugodno gledanje filmova. E Kinoscope is five years old this year and our programming team of three has enjoyed an exhilarating half-decade bringing ground-breaking cinema to Sarajevo audiences. The audiences who attend the Kinoscope section are discerning and open to take risks. They respond to bold film-makers, great performances and social issues. They admire auteur-style cinema in the classic tradition but also embrace crazy new ways of telling a story. Their appetite for documentaries is as voracious as it is for narrative features. They love films from around the world. It’s been a lot of fun finding films that will keep Sarajevans entertained and provoked. So, in our fifth year, we feel we have a programme that is our most satisfying yet, rich in variety and styles. As befits our programming mandate of delivering fresh new voices, 12 of the 17 films are from first or second time directors. This year, 9 of

the 17 are directed by women, which was not a conscious initiative on our part but is hopefully indicative of a new trend of equality in female voices in film. We also have four directors returning to Kinoscope. Tatiana Huezo from Mexico returns after her luminous The Tiniest Place (Kinoscope, 2012) with another genuine and profound documentary called Tempestad. Alain Guiraudie from France is back after Stranger by the Lake (Kinoscope, 2013) with the wonderfully eccentric Staying Vertical. Mia Hansen- Løve, who previously presented Goodbye First Love (Kinoscope, 2012), is partnered in her confident new film Things to Come, by Isabelle Huppert who gives a characteristically brilliant and uncharacteristically warm performance. And Kleber Mendonça Filho from Brazil is back in Bosnia with Aquarius, his second film after Neighbouring Sounds (Kinoscope, 2012). Aquarius was one of the sensations of the Cannes Film Festival competition lineup this year and is a clear indication that Mendonça Filho is one of the best directors of his generation. Also from Cannes, from third-time German director Maren Ade, comes the most talked about film on the Croisette this year: Toni Erdmann. This extraordinary comedy is categorically like nothing you’ve seen before and it is hard not to marvel at the web of humour and tragedy woven by the brilliant Ade, not to mention the lead performance of Sandra Huller as the central character of the film. Curiously neither Ade nor Huller won prizes at Cannes this year, nor did Mendonça or his leading actress Sonia Braga, the legendary Brazilian star who is so commanding in Aquarius. Many were surprised that the films weren’t recognised for the powerful and complex female roles at their heart. Indeed, like the rise of female directors, the proliferation of central female characters is noticeable in our selection this year. A female character is front and centre in films as different as Estonian comedy Mother from Kadri Kõusaar, Anna Rose Holmer’s unusual coming of age story The Fits from the USA and Rachel Lang’s comedy Baden Baden, which portrays a young woman’s erratic choices. It’s a selection packed with superb roles for women. Ironically several films subvert gender roles and expectations. In As I Open My Eyes from Tunisian first timer Leyla Bouzid, a young woman tries to forge a career for herself as a singer in a society which foils her at every turn. In Gabriel Mascaro’s stunning and sexy Neon Bull, a macho rodeo worker who has a passion for fashion and sewing glamorous outfits for the rodeo perform-

ers. And in a particularly unusual switch of roles, the males of Lucile Hadzihalilovic’s second film Evolution are the ones having the babies. And if you thought that a camera person was usually male, you should see Cameraperson, a mesmerizing personal history essay by Kirsten Johnson. Johnson is one of the most prolific directors of photography in the field of documentaries who has worked on films like Citizenfour, Fahrenheit 9/11 and Darfur Now for other film-makers. In her own film, she assembles clips of her past work, her personal journeys, to Bosnia-Herzegovina namely, and compiles a collage which gives a unique insight into the challenge-filled world of non-fiction film-making. The power of the written word comes to the fore in two films programmed this year. From Portugal comes Ivo M. Ferreira’s beautiful black-and-white drama Letters from War based on the letters written home by António Lobo Antunes to his wife when he was a doctor working in Angola in the 1970s. The letters reveal Antunes’ great love for his wife but also his contempt for the Portuguese colonial rule in Angola and for war itself. Likewise Pablo Larrain’s wonderfully inventive Neruda which spins a colourful yarn about the Chilean poet and the symbolic power of his poetry in the battle against right-wing forces in the late 1940s. This is the first Larrain film to play in Kinoscope and, as Neruda illustrates, he is fast becoming one of the most assured directors in the world. Our sole Asian film in the programme this year is Old Stone, Johnny Ma’s taut 80 minute thriller about the perils of day to day life in contemporary China. Ma is a Chinese-born man who grew up in Canada and Old Stone brings western precision and intensity to a Chinese story. Our two midnight movies this year – both from first time film-makers - are cleverly designed to get under the skin and unsettle the mind. Ali Abbasi’s Shelley brings chilling dimensions to the notion of European freedom of movement as a Romanian woman becomes the surrogate mother for a sinister Danish couple. And Babak Anvari brings horror to a bombed out Tehran apartment block during the Iran-Iraq war in the genuinely scary Under the Shadow. As we celebrate our fifth anniversary, we welcome audiences old and new to the Kinoscope programme and wish you happy and satisfying viewing. Mike Goodridge, Mathilde Henrot and Alessandro Raja, selektori / Programmers KINOSCOPE l 22. Sarajevo Film Festival 97

À peine j’ouvre les yeux / Dok otvaram oči / As I Open My Eyes Tunis, ljeto 2010., nekoliko mjeseci prije revolucije. Osamnaestogodišnja Farah je upravo diplomirala i članovi njene porodice već je vide kao buduću doktoricu. Ali Farah ima drugačije planove. Protivno volji svoje majke Hayet, Farah pjeva u društveno angažovanom bendu, voli život, napija se, otkriva ljubav i noćni život svoga grada. Leyla Bouzid rođena je i odrasla u Tunisu. Studirala je francusku književnost na Sorboni i filmsku režiju na francuskoj filmskoj akademiji La Fémis. Njeni kratki filmovi SOUBRESAUTS i ZAKARIA su nagrađeni na Filmskom festivalu u Angersu. AS I OPEN MY EYES, koji je premijerno prikazan na Filmskom festivalu u Veneciji, njen je prvi dugometražni film. Film je dobio Europa Cinemas nagradu na Venecijanskom festivalu, Muhr nagradu za igrani film na Međunarodnom filmskom festivalu u Dubaiju, FIPRESCI i TV5 nagradu na festivalu u Kartagini u Tunisu, a prikazan je i na festivalu u Rotterdamu 2016. godine. E Tunisia, summer 2010, a few months before the Revolution: Farah, an 18-year-old girl, has just graduated and her family already sees her as a future doctor. But she doesn’t share their ambitions. She sings in a socially engaged rock band, has a passion for life, gets drunk, discovers love and her city by night; all against the will of her mother Hayet.

Leyla Bouzid is a Tunisia born and raised filmmaker. She studied French literature at the Sorbonne and film directing at the French Film Academy La Fémis. Her shorts SOUBRESAUTS and ZAKARIA won awards at the Angers Film Festival. AS I OPEN MY EYES is her first feature film. It premiered at the Venice Film Festival where it won the Europa Cinemas award. The film also won the Muhr Award at the Dubai International Film Festival, FIPRESCI and TV5 awards at the Cartagena Film Festival and was screened at the 2016 Rotterdam Film Festival.

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France, Tunisia, Belgium, United Arab Emirates, 2015, Colour, 102 min, Arabic Režija / Director: Leyla Bouzid Scenarij / Screenplay: Leyla Bouzid, Marie-Sophie Chambon Direktor fotografije / Director of Photography: Sebastien Goepfert Montaža / Editor: Lilian Corbeille Muzika / Music: Khyam Allami Zvuk / Sound: Ludovic Van Pachterbeke Producent / Producer: Sandra Da Fonseca, Imed Marzouk Produkcija / Production: Blue Monday Productions, Propaganda Production Uloge / Cast: Baya Medhaffar, Ghalia Ben Ali, Montassar Ayari, Aymen Omrani, Lassaad Jamoussi Kontakt / Contact: Doc & Film International, www.docandfilm.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - AS I OPEN MY EYES 2013 - ZAKARIA (kratki film / short film) 2013 - GAMINE (kratki film / short film) 2012 - SOUBRESAUTS (kratki film / short film)

Aquarius / Akvarijus Clara, šezdesetpetogodišnja udovica i penzionisana muzička kritičarka, pripadnica je bogate i tradicionalne porodice iz Recifea u Brazilu. Posljednja je žiteljka Aquariusa, originalne dvospratne kuće izgrađene četrdesetih godina prošloga stoljeća u elitnoj, primorskoj aveniji Boa Viagem u Recifeu. Kompanija koja ima ambiciozne planove za taj dio grada već je otkupila sve okolne građevine, ali Clara je odlučna da do smrti ne napusti svoj dom. Zbog toga se s kompanijom upušta u neku vrstu hladnoga rata, u sukob koji je ujedno misteriozan, zastrašujući i iznimno napet. Kleber Mendonça Filho rođen je 1968. u Recifeu, na sjeveroistoku Brazila, gdje i danas živi. Nakon stjecanja univerzitetske diplome, radio je kao novinar za Jornal do Commercio istovremeno pišući za Folha de S. Paulo i druge publikacije. Kleber je devedesetih godina prošloga stoljeća snimio nekoliko dokumentarnih i kratkih eksperimentalnih filmova u produkciji vlastite kompanije CinemaScópio. Svoj prvi igrani film, NEIGHBORING SOUNDS, snimio je 2012. u Recifeu. E Clara, a sixty-five-year old widow and a retired music critic, was born into a wealthy traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building built in the 1940s in the upper-class, seaside Avenida Boa Viagem, Recife. All the neighboring apartments were already acquired by a company that has other plans for that plot. Clara has pledged to only leave her place upon her death, and will engage in a cold war of sorts with the company; a confrontation which is both mysterious, frightening and nerve-wrecking. Kleber Mendonça Filho was born in 1968 in Recife, northeastern Brazil. He was raised and continues to live in his hometown. After graduating from college, Kleber has worked as a journalist on Jornal do Commercio, while also writing for Folha de S. Paulo and other publications. In the 1990s, he made several documentaries and experimental shorts, produced through his own company, CinemaScópio. In 2012, Kleber made his debut feature, NEIGHBORING SOUNDS, in Recife.

Brazil, France, 2016, Colour, 145 min, Portugese Režija / Director: Kleber Mendonca Filho Scenarij / Screenplay: Kleber Mendonca Filho Direktor fotografije / Director of Photography: Pedro Sotero & Fabricio Tadeu Montaža / Editor: Eduardo Serrano Zvuk / Sound: Ricardo Cutz Kostimografija / Costume Design: Rita Azevedo Scenografija / Production Design: Juliano Dornelles & Thales Junqueira Producent / Producer: Émilie Lesclaux, Saïd Ben Saïd & Michel Merkt Produkcija / Production: SBS Films, CinemaScópio Uloge / Cast: Sonia Braga, Maeve Jinkings, Irandhir Santos, Humberto Carrão, Zoraide Coleto, Fernando Teixeira, Buda Lira Kontakt / Contact: SBS Distribution, www.sbs-distribution.fr FILMOGRAFIJA / FILMOGRAPHY: 2015 - AQUARIUS 2012 - NEIGHBORING SOUNDS 2009 - COLD TROPICS (kratki film / short film) 2008 - CRITICO (dokumentarni film / documentary) 2006 - FRIDAY NIGHT SATURDAY MORNING (kratki film / short film) 2005 - ELETRODOMÉSTICA (kratki film / short film) 2004 - GREEN VINY (kratki film / short film) 2003 - THE LITTLE COTTON GIRL (kratki film / short film)

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Baden Baden Nakon neuspjelog pokušaja da nađe posao na filmskom setu u inostranstvu, dvadesetšestogodišnja Ana se vraća u Strazbur. Tokom vrelog ljeta koje provodi u svom rodnom gradu, Ana odlučuje da staru kadu svoje bake zamijeni tuš kabinom, jede grašak i mrkvu s kečapom, vozi Porsche, bere šljive, gubi vozačku dozvolu, spava sa svojim najboljim prijateljem i miri se s bivšim momkom. Ukratko, Ana provodi ljeto u pokušaju da sredi svoj život. Rachel Lang rođena je u Strazburu 1984. godine. Nakon što je dvije godine paralelno studirala filozofiju na Univerzitetu Marc Bloch i film na Akademiji dramskih umjetnosti u Strazburu, upisuje IAD školu filma u Lovain La Neuveu u Belgiji. Njen kratki diplomski film FOR YOU I WILL FIGHT nagrađen je Srebrenim leopardom Filmskog festivala u Locarnu. Potom snima film WHITE TURNIPS MAKE IT HARD TO SLEEP, kao drugi dio trilogije upotpunjene njenim prvim dugometražnim igranim filmom BADEN BADEN. BADEN BADEN je prikazan u okviru Berlinale Foruma 2016. godine. E After a failed attempt at working on a foreign film set, 26-year-old Ana returns to her hometown of Strasbourg. Over the scorching summer that follows, she decides to replace her grandmother’s bathtub with a walk-in shower, eat peas and carrots with ketchup, drive a Porsche, harvest plums, lose her driver’s license, sleep with her best friend and get back together with her ex. In short, over this particular summer, Ana tries to get her life together. Rachel Lang was born in Strasbourg, France in 1984. After combining studies in philosophy at the Marc Bloch university with the Dramatic Arts Academy of Strasbourg for two years, she entered IAD film school (Institut des Arts de Diffusion), in Louvain La Neuve in Belgium. Her graduation short film FOR YOU I WILL FIGHT was awarded the Silver Leopard at the Locarno Film Festival. WHITE TURNIPS MAKE IT HARD TO SLEEP was the second part of a trilogy, followed by BADEN BADEN - Rachel’s first feature - which marked the end of the trilogy. It was selected for 2016 Berlinale Forum.

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Belgium, France, 2016, Colour, 96 min, French Režija / Director: Rachel Lang Scenarij / Screenplay: Rachel Lang Direktor fotografije / Director of Photography: Fiona Braillon Montaža / Editor: Sophie Vercruysse Zvuk / Sound: Aline Huber Kostimografija / Costume Design: Delphine Laloy Scenografija / Production Design: Jean-François Sturm Producent / Producer: Jérémy Forni, Joseph Rouschop, Valérie Bournonville Uloge / Cast: Salomé Richard, Claude Gensac, Lazare Gousseau Kontakt / Contact: Jour2Fête, www.jour2fete.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - BADEN BADEN 2011 - LES NAVETS BLANCS EMPECHANT DE DORMIR LA NUIT / WHITE TURNIPS MAKE IT HARD TO SLEEP 2010 - POUR TOI JE FERAI BATAILLE / FOR YOU I WILL FIGHT

Boi neon / Neonski bik / Neon Bull Iremar radi kao rodeo jahač na sjeveroistoku Brazila. U brazilskoj inačici rodea, znanoj po imenu vaquejadas, cilj je da dva jahača ili vaqueira obore bika vukući ga za rep. Posao jahača je naporan i prljav, ali Iremar je rođeni vaqueiro koji bikove hrani, priprema za nastup i brine se o njima. On živi u kamionu kojim se životinje prevoze od jedne do druge rodeo arene. Zajedno s Iremarom žive rodeo jahač i njegov partner u areni Zé, egzotična plesačica i vozačica kamiona Galega i njen živahni, maloljetni sin Cacá. Oni funkcionišu kao netipična, ali međusobno veoma bliska porodica. Gabriel Mascaro filmski je autor i vizuelni umjetnik rođen 1983. godine u Recifeu, Brazil. Njegov prvi igrani film AUGUST WINDS premijerno je prikazan u takmičarskom programu Filmskog festivala Locarno, gdje je osvojio specijalno festivalsko priznanje. Film je osvojio i niz drugih nagrada i značajnu naklonost filmskih kritičara. Mascarovi raniji dokumentarci i videoinstalacije su predstavljeni na značajnim filmskim festivalima i u umjetničkim programima, uključujući filmske festivale u Rotterdamu, Amsterdamu, Oberhausenu, Clermont Ferrandu, Lajpcigu i Londonu, kao i umjetničke programe Guggenheim muzeja, Muzeja savremene umjetnosti u Barceloni, Muzeja moderne umjetnosti MoMA u New Yorku, te na Bijenalu savremene umjetnosti u Sao Paolu. E Iremar works at the Vaquejadas, a rodeo in the north east of Brazil where two men on horseback try to bring down a bull by grabbing its tail. It’s dusty and back-breaking work, but Iremar is a natural ‘Vaqueiro’, feeding, prepping and taking care of the bulls. His home is a truck, used for the transport of the animals from show to show, which he shares with his co-workers; Galega, an exotic dancer, the truck driver and mother to the young and spirited Cacá, and Zé, his rotund compadre in the bullpen. Together they form a makeshift but close-knit family.

Gabriel Mascaro was born in 1983. He is a filmmaker and visual artist from Recife, Brazil. His first feature film, VENTOS DE AGOSTO / AUGUST WINDS, premiered in competition at Locarno in 2014 and was received a special mention. The film has won numerous other awards and received much critical acclaim. His previous documentaries and vídeo installations have been screened at important film festivals and artistic events including Rotterdam, Amsterdam, Oberhausen, Clermont Ferrand, Leipzig, BFI London, the Guggenheim, Barcelona Museum of Contemporary Art, MoMA Documentary Fortnight, and the São Paulo Biennale.

Brazil, Uruguay, Netherlands, 2015, Colour, 101 min, Portugese Režija / Director: Gabriel Mascaro Scenarij / Screenplay: Gabriel Mascaro Direktor fotografije / Director of Photography: Diego Garcia Montaža / Editor: Fernando Epstein, Eduardo Serrano Zvuk / Sound: Mauricio d’Orey Kostimografija / Costume Design: Flora Rabello Producent / Producer: Rachel Ellis Produkcija / Production: DESVIA PRODUÇÕES (Brazil) Uloge / Cast: Juliano Cazarré, Maeve Jinkings, Aline Santana, Carlos Pessoa, Vinicius de Oliveira, Josinaldo Alves, Samya de Lavor Kontakt / Contact: Memento Films International, www.memento-films.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - BOI NEON / NEON BULL 2014 - VENTOS DE AGOSTO / AUGUST WINDS 2012 - DOMESTICA / HOUSEMAIDS (dokumentarni film / documentary) 2010 - AVENIDA BRASILIA TEIMOSA / DEFIANT BRASILIA (dokumentarni film / documentary 2009 - UM LUGAR AO SOL / HIGH-RISE (dokumentarni film / documentary) 2008 - KFZ-1348 (dokumentarni film / documentary)

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Cameraperson / Kamermanka Kakav je osjećaj snimati nekoga, šta to znači? Kako to utječe na onoga koga se snima, a kako na onoga koji snima? Razotkrivajući svoju ulogu iza kamere, Johnson se koristi dijelom bogate zbirke materijala koje je tokom proteklih decenija snimila širom svijeta. Kirsten Johnson je studirala kinematografiju na francuskoj filmskoj akademiji La Femis. Bila je direktorica fotografije na Ocarom nagrađenom filmu CITIZEN FOUR, a s Laurom Poitras je 2012. godine podijelila nagradu za najbolju kameru Filmskog festivala Sundance za svoj rad na filmu THE OATH. Bila je dio snimateljske ekipe dokumentarnog filma FAHRENHEIT 9/11, a također je radila na kratkom filmu Sandya McLeoda ASYLUM, nominovanom za Oscara, te filmovima LADIES FIRST i WE CAME TO TESTIFY, nagrađenim Emmyjem. Radi kao profesorica na predmetu „Vizuelno razmišljanje“ na Odsjeku za žurnalizam Univerziteta u New Yorku, te kao profesorica kinematografije u Školi za vizuelne umjetnosti SVA u New Yorku, a često vodi i radionice za mlade snimatelje i autore dokumentarnog filma. E What does it mean to film another person? How does it affect that person - and what does it do to the one who is filming? Exposing her role behind the camera, Johnson reaches into the vast trove of footage she has shot over decades around the world.

Kirsten Johnson studied cinematography at French National Film School (La Femis). She was the cinematographer on the Oscar- winning CITIZENFOUR, and shared the 2012 Sundance Cinematography Award with Laura Poitras for THE OATH. Her cinematography is featured in FAHRENHEIT 9/11, the Oscar--nominated short by Sandy McLeod ASYLUM, the Emmy winners LADIES FIRST and WE CAME TO TESTIFY. She teaches a class in “Visual Thinking” at the NYU Graduate Journalism Department, a course in cinematography at SVA, and often leads workshops for young camerapeople and documentarians.

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USA, 2016, Colour, 102 min, Arabic, Bosnian, Dari, English, Fur, Hausa Režija / Director: Kirsten Johnson Direktor fotografije / Director of Photography: Kirsten Johnson Montaža / Editor: Nels Bangerter Muzika / Music: Kathryn Bostic Zvuk / Sound: Eric Milano, Pete Horner Producent / Producer: Kirsten Johnson, Marilyn Ness Produkcija / Production: Kirsten Johnson, Inc. Uloge / Cast: Kirsten Johnson Kontakt / Contact: Submarine, www.submarinedeluxe.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - CAMERAPERSON (dokumentarni film / documentary) 2004 - DEADLINE (dokumentarni film / documentary) 1999 - INNOCENT UNTIL PROVEN GUILTY (dokumentarni film / documentary) 1995 - BINTOU IN PARIS (kratki dokumentarni film / short doc.)

Cartas da Guerra / Pisma iz rata / Letters from War „Ovaj nas rat sve pretvara u insekte koji se bore da prežive“, mladi vojni doktor António piše svojoj trudnoj ženi u Portugal 1971. António je raspoređen u Angolu kako bi učestvovao u Portugalskom kolonijalnom ratu. Njegova su pisma puna bola, ali i nježnosti. Ispunjena su dubokom čežnjom za voljenom ženom i njihovim nerođenim djetetom. Istovremeno, u redovnim pismima kući António opisuje svoj svakodnevni život u tuđini. Ivo M. Ferreira rođen je u Lisabonu, Portugal, 1975. godine. Svoj prvi dokumentarni film, O HOMEM DA BICICLETA – DIÁRIO DE MACAU, je snimio tokom putovanja Azijom. Snimio je niz antropoloških filmova u zemljama poput Angole, da bi 2009. počeo snimati i igrane filmove, poput filma AGUAS MIL koji je premijerno prikazan na Filmskom festivalu u Rotterdamu. Trenutno živi u Macau. E This war turns us all into insects struggling for survival’ writes young military doctor António to his pregnant wife in Portugal in 1971. He has been posted to Angola to serve in the Portuguese Colonial War. His words are full of pain but also tenderness, filled with a deep longing for his beloved wife and their unborn child. At the same time, António’s regular letters provide a picture of his daily life in these foreign parts.

Ivo M. Ferreira was born in Lisbon, Portugal in 1975. He made his first documentary films whilst travelling throughout Asia (O HOMEM DA BICICLETA – DIÁRIO DE MACAU). He has made a number of films focusing on anthropological documentation in countries such as Angola. In 2009 he also started making fiction films such as AGUAS MIL / APRIL SHOWERS which premiered at the Rotterdam Film Festival. He currently lives in Macau.

Portugal, 2016, Black & White, 105 min, Portugese Režija / Director: Ivo M. Ferreira Scenarij / Screenplay: Ivo M. Ferreira, Edgar Medina from the book of von António Lobo Direktor fotografije / Director of Photography: João Ribeiro Montaža / Editor: Sandro Aguilar Zvuk / Sound: Tiago Matos, Ricardo Leal Kostimografija / Costume Design: Lucha d’Orey Scenografija / Production Design: Nuno Mello Producent / Producer: Luís Urbano Produkcija / Production: O Som e a Fúria Uloge / Cast: Miguel Nunes, Margarida Vila-Nova, Ricardo Pereira, João Pedro Vaz, João Pedro Mamede, Simão Cayatte, Francisco Hestnes, Tiago Aldeia, Orlando Sérgio, Isac Graça Kontakt / Contact: The Match Factory; info@matchfactory.de; www.www.the-match-factory.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - CARTAS DA GUERRA 2013 - NA ESCAMA DO DRAGAO (kratki film / short film) 2010 - O ESTRANGEIRO (kratki film / short film) 2009 - VAI COM O VENTO (dokumentarni film / documentary) 2006 - FIO DO FIAR 2004 - SALTO EM BARREIRA (kratki film / short film) 2001 - ANGOLA EM CENA 1997 - O HOMEM DA BICICLETA - DIARIO DE MACAU (kratki film / short film)

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Ema / Majka / Mother Ova crnohumorna krimi komedija, smještena u malom gradiću u Estoniji, prati Elsu, majku i njegovateljicu učitelja Laurija koji je pao u komu nakon što je pod sumnjivim okolnostima ranjen iz vatrenog oružja. Brižna, ali na ivici snage, Elsa ugošćuje posjetioce koji dolaze da obiđu Laurija - njegove prijatelje, učenike, djevojku, šefa i sve druge koji nesvjesnom Lauriju prepričavaju događaje iz svojih života i na taj se način oslobađaju tereta. Ali, kako policijska istraga napada na Laurija napreduje, neke od njemu najbližih osoba postaju predmet sumnje. Kadri Kõusaar rođena je 1980. godine u Estoniji. Njen debitantski igrani film MAGNUS, o ocu koji pokušava pomoći svome samoubistvu sklonom sinu, bio je prvi estonski film ikada uvršten u zvaničnu konkurenciju Filmskog festivala u Kanu (u sklopu Un Certain Regard programa). Film je uspješno prikazan na mnogobrojnim festivalima širom svijeta (uključujući festivale u Rotterdamu, Varšavi, Solunu, Sarajevu, Moskvi, Sijetlu i Vankuveru) i osvojio je glavne nagrade na festivalima Febiofest u Pragu i GoEast u Weisbadenu. Njen drugi igrani film THE ARBITER prvi je put prikazan u takmičarskom programu Filmskog festivala u Karlovym Varyma, a treći THE MOTHER je doživio premijeru u programu Filmskog festivala Tribeca. E This darkly comic crime mystery set in small-town Estonia centers on Elsa, the mother and full time caretaker of Lauri, a teacher who has been in a coma since being shot under shadowy circumstances. Attentive in her duties but at the end of her tether, Elsa receives Lauri’s visitors—friends, students, his girlfriend, his boss, and others—who come to update the unconscious Lauri on their lives and unburden themselves of their troubles. But as the police inquiry into the crime progresses, some of his closest ties are called into question.

Kadri Kõusaar was born in 1980 in Estonia. Her debut feature MAGNUS, about a father trying to help his suicidal son, was the first Estonian film ever included in the official selection of the Cannes Film Festival (Un Certain Regard). MAGNUS has successfully toured tens of film festivals around the world (including Rotterdam, Warsaw, Thessaloniki, Sarajevo, Moscow, Seattle, Vancouver) and won main awards at Febiofest in Prague and the Wiesbaden GoEast Festival. Kadri’s second film THE ARBITER premiered internationally in competition at Karlovy Vary International Film Festival. Her third film THE MOTHER had its international premiere in the world narrative competition program at the Tribeca Film Festival.

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Estonia, 2016, Colour, 89 min, Estonian Režija / Director: Kadri Kõusaar Scenarij / Screenplay: Leana Jalukse, Al Wallcat Direktor fotografije / Director of Photography: Jean-Noël Mustonen F.S.C. Montaža / Editor: Tambet Tasuja Muzika / Music: Jaan Pehk Zvuk / Sound: Horret Kuus Kostimografija / Costume Design: Liisi Eelmaa Scenografija / Production Design: Minna Hint Producent / Producer: Aet Laigu Produkcija / Production: Meteoriit LLC Uloge / Cast: Tiina Mälberg, Jaan Pehk, Andres Tabun, Andres Noormets, Rea Lest, Jaak Prints, Siim Maaten Kontakt / Contact: Aet Laigu, Meteoriit OÜ, aet@meteoriit.ee FILMOGRAFIJA / FILMOGRAPHY: 2016 - EMA / MOTHER 2014 - AUSTER (kratki dokumentarni film / short doc.) 2013 - THE ARBITER 2007 - MAGNUS

Évolution / Evolucija / Evolution Nicolas je dječak koji živi u budućnosti, na zabačenom ostrvu na jednoj stranoj planeti - ili je možda sve to samo san? Kuće u njegovom selu su obojene u bijelo i nanizane iznad mora, duž vulkanskih stijena i obale sačinjene od crnog pijeska. U selu žive mlade žene i dječaci slične starosti kao Nicolas. Sve žene, uključujući i njegovu majku, blijede su, vežu kosu u rep i nose jednostavne, tanke bež haljine. Jednoga dana dok se kupa u okeanu, Nicolas otkriva nešto zanimljivo, ali njegova majka nezainteresovano odbacuje njegovo otkriće. Njena reakcija pobuđuje Nicolasovu radoznalost, navodi ga da pomisli da mu se laže i da počne istraživati svoje okruženje, svjedočeći nekim prilično uznemirujućim scenama. Lucile Emina Hadžihalilović rođena je 1961. godine u Lionu. Njeni najuspješniji radovi uključuju kratki film LA BOUCHE DE JEAN-PIERRE i dugometražni igrani film INNOCENCE, s kojim je osvojila nagradu Bronzani konj za najbolji film Međunarodnog filmskog festivala u Štokholmu i tako postala prva žena kojoj je to pošlo za rukom. Studirala je historiju umjetnosti i stekla diplomu na prestižnoj francuskoj filmskoj akademiji La Femis 1987. godine. Početkom devedesetih godina prošloga stoljeća započela je saradnju s proslavljenim francuskim autorom Gasparom Noéom. Noé je radio kao direktor fotografije na njenom filmu LA BOUCHE DE JEAN-PIERRE, inače njenom prvom filmu nakon stjecanja diplome na kojem je radila kao scenaristica, producentica, rediteljka i montažerka. Film je prikazan u Un Certain Regard programu Filmskog festivala u Kanu. E Nicolas is a boy living on a remote island set in the future, on another planet - or is it a dream? His village consists of white-painted houses located above the sea with a volcanic rock and black sand coastline, populated by young women and boys all of a similar age to Nicolas. Whilst swimming, Nicolas makes a discovery in the ocean, which is shrugged off by his mother, who, like all the women in the town has tied-back hair, is pale and wears a simple thin beige dress. Nicolas is curious, thinks that he is being lied to and starts to explore his environment, witnessing some unsettling scenes...

Lucile Emina Hadžihalilović was born in 1961 in Lyon. Her most notable works include the short film LA BOUCHE DE JEAN-PIERRE and the feature film INNOCENCE, for which she became the first woman to win the Stockholm International Film Festival annual Bronze Horse top award for best film. She studied art history and graduated from the prestigious French film school La Femis in 1987. In the early 1990s, she began to collaborate with the notable French filmmaker Gaspar Noé. Hadžihalilović wrote, edited, produced, and directed her first post-graduation film, LA BOUCHE DE JEAN-PIERRE, while Noé worked as the cinematographer. It was shown during the Un Certain Regard panel at the Cannes Film Festival.

France, Belgium, Spain, 2015, Colour, 81 min, French Režija / Director: Lucile Hadžihalilović Scenarij / Screenplay: Lucile Hadžihalilović, Alante Kavaite, Geoff Cox Direktor fotografije / Director of Photography: Manu Dacosse Montaža / Editor: Nassim Gordji Tehrani Muzika / Music: Jesús Díaz, Zacarías M. de la Riva Zvuk / Sound: Laura Díez Mora, Dani Fontrodona, Fabiola Ordoyo, Marc Orts Kostimografija / Costume Design: Jackye Fauconnier Producent / Producer: Sylvie Pialat, Benoît Quainon, Jérôme Vidal, Sebastián Álvarez, Geneviève Lemal, John Engel Produkcija / Production: Les Films du Worso, Noodles Production, Volcano Films, SCOPE PICTURES, Left Field Ventures Uloge / Cast: Max Brebant, Roxane Duran, Julie-Marie Parmentier Kontakt / Contact: Wild Bunch International Sales, www.wildbunch.biz FILMOGRAFIJA / FILMOGRAPHY: 2015 - EVOLUTION 2014 - NECTAR (kratki film / short film) 2004 - INNOCENCE 1998 - GOOD BOYS USE CONDOMS (kratki film / short film) 1996 - LA BOUCHE DE JEAN-PIERRE (kratki film / short film) 1987 - LA PREMIERE MORT DE NONO (kratki film / short film)

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The Fits / Nemir Film NEMIR je psihološki portret jedanaestogodišnje Toni, dječački nestašne djevojčice koja se nastoji uklopiti u plesni tim u sjeverozapadnom predgrađu Cincinnatija, West End. Opčinjena snagom i samouvjerenošću ove grupe međusobno bliskih djevojčica, Toni spremno usvaja koreografije, uvježbava plesne pokrete, pa čak i buši uši kako bi se uklopila. Svjedočimo sreći s kojom Toni sklapa prva prijateljstva i otkriva čari plesa. Pa, ipak, Toni preispituje vlastiti identitet u svom novom društvenom okruženju. Kada članice tima počnu oboljevati od misteriozne bolesti onesvješćivanja, Tonina želja da se uklopi poprima čudan karakter. Anna Rose Holmer je uvrštena na listu „25 novih lica nezavisne filmske scene za 2015.“ magazina Filmmaker. Njen rediteljski igrani prvijenac, THE FITS (Međunarodni filmski festival u Veneciji 2015), rezultat je projekta koji je razvijan u sklopu Filmskog koledža Venecijanskog bijenala za 2014./2015. godinu i Intenzivnog stipendijskog programa za montažu Sundance instituta. Nedavno je producirala BALLET 422 Lee Lipes (Filmski festival Tribeca 2014, Magnolia Pictures) i SALERO Mikea Plunketta (IDFA 2015). Anna je zajedno s Mattom Wolfom režirala dokumentarni film A BALLET IN SNEAKERS: JEROME ROBBINS AND OPUS JAZZ, o plesnom projektu NY Export: Opus Jazz (SXSW 2010 Emergin Visions nagrada publike). Film je prikazan na PBS-u u okviru serijala Sjajne predstave / Ples u Americi. E THE FITS is a psychological portrait of 11-year-old Toni—a tomboy assimilating to a tight-knit dance team in Cincinnati’s West End. Enamored by the power and confidence of this strong community of girls, Toni eagerly absorbs routines, masters drills, and even pierces her own ears to fit in. We witness the joy of her first friendships and her discovery of dance. Yet, she grapples with her individual identity amid her newly defined social sphere.When a mysterious outbreak of fainting spells plagues the team, Toni’s desire for acceptance is twisted. Anna Rose Holmer was listed as one of Filmmaker Magazine’s “25 New Faces of Independent Film 2015.” Her narrative directorial debut, THE FITS (Venice International Film Festival 2015), is a selection of the Venice Biennale College 2014/2015 and the Sundance Institute Editing Intensive Fellowship. She recently produced Jody Lee Lipes’s BALLET 422 (Tribeca Film Festival 2014, Magnolia Pictures) and Mike Plunkett’s SALERO (IDFA 2015). With filmmaker Matt Wolf, Anna co-directed and produced A BALLET IN SNEAKERS: JEROME ROBBINS AND OPUS JAZZ, a companion documentary to NY Export: Opus Jazz, (SXSW 2010 Emerging Visions Audience Award) which aired on the PBS Great Performances / Dance in America Series.

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USA, 2015, Colour, 72 min, English Režija / Director: Anna Rose Holmer Scenarij / Screenplay: Anna Rose Holmer Direktor fotografije / Director of Photography: Paul Yee Montaža / Editor: Saela Davis Muzika / Music: Danny Bensi, Saunder Jurriaans Kostimografija / Costume Design: Zachary Sheets Scenografija / Production Design: Charlotte Royer Producent / Producer: Anna Rose Holmer, Lisa Kjerulff Produkcija / Production: Biennale College – Cinema [IT], Yes, Ma’am! [US] Uloge / Cast: Royalty Hightower, Makyla Burnam, Da’Sean Minor, Alexis Neblett, Da’Sean Minor, Lauren Gibson, Inayah Rodgers, Antonio A.B. Grant Jr., The Q-Kidz Dance Team Kontakt / Contact: Mongrel International, www.mongrelmedia.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - THE FITS 2010 - TWELVE WAYS TO SUNDAY (dokumentarni film / documentary)

L’avenir / Sve što dolazi / Things to Come Nathalie radi kao profesorica filozofije u jednoj srednjoj školi u Parizu. Strastveno voli svoj posao, a naročito činjenicu da učenike ohrabruje da otkriju čari razmišljanja. Udata je i ima dvoje djece, te svoje vrijeme posvećuje porodici, bivšim učenicima i veoma posesivnoj majci. Jednoga dana, muž joj saopštava da je ostavlja zbog druge žene. Prisilno slobodna, Nathalie mora preurediti svoj život. Mia Hansen-Løve rođena je u Parizu, Francuska, 1981. godine. Sa sedamnaest godina je debitirala kao glumica u filmu LATE AUGUST, EARLY SEPTEMBER Olivera Asssayasa. Studirala je na Konzervatoriju za dramske umjetnosti u Parizu i pisala za francuski filmski magazin Cahiers du Cinéma, a zatim je počela režirati kratke filmove. Njen prvi dugometražni igrani film ALL IS FORGIVEN nominovan je za nagradu Cesar i osvojio je nagradu Louis Delluc za najbolji debitantski film. E Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.

Mia Hansen-Løve was born in Paris, France in 1981. She made her acting debut at the age of 17 in Olivier Assayas’ FIN AOÛT, DÉBUT SEPTEMBRE (LATE AUGUST, EARLY SEPTEMBER). She studied at the Conservatoire d’art dramatique in Paris and wrote for the ‘Cahiers du Cinéma’. She then began directing short films. Her debut feature TOUT EST PARDONNÉ (ALL IS FORGIVEN) was nominated for a César and won the Prix Louis Delluc for Best First Film.

France, Germany, 2016, Colour, 100 min, English, French, German Režija / Director: Mia Hansen-Løve Scenarij / Screenplay: Mia Hansen-Løve Direktor fotografije / Director of Photography: Denis Lenoir Montaža / Editor: Marion Monnier Zvuk / Sound: Olivier Goinard Kostimografija / Costume Design: Rachèle Raoult Scenografija / Production Design: Anna Falguères Producent / Producer: Charles Gillibert Produkcija / Production: CG Cinema Uloge / Cast: Isabelle Huppert, André Marcon, Roman Kolinka, Edith Scob, Sarah Le Picard Kontakt / Contact: Les Films du Losange, www.filmsdulosange.fr FILMOGRAFIJA / FILMOGRAPHY: 2016 - L’AVENIR 2014 - EDEN 2011 - UN AMOUR DE JEUNESSE 2009 - LE PERE DE MES ENFANTS 2005 - TOUT EST PARDONNE / ALL IS FORGIVEN

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Lao Shi / Stari kamen / Old Stone Nakon što je učestvovao u saobraćajnoj nesreći, zbog koje je jedan čovjek završio u komi, taksista iz maloga grada mora snositi ogromne bolničke troškove povrijeđenog. Finansijski teret mu je do te mjere nepodnošljiv da počinje razmišljati o ubistvu kao o mogućem izlazu iz problema. Johnny Ma rođen je kao Nan Ma u Šangaju, Kina. Kada je imao deset godina, imigrirao je u Toronto u Kanadi. Dokumentarnim filmom se počeo baviti 2008. godine nakon što je stekao zvanje magistra režije i scenarija na Univerzitetu Columbia. Njegovi kratki filmovi su prikazani na brojnim festivalima, uključujući međunarodne filmske festivale u Torontu i Dalasu, kao i Festival kratkog filma u Aspenu, a osvojili su brojna priznanja među kojima se ističu nagrada Američkog udruženja filmskih reditelja, nagrada američkog Nacionalnog odbora za recenziju filmova i nominacija za nagradu Kanadske filmske akademije. Johnny trenutno radi na svom drugom igranom filmu čija je radnja, također, smještena u Kini. Učestvovao je u scenarističkom / rediteljskom trening programu Instituta Sundance 2014. godine. E After a car accident that puts a man into a coma, a small-town taxi driver becomes overburdened with paying the injured man’s hospital costs to the point of considering murder as a possible way out.

Johnny Ma was born as Nan Ma, in Shangha, China. He immigrated to Toronto at age of ten. Johnny first made the move to documentary filmmaking in 2008 after graduating from Columbia University’s M.F.A. in the Directing / Screenwriting film program. Johnny’s short films have been screened at TIFF, Dallas International Film Festival, Aspen Shortfest and other international festivals, and have received awards from DGA and National Board of Review as well a nomination for the Canadian Academy Awards. Johnny is developing his second feature also set in China. He is an alum of the 2014 Sundance Institute Screenwriting / Directing Lab.

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China, Canada, 2016, Colour, 80 min, Chinese Režija / Director: Johnny Ma Scenarij / Screenplay: Johnny Ma Direktor fotografije / Director of Photography: Ming Kai Leung Montaža / Editor: Mike Long Muzika / Music: Lee Sanders Zvuk / Sound: T. Terressa Tate Kostimografija / Costume Design: Li Ke Scenografija / Production Design: Chen Xue Qiang Producent / Producer: Wu Xianjian, Jing Wang, Sarah Stallard, Chi-An Lin Produkcija / Production: Maktub Films Uloge / Cast: Chen Gang, Nai An, Wang Hongwei, Zhang Zebin, Luo Xue’er Kontakt / Contact: Asian Shadows, www.chineseshadows.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - LAO SHI / OLD STONE 2013 - GRAND CANAL (kratki film / short film) 2011 - GENIUS FROM QUINTINO (kratki film / short film)

Neruda Godina je 1948. i Hladni rat je stigao do Čilea. Senator Pablo Neruda u kongresu optužuje vladu za izdaju Komunističke partije, a predsjednik Gonzalez Videla promptno pokreće postupak za njegov opoziv. Direktor policije Oscar Peluchonneau dobija zadatak da uhapsi pjesnika. Pablo Larraín rođen je 1976. godine u Santiagu, Čile. Njegov film TONY MANERO premijerno je prikazan u Directors’ Fortnight programu Filmskog festivala u Kanu 2008. Njegov treći dugometražni igrani film, POST MORTEM, u septembru 2010. godine premijerno je prikazan u zvaničnom takmičarskom programu Filmskog festivala u Veneciji. Godinu dana kasnije, Pablo Larraín režira film NO koji je prikazan u Directors’ Fortnight programu Filmskog festivala u Kanu 2012. i nominiran za nagradu Oscar Američke filmske akademije za najbolji film na stranom jeziku. Uslijedio je film THE CLUB koji je premijerno prikazan u zvaničnom takmičarskom programu Filmskog festivala u Berlinu 2015. godine, gdje je osvojio Veliku nagradu žirija Srebreni medvjed. Film je također nominovan za nagradu Zlatni globus za najbolji film na stranom jeziku. Pablo Larraín je 2016. režirao JACKIE, svoj prvi igrani film na engleskom jeziku, s Natalie Portman u naslovnoj ulozi. E It’s 1948 and the Cold War has reached Chile. In congress, senator Pablo Neruda accuses the government of betraying the Communist Party and is swiftly impeached by President Gonzalez Videla. Police Prefect Oscar Peluchonneau is assigned to arrest the poet.

Pablo Larraín was born in Santiago, Chile, in 1976. He then directed TONY MANERO which premiered at the Directors’ Fortnight of the 2008 Cannes Film Festival. POST MORTEM is his third feature-length film. It premiered in Official Competition at the Venice Film Festival in September of 2010. The following year, Pablo Larraín directed the film NO, which premiered at the Directors’ Fortnight of the 2012 Cannes Film Festival and was nominated for the Academy Award for Best Foreign Language Film. THE CLUB premiered in Official Competition at the 2015 Berlin International Film Festival where it was awarded the Grand Jury Prize Silver Bear. The film was also a nominee at the Golden Globes for Best Foreign Language Film. In 2016, Pablo Larraín also directed his first English language feature, JACKIE, starring Natalie Portman.

Chile, Argentina, France, Spain, 2016, Colour, 108 min, French, Spanish Režija / Director: Pablo Larraín Scenarij / Screenplay: Guillermo Calderón Direktor fotografije / Director of Photography: Sergio Armstrong Montaža / Editor: Hervé Schneid, Muzika / Music: Federico Jusid Zvuk / Sound: Miguel Hormazábal Kostimografija / Costume Design: Muriel Parra Scenografija / Production Design: Estefanía Larraín Producent / Producer: Juan de Dios Larraín Produkcija / Production: Fabula, AZ Films, Funny Balloons, Setembro Cine Uloge / Cast: Gael García Bernal, Alfredo Castro, Antonia Zegers, Luis Gnecco, Alejandro Goic, Mercedes Morán, Pablo Derqui Kontakt / Contact: Funny Balloons; pdanner@funny-balloons.com; www.funny-balloons.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - NERUDA 2015 - THE CLUB 2013 - VENICE 70: FUTURE RELOADED (dokumentarni film / documentary) 2011 - NO 2010 - POST MORTEM 2007 - TONY MANERO 2005 - FUGA

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Rester vertical / Ostani uspravan / Staying Vertical Filmadžija Leo je u potrazi za vukom na jugu Francuske. Tokom jedne pretrage terena zavodi ga duhom slobodna i dinamična pastirica Marie. Devet mjeseci kasnije ona rađa njihovo dijete. Ophrvana postporođajnom depresijom i bez vjere u Lea, koji dolazi i odlazi po volji, Marie napušta i Lea i dijete. Leo ostaje sam s bebom. Nije mu lako, ali u dubini duše on uživa. Kroz niz neočekivanih i neobičnih događaja, u potrazi za inspiracijom za sljedeći film, Leo čini sve što je potrebno da bi se održao na nogama. Alain Guiraudie rođen je 1964. godine u mjestu Villefranche-de-Rouergue. U filmu THAT OLD DREAM THAT MOVES pokušao je predstaviti radničku klasu služeći se pustolovnim stilom i narativnim tonom bajke. Film je 2001. godine prikazan u Directors’ Fortnight programu Filmskog festivala u Kanu i osvojio je Jean Vigo nagradu. Njegov četvrti igrani film STRANGER BY THE LAKE također je uvršten u program Filmskog festivala u Kanu 2013. osvojivši simpatije filmskih kritičara i nagradu za najbolju režiju festivalskog programa Un Certain Regard. Guiraudieovi ostali filmovi su tokom proteklih godina (2001., 2003. i 2009.) također uvršteni u selekciju Directors’ Fortnight programa Filmskog festivala u Kanu. E Filmmaker Leo is searching for a wolf in the south of France. During a scouting excursion he is seduced by Marie, a free-spirited and dynamic shepherdess. Nine months later she gives birth to their child. Suffering from post-natal depression and with no faith in Leo, who comes and goes without warning, Marie abandons both of them. Leo finds himself alone, with a baby to care for. It’s not easy, but deep down, he loves it. Through a series of unexpected and unusual encounters, struggling to find inspiration for his next film, Leo will do whatever it takes to stay standing. Alain Guiraudie was born in 1964 in Villefranche-de-Rouergue. In a picaresque style and with the tone of the tale, he strives to represent the working class in the film THAT OLD DREAM THAT MOVES, winner of the Prix Jean Vigo and screened in 2001 at the Directors Fortnight. With his fourth feature film, STRANGER BY THE LAKE, Alain Guiraudie hit a homerun at the 66th Cannes Film Festival, earning the praise of many critics and winning the Best Director Award in the Un Certain Regard section. His three other features were also selected for the Directors’ Fortnight (in 2001, 2003 and 2009).

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France, 2016, Colour, 100 min, French Režija / Director: Alain Guiraudie Scenarij / Screenplay: Alain Guiraudie Direktor fotografije / Director of Photography: Claire Mathon (AFC) Montaža / Editor: Jean-Christophe Hym Zvuk / Sound: Philippe Grivel, Jeanne Delplancq, Nathalie Vidal Kostimografija / Costume Design: Sabrina Violet, François Labarthe, Adelaïde Le Gras Scenografija / Production Design: Toma Baqueni Producent / Producer: Sylvie Pialat, Benoît Quainon Produkcija / Production: Les Films Du Worso Uloge / Cast: Damien Bonnard, India Hair, Raphaël Thierry, Christian Bouillette, Basile Meilleurat, Laure Calamy, Sébastien Novac Kontakt / Contact: Wild Bunch; ndevide@wildbunch.eu; www.wildbunch.eu FILMOGRAFIJA / FILMOGRAPHY: 2016 - STAYING VERTICAL 2013 - STRANGER BY THE LAKE 2009 - THE KING OF ESCAPE 2005 - TIME HAS COME 2003 - NO REST FOR THE BRAVE 2001 - THAT OLD DREAM THAT MOVES 2001 - SUNSHINE FOR THE POOR

Shelley Mlada Rumunka Elena dolazi u provinciju u Danskoj kako bi radila kao kućna pomoćnica za rekonvalescentkinju Louise i njenog supruga Kaspera. Boravak duboko u šumi, daleko od užurbanog modernog života, izuzetno je neprijatan. Tiha i turobna kuća, u kojoj - prema Louiseinoj želji - nema struje, samo pojačava osjećaj nelagode. Elena se, međutim, relativno brzo prilagođava svojoj novoj svakodnevici kućanskih poslova, hranjenju kokoši i brizi o krhkoj Louise. Ali Abassi s filmom SHELLEY debituje kao reditelj dugometražnog filma. Režiji prethodi spisateljska karijera tokom koje je objavio nekoliko pripovijedaka na perzijskom jeziku. Rođen je 1981. godine u Teheranu. Napustio je studije na Politehničkom univerzitetu u Teheranu 2002., da bi potom otputovao u Evropu. Živio je u Štokholmu, gdje je studirao arhitekturu na Kraljevskoj akademiji nauka. Godine 2007. je započeo studije na Državnoj školi filma u Danskoj., gdje je diplomirao 2011. te potom režirao uspješni M FOR MARKUS - nadrealni, eksperimentalni, linčovski kratki triler. E Young Romanian woman Elena arrives in the Danish countryside to work as a housekeeper for a recovering Louise and her husband Kasper. It’s an eerie feeling, being deep in a dense forest, far away from modern life. Especially since the isolated house is still and somber without electricity, according to Louise’s wishes. Elena adjusts quickly to her new routine of household chores, tending to chickens and helping fragile Louise.

Ali Abassi makes his feature film debut with SHELLEY. He has a background as an author and has published several short stories in Farsi. Born in 1981 in Teheran, he abandoned his studies at Teheran Polytechnic University in 2002, and travelled to Europe. He resided in Stockholm where he studied architecture at The Royal Academy of Science. In 2007 he started his education at the National Film School of Denmark in film directing. He graduated from the film school in 2011 and directed the acclaimed M FOR MARKUS - a surreal, experimental, Lynchian police investigation short film.

Denmark, Sweden, 2016, Colour, 92 min, Danish, English Režija / Director: Ali Abbasi Scenarij / Screenplay: Maren Louise Käehne, Ali Abbasi Direktor fotografije / Director of Photography: Sturla Brandth Grøvlen, Nadim Carlsen Montaža / Editor: Olivia Neergaard-Holm Muzika / Music: Martin Dirkov Zvuk / Sound: Rune Bjerre Sand Kostimografija / Costume Design: Camilla Nordbjerg Scenografija / Production Design: Sabine Hviid, Kristine Køster Producent / Producer: Jacob Jarek Produkcija / Production: PROFILE PICTURES Uloge / Cast: Ellen Dorrit Petersen, Cosmina Stratan, Peter Christoffersen, Björn Andrésen, Marianne Mortensen, Kenneth M. Christensen, Patricia Schumann, Marlon Kindberg Bach Kontakt / Contact: Indie Sales; sales@indiesales.eu; www.indiesales.eu FILMOGRAFIJA / FILMOGRAPHY: 2016 - SHELLEY 2011 - M FOR MARKUS (kratki film / short film) 2010 - IN DARKNESS THERE IS LIGHT (kratki film / short film) 2010 - ENEMY WITHIN (kratki film / short film) 2009 - OFFICER RELAXING AFTER DUTY (kratki film / short film) 2008 - 5 SECONDS WITH ALEX (kratki film / short film) 2005 - 3RD EPISODE (kratki film / short film) 2004 - THE BOX (kratki film / short film)

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Tempestad / Nevrijeme / Tempest Kroz ličnu i emotivnu priču, ovaj film govori o parališućoj moći straha: straha kao bolesti koja osobu sprečava da zauzme stav o vlastitom životu i budućnosti svoje djece, koja podrezuje krila snovima i onemogućava lični razvoj. Tatiana Huezo, meksičko-salvadorska autorica, stekla je diplomu na meksičkoj školi filma Centro de Capacitación Cinematográfica. Radi kao rediteljica i fotografkinja, a prethodno je bila članica Nacionalnog udruženja umjetničkih stvaralaca. Huezo je 2004. godine stekla zvanje magistrice kreativnog dokumentarnog filma na Univerzitetu Pempeu Fabra. Njen prvi igrani film, THE TINIEST PLACE, prikazan je na više od pedeset filmskih festivala širom svijeta osvojivši niz nagrada, uključujući nagrade festivala Visons Du Reel, DOK Leipzig, DOCS DF, Festival latino filma San Diego, Međunarodni filmski festival u Belfastu, Viennale, Međunarodni filmski festival u Biarritzu itd. E Through a subjective and emotional journey, this film conveys the paralysing power of fear: fear as a sickness that prevents you from taking a stand on your life, on the future of your children; which clouds your ability to dream and grow. Tatiana Huezo, a Mexican-Salvadorian filmmaker, graduated from the Centro de Capacitación Cinematográfica. She works as a director and photographer. She is a former member of the National System of Art Creators. In 2004 she completed her MA in Creative Documentary at the Pempeu Fabra University. Her first feature film, THE TINIEST PLACE, has been screened at over 50 festivals worldwide and has received several awards in international and national festivals like Visions Du Reel, DOK Leipzig, DOCS DF, San Diego Latino Film Festival, Belfast International Film Festival, Viennale, Biarritz International Film Festival etc.

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Mexico, 2016, Colour, 105 min, Spanish Režija / Director: Tatiana Huezo Scenarij / Screenplay: Tatiana Huezo Direktor fotografije / Director of Photography: Ernesto Pardo Montaža / Editor: Lucrecia Gutiérrez Maupomé, Tatiana Huezo Muzika / Music: Leonardo Heiblum, Jacobo Lieberman Zvuk / Sound: Federico González Jordán, Lena Esquenazi Producent / Producer: Nicolás Celis, Sebastián Celis Produkcija / Production: Pimienta Films, Cactus Film & Video, Terminal Uloge / Cast: Miriam Carbajal, Adela Alvarado Kontakt / Contact: Nicolás Celis FILMOGRAFIJA / FILMOGRAPHY: 2015 - AUSENCIAS / ABSENCES (kratki dokumentarni / short doc.) 2015 - OIR, VER Y CALLAR / SEE, LISTEN AND BE SiLENT (kratki dokumentarni / short doc.) 2011 - EL LUGAR MAS PEQUENO / THE TINIEST PLACE 2005 - RETRATO THE FAMILIA / FAMILY PORTRAIT (dokumentarni / documentary) 2001 - EL OMBLIGO DEL MUNDO / THE CORE OF THE EARTH (kratki film / short film)

Toni Erdmann Šaljivdžija Winfried se prerušava u živopisnog Tonija Erdmanna kako bi privukao pažnju svoje - poslom preokupirane - kćeri Ines i naveo je da promijeni životni stil. Igra nadmudrivanja između oca i kćeri poprima apsurdne proporcije do trenutka kada Ines počinje da shvata da njen ekscentrični otac zaslužuje mjesto u njenom životu. Maren Ade rođena je u Njemačkoj 1976. godine. Predaje scenarij na Filmskoj akademiji BadenWürttemberg u Ludwigsburgu. Vodi produkcijsku kompaniju Komplizen Film. Maren Ade je studirala filmsku produkciju i menadžment medija, a potom i filmsku režiju na Univerzitetu za televiziju i film u Minhenu. Kompanija Komplizen Film producirala je njen diplomski film THE FOREST FOR THE TREES 2003. godine. Između ostalih nagrada koje je osvojila s ovim filmom, ističe se specijalna nagrada publike na Filmskom festivalu Sundance 2005. Njen drugi igrani film EVERYONE ELSE premijerno je prikazan u takmičarskom programu Međunarodnog filmskog festivala u Berlinu 2009. godine, gdje je osvojio nagrade Srebreni medvjed za najbolji film i za najbolju glumicu. Njen posljednji film TONI ERDMANN prvi put je prikazan u takmičarskom programu Filmskog festivala u Kanu 2016., postavši prvi njemački film u protekloj deceniji koji je doživio premijeru na ovom značajnom festivalu. E Prankster Winfried disguises himself as flashy Toni Erdmann to get busy Ines’ attention and change her corporate lifestyle. The father-daughter challenge reaches absurd proportions before Ines begins to see that her eccentric father deserves a place in her life…

Maren Ade was born in 1976 in Germany. She teaches screenwriting at the Film Academy BadenWürttemberg in Ludwigsburg. She runs the film production company Komplizen Film. Maren Ade first studied film production and media management and later film direction at the University of Television and Film in Munich. It was her own Komplizen Film that produced her graduation film THE FOREST FOR THE TREES at the University of Television and Film in Munich in 2003. Among other honours, the film received the Special Jury Award at the Sundance Film Festival in 2005. Her second film EVERYONE ELSE celebrated its world premiere in the Official Competition section of the Berlin International Film Festival in 2009, where it received the Silver Bear for Best Film and the Best Actress Silver Bear. Her latest film TONI ERDMANN debuted in Competition at the 2016 Cannes Film Festival, the first German film to debut there in 10 years.

Germany, Austria, 2016, Colour, 162 min, English, German, Romanian Režija / Director: Maren Ade Scenarij / Screenplay: Maren Ade Direktor fotografije / Director of Photography: Patrick Orth Montaža / Editor: Heike Parplies Muzika / Music: Martin Hossbach, Michael Muehlhaus Zvuk / Sound: Fabian Schmidt, Adrian Baumeister Kostimografija / Costume Design: Ciresica Cuciuc Scenografija / Production Design: Silke Fischer Producent / Producer: Maren Ade, Jonas Dornbach, Janine Jackowski, Michel Merkt Produkcija / Production: Komplizen Film Uloge / Cast: Peter Simonischek, Sandra Hüller, Michael Wittenborn Kontakt / Contact: The Match Factory; info@matchfactory.de; www.the-match-factory.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - TONI ERDMANN 2009 - EVERYONE ELSE 2003 - THE FOREST FOR THE TREES 2001 - VEGAS (kratki film / short film) 2000 - EBENE 9 / LEVEL 9 (kratki film / short film)

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Under the Shadow / U sjeni Teheran, 1988. Iransko-irački rat ulazi u osmu godinu. Bombardovanja gradova i krvava revolucija unutar zemlje polako razdvajaju majku i kćer. Dok se, okružene terorom, bore da ostanu zajedno, kroz njihov se stan šunja misteriozna zla sila koja prijeti da im oduzme osjećaj za realnost. Babak Anvari rođen je u Teheranu, Iran. Živi u Londonu. Nominovan je za nagradu BAFTA, a dobitnik je niza drugih nagrada. Njegov prvi dugometražni igrani film, UNDER THE SHADOW, premijerno je prikazan na Filmskom festivalu Sundance 2016. Radio je za britanski i irski MTV kao jedan od reditelja MTV Live Sessions programa i živih nastupa slavnih muzičara poput Lady Gage, Florence & The Machine, Pixie Lott, Tinie Tempah itd. E Tehran, 1988: the Iran-Iraq war rumbles into its eighth year. The bombing campaigns focused on the city, coupled with the country’s bloody revolution, slowly tear a mother and daughter apart. As they struggle to stay together in the midst of these modern terrors, a mysterious evil stalks through their apartment, threatening their grip on reality.

