20thSFF catalogue by Sarajevo Film Festival

Katalog / Catalogue Urednik / Editor Ines Tanović Izvori / Sources Emir Pekmez, Lejla Begić Vuletić, Altijana Marić, Ines Tanović Prevod / Translation Sabina Nikšić, Una Tanović, Aleksandar Brezar Lektura / Proofreading Azra Rizvanbegović (bosanski jezik / Bosnian) Amira Sadiković (engleski jezik / English) Grafičko oblikovanje i DTP / Graphic design and DTP BOOM! Produkcija Štampa / Print BLICDRUK d.o.o. Sarajevo Tiraž / Print run 2000

Sarajevo Film Festival Zelenih beretki 12, 71000 Sarajevo, Bosna i Hercegovina Tel. +387 33 209 411; +387 33 221 516, Fax. + 387 33 263 381 programmes@sff.ba, www.sff.ba 4

20. Sarajevo Film Festival l IMPRESSUM

Sadržaj / Contents

7 Festival Introduction 8 Žiri / Jury 19 Nagrade / Awards 20 Počasno Srce Sarajeva / Honorary Heart of Sarajevo 23 Takmičarski program - igrani film / Competition Programme - Feature Film 41 Takmičarski program - kratki film / Competition Programme - Short Film 49 Takmičarski program - dokumentarni film / Competition Programme - Documentaries 73 U fokusu / In Focus 83 Open Air 93 Kinoscope 117

Shorts European Shorts Carte Blanche: Morelia International Film Festival Carte Blanche: Tampere Film Festival Cinéfondation Cannes: Winners 2014 SHORT MATTERS! - Selection of European Film Academy Short Film Nominees 2013

135 Laško Summer Nights 145 Dječiji program / Children’s Programme 157 TeenArena 167 Posvećeno: Michael Winterbottom / Tribute to Michael Winterbottom 179 Operacija Kino / Operation Kino 187 Sarajevo grad filma / Sarajevo City of Film 191 Human Rights Day 197 Sarajevo Film Festival Partner Presents Doha institut za film / Doha Film Institute 203 Sarajevo Film Festival Guests Present

Festival mediteranskog filma Split / Mediterranean Film Festival Split Zagreb Film Festival - Najbolje od Kockica / Best of Checkers Filmski festival goEast / goEast Film Festival Ambulante IMCINE Instituto Mexicano De Cinematografía Slovenski Filmski Centar Nominacije za nagradu EE BAFTA 2014 / EE BAFTA 2014 Short Film Nominees

227 Specijalne projekcije / Special Screenings 233 Pretpremijere / Avant Premiere 237 BiH FILM 251 Sponzori / Sponsors 294 Hvala / Thank You 295 Festival Team 296 Index - Films 298 Index - Directors

CONTENTS l 20. Sarajevo Film Festival

Dobrodošli na 20. Sarajevo Film Festival / Welcome to the 20th Sarajevo Film Festival

Mirsad Purivatra

Dvadeset godina djelovanja nije mnogo za jedan filmski festival. Ipak, ako se osvrnemo unazad i pogledamo odakle smo počeli i koliki smo put prešli, ovogodišnji Festival treba zaista i proslaviti. Prilika za slavlje na ovom Festivalu bit će mnoštvo.

E Twenty years of existence is not much for a film festival. Still, if we look back and see where we started from and how far we’ve come, this year’s Festival is a cause for celebration. And there will be plenty of opportunities at this Festival to celebrate.

Sarajevo Film Festival se, tokom devetnaest godina postojanja, razvio u međunarodni filmski festival koji je svojim strateškim djelovanjem fokusiranim na regiju postao prepoznatljiv, zanimljiv i publici, i filmskoj industriji. Kvalitetno programiranje, uspješno kreirana platforma za razvoj regionalne filmske industrije putem koprodukcijskog marketa CineLink, te edukativnog segmenta u formi projekta Talents Sarajevo, učinili su da SFF postane nezaobilazno mjesto susreta filmskih profesionalaca iz jugoistočne Evrope.

During its twenty years of existence, the Sarajevo Film Festival has developed into an international film festival with a strategic focus on the region that has become recognizable and interesting to audiences and the film industry alike. Quality programmes, a successfully established platform for the development of the regional film industry through the CineLink coproduction market and an educational segment that has developed through the Talents Sarajevo project have made SFF a crucial meeting place for film professionals from Southeast Europe.

Sa željom da dodatno unaprijedimo ovako kreiranu strukturu filmskog festivala, te našoj publici i filmskim stvaraocima pružimo sveobuhvatniji uvid u nova kretanja i relevantna filmska iskustva iz drugih krajeva svijeta, već dvije godine Festival otvara svoja vrata specijalnim gostima. Ove godine naš gost je savremena meksička kinematografija, za čije je predstavljanje zadužena, u svijetu sedme umjetnosti priznata institucija – IMCINE (Institut za kinematografiju Meksika). Filmovi, autori, filmski profesionalci i projekti iz Meksika donijet će ne samo novu vrijednost programu nego i obojiti posebnim uzbuđenjem cjelokupnu festivalsku atmosferu.

Hoping to further improve the established structure of the Festival and to provide our audience and filmmakers with an increasingly comprehensive insight into new currents and relevant film experiences from other parts of the world, for the past two years the Festival has opened its doors to special guests. This year, contemporary Mexican cinema is our guest, thanks to a very productive institution widely recognized in the field of cinema—IMCINE (Mexican Film Institute). Films, authors, film professionals and projects from Mexico will not only enrich the programme but will also add excitement to the overall festival atmosphere.

Tokom ovogodišnjeg Festivala bit će predstavljen FOND SARAJEVO GRAD FILMA, čiji je cilj podsticanje koprodukcija dugometražnih filmova između producenata iz regije i ostatka svijeta. Ovaj fond je nastao na temelju projekta Sarajevo grad filma, koji je podržavao produkciju kratkih filmova mladih autora i filmskih profesionalaca jugoistočne Evrope. Uz podršku ATLANTIC GRUPE i programa CREATIVE EUROPE, fond planira objaviti prvi konkurs već tokom naredne jeseni.

The SARAJEVO CITY OF FILM FUND will be presented during this Festival. The Fund aims to encourage the coproduction of feature films with producers from the region and the rest of the world. It was created on the basis of the Sarajevo City of Film project that offered support for the production of short films by young authors and film professionals from Southeast Europe. With the support of ATLANTIC GROUP and the CREATIVE EUROPE programme, the Fund plans to issue a call for participants already in the fall.

Rođendansko slavlje Festivala svojim prisustvom upotpunit će brojni dobitnici Srca Sarajeva. Bit će to prilika da im se zahvalimo na podršci i zajedno s njima i našom vjernom publikom uživamo u ovogodišnjem programu i festivalskoj atmosferi grada Sarajeva!

Many recipients of the Heart of Sarajevo will attend the Festival’s birthday celebration. This will be an opportunity to thank them for their support and to enjoy this year’s programme and festival atmosphere in Sarajevo together with them and our loyal audience!

Dobro došli u Sarajevo na dvadeseto izdanje Sarajevo Film Festivala!

Welcome to Sarajevo, to the twentieth edition of the Sarajevo Film Festival! Mirsad Purivatra and the Festival team

FESTIVAL INTRODUCTION l 20. Sarajevo Film Festival

Žiri Takmičarskog programa – igrani film / Competition Programme Jury– Feature Film

BÉLA TARR Reditelj, Mađarska / Director, Hungary

20. Sarajevo Film Festival l ŽIRI

Béla Tarr se sa 16 godina počeo amaterski baviti filmom. Sa 22 godine je režirao svoj prvi dugometražni film, FAMILY NEST. Ovaj film, uz THE OUTSIDER (1981) i THE PREFAB PEOPLE (1982) predstavlja prvu fazu opusa Béle Tarra, karakterističnu po problematiziranju društva i dokumentarističkom stilu. Sredinom 1980-ih počeo je sarađivati s piscem Lászlóm Krasznahorakijem, čiji su radovi poslužili kao osnova za Tarrove filmove DAMNATION (1988), SATAN’S TANGO (1994) i WERCKMEISTER HARMONIES (2000). Film DAMNATION je označio početak vizualnog stila po kojem je Béla Tarr poznat i danas: specifičan crno-bijeli fotografski pristup i dugi, spori kadrovi, što je kulminiralo u sedmoiposatnoj adaptaciji Krasznahorakijevog romana, njegovog remek djela SATAN’S TANGO. Film THE TURIN HORSE (2011), kojeg je prije par godina najavio kao svoj posljednji film, predstavljen je na Filmskom festivalu u Berlinu, gdje je osvojio Veliku nagradu žirija – Srebrnog medvjeda, kao i Nagradu FIPRESCI. Zbog svoje upornosti, Tarr nikada nije bio dio mainstream kinematografije. Filmski svijet ga smatra jednim od najoriginalnijih i najprestižnijih savremenih svjetskih autora. Crpeći inspiraciju iz radova italijanskog neorealizma i francuskog novog talasa, te na provokativan način ispitujući današnju otuđenost i moral, njegovi filmovi imaju snažan utjecaj na mlađu generaciju filmskih autora. Dobitnik je Počasnog Srca Sarajeva 2013. Osnivač je Filmske škole film.factory pri Sarajevo School of Science and Technology (SSST).

E Bela Tarr started working in film as an amateur at the age of 16. He directed his first feature film, FAMILY NEST (1977) at the age of 22. This film, along with THE OUTSIDER (1981) and THE PREFAB PEOPLE (1982), constitutes the first phase of Bela Tarr’s opus, characterized by social issues and documentary style. In the mid 1980s, he started collaboration with the writer László Krasznahoraki, whose works were the basis of Tarr’s film DAMNATION (1988), SATAN’S TANGO (1994) and WERCKMEISTER HARMONIES (2000). DAMNATION marked the beginning of a visual style for which he is known today: a distinctive black-and-white photographic approach, and long, slow shots, which culminated in the seven-and-a-half hour long adaptation of Krasznahoraki’s novel, his masterpiece, SATAN’S TANGO. The film THE TURIN HORSE (2011), which he announced several years ago as the last film he would make, was presented at the Berlin Film Festival, and was awarded the Grand Jury Prize - the Silver Bear, as well as the FIPRESCI Prize. Because of his relentlessness, Tarr was never part of mainstream filmmaking. The film world considers him one of the most original and most coveted contemporary authors in the world. Drawing inspiration from the works of Italian neo-realism and the French New Wave, and questioning today’s alienation and morality in a provocative way, his films have a strong influence on the younger generation of filmmakers. At the 2013 Sarajevo Film Festival Bela Tarr was presented we the Honorary Heart of Sarajevo Award. He is the founder of the film. factory at the Sarajevo School for Science and Technology (SSST).

MELISSA LEO Glumica, SAD / Actress, USA

CHRIS DERCON Direktor Tate Modern, Velika Britanija / Director of Tate Modern, UK

Melissa Leo je za svoje izuzetno ostvarenje u filmu THE FIGHTER osvojila Oscara, nagrade Golden Globe, Screen Actors Guild Award i Broadcast Film Critics Association Award. Također je dobitnica nominacija za Oscara i nagrade SAG za glavnu ulogu u filmu FROZEN RIVER, za koji je osvojila nagradu Independent Spirit za najbolju glavnu žensku ulogu, te nagradu Spotlight National Board of Review, kao i brojna druga priznanja. Njeni najnoviji filmovi uključuju PRISONERS sa Hughom Jackmanom i Jakeom Gyllenhaalom, OBLIVION s Tomom Cruiseom i Morganom Freemanom, te blockbuster OLYMPUS HAS FALLEN, kojeg je režirao Antoine Fuqua, a u kojem glume Morgan Freeman i Aaron Eckhart. Također je zabilježila ulogu u kritički priznatoj drami FLIGHT Roberta Zemeckisa, s Denzelom Washingtonom. Leo je za svoj izvanredan rad na filmu 21 GRAM, s Beniciom del Torom i Seanom Pennom, podijelila Nagradu za najbolji glumački ansambl, Phoenix Film Critics Society Award. Na malim ekranima, Leo je dobitnica nominacije za nagradu Emmy za rad na HBO-ovoj mini-seriji “Mildred Pierce” u kojoj je glumila s Kate Winslet. Leo je također poznata po svom inovativnom prikazu detektivke Kay Howard u “Homicide: Life on the Streets”. Njeni ostali televizijski projekti uključuju HBO-ovu seriju “Treme”, izvršnog producenta Davida Simona, i gostujuću ulogu u komičnoj seriji Louieja CK-a na televiziji F/X, “Louie”, nastup koji je magazin People nazvao najboljim na televiziji čitave godine, i koji joj je nedavno osigurao drugu nominaciju za Emmy. Leo je studirala dramu na Mount View Theatre School u Londonu, u Engleskoj, a zatim na programu glume na Univerzitetu SUNY Purchase.

E Melissa Leo received an Academy Award, a Golden Globe Award, a Screen Actors Guild Award and a Broadcast Film Critics Association Award for her tour de force performance in THE FIGHTER. She also received an Oscar and a SAG Award nominations for her starring role in FROZEN RIVER, for which she won an Independent Spirit Award for Best Female Lead and a Spotlight Award from the National Board of Review, among countless other accolades. Her most recent films include PRISONERS opposite Hugh Jackman and Jake Gyllenhaal; OBLIVION opposite Tom Cruise and Morgan Freeman; and the blockbuster OLYMPUS HAS FALLEN directed by Antoine Fuqua and starring Freeman and Aaron Eckhart. She also appeared in Robert Zemeckis’s critically acclaimed drama FLIGHT, with Denzel Washington. Leo also shared a Best Ensemble acting award from the Phoenix Film Critics Society for her outstanding work in 21 GRAMS, opposite Benicio del Toro and Sean Penn. On the small screen, Leo was nominated for an Emmy Award for her work in “Mildred Pierce,” the HBO miniseries in which she starred with Kate Winslet. Leo is also known for her groundbreaking portrayal of Detective Kay Howard on “Homicide: Life on the Streets.” Her other television credits include the current HBO series “Treme,” from executive producer David Simon - performance which People magazine called the best in television all year, and which has recently earned her a second Emmy nod. Leo studied drama at Mount View Theatre School in London, England, and later at the SUNY Purchase Acting Program.

Chris Dercon je direktor muzeja, teoretičar kulture i slobodni producent kulture, s posebnim interesovanjem za umjetnost u vremenu. Dugo je Dercon radio u belgijskoj i holandskoj TV industriji kao voditelj, scenarist i tvorac dokumentaraca o kulturi, uključujući STILL A NOVEL za VPRO, Hilversum, 1996. Tokom osamdesetih je u Bruxellesu predavao video i kinematografiju. Devedesetih je, kao direktor muzeja u Rotterdamu, blisko sarađivao s Međunarodnim filmskim festivalom u Rotterdamau. S direktorom festivala, Simonom Fieldom, razvio je seriju EXPLODING CINEMA, koja je predstavljala radove eksperimentalnih reditelja poput Shirin Neshat i Stevea McQueena. U saradnji s Idéale Audience iz Pariza, radio je na éLéGIE D’UN VOYAGE Aleksandra Sokurova. Dercon je radio na PRIMITIVE Apichatponga Joea Weerasethakulova, što je poslužilo kao pilot-projekat za Joeov proslavljeni film UNCLE BOOMHEE, zajedno s Illuminations Films u Londonu. Dercon je bio angažiran i na raznim projektima i prezentacijama s proslavljenim TV i filmskim rediteljima. Od 2011. je direktor Tate Moderna, gdje zajedno s Tateovim kustosima za film, Stuartom Comerom, Georgeom Clarkom i Andreom Lissoni, snažno zagovara umjetnički film iz globalne perspektive. Bio je član žirija na filmskim festivalima u Bruxellesu, Rotterdamu i Locarnu.

E Chris Dercon is a museum director, cultural theorist and a cultural producer at large, with a special interest in time based arts. For a long time Dercon worked in the Belgian and Dutch TV-industry as a presenter, writer and maker of cultural documentaries, among others Still a Novel for VPRO, Hilversum in 1996. In the 1980s Dercon was lecturing, teaching video and cinema in Brussels. In the 1990s, as a museum director in Rotterdam, he worked closely with the International Film Festival Rotterdam. With festival director Simon Field, he developed the series Exploding Cinema presenting works by experimental filmmakers such as Shirin Neshat and Steve McQueen. In collaboration with Idéale Audience in Paris he worked on ‘Elegie d’un Voyage’ of Alexander Sokurov. Dercon worked on Primitive by Apichatpong Weerasethakul, a pilot-project for Joe’s celebrated Uncle Boomhee with Illuminations Films in London. Dercon also worked on different projects and presentations with celebrated TV and film directors. He has been director of Tate Modern since 2011, where together with Tate’s film-curators Stuart Comer, George Clark and Andrea Lissoni, he is strongly advocating art-cinema from a global perspective. He has been a member of film festival juries in Brussels, Rotterdam and Locarno.

JURY l 20. Sarajevo Film Festival

DANIELA MICHEL Osnivačica i direktorica Morelia Film Festivala, Meksiko / Founding Director of Morelia Film Festival, Mexico

ORSI TÓTH Glumica, Mađarska / Actress, Hungary

CHRISTOPH TERHECHTE Direktor sekcije Forum Berlinalea, Njemačka / Head of Forum Berlinale, Germany

10 20. Sarajevo Film Festival l ŽIRI

Daniela Michel je osnivačica i direktorica Međunarodnog filmskog festivala Morelia, godišnjeg događaja pokrenutog 2003. s ciljem promocije i podrške novoj generaciji meksičkih reditelja. Festival je dugogodišnji partner sekcije Critics’ Week na Filmskom festivalu u Cannesu. Diplomirala je englesku književnost na Državnom autonomnom univerzitetu u Meksiku, i studirala je režiju na Centro de Capacitación Cinematográfica u Meksiku. Od 1994. kao novinarka izvještava o filmu za glavne meksičke medije, te piše za publikacije kao što su The Economist, Viceversa, Somos, Cine Premiere i El Financiero, i radi kao TV voditeljica za kanale Televisa i Canal 11. Michel je bila i članica žirija za stipendiju Fondarcije Rockefeller za medijsku umjetnost, za filmsku stipendiju Fulbright García-Robles, i nagradu J. William Fulbright za međunarodno razumijevanje, kao i na filmskim festivalima kao što su Sundance, Cannes, IDFA (Međunarodni dokumentarni festival Amsterdam) i San Francisco.

E Daniela Michel is the Founding Director of Morelia International Film Festival, an annual event launched in 2003 to support and promote a new generation of Mexican filmmakers; the festival shares an ongoing partnership with the Critics’ Week section of the Cannes Film Festival. She holds a degree in English Literature from the National Autonomous University of Mexico, and studied filmmaking at Mexico’s Centro de Capacitación Cinematográfica. Since 1994, she has reported on film in major Mexican media as a print journalist, contributing to publications such as The Economist, Viceversa, Somos, Cine Premiere and El financiero, and has worked as a television presenter for Televisa and Canal 11. Michel has also served as a juror for the Rockefeller Foundation’s Media Arts Fellowships, the Fulbright García-Robles Film Fellowships, and the J. William Fulbright Prize for International Understanding, as well as for film festivals, including the Sundance Film Festival, the Cannes Film Festival, IDFA (International Documentary Festival Amsterdam), the San Francisco Film Festival.

Orsi Tóth je diplomirala na Univerzitetu za pozorišne i filmske umjetnosti u Budimpešti. Od 2002. je glumila u 26 filmova, te igrala u velikom broju pozorišnih predstava. Radila je s mnogim poznatim rediteljima kao što su Kornél Mundruczó, Shirin Neshat, Jessica Hausner i János Szász. Igrala je glavnu ulogu u filmu JOHANNA, koji je prikazan u okviru selekcije Un Certain Regard na Filmskom festivalu u Cannesu. Igrala je glavne uloge u filmovima DELTA, koji je osvojio nagradu FIPRESCI u Cannesu, PLEASANT DAYS, koji je dobio Srebrnog leoparda na Filmskom festivalu u Locarnu, WOMEN WITHOUT MEN, dobitnika Srebrnog lava u Veneciji, i THE NOTEBOOK, koji je dobio Kristalni globus u Karlovym Varyma. Dva puta je osvojila Nagradu za najbolju glumicu na Mađarskoj sedmici filma, kao i u Portu, Puchonu, Essoneu i u Angersu. Jedna je od dobitnica nagrade Shooting Stars na Međunarodnom filmskom festivalu u Berlinu, i bila je članica žirija za najbolji kratki film na Filmskom festivalu u Locarnu.

E Orsi Tóth graduated from the University of Theatre and Film Arts in Budapest, Hungary. She has appeared in 26 films since 2002, and played in a large number of of theatre pieces. She has worked with many well-known directors like Kornél Mundruczó, Shirin Neshat, Jessica Hausner and János Szász. She played the title role in the movie JOHANNA that was screened as part of the Un Certain Regard section of the Cannes Film Festival. She played major roles in DELTA that won the FIPRESCI Award in Cannes, in PLEASANT DAYS that was awarded the Silver Leopard at the Locarno Film Festival, in WOMEN WITHOUT MEN that won the Silver Lion in Venice, and THE NOTEBOOK that won the Crystal Globus in Karlovy Wary. She won the Best Actress Award at the Hungarian Film Week two times, as well as in Porto, Puchon, Essone and Angers. She was one of the Shooting Stars of the Berlin International Film Festival in 2009, and she was a member of the short film jury at the Locarno Film Festival.

Christoph Terhechte je rođen 1961. u gradu Münsteru, u Vestfaliji. Studirao je političke nauke i novinarstvo na Univerzitetu u Hamburgu, a od 1984. godine je radio kao filmski novinar. Počeo je 1987. raditi kao autor za dnevni list “Taz” u Hamburgu. Godine 1988. je odselio u Pariz na dvije godine, gdje je radio kao freelance novinar. Do 1990. također je radio kao filmski selektor i urednik za European Low Budget Film Forum u Hamburgu. Godine 1991. postao je urednik za film u berlinskom gradskom magazinu “Tip”. Christoph Terhechte je bio član selekcione komisije Foruma od kraja 1997. U junu 2001. postavljen je na mjesto šefa ove sekcije Berlinalea.

E Christoph Terhechte was born in 1961 in the city of Münster, Westphalia. He studied political science and journalism at the University of Hamburg and has worked as a film journalist since 1984. In 1987, he was hired as a writer in Hamburg for the “taz” daily newspaper. He moved to Paris in 1988 for two years, working as a freelance journalist. Until 1990, he also worked on the film selection and editorial work of the European Low Budget Film Forum in Hamburg. In 1991 he became film editor at the Berlin city magazine “tip”. Christoph Terhechte has been a member of the selection committee of the Forum since the end of 1997. In June, 2001 he was appointed head of this Berlinale section.

RASHA SALTI Internacionalna selektorica Toronto International Film Festivala, kustosica nezavisnog filma i autorica, Liban / International Programmer Toronto International Film Festival, Independent Curator & Writer, Lebanon

Rasha Salti se pridružila TIFF-u u februaru 2011. kao selektorica za afričku i bliskoistočnu kinematografiju. Salti je kustosica nezavisnog filma i vizualne umjetnosti, te autorica. Od 2004. do 2010. bila je filmska selektorica i kreativna direktorica njujorške neprofitne organizacije ArteEast, gdje je bila direktorica dvaju izdanja Filmskog festivala CinemaEast, koji se održava svake dvije godine (2005. i 2007); također je s Richardom Peñom bila kokustosica retrospektive arapske kinematografije The Road to Damascus, koja je imala svjetsku turneju 2006, a njen projekat “Mapping Subjectivity: Experimentation in Arab Cinema from the 1960s until Now”, s Jytte Jensen (2010-2012) predstavljen je u Muzeju savremene umjetnosti MoMA u New Yorku. 2009. i 2010. Salti je radila kao selektorica za Filmski festival u Abu Dhabiju, gdje je također bila dio projekta SANAD istog festivala, granta za produkciju regionalnih filmova. Salti piše eseje o umjetničkoj praksi u arapskom svijetu i filmu, te društvene i političke komentare na arapskom i engleskom jeziku. Njeni članci i eseji su objavljivani u publikacijama The Jerusalem Quarterly Report (Palestina), Naqd (Alžir), MERIP (SAD), The London Review of Books (Velika Britanija), Afterall (SAD) i Third Text (Velika Britanija). Godine 2006. bila je urednica knjige Insights into Syrian Cinema: Essays and Conversations with Filmmakers (u izdanju ArteEast i Rattapallax Press), a 2009. je sarađivala s fotografom Zijadom Antarom na izložbi i knjizi Beirut Bereft, The Architecture of the Forsaken and Map of the Derelict.

E Rasha Salti joined TIFF in February 2011 as programmer for African and Middle Eastern Cinema. Salti is an independent film and visual arts curator and writer. From 2004 until 2010, she was the film programmer and creative director of the New York based non-profit ArteEast where she directed two editions of the biennial CinemaEast Film Festival (2005 and 2007); she also co-curated The Road to Damascus, with Richard Peña, a retrospective of Syrian cinema that toured worldwide (2006), and Mapping Subjectivity: Experimentation in Arab Cinema from the 1960s until Now, with Jytte Jensen (2010-2012) showcased at the MoMA in New York. In 2009 and 2010, Salti worked as a programmer for the Abu Dhabi Film Festival, where she was also involved in SANAD, the festival’s regional film production grant. Salti writes about artistic practice in the Arab world, film, and general social and political commentary, in Arabic and English. Her articles and essays have been published in The Jerusalem Quarterly Report (Palestine), Naqd (Algeria), MERIP (USA), The London Review of Books (UK), Afterall (US) and Third Text (UK). In 2006, she edited Insights into Syrian Cinema: Essays and Conversations with Filmmakers (ArteEast and Rattapallax Press) and in 2009, she collaborated with photographer Ziad Antar on an exhibition and book titled Beirut Bereft, The Architecture of the Forsaken and Map of the Derelict.

JURY l 20. Sarajevo Film Festival 11

Žiri Takmičarskog programa – kratki film / Competition Programme Jury – Short Film

12 20. Sarajevo Film Festival l ŽIRI

SELMA SPAHIĆ Rediteljica, BiH / Director, BiH

NICOLAS SCHMERKIN Producent, reditelj, pisac, urednik, Francuska / Producer, director, writer, editor, France

PIERRE COURTIN Direktor Duplex galerije, BiH / Duplex Gallery director, BiH

Selma Spahić rođena je 1986. godine. Diplomirala je filmsku, pozorišnu i televizijsku režiju na Akademiji scenskih umjetnosti u Sarajevu. Za vrijeme studija radila je kratke i dokumentarne filmove, te bila asistent režije na filmu SNIJEG rediteljice Aide Begić. Režirala je teatarske predstave i držala pozorišne radionice u Bosni i Hercegovini, Srbiji, Hrvatskoj, Crnoj Gori, Velikoj Britaniji. Njen rad uključuju postavke dramskih klasika, savremenih svjetskih i bh. dramskih tekstova kao i dokumentarni teatar. Višestruko je nagrađivana na festivalima u Bosni i Hercegovini i regiji, te bilježi učešće na nekim od najznačajnijih evropskih festivala u zemljama poput Njemačke, Švicarske i Poljske. U predstavama se često koristi multimedijom, te uključuje brojne elemente filmskog jezika. Umjetnička je rukovoditeljica Internacionalnog teatarskog festivala MESS Sarajevo.

E Selma Spahić was born in 1986. She studied film, theatre and television directing at the Academy of Performing Arts in Sarajevo. During her studies, she directed short and documentary films, and was assistant director on the feature SNOW by Aida Begić. She has directed plays and held theatre workshops in Bosnia and Herzegovina, Serbia, Croatia, Montenegro and Great Britain. She has directed classic plays, contemporary international and BosnianHerzegovinian plays and documentary theatre. Her work has received numerous awards at festivals in Bosnia and Herzegovina and the region, and has been shown at some of the most important European festivals in countries such as Germany, Switzerland and Poland. Her plays often utilize multimedia and include many elements of film language. She is the Art Director of the MESS International Theatre Festival in Sarajevo.

Nicolas Schemerkin rođen je 1973. u Buenos Airesu, u Argentini. Živi i radi u Parizu. Nicolas Schemerkin je 1998. osnovao filmski magazin “Repérages” kojeg je uređivao dvanaest godina. Počeo je 2000. godine režirati dokumentarne filmove i rediteljske portrete za televiziju („Short Circuit“, sedmični program na francusko-njemačkom kanalu ARTE), DVD-ove i kina. Radio je kao selektor na brojnim filmskim festivalima poput pariškog festivala Némo, Sarajevo Film Festivala, i Resfesta u Parizu. Nakon četiri godine rada za kompaniju Philippea Bobera, osnovao je vlastitu kuću za produkciju i distribuciju, Autour de Minuit Productions, koja se fokusira na eksperimentalnu animaciju, hibridne i mix-media radove, i bavi se kratkim filmom upečatljivim na internacionalnom nivou. Distribucijski katalog Autour de Minuit sadrži više od 200 kratkih filmova, a kompanija je producirala više od 40 projekata, uključujući dobitnika Oscara iz 2010, kratki animirani film LOGORAMA, te nekoliko muzičkih spotova poznatih bendova poput francuskog AIR-a. Autour de Minuit trenutno radi na nekoliko animiranih serija i dugometražnih igranih filmova.

E Nicolas Schemerkin was born 1973 in Buenos Aires, Argentina. He lives and works in Paris, France. Nicolas Schmerkin created in 1998 the French movie magazine “Repérages”, which he edited for 12 years. In 2000 he started directing documentaries and director’s portraits for television (“Short Circuit”, a weekly program on the French/German channel ARTE), DVD or film theatre. He has worked as curator in many film festivals such as Némo (Paris), Sarajevo Film Festival, Resfest Paris. After four years at Philippe Bober’s company, he started his own production and distribution company, Autour de Minuit Productions, focused on experimental animation, hybrid and mix media works, dealing with high profile international shorts. Autour de Minuit’s distribution catalogue includes more than 200 shorts, and the company has produced more than 40 projects including the 2010 Oscar winning short animation LOGORAMA, and several music videos with high profile bands such as AIR. Autour de Minuit is also developing several animation show and feature film projects.

Pierre Courtin rođen je 1976. u Lilleu, u Francuskoj. Studirao je na Državnoj školi likovnih umjetnosti u Parizu. U periodu 2003-2004. učestvovao je na seminaru “Uvod u izlaganje” kojeg je vodio Christian Bernard, direktor Muzeja moderne i savremene umjetnosti Mamco u Ženevi. Dobitnik je nagrade Foundation de France 2005. Pierre Courtin, netipična osoba posvećena svestranosti svog umjetničkog izražaja, sebe definira kao nekog ko glumi na pozornici umjetnosti. On ulaže u tu pozornicu, glumi na njoj, kreira njena pravila. Umjetnik, menadžer umjetničke galerije, kustos, kolekcionar, ali i ikonoklast, sam-svoj-majstor i amater. Godine 2004. osnovao je Galeriju 10m2 u Sarajevu, u kojoj daje priliku regionalnim i međunarodnim umjetnicima da izlažu svoje radove. Pierre Courtin od 2004. radi kao kustos i kolekcionar. Nedavno je izložio svoju kolekciju u Kanadi, te organizirao najreprezentativniju grupnu izložbu bosanske umjetnosti u Galerie du jour u Parizu.

E Pierre Courtin was born in 1976 in Lille, France. He studied at the National School of Fine Arts of Paris. In 2003-2004, he was selected for the seminar entitled “Introduction to Exhibition” presided by Christian Bernard, director of the Mamco in Geneva. He is the award winner of the Foundation de France in 2005. Pierre Courtin, an untypical character of an artistic protean commitment, defines himself as somebody acting on the stage of Art. He invests in this stage, he acts on it, he seduces its codes. Artist, art gallery manager, curator, collector but also iconoclast, do-it-yourselfer and amateur. In 2004, he created the Galerija10m2 in Sarajevo, in which he gives the opportunity to both regional and international artists to exhibit their works. Pierre Courtin has been working as curator and collector since 2004. He recently showed his collection in Canada and organised the first most representative collective exhibition of Bosnian art in Galerie du jour in Paris.

JURY l 20. Sarajevo Film Festival 13

Žiri Takmičarskog programa – dokumentarni film / Competition Programme Jury – Documentary Film

14 20. Sarajevo Film Festival l ŽIRI

Ananda Scepka je direktorica programa Open Doors, koprodukcijske laboratorije Filmskog festivala u Locarnu. Rođena je u Švicarskoj, a diplomirala je filozofiju i historiju u Parizu, gdje je dvije godine bila odgovorna za kinoprogram u Kulturnom centru Heinrich Heine. Preselila se 2006. u Tel Aviv, gdje je tri godine vodila Festival vrlo kratkog filma. U to vrijeme započela je i partnerstvo s Future Shorts, produkcijskom kućom kratkog filma iz Londona, a surađivala je i sa CoPo, izraelskim marketom dokumentarnog filma. 2009. pridružila se Locarno film festivalu.

E Ananda Scepka is Head of Open Doors, the Festival del film Locarno’s Co-production Lab. Born in Switzerland, she graduated in philosophy and history in Paris, where she was in charge of the Cinema programme at the Heinrich Heine Cultural Center for two years. In 2006 she moved to Tel Aviv, where she ran the Very Short Film Festival for three years. During the same time she started a partnership with Future Shorts, the London-based short film label and collaborated with CoPro, the Israeli Documentary Screen Market. In 2009 she joined the Festival del film Locarno.

Stefano Tealdi rođen je u Johannesburgu 1955, a studirao je arhitekturu u Torinu. Nakon diplomiranja, radio je na filmu i televiziji na Politehničkom univerzitetu u Torinu gdje je postao šef produkcije. Godine 1985. osnovao je Stefilm, jednu od vodećih kuća dokumentarnog filma u Italiji. Producira i režira dokumentarne filmove i serije. Godine 1992. završio je MEDIA kurs obuke “EAVE – European Session.” Vodio je svih 17 sesija godišnje italijanske radionice Dokumentarni film u Evropi. Bio je predsjedavajući Evropske dokumentarne mreže EDN, i državni je koordinator za međunarodne konferencije o televiziji, INPUT - Television in the Public Interest. Predaje filmski razvoj i produkciju na univerzitetskim i magistarskim kursevima, te film pitching za organizacije poput Biennale Cinema College, Cannes Film Market, Dubai Film Connection, Films de 3 Continents – Produire au Sud, Media Business School, Med Film Factory, Scuola Holden, TFL-Torino Film Lab i ZELIG Film School.

E Stefano Tealdi was born in Johannesburg in 1955. He studied Architecture in Torino. After graduating, he worked on film and TV at the Politecnico di Torino becoming Head of Production. In 1985, he established Stefilm one of the leading documentary film companies in Italy. He produces and directs one-off documentaries and documentary series. In 1992, he graduated at the MEDIA training course ‘EAVE - European Session’. He has directed all 17 editions of the annual Italian workshop Documentary in Europe. He chaired EDN (European Documentary Network) and is national co-ordinator for INPUT - Television in the Public Interest. He tutors film development and production at universities and master courses, and film pitching for organisations such as Biennale Cinema College, Cannes Film Market, Dubai Film Connection, Films de 3 Continents – Produire au Sud, Media Business School, Med Film Factory, Scuola Holden, TFLTorino Film Lab, ZELIG Film School.