Babak Anvari was born in Tehran, Iran. He lives in London. He is a BAFTA nominated, award winning filmmaker based in London. His feature film debut UNDER THE SHADOW premiered at Sundance film festival in 2016. He also worked for MTV UK and Ireland as one of the directors of MTV Live Sessions and directed live performances for renowned artists such as Lady Gaga, Florence & The Machine, Pixie Lott, Tinie Tempah etc.

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United Kingdom, Jordan, Qatar, 2016, Colour, 84 min, Farsi Režija / Director: Babak Anvari Scenarij / Screenplay: Babak Anvari Direktor fotografije / Director of Photography: Kit Fraser Montaža / Editor: Chris Barwell Muzika / Music: Gavin Cullen Zvuk / Sound: Alex Joseph Kostimografija / Costume Design: Phaedra Dahdaleh Scenografija / Production Design: Nasser Zoubi Producent / Producer: Lucan Toh, Emily Leo, Oliver Roskill Produkcija / Production: Wigwam Films Uloge / Cast: Narges Rashidi, Avin Manshadi, Bobby Naderi, Ray Haratian, Hamidreza Djavdan, Soussan Farrokhnia Kontakt / Contact: XYZ Films, www.xyzfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - UNDER THE SHADOW 2011 - TWO & TWO (kratki film / short film) 2007 - SOLITARY (kratki film / short film) 2005 - CREED (kratki film / short film) 2005 - WHAT’S UP WITH ADAM? (kratki film / short film)

Shorts

EUROPEAN SHORTS 120 Adaptacja / Adaptacija / Adaptation, Bartosz Kruhlik 120 Allô chérie, Danielle Arbid 121 Dokument / Dokumentarni film / A Documentary Film, Marcin Podolec 121 Eleganssi / Elegancija / Elegance, Virpi Suutari 122 Estate / Ljeto / Summer, Ronny Trocker 122 Il caffè si beve bestemmiando / Kafa se mora piti opasno vruća / Coffee Has to Be Drunk Swearing Hot, Luigi Brandi 123 Import / Uvoz, Ena Sendijarević 123 In Defense of the Rocket / Pravda za rakete, Martin Ginestie 124 A Man Returned / Čovjek, vraćen, Mahdi Fleifel

CINEFONDATION CANNES: Winners 2016 125 Anna, Or Sinai 125 In the Hills / U brdima, Hamid Ahmadi 126 La culpa, probablemente / Grižnja savjesti, vjerovatno / The Guilt, Probably, Michael Labarca 126 A nyalintás nesze / Zvuk lizanja / The Noise of Licking, Nadja Andrasev

ZAGREB FILM FESTIVAL NAJBOLJE OD KOCKICA / BEST OF CHECKERS 127 Belladonna, Dubravka Turić 127 Igra malog tigra / Playing the Tiger, Jasna Nanut 128 Indonezija / Indonesia, Daria Blažević 128 Piknik / Picnic, Jure Pavlović 129 Zvjerka / The Beast, Daina O. Pusić

FESTIVAL MEDITERANSKOG FILMA SPLIT / MEDITERRANEAN FILM FESTIVAL SPLIT 130 Lula & Bručke / Lula & The Pubic Hairs, Igor Jelinović 130 Minjonja njanjonja / Boo-boo Boo hoo hoo, Josip Lukić 131 Planemo, Veljko Popović 131 Ritki Zrak / Rijedak zrak / Thin Air, Šimun Šitum

Uvod / Introduction U skladu sa već ustaljenom praksom, Sarajevo Film Festival će i u svom ovogodišnjem, dvadeset i drugom izdanju, publici ponuditi bogat izbor kratkih filmova.

Vanja Kaluđerčić

Bianca Lucas

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Takmičarski program – evropski kratki film, koji se ove godine održava po treći put, posvećen je filmskim autorima osobenog i hrabrog umjetničkog stila iz svih krajeva Evrope. Ovogodišnjim programom dominiraju snažni, nekonvencionalni filmovi čiji se autori ne ustručavaju da bez zadrške izraze svoj stav. Program će otvoriti kratki dokumentarni film Mahdija Fleifela ČOVJEK, VRAĆEN / A MAN RETURNED, koji na direktan i sirov način oslikava život izbjeglica iz Sirije kroz priču jednog mladog muškarca. Muškarca koji nastoji da pronađe smisao u fizičkom i emotivnom limbu u kojem je zarobljen. Dok Fleifel u svome filmu govori o limbu u kojem žive izjeglice u tranzitnim centrima, Danielle Arbid u svom ALLÔ CHÉRIE govori o limbu tranzicijskog života. Junakinja filma se autom vozi kroz ulice Bejruta i istovremeno priča na telefon. Film je dirljiv portret jedne osobe, ali i cijeloga društva koje bez prestanka upada u novu krizu onog trena kada riješi prethodnu. Muškarac izranja iz vode i stupa na naizgled mirnu plažu dok ga prisutni turisti posmatraju. Gomila ostaje zamrznuta i nespremna da djeluje, posmatrajući muškarca kao da posmatraju predstavu. U svome filmu LJETO / SUMMER, čija su estetika i forma pravo osvježenje, Ronny Trocker preispituje bolesnu stranu medijskog predstavljanja trenutne izbjegličke krize. Konceptom “zabave” i vezom između zabave i odnosa moći u društvu bavi se i Virpi Suutari u svome filmu ELEGANCIJA / ELEGANCE. Tema filma je lov kao vid zabave koji tradicionalno igra ključnu ulogu u stvaranju privilegovanih članova društva i njihovom razlikovanju od drugih. Ovaj finski dokumentarac, začinjen pravom dozom hladnog humora, u velikoj mjeri oslikava trenutno stanje ljudskog drušva u kojem mali broj odabranih sve brže preuzima i monopolizira poluge vlasti i moć. Drugu godinu za redom, u programu ćemo ugostiti Enu Sendijarević koja u svome filmu UVOZ / IMPORT prikazuje svakodnevni život ratnih izbjeglica iz Bosne i Hercegovine u Holandiji. Snimljen kao niz sekvenci koje odišu humorom i toplinom, Enin je film očaravajuća, inteligentna i dirljiva priča koja navodi na razmišljanje o izazovima s kojima se suočavaju izbjeglice. I Bartosz Kruhlik u svome filmu ADAPTACIJA /

ADAPTATION portretira jednu porodicu. Šta se dešava sa porodicom kada je rasturena iznutra i kada se čini da je pomirenje nemoguće? Glavni protagonista filma na sebe preuzima zadatak da spoji pokidane veze pribjegavajući simulaciji koja je toliko privlačna njegovim roditeljima da će joj teško moći odoljeti. Kroz program se zatim selimo u Italiju da bi u filmu Luigija Brandija COFFEE HAS TO BE DRUNK SWEARING HOT / KAFA SE MORA PITI OPASNO VRUĆA pratili sudbinu dvoje djece, imigranata, koji na razne načine ubijaju svakodnevnu dosadu. Gledalac odmah zavoli dvoje glavnih protagonista, brata i sestru koji su prisiljeni da prihvate status quo koji im je nametnut u stranoj, pa ipak ne potpuno stranoj, zemlji u kojoj su se zatekli. Pametan i ironičan kratki film Martina Gienestie PRAVDA ZA RAKETE / IN DEFENSE OF THE ROCKET zapravo je montirana serija fotografija koje prate razvoj izraelsko-palestinskog sukoba. Gienestie, bez zadrške i na izuzetno jednostavan način, razotkriva opaki krug propalih diplomatskih incijativa i nasilja koje već decenijama potresaju predmetnu regiju. Program će zatvoriti lična, ali istovremeno univerzalna priča o ostarjelom, usamljenom muškarcu. Bez obzira na činjenicu da se radi o animiranom filmu, njegov mu naslov DOKUMENTARNI FILM / A DOCUMENTARY FILM savršeno pristaje. Nakon što izađete iz kina, film bi vas mogao navesti da svoje komšije pogledate sa više nježnosti. Nadamo se da ćemo tako raznježeni zatvoriti ovogodišnje izdanje Takmičarskog programa – evropski kratki film. Filmovi u Takmičarskom programu evropskog kratkog filma će se zajedno sa filmovima u Takmičarskom programu regionalnog kratkog filma natjecati za nominaciju Sarajevo Film Festivala za nagradu Evropske filmske akademije za najbolji evropski kratki film 2016. Sa zadovoljstvom najavljujemo i nastavak saradnje sa Cinefondation programom Filmskog festivala u Kanu. U okviru ove saradnje pružena nam je prilika da sarajevskoj publici predstavimo četiri nagrađena filma iz ovogodišnjeg Cinefondation programa: film ANNA rediteljice Or Siani, THE GUILT, PROBABLY / GRIŽNJA SAVJESTI, VJEROVATNO reditelja Michaela Labarca, THE NOISE OF LICKING / ZVUK LIZANJA rediteljice Nadje Andrasev i IN THE HILLS / U BRDIMA reditelja Hamida Ahmadija. Filmove će predstaviti direktor Cinefondation programa Georges Goldenstern. U ovom izboru su se našli najbolji i najperspektivniji filmovi i filmski

autori koje jedna tako prestižna institucija može ponuditi. U okviru 22. Sarajevo Film Festivala nastavit ćemo tradiciju predstavljanja dva gostujuća programa koji su rezultat naše dugogodišnje saradnje sa partnerskim festivalima: program “Kockice” Zagreb Film Festivala i selekciju takmičarskog programa “Ješke” Festivala mediteranskog filma Split. Na kraju, uživanje u kratkom filmu koje nudi Sarajevo Film Festival ne bi bilo cjelovito ukoliko ne bi bilo upotpunjeno inicijativama koje imaju za cilj da na jednom mjestu okupe autore kratih filmova i druge filmske stručnjake. Zbog toga smo pripremili niz događaja kako bismo našim mladim, ali iskusnijim gostima, pružili priliku da se međusobno upoznaju i uspostave veze za koje se nadamo da će im biti značajane i dugo nakon Festivala. Svi dijelovi našega programa su osmišljeni tako da nam omoguće da promovišemo autore koji su prevazišli brojne izazove kako bi u potpunosti ovladali kratkim filmskim formatom, kao i da ih snažno podržimo dok tragaju za svojim originalnim filmskim izrazom. Iskreno se nadamo da će te uživati u svemu što vam naš program nudi te da će vas odabrani filmovi dodatno inspirisati. E In keeping with its tradition, the 22nd edition of the Sarajevo Film Festival offers a rich selection of short films to its audiences. In its third year now, the European Shorts Competition is a section dedicated to distinctive filmmakers who demonstrate daring and characteristic cinematic voices from all corners of Europe. The programme lineup is dominated by powerful and unconventional films, all fiercly uncompromising in their message. Opening the programme is the short documentary A MAN RETURNED by Mahdi Fleifel. Raw and immediate in its execution, this film reveals the underbelly of life as a Syrian refugee through the prism of one young man’s experience. He tries to make sense both of the physical limbo in which he is stuck, as well his own particular emotional limbo. From the limbo of a transitional camp we move to the limbo of transitional being- literally. ALLO CHERIE sees its hero on the phone, going about her daily business in her car as she crosses the streets of Beirut far and wide. A poignant portrait by established filmmaker Danielle Arbid of not only an individual, but a whole society

that functions by extinguishing one fire after another. A man emerges from the water onto a seemingly serene beach as holidaymakers look on. As the crowd freezes in inaction, he becomes a performance. A breath of fresh air in terms of aesthetics and form, Ronny Trocker’s film SUMMER explores the sickly side of how the current refugee crisis is represented. Continuing with the concept of ‘leisure’ and how it relates to power relations is Virpi Suutari’s ELEGANCE. The subject is hunting- a ‘passtime’ which has always been crucial in creating and distinguishing priviledged cliques. With a healthy dose of deadpan humour, this Finnish documentary is in fact enormously relevant to today’s widening monopolisation of power by a select few. For the second year in a row, European Shorts welcomes a film by Ena Sendijarevic. IMPORT shows a day in the life of a Bosnian family, wartime refugees resettled in the Netherlands. Shot in a series of tableauxs executed with both humour and warmth, Ena dazzles us with an intelligent and touching film that cannot help but make us consider the challenges that refugees face. Another portrait of a family follows with ADAPTATION by Bartosz Kruhlik. What happens in a family when it is torn from within, and reconciliation seems impossible? The protagonist takes it upon himself to fix the rupture, entering a simulation which may be too tempting for his parents to pass up... We move to Italy as we follow two immigrant children killing time in whichever way possible in Luigi Brandi’s documentary COFFEE HAS TO BE DRUNK SWEARING HOT. One immediately develops an affection for its two protagonists, a sister and brother who are forced to accept the status quo assigned to them in this foreign yet not-so-foreign country. IN DEFENSE OF THE ROCKET, Martin Ginestie’s clever, tongue-in-cheek short film is edited entirely out of photographs that follow the progression of the Israelo-Palestinian conflict. In no uncertain tone and with disarming simplicity, Ginestie exposes the vicious circle of failed diplomacy and violence that has mired that region for decades. Closing our programme is a personal, yet entirely universal tale of a single, elderly man. Despite it being an animation, A DOCUMENTARY FILM is a strikingly appropriate title. When the lights come on, this film’s impact will implore

you to look at your neighbour more tenderly. It is with such softened hearts that we hope to conclude our screenings of the European Shorts Competition. Films in the European Shorts programme will compete alongside the Regional Shorts Competition for the 2016 European Film Academy SFF nomination award. This gives them the chance to win the European Film Award in the Best Short Film Category. This year we also have the pleasure of announcing our ongoing collaboration with the Cinefondation program of the Cannes Film Festival. As part of this cooperation we will screen four award-winning films from the Cinefondation 2016 programme: ANNA by Or Sinai, LA CULPA, PROBABLEMENTE by Michael Labarca, THE NOISE OF LICKING by Nadja Andrasev and IN THE HILLS by Hamid Ahmadi. The films will be presented by Cinefondation director Georges Goldenstern. This section highlights some of the best new talent and works such a prestigious institution has to offer. The 22nd edition of the festival sees us continuing our showcase of two guest programmes with which we have a long-standing cooperation: the Zagreb Film Festival’s Checkers Programme and the collection of the “Ješke” Competition Programme of the Mediterranean Film Festival Split. Finally, the short film experience we offer at SFF would be lacking if not complemented by initiatives designed to bring short film authors and professionals together. With this in mind, we have planned events that will give both our young guests as well as our more experienced ones the chance to meet, learn, and form new bonds that we hope will live on beyond the festival. All short film programmes were designed to promote filmmakers who have overcome many a challenge to fully harness the potential of the short film format, and to wholeheartedly support them as they emerge and search for their artistic voices. We sincerely hope that you will enjoy everything our programme has to offer and, even more importantly, that our lineup will be a source of inspiration. Vanja Kaluđerčić Bianca Lucas European Shorts Selektori / Programmers

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Adaptacja / Adaptacija / Adaptation adaptacija: 1. Strukturalna ili funkcionalna evolucija organizma sa ciljem povećanja šansi za preživljavanje. 2. Proces u kojem se jedinka prilagođava okruženju i postaje otpornija na vanjske pritiske. 3. Sposobnost očiju da se prilagode za gledanje u mraku. Bartosz Kruhlik je rođen 1985. u Poljskoj. Diplomirao je filmsku režiju na Državnoj filmskoj školi u Lodzu. Njegov prvi dokumentarni film TOMORROW osvojio je preko 40 nagrada, a prvi kratki igrani film HTTP:// prikazan je u programu “The Fresh Selection” Filmskog festivala u Karlovym Varyma. Bartosz je 2013. godine dobio Nagradu ministarstva kulture za izuzetna umjetnička postignuća. E adaptation: 1. Structural or functional evolution of an organism towards higher survivability. 2. Process of an individual becoming better suited to environment and more resistant to outer stress. 3. The ability of eyesight to adjust to seeing in the dark.

Poland, 2016, Colour, 25 min, Polish Režija / Director: Bartosz Kruhlik Scenarij / Screenplay: Bartosz Kruhlik Direktor fotografije / Director of Photography: Michał Dymek Montaža / Editor: Maciej Kozłowski PSM Muzika / Music: Andrzej Strzemżalski Zvuk / Sound: Katarzyna Figat Kostimografija / Costume Design: Monika Wielgo Scenografija / Production Design: Anna WołoszczukBanasiak Producent / Producer: Okomotion Film Production, Magdalena Widuch Produkcija / Production: The Polish National Film, Television and Theathre School in Lodz Uloge / Cast: Michał Włodarczyk, Małgorzata Witkowska, Dariusz Siastacz Kontakt / Contact: rektorat@filmschool.lodz.pl; www.filmschool.lodz.pl FILMOGRAFIJA / FILMOGRAPHY: 2016 - ADAPTATION (kratki film / short film) 2013 - THE HEAT (kratki film / short film) 2011 - VANISHING (kratki film / short film) 2010 - THE TRIP (kratki dokumentarni film / short doc.) 2009 - TOMORROW... (kratki dokumentarni film / short doc.)

Bartosz Kruhlik was born in 1985 in Poland. He graduated in film directing from the The National Film School in Lodz. His first documentary film TOMORROW... has received 40 awards, and his first short fiction film HTTP:// was screened in The Fresh Selection section of the Karlovy Vary Festival. In 2013, he received “The Prize of the Ministry of Culture” for outstanding artistic achievement.

Allô chérie ‘’Žena vozi auto po Bejrutu i priča na telefon. Zove banku. Zove ljude koji joj duguju novac. Zove ljude koji daju i ljude koji uzimaju pozajmice. Ta žena je moja majka.” Danielle Arbid rođena je u Libanu 1970. godine. Njeni su filmovi prikazivani na brojnim filmskim festivalima širom svijeta. Njena dva prva igrana filma, DANS LES CHAMPS DE BATAILLE i UN HOMME PERDU, prikazana su u Directors’ Fortnight programu Filmskog festivala u Kanu 2004. i 2007. godine. Dobitnica je brojnih nagrada, uključujući nagradu Directors’ Fortnight programa, Veliku nagradu Milana, te nagrade Zlatni i Srebreni leopard Filmskog festivala u Locarnu. E ‘’A woman drives around Beyrouth and talks on the phone.She is calling a bank. She is calling those who owe her money. She is calling those who lend and those who borrow. She’s my mother.’’

Danielle Arbid was born in Lebanon in 1970. Her films have been selected for numerous festivals worldwide. Her first two features, DANS LES CHAMPS DE BATAILLE and UN HOMME PERDU, were screened in the Directors’ Fortnight section at the Cannes Festival in 2004 and 2007 respectively. She won numerous awards, including the Directors’ Fortnight Prize, the Milan Grand Prize, as well as the Golden Leopard and Silver Leopard awards of the Locarno Film Festival .

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Lebanon, France, 2015, Colour, 23 min, Arabic Režija / Director: Danielle Arbid Direktor fotografije / Director of Photography: Sabine Sidawi Montaža / Editor: Danielle Arbid Zvuk / Sound: Manu Zouki, Olivier Touche Produkcija / Production: Danielle Arbid, Orjouane Productions Kontakt / Contact: Danielle Arbid; daniellearbid@hotmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - ALLO CHERIE (kratki dokumentarni film / short doc.) 2015 - PARISIENNE 2009 - CONVERSATIONS DE SALON II (kratki dokumentarni film / short doc.)) 2008 - THE SMELL OF SEX (kratki film / short film) 2007 - UN HOMME PERDU 2004 - CONVERSATIONS DE SALON (kratki film / short film) 2004 - IN THE BATTLEFIELDS 2003 - ON BORDERS (dokumentarni film / documentary)

Poland, 2015, Colour, 7 min, Polish Režija / Director: Marcin Podolec Scenarij / Screenplay: Marcin Podolec Direktor fotografije / Director of Photography: Marcin Podolec Montaža / Editor: Marcin Podolec Muzika / Music: Wiktoria Nowak Producent / Producer: Marcin Malatynski Produkcija / Production: Polish National Film School in Lodz Kontakt / Contact: Katarzyna Wilk, Krakow Film Foundation; katarzyna@kff.com.pl; www.kff.com.pl

Dokument / Dokumentarni film / A Documentary Film

FILMOGRAFIJA / FILMOGRAPHY: 2015 - DOKUMENT / A DOCUMENTARY FILM (kratki film / short film)

Film je portret oca čija odrasla djeca žive svoje živote daleko od njega. Reditelj prati njegovu dnevnu rutinu na bazenu, na poslu i kod kuće, ali prvenstveno istražuje njegove emocije. Marcin Podolec rođen je 1991. godine u Jarosławu, Poljska. Radi kao ilustrator, animator i strip crtač, a od 2010. studira na Odsjeku za animaciju pri Visokoj državnoj školi za film u Łódźu u Poljskoj. Jedan je od autora stripa „Sometimes“, koji je proglašen stripom godine u Poljskoj, kao i pisac i ilustrator stripova „All taken“ i „Fugazi Music Club“. E Portrait of a father, whose adult children live their own lives far away from him. Director follows his daily routine at the swimming pool, at work, at home and, above all, he explores his emotions.

Marcin Podolec was born in 1991 in Jarosław, Poland. He works as an illustrator, animator and a comic book artist. He has been studying at the Polish National Film School in Łódź (department of Animation) since 2010. He co-authored comic book “Sometimes” that was awarded the Comic Book of the Year Award in Poland. He also wrote and illustrated “All taken” and “Fugazi Music Club” comic books.

Eleganssi / Elegancija / Elegance ELEGANCIJA dokumentira stil i eleganciju poljske jarebice i lova na selu prateći grupu otmjenih finskih lovaca, redom muškaraca iz najvišeg društvenog sloja u Finskoj, kojima je lov zajednička strast i stil života. Virpi Suutari rođena je 1967. godine. Radi kao filmska autorica, profesorica umjetnosti, novinarka i fotografkinja. Jedno je vrijeme bila umjetnička direktorica Filmskog festivala DocPoint u Helsinkiju. Članica je Evropske filmske akademije, a zvanje magistrice stekla je 1996. godine na Univerzitetu za umjetnost i dizajn u Helsinkiju. E ELEGANCE documents the style and elegance in grey partridge and pheasant hunting through a group of Finnish gentlemen hunters, all of them members of the top echelon of the Finnish society for whom hunting is a shared passion and lifestyle.

Finland, 2015, Colour, 26 min, Finnish Režija / Director: Virpi Suutari Scenarij / Screenplay: Virpi Suutari Direktor fotografije / Director of Photography: Jani Kumpulainen Montaža / Editor: Jussi Rautaniemi Muzika / Music: Sanna Salmenkallio Zvuk / Sound: Olli Huhtanen Produkcija / Production: Virpi Suutari/Euphoria Film Oy Uloge / Cast: Jorma Ollila, Heikki A. Reenpää, Antti Herlin Kontakt / Contact: Euphoria Film Oy; virpi.suutari@luukku.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - ELEGANSSI / ELEGANCE (kratki dokumentarni film / short doc.) 2014 - GARDEN LOVERS (dokumentarni film / documentary) 2013 - HILTON (dokumentarni film / documentary) 2010 - AUF WIEDERSEHEN FINNLAND (dokumentarni film / documentary) 2006 - WAR (kratki dokumentarni film / short doc.) 2001 - THE IDLE ONES (dokumentarni film / documentary) 1998 - WHITE SKY (dokumentarni film / documentary) 1996 - SIN (kratki dokumentarni film / short doc.)

Virpi Suutari was born in 1967. She works as a filmmaker, art professor, journalist and photographer. She has also worked as the artistic director of DocPoint Film Festival in Helsinki. She is a member of the European Film Academy and holds a master’s degree from the University of Art and Design in Helsinki.

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Estate / Ljeto / Summer Na suncem okupanoj mediteranskoj plaži vrijeme kao da je stalo. Potpuno iznemogao crni muškarac bolno puže po pijesku, a turisti oko njega kao da ga ne primjećuju. Ronny Trocker rođen je i odrastao u blizini Bolzana na sjeveru Italije. Nakon što je studirao film u Argentini, nastavio je obrazovanje na Državnom studiju za modernu umjetnost La Fresnoy u Tourcoingu u Francuskoj. Živi na relaciji Brisel-Pariz.

France, Belgium, 2016, Colour, 7 min, No Dialogue Režija / Director: Ronny Trocker Scenarij / Screenplay: Ronny Trocker Direktor fotografije / Director of Photography: Artur Castro-Freire Montaža / Editor: Ronny Trocker Muzika / Music: Autistic Daughters, Seby Ciurcina Zvuk / Sound: Anouschka Trocker, Enrico Ascoli Kostimografija / Costume Design: Claire Dubien Producent / Producer: Nicolas Schmerkin, Erik Lambert Produkcija / Production: Autour de Minuit Uloge / Cast: Umaru Jibirin Kontakt / Contact: pauline@autourdeminuit.com; http://blog.autourdeminuit.com/ FILMOGRAFIJA / FILMOGRAPHY: 2016 - ESTATE / SUMMER (kratki film / short film) 2013 - EISZEIT (kratki film / short film) 2013 - GLI IMMACOLATI / THE IMMACULATES (kratki film / short film) 2012 - GRENZLAND / TERRA DI CONFINE 2008 - AUS DER FABRIK AUF DER STRASSE 2007 - AMOR PRECARIO (kratki film / short film)

E On a sunny Mediterranean beach, time seems to have frozen. An utterly exhausted black man crawls painfully on the sand surrounded by holiday-makers who do not seem to notice him.

Ronny Trocker was born and grew up near Bolzano in northern Italy. After studying cinema in Argentina, he continued his education at Le Fresnoy-Studio National des Arts Contemporains in Tourcoing, France. He lives and works in Brussels and Paris.

Italy, France, 2016, Colour, 28 min, Italian Režija / Director: Luigi Brandi Direktor fotografije / Director of Photography: Felix Albert, Roxane Billamboz, Luigi Brandi Montaža / Editor: Gianandrea Caruso, Nicola Bergamaschi, Luigi Brandi Zvuk / Sound: Natura Ruiz, Olivier Blin, Luigi Brandi, Alexandre Rameaux Producent / Producer: Elsa Minisini, Elisabeth Pawlowski Produkcija / Production: Baldanders Films Kontakt / Contact: contact@baldandersfilms.com

Il caffè si beve bestemmiando / Kafa se mora piti opasno vruća / Coffee Has to Be Drunk Swearing Hot U pustom kalabrijskom selu Cauloniji, dvoje djece smišlja načine da se prilagode životu kroz igre kojih se igraju. Dokumentarna priča na granici između stvarnosti i fikcije. Luigi Brandi rođen je 1986. godine u Miranu, Italija. Živi i radi u Italiji i Francuskoj. Nakon što je na Univerzitetu u Bolonji studirao film, upisuje Školu dokumentarnog filma u Lussasu, gdje 2012. godine stječe diplomu. Kao i filmovi koje je snimao tokom studija, i ovaj je dokumentarac hibridna filmska forma temeljena na radu s glumcima amaterima. E In the deserted village of Caulonia in Calabria, two children invent games that help them find their place in life. This is a tale on the border between reality and fiction.

Luigi Brandi was born in 1986 in Mirano, Italy. He lives and works in France and Italy. He graduated from the Documentary School of Lussas in 2012, after first studying cinema at the University of Bologna. His student films, as well as COFFE HAS TO BE DRUNK SWEARING HOT are experiment-based hybrid films made with non-professional actors.

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FILMOGRAFIJA / FILMOGRAPHY: 2016 - IL CAFFE SI BEVE BESTEMMIANDO / COFFEE HAS TO BE DRUNK SWEARING HOT (kratki film / short film) 2012 - A W (kratki film / short film) 2009 - IMPRESSIONI CAOTICHE E FUGGEVOLI DI UN PASSANTE (kratki film / short film) 2009 - METAMORFOSI DALLA Z ALLA N (kratki film / short film) 2008 - SI UNE NUIT PARIS (kratki film / short film)

Import / Uvoz Mlada bosanska izbjeglička porodica završava u malom selu u Holandiji nakon što su 1994. dobili boravišnu dozvolu. Dok se pokušavaju prilagoditi svijetu u kojem su se zatekli i učiniti ga svojim novim domom, upadaju u niz apsurdnih situacija. Ena Sendijarević je bosanskohercegovačka filmska autorica s adresom stanovanja u Amsterdamu. Diplomirala je filmsku režiju na Holandskoj filmskoj akademiji 2014. godine. Njeni kratki filmovi, TRAVELLERS INTO THE NIGHT i FERNWEH, premijerno su prikazani na Filmskom festivalu u Palm Springsu. Njen posljednji kratki film, IMPORT, premijerno je prikazan 2016. u Director’s Fortnight programu Filmskog festivala u Kanu.

Netherlands, 2016, Colour, 17 min, Bosnian, Dutch Režija / Director: Ena Sendijarević Scenarij / Screenplay: Ena Sendijarević Direktor fotografije / Director of Photography: Emo Weemhoff Montaža / Editor: Lot Rossmark Muzika / Music: Ella van der Woude, Juho Nurmela Zvuk / Sound: Vincent Sinceretti Kostimografija / Costume Design: Nedda Nagel Scenografija / Production Design: Myrte Beltman, Maeve Human Producent / Producer: Iris Otten, Sander van Meurs, Pieter Kuijpers Produkcija / Production: Pupkin Uloge / Cast: Alena Džebo, Aya Crnić, Esma Hrusto, Mario Knezović Kontakt / Contact: Pupkin, www.pupkin.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - IMPORT (kratki film / short film) 2014 - FERNWEH (kratki film / short film) 2013 - FEBRUARI (kratki film / short film) 2013 - REIZIGERS IN DE NACHT / TRAVELLERS INTO THE NIGHT (kratki film / short film)

E A young Bosnian refugee family ends up in a small village in the Netherlands after getting a residence permit in 1994. Absurd situations arise as they are trying to make this new world their home.

Ena Sendijarević is an Amsterdam based, Bosnian filmmaker. She graduated film directing from the Netherlands Film Academy in 2014. Her shorts TRAVELLERS INTO THE NIGHT and FERNWEH premiered at the Palm Springs Filmfest. Her latest short IMPORT premiered at the Directors’ Fortnight (Quinzaine des Réalisateurs) in Cannes 2016.

In Defense of the Rocket / Pravda za rakete

United Kingdom, 2015, Colour and b&w, 6 min, No Dialogue Režija / Director: Martin Ginestie Scenarij / Screenplay: Martin Ginestie Montaža / Editor: Martin Ginestie Muzika / Music: Ludwig van Beethoven Zvuk / Sound: Adam Smyth Producent / Producer: Martin Ginestie Produkcija / Production: ish Films Kontakt / Contact: martin.ginestie@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - IN DEFENSE OF THE ROCKET (kratki film / short film) 2012 - WHERE IS MY MIND (kratki film/ short film) 2010 - ROBIN HOOD GARDENS (OR EVERY BRUTALIST STRUCTURE FOR ITSELF) (kratki film / short film)

Usponi i padovi bliskoistočnog mirovnog procesa prikazani kroz seriju fotografija praćenu zvucima Betovenove Sedme simfonije. Martin Ginestie je rođen 1982. u Francuskoj. Studirao je matematiku i filozofiju na Univerzitetu u Oxfordu, a trenutno završava magisterij režije dokumentarnog filma pri britanskoj Državnoj školi za film i televiziju. Prethodno je režirao tri kratka filma u palestinskom gradu Ramali na Zapadnoj Obali. E The rise and fall of the Middle East peace process in photos, set to the sounds of Beethoven’s 7th symphony.

Martin Ginestie was born in 1982 in France. He studied mathematics and philosophy at Oxford University. He directed three short films in Ramallah, West Bank, and is currently pursuing his master’s degree in documentary directing at the National Film and Television School.

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United Kingdom, Denmark, Netherlands, 2015, Colour, 30 min, Arabic Režija / Director: Mahdi Fleifel Direktor fotografije / Director of Photography: Mahdi Fleifel Montaža / Editor: Michael Aaglund Zvuk / Sound: Dario Swade Producent / Producer: Patrick Campbell, Mahdi Fleifel Produkcija / Production: Nakba FilmWorks Kontakt / Contact: 3.14 *Collectif; sarah@314collectif.com; www.314collectif.com

A Man Returned / Čovjek, vraćen Reda ima 26 godina. Njegov san o bijegu iz palestinskog izbjegličkog kampa Ain El-Helweh u Libanu okončao se neuspjehom nakon što je tri godine bio zaglavljen u Grčkoj. Mahdi Fleifel palestinski je filmski autor nastanjen u Amsterdamu. Rođen je 1979., a diplomirao je 2009. godine na Državnoj školi za film i televiziju Velike Britanije. Sa svojim debitantskim igranim filmom, A WORLD NOT OURS, osvojio je preko trideset nagrada, uključujući nagrade filmskih festivala u Berlinu i Edinburgu, i nagradu DOC NYC festivala. Njegov kratki dokumentarni film XENOS premijerno je prikazan 2014. u programu kratkog filma Međunarodnog filmskog festivala u Berlinu. E Reda is 26 years old. His dream of escaping the Palestinian refugee camp Ain El-Helweh in Lebanon ended in failure after he had been trapped in Greece for three years.

Mahdi Fleifel is an Amsterdam-based Palestinian filmmaker born in 1979. He graduated from the UK National Film and Television School in 2009. His debut feature, A WORLD NOT OURS won over thirty awards, including the awards of the Berlin Film Festival, the Edinburgh Film Festival and the DOC NYC. His short documentary XENOS premiered at the 2014 Berlinale Shorts.

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FILMOGRAFIJA / FILMOGRAPHY: 2015 - A MAN RETURNED (kratki film / short film) 2013 - XENOS (kratki film / short film) 2012 - A WORLD NOT OURS 2009 - FOUR WEEKS (kratki film / short film) 2008 - ARAFAT & I (kratki film / short film)

Anna Vreo je ljetni dan, a krojačica Anna ga provodi sama nakon što se po prvi put, poslije više godina, razdvojila od svoga sina. Anna provodi slobodnu noć, lutajući ulicama svog malog pustinjskog grada, u potrazi za muškarcem koji bi je mogao dotaći makar samo na jedan kratak trenutak.

Israel, 2015, Colour, 24 min, Hebrew, Russian Režija / Director: Or Sinai Direktor fotografije / Director of Photography: Saar Mizrahi Montaža / Editor: Noy Barak Muzika / Music: Ran Bagno Producent / Producer: Leah Tonic Produkcija / Production: The Sam Spiegel Film & TV School - Jerusalem (JSFS) Uloge / Cast: Evgenia Dodina, Mickey Leon, Alon Dahan, Daniel Brusovany Kontakt / Contact: Cinephil - Distribution & Co Productions; ori@cinephil.co.il; www.cinephil.co.il FILMOGRAFIJA / FILMOGRAPHY: 2015 - ANNA (kratki film / short film) 2012 - VIOLETA MI VIDA (dokumentarni film / documentary) 2011 - TWO (kratki film / short film)

Or Sinai je diplomirala na filmskoj školi Sam Spiegel u Jerusalemu 2013. godine. Njen debitantski film TWO je 2011. prikazan na Jerusalem Film Festivalu i na Međunarodnom festivalu ženskog filma u Yervanu u Armeniji. S filmom VIOLETA MI VIDA 2012. godine je osvojila nagradu Alex Bernstein na Jerusalem Film Festivalu i nagradu Discovery na Filmskom festivalu u Permu u Rusiji. E It’s a hot summer day and for the first time in years Anna, the sewing workshop worker, unexpectedly finds herself alone, without her son. She sets out for a free night, roaming the streets of her small desert town in search of a man who could touch her, if only just for a brief moment.

Or Sinai graduated from the Sam Spiegel Film School in Jerusalem in 2013. Her debut film TWO, participated in the 2011 Jerusalem Film Festival and was screened at the International Women’s Film Festival in Yerevan, Armenia. VIOLETA MI VIDA won the Alex Bernstein Award at the 2012 Jerusalem Film Festival and the Discovery Award at the Perm Film Festival in Russia.

In the Hills / U brdima Priča o mladom imigrantu koji živi u idiličnom seoskom predjelu u Cotswoldu u Engleskoj i izabrao je prilično radikalan način uklapanja u novu sredinu. Hamid Ahmadi je rođen u Teheranu. Diplomirao je na Univerzitetu za film Beh Andish, a zatim se preselio u Veliku Britaniju i upisao Londonsku školu filma. Bio je jedan od 25 filmskih autora odabranih za učešće u Berlinale Talent Campusu Filmskog festivala u Berlinu 2015. godine. Diplomu Londonske škole filma stekao je 2016., a iste je godine sa svojim diplomskim filmom IN THE HILLS osvojio drugu nagradu Cinefondation programa Filmskog festivala u Kanu. E Story of a young immigrant who lives in the idyllic English countryside in the Cotswolds. He chooses a rather radical approach to integrate into the new society .

United Kingdom, Iran, 2016, Colour, 21 min, English Režija / Director: Hamid Ahmadi Scenarij / Screenplay: Hamid Ahmadi Direktor fotografije / Director of Photography: Nicholas Nazari Montaža / Editor: Harry Baker, Narges Kalhor, Hamid Ahmadi Zvuk / Sound: Markus Moll Kostimografija / Costume Design: Maria Balduzzi Scenografija / Production Design: Maria Balduzzi Producent / Producer: Harry Baker Produkcija / Production: Harry Bajer Uloge / Cast: Shahram Navard, Timothy James, Charlie Coletta, Tim Jennings, Claire Rammelkamp, Carrie-Jean Mason, Euan Cooper Kontakt / Contact: The London Film School; r.kwietniowski@lfs.org.uk; http://lfs.org.uk/ FILMOGRAFIJA / FILMOGRAPHY: 2016 - IN THE HILLS (kratki film / short film) 2015 - PASSAGE (kratki film / short film) 2014 - IMAGES OF OUR INTENT (kratki dokumentarni film / short doc.) 2014 - 7 SIDE OF CYLINDER (kratki dokumentarni film / short doc.) 2013 - INTERIOR (kratki film / short film)

Hamid Ahmadi was born in Tehran. He graduated film directing from Beh Andish University. After relocating to London, he enrolled in the London Film School to study filmmaking. He was one of 25 filmmakers selected for participation in the competitive Berlinale Talent Campus of the 65th Berlin Film Festival. IN THE HILLS is his graduation film. It won the 2nd prize in the Cinefondation section of the 2016 Cannes Film Festival.

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La culpa, probablemente / Grižnja savjesti, vjerovatno / The Guilt, Probably Duboka je noć u gradu u kojem je nestalo struje. Samohranu majku posjećuje Cándido – njen bivši momak i posljednja neuspjela zamjena za oca njene male kćeri. Vraća se jer ih želi zaštititi od opasnosti koje donosi mrak. Michael Labarca rođen je u Zuliji, Venecuela. Studirao je sociologiju, pozorište i film. Njegov kratki igrani film SLAVES uvršten je u zvanični program Međunarodnog festivala filmskih škola u Minhenu. Njegov diplomski film, THE GUILT, PROBABLY, 2016. godine je osvojio treću nagradu Cinéfondation selekcije Filmskog festivala u Kanu.

Venezuela, 2016, Colour, 14 min, Spanish Režija / Director: Michael Labarca Scenarij / Screenplay: Michael Labarca Direktor fotografije / Director of Photography: Freddy Matos Montaža / Editor: Michael Labarca Zvuk / Sound: David De Luca Kostimografija / Costume Design: María Victoria Soler Producent / Producer: Michael Labarca, Joaquín González, Sebastián Peña Produkcija / Production: Polvora Cine y Sonido, Biocine Uloge / Cast: Vanessa Morr, Sara De La Osa, Abilio Torres Kontakt / Contact: Patricia Ramírez; pattyramirez19@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - LA CULPA, PROBABLEMENTE / THE GUILT, PROBABLY (kratki film / short film) 2014 - RESISTANCE (kratki film / short film) 2010 - SLAVES (kratki film / short film) 2010 - PIGS (kratki film / short film)

E The dead of night and a blackout in the city. A single mother is visited by Cándido, her former partner and the most recent failure in her search for a father figure for her little daughter. He returns because he wants to protect them in the darkness.

Michael Labarca was born in Zulia, Venezuela. He studied sociology, theatre and filmmaking. His short film SLAVES was officially selected for the Munich International Festival of Film Schools. His thesis short film THE GUILT, PROBABLY won the third prize of the Cinéfondation section at the 2016 Cannes Film Festival.

A nyalintás nesze / Zvuk lizanja / The Noise of Licking Svakoga dana, dok njeguje svoje egzotične biljke, jednu ženu posmatra komšijska mačka. Njihov perverzni ritual okončava kada mačka jednoga dana nestane. Narednog proljeća ženu posjećuje neobičan muškarac. Nadja Andrasev diplomirala je na Odsjeku za animaciju Univerziteta za umjetnost i dizajn MoholyNagy, gdje je snimila svoj kratki film THE NOISE OF LICKING. Film je premijerno prikazan u Cinéfondation selekciji Filmskog festivala u Kanu te je osvojio treću nagradu. Nadja radi kao menadžerica produkcije kratkih animiranih filmova, a učestvovala je u Animation Sans Frontières radionici za 2015./2016. E Every day, a woman is being watched by a neighbor’s cat as she takes care of her exotic plants. Their perverted ritual comes to an end when the cat disappears. Next spring, the woman is visited by a peculiar man.

Nadja Andrasev graduated from the Animation Department of the Moholy-Nagy University of Art and Design where she had made THE NOISE OF LICKING. The film premiered in and won the 3rd prize of the Cinéfondation section at the Cannes Film Festival . Nadja works as a production manager for animated shorts and has participated in the 2015-2016 Animation Sans Frontières training program.

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Hungary, 2016, Colour, 9 min, No Dialogue Režija / Director: Nadja Andrasev Scenarij / Screenplay: Nadja Andrasev, based on ‘Megbocsátás’ (Forgiving) by Ádám Bodor Montaža / Editor: Judit Czakó Muzika / Music: Péter Benjámin Lukács Zvuk / Sound: Péter Benjámin Lukács Scenografija / Production Design: Nadja Andrasev Producent / Producer: József Fülöp Produkcija / Production: Moholy-Nagy University of Art and Design Budapest (MOME Anim) Kontakt / Contact: Natália Fábics - anim@mome.hu; www.anim.mome.hu FILMOGRAFIJA / FILMOGRAPHY: 2016 - THE NOISE OF LICKING (kratki film / short film)

Belladonna Tri žene različite životne dobi susreću se u oftalmološkoj čekaonici. Saznanje o tragediji, koju je jedna od njih doživjela, neočekivano ukida njihove različitosti i na trenutak ih povezuje. Dubravka Turić rođena je 1973. godine u Zagrebu. Diplomirala je 1998. godine filmsku i TV montažu na Akademiji dramske umjetnosti u Zagrebu. Profesionalno se bavi montažom, režijom i pisanjem scenarija. BELLADONNA njezin je prvi autorski projekt koji započinje svoj festivalski život u službenoj konkurenciji kratkometražnog filma Orizzonti na 72. venecijanskoj Mostri.

Croatia, 2015, Colour, 17 min, Croatian Režija / Director: Dubravka Turić Scenarij / Screenplay: Dubravka Turić Direktor fotografije / Director of Photography: Branko Linta Montaža / Editor: Dubravka Turić Muzika / Music: Joan As Police Woman Zvuk / Sound: Dubravka Premar Kostimografija / Costume Design: Morana Starčević Scenografija / Production Design: Željka Burić Producent / Producer: Zdenka Gold Produkcija / Production: Spiritus Movens Uloge / Cast: Aleksandra Naumov, Nada Đurevska, Lana Barić, Dražen Kuhn, Anita Matković Kontakt / Contact: Everything Works; ii@everythingworks.hr; www.everythingworks.hr FILMOGRAFIJA / FILMOGRAPHY: 2015 - BELLADONNA (kratki film / short film)

E Three different women of different ages meet in an ophthalmologist’s waiting room. The knowledge about a tragedy that has befallen one of them unexpectedly unites the three women and erases all their differences.

Dubravka Turić was born in 1973 in Zagreb. She graduated in film and TV editing from the Academy of Dramatic Arts in 1998. She is an editor, director and screenwriter. BELLADONNA is the first project for which she claims full authorship. It was selected for the programme Orizzonti at the 72th Mostra in Venice.

Igra malog tigra / Playing the Tiger Zagreb, danas. Boška dolazi kod Tome kući po prvi put. On im skuha večeru, potom gledaju film. Testirajući njegovo strpljenje, Boška pokušava otkriti je li Tomo onaj ‘’pravi’ ili još jedan ‘’pogrešni’’. Tomo nema takvih nedoumica. Jasna Nanut rođena je 1975. godine u Zagrebu, Hrvatska. Karijeru je započela na televiziji, radeći kao reporterka, voditeljka i scenaristkinja. Nedavno je magistrirala filmsku i televizijsku režiju na Akademiji dramske umjetnosti u Zagrebu.

Croatia, 2015, Colour, 23 min, Croatian Režija / Director: Jasna Nanut Scenarij / Screenplay: Jasna Nanut Direktor fotografije / Director of Photography: Tomislav Sutlar Montaža / Editor: Tomislav Stojanović Muzika / Music: Kimekai; Vid Hribar Zvuk / Sound: Tihomir Vrbanec Kostimografija / Costume Design: Aleksandra Koluder Scenografija / Production Design: Tajana Čanić Stanković Producent / Producer: Dora Prpić Produkcija / Production: AKADEMIJA DRAMSKE UMJETNOSTI 2015. Uloge / Cast: Krešimir Mikić, Ana Stunić Kontakt / Contact: dekanat@adu.hr; www.adu.hr FILMOGRAFIJA / FILMOGRAPHY: 2015 - IGRA MALOG TIGRA (kratki film / short film) 2014 - ŠAKE (kratki film / short film) 2014 - GENERALKA (kratki film / short film) 2014 - ZAJEDNO (kratki film / short film)

E Boška visits Tomo at his home for the first time. He cooks a dinner, then they watch a movie. As the evening progresses, Boška tests Tomo’s patience, trying to find out whether he is Mr Right, or yet another Mr Wrong. Tomo seems to have no such doubts.

Jasna Nanut was born in 1975 in Zagreb, Croatia. She started her career in TV business, working as a reporter, TV host and screenwriter. She recently completed her MA in film and TV directing at the Zagreb Academy of Dramatic Art.

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Indonezija / Indonesia Matija je zaposlena majka kojoj je provaljeno u automobil. Susretljivi policajac, koji je obavio očevid, jednog dana svrati nepozvan na kafu. Daria Blažević završila je filmsku i televizijsku režiju na Akademiji dramske umjetnosti u Zagrebu, kao i filmsku režiju na Filmskoj akademiji u Beču. Predsjednica je evropske mreže mladih filmaša, NISI MASA-e, te generalna sekretarica Kinokluba Zagreb. Živi i radi u Zagrebu. E Matija is a working mother whose car had been broken into. Some time later, a helpful policeman who had investigated the break-in drops by her place for a cup of coffee without invitation.

Croatia, 2015, Colour, 22 min, Croatian Režija / Director: Daria Blažević Scenarij / Screenplay: Daria Blažević Direktor fotografije / Director of Photography: Luka Matić Montaža / Editor: Karlo Gorup Zvuk / Sound: Hrvoje Petek Kostimografija / Costume Design: Alena Orović Scenografija / Production Design: Tea Truta, Marko Dajak Producent / Producer: Sara Juričić Produkcija / Production: Akademija dramske umjetnosti, Nukleus Film, Kinoklub Zagreb Uloge / Cast: Marta Bolfan Ugljen, Davor Kovač, Željko Vukmirica, Asim Ugljen, Din Waggenhoffer, Marina Redžepović, Tomislav Šoban Kontakt / Contact: dekanat@adu.hr; www.adu.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 - INDONEZIJA (kratki film / short film) 2013 - SRAMI SE (kratki film / short film) 2012 - MALI ODMOR (kratki dokumentarni film / short doc.) 2011 - ZUBI (kratki film / short film)

Daria Blažević graduated in film and TV directing from the Academy of Dramatic Arts in Zareb and in film directing from the Film Academy in Vienna. She is the pressident of the European Network of Young Cinema NISI MASA and the secretary general of the Zagreb Kino Club . She lives and works in Zagreb.

Piknik / Picnic Najprometniji dio dana u Sarajevu. Petnaestogodišnji Emir, u društvu socijalnog radnika, putuje na Igman kako bi proveo vikend sa svojim ocem Safetom koji tamo služi kaznu u zatvoru poluotvorenog tipa. Zbog saobraćajne gužve kasne... Jure Pavlović rođen je 1985. godine. Diplomirao je filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu. Učestvovao je u brojnim međunarodnim filmskim radionicama, kao što su Berlinale Talents, Sarajevo Talent Campus i Microwave Film London Micro School. Njegov treći kratki fim PIKNIK premijerno je prikazan na 65. izdanju Međunarodnog filmskog festivala u Berlinu u programu Generation 14plus. E Sarajevo, rush hour. Fifteen-year-old Emir, accompanied by a social worker, is on his way to meet his father Safet for a weekend picnic in Igman, a semi-open penitentiary. Due to the heavy traffic they are late...

Jure Pavlović was born in 1985. He graduated film and TV directing at the Academy of Dramatic Arts in Zagreb. He took part in different international workshops and talent venues such as Berlinale Talents, Sarajevo Talent Campus and Microwave Film London Micro School. His third short film PICNIC premiered at 65th Berlinale in Generation 14plus programme.

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Croatia, 2015, Colour, 13 min, Bosnian Režija / Director: Jure Pavlović Scenarij / Screenplay: Džejna Avdić, Jure Pavlović Direktor fotografije / Director of Photography: Almmir Fakić Montaža / Editor: Dragan Von Petrović Zvuk / Sound: Vlada Božić Producent / Producer: Luka Venturin, Jure Pavlović Produkcija / Production: Sekvenca Uloge / Cast: Emir Mušić, Aleksandar Seksan, Senad Alihodžić Kontakt / Contact: info@sekvenca.hr; www.sekvenca.hr FILMOGRAFIJA / FILMOGRAPHY: 2015 - PIKNIK / PICNIC (kratki film / short film) 2012 - KIŠOBRAN / UMBRELLA (kratki film / short film) 2010 - POLA URE ZA BAKI / HALF AN HOUR FOR GRANDMA (kratki film / short film)

Croatia, Finland, 2015, Colour, 20 min, Croatian Režija / Director: Daina O. Pusić Scenarij / Screenplay: Daina O. Pusić Direktor fotografije / Director of Photography: Arthur Mulhern Montaža / Editor: Arttu Salmi Muzika / Music: Toni Teivaala Zvuk / Sound: Toni Teivaala Scenografija / Production Design: Irja Šipuš Producent / Producer: Mirta Puhlovski, Anamaria Kapulica Produkcija / Production: Slavica film d.o.o. Uloge / Cast: Marija Kohn, Doris Šarić-Kukuljica Kontakt / Contact: slavica.film@gmail.com

Zvjerka / The Beast Stogodišnja Nada i njena sedamdesetpetogodišnja kćerka Vera imaju vrlo napet, ali blizak odnos, u kojem se djetinjasta Vera brine za svoju nijemu i nemoćnu, iako često okrutnu, majku. Jedne večeri šišmiš ulijeće u Nadinu sobu i počne hibernirati ispod njenog kreveta. Daina Oniunas-Pusić rođena je 1985. godine u Hrvatskoj. Daina je diplomirala režiju na Akademiji dramske umjetnosti u Zagrebu, a potom magistrirala na Školi filma u Londonu 2012. godine. Godine 2013. je osvojila Nagradu ‘’Jelena Rajković’’ za najbolju hrvatsku rediteljicu ispod 30 godina. E A 100-year old woman called Nada and her 75-year old daughter Vera have a tense yet close relationship. The childlike Vera takes care of her frail and mute, though at times cruel, mother until one evening a bat flies into Nada’s room and starts hibernating underneath her bed.

FILMOGRAFIJA / FILMOGRAPHY: 2016 - ZVJERKA / THE BEAST (kratki film / short film) 2012 - SLONOVI / ELEPHANTS (kratki film / short film) 2012 - SPOJI USNE / PRESS YOUR LIPS TOGETHER (kratki film / short film) 2011 - LJEPOTA / SKIN DEEP (kratki film / short film) 2010 - PARTNERI / COMPANIONS (kratki film / short film) 2009 - KINKACHOO (kratki film / short film) 2008 - REZ / THE CUT (kratki film / short film) 2007 - AT THE TABLE (kratki film / short film)

Daina Oniunas-Pusić was born in 1985 in Croatia. She holds a BA in film directing from the Zagreb Academy of Dramatic Arts and an MA in filmmaking from the London Film School, which she completed in 2012. In 2013 she won the Jelena Rajković Award for best Croatian filmmaker under the age of 30.

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Croatia, 2016, Colour, 15 min, Croatian

Lula & Bručke / Lula & The Pubic Hairs Lula i Cica najbolje su prijateljice iz 8-b. Sklad koji vlada u njihovom dječijem svijetu naruši se kada se pripite sudare sa svijetom odraslih. Po prvi put u disku, Cicina tek pupajuća seksualnost izbija u prvi plan, dok Lula svim silama nastoji zadržati odnos kakav je bio prije. Igor Jelinović rođen je u Splitu 1984. Diplomirao je Komunikologiju na Univerzitetu u Milanu 2010. Student je završne godine diplomskog studija filmske i tv režije na Akademiji dramske umjetnosti u Zagrebu. Predsjednik je Udruge Blank iz Zagreba te je predsjednik nadzornog odbora Hrvatskog filmskog saveza. E Lula and Cica are best friends in the eighth B class. The harmony of their childhood world is disturbed when they get a bit tipsy and collide with the world of adults. The first time the two friends go to a disco, Cica’s awakening sexuality comes to the fore, while Lula struggles with all her might to keep their relationship from changing.

Režija / Director: Igor Jelinović Scenarij / Screenplay: Igor Jelinović Direktor fotografije / Director of Photography: Rino Barbir Montaža / Editor: Jan Klemsche Zvuk / Sound: Tihomir Vrbanec Kostimografija / Costume Design: Josipa Bubica Producent / Producer: Lorena Vlahovski, Tibor Keser Produkcija / Production: Akademija dramske umjetnosti (ADU) Zagreb Uloge / Cast: Lidija Penić-Grgaš, Mia Gudelj, Tomo Luetić, Dario Juričan, Nika Vahčić, Marko Orešković, Klara Vlahovski, Josipa Bubica, Lorena Vlahovski, Veronika Milinović, Josip Lukić Kontakt / Contact: igorjelinovic@yahoo.com; tibor@adu.hr; www.adu.unizg.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 - LULA & BRUČKE / LULA & PUBIC HAIRS (kratki film / short film) 2014 - LITTLE BEAR (kratki film / short film) 2013 - SNOW IN SPLIT (kratki film / short film) 2011 - SABONIS (kratki film / short film) 2010 - ROOMS (kratki film / short film) 2009 - CHILD (kratki film / short film)

Igor Jelinović was born in Split, Croatia in 1984. He graduated communicology at the University of Milan in 2010. He is currently completing his studies in film and TV directing at the Academy of Dramatic Art in Zagreb. He is the president of the Blank Association and the chairman of the supervisory board of the Croatian Film Association.

Minjonja njanjonja / Boo-boo Boo hoo hoo Kao i svakom normalnom trinaestogodišnjaku, Antunu mlađi brat veoma ide na živce. Josip Lukić rođen je u Splitu, Hrvatska, 1984. godine. Diplomirao je na Ekonomskom fakultetu u Splitu. Godine 2013. preselio se u Zagreb gdje je napravio prve filmove za Blank Independent Film Association. Trenutno studira režiju na Akademiji dramske umjetnosti. Napisao je film SNIJEG U SPLITU, prikazan na 11. izdanju Zagreb Film Festivala. E Antun is no different than any other 13-year-old. His little brother is getting on his nerves.

Josip Lukić was born in Split, Croatia, and graduated from the Faculty of Economics in the same city. He moved to Zagreb in 2003 and made his first films for Blank Independent Film Association. He is currently studying directing at the Academy of Dramatic Art in Zagreb. He wrote the script for SNOW IN SPLIT, a film screened at the 11th Zagreb Film Festival.

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Croatia, 2015, Colour, 11 min, Croatian Režija / Director: Josip Lukić Scenarij / Screenplay: Josip Lukić Direktor fotografije / Director of Photography: Marko Jerbić Montaža / Editor: Jan Klemsche Zvuk / Sound: Martin Semenčić Kostimografija / Costume Design: Dragica Pavlović Scenografija / Production Design: Dragica Pavlović Producent / Producer: Vera Robić Škarica Produkcija / Production: Hrvatski filmski savez Uloge / Cast: Marko Nazlić. Andrija Nazlić, Nola Milaković Kontakt / Contact: Hrvatski filmski savez, www.hfs.hr FILMOGRAFIJA / FILMOGRAPHY: 2015 - MINJONJA NJANJONJA / BOO-BOO BOO HOO HOO (kratki film / short film) 2014 - VRAG U GOSPOĐICI JONES (kratki film / short film)

Planemo Planemo je samotni lutalica, čuvar galaksije. To je napušteni svijet, nebesko tijelo izbačeno iz vlastita solarnog sistema uslijed haotičnih planetarnih migracija. U društvu u kojem svi bezumno kruže u orbitama oko dnevnih rutina, šta se dogodi onima izbačenim iz tog sistema? Mogli bi se ubrzo naći na putanji koja vodi izvan nastanjive zone. Veljko Popović je rođen 1979. Diplomirao je slikarstvo 2003. na Akademiji likovnih umjetnosti u Zagrebu. Od 1998. profesionalno se bavi računalnom grafikom. Suosnivač je studija za 2D i 3D grafiku i animaciju Lemonade3D. Predaje animaciju na Umjetničkoj akademiji u Splitu. Njegovi filmovi prikazivani su i nagrađivani na brojnim svjetskim festivalima, uključujući Annecy, Animafest, Clermont Ferrand, Aspen, Hiroshimu, Leeds i Stuttgart. Bio je član žirija nekoliko filmskih festivala.

Croatia, 2015, Colour and b&w, 13 min, English Režija / Director: Veljko Popović Scenarij / Screenplay: Veljko Popović Direktor fotografije / Director of Photography: Veljko Popović Montaža / Editor: Veljko Popović Muzika / Music: Sina Jakelić Zvuk / Sound: Sina Jakelić Producent / Producer: Veljko Popović, Milivoj Popović Produkcija / Production: Lemonade 3D (Krupni kadar), 3D2D animatori Uloge / Cast: Ben Colchecster, Christian Galea, Brian Willems, Gwyan Rhabyt Kontakt / Contact: veljko@lemonade3d.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - PLANEMO (kratki animirani film / short animated film) 2012 - OTAC (kratki animirani film / short animated film) 2011 - DOVE SEI, AMOR MIO (kratki animirani film / short animated film) 2010 - MOJ PUT (kratki animirani film / short animated film) 2008 - ONA KOJA MJERI (kratki animirani film / short animated film)

E Planemo is a lone wanderer, guardian of the galaxy. It is a deserted world, a celestial body ejected out of its own solar system due to chaotic planetary migrations. In a society where all creatures senselessly orbit their daily routines, what happenes to those who get ejected out of that system ? They might find themselves on the road that leads out of the habitable zone.

Veljko Popović was born in 1979. He graduated in painting from the Academy of Fine Arts in Zagreb. Since 1998 he has professionaly engaged in computer graphics. He co-founded Lemonade3D studio for 2D and 3D animation and graphics. He teaches animation at the Art Academy in Split. His animated films have been screened and awarded at numerous international festivals, including Annecy, Animafest, Clermont Ferrant, Aspen, Hiroshima, Leeds and Stuttgart. He was a jury member at several film festivals.

Ritki Zrak / Rijedak zrak / Thin Air Leo sutra putuje u Duisburg na privremeni rad kao kuhar. Posao mu je namjestio Čarli koji živi u Njemačkoj. Leo ne podnosi Čarlija, ali pristaje na posao jer želi otvoriti restoran u Splitu od zarađenog novca. Šimun Šitum rođen je 1990. godine. Završio je 2014. studij filma i videa na Umjetničkoj akademiji u Splitu. Godine 2015. upisao je magistarski studij filma na Univerzitetu Middlesex u Londonu. Režirao je nekoliko filmova (SOL, USKRS), a u nekoliko je i glumio (NE GLEDAJ MI U PJAT).

Croatia, 2016, Colour, 30 min, Croatian Režija / Director: Šimun Šitum Scenarij / Screenplay: Šimun Šitum Direktor fotografije / Director of Photography: Andrea Kaštelan Montaža / Editor: Sandro Baraba Muzika / Music: Valentino Boskovic Zvuk / Sound: Tihomir Vrbanec Kostimografija / Costume Design: Marko Jukić Scenografija / Production Design: Glorija Lizde Producent / Producer: Valentina Batalić Produkcija / Production: Kino Klub Split Uloge / Cast: Šimun Šitum, Nikola Sekulo, Monika Vuco, Stipe Radoja, Marija Kotarac Kontakt / Contact: Kino Klub Split, info@kinoklubsplit.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 - RITKI ZRAK (kratki film / short film) 2015 - KVART ZA KVART (kratki dokumentarni film / short doc.) 2013 - USKRS (kratki film / short film) 2011 - SOL (kratki film / short film)

E Tomorrow, Leo travels to Duisburg to start a temporary job as a cook. He has got the job thanks to Čarli who lives in Germany. Leo cannot stand Čarli, but he took the job because he wants to use the money he earns to open a restaurant in Split.

Šimun Šitum was born in 1990. He completed film and video studies at the Arts Academy in Split in 2014. In 2015 he enrolled in the Master’s Program in Film Studies at the Middlesex University in London. He directed (SALT, EASTER) and acted in (DON’T STARE AT MY PLATE) several films.

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Summer Screen

134 All These Sleepless Nights / Sve besane noći, Michal Marczak 135 Eat That Question: Frank Zappa in His Own Words / Zaboravi pitanja: Frank Zappa izbliza, Thorsten Schütte 136 Gimme Danger / Gimme Danger - Iggy Pop & The Stooges, Jim Jarmusch 137 Sonita, Rokhsareh Ghaem Maghami 138 The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble / Muzika stranaca: Yo-Yo Ma i Silk Road ansambl, Morgan Neville 139 Opsada / The Siege, Rémy Ourdan, Patrick Chauvel 140 Refugee Blues / Izbjeglički bluz, Stephan Bookas, Tristan Daws 141 Sing Street / Ulica Sing, John Carney 142 La tortue rouge / Crvena kornjača / The Red Turtle, Michael Dudok de Wit

All These Sleepless Nights / Sve besane noći Varšava stoji na rubu događanja i s nelagodom posmatra nastupajuće novo doba. Christopher i Michal, prijatelji iz umjetničke škole, na rubu su odrastanja i nemirno lutaju ulicama svoga grada odnoseći se prema životu kao prema nizu prelijepih trenutaka. Nikada nisu zadovoljni odgovorima, jedan drugog guraju ka novim prelomnim iskustvima, ispitujući kakav je osjećaj biti zaista budan u svijetu koji kao da stalno zadovoljno spava. Michał Marczak poljski je reditelj i snimatelj rođen u Varšavi 1982. godine. Studirao je režiju na Institutu za umjetnost u Kaliforniji, a diplomu je stekao na Akademiji lijepih umjetnosti u Poznańu. Njegov posljednji dugometražni dokumentarni film FUCK FOR FOREST doživio je međunarodnu premijeru 2013. godine na Filmskom festivalu South by Southwest, a evropsku na Filmskom festivalu u Rotterdamu. Film je igrao u kinima u više zemalja, uključujući Veliku Britaniju i Njemačku, i smatra se najgledanijim poljskim filmom u 2013. godini. Britanski art magazine Dazed and Confused proglasio ga je jednim od deset najinovativnijih recentnih dokumentaraca. Michal je režirao i dugometražni igrano-dokumentarni film AT THE EDGE OF RUSSIA, s kojim je osvojio HBO nagradu za umjetnika u usponu, nagradu Hot Docs festivala i niz drugih festivalskih nagrada širom svijeta. E A new era is coming, and Warsaw stands uncomfortably at its edge. Art school classmates Christopher and Michal, on the precipice of their own coming of age, restlessly roam their city’s streets in search of living forever inside the beautiful moment. Never content with answers, they push each experience to its breaking point, testing what it might mean to be truly awake in a world that seems satisfied with being asleep.

Michał Marczak is a Polish director and cinematographer. He was born in 1982 in Warsaw. He studied directing at the California Institute of the Arts and is a graduate of the Academy of Fine Arts in Poznań. His latest feature-length film, FUCK FOR FOREST, premiered internationally at the 2013 South By Southwest Film Festival and had its European premiere at Rotterdam IFF. The film is considered to be the most screened Polish documentary of 2013, having been released in cinemas in a number of countries including the UK and Germany. It was chosen by UK’s Dazed and Confused Magazine as one of the “top ten most innovative documentaries of recent years.” Michal also directed AT THE EDGE OF RUSSIA, a feature length, hybrid fiction-documentary which garnered him the HBO Emerging Artist Award, Filmmakers Award at Hot Docs and numerous other accolades at festivals worldwide.

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Poland, United Kingdom, 2016, Colour, 100 min, Polish Režija / Director: Michal Marczak Scenarij / Screenplay: Michal Marczak, Katarzyna Szczerba Direktor fotografije / Director of Photography: Michal Marczak, Maciej Twardowski Montaža / Editor: Dorota Wardeszkiewicz Zvuk / Sound: Jan Pasemann Producent / Producer: Thomas Benski, Marta Golba, Julia Nottingham, Lucas Ochoa Produkcija / Production: Endorfina Studio, Pulse Films Uloge / Cast: Krzysztof Baginski, Michal Huszcza, Eva Lebuef Kontakt / Contact: HanWay Films, www.hanwayfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - ALL THESE SLEEPLESS NIGHTS (dokumentarni film / documentary) 2012 - FUCK FOR FOREST (dokumentarni film / documentary) 2010 - AT THE EDGE OF RUSSIA (dokumentarni film / documentary)

Eat That Question: Frank Zappa in His Own Words / Zaboravi pitanja: Frank Zappa izbliza Više je nego adekvatno da su jedna kometa i jedan mekušac imenovani po Franku Zappi. Proslavljeni američki muzičar, kompozitor i mislilac, autor je satiričnih, operetskih muzičkih numera koje kao da su dolazile s druge planete. Film Thorstena Schüttea odlično je montirana i energična posveta Franku Zappi koja prati njegov javni imidž i njegove promjenjive odnose sa poštovaocima. Koristeći se potentnim TV intervjuima i mnogim zaboravljenim snimcima Zappinih nastupa načinjenim tokom njegove trideset godina duge karijere, film nas uranja u njegov svijet i omogućava nam da iskusimo dvije različite strane njegovog složenog karaktera. Thorsten Schütte više od 20 godina radi kao pisac, reditelj i producent. Producirao je i režirao brojne TV filmove i serije za mnoge TV kuće, uključujući ZDF, Arte, VPRO, Discovery, NBC i One Africa TV. Njegovi intrigantni i dobro prihvaćeni filmovi prikazivani su na brojnim međunarodnim filmskim festivalima, uključujući Sundance, IDFA i Berlinale. Osim što je strastveni poštovalac muzike, Schütte je značajan broj svojih filmova posvetio borbi za zaštitu okoliša i radničkih prava u Južnoj Africi. Neki se od njegovih dokumentaraca, poput filmova LAND MATTERS i THE FORGOTTEN, bave pitanjima prava vlasništva nad zemljom, konstruktivnim aktivizmom i pravima farmera. Thorsten od 2002. koordinira studij dokumenatrnog i igranog filma na međunarodno proslavljenoj Filmskoj akademiji u Baden-Württembergu. E It is only fitting that a comet and a mollusk are named in Frank Zappa’s honor. The famed American musician, composer, and thinker created satirical, operatic interpretations of music that seemed to originate from another world. Thorsten Schütte’s film is a sharply edited and energetic celebration of Zappa through his public persona, allowing us to witness his shifting relationship with audiences. Utilizing potent TV interviews and many forgotten performances from his 30-year career, we are immersed into the musician’s world while experiencing two distinct facets of his complex character.

Thorsten Schütte has worked for over 20 years as a writer, director and producer. He has produced and directed numerous TV films and series for broadcasters including ZDF, Arte, VPRO, Discovery, NBC and One Africa TV. His thought provoking and well-reviewed films have been widely shown at international festivals including Sundance, IDFA and Berlinale. Parallel to his passion for music documentaries, Schütte dedicates a substantial part of his work to environmental and labor activism in South Africa through film. Some of his other documentaries, like LAND MATTERS and DWAAL NET ROND / THE FORGOTTEN, deal with subjects like land ownership, affirmative action and farm workers’ rights. Since 2002, in Germany, Thorsten has also coordinated documentary and fiction studies at the internationally renowned film school Filmakademie Baden-Württemberg.

France, Germany, 2016, Colour and b&w, 90 min, English Režija / Director: Thorsten Schütte Montaža / Editor: Willibald Wonneberger Zvuk / Sound: Armelle Mahé, Marc Fragstein Producent / Producer: Estelle Fialon Produkcija / Production: Les Films du Poisson, UFA Fiction Uloge / Cast: Frank Zappa, Steve Allen, Gail Zappa, Ahmet Zappa, Mike Douglas, Jimmy Carl Black, Ringo Starr... Kontakt / Contact: Sony Pictures Classics; www.sonyclassics.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - EAT THAT QUESTION: FRANK ZAPPA IN HIS OWN WORDS (dokumentarni film / documentary) 2015 - THE FORGOTTEN (dokumentarni film / documentary) 2008 - LAND MATTERS (dokumentarni film / documentary) 2005 - NAMIBIA GENERATION X (TV dokumentarni film / TV documentary) 2003 - I WAS THE KING OF PORN... THE ADVENTUROUS LIFE OF LASSE BRAUN (TV dokumentarni film / TV documentary) 1999 - CROSSROADS (TV dokumentarni film / TV documentary)

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Gimme Danger / Gimme Danger Iggy Pop & The Stooges Nastali u gradu Ann Arbor u Mičigenu u doba kontrakulturne revolucije, The Stooges su svojim snažnim i agresivnim rock-n-roll izrazom prokrčili put kroz muzičku scenu kasnih šezedesetih godina prošloga stoljeća. Napadajući publiku mješavinom roka, bluza, R&B-a i slobodnog džeza, oni su posijali sjeme muzičkog izraza koji će u kasnijim decenijama postati poznat pod imenima punk i alternativni rock. Novi film Jima Jarmuscha, GIMME DANGER, prati priču The Stoogesa, jednog od najboljih rock-n-roll bendova svih vremena. Jim Jarmusch započeo je karijeru s izvrsno prihvaćenim igranim filmom STRANGER THAN PARADISE. Odrastao je u predgrađu Akron u Ohaju, a univerzitetsku diplomu je stekao na Univerzitetu Columbia u New Yorku 1975. godine nakon što je posljednji semestar studija proveo u Parizu. Četiri godine je studirao film na Univerzitetu u New Yorku. STRANGER THAN PARADISE nagrađen je na Filmskom festivalu u Kanu i tako skrenuo pažnju na nezavisne filmove. Jarmusch je u statusu nezavisnog autora snimio mnoštvo filmova specifičnog vizuelnog stila (urbano sivilo, često u crno-bijeloj tehnici), koji najčešće umjesto da prate standardnu narativnu formu prate odnose među različitim protagonistima. Također je poznat po svojim filmovima s više paralelnih zapleta ili vinjeta, poput filmova MYSTERY TRAIN i NIGHT ON EARTH, kao i po angažovanju muzičara – uključujući Iggy Popa, Joea Strummera i Toma Waitsa – za glumačke uloge. E Emerging from Ann Arbor Michigan amidst a countercultural revolution, The Stooges powerful and aggressive style of rock-n-roll blew a crater in the musical landscape of the late 1960s. Assaulting audiences with a blend of rock, blues, R&B, and free jazz, the band planted the seeds for what would be called punk and alternative rock in the decades that followed. Jim Jarmusch’s new film GIMME DANGER chronicles the story of The Stooges, one of the greatest rock-n-roll bands of all time.

Jim Jarmusch began his career with critical acclaim for his feature STRANGER THAN PARADISE. He grew up in a suburb of Akron, Ohio, and earned his undergraduate degree from New York’s Columbia University in 1975, after spending his final term in Paris. He studied film at New York University for four years. STRANGER THAN PARADISE won awards at Cannes and helped bump independent films into the spotlight. Since then, Jarmusch has maintained his independence and created a body of work with a recognizable visual style (urban grit, often in black and white), driven less by traditional narrative than by relationships between displaced individuals. He’s also known for his movies with multiple narratives or vignettes, such as MYSTERY TRAIN and NIGHT ON EARTH, as well as for hiring musicians as actors, including Iggy Pop, Joe Strummer and Tom Waits.

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USA, 2016, Colour, 108 min, English Režija / Director: Jim Jarmusch Scenarij / Screenplay: Jim Jarmusch Direktor fotografije / Director of Photography: Tom Krueger Montaža / Editor: Adam Kurnitz, Affonso Goncalves Muzika / Music: Adam Kurnitz Zvuk / Sound: Robert Hein Producent / Producer: José Ibáñez, Carter Logan, Fernando Sulichin Produkcija / Production: Low Mind Films Inc Uloge / Cast: Iggy Pop, Ron Asheton, Danny Fields, James Williamson, Scott Asheton, Kathy Asheton Kontakt / Contact: Le Pacte; c.neel@le-pacte.com; www.le-pacte.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - GIMME DANGER 2014 - ONLY LOVERS LEFT ALIVE 2005 - BROKEN FLOWERS 1999 - GHOST DOG: THE WAY OF SAMURAI 1995 - DEAD MAN 1991 - NIGHT ON EARTH 1989 - MYSTERY TRAIN 1986 - COFFEE AND CIGARETTES 1984 - STRANGER THAN PARADISE

Sonita Sonita je osamnaestogodišnja ilegalna imigrantica iz Afganistana koja život provodi u siromašnim predgrađima Teherana. Ona je odlučna mlada umjetnica, pjevačica i muzičarka koja se s puno duha bori za pravo da živi kako želi uprkos preprekama na koje nailazi u Iranu i onima koje joj postavlja njena patrijarhalna, konzervativna porodica. Njeni životni planovi su radikalno drugačiji od onih koje za nju kuje njena porodica, a naročito njena majka. Naime, njihov je plan da je udaju u porodicu koja će biti spremna platiti za nevjestu. Trenutna cijena žene na tržištu nevjesti je 9.000 američkih dolara. Rokhsareh Ghaem Maghami studirala je film i animaciju na Univerzitetu za umjetnost u Teheranu. Diplomirala je film i stekla zvanje magistrice animacije. Objavila je knjigu pod naslovom “Animirani dokumentarni film, novi filmski jezik” zasnovanu na vlastitom istraživanju ove filmske forme. Snimila je šest dokumentarnih filmova s kojima je osvojila više od dvadeset međunarodnih nagrada. Naročitu pažnju međunarodne publike privukli su njeni filmovi CYANOSIS i GOING UP THE STAIRS. E Sonita is an 18‐year‐old female, an Afghan illegal immigrant living in the poor suburbs of Tehran. She is a feisty, spirited, young woman who fights to live the way she wants, as an artist, singer, and musician in spite of all the obstacles she confronts in Iran and her conservative patriarchal family. In harsh contrast to her goal is the plan of her family – strongly pursued by her mother – to make her a bride and sell her to a new family. The current price is approximately US$ 9.000.

Rokhsareh Ghaem Maghami studied filmmaking and animation at Tehran Art University. She earned a BA in cinema and a MA in animation. Her researches on animated documentary resulted in a book titled “Animated Documentary, a New Way to Express”. She has made six documentaries and won over twenty international awards. CYANOSIS and GOING UP THE STAIRS have had a wide international exposure.

Germany, Switzerland, Iran, 2015, Colour, 90 min, Dari, English, Persian Režija / Director: Rokhsareh Ghaem Maghami Direktor fotografije / Director of Photography: Behrouz Badrouj, Ali Mohammad Ghasemi, Mohammad Haddadi, Arastoo Givi, Torben Bernard, Parviz Arefi, Ala Mohseni Montaža / Editor: Rune Schweitzer Muzika / Music: Moritz Denis Producent / Producer: Aline Schmid, Kerstin Krieg, Rokhsareh Ghaem Maghami Produkcija / Production: TAG/TRAUM Kontakt / Contact: CAT&Docs, www.catndocs.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - SONITA (dokumentarni film / documentary) 2012 - GOING UP THE STAIRS (dokumentarni film / documentary) 2007 - CYANOSIS (dokumentarni film / documentary)

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The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble / Muzika stranaca: Yo-Yo Ma i Silk Road ansambl Imenovan po staroj trgovinskoj ruti koja je povezivala Aziju, Afriku i Evropu, muzički ansambl Put Svile - sačinjen od preko 50 umjetnika iz raznih krajeva svijeta koje je okupio proslavljeni čelista Yo-Yo Ma - dokaz je da muzika ima moć da izbriše granice među narodima, pomiješa različite kulture i probudi nadu kako muzičara tako i njihove publike. Film prati različite postavke članova jednog ansambla, pjevače, svirače, kompozitore, aranžere muzike, vizuelne umjetnike i naratore, i njihova okupljanja na različitim mjestima širom svijeta koje organizuju kako bi promišljali na koji način umjetnost može pomoći očuvanju lokalnih tradicija, a da istovremeno oblikuje kulturnu evoluciju. Morgan Neville jedan je od vodećih svjetskih autora dokumentarnog filma. Sa svojim filmom 20 FEET FROM STARDOM 2014. godine je osvojio nagradu Oscar za najbolji dokumentarac, kao i nagradu Grammy za najbolju filmsku muziku. Nevillovi filmovi RESPECT YOURSELF: THE STAX RECORDS STORY, MUDDY WATERS: CAN’T BE SATISFIED i JOHNNY CASH’S AMERICA također su nominovani za nagradu Grammy, dok je s televizijskim filmom HANK WILLIAMS: HONKY TONK BLUES osvojio nagradu Emmy. Njegovi filmovi koji se ne bave muzikom i muzičarima uključuju THE COOL SCHOOL i BEAUTY IS EMBARASSING. Nevillov posljednji film BEST OF ENEMIES prikazan je na Filmskom festivalu Sundance 2015., gdje ga je otkupila distributerska kuća Magnolia Pictures. E Named for the ancient trade route linking Asia, Africa and Europe, The Silk Road Ensemble, an international collective created by acclaimed cellist Yo-Yo Ma, exemplifies music’s ability to blur geographical boundaries, blend disparate cultures and inspire hope for both artists and audiences. The film follows an ever-changing lineup of performers drawn from the ensemble’s more than 50 instrumentalists, vocalists, composers, arrangers, visual artists and storytellers as they gather in locations across the world, exploring the ways art can both preserve traditions and shape cultural evolution.

Morgan Neville is one of the top documentary filmmakers in the industry. His film 20 FEET FROM STARDOM won the 2014 Academy Award for Best Documentary as well as a Grammy Award for Best Music Film. Neville has been nominated for four additional Grammys including bids for RESPECT YOURSELF: THE STAX RECORDS STORY, MUDDY WATERS: CAN’T BE SATISFIED and JOHNNY CASH’S AMERICA. He won an Emmy Award for his telefilm HANK WILLIAMS: HONKY TONK BLUES. Neville’s non-music films include THE COOL SCHOOL and BEAUTY IS EMBARASSING. His latest film, BEST OF ENEMIES, was purchased by Magnolia Pictures at the 2015 Sundance Film Festival.

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USA, 2015, Colour, 95 min, Spanish, Arabic, English, Farsi, Mandarin Režija / Director: Morgan Neville Direktor fotografije / Director of Photography: Graham Willoughby Montaža / Editor: Helen Kearns, Jason Zeldes Zvuk / Sound: Al Nelson, Dennis Hamlin, Dimitri Tisseyre Producent / Producer: Caitrin Rogers Produkcija / Production: Tremolo Productions, Participant Media, The Silk Road Project, HBO Documentary Films Uloge / Cast: Yo-Yo Ma, Kinan Azmeh, Keyhan Kalhor, Cristina Pato, Members of Silk Road Ensemble Kontakt / Contact: The Orchard; mwurtz@theorchard.com; www.theorchard.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - THE MUSIC OF STRANGERS (dokumentarni film / documentary) 2015 - BEST OF ENEMIES (dokumentarni film / documentary) 2013 - 20 FEET FROM STARDOM (dokumentarni film / documentary) 2011 - TROUBADOURS (dokumentarni film / documentary) 2010 - SEARCH AND DESTROY: IGGY AND THE STOOGES’ RAW POWER (dokumentarni film / documentary) 2008 - JOHNNY CASH (dokumentarni film / documentary) 2004 - HANK WILLIAMS: HONKY TONK BLUES (dokumentarni film / documentary) 2003 - MUDDY WATERS: CAN’T BE SATISFIED (dokumentarni film / documentary)

Opsada / The Siege Na kraju dvadesetog stoljeća Sarajevo je pretrpjelo najdužu opsadu u modernoj historiji. THE SIEGE je film o ljudima koji su preživjeli to iskustvo, o ličnom iskustvu opkoljenih. Kroz priču o Sarajevu, film govori o opkoljenim gradovima uopće, o borbi i otporu. To je univerzalna priča o užasnim izazovima s kojima se civilizacija suočava u svojoj borbi za opstanak. Sarajevo se oduprijelo i preživjelo. THE SIEGE je priča o strmoglavom putu u rat. Rémy Ourdan novinarsku je karijeru započeo u Sarajevu 1992. godine. Bio je dopisnik francuskog lista Le Monde iz Sarajeva i drugih dijelova BiH tokom godina rata i opsade. Također je izvještavao o situaciji u Hrvatskoj, o ratu na Kosovu, kratkotrajnom ratu u Makedoniji, te iz Srbije nakon pada Slobodana Miloševića. Autor je duge istraživačke priče o genocidu u Ruandi, a kao reporter je pokrivao sukobe u zemljama istočne i centralne Afrike te u Kongu, kao i građanski rat u Sijera Leoneu i Eritrejsko-etiopijski rat. Ourdan je bio urednik dopisničke mreže Le Monda od 2005. do 2008. godine. Izvještavao je iz rata u Centralnoj Afričkoj Republici, a trenutno izvještava o sukobima u kojima učestvuje takozvana Islamska država. Patrick Chauvel rođen je 1949. godine u Francuskoj. Nezavisni je ratni fotograf koji je pokrivao brojne svjetske konflikte, uključujući Šestodnevni i Vijetnamski rat. Za pokrivanje Bitke za Grozni, tokom Prvog čečenskog rata, dobitnik je nagrade World Press Photo u kategoriji „Spot News Stories“. Autor je dvije knjige na francuskom jeziku, autobiografije „Rapporteur de Guerre“ i romana „Sky“.

Bosnia and Herzegovina, France, 2016, Colour and b&w, 90 min, Bosnian, English Režija / Director: Rémy Ourdan, Patrick Chauvel Scenarij / Screenplay: Rémy Ourdan Direktor fotografije / Director of Photography: Faris Dobrača, Mustafa Mustafić, Nils Ruinet Montaža / Editor: Audrey Maurion Zvuk / Sound: Julien Chaumat, Predrag Đorda Producent / Producer: Blanche Guichou Produkcija / Production: Agat Films & Cie, Arte France, INA, SCCA / pro.ba Kontakt / Contact: Isabelle Graziadey, Terranoa, igraziadey@terranoa.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - THE SIEGE (dokumentarni film / documentary)

E At the end of twentieth century, Sarajevo lived through the longest siege in modern history. The Siege is a film about those who lived through it, about the human experience of the besieged. Through Sarajevo to beyond Sarajevo, it is the story of a surrounded city, of a battle and resistance. It is also the universal story of civilization facing a terrible challenge to its existence, of a struggle for its survival. Sarajevo resisted and survived. The Siege describes a vertiginous descent into war.

Rémy Ourdan began working as a reporter in 1992 in Sarajevo. He covered the siege of Sarajevo and the Bosnian war for four years as a journalist for Le Monde. In the Balkans, he also covered Croatia, the Kosovo war, Serbia after the fall of Slobodan Milosevic, and the insurgency in Macedonia. In Africa, he wrote a long investigative story on the Rwandan genocide and covered conflicts in the Great Lakes region and in Congo, as well as the Eritrean-Ethiopian war and the Sierra Leone civil war. Ourdan was foreign editor for Le Monde from 2005 until 2008. He covered the war in the Central African Republic and is covering the conflicts involving the Islamic State. Patrick Chauvel was born in 1949 in France. He is an independent war photographer. He has covered numerous conflicts all over the world, including the Six-Day War and the Vietnam War. In 1995 he was awarded the World Press Photo commendation for Spot News Stories for his coverage of the Battle of Grozny during the First Chechen War. He is the author of two books in French, the autobiographical Rapporteur de Guerre and the novel Sky.

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Refugee Blues / Izbjeglički bluz Praćen stihovima istoimene poeme W. H. Audena iz 1939., IZBJEGLIČKI BLUZ prati jedan dan u životu stanovnika izbjegličkog kampa u Calaisu poznatog po imenu džungla. Film oslikava znatno intimniji portret kampa od onog prikazanog u masovnim medijima, suprotstavljajući tešku realnost izbjeglica, koje se često sukobljavaju s francuskom specijalnom policijom, s njihovom čežnjom za boljom budućnošću. Stephan Bookas je njemačko-američki filmski autor, producent i snimatelj nastanjen u Londonu. Svoje nagrađivane dokumentarne i kratke igrane filmove je snimao i režirao širom zemaljske kugle, između ostalog u Indiji, Sibiru, Turskoj, Ukrajini, Poljskoj, Slovačkoj, Njemačkoj, Italiji, Meksiku, Kini, Sjevernoj Koreji i na Kubi. Njegov prvi dugometražni igrani film trenutno je u fazi postprodukcije. Tristan Daws je autor dokumentarnih filmova nastanjen u Londonu. U svom radu često prati sudbine ljudi koji žive na marginama društva, s posebnim fokusom na mentalno oboljele osobe. Bio je angažovan kao reditelj na više međunarodnih dokumentarnih projekata, a trenutno završava rad na svom prvom dugometražnom dokumentarnom filmu o odnosu jednoga mladića s njegovim ocem šizofreničarem. E Set to the verses of W.H. Auden’s 1939 poem, REFUGEE BLUES charts a day in ‘the jungle’, the refugee camp outside Calais. More intimate and unlike much of what has been seen in the mass media, this documentary poem counterpoints the camp’s harsh reality of frequent clashes with the French riot police with its inhabitants’ longing for a better future.

Stephan Bookas is a German-American, London based filmmaker, producer and cinematographer. He has shot and directed award winning documentaries and short fiction films across much of the globe including India, Siberia, Turkey, Ukraine, Poland, Slovakia, Germany, Italy, Mexico, Cuba, China and North Korea and is currently in postproduction for his first feature-length documentary. Tristan Daws is a London-based documentary filmmaker. His work has often focused on the marginalised in society, particularly in the field of mental health. He has been commissioned to direct several international documentary productions, and is currently in post-production on his first feature documentary, about the relationship between a young man and his schizophrenic father.

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United Kingdom, France, 2016, Colour, 6 min, English Režija / Director: Stephan Bookas, Tristan Daws Direktor fotografije / Director of Photography: Stephan Bookas Montaža / Editor: Stephan Bookas, Tristan Daws Muzika / Music: Christoph Zirngibl Zvuk / Sound: Tristan Daws Producent / Producer: Stephan Bookas, Tristan Daws Produkcija / Production: Thousandth Mile Kontakt / Contact: Thousandth Mile, mail@thousandthmile.com FILMOGRAFIJA / FILMOGRAPHY: Stephan Bookas: 2016 - REFUGEE BLUES (kratki dokumentarni film / short doc.) 2016 - PORNO UNCLE JIM (dokumentarni film / documentary) 2014 - NATION ON FIRE (kratki dokumentarni film / short doc.) 2011 - LIBERTATIA (kratki film / short film) Tristan Daws: 2016 - REFUGEE BLUES (kratki dokumentarni film / short doc.) 2014 - CINETRAIN: RUSSIAN WINTER (dokumentarni film / documentary) 2013 - THE FAIRYTALE OF THE THREE BEARS (kratki dokumentarni film / short doc.) 2011 - THE DAY WE DANCED ON THE MOON (kratki dokumentarni film / short doc.)

Sing Street / Ulica Sing ULICA SING nas vodi u Dablin osamdesetih godina 20. stoljeća viđen očima Conora, četrnaestogodišnjaka koji traži izlaz iz porodične atmosfere obilježene napetim odnosom njegovih roditelja i finansijskim problemima. Istovremeno, trudi se uklopiti u novu gradsku školu u kojoj su djeca gruba, a nastavnici još grublji. Tračak nade mu nudi misteriozna, super sjajna Raphina. U pokušaju da osvoji njeno srce, Conor joj nudi da bude zvijezda muzičkih spotova njegovog benda. John Carney rođen je 1972. godine u Dablinu. Prije svog debitantskog igranog filma, po vlastitom scenariju je režirao dva nagrađivana kratka filma (SHINING STAR i HOTEL). Svoj prvi dugometražni igrani film, NOVEMBER AFTERNOON, režirao je 1996. godine po scenariju koji je napisao zajedno s Tomom Hallom. Iako nije imao dug kino život, Irish Times je film proglasio filmom godine. Carney je 2001. režirao ON THE EDGE, na čijem je scenariju, također, radio kao jedan od autora. Film je na Festivalu britanskog filma Dinard 2001. godine nagrađen Silver Hitchcock nagradom. Nakon toga Carney je režirao film ONCE koji je premijerno prikazan na Filmskom festivalu Sundance 2007. te osvojio nagradu publike u kategoriji svjetske drame. Ovaj film, u čiju je produkciju uloženo svega 160.000 američkih dolara, postigao je ogroman uspjeh zaradivši 7 miliona američkih dolara u prva tri mjeseca prikazivanja u kinima širom svijeta. Carney je 2007. godine osvojio nagradu “Mlada nada koja najviše obećava”, jednu od filmskih nagrada za britanski film koje dodjeljuje Evening Standard. E SING STREET takes us back to 1980s Dublin seen through the eyes of a 14-year-old boy named Conor who is looking for a break from a home strained by his parents’ relationship and money troubles, while trying to adjust to his new inner-city public school where the kids are rough and the teachers are rougher. He finds a glimmer of hope in the mysterious, über-cool and beautiful Raphina, and with the aim of winning her heart he invites her to star in his band’s music videos.

John Carney was born in Dublin in 1972. Carney wrote and directed two award-winning short films (SHINING STAR and HOTEL) before making his first feature. With fellow filmmaker Tom Hall, Carney wrote and directed NOVEMBER AFTERNOON, his first feature film, in 1996. Despite a limited release, it was acclaimed as the “Film of the Year” by the Irish Times. Two years later, in 2001, he co-wrote and directed ON THE EDGE. It was awarded the Silver Hitchcock Award at the 2001 Dinard Festival of British Cinema. In 2006, Carney directed the feature movie ONCE. It had its official world release at the Sundance Film Festival in January 2007 and won the World Cinema Audience Award in the category Dramatic. A low-budget affair shot for only $160,000, ONCE was hugely successful, grossing $7 million worldwide in its first 3 months of release. Carney won the Most Promising Newcomer award in the Evening Standard British Film Awards 2007.

Ireland, United Kingdom, USA, 2016, Colour, 106 min, English Režija / Director: John Carney Scenarij / Screenplay: John Carney Direktor fotografije / Director of Photography: Yaron Orbach Montaža / Editor: Andrew Marcus, Julian Ulrichs Muzika / Music: Kieran Lynch Zvuk / Sound: Niall Brady Kostimografija / Costume Design: Tiziana Corvisieri Producent / Producer: Anthony Bregman, John Carney, Kevin Scott Frakes, Christian Grass, Martina Niland, Raj Brinder Singh, Paul Trijbits Produkcija / Production: Cosmo Films, Distressed Films, FilmNation Entertainment, FilmWave, Likely Story Uloge / Cast: Ferdia Walsh-Peelo, Aidan Gillen, Maria Doyle Kennedy Kontakt / Contact: FilmNation Entetainment, www.filmnation.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - SING STREET 2013 - BEGIN AGAIN 2009 - ZONAD 2007 - ONCE 2001 - ON THE EDGE 1999 - PARK 1996 - NOVEMBER AFTERNOON

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La tortue rouge / Crvena kornjača / The Red Turtle Ovaj film bez dijaloga prati prelomne faze u životu jednog pustinjaka na napuštenom tropskom ostrvu na kojem, osim njega, žive još samo kornjače, rakovi i ptice.

France, Japan, Belgium, 2016, Colour, 80 min, No Dialogue

Michael Dudok de Wit rođen je 1953. u Holandiji, a trenutno živi u Londonu. Studirao je film i animaciju na West Surrey koledžu za umjetnost i dizajn u Velikoj Britaniji. Kratki filmovi Dudok de Wita su poznati po sposobnosti da prenesu maksimalnu količinu emocija, značenje i humor u svega par animiranih poteza kistom. Njegovo najpoznatije djelo je osmominutni film FATHER AND DAUGHTER s kojim je osvojio mnoštvo nagrada, uključujući nagradu BAFTA i nagradu Oscar za najbolji animirani film za 2001. godinu. Njegov film THE MONK AND THE FISH nominiran je za BAFTA i Oscar nagrade. Filmovi Dudok de Wita dokaz su iznimne emotivne snage animacije, kao i trajne vrijednosti kratkog filma kao samostalne umjetničke forme, a ne manje vrijedne zamjene za dugometražni film.

Režija / Director: Michael Dudok de Wit Scenarij / Screenplay: Michael Dudok de Wit Direktor fotografije / Director of Photography: Michaël Dudok de Wit Montaža / Editor: Céline Kélépikis Muzika / Music: Laurent Perez del Mar Zvuk / Sound: Matthieu Michaux Produkcija / Production: Why Not Productions, Wild Bunch, Studio Ghibli, CN4 Productions, Arte France Cinema, Belvision Coproduction Kontakt / Contact: Wild Bunch, www.wildbunch.biz FILMOGRAFIJA / FILMOGRAPHY: 2016 - LA TORTUE ROUGE / THE RED TURTLE (kratki film / short film) 2006 - THE AROMA OF TEA (kratki film / short film) 2000 - FATHER AND DAUGHTER (kratki film / short film) 1994 - THE MONK AND THE FISH (kratki film / short film) 1992 - TOM SWEEP (kratki film / short film)

E The dialogue-less film follows major stages in the life of a castaway on a deserted tropical island populated by turtles, crabs and birds.

Michael Dudok de Wit was born in 1953 in the Netherlands. He lives in London. He studied film and animation at the West Surrey College of Art and Design. Dudok de Wit’s shorts are known for their ability to convey the maximum amount of emotion, meaning, and humor in just a few animated brushstrokes. His best-known short is the moving eight-minute FATHER AND DAUGHTER, which won a BAFTA, the 2001 Academy Award for Best Animated Short, and many other awards at festivals. THE MONK AND THE FISH was nominated for an Oscar and a BAFTA. Dudok de Wit’s films attest to the profoundly emotive power of animation, as well as the continued value of the short as an artistic endeavor in itself, rather than a somehow lesser substitute for feature-length film.

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Posvećeno / Tribute To

149 Esclava / Robinja / Slave, Amat Escalante 150 Heli, Amat Escalante 151 Los bastardos, Amat Escalante 152 Sangre, Amat Escalante 153 Cronica Breve de la filmación de SANGRE / Kratka hronika o snimanju filma SANGRE / Brief Chronicle of the Filming of SANGRE, Martín Escalante, Kenny Johnston

Posvećeno: Amat Escalante / Tribute To Amat Escalante

Amat Escalante

Predstavnik nekonvencionalne struje novog meksičkog filma, Amat Escalante (r. 1979) napustio je studij filma u Barceloni nakon nekoliko mjeseci, te o filmu počeo učiti čitajući knjige, gledajući filmove i igrajući se kamerom. Jedan utjecaj izdvaja kao posebno važan: od 16. do 18. godine, dok je živio u Teksasu, redovito je posjećivao Austin Film Society gdje se upoznao s nizom klasičnih autora, poput Herzoga, Tarkovskog, Fassbindera, Chantal Akerman, Bressona i dr. Afinitet prema tradiciji modernog art filma dijeli sa svojim prijateljem i producentom Carlosom Reygadasom, na čijem je filmu Silent Light / Stellet Licht (2005) bio pomoćnik reditelja neposredno prije svog vlastitog cjelovečernjeg debija. Za razliku od reditelja glavne struje novog meksičkog filma, poput Alfonsa Cuaróna i Alejandra Gonzáleza Iñarritua, koji su uvijek privilegirali priču / scenarij (što je nesumnjivo olakšalo njihov fenomenalno uspješni transfer u Hollywood), kod Escalantea (kao i Reygadasa) priča je sekundarna u odnosu na sliku, zvuk i montažu, scenarij je relativno kratak i više predložak za improvizaciju nego definitivan, često koriste duge kadrove, ritam filmskog zbivanja je generalno spor; uz to, on angažira naturščike ili poluprofesionalne glumice i glumce. Ukupni efekat ovih filmova je paradoksalni spoj suprotnosti: zbog svog sofisticiranog artizma, često izgledaju udaljeni od stvarnosti, dok istodobno ostavljaju utisak specifične autentičnosti, svojevrsnog hiperrealizma. Escalanteov prvijenac Sangre (2005) – u Kanu prikazan u selekciji Un certain regard te osvojio nagradu FIPRESCI – ilustrativan je u tom pogledu: Diego i Blanca neugledan su bračni par utonuo u monotonu svakodnevicu u kojoj se smjenjuju repetitivni posao, blazirani seks i gledanje telenovela. Pravi život – određen

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emocijama, željom i komunikacijom – kao da se odvija negdje drugdje. Kada im se na vratima pojavi Karina, Diegova kćer iz prvog braka, čini se da će to izazvati promjenu. Pa ipak, ta promjena ne znači nikakvu istinsku novinu, nego metastazu njihovih već postojećih nedostataka: Blancine ljubomore i Diegove nesposobnosti da iskaže emocije prema najbližima. Monotonija i banalnost dominiraju i životima protagonista Los bastardos (2008), Escalanteovog drugog filma koji je, također, prikazan u kanskoj sekciji Un certain regard. Fausto i Jesús su dvojica od bezbrojnih ilegalnih meksičkih imigranata koji jedva spajaju kraj s krajem u Los Angelesu. Dugi kadrovi s početka filma izgledaju poput dokumentarca o životu potplaćenih nadničara, koji su i klasno i rasno deprivilegirani. U nastavku Fausto i Jesús odlaze obaviti ne baš uobičajeni posao: ubiti američku kućanicu, po narudžbi njezinog partnera. Nasilje, koje kao da je tinjalo ispod neprivlačne površine tegobne svakodnevice, eskalira u završnici filma postajući karakteristični dio Escalanteovog rediteljskog rukopisa. Motiv uljeza u domu ukazao je na rediteljev afinitet prema žanru (kriminalistički, horor). Nasilje još više prožima i određuje društveni milje u Heliju (2013), najkontroverznijem Escalanteovom filmu dosad. Heli živi s maloljetnom sestrom, ocem, ženom i malom bebom – radnička porodica na rubu siromaštva, utonula u rutinu koja joj ne dozvoljava nikakva životna zadovoljstva. Pa, ipak, stvari postaju gore: kada sestrin mladić ukrade drogu, narko kartel dolazi po porodicu. Nasilje eksplodira silovitije nego u prethodnim Escalanteovim filmovima, ovaj put u scenama okrutnog mučenja, koje su i izazvale optužbe mnogih kritičara na račun reditelja. Kanski žiri mislio je drugačije, dodijelivši mu nagradu za najbolju režiju. Heli je neopozivo

demonstrirao da specifičan spoj žanrovskog i art-house filma postaje Escalanteov zaštitni znak. Potvrđuje to i sinopsis za La Región Salvaje / Untamed, njegov naredni film (u postprodukciji), koji kombinuje dramu, naučnu fantastiku i stravu: nakon što u njihovom kraju padne meteorit, u život nesretnog ljubavnog para u meksičkom gradiću ulazi treća osoba za koju se čini da ne pripada ovom svijetu. Kao veliki prijatelj Sarajevo Film Festivala, Escalante je već dvaput posjetio ovu manifestaciju. U okviru programa Posvećeno, reditelj će se susresti sa festivalskom publikom tokom Q&A sesija nakon projekcija. E Amat Escalante (1979), a representative of an unconventional strain of Nuevo Cine Mexicano, has left film studies in Barcelona after only a few months and begun learning on his own, by reading books, watching movies and playing with movie camera. At the age of 16, while living in Texas, he started attending the screenings at the Austin Film Society, which presented the works of the classic auteurs such as Herzog, Tarkovsky, Fassbinder, Chantal Akerman, Bresson etc. – according to him, this two-year experience yielded a particularly important formative influence on him. Shortly before his feature film debut, Escalante worked as assistant director on Silent Light/Stellet Licht (2005) by his friend and producer Carlos Reygadas with whom he shares the affinity for the modernist cinema.

Unlike the directors exemplary of the New Mexican Cinema, such as Alfonso Cuarón and Alejandro González Iñarritu, who privilege story/script (which certainly facilitated their very successful transfer to Hollywood), Escalante, as

well as Reygadas, focus on image, sound and editing; their screenplays are relatively short and more of a springboard for improvisation than a definitive film design; they rely on long takes, slow pacing, and work with non-professional or semi-professional thespians. The cumulative impact of their movies is a paradoxical mixture of opposites: due to their sophisticated artistry they often appear to be removed from reality while at the same time they have an air of authenticity, a specific sort of hyperrealism. Escalante’s feature debut Sangre (2005), which won him a FIPRESCI prize in Cannes where it was screened in Un Certain Regard section, is a case in point: Diego and Blanca are an unremarkable couple living a monotonous life filled by repetitive job duties, unpassionate sex and soap operas watching. It is as if a real life – filled with emotions, desires and communication – is happening somewhere else. One expects this to change when Karina, Diego’s daughter from a previous marriage, suddenly enters their life. But rather than bringing something new, the change only exacerbates their preexisting flaws: Blanca’s jealousy and Diego’s inability to communicate his emotions to the ones who are closest to him. Protagonists of Escalante’s sophomore feature Los Bastardos (2008), also screened in Un Certain Regard, also live humdrum and debilitating lives. Fausto and Jesus are among countless undocumented Mexican day-laborers living and making meagre earnings in Los Angeles. Early in the film, long takes capture the lives of underpaid day-laborers, discriminated on the grounds of their race and social standing, in a documentary fashion. Later in the film Fausto and Jesus go about an atypical day job: to kill an American housewife for which they had been hired by her partner. Violence, which has been

brewing under the bland surface of everyday hardships, eventually escalates, becoming Escalante’s trademark. The motif of a home invasion indicated the director’s affinity for the (crime, horror) genre. Violence even more fatally permeates the social milieu in Heli (2013), Escalante’s most controversial film to date. Heli lives with his wife and baby, as well as his juvenile sister Estela and his father. They are a working family on the edge of poverty, moving through their daily routine devoid of any pleasures. Things go from bad to worse when Estela’s boyfriend steals narcotics from drug lords and cartel comes after the family. The extremely brutal scenes of torture have led many film critics to condemn the director, and yet the Cannes jury awarded Escalante the best director prize. Once again, Heli demonstrated that a specific hybrid of genre and art house film has become Escalante’s signature style. His next film La Región Salvaje/ The Untamed (currently in post-production) boasts a mixture of social drama, science fiction and horror genres: after a meteorite crashes in the Mexican province, the life of the young unhappy couple drastically changes when they meet a new person who appears not to be an earthling. Amat Escalante is a great friend and supporter of Sarajevo Film Festival which he visited two times. In the scope of the Tribute to program Escalante will meet Sarajevo Film Festival audience during the career interview and regular Q&A sessions following the screenings. Nebojša Jovanović

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Biografija i filmografija / Biography and filmography Amat Escalante je rođen 1979. godine. Samouki je režiser iz Guanajuata u Meksiku. Počeo je raditi na filmu kada je imao petnaest godina. Nakon što je snimio dva kratka filma, napisao je, snimio i režirao svoj prvi dugometražni film, SANGRE, koji je 2005. premijerno prikazan u okviru zvanične selekcije programa Un Certain Regard u Cannesu. Njegov drugi igrani film, LOS BASTARDOS, je 2008. također premijerno prikazan u okviru iste selekcije, gdje je osvojio FIPRESCI, nagradu međunarodnih kritičara. HELI, njegov treći igrani film, premijerno je prikazan u okviru Takmičarskog programa na Filmskom festivalu u Cannesu, a Amat Escalante je dobio Zlatnu palmu za najbolju režiju. E Amat Escalante was born in 1979. He is a self-taught filmmaker from the city of Guanajuato (Mexico); he began to work in cinema at the age of 15. After making two short films, he wrote, shot and directed his first film, SANGRE, which premiered at Un Certain Regard Official Selection at Cannes 2005. His second feature film LOS BASTARDOS also premiered at Un Certain Regard Official Selection at Cannes 2008, and it was awarded with the FIPRESCI Prize from the International Critics. HELI, his third feature film premiered at the Official Competition at the Cannes Film Festival, and Escalante was awarded the Palme d’Or for the Best Director.

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FILMOGRAFIJA / FILMOGRAPHY: 2016 - THE UNTAMED 2014 - ESCLAVA (kratki film / short film) 2013 - HELI 2010 - REVOLUCION (segment EL CURA NICOLAS COLGADO) 2008 - LOS BASTARDOS 2005 - SANGRE 2002 - AMARRADOS (kratki film / short film

Esclava / Robinja / Slave Dok Ana, četrnaestogodišnjakinja, priča svoju priču, shvatamo kako je bila lako zavedena od strane Sama, te kako su on i njegova majka uspjeli da je prevare i uvedu u svijet prostitucije. Odlučna da izađe iz tog prstena korupcije, Ana skoči kroz prozor njene sobe na drugom spratu, gdje je bila zarobljena, i uspijeva da pobjegne. E As Ana, who is only 14 years old, tells her story we can see how she was easily seduced by Sam, and how him and his mother managed to deceive her and introduce her to the world of prostitution. Determined to escape that corrupt underworld, Ana jumps out the window of the second floor room where she was held captive and manages to escape.

Mexico, 2014, Colour, 13 min, Spanish Režija / Director: Amat Escalante Scenarij / Screenplay: Elena García, Gabriel Reyes, Amat Escalante Direktor fotografije / Director of Photography: Martín Escalante Montaža / Editor: Fernanda de la Peza Muzika / Music: Jordi Bachbush Zvuk / Sound: Sergio Díaz Scenografija / Production Design: Roberto Bonelli Producent / Producer: Luis Ángel Ramírez Produkcija / Production: Nivel Diez Film + Post Uloge / Cast: Natalia Guzmán, Donovan Torres Kontakt / Contact: Luis Ángel Ramírez; luisangel@niveldiez.com; www.niveldiez.com

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Heli Estela je dvanaestogodišnja djevojčica koja se ludo zaljubila u mladog policijskog pitomca koji želi pobjeći s njom kako bi se vjenčali. Dok ona pokušava ostvariti svoj san, njena porodica se suočava s nasiljem koje uništava ovu regiju. E Estela is a 12-year-old girl who had just fallen crazy in love with a young police cadet who wants to run away with her and get married. In order for this dream to be fulfilled, her family will have to endure the violence that is devastating the region.

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Mexico, France, Germany, Netherlands, 2013, Colour, 105 min, Spanish Režija / Director: Amat Escalante Scenarij / Screenplay: Amat Escalante, Gabriel Reyes Direktor fotografije / Director of Photography: Lorenzo Hagerman Montaža / Editor: Natalia Lopez Muzika / Music: Lasse Marhaug Zvuk / Sound: Sergio Díaz Kostimografija / Costume Design: Daniela Schneider Scenografija / Production Design: Daniela Schneider, Catriel Vildosola Producent / Producer: Jaime Romandia Produkcija / Production: Mantarraya & Tres Tunas Uloge / Cast: Armando Espitia, Linda Gonzalez, Juan Eduardo Palacios, Andrea Vergara Kontakt / Contact: ND Mantarraya; Fiorella Moretti, fm@mantarraya.com; www.mantarraya.com

Los bastardos Emotivno nestabilan muškarac za ubistvo svoje žene angažuje dvojicu mladih Meksikanaca koji ilegalno borave i rade u jednom velikom američkom gradu. Dok promišljaju njegov bezobzirni zahtjev, mladi Meksikanci odluku o tome šta učiniti moraju donijeti prvenstveno se rukovodeći željom za opstankom, a tek onda svojim moralnim principima. E In a big city in the US, a distressed man hires two undocumented Mexican day laborers to murder his wife. Their determination to survive must overcome moral principles as the two young men consider the malevolent job offer.

Mexico, France, USA, 2008, Colour, 90 min, English, Spanish Režija / Director: Amat Escalante Scenarij / Screenplay: Amat Escalante, Martín Escalante Direktor fotografije / Director of Photography: Matthew Uhry Montaža / Editor: Ayhan Ergürsel, Amat Escalante Muzika / Music: Ciril, Jazkamer, Kid606 Zvuk / Sound: Raúl Locatelli Scenografija / Production Design: Gabriel Abraham Producent / Producer: Amat Escalante, Jaime Romandia Produkcija / Production: Mantarraya Producciones, Tres Tunas, No Dream Cinema, Foprocine, Le Pacte Uloge / Cast: Jesus Moises Rodriguez, Rubén Sosa, Nina Zavarin, Kenny Johnston

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Sangre Nakon posla, Diego i Blanca leže na kauču i gledaju sapunice ili vode ljubav na kuhinjskom stolu. Kada Karina, Diegova kćer iz prošlog braka, dolazi njemu u potrazi za domom, Diego se odjednom nalazi na razmeđu između ljubomorne supruge i kćerke koja očajnički treba pomoć. E After work, Diego and Blanca lie down on the couch and watch „telenovelas“ or make love on the kitchen table. When Karina, Diego’s daughter from a previous marriage, comes to him in search of acceptance, Diego finds himself caught between a jealous wife and a daughter in desperate need of help.

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Mexico, France, 2005, Colour, 90 min, Spanish Režija / Director: Amat Escalante Scenarij / Screenplay: Amat Escalante Direktor fotografije / Director of Photography: Alex T. Fenton Montaža / Editor: Amat Escalante Zvuk / Sound: Raúl Locatelli Producent / Producer: Jaime Romandia, Amat Escalante, Carlos Reygadas Produkcija / Production: Mantarraya Producciones, Tres Tunas, No Dream Cinema, Churubusco, Ad Vitamin Uloge / Cast: Cirilo Recio Dávila, Laura Saldaña Quintero, Kenny Johnston, Claudia Orozco

Cronica Breve de la filmación de SANGRE / Kratka hronika o snimanju filma SANGRE / Brief Chronicle of the Filming of SANGRE Film o snimanju filma SANGRE reditelja Amata Escalantea. Cirilo Recio, koji je odigrao glavnu ulogu u filmu SANGRE, govori o svojim iskustvima tokom snimanja tog filma. Martín Escalante rođen je 1983. godine u Lakewoodu, SAD. Ovaj samouki fotograf, filmski autor i muzičar počeo je raditi na kratkim filmovima svoga brata Amata 1998. godine. Na filmu SANGRE (dobitnik nagrade FIPRESCI, Filmski festival u Kanu 2005.) radio je kao kasting direktor i prvi asistent kamere. Na filmu LOS BASTARDOS (Kan 2008.) radio je kao koscenarista, kasting direktor i reditelj filma o snimanju filma. Nakon toga je kao kasting direktor i reditelj filma o snimanju filma sarađivao sa svojim bratom na filmu HELI (nagrada za najbolju režiju, Filmski festival u Kanu 2013.). Martín je 2016. godine radio s Lasseom Marhaugom u Best Studiju u Oslu kao supervizor i producent muzike za novi film svoga brata THE UNTAMED. Kenny Johnston je rođen 1968. godine u New Yorku, SAD, kao Kenneth Lawrence Johnston. Radi kao glumac i producent, te je poznat po svom radu na filmovima HELI, LOS BASTARDOS i SANGRE. E The filming of SANGRE by director Amat Escalante, in which Cirilo Recio, lead actor of the film, recounts his experiences during the shoot.

Martín Escalante was born in 1983 in Lakewood, USA. Self-taught photographer, filmmaker and musician began working on the short films of his brother Amat in 1998. He was casting director and first assistant camera man on SANGRE (FIPRESCI prize, Cannes, 2005). He worked as co-writer, casting director and behind the scenes director on LOS BASTARDOS (Cannes, 2008). He then worked with his brother as casting and behind the scenes director for the feature film HELI (best director, Cannes, 2013). In 2016 he worked with Lasse Marhaug at Best Studio in Oslo as supervisor and producer of the soundtrack to his brother’s new film THE UNTAMED. Kenny Johnston was born in 1968 in New York, USA as Kenneth Lawrence Johnston. He is an actor and producer, known for HELI, LOS BASTARDOS and SANGRE.

Mexico, 2006, Colour, 9 min, Spanish Režija / Director: Martín Escalante, Kenny Johnston Scenarij / Screenplay: Martin Escalante, Cirilo Recio Direktor fotografije / Director of Photography: Martín Escalante, Alexander DeGraaf Montaža / Editor: Martín Escalante Muzika / Music: Leonardo Nicolas, Samuel handsome Sam Stroosma, Jon Steiner, Sky Zvuk / Sound: Kenny Johnston Producent / Producer: Martín Escalante Produkcija / Production: Tres Tunas Uloge / Cast: Cirilo Recio, Amat Escalante, Cirilo Recio, Paola Herrera, Daniela Schneider, Martín Escalante, Claudia Orozco Ruvalcaba, Alex T. Fenton, Kenny Johnston, Oscar Escalante, Raul Locatelli, Mildred Escalante, Pedro Aguilera, Nohemi Gonzalez, and Toño Kontakt / Contact: Martín Escalante; escalante.martin@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2013 - “HELI”, DETRAS DE CAMARAS / “HELI”, BEHIND THE SCENES 2009 - “LOS BASTARDOS”, DETRAS DE CAMARAS / “LOS BASTARDOS”, BEHIND THE SCENES 2006 - CRONICA BREVE DE LA FILMACION DE “SANGRE” / BRIEF CHRONICLE OF THE FILMING OF “SANGRE” (kratki dokumentarni film / short doc.)

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Dječiji program / Children’s Programme

156 Banana, Andrea Jublin 157 Hevisaurus / Hevisauri / Heavysaurs, Pekka Karjalainen 158 Jamais Contente / Gospođica Nemoguća / Miss Impossible, Emilie Deleuze 159 Ma vie de courgette / Moj život kao Tikvica / My Life as a Zucchini, Claude Barras 160 Le Nouveau / Novajlija / The New Kid, Rudi Rosenberg 161 OFFLINE-Das Leben ist kein Bonuslevel / OFFLINE - da li si spreman za sljedeći nivo? / OFFLINE-Are You Ready for the Next Level?, Florian Schnell 162 Pat a Mat ve filmu / Pat i Mat - film / Pat & Mat The Film, Marek Beneš 163 Rettet Raffi / Moj prijatelj Raffi / My Friend Raffi, Arend Agthe 164 Solan og Ludvig: Herfra til Flåklypa / Solan i Ludvig - velika trka za sirom / Louis & Nolan - The Big Cheese Race, Rasmus A. Sivertsen 165 Ted Sieger’s Molly Monster - Der Kinofilm / Čudovištance Molly, Ted Sieger, Michael Ekblad, Matthias Bruhn 166 Cats & Dogs / Psi i mačke, Jesús Pérez, Gerd Gockell 166 Dede: Mehmet met de gele laarzen / Dedo: Mehmet u žutim čizmama / Dede: Mehmet With the Yellow Boots, Tamara Miranda 167 Dobro unovčeno popoldne / Dobro provedeno poslijepodne / A Well Spent Afternoon, Maertin Turk 167 Nina, Maria Körkel, Emmanuel Elliah 168 Tehila, Eilat Ben Eliyahu

Banana Ovo je priča o naivnom dječaku koji pokušava osvojiti srce jedne djevojčice. Dječaku kojem škola baš ne ide od ruke, ljubitelju fudbala sa stopalom u obliku banane, koji otkriva teži, ali iskreniji i važniji put ka sreći. Andrea Jublin rođen je u Torinu, Italija. Diplomirao je političke nauke, a završio je i dramsku školu Pozorišta u Đenovi, gdje je radio i na postavci nekoliko predstava. Studirao je film na Kalifornijskom univerzitetu u Los Anđelesu, a završio je i scenaristički kurs televizije RAI u Rimu. Njegovi su filmovi osvojili mnoštvo nagrada u Italiji i inostranstvu, uključujući i nominaciju za nagradu Oscar (Američke filmske akademije) za najbolji kratki film. Predaje scenarij i režiju u školi Holden u Torinu. E This film is the story of a naive young boy who is trying to win a girl’s heart. About the boy who is not doing too well at school and is a football fan with a foot shaped like a banana, but who discovers a more difficult, but honest and vital road to happiness.

Andrea Jublin is a native of Turin, Italy, and has a degree in political science. He graduated from the Drama School of the Genoa Theater and has worked on several performances staged by the theater. He studied filmmaking at the UCLA, Los Angeles, and has completed a screenwriting workshop organized by the Italian public broadcaster RAI in Rome. His films won numerous national and international awards including the Academy Award nomination for best short film. He teaches screenwriting and directing at the Holden School in Turin.

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Italy, 2015, Colour, 83 min, Italian Režija / Director: Andrea Jublin Scenarij / Screenplay: Andrea Jublin Direktor fotografije / Director of Photography: Gherardo Gossi Montaža / Editor: Esmeralda Calabria Muzika / Music: Nicola Piovani Zvuk / Sound: Thomas Giorgi Kostimografija / Costume Design: Francesca Sartor Scenografija / Production Design: Massimiliano Sturiale Producent / Producer: Ginevra Elkann, Francesco Melzi D’Eril Produkcija / Production: Good Films Uloge / Cast: Marco Todisco, Beatrice Modica, Anna Bonaiuto, Giorgio Colangeli, Camilla Filippi, Gianfelice Imparato, Giselda Volodi Kontakt / Contact: info@goodfilms.it; www.goodfilms.it FILMOGRAFIJA / FILMOGRAPHY: 2015 - BANANA 2007 - THE SUBSTITUTE (kratki film / short film) 2002 - GINESTRA (kratki film / short film)

Hevisaurus / Hevisauri / Heavysaurs Tokom posjete zabavnom parku sa školom, desetogodišnji Toni i njegova drugarica iz razreda Suvi otkrivaju Hevisaure, stvorenja slična dinosaurima koja zanimaju samo hrana i rock’n’roll. Hevisauri su društveni, zabavni i znaju kako zavladati scenom, ali zarobljenici su bešćutnog biznismena Maxima koji ih želi iskoristiti za svoje poslovne planove. Suvi i Toni moraju pokrenuti zajedničku borbu kako bi spasili muzikalne Hevisaure. Pekka Karjalainen je cijenjeni finski filmski reditelj, dizajner i mikser zvuka rođen 1961. godine. Radio je na više od 30 filmova, TV serija i dokumentaraca. E During a school trip to an amusement park, 10-year-old Toni and his school friend Suvi find Heavysaurs - a group of dinosaur creatures who like to eat and play hard rock. Heavysaurs are friendly, funny and they know how to rock the stage – but they are kept in captivity by Maxim, a reckless entrepreneur who plans to use them for his business. Suvi and Toni must join forces to save the rocking dinosaurs. Pekka Karjalainen was born in 1961. He is an acclaimed Finnish feature film director and sound designer and mixer. He has worked on over 30 films, TV series and documentaries.