Srđan Šarenac je nagrađivani filmski reditelj, scenarist i producent s 15 godina iskustva u Bosni i Hercegovini, Srbiji, Hrvatskoj, Francuskoj i Njemačkoj. Magistrirao je filmsku režiju na Akademiji dramskih umjetnosti u Beogradu, audiovizualni menadžment na Media Business School u Rondi, u Španiji, a posjeduje i diplomu postdiplomskog studija iz scenaristike Binger Film Laba u Amsterdamu. Godine 2004. režirao je dokumentarnu seriju KAKO JE NASTALA TOP LISTA NADREALISTA. Godine 2006. za srbijanski B92 režira vrlo popularnu humorističku seriju MILE U BORBI PROTIV TRANZICIJE. Njegov najnoviji film, koji je režirao i koproducirao, je dugometražni dokumentarac SELO BEZ ŽENA, koji je premijerno prikazan na najvećem filmskom festivalu za dokumentarni film – IDFA Amsterdam. Film je prikazan na 60 filmskih festivala, i osvojio je 14 nagrada, kao što je Nagrada Ivica Matić za najbolji bh. film 2010. i nagradu francuske asocijacije filmskih autora SCAM. SELO BEZ ŽENA je odabran za INPUT – najboljih 80 filmova u produkciji javnih TV servisa.

E Srđan Šarenac is an award winning film director, screenwriter and producer with 15 years of experience in Bosnia, Serbia, Croatia, France and Germany. He has an MFA in film directing from the Academy of Dramatic Arts in Belgrade, Serbia, a Master’s in Audiovisual Management at Media Business School in Ronda, Spain and a postgraduate degree in screenwriting from the Binger film Lab in Amsterdam. In 2004 he directed the documentary series THE MAKING OF TOP LISTA NADREALISTA. In 2006 he directed the very popular comedy show MILE U BORBI PROTIV TRANZICIJE / MILE VS. THE TRANSITION for B92 in Serbia. The latest film he directed and coproduced, the feature length documentary, VILLAGE WITHOUT WOMEN, premiered at the largest documentary film festival – IDFA Amsterdam. The movie was screened at 60 film festivals winning 14 awards such as Ivica Matić Award for Best Bosnian Film in 2010 and the SCAM French Filmmakers Association Award. VILLAGE WITHOUT WOMEN has been selected for INPUT – best 80 movies produced by public televisions.

ANANDA SCEPKA Direktorica Open Doors, Co-production Lab Locarno Film Festivala, Švicarska / Head of Open Doors, Co-production Lab, Festival del film Locarno, Switzerland

STEFANO TEALDI Reditelj i producent, Italija / Director and producer, Italy

Srđan Šarenac Reditelj, BiH / Director, BiH

JURY l 20. Sarajevo Film Festival 15

Ĺ˝iri za nominaciju sarajevskog kandidata za nagradu Evropske filmske akademije za 2014. u kategoriji kratki film / Jury for the Selection of the Sarajevo Short Film Nominee for the European Film Awards 2014

16 20. Sarajevo Film Festival l Ĺ˝IRI

ALESSANDRO MARCIONNI Selektor kratkih filmova Locarno Film Festivala, Švicarska / Head of the Pardi di domani section of Locarno Film Festival, Switzerland

URSZULA ŚNIEGOWSKA Umjetnička direktorica Američkog filmskog festivala u Wroclawu, Poljska / Artistic director of the American Film Festival in Wroclaw, Poland

Alessandro Marcionni rođen je 1979. u Luganu u Švicarskoj. Studirao je pravo, ali je odlučio da radikalno promijeni životni smjer, te je krenuo na studij kinematografije i stekao diplomu filmskog reditelja. U međuvremenu je započeo saradnju s Filmskim festivalom u Locarnu. Nakon nekoliko godina na poziciji koordinatora, od 2009. je direktor sekcije Pardi di domani, koju je Locarno posvetio kratkim i filmovima srednje dužine. Osim na festivalu, radi i kao urednik za razne televizijske kuće (tri švicarska javna TV kanala, italijanski RAI, Euronews...). Godine 2004, s drugim je švicarskim rediteljima osnovao švicarsko-italijanski odjel Kina, pokreta koji je nastao u Kanadi 1999. i koji je producirao preko 400 niskobudžetnih kratkih filmova.

E Alessandro Marcionni was born in Lugano, Switzerland, in 1979. After his Law studies, he decided to change direction radically and proceeded to study cinema, ending up with a diploma as film director. Meanwhile, he began his cooperation with the Locarno Film Festival. After several years as coordinator, since 2009 he has been the Head of the Pardi di Domani section that Locarno dedicates to short and medium-length films. In addition to the Festival, he works as editor for various broadcasting companies (the three Swiss public television channels, Italian RAI, Euronews…). In 2004, together with other Swiss filmmakers, he founded the Swiss Italian cell of Kino, a movement born in Canada in 1999, that has produced more than 400 short films on a low-budget basis.

Umjetnička direktorica Američkog filmskog festivala u Wroclavu, Poljska, kojeg organizira asocijacija New Horizons (a čije će 5. izdanje biti održano od 21. do 26. oktobra 2014). Prije toga je radila kao kustosica za film i video u Centru za savremenu umjetnost Ujazdowski Castle u Varšavi, gdje je organizirala cjelogodišnji filmski program (KINO.LAB) i nekoliko retrospektiva filma i umjetnosti, uključujući prezentacije Jonasa Mekasa, Jana Lenicae, Ulrike Ottinger i Waleriana Borowczyka. Već nekoliko godina Ula je članica odbora Međunarodne asocijacije art house kina CICAE (od 2007. do 2010. i od 2012. godine do danas), a bila je i članica žirija CICAE i Europa Cinemas na filmskim festivalima u Veneciji, Berlinu i Cannesu (2005-2013). Sarađuje s Međunarodnim filmskim festivalom WATCH DOCS. Human Rights in Film, koji se održava u Varšavi. Piše o filmu i kulturi (za Obieg, KINO, Filmweb).

E Artistic director of the American Film Festival in Wroclaw, Poland, organized by the New Horizons Association (the 5th edition runs 21-26 October 2014). Formerly, worked at the Centre for Contemporary Art Ujazdowski Castle in Warsaw as film and video curator, organizing year-round film programme (KINO.LAB) and a number of gallery and film retrospective shows including presentations of Jonas Mekas, Jan Lenica, Ulrike Ottinger and Walerian Borowczyk. For a number of years Ula has served as board member of the International Association of ArtHouse Cinemas CICAE (2007-10 and 2012-current); and sat at CICAE and Europa Cinemas juries at Venice, Berlinale and Cannes Film Festivals (2005-2013). She collaborates with WATCH DOCS. Human Rights in Film International Film Festival in Warsaw. Writes on film and film culture (for Obieg, KINO, Filmweb).

Zora Stančič je vizualna umjetnica koja djeluje na područjima savremene umjetnosti, arhitekture i filma. Diplomirala je na Akademiji likovnih umjetnosti u Sarajevu i završila postdiplomski studij na ALU u Ljubljani. Njeni radovi su dio svjetski poznatih zbirki muzeja i galerija, i dobitnica je brojnih nagrada. Kao scenografkinja i kostimografkinja sudjelovala je u nekoliko slovenačkih filmova. Živi i radi u Ljubljani.

E Zora Stančič is a visual artist working in the fields of contemporary art, architecture and film. She graduated from the Academy of Fine Arts in Sarajevo and completed her postgraduate studies at the Academy of Fine Arts in Ljubljana. Her works can be found in world famous collections at museums and galleries, and she has received numerous awards. She has worked as set designer and costume designer on several Slovenian films. She lives and works in Ljubljana.

ZORA STANČIČ Vizualna umjetnica, Slovenija / Visual artist, Slovenia

JURY l 20. Sarajevo Film Festival 17

Cicae žiri / Cicae Jury

CHRISTIAN BRASCHI Direktor kina LE ROYAL, Francuska / Director of Cinéma LE ROYAL, France

OLIVIER GICART Mons International Love Film Festival, Belgija / Belgium

ERIKA BORSOS Direktorica programa, Budapest Film Zrt., Mađarska / Head of Film Programme, Budapest Film Zrt., Hungary

Cineuropa žiri / Cineuropa Jury

ALBERTO LA MONICA Direktor Festival del Cinema Europeo Lecce, Italija / Director of Festival del Cinema Europeo Lecce, Italy

18 20. Sarajevo Film Festival l ŽIRI

GONZALO SUAREZ Cineuropa prevodilac i asistent izdavača, Španija / Cineuropa Translator and Publisher Assistant, Spain

Nagrade / Awards

ZVANIČNE NAGRADE

OFFICIAL AWARDS

Takmičarski program - igrani film

Competition Programme - Feature Film

SRCE SARAJEVA ZA NAJBOLJI FILM

HEART OF SARAJEVO FOR BEST FILM

Novčanu nagradu u iznosu od 16.000 € osigurava Vijeće Evrope

Financial Award in the amount of 16,000 € is provided by the Council of Europe

SPECIJALNA NAGRADA ŽIRIJA

SPECIAL JURY PRIZE

Novčanu nagradu od 10.000 € osigurava agnès b.

Financial Award in the amount of 10,000 € is provided by agnès b.

SRCE SARAJEVA ZA NAJBOLJU GLUMICU

HEART OF SARAJEVO FOR BEST ACTRESS

Novčana nagrada u iznosu od 2.500 €

Financial award in the amount of 2,500 €

SRCE SARAJEVA ZA NAJBOLJEG GLUMCA

HEART OF SARAJEVO FOR BEST ACTOR

Novčana nagrada u iznosu od 2.500 €

Financial award in the amount of 2,500 €

Takmičarski program - kratki film

Competition Programme - Short Film

SRCE SARAJEVA ZA NAJBOLJI FILM

HEART OF SARAJEVO FOR BEST FILM

Novčana nagrada u iznosu od 2.500 €

Financial award in the amount of 2,500 €

Takmičarski program - dokumentarni film

Competition Programme - Documentary Film

SRCE SARAJEVA ZA NAJBOLJI FILM

HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM

Novčanu nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske

Financial award in the amount of 3,000 € is provided by the Swiss Federal Department of Foreign Affairs

SPECIJALNA NAGRADA ŽIRIJA

SPECIAL JURY PRIZE

Novčanu nagradu u iznosu od 2.500 € osigurava Al Jazeera Balkans

Financial Award in the amount of 2,500 € is provided by Al Jazeera Balkans

PARTNERSKE NAGRADE

PARTNER AWARDS

NOMINACIJA SARAJEVSKOG KANDIDATA ZA EVROPSKU FILMSKU NAGRADU 2014.

SARAJEVO SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS 2014

Pobjednik ulazi u konkurenciju za Nagradu Evropske filmske akademije (EFA) za najbolji kratki film.

The winner receives a nomination for the European Film Academy (EFA) Best Film Award.

NAGRADA ZA LJUDSKA PRAVA

HUMAN RIGHTS AWARD

Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmičarskog programa dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske.

Award for the best film of the Competition Programme - Documentary Film dealing with the subject of human rights. Award in the amount of 3,000 € is provided by the Swiss Federal Department of Foreign Affairs.

EDN TALENT GRANT

EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumentarističke mreže, u svrhu podrške talentovanim autorima dokumentarnog filma iz regije.

EDN Talent Grant has been created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary filmmakers from the region.

CICAE NAGRADA

CICAE AWARD

Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa - igrani film. Nagrađeni film će dobiti posebnu podršku CICAE za distribuciju, prikazivanje filma i kontakt s publikom, putem mreže od 3.000 kina.

The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme - Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas.

NAGRADA PUBLIKE

AUDIENCE AWARD

Partner - HT ERONET

CINEUROPA NAGRADA

CINEUROPA AWARD

Nagradu dodjeljuje portal Cineuropa, posvećen evropskoj kinematografiji i njenim stvaraocima, i to filmu koji, osim što neosporno posjeduje umjetničke kvalitete, također promovira ideje evropskog dijaloga i integracije. Vrijednost nagrade iznosi 5.000 €.

The prize is awarded by the Cineuropa portal, a site dedicated to the European cinema and film professionals, and is given to a film that, besides having indisputable artistic qualities also promotes the idea of European dialogue and integration. The value of this award is 5,000 €.

AWARDS l 20. Sarajevo Film Festival 19

Počasno Srce Sarajeva / Honorary Heart of Sarajevo Prethodni dobitnici ove nagrade su / Previous recipients of this award are: Béla Tarr, reditelj / director (2013); Roberto Olla, izvršni direktor Eurimagesa, fonda Vijeća Evrope za podršku evropskoj kinematografiji / Executive Director of Eurimages, the Council of Europe support fund for European cinema (2013); Branko Lustig, producent / producer (2012); Angelina Jolie, rediteljica i glumica / director and actress (2011); Jafar Panahi, reditelj / director (2011); Emil Tedeschi, predsjednik i izvršni direktor Atlantic Grupe / President and Chief Executive Officer of Atlantic Group (2011); Dieter Kosslick, direktor / Director of Berlin International Film Festival (2010); Manfred Schmidt, izvršni direktor / Executive Director of Mitteldeutsche Medienförderung GmbH (2009); Cat Villiers, producentkinja / producer (2008); Steve Buscemi, glumac / actor (2007); Gavrilo Grahovac, bivši ministar kulture i sporta F BiH / Former Minister of Culture and Sport of Federation of Bosnia and Herzegovina (2006); Mike Leigh, reditelj / director (2006); Marco Müller, umjetnički direktor / Artistic Director of the Rome Film Festival (2005)

AGNES B. Počasno Srce Sarajeva za izvanredni doprinos filmskoj umjetnosti i strastvenu podršku razvoju Sarajevo Film Festivala / Honorary Heart of Sarajevo for extraordinary contribution to the art of film and passionate support of development of the Sarajevo Film Festival

20 20. Sarajevo Film Festival l NAGRADE

agnès b. (rođena Agnès Troublé) je odrasla u Versaillesu. Pedesetih godina stekla je klasično obrazovanje. Željela je biti kustosica, kako bi bila bliže umjetnosti koju je strastveno zavoljela još kao tinejdžerka. Studirala je na Ecole des Beaux-Arts u Versaillesu i ubrzo nakon završetka studija počela je raditi kao zamjenica urednika francuskog časopisa Elle. Prije nego što je svoje ime pretvorila u svjetski poznati brend, radila je kao freelance dizajner za kuće Limitex, Pierre d’Alby, V de V i Eversbin. Pored svog dizajnerskog rada, agnès b. je i strastvena kolekcionarka i zagovornica umjetnosti, posebno filma, zbog čega je odlučila da osnuje vlastitu audiovizualnu produkcijsku kuću Love Streams agnès b. Productions, tako nazvana u čast Johna Cassavetesa, počast je njenoj viziji života i njenoj strasti prema ljudima i kinematografiji. S rediteljem Harmonyjem Korineom, osnovala je filmski koncern pod nazivom O’Salvation, zamišljen kao mjesto za predstavljanje raznih filmskih, izdavačkih i umjetničkih projekata. Kada je u pitanju stvaranje vlastitih filmova, agnès b. je, kao i njena modna linija, izuzetno nezavisna: 2011. godine režirala je dokumentarni film UNE SORTE DE JOURNAL VIDÉO iz vlastitog videoarhiva, i u njemu govori o sebi kao dizajnerici i osobi. Godine 2013. završila je svoj prvi dugometražni igrani film ZOVEM SE HMMM... Vizualni identitet Sarajevo Film Festivala, simbol srca koji je prisutan od samih početaka Festivala, kreirala je agnès b., dugogodišnja prijateljica i pokroviteljica koja omogućava da se svake godine dodijeli Specijalna nagrada žirija. Film ZOVEM SE HMMM… će biti prikazan u čast dodjele Počasnog Srca Sarajeva agnès b. Film se nalazi na stranici 230.

E Raised in Versailles, with a classic education from the 1950s, agnès b. (born Agnès Troublé) wanted to be a curator, to be closer to the arts, for which she already had a passion as a teenager. She studied at Versailles’s Ecole des BeauxArts and began working as a junior editor at French Elle soon after graduation. Before turning her own name into a world-renowned signature brand, she worked as a freelance designer for Limitex, Pierre d’Alby, V de V and Eversbin. Besides her designer work, agnès b. has been an avid collector and supporter of the arts, especially film, which led to her decision to set up her own audiovisual production company. Love Streams agnès b. Productions, so called in honor of John Cassavetes, is a tribute to her vision of life and her passion for people and cinema. Together with director Harmony Korine, she founded a joint film concern named O’Salvation, created as a venue to release various art, publishing and film projects. When it comes to making her own movies, agnès B. is like her fashion line – fiercely independent. In 2011 she made the documentary Une sorte de journal vidéo from her own video archive in which she talks about herself as a designer and person and in 2013 she released her first feature film My name is Hmmm... (Je m’appelle Hmmm...). The visual identity of the Sarajevo Film Festival, the heart shape that has been present since the very beginning of the Festival, was created by agnès b, a long-time friend and patron who ensures that The Special Jury Award can be handed out each year. The film My name is Hmmm... will be shown in honor of agnès b.’s acceptance of the Honorary Heart of Sarajevo. The film can be found on page 230.