Finland, 2016, Colour, 85 min, Finnish Režija / Director: Pekka Karjalainen Scenarij / Screenplay: Veli-Pekka Hänninen, Antero Arjatsalo, Heikki Salo Direktor fotografije / Director of Photography: Konsta Sohlberg Montaža / Editor: Kimmo Taavila Muzika / Music: Hevisaurus Zvuk / Sound: Pekka Karjalainen Kostimografija / Costume Design: Henna-Riikka Taskinen Scenografija / Production Design: Markus Packalén Producent / Producer: Nina Laurio Produkcija / Production: Solar Films Inc. Uloge / Cast: Milo Snellman, Salli Siivonen, Taneli Mäkelä, Sam Huber, Veeti Kallio, Olavi Tikka, Miila Virtanen Kontakt / Contact: EastWest Filmdistribution; festivals@eastwest-distribution.com; www.eastwest-distribution.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - HEVISAURUS-ELOKUVA / HEAVYSAURS 2010 - GIMME SOME RESPECT 2006 - KUMMELIN JACKPOT 2003 - BEATLEHEM 2002 - LIEKKI 1997 - LONGING FOR LOVE (kratki dokumentarni film / short doc.) 1996 - PASTORAALI 1993 - HYSTERIA

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Jamais Contente / Gospođica Nemoguća / Miss Impossible Nekima bi se Aurorin život mogao učiniti dosadnim. Ali, kada ste trinaestogodišnja djevojčica sa nepomirljivim stavovima o dječacima, školi, porodici i prijateljima, vaš život može djelovati kao razdragana psihodrama. Emilie Deleuze je studirala filmsku režiju pri francuskoj školi La Fémis. Svoj prvi kratki film UN HOMME FAIBLE snimila je 1984. godine, a zatim 1994. za TV kanal Arte režira TV film L’INCRUSTE, kao pretposljednji u filmskom serijalu ALL THE BOYS AND GIRLS OF THEIR TIME. Njen debitantski dugometražni igrani film NEW DAWN, iz 1999. godine, prikazan je u programu Un Certain Regard Filmskog festivala u Kanu, gdje osvaja Fipresci nagradu. Njen drugi dugometražni igrani film MISTER V uvršten je u zvaničnu selekciju Filmskog festivala u Locarnu 2003. Emilie je režirala i nekoliko kratkih filmova, uključujući LETTER TO ABOU koji je bio dio TV serijala PAS D’HISTOIRS! 12 REGARDS SUR LE RAISME AU QUOTIDIEN emitovanog 2001. godine. E Some would say Aurore lives a boring life. But when you are a 13-year-old girl with an uncompromising way of looking at boys, school, family and friends, life can take on the appearance of a merry psychodrama.

Emilie Deleuze studied film directing at the French school La Fémis after completing her first short film UN HOMME FAIBLE in 1984. In 1994, she directed TV film L’INCRUSTE for the European TV channel ARTE. The film was the penultimate chapter of the series ALL THE BOYS AND GIRLS OF THEIR TIME. Her first feature film NEW DAWN was screened in the Un Certain Regard section at the 1999 Cannes Film Festival where it won the Fipresci Prize. Her second feature MISTER V was selected for the 2003 Locarno Film Festival. Emilie directed several short films, including LETTER TO ABOU - one of twelve stories included in the 2001 TV series PAS D’HISTOIRS! 12 REGARDS SUR LE RAISME AU QUOTIDIEN.

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France, 2016, Colour, 90 min, French Režija / Director: Emilie Deleuze Scenarij / Screenplay: Emilie Deleuze, Marie Desplechin, Laurent Guyot, Adrienne Boutang, Yvan Guyot Direktor fotografije / Director of Photography: Jeanne Lapoirie Montaža / Editor: Frédéric Baillehaiche Muzika / Music: Olivier Mellano Zvuk / Sound: Jean Mallet Kostimografija / Costume Design: Anne Schotte Scenografija / Production Design: Pascal Le Guellec Producent / Producer: Patrick Sobelman Produkcija / Production: Agat Films & CIE Uloge / Cast: Léna Magnien, Patricia Mazuy, Philippe Duquesne, Catherine Hiegel, Alex Lutz Kontakt / Contact: Doc & Film International, www.docandfilm.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - JAMAIS CONTENT 2013 - TOUT EST PERMIS (TV film) 2009 - UNLIKELY ROOMMATES (TV film) 2003 - MISTER V 2001 - LETTER TO ABOU (kratki film / short film) 1999 - NEW DAWN 1984 - UN HOMME FAIBLE (kratki film / short film)

Ma vie de courgette / Moj život kao Tikvica / My Life as a Zucchini Film prati sudbinu desetogodišnjeg dječaka, poznatog pod nadimkom Tikvica, koji nakon majčine smrti završava u sirotištu. Pratimo dječaka dok prevazilazi prepreke kako bi se uklopio u novu sredinu okružen malom grupom djece s kojom se, kao i s njim, život grubo poigrao. Claude Barras je rođen 1973. u Sierreu, Švicarska. Studirao je crtanje i infografiju pri Školi Emile Cohl u Lionu. U Lionu je stekao diplomu iz antropologije i digitalnog dizajna. Također je studirao kompjutersku grafiku na ECAL-u (École Cantonale d’Art de Lausanne) u Lozani. Trenutno radi kao slobodni ilustrator u Ženevi. E Revolving around a ten-year-old boy nicknamed Zucchini, who is taken to live in an orphanage following his mother’s death, the movie tells the story of how he will overcome the obstacles and fit into this new environment, surrounded by a small group of children who, just like him, have been scarred by life.

Claude Barras was born in 1973 in Sierre, Switzerland. He studied illustration and infography at École Emile Cohl in Lyon. He received a degree in anthropology and digital images from Lyon. He also studied computer graphics at ECAL (École Cantonale d’Art de Lausanne). He currently works as freelance illustrator in Geneva.

Switzerland, France, 2016, Colour, 66 min, French Režija / Director: Claude Barras Scenarij / Screenplay: Céline Sciamma Direktor fotografije / Director of Photography: David Toutevoix Montaža / Editor: Valentin Rotelli Muzika / Music: Sophie Hunger Zvuk / Sound: Denis Séchaud Kostimografija / Costume Design: Atelier Gran’Cri Christel Grandchamp, Atelier Nolita Vanessa Riera Producent / Producer: Max Karli, Pauline Gygax, Armelle Glorennec, Eric Jacquot, Marc Bonny Produkcija / Production: A Rita Productions, Blue Spirit Productions, Gebeka Films, KNM Uloge / Cast: Gaspard Schlatter, Sixtine Murat, Paulin Jaccoud, Michel Vuillermoz Member of the ComédieFrançaise, Raul Ribera, Estelle Hennard Kontakt / Contact: Indie Sales, www.indiesales.eu FILMOGRAFIJA / FILMOGRAPHY: 2016 - MA VIE DE COURGETTE / MY LIFE AS A ZUCCHINI 2012 - CHAMBRE 69 / ROOM 69 (kratki film / short film) 2009 - AU PAYS DES TETES / LAND OF THE HEADS (kratki film / short film) 2007 - ANIMATOU (kratki film / short film) 2005 - BANQUISE (kratki film / short film) 1999 - CASTING QUEEN (kratki film / short film)

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Le Nouveau / Novajlija / The New Kid Prva Benoitova sedmica u novoj školi ne protiče po planu. Popularna djeca okupljena u Charlesovoj bandi ga neprijateljski tretiraju, a samo su ga „štreberi“, koliko-toliko, ljubazno dočekali. Srećom, u školi upoznaje Johannu, lijepu djevojčicu iz Švedske s kojom će se sprijateljiti i u koju će se zaljubiti. Međutim, ona postepeno postaje sve bliža Charlesovoj bandi. Po savjetu svoga ujaka, Benoit organizuje zabavu na koju poziva svu djecu iz razreda. To mu je prilika da postane popularan i ponovo pridobije Johannu. Rudi Rosenberg je rođen 1979. godine. Karijeru je započeo kao TV i filmski glumac, a režiji se posvetio po završetku studija na Međunarodnoj školi za film i televiziju u Parizu. Njegov diplomski film MY 13 je prikazan na više filmskih festivala u Francuskoj i inostranstvu i osvojio je prvu nagradu na takmičenju studentskih filmova Arte. Rosenberg je 2010. godine snimio AGLAEE, u produkciji Karé Productions. THE NEW KID je njegov posljednji film. E Benoit’s first week at his new school does not go as planned. He’s roughed up by Charles’s gang, the popular kids, and the only pupils who welcome him with any kindness are the «nerds». Fortunately, there’s Johanna, a pretty Swedish girl who Benoit makes friends with and whom he falls for. However, little by little she drifts away to join Charles’ gang. On his uncle’s advice, Benoit organizes a party and invites his entire class. It’s his chance to become popular and get Johanna back.

Rudi Rosenberg was born in 1979. He started his career as an actor, performing in a number of television and film roles. He started making films after completing studies at the International Film and Television School in Paris. His graduation film MY 13 was screened in numerous French and international film festivals and has won the 1st prize in the Arte Student Film Contest. In 2010, he made AGLAEE, produced by Karé Productions. THE NEW KID is his latest film.

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France, 2015, Colour, 81 min, French Režija / Director: Rudi Rosenberg Scenarij / Screenplay: Rudi Rosenberg Direktor fotografije / Director of Photography: Nicolas Loir Montaža / Editor: Julie Lena Muzika / Music: Jonathan Morali Zvuk / Sound: Vincent Arnadi Kostimografija / Costume Design: Elise Bouquet, Reem Kuzayli Producent / Producer: Mathias Rubin, Eric Juhérian Produkcija / Production: Récifilms Uloge / Cast: Raphael Ghrenassia, Johanna Lindstedt, Max Boublil , Joshua Raccahanna, Géraldine Martineau Kontakt / Contact: Indie Sales, www.indiesales.eu FILMOGRAFIJA / FILMOGRAPHY: 2015 - LE NOUVEAU / THE NEW KID 2010 - AGLAEE (kratki film / short film) 2007 - MY 13 (kratki film / short film)

OFFLINE-Das Leben ist kein Bonuslevel / OFFLINE - da li si spreman za sljedeći nivo? / OFFLINE-Are You Ready for the Next Level? Sedamnaestogodišnji gejmer Jan većinu vremena provodi na kompjuteru u ulozi hrabrog ratnika Fenrisa. Dok se priprema za skorašnji online turnir „Ragnarök“, iznenada biva izbačen iz igre. U panici shvata da ga je hakirao drugi igrač, Loki. Ne samo da je ostao bez internet konekcije već mu ni mobilni telefon ni debitna kartica ne rade. Florian Schnell je rođen 1984. godine u Lörrachu, Njemačka. U periodu od 2008. do 2015. godine studirao je režiju na Filmskoj akademiji u Baden-Württembergu. U okviru programa studentske razmjene učestvovao je u „Hollywood-Workshop“ projektu pri Kalifornijskom univerzitetu u Los Angelesu, UCLA. Florian je 2010. u Njemačkoj proglašen najboljim mladim rediteljem. Njegov film MIA AND THE MINOTAUR osvojio je nagradu za najbolji dječiji film na Filmskom festivalu Goldener Spatz u Njemačkoj, a njegov diplomski film OFFLINE nominiran je za nagradu Max Ophüls. E Gamer Jan (17) spends most of his time as brave warrior Fenris in a computer game. While preparing for the upcoming Ragnarök online tournament he realizes that he had been hacked and kicked out of the game by another player, Loki. He has not only lost his Internet connection, but his debit card and cell phone are also on the blink.

Florian Schnell was born in 1984 in Lörrach, Germany. From 2008 to 2015, he studied directing at the Baden-Württemberg Film Academy. He took part in the “Hollywood-Workshop” exchange program at the UCLA. He won the Best Young German Director Award in 2010. His film MIA AND THE MINOTAUR was named the best children`s film at the German Goldener Spatz Film Festival. His graduation film OFFLINE was nominated for the Max Ophüls Award.

Germany, 2016, Colour, 87 min, German Režija / Director: Florian Schnell Scenarij / Screenplay: Jan Cronauer, Florian Schnell Direktor fotografije / Director of Photography: Dominik Berg Montaža / Editor: Matthias Scharfi Muzika / Music: Marius Kirsten & Reneé Abe Zvuk / Sound: Marvin H. Keil Kostimografija / Costume Design: Tanja Gierich, Ulé Barcelos Scenografija / Production Design: Johanna John Producent / Producer: Christian Becker, Benjamin Munz, Anne Büttner, Marc Junker Produkcija / Production: Rat Pack Filmproduktion/ Munich Uloge / Cast: Moritz Jahn, Mala Emde, Ugur Ekeroglu, David Schütter, Hannes Wegener, Marc Zwinz Kontakt / Contact: Rat Pack Filmproduktion; info@ratpack-film.de; www.ratpack-film.de; Renate Zylla (Festival Contact) rzylla@arcor.de FILMOGRAFIJA / FILMOGRAPHY: 2016 - OFFLINE: ARE YOU READY FOR THE NEXT LEVEL? 2012 - MIA AND THE MINOTAUR (kratki film / short film) 2010 - MEINUNGSMEER (kratki film / short film) 2010 - FRISCH GESTRICHEN (kratki film / short film)

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Pat a Mat ve filmu / Pat i Mat - film / Pat & Mat The Film Pat i Mat su 40 godina jedan drugom bili najbolje komšije. Sada su odlučili da se osvrnu na svoj ludi život. Šta može biti bolje od kućnog filma na 35-milimetarskoj traci na kojoj su zabilježeni brojni trenuci iz njihovog svakodnevnog života? Kada se svjetla priguše i staromodni kino projektor počne vrtiti film, Pat i Mat sa ushitom otkrivaju kako im je život bio uzbudljiv. Marek Beneš je nastavio tradiciju svoga oca i od njega preuzeo rad na novim epizodama animiranog filma Pat i Mat. Ljubomir Beneš je inspiraciju za Pata i Mata našao u vlastitom stripu, u kojem su glavni likovi bila dva majstora, gospodin Sedlec i gospodin Ouholicek, a koji je crtao za jedan časopis. Ljubomir je zamolio urednika tog časopisa, gospodina Kubiceka, i crtača stripa, gospodina Jiraneka, za pomoć pri izradi prvog kratkog filma o Patu i Matu pod naslovom ‘‘Kuťáci“. Njih su trojica od 1979. godine u Studiu Krátky Film u Bratislavi zajedno napravili čitavu seriju animiranih filmova o Patu i Matu za slovačku televiziju. Nove epizode Pata i Mata su snimljene 1985. godine za produkcijsku kuću Kratky film Praha. Tokom 40 godina snimljeno je 90 epizoda animiranog filma o Patu i Matu. Prava za prikazivanje prvih 77 epizoda prodana su širom Evrope i Azije, kao i na Bliskom istoku. E Pat and Mat have been best neighbors for 40 years. Today, they decide to look back at their crazy life. What can be better than a home cinema showcasing a series of their everyday life stories recorded on 35mm reels?! As the old-styled 35mm movie projector starts to roll and lights dim, they are amazed at how exciting their lives have been.

Marek Beneš is carrying on the legacy of his father and has been making new stories of Pat and Mat. Lubomir Beneš was inspired by his own comics that he used to make for a magazine. They featured two handymen Mr. Sedlec and Mr. Ouholicek. Mr Beneš asked Mr. Kubicek, the editor of the magazine and Mr. Jiranek, the cartoonist, to help him and they together made the first Pat and Mat short film entitled ‘‘Kuťáci“. Since 1979 they all worked on the series in the Studio Krátky Film for the Slovak television in Bratislava. In 1985 the new episodes were shot, but this time directly for the ‘‘Kratky film Praha“. Over the course of 40 years, 90 stories about PAT AND MAT have been created. The first 77 stories have been widely sold in Europe, Asia and the Milddle East.

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Czech Republic, 2016, Colour, 80 min, No Dialogue Režija / Director: Marek Beneš Scenarij / Screenplay: Marek Beneš (original idea of Lubomír Beneš, Vladimír Jiránek, Jiří Kubíček) Direktor fotografije / Director of Photography: Jan Chvojka Animacija / Animation: Jan Smrčka Muzika / Music: Petr Skoumal Scenografija / Production Design: Lubomír Beneš, Vladimír Jiránek Produkcija / Production: Patmat, Ltd. Kontakt / Contact: studio@patmat.cz; www.patmat.cz FILMOGRAFIJA / FILMOGRAPHY: 2016 - PAT A MAT VE FILMU / PAT & MAT THE FILM

Rettet Raffi / Moj prijatelj Raffi / My Friend Raffi Zlatni hrčak Raffi je kućni ljubimac osmogodišnjeg Sammija. Mali glodar je po svemu poseban. Ne samo da može zabijati golove loptom već može i nanjušiti krijumčarenu robu i to bolje od psa tragača. Raffi se jednoga dana iznenada razboljeva i ispada da je bolest ozbiljnija nego što se mislilo: ima srčano oboljenje koje zahtijeva operaciju. Loša situacija postaje još gora kada Raffi iznenadno nestaje! Arend Agthe rođen je 1949. godine u Rastedu, Njemačka. Studirao je njemačku književnost, filozofiju i dramaturgiju na Univerzitetu u Frankfurtu. Radio je kao crtač stripa i novinar, potom je počeo producirati kratke filmove, da bi na kraju započeo karijeru samostalnog kino i TV scenariste i reditelja tokom koje je radio na projektima za djecu i odrasle. Sa svojom suprugom Bettinom Kupfer 2012. godine osniva produkcijsku kompaniju Mimi & Crow Filmproduktion kako bi producirali film MY FRIEND RAFFI, zasnovan na romanu koji su zajedno napisali. Živi u Hamburgu, Njemačka, sa suprugom i djecom. E Gold hamster Raffi belongs to the eight-year old Sammy. The little rodent is truly special. Not only can he score goals with a football but he can also sniff smuggled goods, and sniff them better than a tracker dog. One day Raffi falls ill and the illness turns out to be worse than initially thought: he has a heart disease that requires surgical treatment. The situation goes from bad to worse after Raffi suddenly disappears!

Arend Agthe was born in 1949 in Rastede, Germany. He studied German literature, philosophy and drama at the University of Frankfurt. Before he started producing short films, Arend worked as a cartoonist and journalist. He changed careers again becoming a freelance scriptwriter and film and TV director, making films for kids and adults. In 2012, Arend and his wife Bettina Kupfer founded the Mimi & Crow Filmproduktion company to produce MY FRIEND RAFFI based on the novel that they wrote together. Arend lives in Hamburg, Germany, with his wife and children.

Germany, 2015, Colour, 93 min, German Režija / Director: Arend Agthe Scenarij / Screenplay: Arend Agthe, Bettina Kupfer Direktor fotografije / Director of Photography: Thomas Benesch Montaža / Editor: Andrea Wenzler Muzika / Music: Matthias Raue Zvuk / Sound: Thorsten Többen Kostimografija / Costume Design: Elke Ringwelski Scenografija / Production Design: Kai Varduhn Producent / Producer: Bettina Kupfer Produkcija / Production: Mimi & Crow Film Production Company Uloge / Cast: Bettina Kupfer, Nicolaus von der Recke, Albert Kitzl, Sophie Lindenberg, Henriette Heinze, Claes Bang, Josef Ostendorf, Rainer Strecker, Dirk Martens, Philip Schmitz-Elsen, Martin Dudeck, Genia Karasek Kontakt / Contact: EastWest Filmdistribution; office@eastwest-distribution.com; www.eastwest-distribution.com; Renate Zylla (Festival Contact) rzylla@arcor.de FILMOGRAFIJA / FILMOGRAPHY: 2015 - RETTET RAFFI 2011 - UBER DAS MEER IN DIE FREIHEIT / OVER THE SEA TO FREEDOM (dokumentarni film / documentary) 2008 - SLEEPING BEAUTY 1993 - KARAKUM 1991 - WUNDERJAHRE 1987 - FALCON SUMMER SKY

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Solan og Ludvig: Herfra til Flåklypa / Solan i Ludvig - velika trka za sirom / Louis & Nolan - The Big Cheese Race Nakon što takmičenje završi neriješenim rezultatom, dva suparnička sela - Flaklypa i Slidre - donose odluku da ponovo pokrenu tradicionalno takmičenje u spravljanju sira, nakon godina neodržavanja. Hvalisava ptica Solan, nervozni jež Ludvig i pronalazač mekog srca Reodor vjeruju da će udruženih snaga izaći kao pobjednici iz ovog avanturističkog okršaja. Njihovi protivnici, međutim, ne smiju biti olako shvaćeni; u igri je mnogo više od samo časti. Originalan pristup u izradi ovog animiranog filma obogaćen slikovitošću harizmatičnih likova je poput daška svježeg vazduha. Nježna šala na račun samoprecjenjivanja i lokal-patriotizma u isto vrijeme je omaž solidarnosti, snalažljivosti te daru da se od nužde napravi vrlina. Rasmus A. Sivertsen rođen je 1971., a 1995. godine je diplomirao na Fakultetu za animaciju Univerziteta Volda u Norveškoj. Trenutno je jedan od najpoznatijih i najproduktivnijih autora animiranog filma u Norveškoj. E After a competition ends in a draw, two rival villages, Flåklypa and Slidre, decide to re-launch their traditional cheese race after years of inactivity. The boastful bird Nolan, the anxious hedgehog Louis and the kind-hearted inventor Reodor are sure they’ll come out on top in this adventurous showdown, but their opponents are not to be taken lightly, and there’s much more than honour at stake here. This stop motion animation takes a refreshingly original approach and is sustained by the vividness of its charismatic characters, poking gentle fun at self-overestimation and local patriotism, while at the same time serving as a tribute to solidarity, resourcefulness and the knack for making a virtue out of necessity.

Rasmus A. Sivertsen was born in 1971. He graduated in 1995 from the animation faculty at Volda University College in Norway. He is one of the most famous and productive animation filmmakers in Norway.

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Norway, 2015, Colour, 78 min, Norvegian Režija / Director: Rasmus A. Sivertsen Scenarij / Screenplay: Karsten Fullu (adaptation from Kjell Aukrust) Direktor fotografije / Director of Photography: Morten Skallerud, Janne K. Hansen Montaža / Editor: Rasmus A. Sivertsen Muzika / Music: Knut Avenstroup Haugen Zvuk / Sound: Christian Schaanning Scenografija / Production Design: Are Austnes Producent / Producer: Cornelia Boysen, Synnøve Hørsdal Produkcija / Production: Maipo Film Uloge / Cast: Kari-Ann Grønsund, Trond Høvik, Per Skjølsvik, Kåre Conradi Kontakt / Contact: Sola Media; post@sola-media.com; www.sola-media.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - SOLAN OG LUDVIG: HERFRA TIL FLAKLYPA 2015 - KNUTSEN & LUDVIGSEN AND THE HORRIBLE RASPUTIN 2013 - SOLAN OG LUDVIG - JUL I FLAKLYPA 2013 - PLODDY THE POLICE CAR ON THE CASE 2010 - PLODDY THE POLICE CAR MAKES A SPLASH 2008 - KURT BLIR GRUSOM / KURT TURNS EVIL

Ted Sieger’s Molly Monster - Der Kinofilm / Čudovištance Molly Čudovište Molly jedva čeka da se beba čudovište izlegne iz jajeta. Na kraju krajeva, nikada nije imala maloga brata ili sestru s kojima bi se mogla maziti i igrati. Ali Mollyni roditelji prvo moraju otići na ostrvo s jajima kako bi sačekali da se prinova izlegne. Na tom se ostrvu rađaju sva čudovišta. Otkrivši da su roditelji zaboravili ponijeti njen poklon za bebu, Molly brzo kreće za njima... Matthias Bruhn je rođen 1962. u Bielefeldu, Njemačka. Studirao je grafički dizajn na FHD-u (Fachhochschule Düsseldorf). Od 1992. do 1998. godine je kao animator i reditelj sarađivao s animacijskim studijem Trickstudio Lutterbeck, da bi 1998. postao jedan od suvlasnika i direktora studija, kao i njegov umjetnički direktor. Bruhn je od 2003. do 2006. godine predavao animaciju pri Školi za dizajn i umjetnost HSLU u Lucernu u Švicarskoj, a od 2008. radi kao predavač u školi animacije La Poudrière u Valenceu u Francuskoj. MOLLY MONSTER je režirao sa Tedom Siegerom i Mikaelom Eklbadom. E Molly Monster can hardly wait till the monster baby finally emerges from its egg. After all, she’s never had a younger sibling that she could play with and cuddle. But first Molly’s parents have to go off to Egg Island to wait for the new arrival to hatch. That’s the place where all the monsters are born. Annoyingly, they forgot Molly’s gift for the baby, so she has to get on their trail quickly...

Matthias Bruhn was born in 1962 in Bielefeld, Germany. He studied Graphic Design at FHD (Fachhochschule Düsseldorf). Between 1992 and 1998, he worked as a freelance animator and director at Trickstudio Lutterbeck. Since 1998, he has been a co-owner, co-manager and the art director of Trickstudio Lutterbeck. Between 2003 and 2006, he taught animation at High School of Luzern, Design and Art. He has been teaching at the school of animation La Poudrière in Valence since 2008. He co-directed MOLLY MONSTER with Ted Sieger and Mikael Eklbad.

Switzerland, Germany, Sweden, 2015, Colour, 70 min, German Režija / Director: Ted Sieger, Michael Ekblad, Matthias Bruhn Scenarij / Screenplay: John Chambers (based on story of Ted Sieger) Montaža / Editor: Melanie Hartmann Muzika / Music: Annette Focks, Ted Sieger Zvuk / Sound: Steffen Pfauth Scenografija / Production Design: Sven Höffer Producent / Producer: Ted Sieger, Alexandra Schatz, Josef Burri, Richard Lutterbeck, Michael Ekblad, Elena Pedrazzoli, Tania Reichert-Facilides, Dieter Reinhold Produkcija / Production: Little Monster, Alexandra Schatz Filmproduktion, TrickStudio Lutterbeck, Sluggerfilm, Peacock Film Uloge / Cast: Sophie Rois, Gerrit Schmidt-Foß, Judy Winter, K.Dieter Klebsch, Jasper Vogt Kontakt / Contact: Global Screen; info@globalscreen.de; www.globalscreen.de FILMOGRAFIJA / FILMOGRAPHY: 2016 - TED SIEGER’S MOLLY MONSTER 2016 - DIE GESCHICHTE VOM FUCHS / FUCHS’ STORY (kratki film / short film) 2010 - ENTE, TOD UND TULPE / DUCK, DEATH AND THE TULIP (kratki film / short film) 2008 - POST! / MAIL! (kratki film / short film)

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Switzerland, Germany, 2015, Colour, 6 min, No Dialogue Režija / Director: Jesús Pérez, Gerd Gockell Scenarij / Screenplay: Elisabeth Hüttermann, Gerd Gockell Direktor fotografije / Director of Photography: Gerd Gockell Muzika / Music: David Hohl Zvuk / Sound: Thomas Gassmann Producent / Producer: Gerd Gockell Produkcija / Production: Gerd Gockell Filmproduktion, Anigraf Filmproduktion, Schweizer Radio und Fernsehen Kontakt / Contact: MAGNETFILM GmbH; georg.gruber@magnetfilm.de; www.magnetfilm.de

Cats & Dogs / Psi i mačke Kratki animirani dječiji film o prijateljstvu. Niko se ne može prisiliti na prijateljstvo, ali prijateljstva se mogu roditi u vanrednim situacijama. Jesús Ernesto Pérez del Barca je rođen u Boliviji 1954. Kratke filmove je počeo snimati 1977., a od 2002. radi kao profesor animacije na Univerzitetu za primijenjene nauke i umjetnost u Lucernu u Švajcarskoj. Gerd Gockell je rođen 1960. u Darmstadtu. Studirao je na Akademiji lijepih umjetnosti u Brunswicku. U periodu od 2002. do 2011. je radio kao šef Odsjeka za animaciju Univerziteta za primijenjene nauke i umjetnosti u Lucernu u Švicarskoj. Živi i radi u Lucernu i Hanoveru. E An animated short film for children about friendship. Friendships cannot be forced, but they can be built in emergencies.

Jesús Ernesto Pérez del Barca was born in Bolivia in 1954. He has been making short films since 1977. He has been working as an animation professor at the Lucerne University of Applied Science and Arts in Switzerland since 2002. Gerd Gockell was born in 1960 in Darmstadt. He studied at the Academy of Fine Arts in Brunswick. He was the Head of the Animation Dept. at the University of Applied Sciences and Arts in Lucerne, Switzerland, between 2002 and 2011. He lives and works in Lucerne and Hanover.

Dede: Mehmet met de gele laarzen / Dedo: Mehmet u žutim čizmama / Dede: Mehmet With the Yellow Boots DEDE je topla filmska priča o potrazi jedanaestogodišnje djevojčice Merel za njenim biološkim dedom Turčinom. Tokom svoje potrage, Merel upada u smiješne i teške situacije i upoznaje zanimljive, čudne likove koji će doprinijeti njenom ličnom razvoju. Tamara Miranda je rođena u Amsterdamu 1969. godine. Studirala je fotografiju na Kraljevskoj umjetničkoj akademiji u Hagu, kao i režiju na Holandskoj filmskoj akademiji u Amsterdamu, gdje je i diplomirala 1999. Autorica je dokumentarnih i igranih filmova, a trenutno priprema dva igrana filma i piše knjigu. E DEDE is a feel-good film about the quest of the eleven year old Merel to find her biological Turkish grandfather. During this journey she becomes entangled in funny and difficult situations and she meets surprising, extraordinary characters who contribute to her personal growth.

Tamara Miranda was born in Amsterdam in 1969. She studied photography at the Royal Academy of Art in The Hague and directing at the Netherlands Film Academy in Amsterdam where she graduated in 1999. She makes documentary and fiction films. She is currently preparing two feature films and writing a book.

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FILMOGRAFIJA / FILMOGRAPHY: Jesús Ernesto Pérez del Barca 2016 - CATS AND DOGS (kratki film / short film) 2011 - DER GROSSE BRUDER (kratki film / short film) 2006 - ICH UND DIE ANDEREN (kratki film / short film) 2005 - PUNKT & STRICHE (kratki film / short film) 2000 - MITEINANDER (kratki film / short film) 1978 - EL PASTOR MENTIROSO (kratki film / short film) 1977 - UN INSTANTE - UNA VIDA (kratki film / short film) Gerd Gockell: 2016 - CATS AND DOGS (kratki film / short film) 2014 - PATCH (kratki film / short film) 2004 - RESTORED WEEKEND (kratki film / short film) 1999 - MURATTI UND SAROTTI - DIE GESCHICHTE DES DEUTSCHEN ANIMATIONSFILMS 1920 BIS 1960 (dokumentarni film / documentary) 1990 - CROFTON ROAD SE.5 (kratki film / short film)

Netherlands, 2015, Colour, 25 min, Dutch Režija / Director: Tamara Miranda Scenarij / Screenplay: Arzu Kökeng Direktor fotografije / Director of Photography: Tjitte Jan Nieuwkoop Montaža / Editor: Nikki Faberij de Jonge Muzika / Music: Baris Akardere Zvuk / Sound: Erik van der Ven, Eline Vera de Reus Kostimografija / Costume Design: Fieke Nikolaï, Tessa Teixeira Scenografija / Production Design: Joyce van Diepen Producent / Producer: Germen Boelens Produkcija / Production: Corrino Media Group Uloge / Cast: Ysa Dekker, Batuhan Mikail Eryiğit, Oya Capelle-Karışman, Loes Schnepper, Nyncke Beekhuijzen Kontakt / Contact: Corrino Drama BV; nathalie@corrino.com; www.corrino.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - DEDE: MEHMET WITH THE YELLOW BOOTS 2010 - MET NIEUWE OGEN (dokumentarni film / documentary) 2004 - DAT ZIT WEL SNOR (kratki film / short film) 2003 - TEGEN HET VERGETEN (dokumentarni film / documentary) 2001 - 5 x MIJN KAMER (dokumentarni film / documentary) 1996 - SPIEGELS (kratki film / short film)

Dobro unovčeno popoldne / Dobro provedeno poslijepodne / A Well Spent Afternoon Nakon još jednog u nizu neuspješnih intervjua za posao, otac provodi poslijepodne sa svojim sedmogodišnjim sinom. Slučajno pronalaze novčanik pun novca i otac sinu pokazuje šta su prave životne vrijednosti i kako ispravno postupiti. Martin Turk je rođen 1978. godine u Trstu, Italija. Diplomirao je 2004. godine na Filmskoj akademiji u Ljubljani. Režirao je više kratkih filmova koji su prikazani na festivalima širom svijeta, uključujući festivale u Kanu, Sarajevu, Aspenu i Palm Springsu. Svoj prvi dugometražni igrani film NAHRANI ME Z BESEDAMI snimio je 2012. godine. Jedan je od učesnika 18. izdanja Cannes Cinefondation Resident programa.

Slovenia, Croatia, 2016, Colour, 8 min, Slovenian Režija / Director: Martin Turk Scenarij / Screenplay: Martin Turk Direktor fotografije / Director of Photography: Radislav Jovanov Montaža / Editor: Tomislav Pavlic Muzika / Music: Chris Ecklman & Al DeLoner Zvuk / Sound: Julij Zornik Kostimografija / Costume Design: Emil Cerar Scenografija / Production Design: Marco Juratovec Producent / Producer: Ida Weiss Produkcija / Production: Bela Film d.o.o. Uloge / Cast: Primož Pirnat, Julijan Weiss Turk Kontakt / Contact: Ida Weiss, www.belafilm.si FILMOGRAFIJA / FILMOGRAPHY: 2016 - DOBRO UNOVČENO POPODNE / A WELL SPENT AFTERNOON (kratki film / short film) 2015 - A NOVEL BY A REBEL (dokumentarni film / documentary) 2012 - NAHRANI ME Z BESEDAMI / FEED ME WITH YOUR WORDS 2011 - STVARI, KI JIH NISVA NIKOLI NAREDILA / THE THINGS WE’VE NEVER DONE TOGETHER (kratki film / short film) 2009 - ROBUTANJE KORUZE / STEALING THE CORN (kratki film / short film) 2006 - REZINA ŽIVLJENJA / A SLICE OF LIFE (kratki film / short film)

E After failing yet another job interview, a father is spending an afternoon with his seven-year-old son. They happen to find a wallet full of money, and father teaches his son what is the right thing to do.

Martin Turk was born in 1978 in Trieste, Italy. He graduated film directing at the Ljubljana Film Academy in 2004. He directed several short films that were screened at festivals around the world: in Cannes, Sarajevo, Aspen, Palm Springs... In 2012, he made his first feature film FEED ME WITH YOUR WORDS. He was selected to attend the 18th Cannes Cinefondation Residence.

Nina Šestogodišnja Nina igra se sa svojim starijim bratom na morskoj plaži. Brat uskoro napušta sestru kako bi se igrao s jednim dječakom. Nakon što je ostavljena sama, Nina odlučuje otići s plaže i uputiti se u šetnju uz stijenje. Maria Körkel je rođena 1973. godine. Studirala je strip i ilustraciju na Kraljevskoj akademiji za lijepe umjetnosti u Briselu. Maria se 2007. priključila umjetničkom kolektivu ZOROBABEL i radila kao animatorica na nekoliko kratkih filmova u tehnici stop animacije. Zvanje magistrice animiranog filma je stekla 2010. godine pri školi La Cambre u Briselu. Emmanuel Elliah je rođen 1984., a zvanje diplomiranog fotografa je stekao na Univerzitetu Coventry 2005. godine. Nakon toga je radio kao web dizajner i asistent produkcije za više različitih produkcijskih kompanija u Briselu. Scenarij za film NINA je počeo pisati 2011.

Belgium, 2015, Colour, 8 min, No Dialogue Režija / Director: Maria Körkel, Emmanuel Elliah Scenarij / Screenplay: Emmanuel Elliah Direktor fotografije / Director of Photography: Frédéric Noirhomme Montaža / Editor: Maria Körkel Muzika / Music: Adam Bryanbaum Wiltzie Zvuk / Sound: Déborah Dourneau, Adam Bryanbaum Wiltzie Scenografija / Production Design: Maria Körkel Producent / Producer: Rosa Spaliviero Produkcija / Production: Atelier Graphoui Uloge / Cast: Yseult Lefebvre, Arnaud Lefebvre, Mathis Lambert Kontakt / Contact: Atelier Graphoui; kim@graphoui.org; www.graphoui.org FILMOGRAFIJA / FILMOGRAPHY: Maria Körkel: 2015 - NINA (kratki film / short film) 2010 - SOUDAIN ON SONNE (kratki film / short film) 2009 - KILL THE SURFER (kratki film / short film) 2009 - THE GHINZU CASE (kratki film / short film) 2008 - VACUUM (kratki film/ short film) Emmanuel Elliah: 2015 - NINA (kratki film / short film)

E Six-year-old Nina plays on a seaside beach with her older brother. Her brother soon abandons her and starts playing with another boy. Having stayed alone, Nina decides to wander off the beach and take a stroll between the rocks.

Maria Körkel was born in 1973. She studied Comics and Illustration at the Royal Academy of Fine Arts in Brussels. In 2007, she joined Atelier Collectif ZOROBABEL and took part in animating several stop-motion shorts. She earned her MA in animated film from La Cambre in Brussels in 2010. Emmanuel Elliah was born in 1984. He graduated in photography at Coventry University in 2005. He spent a few years working as a web designer and assistant producer with different production companies in Brussels. He started writing NINA in 2011. CHILDREN’S PROGRAMME l 22. Sarajevo Film Festival 167

Tehila Tehila je prilično nepopularna među školskom djecom. Kada saznaje da učenici iz njenog razreda planiraju večernju zabavu, odlučuje joj prisustvovati bez obzira na sve. Eilat Ben Eliyahu je rođena 1987. godine u Jerusalemu. Nedavno je diplomirala na Odsjeku za televiziju i film Univerziteta u Tel Avivu. TEHILA je njen prvi film, a sve uloge u filmu odigrala su djeca. Eliat je nedavno započela magistarski studij režije na praškoj filmskoj akademiji FAMU. E Tehila is far from the most popular girl in school, but when she overhears the other girls talking about a party, she decides to attend no matter what.

Eilat Ben Eliyahu was born in 1987 in Jerusalem. She recently graduated at the Film & TV Department of the Tel-Aviv University. TEHILA is her first film, filmed with an all child cast. Eilat is currently pursuing her Master’s degree in directing at the FAMU film school in Prague.

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Israel, 2015, Colour, 17 min, Hebrew Režija / Director: Eilat Ben Eliyahu Scenarij / Screenplay: Eilat Ben Eliyahu Direktor fotografije / Director of Photography: Gleb Volkov Montaža / Editor: Shira Arad Muzika / Music: Rea Meir Zvuk / Sound: Amir Michalovich Scenografija / Production Design: Estee Nemeth, Vera Grinblat Producent / Producer: Tamar Alon Uloge / Cast: Nicole Oz, Nir Kan’an, Maya Tal, Avital Olin, Ori Bonen, Or Ashton, Noa Montal, Ilay Cohen, Adi Nina Zur Kontakt / Contact: Eilat Ben Eliyahu; eilat.miso@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - TEHILA (kratki film / short film)

TeenArena

172 Ani ve snu! / U tvojim snovima! / In Your Dreams!, Petr Oukropec 173 Avril et le monde truqué / April i nevjerovatni svijet / April and the Extraordinary World, Christian Desmares, Franck Ekinci 174 Es esmu šeit / Snovi / Mellow Mud, Renārs Vimba 175 Hördur, Ekrem Ergün 176 Nika, Slobodan Maksimović 177 Sing Street / Ulica Sing, John Carney 178 E, moj Luka ili (Film nesuđenog lika) / Oh, Dear Luke or (An Undestined Character’s Film), Dominik Čović 178 Refugee Blues / Izbjeglički bluz, Stephan Bookas, Tristan Daws 179 Şanxay, Bakı / Šangaj, Baku / Shanghai, Baku, Teymur Hajiyev 179 Il silenzio / Tišina / The Silence, Ali Asgari, Farnoosh Samadi 180 Timecode / Vremenski kod, Juanjo Giménez Peña 180 TeenAction

Ani ve snu! / U tvojim snovima! / In Your Dreams! Šesnaestogodišnja Laura praznike provodi s ocem s kojim ide na planinarske ture. Istovremeno, Laura želi dokazati svoju fizičku spremu na neki drugi način. Ona u tajnosti vježba parkour skokove i salta. Po povratku u Prag, gdje živi s majkom, Laura se prijavljuje na audiciju za prijem u vodeći muški parkour tim, ali momci je odbijaju. Lauri se sviđa vođa tima Luky koji počinje da flertuje s njom. Laura se zaljubljuje... Petr Oukropec je rođen u Pragu 1972., a 1995. s Pavelom Strnadom pokreće produkcijsku kompaniju Negativ. Zajedno su producirali više od 30 igranih, dokumentarnih i animiranih filmova koji su osvojili brojne nagrade na međunarodnim filmskim festivalima, uključujući Zlatnu školjku festivala u San Sebastianu i Kristalni globus u Karlovym Varyma. Petr je 1999. osvojio nagradu za najbolji film Češke filmske akademije, za POVRATAK IDIOTA Saše Gedeona. Od 2003. godine Petr radi kao predavač na Odsjeku za produkciju praške filmske akademije FAMU, a u svom privatnom pozorištu Zmrzlik radi s djecom i glumcima amaterima. Petr je 2012. režirao svoj prvi dugometražni igrani film, BLUE TIGER, koji je prikazan na brojnim filmskim festivalima i s kojim je osvojio niz nagrada. E 16-year-old Laura spends holidays with her father who takes her mountain climbing. Laura longs to demonstrate her physical fitness in some other way. She secretly practices Parkour somersaults and jumps. After returning to Prague, where she lives with her mother, Laura heads for an audition with an all-star Parkour team, but fails to get accepted by the boys. Laura has a crush on Luky, the leader of the team who starts flirting with her. Laura falls in love...

Petr Oukropec was born in 1972 in Prague. In 1995, Petr co-founded the Negative production company with Pavel Strnad. They produced more than 30 features, documentaries and animated films that won numerous awards at international film festivals, including the Golden Shell Award at the San Sebastian Film Festival and the Crystal Globe Award in Karlovy Vary. In 1999, Petr won the Czech Film and Television Academy award for best film for RETURN OF THE IDIOT, directed by Saša Gedeon. Since 2003, he has been a lecturer in the production department at FAMU in Prague. He works with children and amateur actors in his private theater Zmrzlik. In 2012, he made his directing debut with THE BLUE TIGER which was screened at numerous festival and received multiple awards.

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Czech Republic, 2016, Colour, 79 min, Czech Režija / Director: Petr Oukropec Scenarij / Screenplay: Egon Tobiáš Direktor fotografije / Director of Photography: Tomáš Sysel Montaža / Editor: Jakub Hejna Muzika / Music: Filip Míšek Zvuk / Sound: Richard Muller Kostimografija / Costume Design: Linda Boráros Scenografija / Production Design: Henrich Boráros Producent / Producer: Petr Oukropec, Pavel Strnad Produkcija / Production: Negativ Uloge / Cast: Barbora Štikarová, Toman Rychtera, Klára Melišková, Ivan Martinka, Jan Vondráček, Jáchym Novotný, Veronika Pouchová Kontakt / Contact: Negativ Film Productions, www.negativ.cz FILMOGRAFIJA / FILMOGRAPHY: 2016 - ANI VE SNU! / IN YOUR DREAMS 2012 - BLUE TIGER

Avril et le monde truqué / April i nevjerovatni svijet / April and the Extraordinary World Pariz, godine 1941. Porodica naučnika na pragu je pronalaska moćnog seruma nepobjedivosti kada roditelji iznenada bivaju misteriozno oteti ostavljajući iza sebe svoju malodobnu kćer April. Deset godina kasnije, April živi sama sa svojim voljenim mačkom Darwinom i još uvijek radi na projektu svojih roditelja. Međutim, iznenada će se naći u centru bizarne zavjere. Zajedno s Darwinom i svojim pouzdanim prijateljem Juliusom, April započinje potragu za svojim roditeljima i istinom o njihovom nestanku. Christian Desmares započeo je karijeru animatora 1989. godine kada je radio na nekoliko kratkih filmova za Je Suis Bien Content, Bilbo Films, Xilam i DoncVoilà. Od 2001. godine radi i na dugometražnim filmovima, uključujući filmove CORTO MALTESE, LESCARS, LE JOUR DE CORNEILLS i A MONSTER IN PARIS. APRIL AND THE EXTRAORDINARY WORLD njegov je rediteljski prvijenac. Franck Ekinci je 1996. godine s Marcom Jossetom osnovao animacijski studio Je Suis Bien Content. Kao filmski autor, reditelj i scenarista, radio je za TF1, France 3, Disney, Arte i Canal Plus. E Paris,1941. A family of scientists is on the brink of discovering a powerful invincibility serum when all of a sudden, the parents are mysteriously abducted, leaving their young daughter, April, behind. Ten years later, April is living alone with her precious cat, Darwin, continuing her family’s research. But soon, she finds herself at the center of a bizarre conspiracy. Along with Darwin and her trusted friend, Julius, April embarks on an adventure to find her parents and discover the truth behind their disappearance.

Christian Desmares began his career as animator in 1998, when he worked on several short movies for Je Suis Bien Content, Bilbo Films, Xilam and DoncVoilà. Since 2001 he has also worked on feature films such as CORTO MALTESE, LESCARS, LE JOUR DE CORNEILLS and A MONSTER IN PARIS. APRIL AND THE EXTRAORDINARY WORLD is his directorial debut. Franck Ekinci co-founded the animation studio Je Suis Bien Contenttogether with Marc Jousset in 1996. He works as a filmmaker, director, and screenwriter for TF1, France 3, Disney, Arte and Canal Plus.

France, Belgium, Canada, 2015, Colour, 105 min, French Režija / Director: Christian Desmares, Franck Ekinci Scenarij / Screenplay: Franck Ekinci, Benjamin Legrand Direktor fotografije / Director of Photography: Luciano Lepinay, Christian Desmares Montaža / Editor: Nazim Meslem Muzika / Music: Valentin Hadjadj Zvuk / Sound: Yann Lacan Producent / Producer: Marc Jousset, Franck Ekinci, Brice Garnier, Denis Delcampe Produkcija / Production: StudioCanal, Je Suis Bien Content Uloge / Cast: Marion Cotillard, Philippe Katerine, Jean Rochefort, Olivier Gourmet, Marc-André Grondin, Bouli Lanners, Anne Coesens Kontakt / Contact: StudioCanal; jane.carter@studiocanal.com; www.studiocanal.com FILMOGRAFIJA / FILMOGRAPHY: Christian Desmares: 2015 - APRIL AND THE EXTRAORDINARY WORLD Franck Ekinci: 2015 - APRIL AND THE EXTRAORDINARY WORLD 2007 - CO2 (TV serija / TV series)

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Es esmu šeit / Snovi / Mellow Mud Usamljenost, gubitak iluzija i prva ljubav razotkrivaju pravi karakter sedamnaestogodišnje Raye koja živi u ruralnoj Latviji sa svojom bakom i mlađim bratom Robisom. Neočekivani razvoj događaja preokrenut će njihove živote, a ova će mlada djevojka biti prisiljena da donese odluke čije bi donošenje teško palo i odrasloj ženi. Renārs Vimba je studirao kinematografiju na Latvijskoj akademiji za kulturu, a zatim je nastavio obrazovanje na Baltičkoj školi za film i medije u Talinu. Stekao je zvanje magistra filmske režije na Akademiji za kulturu 2011. godine, a profesionalne vještine je usavršio učešćem u kreativnim radionicama u Litvaniji, Njemačkoj i Rusiji. Njegov drugi kratki film, DADDY DOLL, nominovan je za nagradu latvijskog Nacionalnog filmskog festivala Lielais Kristaps 2008. Trenutno radi na svom drugom dugometražnom igranom filmu SANCTUS. E Loneliness, disillusionment and her first love reveal the character of the 17-year-old Raya, who lives in rural Latvia with her grandmother and her little brother Robis. A staggering turn of events shakes up their lives, forcing the young girl to make decisions that even a grown woman would find difficult to make.

Renārs Vimba studied cinematography at the Latvian Academy of Culture and went on to study at the Baltic Film and Media School in Tallinn. He earned a master’s degree in film direction from the Academy of Culture in 2011. Vimba received additional training at creative workshops in Lithuania, Germany, and Russia. His second film, short DADDY DOLL, earned him a Lielais Kristaps nomination in 2008. He is currently working on his second feature SANCTUS.

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Latvia, 2016, Colour, 105 min, Latvian Režija / Director: Renārs Vimba Scenarij / Screenplay: Renārs Vimba Direktor fotografije / Director of Photography: Arnar Thorisson Montaža / Editor: Georgios Mavropsaridis Muzika / Music: Ēriks Ešenvalds Zvuk / Sound: Jonas Maksvytis Kostimografija / Costume Design: Līga Krāsone Scenografija / Production Design: Aivars Žukovskis Producent / Producer: Aija Bērziņa, Alise Ģelze Produkcija / Production: A Tasse Film Production Uloge / Cast: Elīna Vaska, Andžejs Jānis Lilientāls, Edgars Samītis, Zane Jančevska, Ruta Birgere, Rēzija Kalnina Kontakt / Contact: Pluto Film, patricie@plutofilm.de FILMOGRAFIJA / FILMOGRAPHY: 2016 - ES ESMU ŠEIT / MELLOW MUD 2009 - MOLS / THE BREAKWATER (kratki film / short film) 2008 - DADDY DOLL (kratki film / short film) 2007 - I LIKE WHAT’S GONNA BE TOMORROW (kratki dokumentarni film / short doc.) 2006 - A TOUCH (kratki film / short film) 2006 - ALLE ! (kratki dokumentarni film / short doc.)

Hördur Nakon sukoba sa zakonom, članica turske dijaspore u Njemačkoj, sedamnaestogodišnja muslimanka Aylin, osuđena je na društveno koristan rad na ergeli konja u predgrađu. Ophrvana porodičnim i školskim problemima, Aylin će, uprkos svemu, na ergeli započeti put ka samospoznaji. Dok se ritam priče ubrzava, njen cvatući odnos s pastuhom Hördurom i njeni tek probuđeni snovi bit će stavljeni na ispit. Da li Aylin može premostiti jaz između različitih svjetova? I, ako može, da li će se drugi povesti za njenim primjerom? Ekrem Ergün debitirao je kao reditelj sa svojim igranim filmom HÖRDUR – BETWEEN THE WORLDS. Odrastao je u Turskoj i u Berlinu u Njemačkoj. Studirao je medijske nauke na Univerzitetu u Potsdamu, a zatim je sarađivao na brojnim teatarskim, filmskim i televizijskim projektima. Ekrem je 2012. godine, zajedno sa Stefanie Plattner, osnovao produkcijsku kompaniju Storming Donkey Productions. Režirao je PATCHWORK, prvi kratki film u produkciji ove kompanije, a zatim je otkrio ljubav za rad iza kamere koji ga je naveo da upiše studij režije na Filmskoj akademiji u New Yorku. E After a run-in with the law, Aylin - a 17-year-old Muslim girl and a member of the Turkish diaspora - finds herself sentenced to community service at an out-of-town horse stable in Germany. Beset by troubles at home and school, it is here that she, despite all odds, is set on the road to self-discovery. As the pace quickens, her blossoming relationship with the stallion Hördur and her fledgling dreams are tested to the breaking point. Can Aylin build a bridge between worlds? And if she can, will others follow?

Germany, 2015, Colour, 83 min, German, Turkish Režija / Director: Ekrem Ergün Scenarij / Screenplay: Dorothea Nölle Direktor fotografije / Director of Photography: Eric Ferranti Montaža / Editor: Sabine Brose Muzika / Music: Moritz Denis ,Tim Stanzel Zvuk / Sound: Hans Bramm Kostimografija / Costume Design: Sandra Ernst Scenografija / Production Design: Stefanie Granitza Producent / Producer: Stefanie Plattner Produkcija / Production: STORMING DONKEY PRODUCTIONS Uloge / Cast: Almila Bagriacik, Felicitas Woll, Hilmi Sözer Kontakt / Contact: Renate Zylla (Festival Contact) rzylla@arcor.de FILMOGRAFIJA / FILMOGRAPHY: 2015 - HÖRDUR 2012 - PATCHWORK (kratki film / short film)

Ekrem Ergün makes his directorial debut with the feature film HÖRDUR - BETWEEN THE WORLDS. Ekrem grew up in Turkey and in Berlin, Germany. He graduated media studies at the University of Potsdam. After completing his studies, Ekrem worked on numerous theater productions as well as on film and television. In 2012, he co-founded the Storming Donkey Productions production company with Stefanie Plattner. He directed the company’s first short film PATCHWORK. As he became increasingly found of work behind the camera, Ekrem decided to study film directing at the New York Film Academy.

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Nika Glavna junakinja filma je Nika, šesnaestogodišnja zaljubljenica u karting utrke. Ovaj je sport zavoljela zbog svoga tate, profesionalnog trkača autotrka, koji je poginuo u saobraćajnoj nesreći. O Niki se sada brine njena mama Mojca s kojom je Nika u zavadi jer joj zabranjuje da trenira karting. Mojca se plaši da će nakon smrti muža izgubiti i jedinu kćerku, ali njena zabrana izaziva efekat suprotan od onoga koji je željela. Slobodan Maksimović je reditelj i scenarista rođen u Sarajevu 1973. godine. Maksimović 2003. upisuje Akademiju za pozorište, radio, film i televiziju, odsjek za filmsku i televizijsku režiju, u Ljubljani. Njegov prvi studentski kratki igrani film, 1/2, prikazan je na 60. filmskom festivalu u Kanu u sekciji Tous Les Cinemas Du Monde. Njegovi kratki filmovi 1/2 i AGAPE prikazani su u takmičarskom programu više od 30 međunarodnih filmskih festivala i osvojili su ukupno 14 međunarodnih nagrada. Njegov prvi dokumentarni film, HVALA ZA SUNDERLAND, je na 15. Festivalu slovenskog filma osvojio četiri nagrade Vesna i to za najbolji film, za najbolju glavnu mušku ulogu, za najbolju sporednu mušku ulogu i za najbolju montažu. E The main character of the film is 16-year-old girl Nika who loves to race go-karts. Her love of racing was inspired by her professional race driver father who died in a car accident. After his death, Nika is living with her mother Mojca who does not allow her to drive go-karts out of fear that she will lose her only daughter just like she had lost her husband. The ban is a source of conflict between Nika and her mother and creates the opposite of the desired effect.

Slobodan Maksimović is a scriptwriter and director born in Sarajevo, Bosnia-Herzegovina, in 1975. In 2003, he begun studying film and television directing at the Academy of Theater, Radio, Film and Television in Ljubljana, Slovenia. His first student short 1/2 was screened in the Tous Les Cinemas Du Monde section of the 60th Cannes Film Festival. His short films 1/2 and AGAPE were included in the competition lineup of over 30 international film festivals wining 14 different international awards. His feature debut HVALA ZA SUNDERLAND won 4 Vesna Awards at the 15th Festival of Slovenian Film, namely Best Picture, Best Actor, Best Supporting Actor and Best Film Editing Vesna awards.

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Slovenia, 2016, Colour, 92 min, Slovenian Režija / Director: Slobodan Maksimović Scenarij / Screenplay: Matjaž Pikalo, Slobodan Maksimović Direktor fotografije / Director of Photography: Predrag Dubravčić Montaža / Editor: Jurij Moškon Muzika / Music: Miha Guštin-Gušti, Peter Dekleva Zvuk / Sound: Julij Zornik Kostimografija / Costume Design: Tatjana Birgmajer Producent / Producer: Darko Vinkl, Alan Vitezič, Bistra Borak, Miha Hočevar Produkcija / Production: Nora production group d.o.o. Uloge / Cast: Ylenia Mahnič, Marjuta Slamič, Sebastian Cavazza, Benjamin Krnetić, Gašper Tič, Nenad Tokalić, Gojmir Lešnjak, Primož Pirnat, Borut Veselko, Patrik Škvarč Kontakt / Contact: Nora production group, www.nora-pg.si FILMOGRAFIJA / FILMOGRAPHY: 2016 - NIKA 2014 - TEHNIKA NARODU / TECHNOLOGY TO THE PEOPLE (dokumentarni film/ documentary) 2014 - ZA SREČNEJŠE DNI / FOR HAPPIER DAYS (dokumentarni film / documentary) 2013 - NEVIDNI ČOVEK / INVISIBLE MAN (dokumentarni film / documentary) 2012 - HVALA ZA SUNDERLAND

Sing Street / Ulica Sing SING STREET nas vodi u Dablin osamdesetih godina 20. stoljeća viđen očima Conora, četrnaestogodišnjaka koji traži izlaz iz porodične atmosfere obilježene napetim odnosom njegovih roditelja i finansijskim problemima. Istovremeno, trudi se uklopiti u novu gradsku školu u kojoj su djeca gruba, a nastavnici još grublji. Tračak nade mu nudi misteriozna, super sjajna Raphina. U pokušaju da osvoji njeno srce, Conor joj nudi da bude zvijezda muzičkih spotova njegovog benda. John Carney rođen je 1972. godine u Dablinu. Prije svog debitantskog igranog filma, po vlastitom scenariju je režirao dva nagrađivana kratka filma (SHINING STAR i HOTEL). Svoj prvi dugometražni igrani film, NOVEMBER AFTERNOON, režirao je 1996. godine po scenariju koji je napisao zajedno s Tomom Hallom. Iako nije imao dug kino život, Irish Times je film proglasio filmom godine. Carney je 2001. režirao ON THE EDGE, na čijem je scenariju, također, radio kao jedan od autora. Film je na Festivalu britanskog filma Dinard 2001. godine nagrađen Silver Hitchcock nagradom. Nakon toga, Carney je režirao film ONCE koji je premijerno prikazan na Filmskom festivalu Sundance 2007. te osvojio nagradu publike u kategoriji svjetske drame. Ovaj film, u čiju je produkciju uloženo svega 160.000 američkih dolara, postigao je ogroman uspjeh zaradivši 7 miliona američkih dolara u prva tri mjeseca prikazivanja u kinima širom svijeta. Carney je 2007. godine osvojio nagradu “Mlada nada koja najviše obećava”, jednu od filmskih nagrada za britanski film koje dodjeljuje Evening Standard. E SING STREET takes us back to 1980s Dublin seen through the eyes of a 14-year-old boy named Conor who is looking for a break from a home strained by his parents’ relationship and money troubles, while trying to adjust to his new inner-city public school where the kids are rough and the teachers are rougher. He finds a glimmer of hope in the mysterious, über-cool and beautiful Raphina, and with the aim of winning her heart he invites her to star in his band’s music videos.

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Croatia, 2016, Colour, 20 min, Croatian

E, moj Luka ili (Film nesuđenog lika) / Oh, Dear Luke or (An Undestined Character’s Film) Reditelj pokušava natjerati svog glavnog lika, lijenog i otuđenog Luku, da napokon učini nešto vrijedno spomena sa svojim bezveznim životom.

Režija / Director: Dominik Čović Scenarij / Screenplay: Dominik Čović Direktor fotografije / Director of Photography: Dominik Čović Montaža / Editor: Dominik Čović Muzika / Music: Josip Šuker Zvuk / Sound: Viktor Čižić Kostimografija / Costume Design: Luka Mioković Scenografija / Production Design: Ivan Zrinščak Producent / Producer: Ivan Zrinščak Produkcija / Production: Blank_filmski inkubator Uloge / Cast: Luka Mioković, Rebecca Milosavljević Kontakt / Contact: ivan.zrinscak1@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - E, MOJ LUKA ILI ( FILM NESUĐENOG LIKA ) / OH, DEAR LUKA OR (AN UNDESTINED CHARACTER’S FILM) (kratki film /short film) 2015 - U SOBI (kratki film / short film)

Dominik Čović rođen je 1995. u Zagrebu, gdje trenutno studira na Ekonomskom fakultetu. Snimanjem filmova te pisanjem proze i poezije bavi se od kraja osnovne škole, a od filmskih mu se uradaka izdvaja kratki horror U SOBI prikazan na 20. filmskoj reviji mladeži u Karlovcu. E The director is struggling to make his main protagonist, lazy and estranged Luka, to finally do something memorable with his meaningless life.

Dominik Čović was born in Zagreb in 1995. He is currently studying at the Faculty of Economics and Busines in Zagreb. He started making films and writing poetry and prose already in primary school. His most prominent short film U SOBI was screened at the 20th Youth Film Festival in Karlovac.

Refugee Blues / Izbjeglički bluz Praćen stihovima istoimene poeme W. H. Audena iz 1939., IZBJEGLIČKI BLUZ prati jedan dan u životu stanovnika izbjegličkog kampa u Calaisu, poznatog po imenu džungla. Stephan Bookas je njemačko-američki filmski autor, producent i snimatelj nastanjen u Londonu. Svoje nagrađivane dokumentarne i kratke igrane filmove je snimao i režirao širom zemaljske kugle. Njegov prvi dugometražni igrani film trenutno je u fazi postprodukcije. Tristan Daws je autor dokumentarnih filmova nastanjen u Londonu. U svom radu često prati sudbine ljudi koji žive na marginama društva, s posebnim fokusom na mentalno oboljele osobe. Bio je angažovan kao reditelj na više međunarodnih dokumentarnih projekata, a trenutno završava rad na svom prvom dugometražnom dokumentarnom filmu. E Set to the verses of W.H. Auden’s 1939 poem, REFUGEE BLUES charts a day in ‘the jungle’, the refugee camp outside Calais.

Stephan Bookas is a German-American, London based filmmaker, producer and cinematographer. He has shot and directed award winning documentaries and short fiction films across much of the globe and is currently in postproduction for his first feature-length documentary. Tristan Daws is a London-based documentary filmmaker. His work has often focused on the marginalised in society. He has been commissioned to direct several international documentary productions, and is currently in post-production on his first feature documentary.

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Şanxay, Bakı / Šangaj, Baku / Shanghai, Baku Samir igrom slučaja snimi sestru dok provodi intimne trenutke sa svojim momkom, Rasimom. Svjestan kakve bi reakcije taj video izazvao u njihovom tradicionalnom društvu i porodici, Samir odlučuje ucjenjivati sestru i njenoga momka. Rasim pokušava potkupiti Samira, ali ispostavit će se da je situacija mnogo ozbiljnija nego što se čini.

Azerbaijan, Lithuania, 2015, Colour and b&w, 20 min, Azerbaijan Režija / Director: Teymur Hajiyev Scenarij / Screenplay: Teymur Hajiyev, Ismail Imanov Direktor fotografije / Director of Photography: Kirill Gerra Montaža / Editor: Ru Hasanov Zvuk / Sound: Teymur Kerimov Scenografija / Production Design: Teymur Hajiyev Producent / Producer: Teymur Hajiyev, Rufat Hasanov Produkcija / Production: FIL PRODUCTION, LUPA LT Uloge / Cast: Roza Ibadova, Rasim Jafarov, Mirmovsum Mirzazade, Gurban Ismailov, Tarlan Mirishli, Elshan Shiraliyev Kontakt / Contact: teymur@filproduction.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - SHANGHAI, BAKU 2013 - YARA / THE WOUND (kratki film / short film)

Teymur Hajiyev je rođen 1982. u Bakuu u Azerbejdžanu. Diplomirao je marketing na Univerzitetu A&M u Zapadnom Teksasu. Prije nego se posvetio filmu, radio je kao direktor marketinga u brojnim komercijalnim kompanijama u Azerbejdžanu. Teymur je 2014. primljen u Ljetnu filmsku akademiju Filmskog festivala u Locarnu. Svoj prvi kratki film THE WOUND je snimio 2013. Film je premijerno prikazan na američkom festivalu kratkog filma ShortFest u Palm Springsu. E By sheer accident, Samir captures a video of his sister getting intimate with her boyfriend Rasim. He uses the video to blackmail the couple, well aware of the serious consequences its publication could provoke in their conservative society and with their reactionary father. Rasim tries to bribe Samir, but the issue at hand appears to be much deeper than it seems . Teymur Hajiyev was born in Baku, Azerbaijan in 1982. He earned an MBA in marketing from West Texas A&M University. Before turning to cinema, he worked as a marketing director within various commercial entities in Azerbaijan. In August 2014, he was admitted to the Locarno Summer Academy. In September 2013 he completed his first short film THE WOUND which premiered at the Palm Springs ShortFest.

Il silenzio / Tišina / The Silence Fatma i njena majka, kurdske izbjeglice, žive u Italiji. Tokom posjeta doktoru, Fatma bi majci trebala prevoditi šta doktor govori, ali ih umjesto toga samo bezglasno posmatra. Ali Asgari rođen je u Teheranu, Iran. FIlm je diplomirao u Italiji, a zatim je radio kao asistent režije. Pohađao je Berlinale Talent Campus 2013. godine. Njegov kratki film MORE THAN TWO HOURS prikazan je u takmičarskom programu Filmskog festivala u Kanu 2013. i Filmskog festivala Sundance 2014. godine, dok mu je kratki film THE BABY prikazan u takmičarskom programu Filmskog festivala u Veneciji 2014. godine. E Fatma and her mother are Kurdish refugees in Italy. On their visits to a doctor, Fatma must translate the doctor’s words for her mother. Instead, she keeps silent.

Ali Asgari was born in Tehran, Iran. He graduated with a degree in cinema in Italy. He began his career as an assistant director. He is an alumnus of the 2013 Berlinale Talent Campus His short film MORE THAN TWO HOURS was shown in competition at the 2013 Cannes Film Festival and at the 2014 Sundance Film Festival. His short film THE BABY premiered in the competition program of the 2014 Venice Film Festival.

Italy, France, 2016, Colour, 15 min, English, Italian, Kurdish Režija / Director: Ali Asgari, Farnoosh Samadi Scenarij / Screenplay: Ali Asgari, Farnoosh Samadi Direktor fotografije / Director of Photography: Alberto Marchiori Montaža / Editor: Mauro Rossi Muzika / Music: Matti Paalanen Zvuk / Sound: Daniele De Angelis Kostimografija / Costume Design: Lavinia Bonsignore Scenografija / Production Design: Ilaria Sadun Producent / Producer: Giovanni Pompili Produkcija / Production: Kino produzioni, FILMO Uloge / Cast: Fatma Alakus, Cahide Ozel, Valentina Carnelutti Kontakt / Contact: Manifest; manifest@manifest.pictures FILMOGRAFIJA / FILMOGRAPHY: Ali Asgari: 2016 - IN THE SAME GARDEN (segment VIKA) 2016 - THE SILENCE (kratki film / short film) 2015 - THE PAIN (kratki film / short film) 2014 - THE BABY (kratki film / short film) 2013 - BISHTAR AZ DO SAAT (kratki film / short film) 2012 - BARBIE (kratki film / short film) 2011 - TONIGHT IS NOT A GOOD NIGHT FOR DYING (kratki film / short film)

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Timecode / Vremenski kod Luna i Diego rade kao parking čuvari. Diego na parkingu radi u noćnoj, a Luna u dnevnoj smjeni. Juanjo Giménez je rođen i živi u Barceloni. Režirao je više kratkih filmova koji su nagrađivani na festivalima u Španiji i inostranstvu, uključujući filmove RODILLA, NITBUS, MAXIMUM PENALTY i INDIRECT FREE KICK. Samostalno je režirao dugometražni igrani film TILT, koji je nagrađen na festivalima u Rimu, Las Palmasu i Ourenseu, dok je film DODGE AND HIT režirao zajedno sa Adanom Aliagaom, a sa njim su osvojili nagrade za najbolji dokumentarni film na Filmskom festivalu Alcances u Cadizu i na Festivalu Noir u Courmayeuru. E Luna and Diego work as a parking lot security guards. Diego works the night shift, and Luna works by day.

Spain, 2016, Colour, 15 min, Spanish Režija / Director: Juanjo Giménez Peña Scenarij / Screenplay: Pere Altimira, Juanjo Giménez Direktor fotografije / Director of Photography: Pere Pueyo Montaža / Editor: Silvia Cervantes Muzika / Music: Iván Céster Zvuk / Sound: Xavi Saucedo Scenografija / Production Design: Daniel G. Blanco Producent / Producer: Juanjo Giménez, Daniel Villanueva, Arturo Méndiz Produkcija / Production: Nadir Films, ECIR Uloge / Cast: Lali Ayguadé, Nicolas Ricchini, Vicente Gil, Pep Domenech Kontakt / Contact: Marvin&Wayne Short Film Distribution, fest@marvinwayne.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - TIMECODE (kratki film / short film) 2010 - ESQUIVAR Y PEGAR / DDGE AND HIT (dokumentarni film / documentary) 2009 - RODILLA (kratki film / short film) 2005 - MAXIMA PENA (kratki film / short film) 2001 - TILT 1997 - INDIRECT FREE KICK (kratki film / short film) 1995 - ELLA ESTA ENFADADA (kratki film / short film)

Juanjo Giménez was born and is living in Barcelona. He has directed several award-winning shorts, including RODILLA, NITBUS, MAXIMUM PENALTY and INDIRECT FREE KICK. He is the director of feature film TILT that was awarded in Rome, Las Palmas and Ourense, as well as the co-director with Adan Aliaga of DODGE AND HIT that was named the best documentary film at the Courmayeur Noir Film Festival and the Alcances Film Festival in Cadiz.

FILMOVI IZABRANI OVE GODINE / FILMS SELECTED THIS YEAR: - ZABRANJENE IGRE, grupa autora - DYSTOPIA, Darko Dragić, Natalija Laptošević, Zlatan Likić - KRUG, Danilo Milović, Tesnim Karšik, Vanja Đokić - LOGS, Aid Bešić - 6 456, Sara Ristić - NADA GRADA SARAJEVA, Nejla Bihorac - BRAINWASHED, Emir Kapetanović - DRUGI, Sara Huskić

TeenAction TeenAction pruža mogućnost tinejdžerima Bosne i Hercegovine da se kroz film kreativno izraze o temi srodnoj njihovom uzrastu. Projekt TeenAction namjenjen je tinejžerima do 19 godina koji svoje stavove, razmišljanja, ideje i kreativnost žele izraziti u formi kratkog filma. Mladim autorima pruža se prilika da svoja ostvarenja prikažu u kinu pred hiljadama vršnjaka u skopu programa TeenArena te da po završetku Sarajevo Film Festivala u sklopu Operacije Kino, odnosno programa TeenAction Meets Punk Cinema, njihov film vidi publika diljem Bosne i Hercegovine. E Teen Action gives teenagers of Bosnia and Herzegovina an opportunity to creatively express themselves through film about topics that interest them. The TeenAction project is intended for teenagers who want to express their opinions, thoughts, ideas and creativity through short film. Young authors are given the opportunity to screen their films in a cinema in front of thousands of peers as part of the TeenArena programme. Also, after the Sarajevo Film Festival, their film will be seen by audiences across Bosnia and Herzegovina as part of Operacija Kino, i.e. the TeenAction Meets Punk Cinema programme.

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- BE DIFFERENT, BE YOURSELF, Zahid Lagumdžić, Mirza Čeligija

Dan ljudskih prava / Human Rights Day 2016

186 Among the Believers / U druĹĄtvu vjernika, Mohammed Ali Naqvi, Hemal Trivedi

Dan ljudskih prava / Human Rights Day 2016 U saradnji s Ambasadom Švicarske u BiH i Saveznim ministarstvom vanjskih poslova Švicarske, već osmu godinu zaredom Sarajevo Film Festival će biti domaćin Dana ljudskih prava. U okviru obilježavanja Dana ljudskih prava, koje će biti upriličeno u utorak, 16. augusta 2016. godine, Sarajevo Film Festival će organizirati poseban program u sklopu kojeg će u kinu Meeting Point biti prikazan film U DRUŠTVU VJERNIKA reditelja Mohammeda Ali Naqvia i Hemala Trivedia te će biti održana i panel-diskusija. Tema ovogodišnjeg panela Dana ljudskih prava je: DA LI SE KROZ OBRAZOVANJE MOŽEMO BORITI PROTIV NASILNOG EKSTREMIZMA? Javni obrazovni sistem u Pakistanu, koji je odavno potpuno fragmentiran i nedovoljno finansiran, proteklih je godina usljed porasta militantnog nasilja još i više uništen. Iako nikada nije bio dovoljno dobar, taj je sistem u protekloj deceniji dodatno izgubio na kvaliteti, što je praćeno pojavom paralelnih obrazovnih institucija (javnih, privatnih i vjerskih), nemogućnošću stanovništva da pristupi kvalitetnom obrazovanju, nedovoljnom finansijskom podrškom od strane vlasti, korupcijom i smanjenjem institucionalnih kapaciteta. U zemlji sa stopom nepismenosti od 43 procenta, gdje 17,2 procenta ukupne populacije živi u siromaštvu, mnogi obrazovanje još uvijek smatraju luksuzom, naročito u ruralnim sredinama. Prema podacima iz zvaničnog državnog godišnjeg statističkog izvještaja o obrazovanju za 2014./2015., šokantnih 24 miliona pakistanske djece ne pohađa školu, što je indikativan pokazatelj stanja obrazovanja u zemlji u kojoj je oko četvrtine populacije mlađe od 16 godina. Djeca obuhvaćena ovim brojem najbolja su meta za indoktrinaciju, usađivanje pogrešnih vrijednosti i izgradnju identiteta od strane različitih ekstremističkih grupa. U DRUŠTVU VJERNIKA — posljednji dokumentarni film Hemala Trivedija i Mohammeda Ali Naqvija bolan je podsjetnik na presudne ideološke bitke koje se trenutno vode u Pakistanu. Inozemnim gledateljima film pruža uvid u raznovrsnost zemlje čiji se stanovnici previše često grupno podvode pod stereotip nazadnih, nasilnih ekstremista. Film pruža uvid u rad medresa širom Pakistana kojima upravlja Maulana Abdul Aziz, kontroverzni imam Lal Masjid džamije u Islamabadu kojeg se optužuje za bliske veze sa džihadističkim skupinama. Osim što ukazuje na prijetnju

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fundametalističkih ideologija, film se bavi i nesposobnošću pakistanskih vlasti da zadovolje osnovne potrebe svojih građana poput potrebe za hranom, potrebe za ekonomskom sigurnošću i potrebe za obrazovanjem, a na koji način ostavljaju prostor za djelovanje ljudi poput Maulana Abdul Aziza. Imajući na umu da je Pakistan zemlja u kojoj je u proteklih par decenija zabilježen najveći broj napada na obrazovne institucije, jasno je da ekstremističke grupe sekularno obrazovanje smatraju najvećom preprekom za širenje svoje propagande. Obrazovanje je jedinstvena javna služba, ne samo zato što podrazumijeva rad sa najvrednijim resursom svake zemlje, djecom, već i zato što, ukoliko je kvalitetno, jača društveni kapital i tako osnažuje društvo kako trenutno tako i dugoročno. Zbog toga se može reći da prava borba protiv terorizma i drugih oblika ekstremizma počinje u učionici. Kako se kroz obrazovanje možemo suprotstaviti nasilnom ekstremizmu? Da li nove ideje mogu poraziti stare ideologije? Kako se nastavni plan i program može promijeniti na način da se poveća njegov kvalitet, uklone diskriminatorne teorije koje siju razdor, a ugrade lekcije o miru, pluralizmu i toleranciji? Da li je vjeronauci mjesto u školama? To su neka od pitanja na koja ćemo potražiti odgovore na ovogodišnjoj panel diskusiji koja će biti organizovanja u okviru Dana ljudskih prava Sarajevo Film Festivala. Sarajevo Film Festival i kroz svoj Takmičarski program – dokumentarni film prikazuje filmove inspirirane različitim aspektima ljudskih prava, a obilježavanjem ovog značajnog dana se nastoji dodatno skrenuti pažnja na važnost filma kao bitnog i moćnog medija u promociji ljudskih prava. Filmovi i teme koji se svake godine biraju za obilježavanje Dana ljudskih prava pružaju učesnicima panel-diskusija, publici i medijima priliku da razgovaraju o akutnim problemima pojedinaca ili zajednica u današnjem svijetu. Na svečanoj ceremoniji dodjele nagrada Sarajevo Film Festivala bit će uručena i Nagrada za ljudska prava koja se dodjeljuje filmu iz Takmičarskog programa – dokumentarni film koji na najbolj način obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 eura osigurava Savezno ministarstvo vanjskih poslova Švicarske.

E In cooperation with the Embassy of Switzerland and the Swiss Federal Department of Foreign Affairs, the Sarajevo Film Festival will host the Human Rights Day for the eight year in a row.

As part of the activities marking the Human Rights Day, which will be held on Tuesday, 16 August 2016, the Sarajevo Film Festival will organize a special programme, including a screening of the film AMONG THE BELIEVERS directed by Mohammed Ali Naqvi, Hemal Trivedi and a panel at the Meeting Point Cinema. The topic for this year’s Human Rights Panel is CAN WE FIGHT VIOLENT EXTREMISM WITH EDUCATION? Long underfunded and entirely disintegrated, Pakistan’s system of public education has been further devastated by militant violence in recent years. Although it has never been satisfactory, for the past decade the educational system in Pakistan has shown further decline with parallel educational system (public, private and madrassas), the lack of access to the quality education, inadequate government investment, corruption and lack of institutional capacity. With 43% of illiteracy and 17.2% of the total population living below the poverty line, it remains clear that for many Pakistanis the education is still considered a privilege, especially in the rural areas. According to the annual Pakistan Education Statistics report for 2014-2015, a staggering 24 million Pakistani children are out of school, laying bare the state of education in a country where around a quarter of the population is believed to be under 16. These are the children that became most vulnerable targets for indoctrination, identity-construction, and value changes by various extremists groups. AMONG THE BELIEVERS — the latest documentary by film-makers Hemal Trivedi and Mohammed Ali Naqvi is a painful reminder of the critical ideological battles that currently divide Pakistan. For members of a foreign audience, it is an insight into the plurality of a country that is too often and too conveniently buried under monolithic stereotypes of extremism, backwardness and violence. The film gives an insight into madrassas across Pakistan run by controversial cleric and leader of Lal Masjid mosque in Islamabad, Maulana Abdul Aziz, accused to have close ties with jihadi groups. Besides showing the threat of fundamentalist ideologies, the film addresses the failure of the State in providing basic necessities

such as food, economic security and education to its population, creating a vacuum for people like Maulana Abdul Aziz to build their case on. Having in mind that Pakistan has suffered the most attacks on educational institutions in recent decades, it is quite clear that secular education remains one of the biggest threats to thriving extremist propaganda. The education is a unique service – not only because it involves a country’s most precious resource, its children – but also because, by increasing human capital, it strengthens the society not only in the present, but in the future. Therefore, the real battle against terrorism and all sorts of extremism begins in our classrooms. How can we combat violent extremism through education? Can new ideas defeat ideologies? How can school curriculum be updated to improve quality and remove divisive and discriminatory narratives, as well as include broader teaching on peace, pluralism and tolerance? What is the role of religious leaders in preventing radicalization and violent extremism? Should religion be thought in schools? – these are some of the questions we will try to answer at this year’s panel debate organized within the Human Rights Day of the Sarajevo Film Festival. The Competition Programme – Documentary Film of the Sarajevo Film Festival showcases films inspired by various aspects of human rights and by marking this special day we aim to further emphasize the importance of film as a significant and powerful media for the promotion of human rights. The films and topics chosen each year for marking the Human Rights Day provide an opportunity for panel participants, the audience and the media to discuss pressing problems currently faced by individuals or communities in the world. Also, the Human Rights Award will be given at the official awards ceremony of the Sarajevo Film Festival for film in the Competition Programme – Documentary Film that best deals with human rights. The prize of 3.000 Euros is provided by the Swiss Federal Department of Foreign Affairs.

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Among the Believers / U društvu vjernika Uznemirujuće i razotkrivajuće istraživanje širenja radikalnog učenja islamske škole Red Mosque u Pakistanu, koja obučava generacije djece da svoje živote posvete džihadu, ili svetom ratu, još od malih nogu. Mohammed Ali Naqvi je rođen u Kanadi 1979. godine. Dobitnik je nagrade Emmy i niza drugih nagrada, uključujući Amnesty International nagradu za ljudska prava i Veliku nagradu žirija Filmskog festivala Udruženja Ujedinjenih Nacija (UNAFF). Njegovi su radovi prikazani u Muzeju moderne umjetnosti MoMA u New Yorku. Mohammed je osnivač nezavisne produkcijske kompanije MuNan Pictures koja je proizvela programe za Showtime, Channel 4, NHK, Al Jazeeru, SVT, CNN, MTV, Current TV i New York Times televiziju, a nedavno su sarađivali i s kompanijom Oprah Winfrey Harpo Productions. Hemal Trivedi živi na relaciji između Mumbaija i New Yorka i već više od decenije radi na filmu kao montažerka i rediteljica. Među njenim montažerskim uradcima ističu se: OUTLAWED IN PAKISTAN (nagrada Emmy 2014., PBS Frontline, Sundance), SAVING FACE (nagrada Oscar 2012., dvije nagrade Emmy 2013., HBO/Channel 4), SHABEENA’S QUEST (režija / montaža, Al Jazeera), FLYING ON ONE ENGINE (SXSW, IDFA), LAUGHTER (BBC) i WHEN THE DRUM IS BEATING (ITVS, Tribeca 2011). Za Oddyssey Networks je producirala i montirala preko 50 nagrađivanih kratkih filmova. E An unsettling and eye opening exploration into the spread of the radical Islamic school Red Mosque in Pakistan, which trains legions of children to devote their lives to jihad, or holy war, from a very young age.

Mohammed Ali Naqvi was born in 1979 in Canada. He is an Emmy-winning filmmaker. His work has received numerous awards, including the Amnesty Human Rights Award and the United Nations Association Festival Grand Jury Award, and has been showcased at the Museum of Modern Art. Mohammed is the founder of MuNan Pictures, an independent production house which has developed programing for Showtime, Channel 4, NHK, Al Jazeera, SVT, CNN, MTV, Current TV, New York Times Television, and has recently worked with Oprah Winfrey’s Harpo Productions. Hemal Trivedi has been a Mumbai and New York City-based documentary film editor and director for over a decade. Her editing credits include OUTLAWED IN PAKISTAN (Emmy 2014, PBS Frontline, Sundance), SAVING FACE (Oscar 2012, Two Emmys 2013, HBO/Channel 4), SHABEENA’S QUEST (Director/Editor, Al Jazeera), FLYING ON ONE ENGINE (SXSW, IDFA), LAUGHTER (BBC) and WHEN THE DRUM IS BEATING (ITVS, Tribeca 2011). She has produced and edited over 50 award winning shorts for Odyssey Networks.

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Pakistan, USA, 2015, Colour, 84 min, English, Urdu Režija / Director: Mohammed Ali Naqvi, Hemal Trivedi Scenarij / Screenplay: Jonathan Goodman Levitt Direktor fotografije / Director of Photography: Sardar Habib Ur Rehman, Haider Ali Montaža / Editor: Hemal Trivedi Muzika / Music: Milind Date Zvuk / Sound: John Bosch Producent / Producer: Jonathan Goodman Levitt, Hemal Trivedi Produkcija / Production: Changeworx USA, Manjusha Films Kontakt / Contact: Cinephil, philippa@cinephil.co.il , ori@cinephil.co.il FILMOGRAFIJA / FILMOGRAPHY: Mohammed Ali Naqvi: 2015 - AMONG THE BELIEVERS (dokumentarni film / documentary) 2014 - PAKISTAN’S HIDDEN SHAME (dokumentarni film / documentary) 2012 - SHABEENA’S QUEST (kratki dokumentarni film / short doc.) 2006 - SHAME (dokumentarni film / documentary) 2004 - HIDE (kratki film / short film) Hemal Trivedi: 2015 - AMONG THE BELIEVERS (dokumentarni film / documentary) 2012 - SHABEENA’S QUEST (kratki dokumentarni film / short doc.) 2006 - TELL ME A STORY (dokumentarni film / documentary)

Suočavanje s prošlošću / Dealing with the Past

192 Dubina dva / Depth Two, Ognjen Glavonić 193 Neželjena baština / Unwanted heritage, Irena Škorić 194 Der Staat gegen Fritz Bauer / Narod protiv Fritza Bauera / The People vs. Fritz Bauer, Lars Kraume

Suočavanje s prošlošću / Dealing with the Past Cilj projekta SUOČAVANJE S PROŠLOŠĆU krije se u njegovom imenu. Vjerujemo da je za prevazilaženje brojnih otvorenih pitanja proisteklih iz ratova u bivšoj Jugoslaviji, a koja nas još uvijek opterećuju, apsolutno nužna iskrena, otvorena diskusija o tom bolnom periodu naše prošlosti. U našem su regionu u protekle dvije decenije pokrenute brojne inicijative čiji je proklamovani cilj bio „izgradnja mira“. Međutim, slogani ne mogu zaliječiti ožiljke koje su godine ratnih stradanja ostavile na dušama ljudi iz regiona. Prirodan proizvod proteklih događanja su cijele zajednice koje trpe ogromnu količinu boli i očajnički im je potreban cjelovit proces izlječenja. Vjerujemo da je preduslov za pokretanje tog procesa suočavanje svih ljudi koji su na bilo koji način bili uključeni u prošle događaje, ili zbog njih pate, sa otrežnjavajućim činjenicama. Naša čvrsta vjera u ispravnost ovog pristupa i svijest da se tumačenju historijskih događaja mora pristupiti iz različitih uglova su temeljni razlog pokretanja projekta SUOČAVANJE S PROŠLOŠĆU. U praktičnom smislu, namjera nam je da pokrenemo dijalog o ovoj temi kroz moderirane filmske projekcije, kao i tako što ćemo sistematski prikupljati bolne, ali i nostalgične priče, dokumentaciju i uspomene koje različite aspekte prošlih događanja mogu rasvijetliti iz različitih perspektiva. Prikupljeni materijali bi filmskim autorima i drugim filmskim stručnjacima trebali poslužiti kao otvoren izvor inspiracije i temelj njihovih budućih filmskih projekata koji bi zbog direktne i moćne prirode filmskog medija bili u stanju doprijeti do puno većeg auditorija. Zbog toga vjerujemo da SUOČAVANJE S PROŠLOŠĆU može pomoći našoj kinematografiji da ispuni najplemenitiji zadatak filma, a to je otvaranje puta ka pravoj empatiji i istinskoj izgradnji mira. Očekujemo da će angažman filmskih autora i drugih filmskih radnika osigurati veću podršku za primarni cilj našeg projekta, a to je da obezbijedimo pristup većem broju ljudi širom bivše Jugoslavije. Ovako širok domet bi trebala omogućiti i planirana saradnja s omladinskim inicijativama, lokalnim i regionalnim nevladinim organizacijima i predstavnicima medija. Naprosto, osjećamo potrebu da pokrenemo dijalog među pripadnicima različitih generacija i zajednica u regionu i da ohrabrimo mlade ljude da nikada ne prestanu postavljati pitanja i tragati za odgovorima; potrebu da otvorenog srca i uma saslušamo lična svjedočanstva aktera sa različitih strana i suočimo se sa njima. Film je idealan medij za postizanje našeg cilja. Filmovi daleko putuju i imaju sposobnost da ljude širom Balkana i šire navedu na razmišljanje i ohrabre ih na dijalog. Uz pomoć filma želimo posijati sjeme dugo iščekivanog procesa izlječenja, kao i pomirenja koje nikada nije istinski ostvareno. Prva činjenica s kojom se ne bojimo uhvatiti u koštac je ova: ljudima u našem regionu nikada nije pružena šansa da se suoče sa svojim traumama i prođu kroz sve prirodne stadije procesa tugovanja. Za to postoji mnoštvo razloga, a mi niti hoćemo niti možemo ponuditi rješenje za ovaj propust. Ali možemo javno izraziti našu punu i apsolutnu posvećenost rušenju zida šutnje iza kojeg smo sakrili naša najnejasnija, ali i najrazornija iskustva. SUOČAVANJE S PROŠLOŠĆU je projekt Sarajevo Film Festivala podržan od strane Fondacije Robert Bosch, a bit će realizovan u saradnji s regionalnim informativnim kanalom Al Jazeera Balkans. Projekt se odvija i unutar Takmičarskog programa – dokumentarni film i Sajma istinitih priča u okviru CineLink dana filmske industrije.

E DEALING WITH THE PAST sets out to do precisely what its name suggests. We consider that in order to deal with the many and unresolved issues that date back to the conflict in the former Yugoslavia – the impact of which is still widely felt today – a sincere, clear-eyed discussion around that painful past is of utmost importance. Numerous initiatives have been put into place in the region over the last twenty years, under the rubric of ‘peacebuilding’. Slogans, however, do not heal the wounds inflicted on the psyches of individuals subjected to years of wartime suffering. By natural consequence, whole communities bear the lion’s share of such pain, and are in desperate need of a comprehensive healing process. For us, the inevitable start to such a process is to confront all those who are involved and affected with sobering facts. Our unwavering belief in this approach, always keeping in mind the need to look at historical events from multiple perspectives, is the foundation block of the DEALING WITH THE PAST project. In practical terms, we intend to start dialogue on the subject through curated screenings, as well as through the systematic collection of stories, documents and memories that will unveil many aspects of the past from different vantage points – whether imbued primarily with pain or riddled with nostalgia. It is from this open source that filmmakers and cinema experts will draw inspiration, and from which they will weave stories for larger audiences with all the urgency and power that cinema offers. With this in mind, we believe that Dealing with the Past can lead to cinema that achieves its ultimate, perhaps noblest aim – cinema that opens a door to genuine empathy, to peacebuilding in its truest sense. We anticipate that by involving filmmakers and cinema experts we will encourage greater support for our greater ambition, which is to gain wider access to target audiences in the former Yugoslav countries. This outreach is enabled by co-operation with youth initiatives, local and regional nongovernmental organisations, and media representatives. Quite simply, we feel the need to provoke dialogue among all generations and all communities in the region, and to empower younger generations never to stop asking questions and looking for answers; the need to listen to and face personal accounts from all sides with open hearts and minds. Film is the ideal medium for this: it can travel far and widen and has the ability to stir up thoughts and inspire dialogue throughout the Balkans and beyond. And it is with cinema that we want to sow the seeds of a long-awaited healing process, a reconciliation that was never truly realised. This is the first fact we dare to face: grieving – in all its necessary stages -– has never been fully allowed to fully take its natural course in the region. There are many reasons for this, and we cannot and do not pretend to offer a remedy for this failure. We can, however, declare our full and steadfast commitment to breaking the seal of silence that has veiled some of our most confused, yet most devastating experiences. DEALING WITH THE PAST, a project of the Sarajevo Film Festival, is supported by the Robert Bosch Stiftung and presented in partnership with Al Jazeera Balkans. This year, the ongoing project intersects with The Competition Programme – Documentary Film and CineLink Industry Days – True Stories Market.

Mirsad Purivatra Direktor Sarajevo Film Festivala / Sarajevo Film Festival Director

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Dubina dva / Depth Two Godine 2001., na periferiji Beograda je otkrivena masovna grobnica u kojoj je pronađeno više od 700 ljudskih tijela. Uprkos činjenici da se nalazi nedaleko od samog centra glavnog grada Srbije, i da je na lokaciji nađeno 75 tijela djece - danas, 15 godina kasnije, ova masovna grobnica je i dalje bez ikakvog obilježja ili spomenika, i skoro niko u današnjoj Srbiji ni ne zna za ovaj slučaj i priču iza njega. On je i dalje javna tajna. U pokušaju da otkrije, rasvijetli i da glas ovim pričama, i dalje zakopanim u tišini, film se, meditativnim i hipnotišućim stilom, obraća doživljajima, mašti i osjećanjima gledaoca. Ognjen Glavonić je rođen 1985. godine. Diplomirao je filmsku režiju na Fakultetu dramskih umetnosti u Beogradu. Srednjometražni dokumentarac ŽIVAN PRAVI PANK FESTIVAL premijerno je prikazan u Centru Pompidou, na festivalu Cinéma du Réel, u Parizu, Francuska. Nakon toga, film je učestovao na preko 50 međunarodnih filmskih festivala, među kojima su IFF Rotterdam, CPH:DOX, IndieLisboa, Festival dei Popoli. Glavonićev dugometražni dokumentarni film DUBINA DVA premijerno je prikazan na 66. filmskom festivalu u Berlinu. Ognjen je trenutno u fazi predprodukcije svog prvog dugometražnog igranog filma TERET. Glavonić je direktor i jedan od osnivača Pančevo Film Festivala. E In 2001, a mass grave holding the remains of over 700 people was found on the outskirts of Belgrade. Despite its proximity to the center of Serbia’s capital and the fact that it hid the remains of 75 children, the mass grave had never been marked with a monument or in any other way and almost no one in today’s Serbia knows about this case and the story behind it. It is still a public secret. In an attempt to give voice to the story of this mass grave that remains buried behind a wall of silence, the films employs a meditative and hypnotic language to communicate with viewers’ experiences, imagination and emotions. Ognjen Glavonić was born in 1985. He holds a degree in film directing from the Faculty of Dramatic Arts in Belgrade. His mid-length documentary ZIVAN MAKES A PUNK FESTIVAL premiered at Cinéma du Réel Film Festival in Paris, France. The film has been screened at over 40 international film festivals including IFF Rotterdam, CHP:DOX, IndieLisboa and Festival dei Popoli. Glavonić’s feature length documentary DEPTH TWO premiered at the 66th Berlin Film Festival. He is currently in preproduction with his debut feature film BURDEN. Glavonić is the director and one of the founders of the Pančevo Film Festival.

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Serbia, 2016, Colour, 80 min, Albanian, Serbian Režija / Director: Ognjen Glavonić Scenarij / Screenplay: Ognjen Glavonić Direktor fotografije / Director of Photography: Tatjana Krstevski Montaža / Editor: Jelena Maksimović Zvuk / Sound: Jakov Munižaba Producent / Producer: Dragana Jovović, Sandra Orlović Produkcija / Production: Non-Aligned Films, Fond za humanitarno pravo Kontakt / Contact: Non-Aligned Films; ognjenglavonic@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - DUBINA DVA / DEPTH TWO (dokumentarni film / documentary) 2014 - ŽIVAN PRAVI PANK FESTIVAL (dokumentarni film / documentary) 2012 - OD PEPELA / FROM THE ASHES (kratki film / short film) 2011 - OKTOBAR (omnibus) 2010 - RITAM GITARA, PRATEĆI VOKAL (kratki film / short film) 2009 - ŽIVAN PUJIĆ JIMMY (kratki dokumentarni film / short doc.)

Neželjena baština / Unwanted heritage Spomenici su nijemi svjedoci o ljudima i vremenu u kome su nastali. Iz njih se iščitava historija ljudskog roda. Pružaju nam znanje o običajima, religiji, kulturi, ekonomiji, ratovima, poretku. Bez očuvanih spomenika, mnogim narodima bi se izgubio svaki trag. Od 1945. do 1990. godine izgrađeno je na hiljade spomenika NOB-a po cijeloj bivšoj Jugoslaviji, koji, svaki na svoj način, obilježavaju događaje iz Drugog svjetskog rata. Nekad omiljena destinacija raznih ekskurzija i političkih skupova, kao i nezaobilazni dio fotografija u porodičnim albumima, danas su ti spomenici, kao i njihova simbolika, većinom devastirani, zanemareni i neželjeni. Glavna okosnica ovog filma je sudbina spomenika kao sekundarne sirovine. Irena Škorić diplomirala je i magistrirala filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu. Njen RASTANAK jedan je od najnagrađivanijih hrvatskih kratkih filmova, dobitnik je 20 nagrada, među kojima je i Grand Prix i nagrada za najbolji scenarij na Danima hrvatskog filma 2009., Grand Prix Filmskog festivala Libertas, Grand Prix na Corto del MED filmskom festivalu u Avignonu, festivalu pod pokroviteljstvom UNESCO-a, nagrada žirija na Festivalu kratkog filma u Veneciji. Dokumentarni film SUDBINA BROJA 13 osvojio je nagradu publike na ZagrebDoxu 2010., nagradu za najbolji dokumentarac na Worldfestu u Houstonu i nagradu za najbolji dokumentarni film na San Gio festivalu u Veroni. Dugometražni dokumentarni film DRAGI LASTANE osvojio je nagradu publike na ZagrebDoxu 2014. E Monuments are silent witnesses to the times when they were built and the people who built them. Through monuments one can trace the history of human kind. Monuments teach us about different customs, religions, cultures, economies, wars and social norms. Had their monuments not been preserved many peoples would have perished without a trace. Thousands of monuments were built throughout the former Yugoslavia in the 1945-1990 period to commemorate the sites where World War II battles had been fought. These monuments were once favorite destinations for school trips and political gatherings, as well as a necessary part of all family photos. At the present time, the monuments and their symbolism have been abandoned, neglected and destroyed. The main focus of this film is the destiny of these monuments as secondary raw materials.

Croatia, 2016, Colour and b&w, 100 min, Croatian Režija / Director: Irena Škorić Scenarij / Screenplay: Irena Škorić Direktor fotografije / Director of Photography: Branko Cahun Montaža / Editor: Silvije Magdić Muzika / Music: Ivo Josipović Zvuk / Sound: Igor Šegović Producent / Producer: Irena Škorić Produkcija / Production: Artizana film Kontakt / Contact: artizana.zagreb@gmail.com; www.artizana.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 - NEŽELJENA BAŠTINA (dokumentarni film / documentary) 2014 - DRAGI LASTANE! (dokumentarni film / documentary) 2011 - I LOVE YU (kratki film / short film) 2010 - 7seX7 2010 - BERISLAV ŠIPUŠ: PROCES (dokumentarni film / documentary) 2009 - SCENARIJ ZA OBIČAN ŽIVOT (kratki film / short film) 2008 - SUDBINA BROJA 12 (dokumentarni film / documentary) 2007 - RASTANAK (kratki film / short film) 2007 - P.M. (dokumentarni film / documentary)

Irena Škorić has graduated and obtained a master’s degree in film and TV directing from the Academy of Dramatic Arts in Zagreb. Her short film RASTANAK is one of the most successful Croatian shorts of all times and the winner of 20 different prizes including the Grand Prix and the Best Screenplay Prize of the Days of Croatian Film festival, the Grand Prix of the Libertas Film Festival, the Grand Prix of the UNESCO-supported Corto del MED Film Festival in Avignon and the Jury Prize of the Venice Short Film Festival. Her documentary film SUDBINA BROJA 13 has won the Audience Award at 2010 ZagrebDox, the Best Documentary Film prize of the World Fest in Huston and the Best Documentary Film prize of the San Gio Festival in Verona. Irena’s feature-length documentary DRAGI LASTANE has won the Audience Award at the 2014 ZagrebDox.

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Der Staat gegen Fritz Bauer / Narod protiv Fritza Bauera / The People vs. Fritz Bauer Njemačka, godine 1957. Glavni državni tužilac Fritz Bauer dolazi u posjed ključnih dokaza o mjestu skrivanja SS potpukovnika Adolfa Eichmanna. Eichmann, koji se smatra odgovornim za masovne deportacije Jevreja, navodno se skriva u Buenos Airesu. Bauer, koji je i sam Jevrej, sve od povratka iz izbjeglištva u Danskoj pokušava privesti pravdi osobe odgovorne za zločine počinjene u ime Trećeg rajha. U tome ne postiže uspjeh zbog čvrste odlučnosti Njemačke da u zaborav gurne svoju mračnu prošlost. Zbog nepovjerenja u njemački pravni sistem, Fritz Bauer stupa u kontakt s izraelskom tajnom službom Mossadom i tako postaje državni izdajnik. Lars Kraume rođen je 1973. godine u Chieri u Italiji, a odrastao je u Frankfurtu na Majni u Njemačkoj. Studirao je na Njemačkoj akademiji za film i televiziju u Berlinu. Njegov studentski film LIFE IS TOO SHORT TO DANCE WITH UGLY WOMEN osvojio je nagradu za najbolji kratki film na Međunarodnom filmskom festivalu u Torinu. Svoj prvi dugometražni igrani film, VIKTOR VOGEL, snima 2001. godine. Nakon toga snima igrani film GUTEN MORGEN, HERR GROTHE koji je 2007. godine premijerno prikazan u programu Panorama Međunarodnog filmskog festivala u Berlinu i s kojim je osvojio nagradu njemačke televizije za najboljeg reditelja, kao i nagradu Grimme. Kraume je 2007. godine s Frankom Dohmannom, Matthiasom Glasnerom i Jurgenom Vogelom osnovao produkcijsku kompaniju Badlands Film. Njegov igrani film MEINE SCHWESTERN premijerno je prikazan 2013. u programu Panorama Međunarodnog filmskog festivala u Berlinu. E Germany, 1957. State attorney general Fritz Bauer receives crucial evidence on the whereabouts of SS-Obersturmbannfuhrer Adolf Eichmann. The lieutenant colonel, responsible for the mass deportation of the Jews, is allegedly hiding in Buenos Aires. Bauer,himself a Jew, has been trying to bring the Third Reich to justice ever since his return from exile in Denmark. With no success, however, due to the fierce German determination to repress its sinister past. Mistrustful of the German justice system, Bauer contacts the Israeli secret service Mossad, and, by doing so, commits treason.

Lars Kraume was born in 1973 in Chieri, Italy, and grew up in Frankfurt am Main, Germany. He studied at the German Film and Television Academy, DFFB. Kraume’s student short LIFE IS TOO SHORT TO DANCE WITH UGLY WOMEN received the Best Short Film award at the international Torino Film Festival. In 2001 he made his feature film debut with VIKTOR VOGEL. Kraume’s feature film, GUTEN MORGEN, HERR GROTHE had its world premiere in the Panorama program at the 2007 Berlinale and won the German Television Award for Best Director as well as the Grimme Award. In 2007 he founded, together with Frank Dohmann, Matthias Glasner, and Jurgen Vogel, the production company Badlands Film. In February 2013 his feature film MEINE SCHWESTERN celebrated its premiere in the Panorama program at the Berlinale.

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Germany, 2015, Colour and b&w, 105 min, English, German, Spanish, Yiddish Režija / Director: Lars Kraume Scenarij / Screenplay: Lars Kraume, Olivier Guez Direktor fotografije / Director of Photography: Jens Harant Montaža / Editor: Barbara Gies Muzika / Music: Julian Maas, Christoph M. Kaiser Scenografija / Production Design: Cora Pratz Producent / Producer: Thomas Kufus Produkcija / Production: zero one film Uloge / Cast: Burghart Klaussner, Ronald Zehrfeld, Lilith Stangenberg, Jörg Schüttauf, Sebastian Blomberg Kontakt / Contact: Beta Cinema, www.betacinema.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - THE PEOPLE VS. FRITZ BAUER 2012 - MEINE SCHWESTERN / MY SISTERS 2010 - THE COMING DAYS 2006 - GUTEN MORGEN, HERR GROTHE (TV film) 2005 - KISMET 2004 - NO SONGS ABOUT LOVE 2001 - COMMERCIAL MEN

Sarajevo Film Festival Partner Presents Doha Film Institute

200 Abadan Lam Nakon Atfalan / Nismo imali djetinjstvo / We Have Never Been Kids, Mahmood Soliman 201 Inhebbek Hedi / Hedi, Mohamed Ben Attia

MADE IN QATAR 2016 202 Asfoora, Mayar Hamdan 202 Al Daftar / Bilježnica / The Notebook, Amna Al-Binali 203 Ela Ummi / Mojoj majci / To My Mother, Amina Ahmed Al Bloshi 203 Light Sounds / Blagi zvuci, Karem Kamel 204 Mitel Al’Arous / Skoro pa novo / Good as New, Jaser Alagha 204 The Palm Tree / Palma, Jassim Al-Rumaihi 205 Veganize It! / Veganiziraj se!, Khalid Salim 205 Yellow Nights / Žute noći, Abdullah Al Mulla

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Doha Film Institute Doha institut za film je nezavisna, neprofitna kulturna institucija osnovana 2010. Institut pomaže razvoj lokalne filmske zajednice kroz unapređenje stručnog znanja, njegovanje ljubavi prema filmu i doprinos razvoju samoodržive kreativne filmske industrije u Kataru. Aktivnosti instituta uključuju finansiranje i produkciju lokalnih, regionalnih i međunarodnih filmova, obrazovnih programa i filmskih projekcija, kao i organizovanje Filmskog festivala mladih Ajyal i Qumra Film Festivala. Institut se u svome radu fokusira na kulturu, razvoj lokalnih zajednica i obrazovanje, a trajno je posvećen ostvarenju vizije Katara da se do 2030. godine nametne kao ekonomija utemeljena na znanju.

E Doha Film Institute is an independent, not-for-profit cultural organisation established in 2010. It supports the growth of the local film community through cultivating film appreciation, enhancing industry knowledge and contributing to the development of sustainable creative industries in Qatar. The Institute’s platforms include funding and production of local, regional and international films; skills-sharing and mentorship programmes; film screenings; the Ajyal Youth Film Festival; and Qumra. With culture, community, learning and entertainment at its foundation, the Institute is committed to supporting Qatar’s 2030 vision for the development of a knowledge-based economy.

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Abadan Lam Nakon Atfalan / Nismo imali djetinjstvo / We Have Never Been Kids Egipatska porodica živi u siromaštvu. Majka se pokušava brinuti o svoje četvero djece, naročito uoči i nakon razvoda od njihovog sebičnog oca. Njene životne okolnosti se u potpunosti mijenjaju prije, u toku i nakon revolucije u Egiptu, u kojoj ona i njeni sinovi učestvuju. Mahmood Soliman diplomirao je 1997. godine na Višem institutu za film u Kairu. Objavio je nekoliko društvenih i političkih eseja u egipatskim i arapskim novinama, kao i tri zbirke kratkih priča. Solimanov književni rad je višestruko nagrađivan u arapskom svijetu. Napisao je scenarije za tri kratka igrana i jedan kratki dokumentarni film, koje je i producirao i režirao. Filmovi su prikazani na preko 300 međunarodnih filmskih festivala i osvojili su 27 različitih nagrada. Trenutno radi na svom prvom dugometražnom igranom filmu HAPPY NEW YEAR. E An Egyptian family is living below the line of poverty. The mother is trying to look after her four children, especially in the lead-up to and aftermath of her divorce from their selfish father. However, over time, the circumstances around her gradually change on all levels, before, during and after The Egyptian Revolution as the woman and her sons participate in it.

Mahmood Soliman graduated from the Higher Cinema Institute of Cairo in 1997. He has published several social and political essays in Egyptian and Arab newspapers, and three short-story collections. Soliman has been awarded several prizes in the Arab world for his literary work, and has written, produced and directed three fiction and one documentary short films, which werw screened at over 300 international film festivals and won 27 prizes. His first feature film, HAPPY NEW YEAR, is currently in development.

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Egypt, United Arab Emirates, Qatar, Lebanon, 2016, Colour, 99 min, Arabic Režija / Director: Mahmood Soliman Scenarij / Screenplay: Mahmood Soliman Direktor fotografije / Director of Photography: Mahmood Soliman Montaža / Editor: Doaa Fadel, Eman Samer Muzika / Music: Folklore Zvuk / Sound: Ali Alsaied Producent / Producer: Nivine Afify, Mahmood Soliman Produkcija / Production: January for Arts & Culture production Kontakt / Contact: January Films, info@januaryfilms.org FILMOGRAFIJA / FILMOGRAPHY: 2015 - WE HAVE NEVER BEEN KIDS (dokumentarni film / documentary) 2006 - RED & BLUE (kratki film / short film) 2005 - TODAY 30TH NOVEMBER (kratki film / short film)

Inhebbek Hedi / Hedi Hedi je mladi Tunižanin koji ima velike snove i trudi se uklopiti u društvene norme svoje zemlje. Dok njegova majka nastoji upravljati njegovim životom, Hedi upoznaje Rym i odjednom otkriva da je njegov svijet širi od onog omeđenog konvencijama. Mohamed Ben Attia rođen je u Tunisu 1976. godine. Nakon što je diplomirao na Institutu za poslovne studije u Tunisu, studirao je audiovizuelne komunikacije na Univerzitetu Valenciennes u Francuskoj. Njegov kratki film SELMA prikazan je u takmičarskom progamu Međunarodnog festivala kratkog filma Clermont-Ferrand. HEDI je njegov prvi dugometražni igrani film. E Hedi is a young man with great dreams who is struggling with social conventions in Tunisia. While his mother tries to run his life for him, Hedi meets Rym and suddenly discovers that his world goes beyond and above conventions.

Mohamed Ben Attia was born in 1976 in Tunisia. He studied at the Institut de Hautes Études Commerciales in the same city and then audiovisual communication at the University of Valenciennes in France. His short film SELMA screened in competition at the Clermont-Ferrand International Short Film Festival. INHEBBEK HEDI is his feature film debut.

Tunisia, Belgium, France, 2016, Colour, 88 min, Arabic Režija / Director: Mohamed Ben Attia Scenarij / Screenplay: Mohamed Ben Attia Direktor fotografije / Director of Photography: Frédéric Noirhomme Montaža / Editor: Azza Chaabouni, Ghalya Lacroix, Hafedh Laaridhi Muzika / Music: Omar Aloulou Zvuk / Sound: Jean-Stéphane Garbe Kostimografija / Costume Design: Nedra Gribaa Scenografija / Production Design: Mohamed Denguezli Producent / Producer: Dora Bouchoucha Fourati Produkcija / Production: Nomadis Images Uloge / Cast: Majd Mastoura, Rym Ben Messaoud, Sabah Bouzouita, Omnia Ben Ghali, Hakim Boumessoudi Kontakt / Contact: Luxbox; info@luxboxfilms.com; www.luxboxfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - INHEBBEK HEDI 2014 - SELMA (kratki film / short film) 2011 - LOI 76 (kratki film / short film) 2008 - MOUJA (kratki film / short film) 2006 - COMME LES AUTRES - KIF LOKHRIN (kratki film / short film) 2004 - ROMANTISME, DEUX COMPRIMES MATIN ET SOIR (kratki film / short film)

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Asfoora Kada joj majka jednom prilikom, ružeći je, kaže da će nad njom uvijek bdjeti jedna ptica, kako bi se uvjerila da neće skrenuti s pravog puta, djevojka odlučuje preuzeti inicijativu i ubiti sveznajuću pticu. Koliko daleko će otići prije nego shvati da je ptica ključni dio odgoja u arapskom društvu? Mayar Hamdan je palestinska rediteljka rođena u Egiptu, a odrastala je u Kataru. Nedavno je diplomirala na Odsjeku za medijsku industriju i tehnologiju Univerziteta Northwestern u Kataru. Uglavnom se bavi filmskom postprodukcijom i animacijom, a trenutno rukovodi vlastitom kompanijom Shasha Productions.

Qatar, 2015, Colour, 9 min, Arabic, English Režija / Director: Mayar Hamdan Scenarij / Screenplay: Mayar Hamdan Direktor fotografije / Director of Photography: Shahnwaz Zali Montaža / Editor: Jaser Al Agha Muzika / Music: Mashrou’ Leila Zvuk / Sound: Vibhav Guatam Kostimografija / Costume Design: Rawda Al-Thani Scenografija / Production Design: Farida Zahran Producent / Producer: Jaimee Haddad Produkcija / Production: Northwestern University in Qatar Uloge / Cast: Elena Feghali, Randa Al Qudah, Gladys Abi Said, Meera Ali Kontakt / Contact: mayarhamdan23@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - ASFOORA (kratki film / short film) 2015 - MAN DOWN (kratki film / short film) 2014 - TAKE A WALK IN HER SHOES (kratki film / short film)

E When her mother chastises her by telling her that a bird will always be watching her, making sure she doesn’t stray from the path of righteousness, a young girl decides to take initiative and kill the omniscient bird. But how far will she go before she realizes that the bird is an essential part of her upbringing in an Arab community?

Mayar Hamdan is a Palestinian director, born in Egypt, and raised in Qatar. She has recently graduated from the Northwestern University in Qatar with a major in Media Industries and Technology. She focuses on working in post-production and animation. She is currently co-running her company, Shasha Productions.

Al Daftar / Bilježnica / The Notebook U paralelnom svijetu svako ima po jednu bilježnicu, ali niko ne zna čemu one služe. Nakon što izgubi svoju bilježnicu, Nora odlučuje napraviti kratki dokumentarni film u nadi da će otkriti svrhu svih tih bilježnica. Film koji gledamo je Norin film. Amna Al-Binali je diplomirala engleski jezik i književnost na Univerzitetu u Kataru. Svoj prvi kratki film DOCTOR’S OFFICE režirala je 2015. godine dok je pohađala Ljetni univerzitet La Fémis za zemlje Perzijskog zaljeva. NOTEBOOK je njen drugi kratki film. E In an alternative universe, everyone has a notebook yet no idea why they have them. Nora decides to make a short documentary to understand what these notebooks mean after she loses hers. Nora’s documentary is the film we see.

Amna Al-Binali graduated from the Qatar University with a degree in English Literature and Linguistics. She directed her first short film, DOCTOR’S OFFICE, at La Fémis Gulf Summer School in 2015. NOTEBOOK is her second short film.

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Qatar, 2015, Colour, 10 min, Arabic Režija / Director: Amna Al-Binali Scenarij / Screenplay: Amna Al-Binali Direktor fotografije / Director of Photography: Amna Al-Binali Uloge / Cast: Sarah Fayad Mohamed, Anwar AlMarwani, Mahra Mohamed, Yomna Taher, Nissryne Dib, Naila Al Balosh, Bessma Ouadahi, Eiman Mirghani Kontakt / Contact: Doha Film Institute, www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - AL DAFTAR / THE NOTEBOOK (kratki film / short film) 2015 - DOCTOR’S OFFICE (kratki film / short film)

Ela Ummi / Mojoj majci / To My Mother

Qatar, 2015, Colour, 19 min, Arabic, Hindi Režija / Director: Amina Ahmed Al Bloshi Scenarij / Screenplay: Ibrahim Yasser Montaža / Editor: Ibrahim Yasser, Amina Ahmed Al Bloshi, Mustafa Elsaid Producent / Producer: Ania Wojtowicz Uloge / Cast: Noura G. Mohammed, Fahad Al Bloshi, Mohammed Al Bloshi Kontakt / Contact: Doha Fiom Institute, www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - ELA UMMI / TO MY MOTHER (kratki film / short film) 2015 - MADE IN QATAR (kratki film / short film)

Noura se udala vrlo rano, prije nego što je uspjela steći obrazovanje. Nije znala šta je brak ni šta će se od nje očekivati u ulozi žene i majke. Znala je samo da će konačno biti slobodna i da će nositi šminku i bijelu haljinu kao za princeze. Amina Ahmed Al Bloshi je diplomirala javne komunikacije na Univerzitetu u Kataru. Svoj diplomski projekt MADE IN QUATAR režirala je 2015. godine. Nedavno je, u saradnji s Doha institutom za film, završila svoj drugi film MOJOJ MAJCI. E Noura got married at a very young age before receiving an education. She did not know what marriage meant, nor what she would do as a wife and a mother. All she knew was that she would finally get her freedom and wear makeup and new, white dress fit for a princess.

Amina Ahmed Al Bloshi graduated from Qatar University with a BA in Mass Communication. She directed her graduation project, MADE IN QATAR in 2015. Most recently, working with the Doha Film Institute, she made TO MY MOTHER.

Light Sounds / Blagi zvuci

Qatar, 2015, Colour, 13 min, Arabic, Sinhalese Režija / Director: Karem Kamel Scenarij / Screenplay: Nour Alsoliman Montaža / Editor: Karem Kamel Producent / Producer: Rasha Mkachar Uloge / Cast: Roshan Sanjeewa, Sampath Dasanyaka, Essam Abdul Mugheith, Ahmad El Zein, Yasser Mustafa, Zaqi Khan Kontakt / Contact: Doha Film Institute, www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - LIGHT SOUNDS (kratki film / short film) 2009 - THE BACKYARD (kratki film / short film)

Dvojica šrilankanskih imigranata sve vrijeme provode zajedno, ali ne baš po vlastitom izboru. Zajedno čiste toalet smješten tik uz džamiju i dio su šarolike i blisko vezane zajednice fizičkih radnika čiji se životi vrte oko kvartovske bogomolje. Karem Kamel je egipatsko-američki filmski autor rođen u New Yorku. Studirao je film na Koledžu Hunter. Također, radio je za TV mrežu ABC i Filmski institut Sundance. Njegov kratki film THE BACKYARD premijerno je prikazan na Filmskom festivalu Big Apple u New Yorku. Kamel je radio i na Univerzitetu Columbia, a trenutno je zaposlen u Doha institutu za film. E Inseparable but not exactly by choice, an unlikely duo of Sri Lankan immigrants work together as cleaners of the washroom that neighbours a mosque and are part of an eclectic tight knit community of blue collar workers whose lives revolve around the mosque.

Karem Kamel is an Egyptian-American filmmaker and a native of New York City. He studied Film at Hunter College. He has held positions at ABC and the Sundance Film Institute. His short THE BACKYARD premiered at New York’s Big Apple Film Festival. Kamel has also worked at Columbia University, and he currently works at the Doha Film Institute.

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Mitel Al’Arous / Skoro pa novo / Good as New

Qatar, 2014, Colour, 13 min, Arabic Režija / Director: Jaser Alagha Scenarij / Screenplay: Jaser Alagha, Menna Kamel Direktor fotografije / Director of Photography: Zahed Bata Montaža / Editor: Oussama Aitelqadi Muzika / Music: Universal Publishing Production Music Producent / Producer: Menna Kamel Uloge / Cast: Khaled Kaddoura, Ahmed El Zain, Julia Howman, Mohammad Iqbal, Mohssin Ashour, Nissryne Dib, Rana Al Khatib, Tulip Naji, James Zachary Hollo Kontakt / Contact: jaser.alagha@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2014 - MITEL AL’AROUS / GOOD AS NEW (kratki film / short film)

Moayyad je mladi Sirijac koji se prateći snove udaljio od svoga doma, oca i osjećaja za realnost. Godine provedene u inostranstvu će ga navesti da preispita vlastite odluke i vrati se svome skromnom životu. Jaser Alagha je australsko-palestinski filmski autor koji živi i radi u Kataru. Autor je brojnih kratkih filmova, dokumentaraca i web serija koje se bave pitanjima od značaja za Bliski istok i arapski svijet uopće. E Moayyad is a young Syrian man whose dreams take him far from his home, father, and reality. Years abroad challenge his decisions and bring him back to his humble life.