GAEL GARCIA BERNAL Počasno Srce Sarajeva za izvanredni doprinos filmskoj umjetnosti / Honorary Heart of Sarajevo Award for extraordinary contribution to the art of film

DANIS TANOVIĆ Počasno Srce Sarajeva za izvanredni doprinost filmskoj umjetnosti i strastvenu podršku razvoju Sarajevo Film Festivala / Honorary Heart of Sarajevo for extraordinary contribution to the art of film and passionate support to the development of the Sarajevo Film Festival

Gael García Bernal počeo je s roditeljima nastupati u predstavama u Guadalajari, u Meksiku, a kasnije je studirao na Centralnoj školi za govor i dramu u Londonu. Tada se Bernal pojavljuje u nekoliko predstava, sapunica i kratkih filmova, prije svoje velike debitantske uloge u igranom filmu, u filmu nominiranom za Oscara – PASJA LJUBAV, kojeg je režirao Alejandro González Iñárritu. Bernalova sljedeća uloga je bila u još jednom svjetski proslavljenom dugometražnom ostvarenju, filmu reditelja Alfonsa Cuaróna nominiranom za nagradu Oskar, I TVOJA MAMA TAKOĐER, gdje glumi uz svog dugogodišnjeg prijatelja Diega Lunu. Nastavljajući birati izazovne i potencijalno sporne uloge, Bernal se pojavio u filmovima ZLOČIN OCA AMARA Carlosa Carrere, DNEVNIK MOTOCIKLISTE Waltera Sallesa, LOŠE VASPITANJE Pedra Almodóvara, MAMUT Lukasa Moodyssona, GRANICE KONTROLE Jima Jarmuscha, NE Pabla Larraina i u još jednoj saradnji s Alejandrom Gonzálezom Iñárrituom, u njegovom filmu BABEL, dosegnuvši cifru od preko 40 filmova, kratkih i televizijskih programa u kojima je nastupao u posljednjih 20 godina. Zajedno s Diegom Lunom, Pablom Cruzom i Elenom Fortes, Bernal je osnovao Ambulante, meksičku neprofitnu organizaciju za promociju dokumentarističkog rada kao sredstva društvenih promjena. Kroz svoje putujuće filmske festivale i radionice, ova organizacija promovira nedovoljno ispričane priče, ali i donosi te priče u mjesta gdje se inače ne bi mogle vidjeti. Film PASJA LJUBAV će biti prikazan u čast dodjele Počasnog Srca Sarajeva Gaelu Garcíji Bernalu. Film se nalazi na stranici 84.

E Gael García Bernal began performing in stage productions with his parents in Guadalajara, Mexico, and later studied at the Central School for Speech and Drama in London. At the time Bernal appeared in several plays, soap operas and short films before his major feature film debut in Alejandro González Iñárritu‘s Academy Award- nominated film AMORES PERROS. Bernal’s next film role was in another globally celebrated feature, Alfonso Cuaron’s Academy Award-nominated Y TU MAMA TAMBIEN, where he starred opposite his lifelong friend Diego Luna. Continuing to choose challenging and potentially contentious roles, Bernal appeared in Carlos Carrera’s EL CRIMEN DEL PADRE AMARO, Walter Salles’ THE MOTORCYCLE DIARIES, Pedro Almodovar’s LA MALA EDUCACION, Lukas Moodysson MAMMOTH, Jim Jarmusch’s LIMITS OF CONTROL, Pablo Larrain’s NO and yet in another collaboration with Alejandro González Iñárritu in his feature film BABEL, reaching the number of more than 40 films, shorts and television programmes in which he has appeared in the past 20 years. Along with Diego Luna, Pablo Cruz and Elena Fortes, Bernal founded Ambulante, a Mexican non-profit organization promoting documentary work as a vehicle for social change. Through their traveling film festivals and training workshops, the organization not only promotes under-told stories but also brings those stories to places they wouldn’t otherwise be seen. The film AMORES PERROS will be shown in honor of Gael Garcia Bernal’s acceptance of the Honorary Heart of Sarajevo. The film can be found on page 84.

Bosanskohercegovački reditelj Danis Tanović rođen je u Zenici, a odrastao u Sarajevu, gdje je studirao filmsku režiju na sarajevskoj Akademiji scenskih umjetnosti. Nakon početka opsade Sarajeva, proveo je dvije godine na prvim ratnim linijama snimajući filmove za Armiju BiH. Tanović se kasnije preselio u Belgiju kako bi nastavio studij filma na Filmskoj školi INSAS, gdje je počeo snimati kratke i dokumentarne filmove. Njegov debitantski igrani film iz 2001. godine, NIČIJA ZEMLJA, dobio je više od 40 međunarodnih nagrada, što ga čini jednim od najnagrađivanijih debitantskih igranih filmova u filmskoj historiji. Radnja filma smještena je u 1993, usred rata u Bosni i Hercegovini, a film je osvojio Oscara i Zlatni globus za najbolji strani film, kao i Nagradu za najbolji scenarij na Filmskom festivalu u Cannesu i Nagradu za najboljeg scenaristu od Evropske filmske akademije. Tanović je režirao još dva filma o ratu i njegovim posljedicama. Radnja filma CIRKUS COLUMBIA je smještena u period prije izbijanja rata u Bosni i Hercegovini, a TRIJAŽA - s Colinom Farrellom u glavnoj ulozi – bavi se postratnim traumama. Godine 2005. godine Tanović je režirao igrani film na francuskom jeziku, PAKAO. Njegov posljednji film EPIZODA U ŽIVOTU BERAČA ŽELJEZA premijerno je prikazan u takmičarskom programu Berlinskog filmskog festivala 2013. godine, gdje je osvojio dvije nagrade Srebrni medvjed - za film i najboljeg glumca (Nazif Mujić), kao i Posebnu nagradu ekumenskog žirija. Danis Tanović je na 19. SFF-u bio predsjednik žirija Takmičarskog programa - igrani film.

E Bosnian director Danis Tanović was born in Zenica and raised in Sarajevo where he studied film directing at the Sarajevo Academy of Performing Arts. When Sarajevo fell under siege, he spent two years on the frontline filming for the Army. Tanović later moved to Belgium to continue his film studies at the INSAS Film School and began making shorts and documentaries. His 2001 debut feature NO MAN’S LAND received over 40 international prizes, making it one of the most awarded first feature films in history. Set in the midst of Bosnia and Herzegovina’s war in 1993, the film won the Academy Award and the Golden Globe for best Foreign Language Film, as well as Best Script prizes at the Cannes Film Festival and the European Film Awards. Tanović has made two other films about war and its consequences. CIRKUS COLUMBIA is set in the period just before the war breaks out in Bosnia and Herzegovina, and TRIAGE - staring Colin Farrell - dealt with post-war trauma. In 2005, Tanović made the French-language feature L’ENFER (HELL). His latest film, AN EPISODE IN THE LIFE OF AN IRON PICKER, premiered in the competition programme at the Berlin International Film Festival in 2013, where it won two Silver Bears. One was awarded the film and the other to the actor Nazif Mujic for his work in the film. The film also received a Special Mention by the Ecumenical Jury. At the 19th SFF Danis Tanović was President of the Jury for Competition Programme - Feature Film.

AWARDS l 20. Sarajevo Film Festival 21

Takmičarski program - igrani film / Competition Programme - Feature Film

A Blast, Syllas Tzoumerkas

Cure - Život druge / Cure - The Life Of Another, Andrea Štaka

Klama Dayika Min / Pjesma moje majke / Song of My Mother, Erol Mintas

Kuzu / Janje / The Lamb, Kutluğ Ataman

Macondo, Sudabeh Mortezai

Me var Beso / Ja sam Beso / I am Beso, Lasha Tskvitinidze

Patardzlebi / Nevjeste / Brides, Tinatin Kajrishvili

Tri Dritare Dhe Një Varje / Tri prozora i vješanje / Three Windows and

A Hanging, Isa Qosja

Viharsarok / Zemlja oluja / Land of Storms, Ádám Császi

Fehér isten / Bijeli bog / White God, Kornel Mundruczó

Jednaki / Equals, Mladen Đorđević, Dejan Karaklajić, Darko Lungulov, Miloš Petričić, Igor Stoimenov, Ivica Vidanović

Mostovi Sarajeva / Les Ponts de Sarajevo / Bridges of Sarajevo, Aida Begić, Leonardo di Costanzo, Jean-Luc Godard, Kamen Kalev, Isild Le Besco, Sergey Loznitsa, Vincenzo Marra, Ursula Meier, Vladimir Perišić, Cristi Puiu, Marc Recha, Angela Schanelec, Teresa Villaverde

A Quintet / Kvintet, Roberto Cuzzillo, Elie Lamah, Mauro Mueller, Sanela Salketić, Ariel Shaban

Maratonci trče počasni krug / The Marathon Family, Slobodan Šijan

Neki novi svijet / One New World

Elma Tataragić

Takmičarski program 20. Sarajevo Film Festivala donosi devet filmova u konkurenciji, tri gala projekcije i dva omnibusa izvan konkurencije. Program otvara film MOSTOVI SARAJEVA sastavljen od trinaest kratkometražnih ostvarenja istaknutih evropskih autora, među kojima su čak četiri autora iz naše regije. Riječ je o mozaiku umjetničkih gledišta koja na kritičan način promišljaju različite univerzalne teme koje Sarajevo simbolizira. Druga gala projekcija je FEHÉR ISTEN / BIJELI BOG mađarskog reditelja Kornéla Mundruczóa. Kao i MOSTOVI SARAJEVA, premijerno je prikazan u Cannesu gdje je osvojio nagradu za najbolji film programa Un Certain Regard. Priča je to o 13-godišnjoj djevojčici čije odvajanje od psa dovodi do pseće pobune protiv ljudskog roda. Sam naslov filma na engleskom, WHITE GOD, direktna je aluzija na film WHITE DOG Samuela Fullera iz 1982., koji kroz sličan konflikt između čovjeka i njegovog, navodno, najboljeg prijatelja, zapravo priča o rasizmu. Izvan konkurencije prikazat ćemo dva omnibusa koja se sastoje od inspirativnih i ambicioznih kratkih filmova: A QUINTET / KVINTET i JEDNAKI, koji će u okviru programa doživjeti svjetske premijere. A u čast Bore Todorovića, jednog od najznačajnijih glumaca regije, prikazat ćemo i film MARATONCI TRČE POČASNI KRUG iz 1982. I ostatak selekcije temelji se na istoj premisi - da film nije slika već niz slika koje stvaraju vlastiti mikrokosmos koji se kritički odnosi spram svijeta u kojem živimo i iz kojeg autori crpe svoje priče. Od devet naslova, koji se takmiče za nagrade Srce Sarajeva, čak pet je debitantskih. Film ME VAR BESO / JA SAM BESO, reditelja Lashe Tskvitinidzea iz Gruzije, priča je o odrastanju u gruzij- skoj provinciji razapetoj između modernog i tradicionalnog u okrutnoj atmosferi tranzicije. Beso je dječak koji živi u disfunkcionalnoj porodici s ocem alkoholičarom, čiju pasivnu agresivnost trpe i on, i majka, te njegov stariji brat koji je homoseksualac, što je apsolutno neprihvatljivo. Beso kroz film sam mora donijeti odluke i preispitati stavove okoline. Debitant Ádám Császi u filmu VIHARSAROK / ZEMLJA OLUJA direktnije se bavi pitanjem homoseksualnosti. Ovaj senzualni film, s podjednako prisutnim omjerom nježnosti i tuge, govori o otkrivanju i prihvatanju seksualnosti na brutalan i nimalo sentimentalan način. Mladi fudbaler vraća se u svoj oronuli dom, zaljubljuje se u susjeda koji mu pomaže u popravku kuće, a njihova veza dovodi do eskalacije mržnje u tom malom mjestu. Film

24 20. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

je izuzetno atmosferičan, a autor suprotstavlja krajolik i naturalizam dvaju glavnih glumaca s prizorima ljetne oluje koja se približava ovom osamljenom kraju i postaje metafora za ono što će se desiti. Drugi gruzijski film u konkurenciji je PATARDZLEBI / NEVJESTE, rediteljice Tinatin Kajrishvili. Ovaj film donosi priču o ženi u tridesetim godinama čiji partner služi desetogodišnju zatvorsku kaznu te prikazuje prepreke koje ona mora proći da bi ga vidjela. Priča je intenzivna i jaka, ali nikada melodramatična, a stiče se dojam potpune autentičnosti. MACONDO, rediteljice Sudabeh Mortezai iz Austrije, donosi priču o drugoj strani austrijskog društva, o izbjeglicama i njihovoj borbi da se prilagode novoj sredini kroz vizuru jedanaestogodišnjeg dječaka. Ova socijalna drama rediteljice, koja je do sada pravila isključivo dokumentarne filmove, ne ustručava se pokazivanja emocija te je izuzetno intuitivna, ali i pristupačna za publiku. KLAMA DAYIKA MIN / PJESMA MOJE MAJKE, debitantski film turskog reditelja Erola Mintaşa, emotivna je priča o odnosu sina i majke koja, otrgnuta iz svoje sredine, traži jednu pjesmu iz svog kraja, a zapravo žudi za povratkom. Film se na nostalgičan, ali precizan način fokusira na pitanje Kurda u Turskoj, ali i na univerzalne teme pripadanja i identiteta. A BLAST, drugi igrani film Syllasa Tzoumerkasa, tragična je priča o osveti, ispričana kroz komadiće sadašnjosti isprepletene s bliskom i daljom prošlošću, a stvara devastirajuću sliku o savremenoj Grčkoj. Antijunakinja Marija živi sa svojom porodicom, a iza ove, naizgled prosječne grčke porodice kriju se laži i dugovi, te licemjerni odnosi koji se samo mogu otkriti razornim praskom. Andrea Štaka vraća se u Takmičarski program Sarajevo Film Festivala filmom CURE – ŽIVOT DRUGE. Ovo je njen drugi igrani film, u kojem uspješno suprotstavlja realno i imaginarno, racionalno i iracionalno, i to kroz priču jedne epizode u životu tinejdžerke koja iz Švicarske dolazi u ratni Dubrovnik. Ovo je priča o otkrivanju identiteta, o odrastanju, ali i o neprilagođenosti. Osim rediteljice Štake, program ove godine ima još jednog laureata Sarajevo Film Festivala, Isu Qosju, koji u Sarajevo dolazi s filmom TRI DRITARE DHE NJË VARJE / TRI PROZORA I VJEŠANJE. Ovaj film smješten je u kosovsko selo, a tematizira tradiciju i pitanje ponosa u suočavanju s istinom. Nakon što jedna od žena javno progovori da je silovana u ratu i da nije bila jedina, dolazi do pobune među muškarcima koji bi radije da se zaboravi ova nesretna ratna epizoda nego da njihov ponos bude okaljan činjenicom da su im žene silovane.

Film na brutalan način govori o muško-ženskim odnosima, o istini i načinu na koji se ona relativizira u savremenom svijetu. Jedan od značajnijih svjetskih savremenih umjetnika, reditelj Kutluğ Ataman pridružuje se konkurenciji s filmom KUZU / JANJE, u kojem donosi priču o djeci. Svijet djece koju Ataman prikazuje jeste zabavniji od svijeta odraslih, ali je ponekad i strašniji u ovoj porodičnoj drami, čija je radnja smještena u tursku provinciju. I ovaj film suprotstavlja savremeni i tradicionalni svijet u kojem važnu ulogu ima žena majka, čiju emancipaciju pratimo kroz film. Ovogodišnja selekcija donosi filmove koji, tvoreći svoje vlastite, nove svjetove, hrabro upiru prst na probleme današnjice. Ovi filmovi ne nude konačne odgovore na probleme koje tematiziraju već daju prostor za promišljanje i razgovor. Ovi filmovi pozivaju na dijalog.

E The Competition Programme of the 20th Sarajevo Film Festival presents nine films running for awards, three Gala Screenings and two Out of Competition films. The Programme will open with MOSTOVI SARAJEVA / BRIDGES OF SARAJEVO, comprising 13 short films by distinguished European authors, including as many as four from our region. It is a mosaic of artistic views critically reflecting on the different universal themes that Sarajevo itself symbolises. The second gala is FEHÉR ISTEN / WHITE GOD by the Hungarian director Kornél Mundruczó. Just like the BRIDGES OF SARAJEVO, it premiered at Cannes, where it won the Best Film award at Un certain regard. It is a story about a 13-year old girl whose separation from her pet dog brings about a dog rebellion against humankind. The English title is a direct allusion to the 1982 Samuel Fuller film WHITE DOG, which speaks about racism through a similar conflict between man and his alleged best friend. The two Out of Competition films A QUINTET and JEDNAKI / EQUALS, both comprising inspiring and ambitious shorts, will be shown as part our program as world premieres. We will also screen the cult 1982 film MARATONCI TRČE POČASNI KRUG / THE MARATHON FAMILY as a tribute to great actor Bora Todorović who recently passed away.

The official selection is based on the same premise – that film is not merely an image, but rather a series of images which create their own micro-universe of critical dispositions towards

the world we live in and from which the authors draw their stories.

Kurds in Turkey, but generally on the problem of belonging and identity.

Out of nine titles competing for the Heart of Sarajevo, five are debuts. ME VAR BESO / I AM BESO by the Georgian director Lasha Tskvitinidze, is a story about growing up in a Georgian backwater town, torn between the modern and the traditional, in the cruelty and decadence of transition. Beso is a boy in a dysfunctional family, with an alcoholic father whose passive aggression is endured by the boy, the mother and the older brother who is gay, which is utterly unacceptable in provincial Georgia. Throughout the film, Beso must make his own decisions and re-examine the attitudes of his surroundings. In VIHARSAROK / A LAND OF STORMS, the debutant Ádám Császi deals more directly with the issue of homosexuality in rural Hungary. This sensual film with an equal measure of tenderness and sorrow, speaks about uncovering and accepting sexuality in a brutal and non-sentimental way. A young football player returns to his dilapidated home in a Hungarian village, falls for a neighbour who helps him repair the house, and their relationship leads to an escalation of hatred of their neighbours. The film is highly atmospheric and the author puts the landscape and the naturalism of the two lead actors against the scenes of a summer storm, approaching this isolated place and becoming a metaphor for what is about to happen. The second Georgian competition entry is PATARDZLEBI / BRIDES, directed by Tinatin Kajrishvili. Another debut, this film brings the story of a woman in her 30s whose partner is serving a 10-year prison sentence, and shows the obstacles she must overcome in order to see him. The story is intense and powerful, and yet never melodramatic, with an impression of total authenticity. MACONDO, directed by Sudabeh Mortezai, brings a story about the other side of Austrian society, about refugees and their struggle to adapt to an alien society through a perspective of an 11-year old boy. This social drama, by a director who has previously worked on documentaries only, does not shy away from showing emotions and it is very intuitive and yet accessible to the audience. KLAMA DAYIKA MIN / SONG OF MY MOTHER, a debut feature by Turkish filmmaker Erol Mintaş, brings an emotional story about a relationship between a son and a mother, who is in constant search for a lost song but in fact she is longing for return to her homeland from which she has been taken away from. In a nostalgic but precise manner the film focuses on the issue of

A BLAST, Syllas Tzoumerkas’s second feature, is a tragic story about revenge told through bits of the present interlinked with remote and distant past, creating a devastating picture of contemporary Greece. Maria, the antihero, lives with her family, and this seemingly average Greek household hides lies and debt and hypocrisy, which can only be uncovered by a major blast. Andrea Štaka returns to the Competition Programme with her second feature CURE – ŽIVOT DRUGE / CURE - THE LIFE OF ANOTHER. The film is successfully opposing the real and the imaginary, the rational and the irrational, and tells the story of an episode in the life of a teenage girl going from Switzerland to wartime Dubrovnik. This is a story about discovering identity but also about not fitting in and belonging. In addition to Štaka, the Programme has another Sarajevo Film Festival laureate, Isa Qosja, who is back in Sarajevo with TRI DRITARE DHE NJË VARJE / THREE WINDOWS AND A HANGING. This film, situated in the Kosovo countryside, explores tradition and the issue of pride when confronting the truth. After a woman speaks out about being raped during the war and not being the only one, men rebel as they would prefer to forget this unfortunate wartime episode, rather than having their faces shamed by the fact that their women were raped. The film speaks brutally about the menwomen relationship, about truth and the way it is relativized in the modern world. A leading contemporary artist and director Kutluğ Ataman joins the competition with his film KUZU / THE LAMB, a story about children. The world of children Ataman shows is more amusing than the world of grownups, but sometimes more horrific, in this family drama situated in the Turkish countryside. This film also puts the contemporary world against the traditional one, which still treasures the important role of the wife and mother, who undergoes emancipation through the film. This year’s selection brings films which create their own new worlds and thus point bravely at the problems of our times. These films do not offer final answers to any of the problems they tackle, but rather they open the spaces for reflexion and discussion. These films call for a dialogue. Elma Tataragić selektorica / Programmer

COMPETITION PROGRAMME - FEATURE FILM l 20. Sarajevo Film Festival 25

A Blast Marija bježi autocestom. Sama je u svom bučnom terencu. Iza nje ostaju vatra i kovčeg pun novca. Ispred nje leži beznadežni beskraj autoputa. Samo dan ranije bila je brižna majka, voljena supruga, odgovorna kći. Danas je bjegunac, odlučna da odbaci sve što joj je nekada bilo važno. Dijelovi sadašnjosti neraskidivo isprepleteni s fragmentima prošlosti pričaju Marijinu priču o putu ka iskupljenju, oslikavajući zasljepljujući i razoran mural savremene Grčke. Iza vječite dominacije njene prosječne grčke porodice kriju se pogrešno shvaćena seksualnost, laži i dugovi koje može razotkriti samo eksplozija. Syllas Tzoumerkas je rođen 1978. godine u Solunu. Studirao je teatarsku i filmsku režiju i glumu u Atini, Utrechtu i New Yorku. Režirao je kratke filmove THE DEVOURING EYES i RAIN. Njegov prvi dugometražni igrani film HOMELAND svjetsku je premijeru doživio 2010. godine u programu International Critics’ Week Filmskog festivala u Veneciji. HOMELAND je 2011. osvojio pet nagrada Grčke filmske akademije, uključujući Nagradu za najbolje režiran debitantski film. Za film A BLAST, Tzoumerkas je nagrađen koprodukcijskom nagradom Euroimages na koprodukcijskom marketu Cinelink Sarajevo Film Festivala 2012. godine. E Maria is running away on the highway. She is alone in her roaring SUV. Behind her, fire and a case full of money. In front of her, the hopeless vastness of the motorway. Only a day before she was a caring mother, a loving wife, a responsible daughter. Today she has gone rogue: she is determined to sweep away everything she has ever cared for. Maria’s tragic tale of ascent to redemption is narrated through bits of the present that become tangibly interwoven with fragments of the past, creating a dazzling and devastating mural of contemporary Greece. Behind the eternal reign of her average Greek family, lie only wrongly asserted sexuality, lies and debts, which can only be exposed by a blast.

Syllas Tzoumerkas was born in 1978 in Thessaloniki. He studied theatre, film directing and acting in Athens, Utrecht and New York. He directed the short films THE DEVOURING EYES and RAIN. His first feature film, HOMELAND, had its world premiere at the International Critics’ Week of the 2010 Venice IFF. In 2011, HOMELAND won 5 Awards of the Hellenic Film Academy including Best First Film Director Award. His new feature film project, A BLAST, won the Eurimages Co-production Development Award at the Cinelink Co-Production Market of the 2012 Sarajevo Film Festival.

26 20. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, 2014, Colour, 83 min., English, Greek Režija / Director: Syllas Tzoumerkas Scenarij / Screenplay: Syllas Tzoumerkas, Youla Boudali Direktor fotografije / Director of Photography: Pantelis Mantzanas Montaža / Editor: Kathrin Dietzel Muzika / Music: Drog_A_tek Producent / Producer: Maria Drandaki, Titus Kreyenberg, Ellen Havenith, Jeroen Beker Produkcija / Production: Homemade Films, Unafilm, PRPL, Bastide Films Uloge / Cast: Angeliki Papoulia, Vassilis Doganis, Maria Filini, Themis Bazaka, Yorgos Biniaris Kontakt / Contact: Pan Entertainment SA 44, Chr. Smirnis str 15233, Athens Greece Tel: +30210 6985050, Fax: +30210 6985053 drandaki@pan.com.gr Filmografija / Filmography 2014 - A BLAST 2010 - HORA PROELEFSIS / HOMELAND 2002 - RAIN (kratki / short) 2000 - TA MATIA POU TRONE / THE DEVOURING EYES (kratki / short)

Cure - Život druge / Cure - The Life Of Another Godina je 1993., period nakon opsade Dubrovnika. Četrnaestogodišnja Linda se s ocem vratila iz Švicarske u Hrvatsku. Njena nova najbolja prijateljica Eta odvodi je u zabranjenu šumu iznad grada. Dvije se cure upuštaju u opsesivnu, seksualno obojenu igru zamjene identiteta koja završava kobnim padom. Linda se sljedećeg jutra vraća sama i postepeno počinje zauzimati Etino mjesto u prijateljičinoj obitelji. U sve je uvučen i Etin momak Ivo. U vrijeme kad su žene prepuštene same sebi i svojim gubicima iz rata, Linda je u opasnosti da izgubi uporište u realnosti i ostane zarobljena u nekom drugom, rubnom svijetu - svijetu u kojem se Eta iznova vraća kako bi ju suočila sa samom sobom. Andrea Štaka je rođena 1973. u Švicarskoj (državljanka Hrvatske i Švicarske), gdje je diplomirala režiju na Akademiji primijenjenih umjetnosti u Zürichu. Njeni filmovi HOTEL BELGRAD i YUGODIVAS, su bili prikazivani na mnogobrojnim filmskim festivalima kao što su Locarno, Sundance i Rotterdam. Od 1998. do 2006. Andrea Štaka je živjela u New Yorku. Njen dugometražni film DAS FRÄULEIN / GOSPOĐICA osvojio je Zlatnog leoparda na Filmskom festivalu u Locarnu i Srce Sarajeva na Sarajevo Film Festivalu 2006. godine. Osnovala je Okofilm Productions 2007. godine zajedno s rediteljem i producentom Thomasom Imbachom. Producirala je DAY IS DONE i MARY, QUEEN OF SCOTS. Članica je Evropske flmske akademije. E 1993: after the Siege of Dubrovnik. 14-year-old Linda has moved back to Croatia from Switzerland with her father. Her new best friend Eta takes her up to the forbidden forest above the city. The two girls become entangled in an obsessive, sexually charged game of swapping identities that leads to a fatal fall. The following morning Linda comes back alone; slowly she begins to take Eta’s place in her family. Ivo, Eta’s boyfriend, is drawn in as well. In troubled times dominated by women and the losses they have suffered in the war, Linda faces the danger of losing her footing, of becoming entrapped in another world on the edge, a world in which Eta keeps coming back to confront her with herself.

Andrea Štaka was born in 1973 and lives in Zurich. She graduated from the MFA film program at the School of Visual Arts in Zurich. Her films HOTEL BELGRAD and YUGODIVAS have brought her great recognition at film festivals such as Locarno, Sundance and Rotterdam, and have won several awards. Both films were nominated for Best Film at the Swiss Film Awards and theatrically released in Switzerland. In 2005 Andrea Štaka received a NYSCA Individual Artist Grant (New York State Council on the Arts). FRAULEIN was her first feature film. It won the Golden Leopard at the Locarno Film Festival and the Heart of Sarajevo. In 2007 Andrea Štaka founded Okofilm Productions in Zurich together with director and producer Thomas Imbach and produced DAY IS DONE and MARY QUEEN OF SCOTS. She is a member of the European Film Academy.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Switzerland, Croatia, Bosnia and Herzegovina, 2014, Colour, 83 min., Croatian, Swiss-German Režija / Director: Andrea Štaka Scenarij / Screenplay: Andrea Štaka, Thomas Imbach, Marie Kreutzer Direktor fotografije / Director of Photography: Martin Gschlacht Montaža / Editor: Tom La Belle Muzika / Music: Milica Paranosić Zvuk / Sound Mixer: Predrag Doder Scenografija / Production Design: Su Erdt Kostimografija / Costume Design: Linda Harper Producent / Produced by: Thomas Imbach, Andrea Štaka, Damir Ibrahimović, Jasmila Žbanić, Leon Lučev Produkcija / Production: Okofilm Productions, Živa Produkcija, Deblokada Uloge / Cast: Sylvie Marinković, Lucia Radulović, Mirjana Karanović, Marija Škaričić, Leon Lučev, Franjo Dijak Kontakt / Contact: Okofilm Productions, Ankerstrasse 3, 8004 Zurich, Switzerland, Tel.: +41 44 2405856, info@okofilm.ch Filmografija / Filmography 2014 - CURE - THE LIFE OF ANOTHER 2006 - DAS FRÄULEIN / GOSPOĐICA 2000 - YUGODIVAS (dokumentarni / documentary) 1998 - HOTEL BELGRAD (kratki / short) 1995 - RUŽA (eksperimentalni / experimental)

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Klama Dayika Min / Pjesma moje majke / Song of My Mother Mladi učitelj Ali živi s ostarjelom majkom Nigar u istanbulskoj četvrti Tarlabaşı u kojoj su devedesetih godina prošloga vijeka mnoge kurdske izbjeglice pronašle dom. Projekat uljepšavanja starog dijela grada prisiljava izbjeglice da se sele po drugi put u životu. Oni mahom završavaju u betonskim džunglama bez šarma, u najudaljenijim predgrađima Istanbula. Nigar je ubijeđena da su se sve njene komšije zapravo vratile u njihovo rodno selo. Ona svakog jutra pakuje torbe i sprema se za povratak kući. Luta gradom u potrazi za svojim selom i pjesmom koja joj se vraća u snovima. Sve što Ali može učiniti jeste da bude pažljiv prema majci: kupuje joj poklone, hrani je slatkišima, voza je na motoru i pokušava da joj pomogne da pronađe pjesmu iz svojih snova. Ali u međuvremenu saznaje da je njegova djevojka trudna i shvata da još nije spreman da bude otac. U rascjepu između dvije žene svoga života, Ali mora odabrati vlastiti put. Erol Mintaş je rođen u Karsu, u Turskoj. Diplomirao je na Univerzitetu Marmara s tezom o filmskom djelu Andreja Tarkovskog. Erolov prvi kratki film BUTIMAR je prikazan na više filmskih festivala u Turskoj i inostranstvu, i osvojio je četiri nagrade. Njegov drugi kratki film SNOW je uvršten u takmičarsku selekciju mnogobrojnih filmskih festivala u zemlji i inostranstvu, a nagrađen je s osam nagrada, uključujući prestižnu nagradu festivala Zlatna narandža u Antaliji. Njegov debitantski dugometražni igrani film SONG OF MY MOTHER / PJESMA MOJE MAJKE je napravljen u tursko-francusko-njemačkoj koprodukciji, uz podršku Ministarstva kulture Turske i Filmskog fonda CNC Cinema du monde. E Young teacher Ali lives with his aging mother Nigar in Istanbul’s Tarlabaşı district, home to many Kurdish refugees since the 1990s. When the ongoing gentrification of the old city forces them to move for a second time, they end up in the soulless concrete desert of the city’s furthest outskirts. Nigar is convinced that her old neighbours have all moved back to their Kurdish village. Every morning she packs her belongings and sets out to return to her village. She roams the city, in search of her village and in search of the song that keeps returning in her dreams. All Ali can do is be kind to her: he buys her gifts, feeds her sweets, takes her on motorcycle rides and tries to help his mother find the song in her dreams. Meanwhile Ali discovers that his girlfriend is pregnant and that he is not ready to become a father. Torn between the two women in his life, Ali has to choose his own path.

Erol Mintaş was born in Kars, Turkey. He graduated from Marmara University with a thesis about the cinema of Tarkovsky. His first short BUTIMAR was screened in national and international film festivals and received 4 awards. His second short film SNOW competed in various film festivals in the Turkey and around the world. It received 8 awards including the prestigious Golden Orange at the Antalya Film Festival. His debut feature SONG OF MY MOTHER is a co-production between Turkey, France, and Germany. It was supported by Turkish Ministry of Culture and CNC Cinema du Monde.

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SVJETSKA PREMIJERA / WORLD PREMIERE Turkey, France, Germany, 2014, Colour, 103 min., Kurdish, Turkish Režija / Director: Erol Mintaş Scenarij / Screenplay: Erol Mintaş Direktor fotografije / Director of Photography: George Chiper - Lillemark Art Director: Ismail Durmaz Zvuk / Sound Designer: Fatih Aydogdu Montaža / Editor: Alexandru Radu Muzika / Music: Basar Under Producent / Producer: Asli Erdem, Erol Mintaş, Guillaume de Seille, Mehmet Aktaş Produkcija / Production: Mintas Film, Arizona Productions, Mitosfilm Uloge / Cast: Feyyaz Duman, Zubeyde Ronahi, Nesrin Cavadzade Kontakt / Contact: Mintas Film, Kocamansur Sk. 38/4 Sisli, Istanbul 34000 Turkey Tel: +90 533 2639896, mintasfilm@gmail.com International PR, Dany de Seille dany@deseille.info, Tel: +33678180105 Turkish PR, Zumrut Burul info@zumrutburul.com, Tel: +905364866366 Filmografija / Filmography 2014 - KLAMA DAYIKA MIN / SONG OF MY MOTHER 2010 - SNOW (kratki / short) 2008 - BUTIMAR (kratki / short)

Kuzu / Janje / The Lamb Selo u brdovitim predjelima istočne Anadolije. U skladu sa stoljetnom tradicijom, porodice u ovom kraju sunećenje djeteta proslavljaju gozbom. Mali Mert će biti osunećen, ali njegov otac Ismail nema novca za gozbu. Mertova siromašna, ali odlučna majka Medine cijelu porodicu prisiljava na sječu drva za prodaju kako bi zaradili novac za kupovinu neophodnog janjeta. Nezaposlenog Ismaila zabrinjava Medinina odlučnost. Mertova starija sestra Vicdan, ljubomorna zbog pažnje koja mu se poklanja, ubjeđuje brata da će roditelji, ako ne nađu janje, morati zaklati njega. Seoski vođa Ismailu pronalazi posao u klaonici. Prijatelji s posla Ismaila odvlače na stranputicu, a njegova slabost još više otežava kupovinu janjeta. Medine ne odustaje. Mert ima vlastite motive za potragu za janjetom, kojoj se predaje sa sličnom odlučnošću kao i njegova majka. Nakon što je odbila pomoć čak i od vlastite nane, Medine dobija i pomoć i solidarnost iz neočekivanog izvora. Kutluğ Ataman je rođen u Istanbulu, 1961. Studirao je film na Kalifornijskom univerzitetu u Los Angelesu i na Sorbonni u Parizu. Munjevito je stekao priznanje svojim prvim igranim filmom SERPENT’S TALE, osvojivši nagrade za najbolji film, scenarij i režiju na filmskim festivalima u Istanbulu i Ankari. Osim filmskih naracija, Ataman također stvara filmske instalacije koje su, između ostalog, prikazane na izložbi moderne i primijenjene umjetnosti Documenta 11 u Kasselu 2002. godine. JANJE je njegov peti igrani film. E A village in the highlands of eastern Anatolia. As is required by age-old tradition, families here celebrate circumcision with a feast. Little Mert is to undergo the procedure but his father İsmail has no money to pay for the feast. Poor but determined, his mother Medine puts the family to work cutting branches to earn something towards the price of the sheep they need. Ismail, Medine’s unemployed husband, is worried by his wife’s assertive behaviour. Envious of the attention Mert gets, his elder sister Vicdan makes Mert believe that if a sheep is not found he will be slaughtered instead. The village leader finds Ismail a job in the slaughterhouse. Friends there lead Ismail astray, and his weakness makes it even harder to buy the sheep. Medine persists. Mert has his own motivation to search for an animal, with determination that rivals his mother’s. Refusing even her grandmother’s support Medine receives help and solidarity from an unlikely source.