Jaser Alagha is an Australian-Palestinian filmmaker based in Qatar. He has made various short films, documentaries and web series that tackle issues related to the Middle East and the Arab world.

The Palm Tree / Palma Preživljava u teškoj pustinjskoj klimi Arabije, od Iraka do Maroka. Stoji uspravno i daruje svoje plodove još od postanka čovječanstva. Pustinjska plemena je zovu kraljicom pustinje. Palma. Jassim Al-Romaihi radi kao reporter za televizijsku mrežu Al-Jazeera i izvještava o novostima od Tunisa do Nepala. Tokom studija na Univerzitetu Northwestern u Kataru, slušao je nekoliko predmeta iz filmske produkcije. Trenutno, uz podršku Doha instituta za film, radi na svom trećem dokumentarnom filmu. E In the harsh climate of the Arabian desert, stretching from Iraq to Morocco, it stands majestically, giving fruits to the people ever since the beginning of mankind. Desert tribes call it the queen of the desert - her majesty the Palm Tree.

Jassim Al-Romaihi works as a news reporter for Al-Jazeera News Channel, providing coverage from an area stretching from Tunisia to Nepal. While studying at Northwestern University in Qatar, he took several classes in film production. He is currently working on his third documentary with the support of the Doha Film Institute.

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Qatar, 2015, Colour, 12 min, No Dialogue Režija / Director: Jassim Al-Rumaihi Direktor fotografije / Director of Photography: Thomas Hines Montaža / Editor: Jassim Al-Rumaihi Zvuk / Sound: Falah Hannoun - Mohammed Domiry Producent / Producer: Doha Film Institute Produkcija / Production: Doha Film Institute Kontakt / Contact: Doha Film Institute, www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - THE PALM TREE (kratki dokumentarni film / short doc.) 2011 - A FALCON A REVOLUTION (kratki dokumentarni film / short doc.)

Veganize It! / Veganiziraj se!

Qatar, 2015, Colour, 7 min, Arabic Režija / Director: Khalid Salim Scenarij / Screenplay: Khalid Salim Direktor fotografije / Director of Photography: Kareem Seif Montaža / Editor: Essa Al Badr Produkcija / Production: Doha Film Institute Uloge / Cast: Mohanad Masoud, Amani Mahmoud, Samar Shamoug, Mazin Abdelhafiz, Rawan Mirghani, Muhammed Al Sunni Kontakt / Contact: Doha Film Institute, www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - VEGANIZE IT! (kratki film / short film)

Dan u životu mladoga muškarca koji se nastoji uklopiti u društvo i ubijediti ljude oko sebe da ga prihvate kao vegana. Khalid Salim je odrastao u Saudijskoj Arabiji, Sudanu i Kataru, a trenutno završava studij softverskog inžinjeringa na Univerzitetu Staffordshire u Maleziji. Salim je došao u dodir s filmom posredstvom YouTubea, da bi zatim snimio svoj prvi kratki film VEGANIZE IT! E A day in life of a young man, who is trying to fit in and convince the people around him to accept him as a vegan.

Khalid Salim grew up in Saudi Arabia, Sudan and Qatar, and is currently completing his bachelor’s degree in software engineering at Staffordshire University in Malaysia. Salim began his filmmaking journey through YouTube, which led to the production of VEGANIZE IT!, his first short film.

Yellow Nights / Žute noći

Qatar, 2015, Colour, 7 min, Arabic Režija / Director: Abdullah Al Mulla Scenarij / Screenplay: Abdullah Al Mulla Direktor fotografije / Director of Photography: Abdullrahman Hassona Montaža / Editor: Abdullrahman Hassona Uloge / Cast: Dawood Alanwari, Rana Jubara, AbdolWahed Mohammad Kontakt / Contact: Doha Film Institute, www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2015 - YELLOW NIGHTS (kratki film / short film) 2014 - OLD AIRPORT ROAD (kratki film / short film)

U okruženju osvijetljenom tamnožutim svjetlom, niti koje vežu jedan par pucaju, da bi kroz naizgled zbunjujuće životne nedaće sve stvari legle na svoje mjesto i život prestao biti ograničen. Abdullah Al-Mulla je odrastao u Kataru, da bi potom otputovao u inostranstvo kako bi nastavio studirati. Filmom se počeo baviti zahvaljujući Doha institutu za film, a do danas je radio na deset kratkih filmova. Trenutno piše scenarij za svoj sljedeći projekt. E In a dark yellow-lit landscape, a couple break their bond and then in the seeming confusion of life’s troubles, everything is abruptly put into perspective and life is not insular.

Abdullah Al-Mulla grew up in Qatar until moving abroad to pursue his university studies. He first became involved in film through the Doha Film Institute, and has worked on ten short films to date. He is currently working on his next screenplay.

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Sarajevo Film Festival Guests Present

FILMOTECA UNAM AND SAN CRISTOBAL INTERNATIONAL FILM FESTIVAL 210 From Mexico: Music for Eisenstein (Fragments of ¡Que viva México!) / Iz Meksika: Muzika za Eisensteina (segmenti filma ¡Que viva México!), Sergei Mikhaylovich Eisenstein

THE MORELIA INTERNATIONAL FILM FESTIVAL 213 Tempestad / Nevrijeme / Tempest, Tatiana Huezo

Filmoteka UNAM i Međunarodni filmski festival San Cristobal / Filmoteca Unam and San Cristobal International Film Festival Filmoteka UNAM – filmski arhiv Meksičkog državnog univerziteta više od 56 godina spašava, restaurira, čuva i promoviše filmove o Meksiku i filmove koji su vezani za Meksiko. Zahvaljujući svome radu smatra se jednim od najznačajnijih filmskih arhiva u Latinskoj Americi.

E Filmoteca UNAM –the film archive of the National University of Mexicohas been rescuing, restoring, preserving and promoting Mexican and/or Mexico’s related films over 56 years. It has achieved a status that makes it one of the most important film archives in Latin America.

Međunarodni fimski festival San Cristobal je mali i nedavno pokrenut festival koji ima za cilj da pokrene javni dijalog, razmišljanje i promišljanje ključnih tema, poput kulturne i etničke raznolikosti, društvene uključenosti, ljudskih prava i ekologije. Smatramo da su filmovi fantastično sredstvo za pokretanje dijaloga u kontekstu duboke posvećenosti brojnim hitnim temama od značaja za naše društvo.

The San Cristobal International Film Festival is a young and small festival seeking to generate collective dialogue, reflection, discussion and knowledge around key issues such as cultural and ethnic diversity, social inclusion, human rights and the environment. We believe films are a splendid opportunity to encourage debate in a context of deep commitment to our societies’ diverse and urgent issues.

San Cristobal je mali grad u središtu južnog Meksika usko vezan sa svijetom zbog svoje kulturne i društvene živosti te je mjesto gdje se susreću intelektualci i kreativci raznih profila i nacionalnosti, kao i uvijek aktivno lokalno stanovništvo.

San Cristobal is a small city in the heart of southern Mexico, intensely connected to the world due to its cultural and social turmoil; where intellectuals and creators of various kinds and nationalities, as well as a restless demanding population, all converge.

Prezentacija je omogućena velikodušnom podrškom Međunarodne federacije filmskih arhiva i Ministarstva vanjskih poslova Meksika, posredstvom Meksičke agencije za međunarodni razvoj i saradnju.

The presentation is possible thanks to the generous support of the International Federation of Film Archives and the Ministry of Foreign Affairs (Mexico), through the Mexican Agency for International Development Cooperation.

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From Mexico: Music for Eisenstein (Fragments of ¡Que viva México!) / Iz Meksika: Muzika za Eisensteina (segmenti filma ¡Que viva México!) Mexico, USSR, USA, 1931, Black & White, 58 min, No Dialogue Režija / Director: Sergei Mikhaylovich Eisenstein Scenarij / Screenplay: Grigori Aleksandrov, Sergei Mikhaylovich Eisenstein Direktor fotografije / Director of Photography: Eduard Tisse Montaža / Editor: Grigori Aleksandrov, Esfir Tobak Muzika / Music: José María Serralde Ruíz and The Ensamble Cine Mudo Kontakt / Contact: Filmoteca UNAM; Jose Manuel García, mgar@unam.mx; www.filmoteca.unam.mx FILMOGRAFIJA / FILMOGRAPHY: 1988 - IVAN THE TERRIBLE PART III 1945 - IVAN THE TERRIBLE PART I 1940 - TIME IN THE SUN 1938 - ALEXANDER NEVSKY 1933 - THUNDER OVER MEXICO 1932 - !QUE VIVA MEXICO! 1929 - THE STORMING OF LA SARRAZ 1927 - OCTOBER 1925 - THE BATTLESHIP POTEMKIN

Nakon meksičke revolucije tridesetih godina prošloga vijeka, intelektualci i umjetnici iz cijeloga svijeta pohrlili su u tu zemlju da bi proučavali njenu drevnu, ali i tada nastajuću kulturu, kao i da bi učestvovali u njoj. Među njima su bila i tri državljanina Sovjetskog Saveza koji su doputovali iz Sjedinjenih Američkih Država: Sergei Eisenstein, Eduard Tisse i Grigori Alexandrov. Zbog iznimnih uspjeha na filmu koje su njih trojica postigli u svojoj zemlji, Paramount Pictures ih je angažovao da snime film u holivudskoj produkciji, pri čemu je jedini završeni dio projekta bio scenarij toga filma. Oni su u Meksiko otputovali na preporuku Charlesa Chaplina, a uz finansijsku podršku američkog književnika Uptona Sinclaira. Tokom 1931. su snimili više sekvenci koje Eisenstein nikada nije smonitirao. Naime, nakon što ih je Sinclair prestao finansirati, tri su se sovjetska državljanina bila prisiljena vratiti u SSSR ne ispunivši svoj cilj da završe film o meksičkoj kulturi, ali materijal koji su oni snimili kasnije će postati dio filma¡Que Viva Mexico! Njihov materijal zabilježen na skoro 46.000 metara filmske trake prvobitno je bio pohranjen u skladištu Muzeja moderne umjetnosti MoMA u New Yorku, da bi u konačnici bio korišten za izradu nekoliko različitih verzija filma, od kojih ni jedna nije bila pretjerano uspješna. Alexandrov je tek sedamdesetih godina prošloga vijeka, zahvaljujući dogovoru s filmskim arhivom Sovjetskog Saveza, smontirao svoju verziju filma ¡Que Viva Mexico! zasnovanu na Eisensteinovim bilješkama i, prije svega, na vlastitim sjećanjima. Ruski filmski arhiv je zatim donirao kopiju Alexandrove verzije filma Filmoteci UNAM. Oni su iz

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njega izdvojili tri reprezentativne cjeline: Sandunga, Maguey i Day of the Dead (Dan mrtvih). Njihova verzija filma odražava Eisensteinovu percepciju i viziju, puna je poetičnosti, svjetla i dramatičnih meksičkih krajolika. Sergei Eisenstein je tokom vlastitog kreativnog procesa vodio bilješke. U njegovim izvještajima sa putovanja, komentarima na poleđini fotografija, te u pismima i memoarima koje je sačuvao nailazimo na zabilješke o zvucima i muzici koji bi bili korišteni u filmu ¡Que Viva México! da su ga izvorni autori uspjeli završiti. Muziku za sadašnju verziju filma komponovali su meksički muzičar José María Serralde i njegov ansambl, služeći se Eisensteinovim bilješkama, nalazima meksičkog akademika Aurelija de los Reyesa prezentovanim u njegovom istraživanju naslovljenom El nacimiento de ¡Que Viva México!, raznim verzijama filma napravljenim tokom vremena, kao i osvrtom Oliviera Debroisea u njegovom filmu Un banquete en Tetlapayac. Pri tome su se oslanjali na vizuelni identitet Meksika dvadesetih i tridesetih godina prošloga vijeka. Muzika u ovom filmu je mješavina tradicionanog melosa sa muzičkim pasažima Carlosa Cháveza i Silvestrea Revueltasa, zvucima tipičnim za Miguela Bernala Jiméneza i Pabla Moncayoa, a koje su ukomponovane i kontrastirane sa muzičkim djelima ruskih kompozitora Dmitrija Shostakovicha i Sergeia Prokofieva. Prilikom prikazivanja segmenata filma ¡Que Viva México!, koje je montirala Filmoteka UNAM na Sarajevo Film Festivalu biti će korištena muzika zasnovana na izvornom muzičkom skoru, ali uz improvizacije izvođača.

Muzički ansambl Cine Mudo je osnovao José María Serralde Ruíz 1998. godine. Specijalnost ansambla je izvođenje žive muzike uz projekcije njemih fimova i u sklopu drugih multidisciplinarnih umjetničkih projekta koji se predstavljaju na festivalima i umjetničkim događajima u Meksiku, Kanadi i Italiji. Odabir muzičara i instrumenata za svako izvođenje temelji se na estetici vremena i mjesta nastanka svakog od filmova uz koji sviraju. Sergei Mikhaylovich Eisenstein, rođen u Rigi, Latvija, 1898. godine, bio je jedan od vodećih autora i teoretičara filma u prvoj polovini dvadesetog stoljeća. Njegovi su filmovi bili revolucionarni, kako po svome stilu tako i po sadržaju, a u njima je – na, do tada, neviđen način – montirao kadrove iznimne vizuelne snage. E After the Mexican Revolution in the 1930s, intellectuals and artists from all over the world came to Mexico to observe and participate in the Mexican culture, both ancient and emerging; among them were three soviets who arrived from the United States: Sergei Eisenstein, Eduard Tisse and Grigori Aleksandrov. Due to the prestige of their extraordinary work in film in their country, they had been hired by Paramount Pictures to make a new film in Hollywood, of which only a script was finalized. They came to Mexico on recommendation of Charles Chaplin, funded by the American writer Upton Sinclair. Through 1931 they filmed several sequences that Eisenstein never edited. Sinclair stopped the funding

and the three soviets were forced to return to the USSR without fully achieving their goal: a complete film on the Mexican culture, latter called ¡Que Viva Mexico! The footage –over 150,000 feet of film- remained in storage in the New York’s Museum of Modern Art (MoMA) and was eventually displayed in several films, which were not very successful. It was not until the 1970’s when through a fortunate agreement with Gosfilmofond –the Soviet Union Film Archive- Aleksandrov edited a version of ¡Que Viva México! based on Eisenstein’s writings and, above all, his own memories. After that, a print of the Aleksandrov’s version was given in donation by the Russian film archive to the Filmoteca UNAM. There, they selected three representative sections: Sandunga, Maguey and Day of the Dead; the resulting edition represents Eisenstein’s perception and vision, impregnated with the poetry, the luminosity, as well as the drama of the Mexican landscape. Sergei Eisenstein was a common writer over his creative processes. Allusions to sound and music to set what could have been ¡Que Viva México! are described in travel stories, comments on photos, letters and memories that the author kept among his possessions. Inspired by this documents, the research El nacimiento de ¡Que Viva México! by Mexican academic Aurelio de los Reyes, and also considering the various editions of the film made over time, as well as Olivier Debroise’s reflection expressed in his film Un banquete en Tetlapayac, a score proposal was created by Mexican musician José María Serralde and his ensemble, resorting to

the imaginary of the Mexican decades of 1920’s and 1930’s. The score integrates traditional music fragments with quotes of passages by Carlos Chávez and Silvestre Revueltas, incorporating resources typical of Miguel Bernal Jiménez and Pablo Moncayo as well, contrasting them with Russian themes by Dmitri Shostakovich and Sergei Prokofiev. The music commissioned for the screening of these extracts of ¡Que Viva México!, edited by Filmoteca UNAM in Sarajevo International Film Festival will be a performance based on this guiding score allowing improvisation and invention by the performers. The Ensamble Cine Mudo was founded by José María Serralde Ruíz in 1998 and specializes in setting live music to silent films and other multidisciplinary arts, performing at festivals and forums in Mexico, Canada and Italy. It summons musicians and instrumental provisions in accordance with the aesthetics of the era and the nationality of each film, for historically informed performances. Sergei Mikhaylovich Eisenstein was born in Riga, Latvia in 1898, was one of the most world-renowned filmmakes and film theorists of the first half of the 20th century. His films were revolutionary in their style and content, combining images of immense graphic force with unprecedented editing.

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Međunarodni filmski festival Morelia / Morelia International Film Festival (FICM) Međunarodni filmski festival Morelia na održiv i uspješan način doprinosi međunarodnoj distribuciji i promociji meksičke kinematografije. Inicijativa Impulso Morelia, pokrenuta 2015., prirodni je nastavak kontinuiranih napora Festivala na međunarodnoj promociji meksičke kinematografije, stimulisanju razmjene ideja i ohrabrivanju saradnje između filmskih autora iz Meksika i drugih predstavnika filmske industrije. Impulso Morelia uključuje program u sklopu kojeg se filmovi u postprodukciji predstavljaju vodećim predstavnicima filmske industrije, te se na taj način stvara jedinstvena prilika za analizu, promociju i cirkulaciju projekata. Film izvrsne meksičke rediteljice Tatiane Huezo, TEMPESTAD (NEVRIJEME) bio je jedan od filmova predstavljenih u sklopu prvog izdanja inicijative Impulso Morelia. Film je u međuvremenu prikazan na brojnim filmskim festivalima i osvojio je veliku naklonost kritike. Veliko nam je zadovoljstvo što ćemo, zahvaljujući snažnom i duboko ukorijenjenom partnerstvu sa Sarajevo Film Festivalom, imati priliku da film TEMPESTAD predstavimo zahtjevnoj festivalskoj publici u BiH i čvrsto vjerujemo da će gledaoci cijeniti ovaj film i uživati u njemu.

212 22. Sarajevo Film Festival l MEĐUNARODNI FILMSKI FESTIVAL MORELIA

E The Morelia International Film Festival (FICM) has contributed in a sustained and successful way to the dissemination and projection of Mexican cinema on an international level. Impulso Morelia emerged in 2015 as a natural result of the festival’s ongoing effort to increase the visibility of Mexican cinema internationally, to stimulate an exchange of ideas, and to promote the sharing of expertise between Mexican filmmakers and industry professionals.

Impulso Morelia includes a program of films in post-production that are presented exclusively to leading figures from the film industry, offering a unique opportunity for reflection, as well as for the promotion and circulation of projects. Tempestad, by the extraordinary Mexican director Tatiana Huezo, was one of the films selected at the first ever edition of Impulso Morelia. Since then the film has received widespread critical acclaim, and screened at numerous festivals. We are delighted to be presenting Tempestad as part of our strong and established partnership with the Sarajevo Film Festival, with the assurance that it will be enjoyed and appreciated by the festival’s demanding public.

Tempestad / Nevrijeme / Tempest Kroz jednu ličnu i emotivnu priču, ovaj film govori o parališućoj moći straha: straha kao bolesti koja osobu sprečava da zauzme stav o vlastitom životu i budućnosti svoje djece, koja podrezuje krila snovima i onemogućava lični razvoj. Tatiana Huezo, meksičko-salvadorska autorica, stekla je diplomu na meksičkoj školi filma Centro de Capacitación Cinematográfica. Radi kao rediteljica i fotografkinja, a prethodno je bila članica Nacionalnog udruženja umjetničkih stvaralaca. Huezo je 2004. godine stekla zvanje magistrice kreativnog dokumentarnog filma pri Univerzitetu Pempeu Fabra. Njen prvi igrani film, THE TINIEST PLACE, prikazan je na više od pedeset filmskih festivala širom svijeta osvojivši niz nagrada, uključujući nagrade festivala Visons Du Reel, DOK Leipzig, DOCS DF, Festival latino filma San Diego, Međunarodni filmski festival u Belfastu, Viennale, Međunarodni filmski festival u Biarritzu itd. E Through a subjective and emotional journey, this film conveys the paralysing power of fear: fear as a sickness that prevents you from taking a stand on your life, on the future of your children; which clouds your ability to dream and grow. Tatiana Huezo, a Mexican-Salvadorian filmmaker, graduated from the Centro deCapacitación Cinematográfica. She works as a director and photographer. She is a former member of the National System of Art Creators. In 2004 she completed her MA in Creative Documentary at the Pempeu Fabra University. Her first feature film, THE TINIEST PLACE, has been screened at over 50 festivals worldwide and has received several awards in international and national festivals like Visions Du Reel, DOK Leipzig, DOCS DF, San Diego Latino Film Festival, Belfast International Film Festival, Viennale, Biarritz International Film Festival etc.

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Pretpremijere / Avant Premiere

216 Dnevnik mašinovođe / Train Driver’s Diary, Miloš Radović 217 Novine / The Paper, Dalibor Matanić 218 Osloboduvanje na Skopje / Oslobođenje Skoplja / The Liberation of Skopje, Rade Šerbedžija, Danilo Šerbedžija 219 ZG80, Igor Šeregi

Dnevnik mašinovođe / Train Driver’s Diary Činjenica da voz ne može da se zaustavi najmanje 700 metara nakon što je kočnica aktivirana, oslobađa mašinovođe svake odgovornosti. Svaki od njih, tokom svoje profesionalne karijere, nenamjerno ubije 20–30 ljudi. Žrtve su obično samoubice, nepažljivi, pijani, ili samo odsutni ljudi. Ovo je tragična komedija o nevinim ubicama i njihovim životima. Miloš Radović je 1982. godine diplomirao filmsku režiju na Fakultetu dramskih umetnosti u Beogradu. Specijalizovao je TV režiju na NHK Training Institute u Tokiju. Od 1988. do 1996. godine radio je kao asistent na Katedri za filmsku i televizijsku režiju na FDU u Beogradu. Osim režijom igranih, kratkih i dokumentarnih filmova, uspješno se bavi i režijom pozorišnih predstava te TV serija i reklama. E The fact that a train takes 700 meters or more to stop after a train driver applies the break, absolves train drivers of responsibility. In the course of his career, a train driver unintentionally kills between 20 and 30 people. Most victims are individuals intent on suicide, reckless drunks or otherwise distracted people. This film is a tragic comedy about innocent killers and their victims.

Miloš Radović graduated in film directing from the Faculty of Dramatic Artis in Belgrade in 1982. He specialized in TV directing at the NHK Training Institute in Tokio. He worked as an assistant professor of film and television directing at the Faculty of Dramatic Artis in Belgrade between 1988 and 1996. In addition to directing short, documentary and feature films, he is a sucesefull theater and TV director.

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Serbia, Croatia, 2016, Colour, 87 min, Serbian Režija / Director: Miloš Radović Scenarij / Screenplay: Miloš Radović Direktor fotografije / Director of Photography: Dušan Joksimović s.a.s. Montaža / Editor: Đorđe Marković Muzika / Music: Mate Matišić, Šimun Matišić Zvuk / Sound: Aleksandar Protić Producent / Producer: Lazar Ristovski, Petar Ristovski Produkcija / Production: Zillion Film Uloge / Cast: Lazar Ristovski, Petar Korać, Pavle Erić, Mirjana Karanović, Jasna Đuričić, Mladen Nelević, Nina Janković, Danica Ristovski, Haris Burina, Tihomir Stanić, Đurđina Radić Kontakt / Contact: Art Vista d.o.o.; artvista@sbb.rs; www.artvista.rs FILMOGRAFIJA / FILMOGRAPHY: 2016 - DNEVNIK MAŠINOVOĐE 2004 - FALLING IN THE PARADISE 2003 - MALI SVET 1989 - HAPPY END

Novine / The Paper Mario Kardum (51), utjecajni i politički konzervativni građevinski poduzetnik, odluči kupiti lijevoliberalni dnevni list „Novine“ iz dva razloga. Prvi je prometna nesreća koju je skrivila njegova majka Dubravka Kardum (71): skrivila je smrt troje mladih ljudi, a zatim pobjegla s mjesta nesreće. Mario Kardum upotrijebi svoje političke i policijske veze da se zataška istraga nesreće, ali Andrej Marinković (39), reporter „Novina“, ne odustane od istraživanja tog slučaja. Stavljanjem „Novina“ pod vlasničku kontrolu Kardum kani zaustaviti novinarsko čeprkanje po nedjelu svoje majke. Dalibor Matanić rođen je u Zagrebu 1975. godine. Diplomirao je filmsku i televizijsku režiju na Akademiji dramske umjetnosti u Zagrebu. Njegov film ZVIZDAN je 2015. prikazan u programu Un Certain Regard Filmskog festivala u Kanu, gdje je osvojio nagradu žirija. Njegov najpoznatiji film je FINE MRTVE DJEVOJKE koji je nagrađen specijalnom nagradom žirija na Filmskom festivalu u Sochiju 2003. Režirao je i više kratkih filmova, uključujući dva koja su imala međunarodne premijere na Filmskom festivalu u Kanu. Daliborov kratki film TULUM je nakon premijere na festivalu u Kanu prikazan na gotovo 80 drugih filmskih festivala osvojivši 19 nagrada. Dalibor je član Evropske filmske akademije. E Mario Kardum (51), a conservative and influential construction tycoon, decides to buy a leftleaning newspaper The Paper. He has two reasons. The first reason has to do with a traffic accident caused by his mother Dubravka Kardum (71). Three young people were killed in the accident and Dubravka fled from the scene. Mario uses his political and police connections to stop an official investigation of the accident, but The Paper reporter Andrej Marinković (39) is continuing his own investigation of the case. Mario Kardum hopes that assuming the ownership of The Paper will put him in a position to stop the journalist from investigating his mother’s crime.

Dalibor Matanić was born in 1975 in Zagreb. He graduated in film and TV directing from the Academy of Dramatic Arts in Zagreb. His 2015 film THE HIGH SUN was screened in the Un Certain Regard section at the 2015 Cannes Film Festival where it won the Jury Prize. His best-known film is the FINE DEAD GIRLS which won the Special Jury Prize at Sochi Film Festival in 2003. He has also directed several shorts, two of which premiered internationally at the Cannes International Film Festival. Following its Cannes premiere, his short film PARTY has been screened at almost eighty film festivals and has won nineteen awards. He is a member of the European Film Academy.

Croatia, 2016, Colour, 100 min, Croatian Režija / Director: Dalibor Matanić Scenarij / Screenplay: Ivica Đikić Direktor fotografije / Director of Photography: Danko Vučinović Montaža / Editor: Tomislav Pavlic, Ivan Živalj, Antonija Mamić Muzika / Music: Jura Ferina, Pavao Miholjević Zvuk / Sound: Franjo Homen Kostimografija / Costume Design: Sanja Šeler Scenografija / Production Design: Veronika Radman Producent / Producer: Miodrag Sila, Nebojša Taraba Produkcija / Production: Drugi Plan, HRT Uloge / Cast: Branka Katić, Trpimir Jurkić, Aleksandar Cvjetković, Dragan Despot, Edita Karađole, Zijad Gračić, Olga Pakalović, Zdenko Jelčić, Goran Marković, Alen Liverić, Tihana Lazović, Mijo Jurišić, Dajana Čuljak Kontakt / Contact: Nebojša Taraba; nebojsa.taraba@gmail.com; www.facebook.com/NovineTV/ FILMOGRAFIJA / FILMOGRAPHY: 2016 - NOVINE / THE PAPER 2016 - TRANSMANIA 2015 - ZVIZDAN / THE HIGH SUN 2013 - MAJSTORI / HANDYMEN 2011 - ĆAĆA / DADDY 2011 - MEZZANINE (kratki film / short film) 2010 - MAJKA ASFALTA, MOTHER OF ASPHALT 2009 - TULUM / PARTY (kratki film / short film) 2008 - KINO LIKA / LIKA CINEMA 2006 - VOLIM TE / I LOVE YOU 2005 - 100 MINUTA SLAVE / 100 MINUTES OF GLORY 2002 - SUŠA / DROUGHT (kratki film / short film) 2002 - FINE MRTVE DJEVOJKE / FINE DEAD GIRLS 2000 - BLAGAJNICA HOĆE IĆI NA MORE / THE CASHIER WANTS TO GO TO THE SEASIDE

AVANT PREMIERE l 22. Sarajevo Film Festival 217

Osloboduvanje na Skopje / Oslobođenje Skoplja / The Liberation of Skopje Užasi i patnje Drugog svjetskog rata u ovom su gorko-slatkom filmu prikazani iz perspektive jedanaestogodišnjeg Zorana čiji se otac pridružio partizanima kako bi se borio protiv njemačke okupacije, a majka mu, istovremeno, započinje vezu sa njemačkim oficirom. Rade Šerbedžija je jedan od najuspješnijih hrvatskih glumaca. Među glumcima svoje generacije smatran je personifikacijom Hamleta nakon svog prvog nastupa u liku tog tragičnog Šekspirovog lika u Dubrovniku 1974. U teatru je odigrao i mnoge druge značajne uloge, uključujući nastupe u liku Ričarda III, Peera Gunta, Melkiora i Leona Glembaja. Glumio je u više od 170 igranih filmova, uglavnom u vodećoj ulozi. Uspješnu međunarodnu karijeru je započeo nakon uloge u filmu Milche Manchevskog PRIJE KIŠE koji je na Filmskom festivalu u Veneciji osvojio glavnu festivalsku nagradu Zlatni lav. Rade je nastupao u filmovima vodećih reditelja današnjice, između ostalih u filmu Stanleyja Kubricka EYES WIDE SHUT, rediteljskom ostvarenju Francesca Rosija THE TRUCE, filmu MISSION IMPOSSIBLE Johna Wooa, te filmu Guya Ritchija THE SNATCH. THE LIBERATION OF SKOPJE njegov je rediteljski prvijenac, a režirao ga je skupa sa svojim sinom Danilom Šerbedžijom. E The horrors and suffering of the Second World War are portrayed in bittersweet terms through the eyes of 11-year-old Zoran whose father has joined the partisans to fight the German occupiers and whose mother becomes involved with a German officer.

Rade Šerbedžija is one of the most acclaimed Croatian actors. He was the Hamlet of his generation in 1974. Dubrovnik. He played many significant theatre roles including Hamlet, Richard III, Peer Gunt, Melkior, Leon Glembaj. He participated in over 170 feature films, in most of them as a leading role. After Milcho Manchevski’s film BEFORE THE RAIN that won the award of Venice Film Festival, his international career thrives. Rade played in films directed by some of the most famous world directors including EYES WIDE SHUT by Stanley Kubrick, THE TRUCE directed by Francesco Rosi, MISSION IMPOSSIBLE directed by John Woo, THE SNATCH by Guy Ritchie… He directed his first film THE LIBERATION OF SKOPJE together with his son Danilo Šerbedžija.

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Macedonia, Croatia, Finland, 2016, Colour, 111 min, Macedonian, Bulgarian, German Režija / Director: Rade Šerbedžija, Danilo Šerbedžija Scenarij / Screenplay: Dušan Jovanović, Rade Šerbedžija, Danilo Šerbedžija Direktor fotografije / Director of Photography: Dejan Dimeski Montaža / Editor: Nicolas Gaster Muzika / Music: Tuomas Kantelinen, Vlatko Stefanovski Zvuk / Sound: Kirka Sainio Kostimografija / Costume Design: Željka Franulović Scenografija / Production Design: Ivan Bartling Producent / Producer: Igor A.Nola, Robert Naskov, Gorjan Tozija, Vladimir Anastasov, Arto Halonen Produkcija / Production: Partysans (MK) Uloge / Cast: David Todosovski, Rade Šerbedžija, Mikko Nousiainen, Lucija Šerbedžija, Silvija Stojanovska, Nebojša Glogovac, Petar Mirčevski, Dejan Lilić, Petar Arsovski Kontakt / Contact: Igor A. Nola; igor@mainframeproduction.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - OSLOBODUVANJE NA SKOPJE / THE LIBERATION OF SKOPJE

ZG80 ZG80 je akciona komedija o jednom od najvećih rivalstava u historiji fudbalskih navijača – rivalstvu između Bad Blue Boysa (navijača fudbalskog kluba Dinamo iz Zagreba) i Delija (navijača fudbalskog kluba Crvena zvezda iz Beograda). U predvečerje rata u Jugoslaviji, fudbalski huligani iz Zagreba otišli su na utakmicu u Beograd, dom njihovih omiljenih neprijatelja Delija. Ovo je priča o prijateljstvu, lojalnosti i besmislu politike i rata u bivšoj Jugoslaviji. Igor Šeregi rođen je u Zagrebu. Počeo je snimati amaterske filmove 2003., da bi se tri godine kasnije upisao na studij filmske i TV režije na Akademiji dramske umjetnosti u Zagrebu. Njegovi kratki filmovi su prikazivani na filmskim festivalima širom svijeta. Na nekoliko filmova je radio i kao asistent režije. E ZG80 is an action comedy about one of the greatest rivalries in football fans history - the one between football fans Bad Blue Boys (football club “Dinamo“, Zagreb, Croatia) and Delije (football club “Red star“ Belgrade, Serbia). In a dawn of Yugoslavia war, football hooligans from Zagreb went to game in Belgrade, Serbia, home of their favourite enemies “Delije“ of football club “Red star“. This is a story of a friendship, loyalty and a senselessness of politics and war in former Yugoslavia. Igor Šeregi was born in Zagreb. He started making amateur films in 2003. In 2006 he enrolled in the Academy of Dramatic Arts in Zagreb, to study film and TV directing. His short films have been screened across the world at various film festivals. He has also worked on several films as an assistant director.

Croatia, 2016, Colour, 90 min, Croatian, Serbian Režija / Director: Igor Šeregi Scenarij / Screenplay: Robert Cukina, Ivo Balenović Direktor fotografije / Director of Photography: Sven Pepeonik Montaža / Editor: Ana Marija Sremec Muzika / Music: various artists Zvuk / Sound: Hrvoje Štefotić Kostimografija / Costume Design: Andrea Kuštović Scenografija / Production Design: Dušan Radoičić Producent / Producer: Ljubo Zdjelarević, Tomislav Vujić Produkcija / Production: Kinoteka Uloge / Cast: Rene Bitorajac, Marko Cindrić, Filip Detelić, Marko Janketić, Matija Kačan, Domagoj Mrkonjić, Nikola Rakočević, Mijo Jurišić, Igor Hamer, Miloš Timotijević, Mladen Andrejević, Danica Maksimović, Iva Stefanović, Radovan Vujović, Lazar Miljković, Mario Petreković, Srđan Miletić Kontakt / Contact: info@kinoteka.hr; www.kinoteka.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 - ZG80 2014 - PRESIDENT NIXON’S PRESENT (kratki film / short film) 2013 - STORY ABOUT MARE (kratki film / short film) 2011 - ANIMAL EMPIRE (kratki film / short film) 2009 - MATCH (kratki film / short film) 2008 - BITANGE I PRINCEZE (TV serija / TV series) 2007 - ZIMMER FREI (TV serija / TV series)

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Specijalne projekcije / Special Screenings

222 Ă&#x2021;irak / Ĺ egrt / The Apprentice, Emre Konuk 223 Segell Ikhtifa / Hronika jednog nestajanja / Chronicle of a Disappearance, Elia Suleiman

Çirak / Šegrt / The Apprentice Tridesetpetogodišnji Alim već 15 godina radi kao krojački šegrt u radnji svog majstora, šezdesetogodišnjeg Yakuba. Cijeli njegov život dešava se između ateljea i njegove kuće. Alim je nekrofobičar te posljedično tome mrzi na radi bilo šta van rutine i život provodi u ekstremnoj monotoniji. Jedan dan čuje na vijestima da se može desiti da plinski rezervoari u automobilu eksplodiraju. Od tada svaki put prije ulaska u taxi provjerava gepek automobila. Zbog toga odlučuje da se preseli u bliži kvart no ta će, naizgled mala promjena, za njega biti velika životna prekretnica. Emre Konuk je diplomirao na Beykent univerzitetu, na Odsjeku za film i televiziju 2009. godine. Producirao je nekoliko višestruko nagrađenih kratkih filmova. Započeo je karijeru kao direktor fotografije, te je u toj funkciji učestvovao u snimanju 4 filma. Da bi mogao da snimi film ROAD TO ALEPPO u Siriji 2012. godine, ušao je ilegalno u Siriju gdje je živio 50 dana. E Alim (35) has been working as a tailor apprentice for 15 years with his master Yakub (60). He lives his life stuck in between the atelier and his home. He is a necrophobic. As a consequence of this, he hates to break out of the routine and lives his life in extreme monotony. One day he hears in the news that LPG tanks in the cars might explode. Since then, each time he takes a taxi, he checks the trunk of the car. He therefore decides to move to a closer neighborhood, but this small change will be a milestone for him.

Emre Konuk gratuated from Beykent University, Department of Cinema and TV in 2009 and has produced several award winning short films. He started his career as a director of photography, having participated in the making of 4 films. In order to shoot the movie ROAD TO ALEPPO in Syria in 2012, he entered Syria illegally and lived there for 50 days.

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Turkey, 2015, Colour, 85 min, Turkish Režija / Director: Emre Konuk Scenarij / Screenplay: Emre Konuk Direktor fotografije / Director of Photography: Gürol Beşer Montaža / Editor: Emre Konuk Muzika / Music: Helen Jane Long, Lincoln Graunds, Jason Padder, Barrie Gledden, Ben Ziapour, Christopher Slaski, Paul Mottram Producent / Producer: Enes Erbay Produkcija / Production: Erbay Media And Production Co. Uloge / Cast: Hakan Atalay, Çiğdem Selışık Onat, Tuğrul Çetiner, Levent Öktem, Sencar Sağdıç, Beran Soysal, Nilüfer Açıkalın, Handan Yıldırım, Merve Dağlı, Şakir Güler, Rukiye Yenigül Kontakt / Contact: Erbay Media And Production Co.; info@erbaymedya.com FILMOGRAFIJA / FILMOGRAPHY: 2016 - ÇIRAK / THE APPRENTICE 2008 - BEKLEMEK / WAITING (kratki film / short film)

Segell Ikhtifa / Hronika jednog nestajanja / Chronicle of a Disappearance HRONIKA JEDNOG NESTAJANJA prelazi granice mnogih žanrova opstajući u zoni sumraka između narativnog, historijskog i autobiografskog filma. Nakon što je godinama živio u New Yorku, palestinski filmski autor Elia Suleiman vratio se u Izrael kako bi snimio ovaj film. Iskoristio je privilegovani status - napola stranca, napola insajdera - kako bi analizirao u kojoj mjeri arapsko stanovništvo Izraela gubi svoj nacionalni identitet. Elia Suleimani palestinski je reditelj rođen u Nazarethu. Prva dva, višestruko nagrađivana kratka filma, INTRODUCTION TO THE END OF AN ARGUMENT i HOMAGE BY ASSASSINATION, snimio je dok je živio u New Yorku u periodu od 1981. do 1993. godine. Njegov dugometražni igrani prvijenac, CHRONICLE OF A DISAPPEARANCE, proglašen je najboljim prvim filmom na Filmskom festivalu u Veneciji 1996. godine. DIVINE INTERVENTION, film koji je snimio 2002. godine, osvojio je nagradu žirija i FIPRESCI nagradu Međunarodnog udruženja filmskih kritičara na Filmskom festivalu u Kanu, kao i nagradu za najbolji strani film Evropske filmske akademije dodijeljenu u Rimu. Suleiman je 2007. godine bio izabran među 35 filmskih reditelja koji su radili na omnibusu TO EACH HIS OWN CINEMA produciranom povodom šezdesete godišnjice Filmskog festivala u Kanu. E In an investigation of the twilight zone between narrative, history and autobiography, CHRONICLE OF A DISAPPEARANCE transgresses the boundaries of many genres. After living in New York for many years, the Palestinian film maker Elia Suleiman returned to Israel for this film. He used his privileged position as half insider and half outsider to analyze how much the Arab population of Israel is losing its national identity.

Elia Suleiman is a Palestinian director born in Nazareth, Israel. He lived in New York between 1981 and 1993 where he directed his two short films INTRODUCTION TO THE END OF AN ARGUMENT and HOMAGE BY ASSASSINATION, both of which won numerous awards. His feature debut CHRONICLE OF A DISAPPEARANCE won the Best First Film Prize at the 1996 Venice Film Festival. His 2002 film DIVINE INTERVENTION won the Jury Prize and the International Critics FIPRESCI Prize at the Cannes Film Festival, as well as the Best Foreign Film Prize at the European Awards in Rome. In 2007, he was selected among 35 directors who contributed to a collective film TO EACH HIS OWN CINEMA produced to honor the 60th anniversary of the Cannes Film Festival. His latest film THE TIME THAT REMAINS was screened in the official competition selection of the 2009 Cannes Film Festival.

Palestine, Israel, USA, Germany, France, 1996, Colour, 84 min, Arabic, English, French, Hebrew Režija / Director: Elia Suleiman Scenarij / Screenplay: Elia Suleiman Direktor fotografije / Director of Photography: Marc Andrie Batigne Montaža / Editor: Anna Ruiz Zvuk / Sound: Jean-Paul Mugel Kostimografija / Costume Design: Mira Awad Scenografija / Production Design: Samir Srouji, Hans Ter Elst Producent / Producer: Elia Suleiman Produkcija / Production: DHAT Productions Uloge / Cast: Elia Suleiman, Ula Tabari, Nazira Suleiman, Fuad Suleiman, Jamal Daher Kontakt / Contact: Kino International, www.kino-international.com FILMOGRAFIJA / FILMOGRAPHY: 2012 - SEVEN DAYS IN HAVANA (segment DOARY OF A BEGINNER - omnibus) 2009 - THE TIME THAT REMAINS 2002 - DIVINE INTERVENTION 1999 - CYBER PALESTINE 1998 - THE ARAB DREAM (kratki film / short film) 1997 - WAR AND PEACE IN VESOUL (dokumentarni film / documentary) 1996 - CHRONICLE OF A DISAPPEARANCE 1990 - INTRODUCTION TO THE END OF AN ARGUMENT (dokumentarni film / documentary)

SPECIAL SCREENINGS l 22. Sarajevo Film Festival 223

Bosanskohercegovački Film Festival / BiH Film Festival

228 Igrani filmovi / Feature Films 229 Dokumentarni filmovi / Documentary Films 233 Kratki i animirani filmovi / Short and Animated Films 235 Studentski filmovi / Student Films 237 Specijalna projekcija / Special Screening

* Podaci preuzeti iz kataloga “Bh. Film 2015/2016” / Information taken from the catalogue “B&H Film 2015/2016”

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11. Bosanskohercegovački Filmski Program / 11th Edition of BiH Film Programme Udruženje filmskih radnika BiH u saradnji sa Sarajevo Film Festivalom organizovat će 11. izdanje BH filmskog programa u okviru kojeg će prikazati rekordnih 76 filmova! Program će se održati od 13. do 20. augusta u sklopu Sarajevo Film Festivala.

E The Association of Filmmakers of Bosnia and Herzegovina is proud to announce the 11th edition of the BH Film Programme. The BH Film Programme is organized with, and presented within, the Sarajevo Film Festival and will include 76 Bosnian films, running from August 12th to 20th.

Ove godine, u okviru ovog programa, Udruženje filmskih radnika predstavit će 73 bosanskohercegovačka filma, te 3 filma koja su snimljena izvan bh. produkcije, ali s bosanskohercegovačkim temama ili autorima. Program će otvoriti specijalna projekcija, predstavljanje Mediteran Film Festivala iz Širokog Brijega u kojem će biti prikazano sedam filmova iz produkcije ovog festivala.

This year’s BH Film Programme selection includes 73 films produced in Bosnia and Herzegovina and three films dealing with issues pertaining to Bosnia and Herzegovina or that were made by Bosnian filmmakers.

U okviru programa bit će prikazano čak deset igranih filmova, 29 dokumentarnih filmova (7 dugometražnih i 22 kratkometražna dokumentarna filma), te 15 kratkih igranih filmova i dva animirana filma. Po peti put, BH. Film program će prikazati i takmičarsku selekciju od 13 studentskih filmova nastalih u produkciji bosanskohercegovačkih filmskih škola. Ovi filmovi takmičit će se za: Nagradu za najbolji bh. studentski film, Specijalnu nagradu žirija i Specijalno priznanje žirija. O tome koji će filmovi biti nagrađeni ove godine odlučuje žiri koji čine glumica Alena Džebo, producent Alem Babić, te direktor fotografije Antoni Ćorić.

The program will open with the presentation of the Mediterranean Film Festival from Široki Brijeg and the screening of seven films it produced. The program lineup includes 10 features, 29 documentary films (7 feature and 22 short documentaries), as well as 15 short fiction and two animated films. For the fifth time, the BH Film Programme will include a competitive section in which 13 films by Bosnia-Herzegovina’s films students will compete for the Best Student Film Award, a Special Jury Prize and a Special Jury Mention. The winners will be chosen by a three-member jury including actress Alena Džebo, producer Alem Babić and director of photography Antoni Ćorić.

Osim 43 svjetske premijere i više od 120 gostiju, ovaj program organizirat će i prvi sastanak bosanskohercegovačkih filmskih festivala na kojem će direktori i predstavnici svih filmskih festivalu našoj zemlji razgovarati o budućim planovima i međufestivalskoj saradnji.

In addition to offering 43 world premieres and attracting over 120 guests, the BH Film Programme in this year’s Sarajevo Film Festival will also organize the first meeting of film festivals in Bosnia and Herzegovina. Directors and other representatives of film festivals held in our country will have a chance to discuss future plans and intensify inter-festival cooperation.

Prije 13 godina, BH Film program predstavio je 3 dugometražna i 3 kratka filma, dajući tako godišnji pregled bh. filmske produkcije 2003. godine. Od tada je bh. filmska produkcija porasla za više od 12 puta!

Back in 2003, the programme presented 3 features and 3 short films, thus providing the overview of the BH film production for the year. In just 13 years, the BH film production has multiplied by more than 12 times!

Urednica / Editor: Elma Tataragić Koordinatorica programa / Program Coordinator: Melina Alagić Udruženje filmskih radnika BiH / Association of Filmmakers BiH

BIH FILM FESTIVAL l 22. Sarajevo Film Festival 227

IGRANI FILMOVI / FEATURE FILMS

SMRT U SARAJEVU / DEATH IN SARAJEVO France, Bosnia and Herzegovina, 2016, DCP, 85 min. ● Režija / Director: Danis Tanović ● Scenarij / Screenplay: Danis Tanović ● Direktor fotografije / Director of Photography: Erol Zubčević ● Montaža / Editor: Redžinald Šimek ● Dizajn zvuka / Sound Design: Samir Fočo ● Scenograf / Set Design: Mirna Ler ● Kostimografija / Costume Design: Ina Arnautalić, Hatidža Nuhić ● Muzika / Music: Mirza Tahirović ● Uloge / Cast: Jacques Weber, Snežana Vidović, Izudin Bajrović, Vedrana Seksan, Muhamed Hadžović, Faketa Salihbegović-Avdagić, Edin Avdagić ● Producent / Producer: Francois Margolin, Amra Bakšić Čamo ● Producentska kuća / Production Company: Margo Films, SCCA/pro.ba ● Kontakt / Contact: Match Factory; info@matchfactory.de; www.the-match-factory.com

Sarajevo, 28. juni 2014. godine. U hotelu Europa, najboljem hotelu u gradu, direktor Omer sprema se da dočeka delegaciju istaknutih diplomata. Na stotu godišnjicu atentata, koji se smatra povodom Prvog svjetskog rata, iz Sarajeva bi se trebao poslati poziv na mir i razumijevanje u svijetu. Ali osoblje hotela muče druge brige. Nakon što mjesecima nisu dobili plate, oni planiraju stupiti u štrajk. Istovremeno, u izolovanom predsjedničkom apartmanu, gost iz Francuske uvježbava svoj govor. Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech.

SIERANEVADA Romania, France, Bosnia and Herzegovina, Croatia, Macedonia, 2016, DCP, 173 min. ● Režija / Director: Cristi Puiu ● Scenarij / Screenplay: Cristi Puiu ● Direktor fotografije / Director of Photography: Barbu Balasoiu ● Montaža / Editor: Letitita Stefanescu, Ciprian Cimpoi, Iulia Muresan ● Dizajn zvuka / Sound Design: Jean Paul Bernard, Filip Muresan, Christophe Vingtrinier ● Kostimografija / Costume Design: Maria Pitea, Doina Raducut ● Uloge / Cast: Mimi Branescu, Bogdan Dumitrache, Judith State, Dana Dogaru, Sorin Medeleni, Ana Ciontea, Rolando Matsangos ● Producent / Producer: Anca Puiu ● Producentska kuća / Production Company: MANDRAGORA ● Kontakt / Contact: Elle Driver; festival@elledriver.eu, sales@elledriver.eu; www.elledriver.fr

Tri dana nakon napada na redakciju satiričnog magazina Charlie Hebdo u Parizu i četrdeset dana nakon smrti njegovog oca, četrdesetogodišnji doktor Lary provodi subotu u Bukureštu na porodičnom okupljanju u čast preminuloga. Okupljanje ne protiče po planu, okupljeni žustro raspravljaju i na površinu izbijaju dijametralno suprotna mišljenja. Prisiljen da se sukobi sa svojim strahovima i prošlošću i da preispita svoje mjesto u porodici, Lary ima samo jedan izbor - da obznani istinu. Somewhere in Bucharest, three days after the attack on Charlie Hebdo in Paris and forty days after his father’s death, 40-year-old doctor Lary spends one Saturday at a family gathering in memory of the deceased. The event does not go as planned. Discussions are heated, fierce differences of opinion arise. Forced to face his fears and his past, and obliged to reconsider his place in the family, Lary is left with no choice but to tell the truth...

DOBRA ŽENA / A GOOD WIFE Serbia / Bosnia and Herzegovina / Croatia, 2016, DCP, color, 90 min. ● Režija / Director: Mirjana Karanović ● Scenarij / Screenplay: Mirjana Karanović, Stevan Filipović, Darko Lungulov ● Direktor fotografije / Director of Photography: Erol Zubčević ● Montaža / Editor: Lazar Predojev ● Scenografija / Production Designer: Nenad Marković ● Costume Designer: Boris Čakširan ● Uloge / Cast: Bojan Navojec, Mirjana Karanović, Hristina Popović, Jasna Đuričić, Ksenija Marinković, Marko Nikolić ● Producentica / Producer: Snežana Penev ● Koproducenti / Co-Producers: Igor Vranjković, Jasmila Žbanić ● Producentske kuće / Production Companies: Cineplanet (Serbia), This&That Production (Serbia), Deblokada (Bosnia and Herzegovina), Nukleus film (Croatia) ● Kontakt / Contact: Damir Ibrahimović, Kranjčevića 43, 71000 Sarajevo, tel. / fax.: +387 33 668 559, deblok@bih.net.ba, info@deblokada.ba

Kada pedesetogodišnja Milena otkrije stravičnu prošlost svog naizgled idealnog supruga, u isto vrijeme saznavši da boluje od raka, počinje se buditi iz svog raja u predgrađu, u kojem je do tada živjela. When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in. 228 22. Sarajevo Film Festival l BOSANSKOHERCEGOVAČKI FILM FESTIVAL

MAMA / MOTHER Slovenia, Bosnia and Herzegovina, Italy, 2016, DCP, 93 min. ● Režija / Director: Vlado Škafar ● Scenarij / Screenplay: Vlado Škafar ● Direktor fotografije / Director of Photography: Marko Brdar ● Montaža / Editor: Jelena Maksimović, Vlado Škafar ● Uloge / Cast: Nataša Tič Ralijan, Vida Rucli, Gabriella Ferrari, Pierluigi Di Piazza ● Producent / Producer: Frenk Celarc ● Producentska kuća / Production Company: Gustav Film; Arch Production, SCCA / pro.ba, Transmedi ● Kontakt / Contact: SCCA / pro.ba, office@pro.ba

Majka odvodi svoju autodestruktivnu kćer u napušteno selo u Italiji i zaključava je u kuću usred ničega. Ono što počinje kao očajnički pokušaj majke da spasi svoje dijete pretvara se u čudesnu duhovnu avanturu, obnavljanje dubokog osjećaja života u njoj samoj. Inspiriran pisanjem Marcela Prousta, film nije toliko studija odnosa između majke i kćeri, nego je poezija o dvije ljudske duše. Mother takes her self-destructive daughter to a deserted village in Italy and locks her in a house in the middle of nowhere. What begins as a mother’s desperate attempt to save her child turns into an increasingly miraculous spiritual adventure, restoring the deep feelings of life within her. Inspired by the writings of Marcel Proust, the film is not so much a study of a relationship between mother and daughter: it is a poem of two human souls.

SVI SJEVERNI GRADOVI / ALL THE CITIES OF THE NORTH Serbia / Bosnia and Herzegovina / Montenegro, France, 2016, DCP, color, 97 min. ● Režija i scenarij / Director and Screenplay: Dane Komljen ● Direktor fotografije / Director of Photography: Ivan Marković ● Montaža / Editor: Nataša Damnjanović, Dane Komljen ● Dizajn zvuka / Sound Design: Igor Čamo ● Scenografkinja / Set Designer: Magdalena Vlajić ● Kostimografkinja / Costume Designer: Magdalena Vlajić ● Uloge / Cast: Boris Isaković, Boban Kaluđer, Dane Komljen ● Producenti / Producers: Nataša Damnjanović, Vladimir Vidić ● Koproducenti / Co-producers: Amra Bakšić Čamo, Adis Đapo (SCCA / pro. ba, BiH), Zoran Galić (Vizart, BiH), Bojana Radulović (Code Blue, MNE) ● Producentske kuće / Production companies: Dart Film (Serbia), SCCA / pro.ba (BiH), Vizart (BiH), Code Blue (MNE) ● Kontakt / Contact: SCCA / pro. ba, Isa-bega Ishakovića 6, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Bijela soba i podignuti plavi šator u njoj, gdje dva muškarca dijele odnos za koji riječi ne postoje. Boban i Boris žive u napuštenom kompleksu gotovo identičnih bungalova, okruženi zalutalim magarcima, plastičnim bocama i crvenim bobicama, trskom, visokim drvećem i sezonskim radnicima. Uhodani obrasci njihove svakodnevice bivaju preokrenuti dolaskom Daneta u ovaj skriveni prostor. Sa njim dolazi i spoljni svijet i donosi priče o drugim vremenima, o gradovima na sjeveru i jugu, o tome kako se nešto pravi. Nove veze se uspostavljaju, stare mijenjaju. Ljubav može biti krhka kada joj ne damo ime. Ne, ne zovi me ‘druže’. Kako da te zovem onda? A single, white room, a blue tent inside, where two men share a relationship for which there are no words. Boban and Boris live within a set of almost identical abandoned bungalows, in the midst of stray donkeys, plastic bottles and red berries; reed beds, tall trees and transient workers. Someone else enters this secluded space and its patterns are disturbed. The world outside arrives and brings stories of other times, of cities to the north and south, of how something is made. New bonds form and old ones shift. Love can be fragile when not given a name. No, don’t call me ‘comrade’. What should I call you, then?

NOĆNI ŽIVOT / NIGHTLIFE Slovenia, Macedonia, Bosnia and Herzegovina, 2016, DCP, 85 min. ● Režija / Director: Damjan Kozole ● Scenarij / Screenplay: Damjan Kozole, Ognjen Sviličić ● Direktor fotografije / Director of Photography: Miladin Čolaković ● Montaža / Editor: Jurij Moškon, Ivo Trajkov ● Dizajn zvuka / Sound Design: Igor Čamo, Julij Zornik, Gašper Loborec ● Scenograf / Set Design: Dušan Milavec, Neža Zinajić ● Kostimografija / Costume Design: Zora Stančič ● Muzika / Music: Kostov, Silence ● Uloge / Cast: Pia Zemljič, Jernej Šugman, Marko Mandić, Peter Musevski, Jana Zupančić, Petre Arsovski, Mojca Partljič, Dejan Spasić, Matija Vastl ● Producent / Producer: Danijel Hočevar, Labina Mitevska, Amra Bakšić Čamo, Adis Đapo ● Producentska kuća / Production Company: Vertigo ● Kontakt / Contact: Vertigo; info@vertigo.si; www.vertigo.si

Poznati advokat jedne je noći pronađen na trotoaru uz glavnu ulicu u centru Ljubljane. Jedva da je svjestan, leži u lokvi krvi i tijelo mu je prekriveno psećim ugrizima. Doktori se u bolnici bore za njegov život dok se njegova šokirana žena mora suočiti sa svojim najdubljim strahovima. Tokom te noći ona će prekršiti sva moralna pravila za koja se čitav život zalagala. Ovo je film o društvu u kojem je strah pokretačka snaga.

One night, a high-profile attorney is found on the pavement along a main road through Ljubljana. He is barely conscious, lying in a pool of blood, and covered in dog bites. Doctors at the medical center fight to keep him alive while his wife, in shock, confronts her deepest fears. During the course of this night she will break every moral standard she has stood up for in her life. This is a film about a society where fear is the driving force.

MOJA TETKA U SARAJEVU / MY AUNT IN SARAJEVO Sweden, 2016, Other, 58 min.● Režija / Director: Goran Kapetanović ● Scenarij / Screenplay: China Åhlander, Dragan Mitić, Goran Kapetanović ● Direktor fotografije / Director of Photography: Ita Zbroniec-Zajt ● Dizajn zvuka / Sound Design: Martin Saabye Andersen, Nirvan Imamovic, Predrag Doder, Claus Lynge ● Scenograf / Set Design: Lene Willumsen ● Kostimografija / Costume Design: Emina Kujundzic ● Uloge / Cast: Milan Dragišić, Julia Ragnarsson, Sadžida Šetić ● Producent / Producer: China Åhlander ● Producentska kuća / Production Company: Chinema Film Sweden ● Kontakt / Contact: Chinema Film Sweden, www.chinema.se

Zlatkova jedina veza s Bosnom nakon rata jeste novac koji šalje kućnoj pomoćnici svoje stare tetke. Njegova kćerka Anja čvrsto je odlučila da otkrije nešto više o svojim bosanskim korijenima. Nakon što njegov pokušaj da je spriječi da posjeti Sarajevo propadne, Zlatko nevoljko odlučuje da joj se pridruži na tom putovanju. The only contact Zlatan has with Bosnia since the war is when he transfers money to the housekeeper of his old aunt. His daughter Anja is determined to find out more about her Bosnian roots and as Zlatan’s attempts to stop her travelling to Sarajevo fail, he reluctantly decides to go with her.

PAPAGAJKA Bosnia and Herzegovina, United Kingdom, 2016, DCP, 82 min. ● Režija / Director: Emma Rozanski ● Scenarij / Screenplay: Emma Rozanski ● Direktor fotografije / Director of Photography: Malte Rosenfeld ● Montaža / Editor: Kostas Makrinos ● Dizajn zvuka / Sound Design: Guy Fixsen ● Scenograf / Set Design: Louise McElhatton ● Kostimografija / Costume Design: cast and crew ● Muzika / Music: Guy Fixsen ● Uloge / Cast: Adnan Omerović, Tina Keserović, Susanna Cappellaro, Sabina Mrgan, Don Guido ● Producent / Producer: Louise McElhatton ● Producentska kuća / Production Company: KitBat Productions ● Kontakt / Contact: emmarozanski@gmail.com

Strankinja Tasya dolazi u Sarajevo i upada u Damirov usamljenički svijet. Malo po malo Tasya preuzima Damirov stan, njegov život, pa čak i njegove snove. Pošto Damir ne uspijeva skupiti hrabrost da joj se suprotstavi, Tasya postaje sve samouvjerenija i sve više preuzima kontrolu. Da li se Damir može izvući iz ove zamke i ponovo preuzeti kontrolu nad svojim životom ili će ga Tasya u potpunosti savladati i izbrisati sve tragove njegovog postojanja? A stranger, Tasya, arrives in Sarajevo and barges into Damir’s reclusive world. Little by little she takes over his apartment, his life, even his dreams. He can’t summon the courage to confront Tasya and she becomes progressively more comfortable and controlling. Can Damir find it in himself to struggle out of this trap and regain control of his life, or will Tasya take him over completely, leaving no trace of Damir in the world?