Kutluğ Ataman was born in Instanbul, Turkey in 1961. He studied film at the University of California in Los Angeles and at the Sorbonne in Paris. His first feature, SERPENT’S TALE, brought him rapid acclaim, winning him prizes in Istanbul and Ankara for best film, screenplay and director. Besides narrative cinema, Ataman also creates film installations which have been shown among other venues at the 2002 Documenta 11 in Kassel. KUZU is his fifth feature film.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, 2014, Colour, 85 min., Turkish Režija / Director: Kutluğ Ataman Scenarij / Screenplay: Kutluğ Ataman Direktor fotografije / Director of Photography: Feza Çaldıran Montaža / Editor: Ali Aga Muzika / Music: Can Erdogan Zvuk / Sound: Cenker Kökten Scenografija / Production Design: Esra Çetinkanat Kostimografija / Costume Design: Hande Ocak Producent / Producer: Kutluğ Ataman, Fabian Gasmia, Henning Kamm Produkcija / Production: The Institute for the Readjustment of Clocks Uloge / Cast: Nesrin Cavadzade, Cahit Gök, Mert Taştan, Sıla Lara Cantürk, Nursel Kose Kontakt / Contact: Institute for the Readjustment of Clocks, Istanbul, Türkei Detailfilm, Hamburg, Deutschland, Tel: +49 40 60940944, info@detailfilm.de Filmografija / Filmography 2014 - KUZU / THE LAMB 2009 - AYA SEYAHAT / JOURNEY TO THE MOON 2005 - 2 GENÇ KIZ / 2 GIRLS 1998 - LOLA+BILIDIKID 1994 - KARANLUK SULAR / THE SERPENT’S TALE

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Macondo Za jednog jedanaestogodišnjaka Ramasan ima jako puno obaveza. U skladu s običajima tradicionalnog čečenskog društva, zapala ga je uloga glave porodice, odgovornog za dobrobit majke i dvaju sestara. Centar njegovog svijeta sada je Macondo, opasno doseljeničko naselje u industrijskim predgrađu Beča. Njegova majka Aminat se teško nosi s gubitkom supruga, bijegom iz Čečenije i borbom za preživljavanje u stranoj zemlji. U siromašno naselje doseljava Isa, ratni drug Ramasanovog oca, i unosi nemir u dječakov do tada relativno stabilan svijet. Susret s Isom pobuđuje dječakov interes za pokojnog oca. Ramasan nastoji provoditi vrijeme s Isom koji nerado govori o prošlosti. Isa se postepeno otvara i između njega i Ramasana se razvija snažna veza koja dječaku olakšava da se izbori sa svojim najvećim strahom. Isa bi za Ramasana mogao postati novi, znatno humaniji, očinski uzor nego što je to njegov slabo upamćeni otac, kojega porodica i dalje slavi kao ratnog heroja. Međutim, kada Aminat počinje da se vezuje za Isu, zbunjeni Ramasan osjeća da mora zaštititi uspomenu na svoga mrtvog roditelja. Sudabeh Mortezai je rođena u porodici iranskih doseljenika u Ludwigsburgu, u Njemačkoj, a odrastala je u Teheranu i Beču. Stekla je zvanje magistrice na studiju za film i pozorište pri Univerzitetu u Beču 1994. godine. Nakon što je 2003. završila studij za film, televiziju i digitalne medije Kalifornijskog univerziteta u Los Angelesu (UCLA), a prije no što će režirati svoj prvi dugometražni dokumentarni film CHILDREN OF PROPHET, radila je kao asistentica režije i direktorica produkcije, te režirala nekoliko kratkih filmova. Mortezai je i jedna od osnivačica produkcijske kompanije FreibeuterFilm, ustanovljene 2007. godine. MACONDO je njen prvi dugometražni igrani film. E Ramasan has a lot of responsibility for an 11-year-old. In traditional Chechen society, he is now considered the man of the house in charge of his mother and two younger sisters. His world is now centered in Macondo, a tough ethnic neighborhood in the industrial suburbs of Vienna. His mother Aminat is still coping with having lost her husband, fleeing Chechnya and trying to make ends meet as a single mother and foreigner in a new society. Ramasan’s confined world is disrupted when Isa, his father’s war buddy, moves into the low-income housing complex. This encounter awakens Ramasan’s interest in his father. He seeks Isa’s company, but the outsider remains secretive about the past. Isa gradually opens up and a bond evolves between them that helps young Ramasan face and overcome his worst fear. Isa could become a new, much more human, father figure than the boy’s abstract memory of the war hero at the family altar. But when Aminat begins to warm up to Isa, conflicted Ramasan feels the need to protect the image of his dead father.

Sudabeh Mortezai was born 1968 in Ludwigsburg, Germany to Iranian parents and grew up in Tehran and Vienna. She received her MA in theater and film studies from the University of Vienna in 1994. After completing UCLA’s certificate program in Film, TV, and Digital Entertainment Media in 2003, Sudabeh Mortezai worked as an assistant director and production manager and directed several short films before making her feature-length documentary CHILDREN OF THE PROPHET. In 2007 she co-founded the production company FreibeuterFilm. MACONDO is her fiction debut.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2014, Colour, 93 min., German Režija / Director: Sudabeh Mortezai Scenarij / Screenplay: Sudabeh Mortezai Direktor fotografije / Director of Photography: Klemens Hufnagl Montaža / Editor: Oliver Neumann Zvuk / Sound: Atanas Tcholakov Scenografija / Production Design: Julia Libiseller Kostimografija / Costume Design: Carola Pizzini Producent / Producer: Oliver Neumann, Sabine Moser Produkcija / Production: FreibeuterFilm Uloge / Cast: Ramasan Minkailov, Aslan Elbiev, Kheda Gazieva, Rosa Minkailova, Iman Nasuhanowa, Askhab Umaev, Hamsat Nasuhanov, Champascha Sadulajev Kontakt / Contact: Films Boutique - Köpenicker Strasse 184 - 10997 Berlin - Deutschland Tel: +49 30 695 378 50 , Fax: +49 30 695 378 51, www.filmsboutique.com, info@filmsboutique.com; Valeska Neu, valeska@filmsboutique.com Filmografija / Filmography 2014 - MACONDO 2009 - IM BAZAR DER GESCHLECHTER / IN THE BAZAAR OF SEXES (dokumentarni / documentary) 2006 - CHILDREN OF THE PROPHET (dokumentarni / documentary)

Me var Beso / Ja sam Beso / I am Beso Beso je četrnaestogodišnji dječak koji odrasta u siromašnoj porodici u izoliranom gruzijskom selu s ocem invalidom, majkom čiji je rad u trgovini glavni porodični izvor prihoda, i bratom Lerijem, homoseksualcem koji drži časove plesa kako bi finansijski pomogao svojoj porodici. Teška ekonomska situacija nije jedini izvor Besovih problema, život mu otežavaju i napeti odnosi s drugovima iz razreda koji ga neprekidno nastoje poniziti i oduzeti mu novac. Kako bi pobjegao od teške stvarnosti, Beso piše rep pjesme koje snima uz pomoć kasetofona u nadi da će jednoga dana postati poznati reper, zaraditi mnogo novca i riješiti sve porodične probleme. Kada Leri iznenada pobjegne od kuće, Beso ostaje jedini muškarac u porodici i za njega se završava doba dječije nevinosti. Giorgi (Lasha) Tskvitinidze je rođen 1988. godine u Tbilisiju, u Gruziji. U periodu od 1999. do 2005. pohađao je Šestu autorsku školu u Tbilisiju. Završio je studij filmske režije na Državnom univerzitetu u Tbilisiju. U toku studija režirao je OUR FAMILY, TITS kao i svoj diplomski film TRANKING CONNECTIONS. Tskvitinidze je 2011. godine bez ikakvih finansijskih sredstava napravio nezavisni film HOBUN. Godine 2012. je učestvovao u Talent Campusu filmskih festivala u Sarajevu i Berlinu. E Beso is a 14 year old kid from a remote village in Georgia. He is growing up in a poor family with a disabled father, a mother who is the primary breadwinner for the family and earns money by trade, and a homosexual brother Leri who gives private dance lessons in order to help his family financially. His problems are not only limited by the complex social situation but also a tense relationship with his classmates who constantly try to humiliate him and take his money. As a way to escape the harsh reality, Beso writes rap songs and records himself on a tape recorder dreaming that one day he will be a successful rapper, make a lot of money and in that way overcome all the family problems. When his brother Leri suddenly runs away from home, Beso becomes the only man in the family, forcing him to step out of his childhood innocence.

SVJETSKA PREMIJERA / WORLD PREMIERE Georgia, 2014, Colour, 89 min., Georgian Režija / Director: Lasha Tskvitinidze Scenarij / Screenplay: Lasha Tskvitinidze Direktor fotografije / Director of Photography: Shalva Sokurashvili Montaža / Editor: Nodar Nozadze, Lasha Tskvitinidze Producent / Producer: Nodar Nozadze Produkcija / Production: Pansionat Film Uloge / Cast: Tsotne Barbakadze, Soso Tarkashvili Kontakt / Contact: Pansionat Film, Vazha Pshavela Block 6, Building 22, Apt 43, 0186 Tbisli Georgia, Tel: +995599298216, pansionatfilm@gmail.com Filmografija / Filmography: 2014 - ME VER BESO 2011 - TEMO (kratki / short) 2011 - HO BUN (kratki / short) 2009 - TRANKING CONNECTIONS (kratki / short) 2008 - PART OF LIFE (kratki / short) 2007 - OUR FAMILY (kratki / short)

Giorgi (Lasha) Tskvitinidze was born in 1988 in Tbilisi, Georgia. From 1999-2005 he went to the 6th Author School of Tbilisi. He entered Tbilisi State University majoring in film directing. While studying he made three films: OUR FAMILY, TITS and diploma work TRANKING CONNECTIONS. In 2011 he made an independent film HOBUN, without any financing. He was a participant of Sarajevo and Berlin festival talent campuses in 2012.

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Patardzlebi / Nevjeste / Brides Krojačica Nutsa se udaje za Gogu, oca svoje djece. Ceremonija vjenčanja je kratka - i jedno i drugo potpisuju neophodne dokumente, a ona zatim mora da ide. Goga je u zatvoru, gdje će ostati i narednih šest godina. Udavši se za njega, Nutsa je ostvarila pravo da ga posjećuje jednom mjesečno i razgovara s njim kroz staklenu pregradu. Sljedeći put kada krene u zatvor, djeca odbijaju poći s njom - otac je za njih postao stranac. Jednoga dana Nutsa na poslu upoznaje drugog muškarca. Njih dvoje razgovaraju, a muškarac joj nakon toga dolazi u posjetu. Upravo tada zvoni telefon: zove Goga da javi kako je došlo do promjene zatvorskih pravila: supružnicima oženjenih zatvorenika od sada je dozvoljeno da provedu noć u zatvoru. Nutsa oblači haljinu koju je nosila na prvom sastanku s Gogom. Ali i Nutsu i Gogu zbunjuje ta iznenadna intimnost. Tinatin Kajrishvili je rođena 1978. godine u Tbilisiju, u Gruziji. Diplomirala je režiju na Državnom univerzitetu u Gruziji 2001. godine. Nakon što je režirala nekoliko kratkih filmova, učestvovala je u produkcijskoj radionici IFASC, a 2009. godine završava i produkcijsku radionicu EAVE, te zatim producira mnogobrojne filmove. Producirala je kratke filmove NEST i BLACK MULBERRY koji su prikazani na više filmskih festivala uključujući Sundance, te festivale u Corku, Palm Springsu i Hong Kongu, dok je dugometražni igrani film u njenoj produkciji PARAJANOV premijerno prikazan na Filmskom festivalu u Karlovyim Varyma. NEVJESTE je prvi igrani film koji je i producirala, i režirala. E Seamstress Nutsa marries Goga, the father of her children. The ceremony is brief – both of them just give their signature and then she has to leave. Goga is in prison, where he will remain for another six years. By marrying him, Nutsa gains the right to talk to Goga once a month on the other side of the glass. Her children don’t want to accompany her on her next visit: their father has become a stranger to them. One day at work, Nutsa meets another man. They have a conversation and later the man pays her a visit. At that moment, Goga phones with news that there’s a change in the prison rules: married inmates are now allowed to have their spouses stay overnight. Nutsa puts on the dress she wore on their first date. But Nutsa and Goga feel awkward with this sudden intimacy.

Tinatin Kajrishvili was born in Tbilisi, Georgia, in 1978. She graduated directing from the Georgian State University in 2001. After making several short films she took part in an IFASC producers’ workshop and in 2009 became an EAVE workshop producer, since which time she has produced numerous films. Her short film productions NEST and BLACK MULBERRY screened at Sundance, Cork, Palm Springs and Hong Kong, and her feature production PARAJANOV premiered at Karlovy Vary. BRIDES is the first feature film she has produced and directed.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Georgia, France, 2014, Colour, 93 min., Georgian Režija / Director: Tinatin Kajrishvili Scenarij / Screenplay: Tinatin Kajrishvili Direktor fotografije / Director of Photography: Goga Devdariani Montaža / Editor: Tinatin Kajrishvili Muzika / Music: Rim Laurens Producent / Producer: Titatin Kajrishvili Produkcija / Production: Gemini, Adastra Films, Millimeter Film Uloge / Cast: Mari Kitia, George Maskharshvili, Natia Niguriani, Ana Grigolia, Nita Kalichava, Levan Kajrishvili, Erekle Tsintsadze Kontakt / Contact: Rezo Films, Dorian Magagnin, Tel: 33 1 42 46 46 30, Fax: 33 1 42 46 40 82, worldsales@rezofilms.com Filmografija / Filmography 2014 - PATARDZLEB / BRIDES 2012 - OTSNEBA PARIZI / DREAM PARIS (dokumentarni /documentary) 2006 - SAMPLES (kratki / short) 2002 - OPUS 1 (kratki / short) 2001 - SIMPLE MYSTERY (kratki / short)

Tri Dritare Dhe Një Varje / Tri prozora i vješanje / Three Windows and A Hanging Godinu dana nakon rata na Kosovu, u jednom tradicionalnom selu, u kojem se život postepeno obnavlja, učiteljica Lushe pod pritiskom vlastite savjesti pristaje razgovarati sa stranom novinarkom. U intervjuu Lushe priznaje da su nju i još tri seljanke silovali srpski vojnici. Nakon što otkriju da je Lushe ta koja je pričala s novinarkom, muški stanovnici sela započinju kampanju mržnje protiv nje i njenog malog sina, pokušavajući ih prisiliti da napuste selo. Dubinski je to portret jednog sela na Balkanu koje je mikrokosmos patrijarhalnosti, i seoskog načelnika koji očajnički želi kontrolirati lokalni život. To je i osvrt na rituale koji ne naglašavaju samo rodnu nejednakost, već i odsustvo slobode izražavanja među muškarcima. Isa Qosja je rođen 1947. u Vuthaju, u Crnoj Gori. Završio je Srednju školu za dramske umjetnosti i glumu u Prištini, a teatarsku i filmsku režiju je diplomirao na Filmskoj akademiji u Beogradu. Qosja se režijom teatarskih predstava, kratkih i dokumentarnih filmova počeo baviti osamdesetih godina prošlog stoljeća. Za svoj dugometražni igrani film KUKUMI je dobio Specijalnu nagradu žirija na 11. Sarajevo Film Festivalu, kao i nagrade za najbolji film i najbolju režiju na Festivalu albanskog filma u Tirani 2006. godine. E In a traditional village in Kosova, a year after the war when people are rebuilding their lives, the female school teacher Lushe is driven by her inner conscience to give an interview to an international journalist, telling her that she and three other women from the village were raped by Serbian forces. As soon as the village men realize that it was Lushe who spoke to the journalist, they start a hate campaign against Lushe and her little boy, asking her to leave the village. An insightful portrait of a Balkan village, of a patriarchal microcosm, and of its mayor who desperately wants to control the village life. A reflection of rituals which not only show gender inequality, but also the absence of freedom of expression within the male community.

Isa Qosja was born in Vutjah, Montenegro, in 1947. He graduated from the High School of Dramatic Arts and Acting in Prishtina and holds a degree in theatre and film directing from the Film Academy in Belgrade. Qosja begun his career as a theater, short and documentary film director in the 1980s. His 2005 feature KUKUMI received a Special Jury Award at the 11th Sarajevo Film Festival, as well as the Best Film and Best Director awards at the 2006 Albanian Film Festival in Tirana.

SVJETSKA PREMIJERA / WORLD PREMIERE Kosovo*, 2014, Colour, 93 min., Albanian Režija / Director: Isa Qosja Scenarij / Screenplay: Zymber Kelmendi Direktor fotografije / Director of Photography: Gökhan Tiryaki Montaža / Editor: Agron Vula Producent / Producer: Shkumbin Istrefi, Mentor Shala Produkcija / Production: CMB Uloge / Cast: Irena Cahani, Luan Jaha, Donat Qosja, Aurita Agushi, Leonora Mehmetaj, Orik Morina, Xhevat Qorraj Kontakt / Contact: CMB, Mentor Shala, Mother Theresa 44/2, Prishtina, 10000 Kosovo, Tel: +377 44 11 88 45, alash69@gmail.com Filmografija / Filmography 2014 - TRI DRITARE DHE NJË VARJE / THREE WINDOWS AND A HANGING 2005 - KUKUMI 1987 - RROJET E MJEGULLËS / GUARDS OF THE FOG 1985 - PROKA 1980 - STATUS QUO (kratki /short) 1979 - KUR PRANVERA XHIROHET (kratki / short) 1978 - KLUB SAMOUBICA (kratki / short)

* Ovaj naziv, bez prejudiciranja statusa Kosova, u skladu je sa Rezolucijom 1244 i mišljenjem MSP-a o deklaraciji o nezavisnosti Kosova. / This label does not prejudge the status of Kosovo and is in accordance with Resolution 1244 and the opinion of the ICJ on Kosovo’s declaration of independence.

COMPETITION PROGRAMME - FEATURE FILM l 20. Sarajevo Film Festival 33

Viharsarok / Zemlja oluja / Land of Storms Szabolcs igra u jednom njemačkom nogometnom timu, baš kao i Bernard. Njih dvojica su cimeri, najbolji prijatelji, praktično nerazdvojni. Jedna izgubljena utakmica i ružna svađa navode Szabolcsa na odluku da se vrati u Mađarsku u nadi da će mu život tamo biti jednostavniji. Međutim, Szabolcs ne ostaje dugo sam jer odmah po povratku upoznaje Árona. I dok se među mladićima razvija uzajamna privlačnost, Szablocs prima neočekivan telefonski poziv od Bernarda koji mu saopštava da je i on stigao u Mađarsku. Ádám Császi je rođen u Mađarskoj 1978. Diplomirao je na Mađarskoj filmskoj akademiji 2010. godine, a stekao je i zvanje magistra engleskog jezika. S kratkim filmovima SEDAM DANA / 1 HÉT i SLABI DANI / GYENGÉBB NAPOK je osvojio više nagrada festivala Mađarska sedmica filma, uključujući i Nagradu za najbolji kratki film i Nagradu kritike za najbolji kratki film. Film je također prikazan u sklopu međunarodnog audiovizualnog festivala FIPA 2008. godine. Scenarij za film OLUJNA ZEMLJA je odabran za učešće u programu Midpoint Srednjeevropskog scenarističkog centra 2010. godine. E Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match and an ugly argument make Szabolcs reconsider his life, and he returns to Hungary with hopes of a simpler life. However, his solitude does not last long and soon after his arrival he meets Áron. A mutual attraction develops between the two boys when Szabolcs receives an unexpected phone call from Bernard: he has arrived in Hungary.

Ádám Császi was born in Hungary in 1978. He graduated from the Hungarian Film Academy in 2010 and also holds an MA in English. His first short films SEVEN DAYS / 1 hét and WEAK DAYS / Gyengébb napok won awards at the Hungarian Film Week, including Best Short Film and Critics Prize for Best Short Film, and the latter was screened by FIPA in 2008. The screenplay of LAND OF STORMS was selected to participate in the Midpoint program of the Central European Script Centre in 2010.

34 20. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, 2013, Colour, 105 min., English, German, Hungarian Režija / Director: Ádám Császi Scenarij / Screenplay: Iván Szabó, Ádam Császi Direktor fotografije / Director of Photography: Marcell Rév Montaža / Editor: Tamás Kollányi Muzika / Music: Csaba Kalotás Zvuk / Sound: Miklós Hajdú Kostimografija / Costume Design: Klára Kalicz Producent / Producer: Viktória Petrányi, Eszter Gyárfás Produkcija / Production: Proton Cinema Koprodukcija / Co-production: I’m Film, Café Film, Unafilm Uloge / Cast: András Sütő, Ádám Varga, Sebastian Urzendowsky, Enikő Börcsök Kontakt / Contact: M-Appeal; M-Appeal [DE] , Prinzessinnenstrasse 16 10969 Berlin, Tel: +49 30 61 50 75 05, Fax: +49 30 27 58 28 72, films@m-appeal.com Filmografija / Filmography 2014 - VIHARSAROK / LAND OF STORMS 2009 - ÜNNEP / CELEBRATION (kratki / short) 2008 - GYENGÉBB NAPOK / WEAK DAYS (kratki / short) 2004 - UNDORGRUND / BLOCK CITY AFTERNOON (kratki / short) 2003 - 1HÉT/ SEVEN DAYS (kratki / short)

Fehér isten / Bijeli bog / White God Novi zakon daje prednost psima s pedigreom, a vlasnicima mješanaca nametnuta je visoka taksa. Vlasnici mješanaca počinju napuštati svoje ljubimce i pseća su skloništa ubrzo pretrpana. Trinaestogodišnja Lili se očajnički bori da zaštiti svog ljubimca Hagena. Odbija da prihvati argumente svoga oca i pada u očaj kada on Hagena izbacuje na ulicu. Naivno vjerujući da ljubav može prevladati sve prepreke, Lili kreće u potragu za svojim psom kako bi ga spasila. I Hagen očajnički traži Lili i želi se vratiti kući. Dok se bori da preživi, Hagen ubrzo shvata da nije baš svako najbolji prijatelj pasa. Lutajući ulicama, nekadašnji kućni ljubimac zapada u niz opasnih situacija. Prisiljen je da pobjegne od šintora, zloupotrebljava ga vješt prosjak, čak ga i zarobljava trener pasa za borbu. Hagen se ubrzo ponovo zatiče na ulici gdje se pridružuje čoporu pasa lutalica… Sedmicama kasnije Lili počinje da se miri s činjenicom da možda više nikada neće vidjeti Hagena. Nakon što biva zarobljen i prebačen u kafileriju, čini se da je Hagenova situacija teža nego ikada. Nakon što im se ukaže prilika za bijeg, Hagen i ostali psi pokreću pobunu protiv ljudi. Njihova će osveta biti nemilosrdna… Kornél Mundruczó je rođen u Mađarskoj 1975. godine. S prvim igranim filmom SZÉP NAPOK 2002. godine je osvojio Srebrenog leoparda na Filmskom festivalu u Locarnu. Njegov drugi igrani film JOHANNA – filmska opera o Ivani Orleanskoj – je 2005. godine prikazan u programu Un Certain Regard Filmskog festivala u Cannesu. Film DELTA je uvršten u takmičarski program Filmskog festivala u Cannesu 2008. godine i nagrađen je nagradom FIPRESCI. Njegov projekat SZELÍD TEREMTÉS - A FRANKENSTEIN-TERV je također uvršten u takmičarsku selekciju Filmskog festivala u Cannesu 2010. godine. Film BIJELI BOG osvojio je glavnu nagradu u programu Un Certain Regard Filmskog festivala u Cannesu. E Favouring pedigree dogs, the new regulation puts a severe tax on mixed breeds. Owners begin to dump their mongrels and shelters quickly become overcrowded. 13-year-old Lili fights desperately to protect her pet Hagen. She cannot accept her father’s arguments either, and she is devastated when he eventually sets Hagen free on the streets. Still innocently believing that love can win over any difficulty, Lili sets out to find her dog and save him. Hagen, too, searches desperately to return home to Lili. Struggling to survive, Hagen soon realizes that not everyone is a dog’s best friend. Wandering the streets, the former home pet falls into a series of dangerous situations. He must flee dogcatchers; he is exploited by a crafty beggar, and he even becomes the prisoner of a dog fight trainer. Hagen is soon back on the street and joins a pack of stray dogs… Weeks later, Lili begins to accept the fact that she may never be reunited with Hagen. When Hagen is captured and sent to the pound, his future seems more dismal than ever. He and the other dogs will seize an opportunity to escape and revolt against mankind. Their revenge will be merciless… Kornél Mundruczó was born in Hungary in 1975. PLEASANT DAYS, his first feature film, was awarded the Silver Leopard in Locarno in 2002. His second feature film, JOHANNA – a filmic opera adaptation of the story of Joan of Arc – was presented in Cannes Un Certain Regard in 2005. DELTA was In Competition at Cannes 2008 and was awarded the FIPRESCI prize. In 2010, TENDER SON – THE FRANKENSTEIN PROJECT was also presented at the Cannes Competition. WHITE GOD won the main award in the Cannes international film festival’s Un Certain Regard section.

OUT OF COMPETITION GALA SCREENING Hungary, Germany, Sweden, 2014, Colour, 119 min., English, Hungarian Režija / Director: Kornel Mundruczó Scenarij / Screenplay: Kata Wéber, Kornel Mundruczó, Viktória Petrányi Montaža / Editor: Dávid Jancsó Muzika / Music: Asher Goldschmidt Zvuk / Sound: Thomas Huhn, Gábor Balázs Scenografija / Production Design: Márton Ágh Kostimografija / Costume Design: Sabine Greunig Producent / Producer: Viktória Petrányi Koproducenti / Co-producers: Karl Baumgartner, Michael Weber, Viola Fügen, Fredrik Zander, Gábor Kovács, Jessika Ask Produkcija / Production: Proton Cinema, PolaPandora, Filmpartners, Chimney Uloge / Cast: Zsófia Psotta, Luke and Body, Sándor Zsótér, Szabolcs Thuróczy, Lili Monori, Lászlo Gálffi, Lili Horváth Kontakt / Contact: The Matchfactory, Balthasarstr.79-81, 50670 Cologne, Germany, Tel: +49 30 443190520, www.the-match-factory.com, sergi.steegmann@matchfactory.de Filmografija / Filmography 2014 - FEHÉR ISTEN / WHITE GOD 2010 - SZELÍD TEREMTÉS - A FRANKENSTEIN-TERV / TENDER SON – THE FRANKENSTEIN PROJECT 2008 - DELTA 2005 - JOHANNA 2005 - LOST AND FOUND – SHORT LASTING SILENCE (kratki / short) 2003 - KIS APOKRIF N°2 / LITTLE APOCRYPHA NO. 2 (kratki / short) 2003 - A 78-AS SZENT JOHANNÁJA / JOAN OF ARC ON THE NIGHT BUS (kratki / short) 2003 - KIS APOKRIF N°1 / LITTLE APOCRYPHA NO. 1 (kratki / short) 2002 - SZÉP NAPOK / PLEASANT DAYS 2001 - AFTA / DAY AFTER DAY (kratki / short) 2000 - NINCSEN NEKEM VÁGYAM SEMMI / THIS I WISH AND NOTHING MORE

COMPETITION PROGRAMME - FEATURE FILM l 20. Sarajevo Film Festival 35

Mladen Đorđević Film

Jednaki / Equals Kroz lične priče dječaka i djevojčica koji su rođeni, odrastaju i sazrijevaju u teškim društvenim okolnostima, omnibus JEDNAKI govori o pravima djece i problemima s kojima se suočavaju najmlađi članovi našeg društva. Svaka se priča bavi specifičnom temom i ima vlastitog heroja. E Through individual stories of boys and girls being born, growing up and maturing in harsh living and social circumstances, the omnibus EQUALS tells the story of children’s rights and the problems that the youngest members of our society have to face. Each story tackles an individual topic and has its own hero.

Filmografija / Filmography Miloš Petričić 1994 - AMNEZIJA (kratki / short) 2003 - SKORO SASVIM OBIČNA PRIČA 2010 - TOTALNO NOVI TALAS (TV serija / TV series) Mladen Đorđević 2002 - GLAD 2005 - MADE IN SERBIA (dokumentarni / documentary) 2009 - ŽIVOT I SMRT PORNO BANDE Dejan Karaklajić 1972 - SIN (TV film) 1973 - FANTASTIČNI NEZNANAC (TV film) 1975 - SVEDOCI OPTUŽBE (TV film)

1976 - KOGA ČEKAŠ KUME (TV film) 1977 - LJUBAVNI ŽIVOT BUDIMIRA TRAJKOVIĆA 1981 - EROGENA ZONA Ivica Vidanović 2011 - DRUGA STRANA SRBIJE (dokumentarna serija / doc. series) 2012 - O OSETLJIVOSTI (dokumentarni / documentary) 2013 - BILI SMO PRVACI SVETA (dokumentarni / documentary) Igor Stoimenov 2003 - CRNI GRUJA (TV serija / TV series) 2006 - FUDBAL, NOGOMET I JOŠ PONEŠTO (dokumentarna TV serija / doc. TV series) 2007 - NE SKREĆI SA STAZE (TV film)

36 20. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

OUT OF COMPETITION

SVJETSKA PREMIJERA / WORLD PREMIERE Serbia, 2014, Colour, 104 min., Serbian, Roma Režija / Director: Miloš Petričić (SOFIJA), Mladen Đorđević (SAŠA), Dejan Karaklajić (KATARINA), Ivica Vidanović (OSMAN I KRISTINA), Igor Stoimenov (MILAN), Darko Lungulov (ANĐELA) Scenarij / Screenplay: Milica Piletić Producent / Producer: Igor Stoimenov, Ivica Vidanović Produkcija / Production: Absinthe Production & Cinnamon Production Kontakt / Contact: Igor Stoimenov, Absinthe Production, Baba Višnjina 27, 11000 Beograd, Serbia, igor.stoimenov@absintheproduction.com, ivica.vidanovic@cinnamonproduction.com

2008 - PARTIZANSKI FILM (dokumentarni / documentary) 2009 - ROBNA KUĆA (TV serija / TV series) 2010 - NOVO VREME (dokumentarni / documentary) 2011 - BIJELO DUGME (dokumentarni / documentary) Darko Lungulov 2004 - ESCAPE (dokumentarni / documentary) 2009 - TAMO I OVDE 2014 - SPOMENIK MAJKLU DŽEKSONU

Aida Begić Film

Mostovi Sarajeva / Les Ponts de Sarajevo / Bridges of Sarajevo Trinaest evropskih reditelja propituju šta je Sarajevo predstavljalo za Evropu u stogodišnjoj historiji i šta predstavlja danas. Različitih generacija i porijekla, eminentni filmski stvaraoci nude nam mnoštvo individualnih pogleda i stilova. E Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

Promocija i cirkulacija filma MOSTOVI SARAJEVA u BIH omogućena je projektom “Movies on the Move” Francuskog instituta pod pokroviteljstvom Fondacije Sarajevo Srce Evrope i Evropske Unije. / Promotion and circulation of the film BRIDGES OF SARAJEVO in B&H is made possible by the French Institute’s project “Movies on the Move” supported by the Foundation Sarajevo, Heart of Europe and the European Union.

Filmografija / Filmography Aida Begić: 2014 - BRIDGES OF SARAJEVO/LES PONTS DE SARAJEVO; 2012 - DJECA/CHILDREN OF SARAJEVO; 2010 - OTEL (O); 2008 - SNIJEG/SNOW; 2003 - SJEVER JE POLUDIO/NORTH WENT MAD; 2001 - PRVO SMRTNO ISKUSTVO/FIRST DEATH EXPERIENCE Leonardo di Constanzo: 2014 - BRIDGES OF SARAJEVO/ LES PONTS DE SARAJEVO; 2012 - L’INTERVALLO/THE INTERVAL; 2011 - CADENZA D’INGANNO; 2006 - ODESSA; 2003 - UN CAS D’ÉCOLE/AT SCHOOL Jean-Luc Godard (Izbor/Selected): 2014 - BRIDGES OF SARAJEVO/LES PONTS DE SARAJEVO; ADIEU AU LANGAGE/GOODBYE TO LANGUAGE; 2010 - FILM SOCIALISME; 2004 - NOTRE MUSIQUE/OUR MUSIC; 2001 - ÉLOGE DE L’AMOUR/IN PRAISE OF LOVE; 1996 - FOREVER MOZART; 1990 - NOUVELLE VAGUE/NEW WAVE; 1965 - ALPHAVILLE; 1964 - BANDE À PART/BAND OF OUTSIDERS; 1963 - LE MÉPRIS/CONTEMPT; 1962 VIVRE SA VIE; 1960 - À BOUT DE SOUFFLÉ/BREATHLESS Kamen Kalev: 2014 - BRIDGES OF SARAJEVO/LES PONTS DE SARAJEVO; 2010 - THE ISLAND; 2009 - IZTOCHNI PIESI/EASTERN PLAYS; 2007 - RABBIT TROUBLES;

2005 - GET THE RABBIT BACK; 2003 - ORPHÉE Isild Le Besco: 2014 - BRIDGES OF SARAJEVO/LES PONTS DE SARAJEVO; 2010 - BAS FONDS; 2007 - ENFANCES; 2006 - CHARLY; 2005 - LE MARAIS; 2003 - DEMI-TARIF/ HALF-PRICE Sergey Loznitsa (Izbor/Selected): 2014 - BRIDGES OF SARAJEVO/LES PONTS DE SARAJEVO; MAIDAN; 2013 - PISMO/THE LETTER; 2012 - O MILAGRE DE SANTO ANTONIO/THE MIRACLE OF SAINT ANTHONY; V TUMANE/ IN THE FOG; 2010 - SCHASTE MOE/MY JOY Vincenzo Marra: 2014 - BRIDGES OF SARAJEVO/LES PONTS DE SARAJEVO; 2013 - L’AMMINISTRATORE; 2012 - IL GEMELLO; 2007 - L’ORA DI PUNTA/THE TRIAL BEGINS; 2006 - L’UDIENZA È APERTA; 2005 - 58%; 2004 - VENTO DI TERRA; 2003 - PAESAGGIO A SUD; 2001 ESTRANEI ALLA MASSA; TORNANDO A CASA/SAILING HOME; 1998 - LA VESTIZIONE Ursula Meier: 2014 - BRIDGES OF SARAJEVO/LES PONTS DE SARAJEVO; 2012 - L’ENFANT D’EN HAUT/SISTER; 2008 - HOME; 2004 - DES HEURES SANS SOMMEIL/ SLEEPLESS; AUTOUR DE PIGNET; 2001 - TOUS À TABLE/ TABLE MANNERS Vladimir Perišić: 2014 - BRIDGES OF SARAJEVO/LES