BABA VANGA Bosnia and Herzegovina, Poland, Norway, 2016, DCP, 77 min.● Režija / Director: Aleksandra Niemczyk ● Scenarij / Screenplay: Aleksandra Niemczyk ● Direktor fotografije / Director of Photography: Lucas Zamaro ● Montaža / Editor: Kostas Makrinos ● Dizajn zvuka / Sound Design: Wojtek Chudzinski ● Scenograf / Set Design: Aleksandra Niemczyk ● Kostimografija / Costume Design: Aleksandra Niemczyk ● Muzika / Music: Olga szymula ● Uloge / Cast: Virginie Roche, Vedad Trbonja, Tatjana Skojic ● Producent / Producer: Marta Habior, Emina Ganic, Aleksandra Niemczyk ● Producentska kuća / Production Company: No Sugar Films, Film.Factory, Aleksandra Niemczyk AS ● Kontakt / Contact: niemczyk.aleks@gmail.com

Starica Baba Vanga priča kako je izgubila vid ali „počela da vidi“. Pratimo njen svakodnevni život ubrzo nakon nesreće u kojoj je izgubila vid; ukazuju joj se duhovi mrtvih ljudi koji joj otkrivaju buduće događaje. Neka od njenih predviđanja su se ostvarila, a neka nisu. Lik Babe Vange je zasnovan na stvarnoj osobi Vangeliji Padevoj Dimitrovoj, a kao inspiracija za film poslužila su njena predskazanja.

ŽIVOT CVIJEĆA / THE LIFE OF FLOWERS Bosnia and Herzegovina, USA, 2016, DCP, 84 min.● Režija / Director: Jimmy Bontatibus ● Scenarij / Screenplay: Jimmy Bontatibus ● Direktor fotografije / Director of Photography: Alexander Lenzi ● Montaža / Editor: Christopher Day ● Dizajn zvuka / Sound Design: TBD ● Uloge / Cast: Mersiha Husagić, Drew Gregory, Aida Bukva, Katija Bratkovic, Ilir Tafa ● Producent / Producer: Jimmy Bontatibus, Moamer Kasumović ● Producentska kuća / Production Company: Go Boating Films, burningpeacock ● Kontakt / Contact: moamer@off.buzz

Sarajka Maja provodi dane lutajući sa kraja na kraj grada; pohađa časove engleskog jezika, druži se sa prijateljima i pokušava spriječiti deportaciju Austina, svoga bivšeg predavača, američkog studenta na razmjeni. Maja, a Sarajevo native, spends her days bouncing all over the city - going to English classes, hanging out with her friends, and trying to stop the deportation of her former teacher, an American exchange student named Austin.

DOKUMENTARNI FILMOVI / DOCUMENTARY FILMS

PESNICA SJEĆANJA / A FIST OF MEMORY Macedonia, Albania, Bosnia and Herzegovina, 2015, DCP, 22 min. ● Režija / Director: Aid Besic ● Scenarij / Screenplay: Aid Bešić, Shqipdona Ademaj ● Direktor fotografije / Director of Photography: Aid Bešić, Shqipdona Ademaj ● Montaža / Editor: Aid Bešić, Shqipdona Ademaj ● Dizajn zvuka / Sound Design: Aid Bešić, Shqipdona Ademaj ● Scenograf / Set Design: Dimitri Čavkar ● Kostimografija / Costume Design: Dimitri Čavkar ● Muzika / Music: Dimitri Čavkar ● Uloge / Cast: Dimitri Čavkar ● Producent / Producer: ACTIve Creative Documentary Film School ● Producentska kuća / Production Company: Pravo Ljudski, Makedox, Dokufest ● Kontakt / Contact: contact@aidbesic.com

A FIST OF MEMORY / PESNICA SJEĆANJA je kratki film o Dimitriju i njegovim uspomenama. Prisjeća se svojih ljubavi iz vojske, života njegova oca, sretnih i nesretnih trenutaka. A FIST OF MEMORY is a short film about Dimitri and his memories. He remembers his loves from the army, his father’s life, happy and unhappy moments.

DJECA MIRA / CHILDREN OF PEACE Bosnia and Herzegovina, 2016, Other, 52 min. ● Režija / Director: Emir Kapetanović ● Scenarij / Screenplay: Emir Kapetanović ● Direktor fotografije / Director of Photography: Arnej Misirlić, Amer Prevljak ● Montaža / Editor: Saša Peševski ● Dizajn zvuka / Sound Design: Haris Saračević ● Scenograf / Set Design: ● Kostimografija / Costume Design: ● Muzika / Music: Darko Majerski ● Uloge / Cast: Radoš Zarić, Nataša Jasikovac, Nina Lončar, Ivona Baković, Marko Pešikan, Zorica Sekulić ● Producent / Producer: Zana Marjanović, Emir Kapetanović ● Producentska kuća / Production Company: Magacin Kabare ● Kontakt / Contact: emir@magacinkabare.com

Film o prvoj generaciji djece rođenoj u miru u Bosni i Hercegovini. Godina je 2016. Prošlo je dvadeset godina od potpisivanja Dejtonskog mirovnog sporazuma kojim je zaustavljen najrazorniji rat u Evropi nakon Drugog svjetskog rata. Današnja Bosna i Hercegovina živi u miru obilježenom podjelama i sukobima oko dešavanja iz proteklog rata koji se reflektiraju na nove generacije koje odrastaju podijeljene pričama o prošlosti. U takvoj Bosni i Hercegovini, šest mladih ljudi iz šest gradova BiH donose odluku da se upoznaju i pokušaju da stvore zajednički umjetnički čin kojim će poslati svoju poruku o budućnosti Bosne i Hercegovine. A film about the first generation of children born post-war in Bosnia and Herzegovina. It is 2016 and it has been 20 years since the signing of the Dayton Accords, which stopped the most devastating war in Europe after the World War II. Today’s Bosnia and Herzegovina lives in peace marked by divisions and conflicts - over the events that took place in the war- that reflect onto the new generations that grow up divided by the stories of the past. In such Bosnia and Herzegovina, six young individuals from six different cities in BiH decide to meet and to try to create a common act of art, through which they aim to send their message about the future of Bosnia and Herzegovina.

Baba Vanga, as an older woman, tells how she lost her sight but “began to see”. Getting to know her in her every day duties soon following the accident that took her sight away, ghosts of dead people came to her to reveal what would happen to the world. Some of her predictions actually happened, some didn’t. The character of Baba Vanga is based on the real-life person Vangelia Pandeva Dimitrova, and the film was inspired by her predictions. BIH FILM FESTIVAL l 22. Sarajevo Film Festival 229

FATA

JADRANKA

Bosnia and Herzegovina, 2016, Other, 15 min. ● Režija / Director: Vedran Drljević ● Scenarij / Screenplay: Vedran Drljević ● Direktor fotografije / Director of Photography: Dževad Arnautović ● Montaža / Editor: Dževad Arnautović ● Dizajn zvuka / Sound Design: Dževad Arnautović ● Muzika / Music: Šahsudin Osmanović, Man Down ● Uloge / Cast: Adnan Mahmutović Java, Hadis Zubanović, Ismet Lagumdžija, Bulend Biščević Buki, Mišo Smajlović, Kemal Kozarić, Adnan Gušo, Husref Musemić, Milomir Odović, Dino Pekić, Jusuf Šehić, Marijan Antolović, Zajko Zeba ● Producent / Producer: Vedran Drljević ● Producentska kuća / Production Company: Dževad Arnautović ● Kontakt / Contact: vedran.drljevic@n1info.com

Bosnia and Herzegovina, 2015, Other, 72 min. ● Režija / Director: Branko Lazić ● Scenarij / Screenplay: Branko Lazić ● Direktor fotografije / Director of Photography: Vladimir Todić, Dragan Radetić, Draško Budiša, Ljubomir Tešinić, Branko Lazić ● Montaža / Editor: Siniša Žigić, Mladen Marijanović, Saša Karakaš, Dragan Vranjković ● Dizajn zvuka / Sound Design: Vladimir Vladetić ● Muzika / Music: Jadranka Stojaković ● Uloge / Cast: Jadranka Stojaković ● Producent / Producer: Aleksandar Šević ● Producentska kuća / Production Company: Radio televizija Republike Srpske ● Kontakt / Contact: www.rtrs.tv, web@rtrs.tv

Dokumentarni film o legendarnoj Fati je priča o uzvraćenoj ljubavi. Fata je najvjerniji navijač FK Željezničar. Bez obzira na urođenu nemogućnost govora, godinama oduševljava kako navijače, tako i fudbalere. A documentary about the legendary Fata is a story of a mutual love. Fata is the greatest die-hard fan of the Željezničar football club. Regardless of her congenital inability to speak, she has thrilled fans as well as players for years.

GORA Bosnia and Herzegovina, Serbia, 2016, DCP, 76 min. ● Režija / Director: Stefan Malešević ● Scenarij / Screenplay: Stefan Malešević ● Direktor fotografije / Director of Photography: Stefan Malešević ● Montaža / Editor: Jelena Maksimović, Stefan Malešević ● Dizajn zvuka / Sound Design: Stefan Malešević ● Muzika / Music: Muška Brothers ● Producent / Producer: Stefan Malešević, Vladimir Vasiljević ● Producentska kuća / Production Company: Stefan Malešević ● Kontakt / Contact: malesevicstefan@gmail.com

Film o pjevačici Jadranki Stojaković. EX YU i japanska pjevačka zvijezda, slikarka, izbjeglica i apatrid, voljena pjesnikinja nesrećno zaljubljenih. Manje je poznato da voli žestoku gitaru, eksperimentalnu i ambijentalnu muziku, Džeksona Poloka i da još uvijek sanja na japanskom. Poslije nesreće na koncertu u Japanu 2011. oboljela je od bolesti progresivnog odumiranja mišića. A film about the singer Jadranka Stojaković. Ex-Yugoslav and Japanese music star, painter, and a stateless refugee, the beloved poet of those unhappily in love. It is less known that she fancies the sound of the electric guitar, experimental and ambiental music, Jackson Pollock and that she still dreams in Japanese. After an accident that occured during a concert in Japan in 2011, she fell ill from multiple sclerosis.

KAKO SAM POSTALA TI / HOW I BECAME YOU

In the remote mountain villages of Gora, situated on the borders of Kosovo*, Albania and Macedonia, in the high altitudes of the harsh and inaccessible Shar Mountains, live the Gorani people.

Bosnia and Herzegovina, 2015, Other, 3 min. ● Režija / Director: Ivana Živković ● Scenarij / Screenplay: Ivana Živković ● Direktor fotografije / Director of Photography: Ivana Živković ● Montaža / Editor: Sanjin Počić ● Dizajn zvuka / Sound Design: Nebojša Živković, Ljubica Živković ● Scenograf / Set Design: Ivana Živković ● Kostimografija / Costume Design: Ivana Živković ● Muzika / Music: Ivana Živković ; First barbie commercial 1959 ● Uloge / Cast: Ivana Živković, Adnan Smajić, Miodrag Jović ● Producent / Producer: Darija Buzaković ● Producentska kuća / Production Company: Lanterna ● Kontakt / Contact: ingenue98@hotmail.com

I KNOW YOU ARE, BUT WHAT AM I?

Kratki film o autocenzuri, nametnutim normama ponašanja, mišljenja i stavova koji u konačnici dovode do raspeća jedne ličnosti.

U udaljenim planinskim selima Gore, smještenim na granici između Kosova*, Albanije i Makedonije, na velikoj nadmorskoj visini okrutne i teško dostupne Šar - Planine, žive Gorani.

Bosnia and Herzegovina, 2016, DCP, 18 min. ● Režija / Director: Nađa Sinić ● Scenarij / Screenplay: Nađa Sinić ● Direktor fotografije / Director of Photography: Amel Đikoli ● Montaža / Editor: Saša Karakaš ● Dizajn zvuka / Sound Design: Dragan Bošnjak ● Muzika / Music: Dragan Predić ● Producent / Producer: Zoran Galić, Mirjana Milobratović ● Producentska kuća / Production Company: Vizart Film production ● Kontakt / Contact: vizart@vizartfilms.com

Upoznajemo se sa mladom transseksualnom osobom po imenu Chris. Način na koji kamera prati Chrisa kroz okolinu ukazuje na izuzetno lično svjedočenje. Način na koji on pokušava da se izrazi koristeći umjetnost kao medijum je centralni fokus filma. We are introduced to a young transgender person called Chris. The way the camera follows Chris through the surroundings implies a very personal testimony. The way he tries to express things using art as a medium is the focal point of the movie.

JA SAM ADNAN I NEĆU VAS RAZNIJETI / MY NAME IS ADNAN AND I WILL NOT BLOW YOU UP Bosnia and Herzegovina, 2015, Other, 7 min. ● Režija / Director: Adnan Smajić ● Scenarij / Screenplay: Adnan Smajić, Branko Lazić ● Direktor fotografije / Director of Photography: Adnan Smajić ● Montaža / Editor: Sanjin Počić ● Dizajn zvuka / Sound Design: Adnan Smajić ● Scenograf / Set Design: Nataša Vujinović ● Kostimografija / Costume Design: Ivana Živković ● Muzika / Music: LAB Studio ● Uloge / Cast: Adnan Smajić ● Producent / Producer: Darija Buzaković ● Producentska kuća / Production Company: UKS Lanterna ● Kontakt / Contact: adnan.s.smajic@ gmail.com

Satirično-dokumentarni prikaz medijski izazvanih paranoja od terorizma. Film preko osobne priče teži prikazati subjektivni doživljaj pojedinca u sukobu s društvom, koje stavove bazira na propagandi i stereotipima. Autor priča svoju životnu priču iz perspektive nadzorne kamere, pripovjedajući o najupečatljivijima trenucima njegovog života. A mockumentary showcasing terrorism paranoia in Bosnia and Herzegovina. Through a personal story, it attempts to convey the subjective experience of an individual in conflict with a society that bases its opinions on propaganda and stereotypes. The author is telling his life story from a perspective of a surveillance camera, narrating through some of the most memorable scenes of his life. 230 22. Sarajevo Film Festival l BOSANSKOHERCEGOVAČKI FILM FESTIVAL

A short film about self-censorship, imposed behavioral norms, opinions and attitudes which ultimately lead to the crucifixion of one’s personality.

LEBDENJE PO NEBU / FLOATING IN THE SKY Bosnia and Herzegovina, Sweden, Iran, 2015, DCP, 9 min. ● Režija / Director: Bahareh Midhadi ● Scenarij / Screenplay: Bahareh Midhadi ● Direktor fotografije / Director of Photography: Bahareh Midhadi ● Montaža / Editor: Bahareh Midhadi ● Producent / Producer: Darija Buzaković, Hanna Hannerz, Elin Bennett, Borislav Buljić ● Producentska kuća / Production Company: UKS Laterna (BiH), Flimmer (SWE) ● Kontakt / Contact: bahareh.mirhadi@gmail.com

Priča o osjećajima izgubljenosti i zbunjenosti, koji nastaju kao direktna posljednica migracije. Film pokazuje prvobitno uzbuđenje promjenom, a zatim kako različita kulturološka iskustva mogu prouzrokovati poteškoće. Kako protiče proces integracije, polako, gotovo neprimijetno, pojedinac preuzima obrazac ponašanja okoline. The story about the feeling of being lost and confused as a direct consequence of migration. The documentary shows the initial excitement and how different experiences can convert into difficulties. Slowly, without even noticing, one adopts the pattern of behavior of the surroundings as the integration process takes place.

MOGAO BI DA BUDE FILM / THIS COULD BE FILM Bosnia and Herzegovina, Macedonia, 2015, DCP, 7 min. ● Režija / Director: Kumjana Novakova ● Scenarij / Screenplay: Kumjana Novakova ● Direktor fotografije / Director of Photography: Kaori Oda ● Montaža / Editor: Kumjana Novakova ● Dizajn zvuka / Sound Design: Koca Kastavarac ● Producent / Producer: Kumjana Novakova ● Producentska kuća / Production Company: Jugo Film, Pravo ljudski ● Kontakt / Contact: kumjana@pravoljudski.com

MOGAO BI DA BUDE FILM je pismo uspomeni. Uspomene čuvaju prošlost, ali i stvaraju sadašnjost. Stvaraju mjesta. Stvaraju prostore i pejzaže. Uspomene mogu da stvore uspomene. THIS COULD BE FILM is letter to the memory. Memories conserve the

past, constructing the present at the same time. They construct places; spaces and landscapes. Memories can construct memories.

MY LOVE-LI SISTER Bosnia and Herzegovina, Netherlands, China, 2016, DCP, 12 min. ● Režija / Director: Ena Omerović ● Scenarij / Screenplay: Ena Omerović ● Direktor fotografije / Director of Photography: Ena Omerović ● Montaža / Editor: Ena Omerović ● Dizajn zvuka / Sound Design: Ena Omerović ● Producent / Producer: Camellia Wei ● Producentska kuća / Production Company: AICCC Beijing Normal University ● Kontakt / Contact: omerovic.ena@gmail.com

Tridesetogodišnja rediteljica iz Holandije susreće tridesetogodišnju Li iz Kine. Iako dolaze iz dvije sasvim različite kulture, dijele isto razmišljanje o pronalaženju prave ljubavi. A 30-year old filmmaker from the Netherlands meets a 30-year old Li woman in China. Although from two different cultures they share the same perception on finding true love.

MOJ VLASTITI RAT / MY OWN PRIVATE WAR Bosnia and Herzegovina, Netherlands, 2016, DCP, 57 min. ● Režija / Director: Lidija Zelović ● Scenarij / Screenplay: Lidija Zelović, Rogier Kappers ● Direktor fotografije / Director of Photography: Alexander Goekjian, Marinus Groothof, Lidija Zelovic, Tatjana Bozic ● Montaža / Editor: Alexander Goekjian ● Dizajn zvuka / Sound Design: Sam Simons, Rogier Kappers ● Uloge / Cast: Lidija Zelović ● Producent / Producer: Margie Monfils ● Producentska kuća / Production Company: IKON docs (Netherlands), Forum (Bosnia and Herzegovina) ● Kontakt / Contact: IKON docs; margie.monfils@ikon.nl

“Mama, koja je razlika između dobra i zla?” Šta se desi kada kolektivna trauma uđe u porodicu? Kako izaći na kraj s vlastitom ratnom prošlošću? Kako da svoju djecu oslobodite toga tereta? U ovom iznimno intimnom dokumentarcu Lidija Zelović pokušava odgovoriti na prethodna pitanja na osnovu vlastitog životnog iskustva. ‘’Mama, what is the difference between good and bad ?’’ What happens when collective trauma enters a family ? How do you get to terms with your war history? And how can you ensure that your children don’t have to carry this burden? In this very personal documentary Lidija Zelović tries to answer this question.

NEOBIČAN GOST / AN UNUSUAL GUEST Bosnia and Herzegovina, 2015, Other, 9 min. ● Režija / Director: Nisvet Hrustić ● Scenarij / Screenplay: Nisvet Hrustić, Sead Hrustić ● Direktor fotografije / Director of Photography: Nisvet Hrustić ● Montaža / Editor: Nisvet Hrustić ● Dizajn zvuka / Sound Design: Nisvet Hrustić ● Kostimografija / Costume Design: Nisvet Hrustić; snimanje iz zraka: Igor Lovrinović, Foxmedia; drugi snimatelj: Ibrahim Hrustić ● Muzika / Music: Amer Šehić ● Producent / Producer: Nisvet Hrustić ● Producentska kuća / Production Company: Independent Production (Nisvet Hrustić) ● Kontakt / Contact: nisvet.hrustic@tel.net.ba

Izgubljeni mali medvjed iz netaknute prirode nailazi na turističko naselje gdje teatralno priređuje svoj program. A lost bear cub, straight from the untouched wilderness, stumbles upon a tourist village where it theatrically presents its show.

NO SMOKING IN SARAJEVO France, Italy, Bosnia and Herzegovina, 2016, Other, 70 min. ● Režija / Director: Gianluca Loffredo ● Scenarij / Screenplay: Andrea Postglione, Gianluca Loffredo ● Direktor fotografije / Director of Photography: Tristan Guerlotté ● Montaža / Editor: Gianluca Loffredo ● Dizajn zvuka / Sound Design: Marko Grgić, Thomas Bouniort ● Muzika / Music: Zabranjeno Pušenje, Chacapa Studio ● Producent / Producer: Gildas Nivet ● Producentska kuća / Production Company: Grenouilles productions, Colibrì Film, Chacapa Studio ● Kontakt / Contact: loffredogianluca@gmail.com

Historija jugoslovenskog rock benda Zabranjeno Pušenje prikazana kroz trojicu njegovih prvih članova: Seju Sexona, Neleta Karajlića i Zenita Đozića. Njihova priča simbolično prikazuje ono što se zapravo desilo u Jugoslaviji u posljednjih 30 godina.

ONO KO SAM I SVE ŠTO IMAM, SVAKI DAN NOSIM / WHO AM I AND ALL I OWN, I CARRY EACH DAY Bosnia and Herzegovina, Sweden, 2015, DCP, 13 min. ● Režija / Director: Emily Norling ● Scenarij / Screenplay: Emily Norling ● Direktor fotografije / Director of Photography: Emily Norling ● Montaža / Editor: Anton Hemgren ● Producent / Producer: Darija Buzaković, Hanna Hannerz, Elin Bennett, Borislav Buljić ● Producentska kuća / Production Company: UKS Laterna (BiH), Flimmer (SWE) ● Kontakt / Contact: emy.norling@gmail.com

Film o osobama koje u očima društva često ne predstavljaju ništo drugo do ovisnika, beskućnika, onih o kojima se donosi sud isljučivo iz neznanja i predrasuda. ONO KO SAM I SVE ŠTO IMAM, SVAKI DAN NOSIM je film o dvije nesvakidašnje osobe. This is a film about two people who through the eyes of society are often reduced to homeless addicts and are judged based on these presumptions. WHO I AM AND ALL I OWN, I CARRY EACH DAY is a documentary about two unusual individuals.

OPSADA / THE SIEGE Bosnia and Herzegovina, France, 2016, DCP, 90 min. ● Režija / Director: Rémy Ourdan, Patrick Chauvel ● Scenarij / Screenplay: Rémy Ourdan ● Direktor fotografije / Director of Photography: Faris Dobrača, Mustafa Mustafić, Nils Ruinet ● Montaža / Editor: Audrey Maurion ● Dizajn zvuka / Sound Design: Julien Chaumat, Predrag Đorda ● Producent / Producer: Blanche Guichou ● Producentska kuća / Production Company: Agat Films & Cie, Arte France, INA, SCCA / pro.ba ● Kontakt / Contact: Isabelle Graziadey, Terranoa, igraziadey@terranoa.com

Na kraju dvadesetog stoljeća Sarajevo je pretrpjelo najdužu opsadu u modernoj historiji. THE SIEGE je film o ljudima koji su preživjeli to iskustvo, o ličnom iskustvu opkoljenih. Kroz priču o Sarajevu, film govori o opkoljenim gradovima uopće, o borbi i otporu. To je univerzalna priča o užasnim izazovima s kojima se civilizacija suočava u svojoj borbi za opstanak. Sarajevo se oduprijelo i preživjelo. THE SIEGE je priča o strmoglavom putu u rat. At the end of twentieth century, Sarajevo lived through the longest siege in modern history. The Siege is a film about those who lived through it, about the human experience of the besieged. Through Sarajevo to beyond Sarajevo, it is the story of a surrounded city, of a battle and resistance. It is also the universal story of civilization facing a terrible challenge to its existence, of a struggle for its survival. Sarajevo resisted and survived. The Siege describes a vertiginous descent into war.

REZ / CUT Bosnia and Herzegovina, 2016, DCP, 52 min. ● Režija / Director: Benjamin Dizdarević ● Scenarij / Screenplay: Benjamin Dizdarević ● Direktor fotografije / Director of Photography: Gorčin Zec ● Montaža / Editor: Benjamin Dizdarević ● Dizajn zvuka / Sound Design: Samir Hrković ● Scenograf / Set Design: Benjamin Dizdarević ● Kostimografija / Costume Design: Benjamin Dizdarević ● Muzika / Music: Kai Engel ● Producent / Producer: Nenad Dizdarević ● Producentska kuća / Production Company: Profil 2 ● Kontakt / Contact: bdizdarevic92@gmail.com

Priča o Jasminu Dodiku, čovjeku koji gaji veliku strast prema filmskim trakama i kino tehnici. Njegov cilj je da spasi filmsku traku, koja je na rubu nestanka zbog digitalizacije. Čini to tako što putuje od grada do grada, prikazujući filmove po domovima kulture na prostoru cijele Bosne i Hercegovine. Jasmin na rubu odustajanja od svog cilja hoće posljedni put da pokuša spremiti projekciju u Donjem Vakufu, koja će biti njegova najveća do sada. Da li će to biti uspjeh, ili je zaista vrijeme da zakopamo filmsku traku zauvijek i prihvatimo digitalnu eru kao novo primarno sredstvo koje definiše film? We follow the great film enthusiast Jasmin Dodik in his journey to save the film roll from its inevitable extinction caused by digital technology. Jasmin has been trying to do this over the years by, at his own expense, travelling from city to city in his van – screening old 35mm films to people for free, in hopes that they will feel what he feels in regards to the film roll. Jasmin is now on the verge of giving up his passion, but before he decides to do so – he wants to have a final screening in the city of Donji Vakuf, where depending on the results, Jasmin will either give up his passion or find hope that the film roll might just have a chance to survive.

The history of the Yugoslavian rock band named Zabranjeno Pušenje, through its three first members, Sejo Sexon, Nele Karajlić and Zenit Đozić. Their story is emblematic of what happened in Yugoslavia in the last 30 years. BIH FILM FESTIVAL l 22. Sarajevo Film Festival 231

ROCK’N’WAR ...ILI SAMO ZATO ŠTO JE PETAK / ROCK`N`WAR ...OR JUST BECAUSE IT’S FRIDAY Bosnia and Herzegovina, 2015, Other, 61 min. ● Režija / Director: Damir Pirić ● Scenarij / Screenplay: Damir Pirić ● Direktor fotografije / Director of Photography: Zoran Pavljašević, Saša Perkunić ● Montaža / Editor: Damir Pirić ● Dizajn zvuka / Sound Design: Damir Pirić ● Muzika / Music: Damir Pirić ● Uloge / Cast: Alis Aljić, Damir Avdić, Sabahudin Azapagić, Predrag Stanković, Nebojša Stojkov, Goran Grbić, Miki Kojot, Senad Mujezinović, Džemal Trakić, Edin Imširović, Maid Porobić, Emir Hukić, Danijel Slavuljica, Semir Hadžić, Malik Terzić, Amel Tahirović, Vedad Ćehajić, Saša Perkunić ● Producent / Producer: Damir Pirić, Rusmir Krdžalić ● Producentska kuća / Production Company: “arTz Produkcija” Tuzla ● Kontakt / Contact: damirpiric@gmail.com; damir@artzproduction.com

Dokumentarni film ROCK’N’WAR je priča o fenomenu muzičke scene koja je nastala u najteže vrijeme, u ratu. To je priča o mladim ljudima i njihovoj snazi, volji i želji da muzikom prkose nasilju i opštem ludilu koje donosi rat. Dok je grad Tuzla svakodnevno granatiran a policijski sat bio na snazi već od 17h, tuzlanski muzičari se organizuju pa podrumi i skloništa postaju jezgro novonastale muzičke scene. Documentary film ROCK’N’WAR is a story about phenomenon of rock music scene that emerged during the war in Bosnia. This film tells the story about young people and their strength, will and determination to defy violence and madness that war brings in general by playing music and organizing hidden rehearsals and concerts. While city of Tuzla was under heavy artillery fire and police curfew was starting at 5PM, musicians of Tuzla organized themselves and turned basements and shelters into core of new music scene.

SARAJEVO - FEMME FATALE Bosnia and Herzegovina, Poland, 2016, DCP, 22 min. ● Režija / Director: Joanna Zielinska ● Scenarij / Screenplay: Joanna Zielinska ● Direktor fotografije / Director of Photography: Mateusz Golebiewski ● Montaža / Editor: Lamia Sabic ● Dizajn zvuka / Sound Design: Aldin Karahasanovic ● Scenograf / Set Design: Joanna Zielinska ● Kostimografija / Costume Design: Documentary ● Muzika / Music: Nedim Zlatar and Leonardo Šarić (Basheskia & Edward EQ), Renan Franzen ● Producent / Producer: Joanna Zielinska ● Producentska kuća / Production Company: JZ ● Kontakt / Contact: joannamazielinska@gmail.com

Priča o gradu u poslijeratnom periodu ispričana iz perspektive šest žena različitih dobi i iskustava. The story about the post-war city seen from the perspective of six women of different age and experience.

SARAJEVSKE RUŽE / SARAJEVO ROSES United Kingdom, Bosnia and Herzegovina, USA, 2016, DCP, 90 min. ● Režija / Director: Roger M Richards ● Scenarij / Screenplay: Roger M Richards, Mitty Mirren ● Direktor fotografije / Director of Photography: Oggi Tomić, Roger M Richards ● Montaža / Editor: Roger M Richards ● Dizajn zvuka / Sound Design: Asim Haračić, Alexander Shesha ● Scenograf / Set Design: Alex Germanotta ● Muzika / Music: Asim Haračić, Alexander Shesha ● Uloge / Cast: Asim Haračić, Vedran Smailović, Sanda Škrabić, Armin Oprašić, Sanela Tasić ● Producent / Producer: Oggi Tomić, Peggy Meder, Zana Marjanović ● Producentska kuća / Production Company: Igniter Loop, Sarajevo Roses Film ● Kontakt / Contact: www.sarajevoroses.com

Preživljavanje pakla je tek prvi korak. Produciran tokom perioda od 23 godine, od prvih ratnih snimaka pa sve do dvadesete godišnjice potpisivanja Dejtonskog sporazuma koji je okončao borbe, SARAJEVSKE RUŽE je kinematografski esej ispričan od strane petoro građana koji su izbjegli smrt preživjevši nezamislivu patnju, i koji se od tada bore da ponovo izgrade svoj grad i svoje živote. Surviving hell is just the first step. Produced over a span of twenty-three years, from the war’s first shots to the twentieth anniversary of the signing of the Dayton Accords that ended the fighting, SARAJEVO ROSES is a cinematic essay told by five citizens who escaped death yet survived unimaginable horror, and have struggled since to rebuild their city and their lives.

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SCREAM FOR ME SARAJEVO Bosnia and Herzegovina, 2016, DCP, 100 min. ● Režija / Director: Tarik Hodžić ● Scenarij / Screenplay: Jasenko Pašić, Tarik Hodžić ● Direktor fotografije / Director of Photography: Amel Djikoli ● Montaža / Editor: Tarik Hodžić ● Dizajn zvuka / Sound Design: Nenad Nešo Kovačević ● Muzika / Music: Bruce Dickinson ● Uloge / Cast: Bruce Dickinson, Alex Elena, Chris Dale, Jasenko Pašić, Feđa Štukan, Erol Gagula ● Producent / Producer: Adnan Ćuhara ● Producentska kuća / Production Company: Prime Time ● Kontakt / Contact: Prime Time, adnan@primetime.co.ba; www.primetime.co.ba

Dokumentarni film o Sarajevu pod opsadom, muzici u tom gradu, s akcentom na 14. decembar 1994. i koncert Brucea Dickinsona u BKC-u. O ljudima koji su rizikovali svoje živote da bi svirali pred ljudima koji su rizikovali svoje živote da bi živjeli. A documentary film about Sarajevo during the 1992-95 siege; specifically a film about the music scene in the besieged Bosnian capital with special focus on a concert held in the city’s BKC music hall by Bruce Dickinson on December 14, 1994. It is a film about people who risked their lives to perform for the people who risked their lives in order to live them.

SRCE OD DRVETA / THE HEART OF WOOD Bosnia and Herzegovina, 2016, Other, 30 min. ● Režija / Director: Namik Kabil ● Scenarij / Screenplay: Namik Kabil ● Direktor fotografije / Director of Photography: Aziz Čeho ● Montaža / Editor: Aziz Čeho ● Dizajn zvuka / Sound Design: Aziz Čeho ● Muzika / Music: Ćamil Metiljević ● Uloge / Cast: Zejna Metiljević, Ćamil Metiljević ● Producent / Producer: Edin Lonić ● Producentska kuća / Production Company: Federalna televizija (FTV) ● Kontakt / Contact: namik.kabil@gmail.com

Čovjek napravi srce od drveta i onda svira na njemu. Ćamil Metiljević istim rukama radi težak posao, a potom pravi čaroban instrument i svira na njemu. A man makes a heart of wood and then he plays it. Ćamil Metiljević uses his two hands for hard manual labor, but also to make a magical music instrument and play it.

GRAD SLONOVA / CITY OF ELEPHANTS Germany, Austria, Bosnia and Herzegovina, 2015, DCP, 29 min. ● Režija / Director: Marko Mijatovic ● Scenarij / Screenplay: Marko Mijatović ● Direktor fotografije / Director of Photography: Paul Spengemann ● Montaža / Editor: Marko Mijatović, Luka Papić ● Dizajn zvuka / Sound Design: Marko Mijatović ● Muzika / Music: Iason Roumkos, Luka Papić ● Uloge / Cast: Branko Zloušić, Joso Klarić, Vahidin Likić,Fikret Likić, Nesiba Likić, Jelena Kuhać-Odenwald, Matthias Odenwald ● Producent / Producer: Bernhard Hetzenauer, Marko Mijatović ● Producentska kuća / Production Company: Marko Mijatović ● Kontakt / Contact: marko.r.mijatovic@googlemail.com

Smješten u malu rudarsku zajednicu negdje među bosanskim planinama, film prati svakodnevni život lokalnih ljudi te njihovu potragu za poslom. Set in a small former mining community in the mountains of Bosnia, the film follows the locals’ everyday life and their search for life’s work.

SVI SMO MI LJUDI / WE ARE ALL HUMANS Bosnia and Herzegovina, 2016, DCP, 24 min. ● Režija / Director: Maja Crnobrnja ● Scenarij / Screenplay: Maja Crnobrnja ● Direktor fotografije / Director of Photography: Pero Pavlović ● Montaža / Editor: Siniša Žigić ● Dizajn zvuka / Sound Design: Predrag Blagojević ● Producent / Producer: Zoran Galić, Mirjana Milobratović ● Producentska kuća / Production Company: Vizart Film production ● Kontakt / Contact: vizart@vizartfilms.com

Film SVI SMO MI LJUDI govori o životu dvojice Roma koji su uspjeli da završe Akademiju likovnih umjetnosti i postanu akademski slikari. The film WE ARE ALL HUMANS tells a story about the lives of two Roma men who have managed to graduate from the Academy of Fine Arts and become professional painters.

SVETLANA Bosnia and Herzegovina, 2016, DCP, 25 min. ● Režija / Director: Pero Pavlović ● Scenarij / Screenplay: Pero Pavlović ● Direktor fotografije / Director of Photography: Pero Pavlović ● Montaža / Editor: Siniša Zigić ● Dizajn zvuka / Sound Design: Predrag Blagojević ● Producent / Producer: Zoran Galić ● Producentska kuća / Production Company: VizArt Production ● Kontakt / Contact: VizArt Production; vizart@vizartfilms.com; www.vizartfilms.com

Dokumentarni film SVETLANA govori nam o životnim izazovima i neizvjesnostima koje život nosi. Milan je čovjek koji je na putu od komunizma do kapitalizma skrenuo s tračnica i stjecajem nesrećnih okolnosti našao se u međuprostoru u kojem se ne snalazi. Milanova životna priča je teška, turbulentna, nabijena emocijama i životnim iskustvima koja su nekada bila okrutna prema njemu. Spas od sjećanja na težak život pronalazi u konstatnom radu i čekanju Svetlane.

ŽIVOT POSLIJE ŽIVOTA / LIFE AFTER LIFE Bosnia and Herzegovina, 2015, Other, 12 min. ● Režija / Director: Sanja Jokić ● Scenarij / Screenplay: Sanja Jokić, Dušica Lipovac ● Direktor fotografije / Director of Photography: Sanjin Počić ● Montaža / Editor: Sanjin Počić ● Dizajn zvuka / Sound Design: Sanjin Počić ● Muzika / Music: Sanja Jokić, Dušica Lipovac ● Uloge / Cast: Slobodanka Škobić, Ivo Matošević, Bojan Lugonja ● Producent / Producer: Darija Buzaković, Hanna Hannerz, Elin Bennett, Borislav Buljić ● Producentska kuća / Production Company: CAA Lanterna, Kralja Petra II 57/4 78 000, Banjaluka Bosnia - Herzegovina ,tel. + 387 66 003 474, Filmföreningen Flimmer Box 2087 600 02 Norrkoping tel. + 46 112 382 07 ● Kontakt / Contact: sanjajokic16@gmail.com

Nesreća se svakome može desiti, pa i vama. Nesreće koje iz temelja mijenjaju život. Ovo je priča o tome kako nastaviti dalje kad vas splet nesretnih okolnosti iznenada dovede do invalidskih kolica...

SVETLANA talks about challenges and uncertainties one faces during life. Milan is a man who had been sidetracked during transition from communism to capitalism, finding himself in an in-between land. Story of his life is difficult, turbulent, filled with emotions and sometimes cruel experiences. He finds salvation from the memories of his hard life in endless work and waiting for Svetlana.

Misfortune can strike anyone, including you. A misfortune that fundamentally alters a person’s life. This is a story about how to carry on after you suddenly find yourself in a wheelchair due to a combination of unfortunate events...

TOPA I ARČI / TOPA & ARČI

SAMI ZAJEDNO / ALONE TOGETHER

Bosnia and Herzegovina, 2016, Other, 29 min. ● Režija / Director: Vesko Kadić ● Scenarij / Screenplay: Vesko Kadić ● Direktor fotografije / Director of Photography: Vesko Kadić ● Montaža / Editor: Vesko Kadić ● Dizajn zvuka / Sound Design: Mirsad Tukić ● Producent / Producer: Vesko Kadić ● Producentska kuća / Production Company: VideoKinemaograf ● Kontakt / Contact: veskokadic@gmail.com

Bosnia and Herzegovina, 2015, DCP, 10 min. ● Režija / Director: Lejla Brčaninović ● Scenarij / Screenplay: Lejla Brčaninović ● Direktor fotografije / Director of Photography: Ahmed Dahroug ● Montaža / Editor: Lejla Brčaninović ● Dizajn zvuka / Sound Design: Maureen Ferrus ● Scenograf / Set Design: Neal Evan Kok ● Kostimografija / Costume Design: Lejla Brčaninović ● Uloge / Cast: Julie Fonfara ● Producent / Producer: Lejla Brčaninović ● Producentska kuća / Production Company: MET Film SCHOOL ● Kontakt / Contact: lejla.brcanovic.prime@gmail.com

Vrijeme rata i vrijeme mira. Topa i Arči, čovjek i pas. Time of war and time of peace. Topa and Arči, a man and a dog.

BIJELI BALON / WHITE BALLOON Canada, 2016, DCP, 31 min. ● Režija / Director: Nihad Ademi ● Scenarij / Screenplay: Nihad Ademi ● Direktor fotografije / Director of Photography: Nihad Ademi ● Montaža / Editor: Alek Rzeszowski; Briane Lewin ● Dizajn zvuka / Sound Design: Norman Dugas ● Scenograf / Set Design: Nihad Ademi ● Kostimografija / Costume Design: Nihad Ademi ● Muzika / Music: Winnipeg Symphany Orchestra; Matthew Patton; Sarah Dugas; Dejan Rafajlovic Trio; Kong Kie; Ken Tyler ● Uloge / Cast: Nihad Ademi, Ervin Blažević, Hanna Ademi, Bademai ● Producent / Producer: Nihad Ademi in collaboration with Manitoba Film and Music ● Producentska kuća / Production Company: Nihad Ademi ● Kontakt / Contact: nademi@mymts.net

BIJELI BALON je neposredan portret rata, zarobljeništva i povratka. Prati život Nihada Ademija, bosanskog ratnog zarobljenika koji se vraća kući u bivšu Jugoslaviju kako bi rekonstruisao svoja zastrašujuća iskustva u logoru smrti Omarska. WHITE BALLOON is a gripping portrait of war, captivity, and return. It chronicles the life of Nihad Ademi, a Bosnian prisoner of war who returns home to the former Yugoslavia to reconstruct his harrowing experiences in the terrifying death camp of Omarska.

U POTRAZI ZA DOMOM / SEARCHING FOR HOME Bosnia and Herzegovina, USA, 2016, Other, 53 min. ● Režija / Director: Hari Šečić ● Scenarij / Screenplay: Hari Šečić, Miroslav Mandić ● Direktor fotografije / Director of Photography: Hari Šečić ● Montaža / Editor: Saša Peševski ● Dizajn zvuka / Sound Design: Nenad Kovačević ● Muzika / Music: Muhamed Latić ● Producent / Producer: Hari Šečić ● Producentska kuća / Production Company: UG Spektar Sarajevo, BAD ATTITUDE PRODUCTIONS, St. Louis ● Kontakt / Contact: spektar.udruzenje@gmail.com

Sead je vozač kamiona u Americi. Preživio je genocid u Srebrenici, a rat mu je prekinuo mladost i oduzeo dom. Kao izbjeglica, zajedno sa suprugom ostvario je ‘’američki san’’. Ipak, godinama kasnije, iz ljubavi prema domovini, odlučio je da sve napusti i vrati se u rodno selo. Danas živi i radi u kamionu na američkim cestama, te posjećuje Bosnu sanjajući o trajnom povratku. Sead works as a truck driver in the USA. He survived the genocide in Srebrenica, after the war violently ended his youth and left him without a home. As a refugee, along with his wife, he has managed to achieve the ‘’American dream’’. Nevertheless, years later, out of love for his homeland, he decided to leave everything behind and return to his village. Nowadays, he lives and works in a truck, travelling all over the United States and dreaming of a permanent return.

KRATKI I ANIMIRANI FILMOVI / SHORT AND ANIMATED FILM

Poslovna žena kojoj je karijera izuzetno važna, suočava se sa postporođajnom depresijom nakon rođenja djeteta. Preopterećena obavezama majke, te rastrzana između ispunjavanja potreba bebe i njene želje da i dalje ispunjava poslovne obaveze, doživljava emotivnu krizu. A businesswoman who takes her career very seriously, faces a postpartum depression having given birth. Overburdened with her responsabilities as a mother, and torn between tending to baby’s needs and her desire to keep fulfilling her professional duties, she faces an emotional crisis.

BEHAR / BLOSSOM Bosnia and Herzegovina, 2015, DCP, 11 min. ● Režija / Director: Tarik Hodžić ● Scenarij / Screenplay: Tarik Hodžić ● Direktor fotografije / Director of Photography: Mustafa Mustafić ● Muzika / Music: Sloven Anzulović, Vernes Ljustaku ● Producent / Producer: Adnan Ćuhara ● Producentska kuća / Production Company: Prime Time Production ● Kontakt / Contact: Prime Time Production, www.primetime.co.ba

Za vrijeme sunčanog proljetnog dana, na vidikovcu iznad grada, otac objašnjava sinu šta je behar... Raskrsnica u gradu je potpuno prazna, ali u pozadini čujemo dnevnu gužvu, zvukove sirena i korake ljudi. U praznim ulicama, glasova je sve više... On a sunny spring day, on the lookout over the city, a father explains to his son what tree blossoms are... At a completely empty crossroad in the city, we hear the noise of traffic, sirens and steps of people. In the empty streets, we hear more and more voices...

CRVENI SNIJEG / RED SNOW Bosnia and Herzegovina, Germany, 2016, Other, 7 min. ● Režija / Director: Mersiha Husagic ● Scenarij / Screenplay: Mersiha Husagić ● Direktor fotografije / Director of Photography: Olga Kosanović ● Montaža / Editor: Jan Heinecke ● Dizajn zvuka / Sound Design: Marian Freistuler ● Muzika / Music: Alexander Precht ● Uloge / Cast: Mersiha Husagić, Adna Solunović ● Producent / Producer: Moamer Kasumović, Mersiha Husagić ● Producentska kuća / Production Company: OD burning peacock, Hochschule fur Bildende Kunst Hamburg (HFBK) ● Kontakt / Contact: Gottschalk & Behrens, info@gottschalk-behrens.de

Mlada trudnica odlučuje da ubije ratnog kriminalca koji je ubio njenu porodicu u Bosni 1995. godine. Čeka dok se svjetla u kući ne ugase te da on i njegova žena pođu na spavanje. A young, pregnant woman decides to kill the war criminal who murdered her family in Bosnia in 1995. She waits until the lights turn off and enters the house where he and his wife are sleeping.

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DAVNO SAM TI LEG’O / I WAS LAID HERE A LONG TIME AGO Bosnia and Herzegovina, 2015, Other, 19 min. ● Režija / Director: Goran Dujaković ● Scenarij / Screenplay: Goran Dujaković ● Direktor fotografije / Director of Photography: Draško Gajić ● Montaža / Editor: Predrag Solomun ● Dizajn zvuka / Sound Design: Draško Gajić ● Muzika / Music: Vladimir Turjačanin, David Mastikosa, Ratko Kolobarić ● Producent / Producer: Dragana Protić ● Producentska kuća / Production Company: Asocijacija za vizuelne umjetnosti FENIX ART Banja Luka ● Kontakt / Contact: fenixart@ teol.net

Kompleksan svijet simbola impresivne i zadivljujuće srednjovjekovne umjetnosti Bosne i Hercegovine oživljen je u ovom dokumentarnoanimiranom filmu kroz stilizovane žive slike i 2D animacionu tehniku pokazujući svo bogatstvo i raznolikost kulture koja je tu postojala. A complex world of symbols from the impressive and amazing part of medievall art of Bosnia and Herzegovina is brought back to life in this animated documentary through stylized live images and 2D animation showing all the richness and diversity of culture existed there.

INVERZUM

Bosnia and Herzegovina, 2016, DCP, 8 min. ● Režija / Director: Damir Bašić ● Scenarij / Screenplay: Damir Bašić ● Direktor fotografije / Director of Photography: Faris Dobrača ● Montaža / Editor: Mirza Ajnadžić, Damir Bašić ● Dizajn zvuka / Sound Design: Nenad Kovačević ● Kostimografija / Costume Design: Milan Senić ● Muzika / Music: Kenan Glavinić, Goran Lizdek, Damir Bašić ● Uloge / Cast: Nenad Veličković, Zoran Ćatić, Slađan Vujić, Lamija Idrizbegović, Mirza Ajnadžić, Boris Čović, Denis Hadžić, Ivona Narančić, Emina Osmanović, Draško Marijan, Sandra Muratović, Halida Bajramović, Meša Muratović, Demijan Ćatić, Jusuf Srna, Katica Prijić, Zlata Mehić, Ramiza Dedić, Hasiba Čehajić, Deana Relatić, Igor Stanišić, Jelena Grebenar, Aidan Muratović, Bogdan Miličević ● Producent / Producer: Zoran Ćatić, Damir Bašić ● Producentska kuća / Production Company: eTV ● Kontakt / Contact: damirduka@hotmail.com

Melanholičan prizor proplanka prekida zvuk mase. Svi su krenuli na mjesto odakle će se rastati od voljene osobe. Njihova postojanja zauvijek kreću odvojenim putevima - fizički i mentalno. A melancholic view of a hill is interrupted by the sound of the crowd. They are all heading for the place where they will say goodbye to the person they love. Their existances part ways - both physically and mentally.

JOŠ JEDAN DAN / JUST ANOTHER DAY Bosnia and Herzegovina, 2016, DCP, 9 min. ● Režija / Director: Tina Šmalcelj ● Scenarij / Screenplay: Tina Šmalcelj ● Direktor fotografije / Director of Photography: Maja Radošević ● Montaža / Editor: Redžinald Šimek ● Dizajn zvuka / Sound Design: Igor Čamo ● Scenograf / Set Design: Nina Šmalcelj ● Kostimografija / Costume Design: Lejla Graho ● Muzika / Music: Enes Zlatar ● Uloge / Cast: Dina Mušanović, Matea Marušić ● Producent / Producer: Amra Bakšić Čamo ● Producentska kuća / Production Company: Proba ● Kontakt / Contact: SCCA/Pro.ba, office@pro.ba

Kako da shvatite kakva su vaša osjećanja, i imate li ih uopće, kada se čini da niko nije u mogućnosti da vas razumije? How do you figure out what your feelings are and if you have them at all when nobody seems to be able to understand you?

NAGON / DRIVE Bosnia and Herzegovina, 2016, Other, 7 min. ● Režija / Director: Bojan Josić ● Scenarij / Screenplay: Bojan Josić ● Direktor fotografije / Director of Photography: Bojan Josić ● Montaža / Editor: Bojan Josić ● Dizajn zvuka / Sound Design: Predrag Stančić ● Scenograf / Set Design: Damir Glibanović ● Kostimografija / Costume Design: Damir Glibanović ● Uloge / Cast: Feđa Zahirović, Marija Novaković ● Producent / Producer: Sandra Ikanović ● Producentska kuća / Production Company: KUKA ● Kontakt / Contact: bojanjosic@yahoo.com

Pustoš svijeta uništenog nuklearnim ratom. Zakon najjačeg je princip ponašanja. Susret sa djevojkom čije srce i dalje kuca remeti mir usamljenog tragača. On je vodi u svoje sklonište. Havoc of the world destroyed by nuclear war. The law of the strongest is what applies. An encounter with a girl whose heart still beats disturbs the lone tracer. He takes her to his shelter.

OPSESIJA / OBSESSION Bosnia and Herzegovina, 2016, Other, 1 min. ● Režija / Director: Romano Kuduzović ● Scenarij / Screenplay: Romano Kuduzović ● Direktor fotografije / Director of Photography: Romano Kuduzović ● Montaža / Editor: Romano Kuduzović ● Dizajn zvuka / Sound Design: Romano Kuduzović ● Scenograf / Set Design: Romano Kuduzović ● Kostimografija / Costume Design: Romano Kuduzović ● Muzika / Music: Romano Kuduzović ● Uloge / Cast: Rijad Gvozden ● Producent / Producer: Romano Kuduzović ● Producentska kuća / Production Company: Vox Meduza ● Kontakt / Contact: romano.kuduzovic@gmail.com

Film pretstavlja komentar na društveno-psihološke okolnosti u društvu zatrovanih vrijednosti. The film is a comment on social and psychological circumstances in the poisened society of the poisoned values.

POOL VERSION Bosnia and Herzegovina, Columbia, 2016, DCP, 21 min. ● Režija / Director: Gonzalo Escobar Mora ● Scenarij / Screenplay: Gonzalo Escobar Mora ● Direktor fotografije / Director of Photography: Patrick Marshall ● Montaža / Editor: Gonzalo Escobar Mora ● Dizajn zvuka / Sound Design: Ghazi Alquidcy ● Muzika / Music: Bicikl ● Uloge / Cast: Alena Džebo, Lorenzo Fabbro, Šaban Mujkanović, Deni Galić, Daniel Galić, Hurija Hadžibegović, Kasja Zinhasović ● Producent / Producer: Gonzalo Escobar Mora ● Producentska kuća / Production Company: el parpadeo - film.factory ● Kontakt / Contact: gonzaloescobarmora@gmail.com

Mladi reditelj, naizgled nezaposlena žena, natkriveni bazen i film o sebi samom. A young filmmaker, a seemingly unemployed woman, an indoor swimming pool, and a film about itself.

PORTRET / PORTRAIT Bosnia and Herzegovina, 2016, DCP, 9 min. ● Režija / Director: Ismir Bučan ● Scenarij / Screenplay: Ismir Bučan ● Direktor fotografije / Director of Photography: Esma Sarić ● Montaža / Editor: Valentino Čolić ● Dizajn zvuka / Sound Design: Dino Aganović ● Kostimografija / Costume Design: Amela Mujić ● Muzika / Music: Dino Aganović ● Uloge / Cast: Amela Mujić ● Kontakt / Contact: ismir_bucan@hotmail.com

Kratki film PORTRET je priča o lutajućim identitetima koji se pokušavaju integrisati u utrobu društva. A short film PORTRAIT tells about wandering identities, who are trying to incorporate into the womb of society.

IZBJEGLICA 532 / REFUGEE 532 Sweden, 2015, Other, 14 min. ● Režija / Director: Goran Kapetanović ● Scenarij / Screenplay: Goran Kapetanović, China Ahlander ● Montaža / Editor: Alexandra Gowin, China Ahlander ● Dizajn zvuka / Sound Design: Claus Lynge, Martin Hennel ● Kostimografija / Costume Design: Paola Billberg ohansson ● Muzika / Music: Jorgen Wernefeldt ● Uloge / Cast: Enis Tuka, Haris Murić, Timur Vilić, Aldin Kajmović, Mersim Šaljević, Milan Dragišić, Anna Fogelstrom, Katarina Kovacs, Goran Kapetanović, Simon Ahlander, Gunilla Andersson ● Producent / Producer: China Ahlander ● Producentska kuća / Production Company: Chinema Film Sweden ● Kontakt / Contact: Chinema Film Sweden, china@chinema.se

Usamljena izbjeglica Ševko, dvanaestogodišnjak, pokušava da se prilagodi novom životu u Švedskoj. U borbi između nade i očaja, očekuje vijesti iz ratom zahvaćene Bosne. Dok ga uznemiravaju druge mlade izbjeglice, odlučuje da okrene novi list. The unaccompanied refugee Ševko, twelve-year-old, tries to cope with his new life in Sweden. He is struggling between hope and despair, waiting for news from the war zone in Bosnia. Being bullied by the other young refugees, he decides to throw a party his own way.

REKVIJEM ZA PINOKIJA / REQUIEM FOR PINNOCHIO Bosnia and Herzegovina, 2016, DCP, 10 min. ● Režija / Director: Berin Tuzlić ● Scenarij / Screenplay: Naida Lindov ● Direktor fotografije / Director of Photography: Berin Tuzlić ● Montaža / Editor: Sanel Preljević ● Dizajn zvuka / Sound Design: Haris Ljumanović ● Muzika / Music: Haris Ljumanović ● Producent / Producer: Berin Tuzlić Via Media ● Producentska kuća / Production Company: Via Media Sarajevo & Taurus Production ● Kontakt / Contact: berin@viamedia.ba

REKVIJEM ZA PINOKIJA je priča o indoktrinaciji u obrazovanju. REQUIEM FOR PINNOCHIO is the story of indoctrination in education. 234 22. Sarajevo Film Festival l BOSANSKOHERCEGOVAČKI FILM FESTIVAL

SAUCIUS Bosnia and Herzegovina, 2016, Other, 14 min. ● Režija / Director: Ademir Gogić ● Scenarij / Screenplay: Ademir Gogić ● Direktor fotografije / Director of Photography: Ademir Gogić ● Montaža / Editor: Ademir Gogić ● Dizajn zvuka / Sound Design: Meho Gogić ● Scenograf / Set Design: Ademir Gogić ● Kostimografija / Costume Design: Ademir Gogić ● Muzika / Music: Ademir Gogić ● Uloge / Cast: Faruk Gojačić, Erna Ahmetspahić ● Producent / Producer: Ademir Gogić ● Producentska kuća / Production Company: Ademir Gogić ● Kontakt / Contact: ademir_gogic@hotmail.it

Faruk je muškarac koji boluje za izgubljenom djevojkom Ernom. Život u sadašnjosti bi bio lakši da sa sobom nije ponio veliki kamen tuge iz prošlosti koja mu ne dozvoljava da zakorači sretno u budućnost. Spoj tri različita vremena kroz scene dovode do pomiješanosti emocija, ali i do jednog vida harmonije za koju će neki reći da je san, drugi java. Faruk is a man who is hurting for a lost girlfriend, Erna. His present life would be easier if he hadn’t carried a heavy burden of sadness from the past which doesn’t allow him to step happily into the future. Three different periods of time through the scenes provoke mixed emotions, yet also create a sort of balance that some may call a dream, others a reality.

SJEĆAM SE / I REMEMBER Bosnia and Herzegovina, 2015, DCP, 15 min. ● Režija / Director: Elma Tataragić ● Scenarij / Screenplay: Elma Tataragić ● Direktor fotografije / Director of Photography: Dušan Joksimović ● Montaža / Editor: Redžinald Šimek ● Dizajn zvuka / Sound Design: Igor Čamo ● Kostimografija / Costume Design: Sanja Džeba ● Uloge / Cast: Alena Džebo ● Producent / Producer: Amra Bakšić Čamo ● Producentska kuća / Production Company: SCCA / Pro.ba ● Kontakt / Contact: SCCA / Pro.ba, adis@pro.ba

Mlada žena dolazi u posjetu svojoj porodičnoj kući; sjedi u praznoj dnevnoj sobi, preslaže fotografije i pravi ručak. Čisti iza sebe i odlazi da bi se nastavila vraćati. Film SJEĆAM SE istražuje prostor suprostavljajući ga intimnim sjećanjem autorke na trenutak kada je završilo njeno djetinjstvo, a rat u Sarajevu počeo. A woman revisits her family house, sits in the empty living room, rearranges the photo album, and makes lunch. She cleans up and then leaves only to keep coming back. I REMEMBER explores space and confronts it with the narrative of author’s intimate memory of the moment when her childhood ended and the war in Sarajevo began.

NAUČNIK / THE SCIENTIST Bosnia and Herzegovina, 2016, Other, 2 min. ● Režija / Director: Zeid Lušija ● Scenarij / Screenplay: Zeid Lušija ● Direktor fotografije / Director of Photography: Zeid Lušija ● Montaža / Editor: Zeid Lušija ● Kontakt / Contact: z.lusia@gmail.com

NAUČNIK je hrabar prvi uradak mladog animatora - amatera. THE SCIENTIST is a brave young amateur’s first short work.

LOGS Bosnia and Herzegovina, 2016, DCP, 9 min. ● Režija / Director: Aid Bešić ● Scenarij / Screenplay: Aid Bešić ● Direktor fotografije / Director of Photography: Aid Bešić ● Montaža / Editor: Aid Bešić ● Dizajn zvuka / Sound Design: Aid Bešić ● Scenograf / Set Design: Aid Bešić ● Kostimografija / Costume Design: Aid Bešić ● Muzika / Music: Ross Bugden, Aid Bešić ● Uloge / Cast: Dino Bešić, El-Šefik Begić, Džemila Bešić ● Producent / Producer: Aid Bešić ● Producentska kuća / Production Company: Aid Bešić ● Kontakt / Contact: contact@aidbesic.com

Ilegalna sječa. Ovim načinom zarade čovječanstvo zaista ide putem propasti, ali ukoliko je to jedini način da se spasi nečiji život, da li je to dovoljno opravdanje? Illegal logging. With this way of making money, humanity falls apart but if it is only choice to save someones life is it then fair enough?

ZABRANJENE IGRE / FORBIDDEN GAMES Bosnia and Herzegovina, 2016, Other, 10 min. ● Režija / Director: Grupa autora Grupa autora ● Scenarij / Screenplay: Grupa autora ● Direktor fotografije / Director of Photography: Grupa autora ● Montaža / Editor: Grupa autora ● Dizajn zvuka / Sound Design: Grupa autora ● Scenograf / Set Design: Grupa autora ● Kostimografija / Costume Design: Grupa autora ● Muzika / Music: Grupa autora ● Producentska kuća / Production Company: Deblokada, DeblokadaLab, Fond otvoreno društvo BiH ● Kontakt / Contact: mirza@deblokada.ba

Zabranjene igračke, parkovi ograđeni bodljikavom žicom, djeca koja se

ne smiju igrati sa drugom djecom - to je svijet u kojem žive. Ali grupa djece odlučuju prekršiti Zabranu. Iako znaju da slijedi kazna - vide njihove zarobljene drugove koji kao zombiji u fabrici uništavaju igračke - dvije djevojčice i tri dječaka bježe iz tog svijeta... Film je realizovan sa učesnicima radionice “Furaj svoj film”, Stolac, 2015 Prohibited toys, parks fenced with barbed wire, children who are not allowed to play with another children - this is the world they live in. But a group of children decide to break the ban. Although they know that they are going to be punished for that – they see their imprisoned friends as zombies in a factory destroying toys. Two girls and three boys run away from this world ... Film was made by workshop “Furaj svoj film” participants, Stolac, 2015

STUDENTSKI FILMOVI / STUDENT FILMS

ČOVJEK ČELIČNE VOLJE / MAN WITH THE WILL OF STEEL Bosnia and Herzegovina, 2016, Other, 16 min. ● Režija / Director: Amar Spahić ● Scenarij / Screenplay: Amar Spahić, Alen Alilović ● Direktor fotografije / Director of Photography: Alen Alilović ● Montaža / Editor: Saša Peševski ● Dizajn zvuka / Sound Design: Nirvan Imamović, Danilo Crnogorac ● Muzika / Music: Soundkrampf ● Uloge / Cast: Nadir Hajro, Enisa Hajro, Admir Hajro, Danijel Bunjevac ● Producentska kuća / Production Company: Akademija scenskih umjetnosti Sarajevo

Ovaj kratki dokumentarni film je priča o Nadiru Hajri, koji boluje od cerebralne paralize i želi postati profesionalni bodybuilder. Pored toga što je završio Pravni fakultet u Sarajevu, Nadir je odlučio prkositi svome tijelu na najčudesniji način, bodybuildingom. Svaki njegov dan i svaki trening je borba za sebe. This short documentary is a story about Nadir Hajro, who suffers from cerebral paralysis and wishes to become a professional body builder. Aside from the fact that he managed to graduate from the Faculty of Law in Sarajevo, Nadir has decided to defy his body in the most miraculous way of them all - body building. Every day and every workout is a new battle for him.

DOBRO / FINE Bosnia and Herzegovina, Mexico, 2016, DCP, 15 min. ● Režija / Director: Marta Hernaiz Pidal ● Scenarij / Screenplay: Marta Hernaiz Pidal ● Direktor fotografije / Director of Photography: Sergio Flores Torija ● Montaža / Editor: Marta Hernaiz Pidal ● Dizajn zvuka / Sound Design: Jorge Bolado, Guillermo Gaitán ● Scenograf / Set Design: Bianca Lucas ● Muzika / Music: Jorge Bolado, Guillermo Gaitán ● Uloge / Cast: Julija Pavlović, Mira Bešić, Bojan Mijatović ● Producent / Producer: Marta Hernaiz, Emina Ganić ● Producentska kuća / Production Company: film.factory/ cine vendaval

Mira, Romkinja, odlučuje da sjedne i odmori se ispred ulaza u zgradu gdje živi Selma. Selma je primjećuje i postaje iziritirana situacijom. Pokušava da uradi sve kako bi otjerala Miru, koja odbija da ode odgovarajući joj svaki put samo jednom rječju, ‘’dobro’’. Njih dvije započet će beskonačnu svađu koja može samo da završi dobro. Mira, a Roma woman, decides to sit and rest at the front entrance of Selma’s house. Selma notices her and gets annoyed by this situation. She tries everything to kick Mira out, but she refuses by only answering her with the word “good”. These two women will start an endless fight that can only end well.

KEMIX Bosnia and Herzegovina, 2016, DCP, 11 min. ● Režija / Director: Alen Šimić ● Scenarij / Screenplay: Alen Šimić ● Direktor fotografije / Director of Photography: Almir Đikoli, Irfan Brković ● Montaža / Editor: Elvedin Zorlak, Saša Peševski ● Dizajn zvuka / Sound Design: Faris Lukovac ● Muzika / Music: Faris Lukovac ● Uloge / Cast: Džemal Džihanović, Nečko i Hari ● Producent / Producer: Kerim Mašović ● Producentska kuća / Production Company: Akademija scenskih umjetnosti

Džemal Džihanović - Kemix je najproduktivniji producent naizgled opskurnog i zanemarenog žanra “izvorne muzike”. Međutim, žanr nije toliko nerasprostranjen koliko se na prvu ruku čini, a ni Džemal nije obični producent već guru koji ne želi da igra po bilo čijim pravilima osim po svojim. Džemal Džihanović - Kemix is the most prolific producer of the seemingly obscure and neglected genre of ‘’traditional music’’. However, the genre is in fact not as neglected as it may seem at first sight, nor is Džemal yet another producer but a guru who follows nobody’s rules but his own. BIH FILM FESTIVAL l 22. Sarajevo Film Festival 235

KROKODIL / CROCODILE

POVRATAK / THE RETURN

Bosnia and Herzegovina, 2016, Other, 20 min. ● Režija / Director: Duško Stanivuk ● Scenarij / Screenplay: Duško Stanivuk ● Direktor fotografije / Director of Photography: Vanja Ban ● Montaža / Editor: Sara Gregorić, Duško Stanivuk ● Dizajn zvuka / Sound Design: Igor Suzić ● Scenograf / Set Design: Vanja Ban, Duško Stanivuk ● Kostimografija / Costume Design: Vanja Ban, Duško Stanivuk ● Muzika / Music: W.A.Mozart ● Uloge / Cast: Bojan Kolopić, Nataša Vukojević, Danilo Kerkez, Dejan Škipina, Srđan Stanivuk, Milan Gajić, Nataša Perić, Senad Milanović, Marko Vukosav ● Producent / Producer: Vanja Ban, Bojan Kolopić, Sara Gregorić, Duško Stanivuk ● Producentska kuća / Production Company: AUBL, Lisica&Vuk

Bosnia and Herzegovina, 2016, DCP, 27 min. ● Režija / Director: Lorenzo Fabbro ● Direktor fotografije / Director of Photography: Lorenzo Fabbro ● Montaža / Editor: Lorenzo Fabbro ● Dizajn zvuka / Sound Design: Lorenzo Fabbro, Niccolò Bosio ● Uloge / Cast: Anida Strika, Bathir Strika, Ilma Strika, Irhad Strika, Ismeta Strika ● Producent / Producer: Emina Ganić ● Producentska kuća / Production Company: SFA/film.factory

Frejzer je bio među velikima kada je bilo najteže, sada je ukroćen, inspiracija mu curi kroz prste i pokušava da pronađe nekog ili nešto što će ga vratiti na pravo mjesto. Fraiser was among the greatest back when times were hard, but now he’s been tamed, his inspiration fading away - he is trying to find something or someone that will help him get back to the right place.

NOĆ / NIGHT Bosnia and Herzegovina, 2015, Other, 8 min. ● Režija / Director: PILAR PALOMERO ● Scenarij / Screenplay: Pilar Palomero ● Direktor fotografije / Director of Photography: Manel Raga and Pilar Palomero ● Montaža / Editor: Pilar Palomero ● Dizajn zvuka / Sound Design: Kaori Oda, José Manuel Huerta ● Scenograf / Set Design: Lea Triboulet ● Kostimografija / Costume Design: Lea Triboulet ● Uloge / Cast: Sabina Šabić, Sara Zlatar Šabić ● Producent / Producer: Film Factory ● Producentska kuća / Production Company: Film Factory

Majka i kćerka čekaju nekoga ko se nikada neće vratiti. Pada noć. A mother and a daughter wait for someone who will never come back. The night arrives.

OJ, KRAJINO! / FRONTIER, BLOODY FRONTIER Bosnia and Herzegovina, 2016, Other, 28 min. ● Režija / Director: Saša Karanović ● Scenarij / Screenplay: Saša Karanović ● Direktor fotografije / Director of Photography: Srđan Šipka ● Montaža / Editor: Dragan Vranjković ● Dizajn zvuka / Sound Design: Predrag Blagojević ● Scenograf / Set Design: Saša Karanović ● Kostimografija / Costume Design: Saša Karanović ● Uloge / Cast: Ljubiša Savanović, Boris Šavija, Ana Anđelić, Aleksandar Ristanović ● Producent / Producer: Đorđe Vranješ ● Producentska kuća / Production Company: Akademija umjetnosti Univerziteta u Banjoj Luci. Mania

Jovan je dobar čovjek i dobar radnik. I kao svaki dobar čovjek i dobar radnik, Jovan je izrabljivan. Naknon petnaest godina neprijavljenog rada u fabrici došao je i dan kada će Jovan dobiti stalni ugovor, punu platu, penziono i zdravstveno osiguranje. Kolege su srećne zbog njega. Kada se tog jutra u fabrici pojavi novi radni kolega Todor, Jovan zna da će to ipak biti dan ko i svaki drugi.

Brat i sestra se vraćaju kako bi živjeli u roditeljskom domu u malom selu u provinciji. Njihov rodni gradić sada se čini ‘’zaražen’’ provincijalizmom i turobnošću, te granica između potrebe da odu i želje da ostanu postaje nejasna i problematična... A brother and a sister return to live in the parental home in a small countryside village. Their hometown looks now imbued with provincialism and dullness, and the boundary between the desire to leave and the wish to return becomes vague and problematic.

SOMEWHERE ELSE Bosnia and Herzegovina, 2015, DCP, 21 min. ● Režija / Director: Stijn Bouma ● Direktor fotografije / Director of Photography: Lamia Šabić ● Montaža / Editor: Stijn Bouma ● Dizajn zvuka / Sound Design: Stijn Bouma ● Uloge / Cast: Sabina Osmanović ● Producent / Producer: Emina Ganić ● Producentska kuća / Production Company: Film.factory

Impresionistički prikaz teških i radosnih trenutaka Sabine Osmanović dok vodi poslove u svom malom restoranu tokom jednog dana. An impressionistic portrait of the struggles and joys of Sabina Osmanović that takes place during the course of one day as she is running a small restaurant on her own.

TAKO ZAKON NALAŽE / ACCORDING TO THE LAW Bosnia and Herzegovina, 2016, Other, 10 min. ● Režija / Director: Mladen Vučković ● Scenarij / Screenplay: Mladen Vučković ● Direktor fotografije / Director of Photography: Slava Terzić ● Montaža / Editor: Jelena Ilić Todorović ● Dizajn zvuka / Sound Design: Nemanja Jekić, Janja Bijelić ● Kostimografija / Costume Design: Mladen Vučković ● Uloge / Cast: Marko Nedeljković, Marko Vukosav, Maja Vujanović, Alen Jović, Aleksandar Vučković ● Producent / Producer: Aleksandar Vučković ● Producentska kuća / Production Company: Akademija umjetnosti Univerziteta u Banjoj Luci

Dva mladića koji se vraćaju iz grada odlučuju da snimaju automobil koji se kreće ispred njih... Two young men, driving back home, decide to record the car driving in front of theirs...

TREPTAJ / BLINK

Jovan is a good man and a good worker. As every good worker, Jovan gets exploited. After 15 years of illegal work in a factory, the day has come when Jovan would get a permanent contract, full salary, social and health security. His colleagues are happy for him. When that very morning Todor shows up in the factory, Jovan’s new colleague, Jovan knows that it will after all be just another day.

Bosnia and Herzegovina, 2017, Other, 1 min. ● Režija / Director: Dragan Majkić ● Scenarij / Screenplay: Dragan Majkić ● Direktor fotografije / Director of Photography: Dragan Majkić ● Montaža / Editor: Dragan Majkić ● Dizajn zvuka / Sound Design: Dragan Majkić ● Muzika / Music: Blue Stahli - Accelerant ● Producent / Producer: Dragan Majkić ● Producentska kuća / Production Company: Akademija umjetnosti Univerziteta u Banjoj Luci

OSVETA / REVENGE

BLINK is a short one-minute film which explores the concept of time.

Bosnia and Herzegovina, 2016, Other, 10 min. ● Režija / Director: Katarina Živanović ● Scenarij / Screenplay: Katarina Živanović, Ivan Stančić ● Direktor fotografije / Director of Photography: Đorđe Stojiljković ● Montaža / Editor: Ana Zubić ● Dizajn zvuka / Sound Design: Andrej Ristevski ● Muzika / Music: Marko Kon ● Uloge / Cast: Vaja Dujović, Bojan Krivokapić, Mihailo Laptošević ● Producent / Producer: Nevena Tomić ● Producentska kuća / Production Company: Univerzitet Sinergija, Fakultet dramskih i filmskih umjetnosti

Plan osvete problematičnog Radeta, vlasnika kafane, kreće po zlu kada pravda umiješa prste. A vengeful plan of troubled Rade, owner of a barroom, goes awry when justice intervenes.

TREPTAJ je kratki jednominutni eksperimentalni film koji tretira vrijeme.

UGASI SVJETLO / TURN OFF THE LIGHT Bosnia and Herzegovina, 2016, Other, 8 min. ● Režija / Director: Janja Bijelić ● Scenarij / Screenplay: Ivona Malešević ● Direktor fotografije / Director of Photography: Janja Bijelić ● Montaža / Editor: Janja Bijelić ● Scenograf / Set Design: Janja Bijelić ● Kostimografija / Costume Design: Janja Bijelić ● Muzika / Music: David Mastikosa, Thomas Newman ● Uloge / Cast: Ivona Malešević, Teodora Rajčević, Kristina Šikanić, Katarina Sarić, Nataša Nović, Nikola Janošević, Srđan Knjeginjić ● Producent / Producer: Janja Bijelić ● Producentska kuća / Production Company: Akademija umjetnosti Univerziteta u Banjoj Luci

Za manje od 8 minuta je moguće dobiti radno mjesto. Kome i pomoću kakvih trikova to uspijeva? It takes less than 8 minutes to get employed. Who, and using which tricks, manages to achieve that? 236 22. Sarajevo Film Festival l BOSANSKOHERCEGOVAČKI FILM FESTIVAL

ZVAO JE TVOJ LJUBAVNIK / YOUR LOVER JUST CALLED Bosnia and Herzegovina, 2015, Other, 13 min. ● Režija / Director: Alen Alilović ● Scenarij / Screenplay: Alen Alilović ● Direktor fotografije / Director of Photography: Alen Alilović ● Montaža / Editor: Adnan Dedić ● Dizajn zvuka / Sound Design: Nirvan Imamović ● Scenograf / Set Design: Alen Alilović ● Kostimografija / Costume Design: Alen Alilović ● Uloge / Cast: Vanja Kurtović, Andrea Aković, Saša Krmpotić ● Producent / Producer: Alen Alilović ● Producentska kuća / Production Company: Alen Alilović

MOST / THE BRIDGE Bosnia and Herzegovina, 2015, DCP, 8 min. ● Režija / Director: DOMINIK ĆORIĆ ● Scenarij / Screenplay: Lily Bollinger, Barbara Bubalo, Martin Pezer ● Montaža / Editor: Vlatko Mikulić ● Muzika / Music: Zoster ● Producent / Producer: Katarina Landeka, Karlo Mikulić ● Producentska kuća / Production Company: MFF School, Outside The Lens ● Kontakt / Contact: topic@mff.ba

Mlada djevojka iz Amerike koja je u posjeti svojoj rođaki u stranoj zemlji ide na neugodan susret naslijepo sa rođakinim prijateljem. Šta bi uopće moglo da pođe po zlu kada skoro i ne govorite jezik onog drugog?

Protagonista vođen paranojom i ljubomorom da ga djevojka vara sa njenim kolegom s posla pada u depresiju i doživljava nesreću. Ostaje živ, ali ipak nema snage da joj oprosti. Odlučuje se da je ubije.

A young American girl visiting her cousin in a foreign country goes on an awkward blind date with her cousin’s friend. What could possibly go wrong when you barely speak each other’s language?

The protagonist, driven by paranoia and jealousy suspects that his girlfriend is cheating on him with a colleague from work, gets depressed and has an accident. He survives, but he still can’t find strength to forgive her. He decides to kill her.

PACIJENT / PATIENT

SPECIJALNA PROJEKCIJA / SPECIAL SCREENING

MEDITERAN FILM FESTIVAL PREDSTAVLJA / MEDITERAN FILM FESTIVAL PRESENTS

AUSTRO-UGARSKE VOJNE UTVRDE U MOSTARU / AUSTRO-HUNGARIAN MILITARY FORTS IN MOSTAR Bosnia and Herzegovina, 2015, DCP, 24 min. ● Režija / Director: Ivo Mikulić ● Scenarij / Screenplay: Veselin Gatalo, Željko Miličević ● Direktor fotografije / Director of Photography: Željko Miličević ● Montaža / Editor: Tomislav Topić ● Producent / Producer: Ivo Mikulić, Željko Miličević ● Producentska kuća / Production Company: Kadar Film & Video Production ● Kontakt / Contact: topic@mff.ba

Kameni esej o besmislu ratovanja, kontrapunkt čovjeka i tvrđave. A stone essay on the pointlessness of warship, counterpoint of man and fortress.

ČIPS / CHIPS Bosnia and Herzegovina, 2013, DCP, 4 min. ● Režija / Director: Grupa autora ● Scenarij / Screenplay: Grupa autora ● Direktor fotografije / Director of Photography: Grupa autora ● Montaža / Editor: Grupa autora ● Producent / Producer: Grupa autora ● Producentska kuća / Production Company: MFF School, Outside The Lens ● Kontakt / Contact: topic@mff.ba

ČIPS je kratki film koji je napisan i produciran na školi Mediteran Film Festivala 2013. održanoj u Širokom Brijegu, Bosna i Hercegovina. Film je napisan, režiran i montiran od strane srednjoškolaca kojima je ovo prvi rad na filmu. CHIPS is a short narrative film that was written and produced at MFF School, a film workshop that took place during the 14th annual Mediterranean Film Festival held from August 26-31, 2013 in Široki Brijeg, Bosnia-Herzegovina. The film was written, shot, and edited by high school first-time filmmakers.

HERCEGOVINA / HERZEGOVINA Bosnia and Herzegovina, 2015, DCP, 15 min. ● Režija / Director: Zdenko Jurilj, Ivo Čolak ● Scenarij / Screenplay: Ivo Čolak ● Direktor fotografije / Director of Photography: Antoni Ćorić ● Montaža / Editor: Tomislav Topić ● Producent / Producer: Tomislav Bubalo ● Producentska kuća / Production Company: Kadar Film & Video Production ● Kontakt / Contact: topic@mff.ba

Hercegovina je nikla iz kamena. Cijela je historija vezana za njegovu snagu. Voda je taloženjem i kalciniranjem u pećinama sačuvala slojevite tragove čovjekova postojanja. Kamen i voda su od praistorije bili povezani. U ovom je filmu Hercegovina prikazana kroz male stvari, male ljude, rituale bliske svakom čovjeku. Herzegovina grew out of stone and its entire history is connected with the strength of stone. Stone and water interacted in Herzegovina since the ancient times. Calcified sediment in its caves preserved the traces of human existence in the area. This films paints a portrait of Herzegovina through small things, small people and rituals every person can identify with.

Bosnia and Herzegovina, 2013, DCP, 24 min. ● Režija / Director: Zdenko Jurilj ● Scenarij / Screenplay: Zdenko Jurilj ● Direktor fotografije / Director of Photography: Antoni Ćorić ● Montaža / Editor: Tomislav Topić ● Producent / Producer: Tomislav Bubalo ● Producentska kuća / Production Company: Kadar Film & Video Production ● Kontakt / Contact: topic@mff.ba

Film je narativna dokumentarna priča o stanju pacijenta prije, za vrijeme i nakon operacije srca. Riječ je o filmu atmosfere koji prikazuje stanje u kojem se može naći svaki čovjek. Pacijent je film nadahnut Kantovom mišlju: Šta mogu znati? Šta moram raditi? Čemu se mogu nadati ? PATIENT is a narrated documentary story about the condition of a patient before, during and after a heart surgery. It shows a situation everyone can face and is inspired by Immanuel Kant’s three questions: “What can I know? What ought I to do? What may I hope?”

ZNATIŽELJA / CURIOSITY Bosnia and Herzegovina, 2014, DCP, 12 min. ● Režija / Director: Stjepan Skoko ● Scenarij / Screenplay: Stjepan Skoko ● Direktor fotografije / Director of Photography: Stjepan Skoko ● Montaža / Editor: Tomislav Topić ● Muzika / Music: Ivo Mikulić ● Producent / Producer: Tomislav Bubalo ● Producentska kuća / Production Company: Kadar Film&VideoProduction ● Kontakt / Contact: topic@mff.ba

U drugoj polovici devedesetih, u malom hercegovačkom mjestu, ljudi su postali svjedoci ukazanja anđela, čovjeka s bijelom bradom, križeva, Gospe i Isusa Krista. Na prozoru kuće, koja se nalazila na usamljenom mjestu, mnoštvo je vidjelo biblijske motive i izravno u kameru posvjedočilo o tome. Film prikazuje emocije ljudi za vrijeme ukazanja i atmosferu koja se događala u neposrednoj blizini. In late 1990s, people in a small town in Hercegovina witnessed the apparition of an angel, a man with white beard, Catholic crosses, Virgin Mary and Jesus Christ. A crowd of people saw the biblical motifs appearing in the window of a solitary house and testified about it directly into camera. The film captures the emotions of these people during the apparitions and the atmosphere in their immediate surroundings.

ŽUTA BOJA / THE COLOR YELLOW Bosnia and Herzegovina, 2014, DCP, 8 min. ● Režija / Director: Grupa autora ● Scenarij / Screenplay: Grupa autora ● Direktor fotografije / Director of Photography: Grupa autora ● Montaža / Editor: Grupa autora ● Producent / Producer: Grupa autora ● Producentska kuća / Production Company: MFF School, Outside The Lens ● Kontakt / Contact: topic@mff.ba

ŽUTA BOJA je kratki film napisan i produciran na MFF školi, filmskoj radionici održanoj tokom Mediteran Film Festivala 2014. u Širokom Brijegu, Bosna i Hercegovina. Film su napisali, snimili i montirali srednjoškolci koji po prvi put učestvuju u izradi filma. THE COLOR YELLOW is a short narrative film that was written and produced at MFF School, a film workshop that took place during the 15th annual Mediterranean Film Festival held from August 20-30, 2014 in Široki Brijeg, Bosnia-Herzegovina. The film was written, shot, and edited by high school first-time filmmakers.

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Sponzori / Sponsors Hvala / Thank You Festival Team Index - Filmovi / Films Index - ReĹžiseri / Directors

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Switzerland - Sarajevo Film Festival: the story of a friendship continues Switzerland is pleased to continue to support the Festival’s Documentary Competition through two awards: “Heart of Sarajevo for the Best Documentary” and “Human Rights Award”.

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Hvala / Thank You

Nedžad Ajnadžić, dr. Jasmina Aždajić, Aida Bajramović, Nedžad Borišić, Ahmet Boyacıoğlu, Amina Čadro, Enver Čaušević, Vahid Ćosić, Nataša Damnjanović, Adnan Dedović, Emir Dedović, Amina Deljković, Hamdija Dizdar, Guadalupe Ferrer, Semir Efendić, Zoran Galić, Halid Ganija, José Manuel García, H.E. Mr. Marco Antonio García Blanco, Martha Carolina González Ríos, Mike Goodridge, Elvir Hadžiahmetović, Ibrahim Hadžibajrić, Amir Hadžić, Denis Hajdarević, Nataša Hajdarević, Fahrudin Halać, Suad Handagić, Mathilde Henrot, Bisera Hotić, Gordana Hrenovica, Mubera Ičindić, Gorica Jovanović, Nebojša Jovanović, Ramiz Kadić, Vanja Kaluđerčić, Igor Kamočaji, Asmir Kedić, Čedomir Kolar, Elmedin Dino Konaković, Amar Koristović, Mustafa Kovač, Mustafa Krasnić, Aldijana Kršlak, Amela Kuskunović, Ivan Marinović, Edin Mehić, Tiđa Mekić, Hedija Mrković, Adnan Mršević, Azem Mujan, Lejla Mujkić, Amela Mulavdić, Hajrudin Mulić, Hajrija Mulić, Kenan Novalija, Nerma O’Hara, Hajrudin Omerović, dr. Vedad Papović, Lejla Pašović, Alejandra de la Paz, Sanja Pejčinović, Marijo Pejić, Marin Raspudić, Elvir Resić, Amira Sadiković, Sunita Samarah, Martin Schweighoffer, Amra Smailović, Nasir Spahić, Jelena Spasojević, Džemal Šaković, Elvedina Šehović, Edina Šeta, Danis Tanović, Ines Tanović - Sijerčić, Jasmin Terović, Christine Troestrum, Ismet Tucak, Rossitsa Valkanova, Mirela Varagić, Cat Villiers, Florian Weghorn, Sabina Zvirac, Pjer Žalica

Austrian Film Comission, Filmski centar Srbije, Fond Memorijala, Georgian Film Center, Granična Policija, Greek Film Center, Hrvatski audiovizuelni centar, Kean & Kolar Communications, Kosovo Cinematography Center, Magyar Filmunio, Ministarstvo kulture i sporta Kantona Sarajevo, Ministarstvo saobraćaja Kantona Sarajevo, Ministarstvo Sigurnosti Bosne i Hercegovine, Prva gimnazija Sarajevo, Slovenski Filmski Sklad, Turistička Zajednica Kantona Sarajevo

274 22. Sarajevo Film Festival l HVALA

Advisory Board Izeta Građević Jovan Marjanović Creative Director Izeta Građević Head of Programming Amer Bećirbegović Programmers Elma Tataragić, Competition Features, Competition Shorts and In Focus and Editor of BH Film Festival Rada Šešić, Competition Documentaries Vanja Kaluđerčić, Shorts Mike Goodridge, Kinoscope Alessandro Raja, Kinoscope Mathilde Henrot, Kinoscope Festival Consultant Philippe Bober, Consultant Andrea Stavenhagen, Consultant for Latin America CineLink Industry Days Jovan Marjanović, Head of Industry Amra Bakšić Čamo, Head of CineLink Rada Šešić, Head of Docu Rough Cut Boutique (Sarajevo) Martichka Bozhilova, Head of Docu Rough Cut Boutique (Sofia) Maša Marković, Industry Coordinator Armin Hadžić, CineLink Coordinator Talents Asja Makarević, Project Manager Assistants: Dina Ćerić, Nejra Branković Rough Cut Boutique Rada Šešić, Head of Competition Programme – Documentary Film and coorganizer of the new platform Docu Rough Cut Boutique Martichka Bozhilova, Director of the Balkan Documentary Center and coorganizer of the new platform Docu Rough Cut Boutique Operation Kino Ena Rahelić, Head of Operation Kino Nataša Kučera, Danica Bakula, Coordinators of Operation Kino Admir Hajrić, Haris Džaferović, Operation Kino Team International Relations Lejla Karišik, Head of International Relations Nataša Kučera, International Relations Executive Producer Almir Palata, Technical Director Mersiha Halilović, Assistant to Technical Director Selma Delić, Supervisor for film titles Ema Habul, Titles coordinator Budget Planner – Analyst and Internal Audit Sabina Branković, CFO – Chief Financial Officer Lamija Muminović, Assistant Administrative Office Dževad Mujan, Administrative Director Hajrudin Ajkunić, Accountant Aida Memović, Secretary Irina Marković, Director’s Assistant Administration Assistants: Muhida Balta, Iman Brčić, Melika Bašić, Tiffany Očko Talents Sarajevo Office Asja Makarević, Project Coordinators Selection: Amra Bakšić Čamo, Izeta Građević, Jovan Marjanović, Elma Tataragić, Gabriele Brunnenmeyer, Nebojša Jovanović, Fred Kelemen Talent Administration and Guest Management: Linda Johansson, Nadina Habibović Ahmed Alić, Tecnical Coordinator Rusmir Efendić, Location Manager (ASU) Field Technicians: Amer Alić, Amer Ćosović, Muhamed El-Mordeha Harun Oglečevac, STC Pack&Pitch Coordinator Valerie Snehotta, Script Workshop Coordinator Jakub Salihović, Film Critics Workshop Coordinator Benjamin Čengić, Cinematographers Workshop Coordinator Info Desk: Nejra Branković, Adna Aličić, Nataša Hemon, Kenan Sadović Aziz Čeho, STC Video Documentation Notebook: Nebojša Jovanović, Ivana Kalember, Asja Makarević CineLink Industry Days team Tobias Pausinger, Work in Progress Consultant Alex Traila, CineLink Work in Progress Coordinator Tina Hajon, Avant Premieres Programme Coordinator

Ishak Jalimam, Docu Rough Cut Boutique Coordinator Asa Garnert, CineLink Industry Days PR Nina Rodríguez, Matchmaker Andrej Hamzić, CineLink Industry Days Events Milan Stojanović, CineLink Drama Assistant Nadina Štefančič, Meetings Assistant Anel Hošo, Avant Premiere Programme Assistant Zorka Klapan, CineLink industry Days Assistant Mladen Ungar, Industry Statistics & Analysis Milica Tomašević, CineLink Industry Days Hospitality Desk Competition Feature and Short Program Office Asja Krsmanović, Competition Programme Coordinator, Pre-selection for Competition Programme - Short Film Melina Alagić, BH Film Festival Coordinator Bojana Vidosavljević, Jury Coordinator Nataša Govedarica, Programme Assistant and In Focus Q&A moderator Assistants: Džejna Avdić, Rijad Bešlija, Ivor Doder, Staša Dukić, Aida Hadžihasanović, Tarik Kutlovac, Emina Mahmutagić, Selma Muharemović, Dina Mušanović, Šejla Lajlani, Emina Omerović, Imana Sokolović, Amar Spahić, Ana Tankosić Din Švraka, Volunteer Competition Documentary Programme and European Shorts Office Amra Mehić, Coordinator of Competition ProgrammeDocumentary Film Ishak Jalimam, Coordinator of DocuCorner and Rough Cut Boutique Adisa Smajić, Assistant Coordinator of Competition Programme-Documentary Film Merima Lepić, Jury Coordinator Bianca Lucas, Europen Shorts Assistant Sponsorship Department Anja Mušanović, Manager Zlata Grabovac, Account Assistants: Srđan Kačanski, Amna Ramić Programmes Coordinator Bakir Milić TeenArena, Children’s Programme Amina Sulejmanagić - Programme Coordinator Amila Čikirnagić - PR Officer Zenon Marković - Administrative Assistant Adela Isović - Programme Assistant Press Office Altijana Marić, Press Office Manager Alma Hadžić, Press Officer Nick Davis, Senior English Editor Azra i Amila Hasović, Press Centre Coordinators Vanja Lazić, Interview Protocol, Press Accreditations, Press Protocol Zlatan Hamza, Press Protocol Coordinator Đina Đino, Interview Protocol Graphic Design Boom produkcija! Lejla Begić - Vuletić, Jasenka Bećirbegović, Dejan Ćorić SFF Daily Editors: Lejla Kalamujić, Dijala Hasanbegović Journalists: Marinela Domančić, Namir Ibrahimović, Segor Hadžagić, Emina Adilović Damir Hodžić, Photo Editor Zorica Pandžić, (DTP) Festival TV Novagenus: Craig Mason, Emir Šehanović, Irfan Brković, Jasmin Jatić, Interviews, Cameramen and Editing Alen Piplica, Cameraman Support: Samir Lačević, Ali Šabanović, Elvis Ališehović Photographers Almin Zrno, Senad Gubelić, Jasmin Brutus, Amer Kuhinja, Muhidin Živojević, Damir Hajdarbašić, Adi Kebo, Samir Cacan Press Conferences Nebojša Jovanović SFF Website Gordan Petrović, Web Editor Festival Shop Boom produkcija! Sellers: Denisa Tahirović, Memić Nedim, Andi Gvožđar, Erna Kalić, Tarik Hasović, Amna Lenjinac Una Omeragić, Accountant Assistant Hospitality Team Nedim Čengić, Hospitality Service Manager Samra Čomor, Faris Koldžo, Guest Relations Adna Rokša, Travel Reservations Sanja Hrenovica, Accommodation Edina Čomor, Visas and Excursions

Events Management Adnan Beširević, Event Manager Nedim Branković, Logistics Support Mak Krstić, Event Coordinator Assistants: Lejla Omerović, Nirvana Žiško, Ibrahim Kurtović Protocol Office Nataša Kučera, Head of protocol Mak Muftić, Protocol Coordinator Nihad Branković, Protocol Consultant Protocol Team: Sajra Mujan, Belma Bojčić, Vildana Isaković, Anesa Trgo, Damir Pločo Goran Kučera, I Heart Film Coordinator IT Department Nedim Kovač, IT and System Manager IT Coordinators: Mirza Ćutuk, Tarik Husović IT Technicians: Amar Arifhodžić, Kenan Kalić, Edib Omerbegović, Tarik Omerović Festival Square Bojan Skočajić, Tarik Skalonja

FESTIVAL TEAM

Director Mirsad Purivatra

Accreditations Ines Lučić, Head of Accreditation Assistants: Ena Alečković, Hanna Kovač Golden Cards Alma Hadžijamaković Box Office Managemant Feđa Purivatra, Box Office and Accreditation Manager Assistants: Tarik Husović, Mirza Ćutuk Edin Alihodžić, Box Office Coordinator Ticket Sellers: Sabina Memišević, Aldijana Selimbegović, Anja Miljanović, Kenan Kalisi, Elma Arnautović, Mirela Milak, Džana Demić, Meliha Hadžimehmedagić, Alisa Šarac, Sanel Šurković, Emina Imamović, Amila Pezo, Amir Uzunović, Lamija Madžarević, Sajra Bilajac Translators Aida Gadžo, Aleksandar Brezar, Alma Gačanin, Asja Hafner, Daniel Polimac, Dženana Preljević-Sadović, Dževida Šehić, Gorana Mlinarević, Lejla Gadžo, Lejla Kadrispahić, Mirsad Čeligija, Sanja Papo Kulić, Sanja Vrzić, Selma Hadžić, Una Tanović, Jasna Saradžić, Rubina Sijerčić, Vedad Mulavdić Titlers Advan Košarić, Meliha Hadrović, Amra Arapović, Ema Habul, Aida Vražalica, Ismir Gagula, Lejla Kadrispahić Proofreaders Dževida Šehić, Milan Vuković, Azra Rizvanbegović Location Managers Adis Memović, Open Air Cinema Benjamin Mahmić, Svjetlana Kupusović, National Theatre Izudin Isić, Meeting Point Hamid Softić, BKC Projectionists Admir Hajrić, Haris Džaferović, Open Air Cinema and Sarajevsko Summer Screen Sulejman Kadić, National Theatre Jusuf Hafizović, Selver Softić, Jadranko Pecirep, Meeting Point Film Office Emir Nalo, Tarik Hadžović, Bakir Bećirbegović Video Tehnicians Fikret Pandžić, Ervin Podrug, Elvir Pandžić, Maroje Sardelić Technical Department Abid Ahmetagić, Technical Support Alden Ahmetagić, Almed Memović, Ramiz Memović, Almedin Hodžić, Almedin Džaferović, Elvedin Pecikoza, Mirza Posković, Edin Kadilović, Jasmin Okanović, Nijaz Karaman, Velid Jamak Audience Award Coordinator Haris Serdarević Volunteers Coordination Šejla Behlić, Project Manager Assistants: Mia Varivoda, Elvira Subašić Drivers Nedim Hasanbegović, Head of Transport Sejad Ahmetagić, Logistics Caffè Jasmina Bajramović, Caffe Manager Svjetlana Sušić, Almira Jahić, Domagoj Dudjak, Bojan Krišto, Mirnes Bubalo, Aldin Lingo Maintenance Vasvija Oćuz, Amela Jahić Security Sevice Securitas BH d.o.o. FESTIVAL TEAM l 22. Sarajevo Film Festival 275

FILMS - ORIGINAL TITLE

4:15 P.M. SFÂRȘITUL LUMII

À PEINE J’OUVRE LES YEUX 98 ABADAN LAM NAKON ATFALAN 200 ABLUKA 76 120 ADAPTACJA ALBÜM 24 40 ALEPOU ALL THESE SLEEPLESS NIGHTS 134 ALLÔ CHÉRIE 120 ALONE TOGETHER 233 186 AMONG THE BELIEVERS ANI VE SNU! 172 ANNA 125 AQUARIUS 99 ASFOORA 202 AUSTRO-UGARSKE VOJNE UTVRDE U MOSTARU 237 AVRIL ET LE MONDE TRUQUÉ 173

BABA VANGA 229 BACALAUREAT 77 BADEN BADEN 100 BAGLAR 50 BANANA 156 BEAST IS STILL ALIVE, THE 51 BEHAR 233 BELLADONNA 127 BEZBOG 25 BOI NEON 101 BORDERS 52

CAFFÈ SI BEVE BESTEMMIANDO, 122 IL CÂINI 26 102 CAMERAPERSON CAPTAIN FANTASTIC 86 103 CARTAS DA GUERRA 166 CATS & DOGS CINEMA, MON AMOUR 53 COSMORAMA 41 CRONICA BREVE DE LA FILMACIÓN DE SANGRE 153 CRVENI SNIJEG 233 CSOSZOGJ ÚGY 41 CULPA, PROBABLEMENTE, LA 126

ÇIRAK 222

ČETIRI PASOŠA ČIPS ČOVJEK ČELIČNE VOLJE

54 237 235

DAFTAR, AL 202 DAULLET E REZISTENCËS 55 DAVNO SAM TI LEG’O 234 DAZZLING LIGHT OF SUNSET, THE 56 DEDE: MEHMET MET DE GELE LAARZEN 166 DEVOJKATA ŠTO PAGJA 42 DJECA MIRA 229 DNEVNIK MAŠINOVOĐE 216 DOAR O RASUFLARE 57 87, 228 DOBRA ŽENA DOBRO 223

DOBRO UNOVČENO POPOLDNE 167 121 DOKUMENT DUBINA DVA 58, 192

E, MOJ LUKA ILI (FILM NESUĐENOG LIKA) 178 EAT THAT QUESTION: FRANK ZAPPA IN HIS OWN WORDS 135 ELA UMMI 203 ELEGANSSI 121 EMA 104 EPOMENOS STATHMOS: OYTOPIA 59 174 ES ESMU ŠEIT ESCLAVA 149 122 ESTATE ÉVOLUTION 105

FATA 230 229 FIST OF MEMORY, A 106 FITS, THE FLASKEPOST FRA P 88 FLORENCE FOSTER JENKINS 89 FROM MEXICO: MUSIC FOR EISENSTEIN (FRAGMENTS OF 210 ¡QUE VIVA MÉXICO!)

GENÇ PEHLIVANLAR GIMME DANGER GORA GRAD SLONOVA

HELI HERCEGOVINA HEVISAURUS HÖRDUR

60 136 230 232 150 237 157 175

I KNOW YOU ARE, BUT WHAT AM I? 230 I, DANIEL BLAKE 90 IGLA ISPOD PRAGA 27 IGRA MALOG TIGRA 127 IMPORT 123 IN DEFENSE OF THE ROCKET 123 IN THE HILLS 125 IN THE SAME GARDEN 32 INDONEZIJA 128 201 INHEBBEK HEDI INIMI CICATRIZATE 28 INTERRUPTION 78 INVERZUM 234 IZA LICA ZRCALA 61

JA SAM ADNAN I NEĆU VAS RAZNIJETI JADRANKA JAMAIS CONTENTE JOŠ JEDAN DAN JULIETA

KAKO SAM POSTALA TI KEMIX KINO OTOK KORIDA KROKODIL

LAO SHI L’AVENIR

276 22. Sarajevo Film Festival l FILMS - ORIGINAL TITLE

230 230 158 234 91 230 235 62 63 236 108 107

LEBDENJE PO NEBU LIEBHABERIN, DIE LIGHT SOUNDS LIMBO LOGS LOS BASTARDOS LOVE & FRIENDSHIP LULA & BRUČKE

230 29 203 42 235 151 92 130

MĂ CHEAMĂ COSTIN 43 MA VIE DE COURGETTE 159 MAMA 228 MAN RETURNED, A 124 MIN FASTER I SARAJEVO 229 MINJONJA NJANJONJA 130 204 MITEL AL’AROUS MOST 237 MOŽEŠE DA BIDE FILM 230 MUSIC OF STRANGERS: YO-YO MA AND THE SILK ROAD ENSEMBLE, THE 138 MY LOVE-LI SISTER 231 MY OWN PRIVATE WAR 64, 231

NAGON 234 231 NEOBIČAN GOST NERUDA 109 NEŽELJENA BAŠTINA 193 NIKA 176 NINA 167 NO SMOKING IN SARAJEVO 231 NOČNO ŽIVLJENJE 79 236 NOĆ NOUVEAU, LE 160 NOVINE 217 126 NYALINTÁS NESZE, A

OFFLINE-DAS LEBEN IST KEIN BONUSLEVEL 161 OJ, KRAJINO! 236 ONO KO SAM I SVE ŠTO IMAM, SVAKI DAN NOSIM 231 OPSADA 139, 231 OPSESIJA 234 OSLOBODUVANJE NA SKOPJE 218 236 OSVETA

PACIJENT PALM TREE, THE PAPAGAJKA PAT A MAT VE FILMU PIKNIK PLANEMO POOL VERSION PORTRAIT POVRATAK

237 204 229 162 128 131 234 234 236

REFUGEE 532 234 REFUGEE BLUES 140, 178 65 REMÉNYVASÚT REQUIEM FOR PINNOCHIO 234 RESTER VERTICAL 110 RETTET RAFFI 163 REZ 231 RITKI ZRAK 131 ROCK`N`WAR...ILI SAMO ZATO 232 ŠTO JE PETAK

S ONE STRANE

SANGRE 152 SARAJEVO - FEMME FATALE 232 SARAJEVSKE RUŽE 232 SAUCIUS 235 SCIENTIST, THE 235 SCREAM FOR ME SARAJEVO 66, 232 SEGELL IKHTIFA 223 SHELLEY 111 SIERANEVADA 81, 228 SILENZIO, IL 179 SING STREET 141, 177 SJEĆAM SE 235 SMRT U SARAJEVU 82, 228 SOLAN OG LUDVIG: HERFRA TIL FLÅKLYPA 164 SOMEWHERE ELSE 236 SONITA 137 SRCE OD DRVETA 67, 232 STAAT GEGEN FRITZ BAUER, DER 194 SUPERBIA 43 SVETLANA 68, 233 SVI SEVERNI GRADOVI 33, 228 SVI SMO MI LJUDI 232

ŞANXAY, BAKI

179

TAKO ZAKON NALAŽE 236 TARLA 30 TED SIEGER’S MOLLY MONSTER 165 - DER KINOFILM TEHILA 168 TEMPESTAD 112, 213 180 TIMECODE 113 TONI ERDMANN 233 TOPA I ARČI 142 TORTUE ROUGE, LA TOUR DE FRANCE 93 34 TRANSMANIA TRANZICIJA 44 236 TREPTAJ

U POTRAZI ZA DOMOM UGASI SVJETLO UNDER THE SHADOW UNTEN

VEGANIZE IT! VLAŽNOST

WHITE BALLOON

YELLOW NIGHTS

233 236 114 69 205 31 233 205

ZABRANJENE IGRE 235 ZG80 219 ZID SMRTI, I TAKO TO 70 ZNATIŽELJA 237 ZVAO JE TVOJ LJUBAVNIK 237 ZVIR 44 ZVJERKA 129

ŽIVOT POSLIJE ŽIVOTA ŽUTA BOJA ŽIVOT CVIJEĆA

233 237 229

ACCORDING TO THE LAW 236 ADAPTATION 120 ALBUM 24 ALL THE CITIES OF THE NORTH 33, 228 ALL THESE SLEEPLESS NIGHTS 134 ALLÔ CHÉRIE 120 ALONE TOGETHER 233 AMONG THE BELIEVERS 186 AN UNUSUAL GUEST 231 ANNA 125 APRIL AND THE EXTRAORDINARY WORLD 173 APPRENTICE, THE 224 AQUARIUS 99 98 AS I OPEN MY EYES ASFOORA 202 AUSTRO-HUNGARIAN MILITARY FORTS IN MOSTAR 237

BABA VANGA BADEN BADEN BAGLAR BANANA BEAST IS STILL ALIVE, THE BEAST, THE BEAST, THE BELLADONNA BLACK PIN, THE BLINK BLOSSOM BOO-BOO BOO HOO HOO BORDERS BRIDGE, THE BRIEF CHRONICLE OF THE FILMING OF SANGRE

CAMERAPERSON CAPTAIN FANTASTIC CATS & DOGS CHILDREN OF PEACE CHIPS CHRONICLE OF A DISAPPEARANCE CINEMA, MON AMOUR CITY OF ELEPHANTS COFFEE HAS TO BE DRUNK SWEARING HOT COLOR YELLOW, THE CONSPIRACY OF FAITH, A COSMORAMA CROCODILE CURIOSITY CUT

229 100 50 156 51 44 129 127 27 236 233 130 52 237 153 102 86 166 229 237 223 53 232 122 237 88 41 236 237 231

DAZZLING LIGHT OF SUNSET, THE 56 DEATH IN SARAJEVO 82, 228 DECENT WOMAN 29 DEDE: MEHMET WITH THE 166 YELLOW BOOTS DEPTH TWO 58, 192 DOCUMENTARY FILM, A 121 DOGS 26 DOWN THERE 69 DRIVE 234 DRUMS OF RESISTANCE 55

EAT THAT QUESTION: FRANK ZAPPA IN HIS OWN WORDS 135 ELEGANCE 121 EVOLUTION 105

FALLING GIRL, THE 42 230 FATA FIELD, THE 30 FINE 235 229 FIST OF MEMORY, A 106 FITS, THE FLOATING IN THE SKY 230 FLORENCE FOSTER JENKINS 89 FORBIDDEN GAMES 235 51 FOUR PASSPORTS FOX 40 FRENCH TOUR 93 FRENZY 76 FROM MEXICO: MUSIC FOR EISENSTEIN (FRAGMENTS OF 210 ¡QUE VIVA MÉXICO!) FRONTIER, BLOODY FRONTIER 236

GIMME DANGER GODLESS GOOD AS NEW GOOD WIFE, A GORA GRADUATION GUILT, PROBABLY, THE

136 25 204 87 230 77 126

HEART OF WOOD, THE 67, 232 HEAVYSAURS 157 HEDI 201 HELI 150 237 HERZEGOVINA HÖRDUR 175 HOW I BECAME YOU 230 HUMIDITY 31

I KNOW YOU ARE, BUT WHAT AM I? 230 I REMEMBER 235 I WAS LAID HERE A LONG TIME AGO 234 I, DANIEL BLAKE 90 IMPORT 123 IN DEFENSE OF THE ROCKET 123 IN THE HILLS 125 IN THE SAME GARDEN 32 IN YOUR DREAMS! 172 INDONESIA 128 INTERRUPTION 78 INVERZUM 234 ISLANDS OF FORGOTTEN CINEMAS 62

JADRANKA JULIETA JUST ANOTHER DAY

KEMIX KORIDA

LETTERS FROM WAR LIBERATION OF SKOPJE LIFE AFTER LIFE LIFE OF FLOWERS, THE

230 91 234 235 63 103 218 233 229

LIGHT SOUNDS LIMBO LIMP LIKE THAT LOGS LOS BASTARDOS LOUIS & NOLAN - THE BIG CHEESE RACE LOVE & FRIENDSHIP LULA & THE PUBIC HAIRS

203 42 41 235 151 164 92 130

MAN RETURNED, A 124 MAN WITH THE WILL OF STEEL 235 MELLOW MUD 174 57 MERE BREATH, A 158 MISS IMPOSSIBLE 104 MOTHER 228 MOTHER MUSIC OF STRANGERS: YO-YO MA AND THE SILK ROAD 138 ENSEMBLE MY AUNT IN SARAJEVO 229 163 MY FRIEND RAFFI MY LIFE AS A ZUCCHINI 159 231 MY LOVE-LI SISTER MY NAME IS ADNAN AND I WILL 230 NOT BLOW YOU UP 43 MY NAME IS COSTIN 64 MY OWN PRIVATE WAR 231 MY OWN PRIVATE WAR

NEON BULL 101 NERUDA 109 NEW KID, THE 160 59 NEXT STOP: UTOPIA 236 NIGHT 79, 228 NIGHTLIFE 176 NIKA NINA 167 NO SMOKING IN SARAJEVO 231 126 NOISE OF LICKING, THE 202 NOTEBOOK, THE

OFFLINE-ARE YOU READY FOR 161 THE NEXT LEVEL? OH, DEAR LUKE OR (AN UNDESTINED CHARACTER’S FILM) 178 OLD STONE 108 ON THE OTHER SIDE 80 OPSESSION 234

PALM TREE, THE 204 PAPAGAJKA 229 PAPER, THE 217 PAT & MAT THE FILM 162 PATIENT 237 PEOPLE VS. FRITZ BAUER, THE 194 PICNIC 128 PLANEMO 131 PLAYING THE TIGER 127 POOL VERSION 234 PORTRAIT 234

RED SNOW 233 RED TURTLE, THE 142 REFUGEE 532 234 REFUGEE BLUES 140, 178 REQUIEM FOR PINNOCHIO 234 RETURN, THE 236 REVENGE 236

ROCK`N`WAR ...OR JUST BECAUSE IT’S FRIDAY

232

SANGRE 152 SARAJEVO - FEMME FATALE 232 SARAJEVO ROSES 232 235 SAUCIUS 28 SCARRED HEARTS SCIENTIST, THE 235 SCREAM FOR ME SARAJEVO 66, 232 SEARCHING FOR HOME 233 SHANGHAI, BAKU 179 111 SHELLEY SIEGE, THE 231, 139 SIERANEVADA 81, 228 SILENCE, THE 179 SING STREET 141, 177 149 SLAVE SOMEWHERE ELSE 236 137 SONITA STAYING VERTICAL 110 122 SUMMER SUPERBIA 43 SVETLANA 68, 233

FILMS - ENGLISH TITLE

4:15 P.M. THE END OF THE WORLD

TED SIEGER’S MOLLY MONSTER - DER KINOFILM 165 TEHILA 168 TEMPEST 112, 213 131 THIN AIR THINGS TO COME 107 230 THIS COULD BE FILM TIMECODE 180 TO MY MOTHER 203 TONI ERDMANN 113 TOPA & ARČI 233 216 TRAIN DRIVER’S DIARY 65 TRAIN TO ADULTHOOD 44 TRANSITION TRANSMANIA 34 TURN OFF THE LIGHT 235 61 TWO WAY MIRROR, A

UNDER THE SHADOW UNWANTED HERITAGE

VEGANIZE IT!

114 193 205

WALL OF DEATH, AND ALL THAT 70 WE ARE ALL HUMANS 232 WE HAVE NEVER BEEN KIDS 200 WELL SPENT AFTERNOON, A 167 WHITE BALLOON 233 WHO AM I AND ALL I OWN, I CARRY EACH DAY 231

YELLOW NIGHTS 205 YOUNG WRESTLERS 60 YOUR LOVER JUST CALLED 237

ZG80

219

FILMS - ENGLISH TITLE l 22. Sarajevo Film Festival 277

DIRECTORS

Escobar Mora Gonzalo

Abbasi Ali Ade Maren Ademi Nihad Ağacıklıoğlu Cemil Agthe Arend Ahmadi Hamid Ahmed Al Bloshi Amina Aksu Eren Al Mulla Abdullah Alagha Jaser Al-Binali Amna Alilović Alen Almodóvar Pedro Alper Emin Al-Rumaihi Jassim Andrasev Nadja Anvari Babak Arbid Danielle Asgari Ali

Barras Claude Bas Berke Bašić Damir Belc Alexandru Ben Attia Mohamed Ben Eliyahu Eilat Beneš Marek Bešić Aid Bijelić Janja Birder Melis Blažević Daria Bodrov Sergey Bontatibus Jimmy Bookas Stephan Bouma Stijn Bouzid Leyla Brandi Luigi Brčaninović Lejla Bruhn Matthias Bučan Ismir

111 113 233 30 163 125 203 41 205 204 202 237 91 76 204 126 114 120 32 159 50 234 53 201 168 162 229, 235 236 50 128 32 229 140, 178 236 98 122 233 165 234

Can Mertoglu Mehmet 24 Carney John 141, 177 Chauvel Patrick 139, 231 Crnobrnja Maja 232

Čenić Đorđe Čolak Ivo Čović Dominik

69 237 178

Ćorić Dominik

Daws Tristan De Heer Rolf Deleuze Emilie Desmares Christian Deutsch Roger Dizdarević Benjamin Djaïdani Rachid Drljević Vedran Dudok de Wit Michaël Dujaković Goran

237 140, 178 32 158 173 32 231 93 230 142 234

Ekblad Michael Ekinci Franck Elliah Emmanuel Ergün Ekrem Escalante Amat 149, 150, 151, 152,

165 173 167 175 153

278 22. Sarajevo Film Festival l DIRECTORS

Fabbro Lorenzo Ferreira Ivo M. Fleifel Mahdi Frears Stephen

234 236 103 124 89

García Ibarra Chema 32 Ghaem Maghami Rokhsareh 137 Giménez Peña Juanjo 180 123 Ginestie Martin Glavonić Ognjen 58, 192 Gockell Gerd 166 Gogić Ademir 235 34 Golić Tanja Guiraudie Alain 110 Gümürhan Mete 60

Hadžihalilović Lucile 105 Hajiyev Teymur 179 202 Hamdan Mayar Hansen-Løve Mia 107 Hernaiz Pidal Marta 235 66, 232, 233 Hodžić Tarik Holmer Anna Rose 106 34 Hribar Sara Hrustić Nisvet 231 112, 213 Huezo Tatiana Husagić Mersiha 233

Jarmusch Jim Jashi Salome Jelčić Bobo Jelinović Igor Jevtić Mihajlo Johnson Kirsten Johnston Kenny Jokić Sanja Josić Bojan Jouffre Mathieu Jublin Andrea Jude Radu Jurić Zvonimir Jurilj Zdenko Jušić Hana

136 56 34 130 54 102 153 233 234 55 156 28 34 237 34

Kabil Namik 67, 232 Kadić Vesko 233 Kamel Karem 203 Kapetanović Emir 229 Kapetanović Goran 229, 234 Karakasis Apostolos 59 Karanović Mirjana 87, 228 Karanović Saša 236 Karjalainen Pekka 157 Kazakova Vesela 51 Komljen Dane 33, 228 222 Konuk Emre Körkel Maria 167 Kotzamani Konstantina 42 Kõusaar Kadri 104 Kovačević Mladen 70 Kozole Damjan 52, 79, 228 Kraume Lars 194 Kruhlik Bartosz 120 Kuduzović Romano 234

Labarca Michael Landin Andrej Lang Rachel

126 32 100

Larraín Pablo Lazić Branko Lazurean-Gorgan Monica Lentzou Jacqueline Loach Ken Loffredo Gianluca Lukash Vladimir Lukić Josip Lušija Zeid

Ljuca Nikola

109 230 57 40 90 231 42 130 235 31

M. Richards Roger 232 Ma Johnny 108 Majkić Dragan 236 Maksimović Slobodan 176 Malešević Stefan 230 134 Marczak Michal Marinović Ivan 27 Mascaro Gabriel 101 Matanić Dalibor 34, 217 Matijević Katarina Zrinka 61 99 Mendonca Filho Kleber Midhadi Bahareh 230 Mijatović Marko 232 Mikhaylovich Eisenstein Sergei 210 Mikulić Ivo 237 Mileva Mina 51 166 Miranda Tamara Mirica Bogdan 26 Moland Hans Petter 88 77 Mungiu Cristian Mužina Edi 34

Nanut Jasna Naqvi Mohammed Ali Neville Morgan Niemczyk Aleksandra Norling Emily Novakova Kumjana

O. Pusić Daina Ogresta Zrinko Omerović Ena Orešković Petar Oukropec Petr Ourdan Rémy

Palomero Pilar Pavlović Jure Pavlović Pero Pérez Jesús Peseckas Hermann Petrova Ralitza Pirić Damir Podolec Marcin Popović Veljko Potcoavă Radu Puiu Cristi

Radović Miloš Ramljak Ivan Rockwell Alexandre Rosenberg Rudi Ross Matt Rotaru Cătălin Rozanski Emma

Salaj Ivan

127 186 138 229 231 230 129 80 231 34 172 139, 231 236 128 68, 233 166 69 25 232 121 131 43 81, 228 216 62 32 160 86 40 229 34

Salim Khalid Samadi Farnoosh Schnell Florian Schütte Thorsten Sendijarević Ena Sieger Ted Sikavica Ivan Sikavica Miroslav Sinai Or Singh Gurvinder Sinić Nađa Sitaru Adrian Sivertsen Rasmus A. Skoko Stjepan Smajić Adnan Soliman Mahmood Spahić Amar Stanivuk Duško Stillman Whit Suleiman Elia Suutari Virpi Szöcs Petra

Șarga Gabi Virginia

Šečić Hari Šerbedžija Rade Šerbedžija Danilo Šeregi Igor Šimić Alen Šitum Šimun Škafar Vlado Škorić Irena Šmalcelj Tina Šovagović Filip

Tanović Danis Tarokić Sonja Tataragić Elma Tomić Stanislav Tomović Milica Tóth Luca Trencsényi Klára Trivedi Hemal Trocker Ronny Turić Dubravka Turk Maertin Tuzlić Berin

Valenta Rinner Lukas Vidović Siniša Vimba Renārs Vorkapić Vlatka Vučković Mladen

Zastavniković Jasna Zelović Lidija Zielinska Joanna Zois Yorgos

Živanović Katarina Živković Ivana

205 179 161 135 123 165 34 44 125 32 230 32 164 237 230 200 235 236 92 223 121 41 40 233 218 218 219 235 131 228 193 234 34 82, 228 34 235 34 44 43 65 186 122 127 167 234 29 63 174 34 236 34 64, 231 232 78 236 230

Qumra In March, 2016, the Doha Film Institute presented the second annual edition of Qumra, an international gathering for emerging talent, with a focus on first- and second-time filmmakers. Twenty-three feature-length and ten short films at various stages of production were selected to benefit from the experience of five acclaimed Qumra Masters, as well as bespoke mentorship labs and business meetings with international experts. Alongside this meeting of minds, the Institute presented five evenings of film screenings followed by question-and-answer periods with the filmmakers and the Qumra Masters â&#x20AC;&#x201C; acclaimed directors Nuri Bilge Ceylan, Naomi Kawase, Joshua Oppenheimer, James Schamus and Aleksandr Sokurov. For more information about Qumra, please visit www.dohafilminstitute.com

Connect with us: DohaFilmInstitute @DohaFilm DohaFilm

Nuri Bilge Ceylan

Naomi Kawase

Joshua Oppenheimer

James Schamus

Aleksandr Sokurov

DFI 2016_Qumra 2016_Sarajevo Catalogue Ad_210x297mm.indd 1

6/28/16 10:56 AM