OUT OF COMPETITION GALA SCREENING France, Bosnia and Herzegovina, Switzerland, Italy, Portugal, Bulgaria, 2014, Colour, 114 min., Bosnian, Catalan, French, German, Italian, Russian Režija / Director: Aida Begić, Leonardo di Costanzo, Jean-Luc Godard, Kamen Kalev, Isild Le Besco, Sergey Loznitsa, Vincenzo Marra, Ursula Meier, Vladimir Perišić, Cristi Puiu, Marc Recha, Angela Schanelec, Teresa Villaverde Umjetnički direktor / Artistic director: Jean-Michel Frodon Animacija / Animated Sequences: François Schuiten, Luis da Matta Almeida Producent / Producer: Mirsad Purivatra, Fabienne Servan-Schreiber, Jovan Marjanović Produkcija / Production: Cinétévé, Obala Art Centar Kontakt / Contact: Indie Sales, www.indiesales.eu, info@indiesales.eu PONTS DE SARAJEVO; 2009 - ORDINARY PEOPLE; 2003 - DREMANO OKO Cristi Puiu: 2014 - BRIDGES OF SARAJEVO/LES PONTS DE SARAJEVO; 2011 - TROIS EXERCISES D’INTERPRETATION/ THREE EXERCISES OF INTERPRETATION; 2010 - AURORA; 2008 - SEVEN SKETCHES; 2005 - THE DEATH OF MR. LAZARESCU; 2004 - COFFEE AND CIGARETTES; 2001 STUFF AND DOUGH; 1995 - BEFORE BREAKFAST Marc Recha (Izbor/Selected): 2014 - BRIDGES OF SARAJEVO/LES PONTS DE SARAJEVO; 2009 - PETIT INDI (C’EST ICI QUE JE VIS)/LITTLE INDI; 2006 - DIES D’AGOST; 2002 - LES MAINS VIDES/WHERE IS MADAME CATHERINE?; 2001 - PAU I EL SEU GERMA/PAU AND HIS BROTHER Angela Schanelec: 2014 - BRIDGES OF SARAJEVO/LES PONTS DE SARAJEVO; 2010 - ORLY; 2007 - NACHMITTAG/AFTERNOON; 2004 - MARSEILLE; 2001 - MEIN LANGSAMES LEBEN/PASSING SUMMER; 1998 - PLÄTZE IN STÄDTEN Teresa Villaverde: 2014 - BRIDGES OF SARAJEVO/ LES PONTS DE SARAJEVO; 2013 - VENICE 70: FUTURE RELOADED; 2011 - CISNE; 2006 - TRANSE/TRANCE; 2004 - A FAVOR DA CLARIDADE/IN FAVOUR OF LIGHT; 2001 - AGUA E SAL/WATER AND SALT

COMPETITION PROGRAMME - FEATURE FILM l 20. Sarajevo Film Festival 37

Elie Lamah Film

A Quintet / Kvintet KVINTET je omnibus sačinjen od kratkih igranih filmova pet perspektivnih reditelja iz različitih zemalja koji tragaju za vlastitim identitetom u modernom svijetu. Pet sastavnih priča odigrava se u pet različitih dijelova svijeta – u Njemačkoj, Sjedinjenim Američkim Državama, Italiji, Turskoj i u Bosni i Hercegovini – ali ih je svih pet, manje ili više, vezano za multikulturni Berlin, grad u kojem su se autori filma prvi put sreli. E A quintet is an omnibus feature told from the perspective of five international up and coming filmmakers who are searching to find identity in the modern world. The five segments take place in different regions of the world - Germany, the United States, Italy, Turkey and Bosnia and Herzegovina - yet they are all, in a smaller or a bigger way, connected to the multicultural center of Berlin - the city where all the filmmakers met each other for the first time.

Filmografija / Filmography Sanela Salketić 2014 - THE HOUSE IN THE ENVELOPE (kratki / short) 2013 - 2CM MORE (kratki / short) 2010 - SWEET SIXTEEN (kratki / short) 2009 - DIJASPORA (kratki / short) 2008 - EXIT BAGS (kratki / short) 2008 - THANKS FOR GIVING (kratki dokumentarni / doc. short)

Ariel Shaban 2014 - THE TOURIST (kratki / short) 2014 - NOT A TIME FOR GUITARS (kratki / short) 2011 - WEDDING TAPE (kratki / short) Roberto Cuzzillo 2014 - POLAROID (kratki / short) 2011 - CAMMINANDO VERSO 2008 - NO END Elie Lamah 2014 - FRIEND REQUEST

38 20. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

OUT OF COMPETITION

SVJETSKA PREMIJERA / WORLD PREMIERE Germany, USA, Bosnia & Herzegovina, 2014, Colour, 74 min., English, German, Hebrew, Arabic, Italian, Bosnian, Turkish Režija / Director: Sanela Salketić, Ariel Shaban, Roberto Cuzzillo, Elie Lamah, Mauro Mueller Producent / Producer: Jelena Stupljanin, Demet Guel, Mauro Mueller / Breaking Walls Productions Kontakt / Contact: Jelena Stupljanin, enalej011@yahoo.com

2012 - WHERE? (kratki / short) 2010 - PARA LA ETERNIDAD (kratki / short) Mauro Mueller 2014 - FINGERPLAY (kratki / short) 2014 - COPENHAGEN 2012 - A WORLD FOR RAÚL (kratki / short) 2011 - SANTIAGO DEL OTRO LADO (kratki / short) 2010 - LEE. (kratki / short) 2010 - GE.HEN’NAH (kratki / short)

Maratonci trče počasni krug / The Marathon Family Obitelj Topalović ima pet generacija muškaraca koji se bave prodajom pogrebne opreme i grobarskim poslom. Posao je započeo stari Pantelija, a nastavili su pradjed Maksimilijan, djed Aksentije, otac Milutin i sin Laki, dok najmlađi Topalović, unuk Mirko ne želi nastaviti obiteljski posao. Pantelija umire i obitelj se svađa oko njegove ostavštine. Slobodan Šijan, rođen 1946. godine u Beogradu, je slikar, filmski reditelj, scenarista i filmski kritičar. Kao reditelj, bavio se eksperimentalnim filmom, radio je televizijske emisije i filmove, da bi se početkom 80-tih uključio i u profesionalnu kinematografiju. Godine 1996, u anketi Akademije za filmsku umjetnost i nauku u Srbiji, njegov film KO TO TAMO PEVA proglašen je za najbolji jugoslovenski film snimljen tokom posljednjih 50 godina. E The Topalovićs are a five-generation family of morticians. The family’s undertaker business had been set up by Pantelija, taken over by his son Maksimilian, then his grandson Aksentije, grandgrandson Milutin and finally Milutin’s son Laki. However, Laki’s son Mirko - the youngest Topalović - wants to break away from the family profession. Pantelija dies and the family starts bickering over inheritance.

Slobodan Šijan was born in Belgrade in 1946. He is a painter, film director, scriptwriter and film critic. He also directed experimental films, as well as television shows and films. In the early 1980s he became a professional filmmaker. In 1996, his film WHO’S SINGING OVER THERE was voted best Yugoslav film of the past 50 years in a survey conducted by the Serbian Academy of Film and Sciences.

GALA - in memoriam Bora Todorović Yugoslavia, 1982, Colour, 92 min., Serbian Režija / Director: Slobodan Šijan Scenarij / Screenplay: Dušan Kovačević Producent / Producer: Milan Žmukić Uloge / Cast: Bora Todorović, Danilo Stojković, Zoran Radmilović, Bogdan Diklić, Mija Aleksić, Jelisaveta Sablić, Pavle Vujisić, Milivoje Mića Tomić, Melita Bihali, Radisav Lazarević Kontakt / Contact: Centar Film, Beogradska 71, 11000 Beograd, Serbia, Tel: +381 11 3231 606, www.centarfilm.com, centfilm@eunet.rs Filmografija / Filmography Izbor / Selected 1980 - KO TO TAMO PEVA; 1982 - MARATONCI TRČE POČASNI KRUG; 1983 - KAKO SAM SISTEMATSKI UNIŠTEN OD IDIOTA; 1984 - DAVITELJ PROTIV DAVITELJA; 1988 - TAJNA MANASTIRSKE RAKIJE; 2003 - SIROTI MALI HRČKI 2010; 2007 - S.O.S - SPASITE NAŠE DUŠE

in memoriam Bora Todorović 1929 - 2014.

Bora Todorović rođen je 1929. godine u Beogradu. Prvi glumački angažman dobija u Beogradskom dramskom pozorištu (1953-1957), potom prelazi u Hrvatsko narodno kazalište u Zagreb (1957-1961), nakon čega se vraća u Beograd i postaje član ansambla avangardnog teatra Atelje 212 (1961-1983). Značajnije pozorišne uloge ostvario je u predstavama Ateljea 212 kao i više od 60 uloga. Na filmu je debitovao 1956. godine, ostavio traga u djelima „crnog talasa“ (filmovi ROJ i DELIJE), te zablistao u kontinuitetu sa pojavom „praške škole“ kod Gorana Markovića, Gorana Paskaljevića i Emira Kusturice. Laureat je više od 20 nagrada za svoje pozorišne, filmske i TV uloge. Nakon kraće bolesti, preminuo je u Beogradu 7. jula 2014. godine. Bora Todorović was born in Belgrade in 1929. His first roles as an actor were with the Belgrade Drama Theatre (1953-1957), before moving to the Croatian National Theatre (1957-1961). Afterwards, he returned to Belgrade and became a member of the famous ensemble at the established avant-garde theatre Atelje 212 (1961-1983). He played significant stage roles in Atelje 212 productions, including overall more than 60 roles on the theatre stage. After his film debut in 1956, he left his mark on the Yugoslav Black Wave (in the films ROJ / SWARM and DELIJE / THE TOUGH ONES) and continued to amaze with the advent of the “Prague School” in films by Goran Marković, Goran Paskaljević and Emir Kusturica. He received over 20 awards for his theatre, film and TV performances. After a short illness, Bora Todorović passed away in Belgrade, on 7 July 2014. Filmografija / Filmography: 1956 - U MREŽI; 1957 - MALI ČOVEK; 1965 - GORKI DEO REKE; 1966 - ROJ; 1967 - KORACI KROZ MAGLU; 1968 - DELIJE; 1976 - ČUVAR PLAŽE U ZIMSKOM PERIODU; 1978 - STIĆI PRE SVITANJA; 1979 - NACIONALNA KLASA; 1980 - POSEBAN TRETMAN; AVANTURE BORIVOJA ŠURDILOVIĆA; KO TO TAMO PEVA; 1981 - EROGENA ZONA; MONTENEGRO; 1982 - MARATONCI TRČE POČASNI KRUG; SUTON; 1983 - BALKAN EKSPRES; 1984 - BALKANSKI ŠPIJUN; O POKOJNIKU SVE NAJLEPŠE; 1985 - TAJVANSKA KANASTA; ADA; 1987 - UVEK SPREMNE ŽENE; 1988 - DOM ZA VEŠANJE; 1989 - BALKAN EKSPRES; 1991 - MALA; 1998 - RASKRŠĆE; 2000 - UNDERGROUND; 2001 - SLADKE SANJE; 2003 - PROFESIONALAC; 2009 - SVETI GEORGIJE UBIVA AŽDAHU COMPETITION PROGRAMME - FEATURE FILM l 20. Sarajevo Film Festival 39

Takmičarski program - kratki film / Competition Programme - Short Film

A Kivégzés / Pogubljenje / The Execution, Petra Szőcs

Kokoška / The Chicken, Una Gunjak

Manjača, Tin Žanić

Olovno sarce / Olovno srce / Heart of Lead, Slava Doytcheva

Provincia / Provincija, György Mór Kárpáti

Sonuncu / Posljednji / The Last One, Sergey Pikalov

To Nanourisma Tis Petaloudas / Uspavanka jednog leptira /

Lullaby of The Butterfly, Tonia Mishiali

Ukhilavi Sivrtseebi / Nevidljivi prostori / Invisible Spaces, Dea Kulumbegashvili

Višak vjetra / A Surplus of Wind, Dane Komljen

Zakloni / Shelters, Ivan Salatić

Deset priča o slobodi / Ten Stories about Freedom Ovogodišnja selekcija Takmičarskog programa – kratki film predstavlja deset filmskih ostvarenja mladih i hrabrih autora koji propituju granice filmskog jezika i stvaraju snažne interpretacije svijeta oko nas. Selekcija se estetski može podijeliti na dva dijela: na dio koji okuplja filmove koji se više oslanjaju na linearnu naraciju, i na dio u kojem su odabrani filmovi sa slobodnijom narativnom formom i eksperimentalnijim pristupom prema filmu općenito. U prvu skupinu spadaju filmovi koji se više oslanjaju na realnost komentirajući društvo i sam svijet. Iz Hrvatske dolazi film bosanskohercegovačke autorice Une Gunjak, KOKOŠKA, koji prikazuje rođendan jedne djevojčice u opkoljenom Sarajevu. UKHILAVI SVIRTSEEBI / NEVIDLJIVI PROSTORI, rediteljice Dee Kulumbegashvili, tematizira religiju kroz patrijarhalni način života u jednoj porodici, sa ženom u glavnoj ulozi i kroz njenu tačku gledišta. A KIVÉGZÉS / POGUBLJENJE, rediteljice Petre Szőcs, mađarskorumunjski je film o nasilju i načinu na koji djeca tumače i interpretiraju nasilje kojem su konstantno izloženi u savremenom društvu. PROVINCIA / PROVINCIJA, Györgya Móra Kárpátia iz Mađarske, donosi priču o dostavljaču Ottu čiji se kamionet pokvari te se nađe na arheološkoj iskopini gdje provodi dan, ali nauči nešto o životu. Iz Crne Gore dolazi film ZAKLONI Ivana Salatića koji govori o kraju jednog ljeta u atmosferičnom crnogorskom mjestu, a ujedno i o kraju djetinjstva glavnog junaka koji prvi put otkriva ljubav.

E This year’s selection of the Competition Programme – Short Films presents ten films by young and courageous authors who examine the of borders film language and create powerful interpretations of the world around us. Aesthetically, the selection may be divided into two parts: films that rely more on a linear narrative and those of a more liberal narrative form and a more experimental approach to film in general.

The first group includes films that lean towards reality and comment the society and the world itself. From Croatia we have a film by the BiH author Una Gunjak, KOKOŠKA / CHICKEN, about a birthday of a little girl in wartime Sarajevo. UKHILAVI SVIRTSEEBI / INVISIBLE SPACES by Dea Kulumbegashvili reflects on religion through the patriarchal lifestyle of a family, focusing on a woman and her point of view. A KIVÉGZÉS / EXECUTION by Petra Szőcs is a Hungarian-Romanian film about violence and how children see and interpret the violence to which they are constantly exposed to in contemporary society. PROVINCIA by György Mór Kárpáti from Hungary, brings a story about Otto, a delivery man, whose truck breaks down and leaves him stranded at an archaeological excavation site, where he spends the day and learns about life. From Montenegro we have ZAKLONI / SHELTERS by Ivan Slatić, about the end of a summer in an atmospheric Montenegrin town. The film focuses on the main hero’s end of childhood as he discovers love for the first time.

Druga skupina filmova nudi slobodnije i subjektivnije interpretacije svijeta ne referirajući se potpuno na objektivnu stvarnost. Iz Bosne i Hercegovine bit će predstavljen film VIŠAK VJETRA Daneta Komljena, film u kojem dva brata blizanca žive u različitim krajevima Evrope (jedan na zapadu, a drugi na istoku) i koji govori o samoći i otuđenosti, ali i o sitnicama koje zapravo čine smisao života. OLOVNO SARCE / OLOVNO SRCE bugarske rediteljice Slave Doytcheve bavi se iracionalnim strahom od kojeg pati glavna junakinja, i njenom borbom da ga savlada. TO NANOURISMA TIS PETALOUDAS / USPAVANKA JEDNOG LEPTIRA kiparske rediteljice Tonie Mishaili u isprekidanom narativnom toku govori o kraju ljubavi i praznini koja ostaje iza nje. MANJAČA, hrvatskog reditelja Tina Žanića, govori o savremenom shvatanju života u kojem je otupljenost glavni sastojak, dok s druge strane, govori i o prolaznosti života. SONUNCU / POSLJEDNJI, azerbejdžanskog reditelja Sergeya Pikalova, također tematizira starost kroz apstraktnu priču o posljednjem živom veteranu Drugog svjetskog rata.

The second group of films offers an interpretation of the world, though more freely and more subjectively, with no full reference to the objective reality. VIŠAK VJETRA / A SURPLUS OF WIND by Bosnian filmmakers Dane Komljen, is a film about twin brothers living on the opposite ends of Europe (one in the west and the other in the east). It is a film about solitude and alienation, and about the little things that give meaning to life. OLOVNO SARCE / THE HEART OF LEAD by the Bulgarian director Slava Doytcheva deals with irrational fears of the heroine and her struggle to overcome them. TO NANOURISMA TIS PETALOUDAS / A LULLABY OF THE BUTTERFLY by the Cypriot director Tonia Mishaili uses a disrupted narrative to speak about the end of love and the void it leaves behind. MANJAČA, by the Croatian director Tin Žanić, is about a contemporary understanding of life, where numbness is the main ingredient, and about the transience of life on the other side. SONUNCU / THE LAST ONE, by the Azerbaijani director Sergey Pikalov, also speaks about old age through and abstract story about a last living World War II veteran.

Ovogodišnja selekcija pokazuje visok nivo produkcije kratkometražnog filma u regiji, što potvrđuje i činjenica da su filmovi regije obilježili selekcije festivala poput Cannesa, Berlina i Locarna. Svi filmovi imaju važne priče, snažne junake, te pojedinačni osobeni autorski pečat.

This year’s selection shows a high level of regional short film production, confirmed by the fact that films from the region have marked festivals such as Cannes, Berlin and Locarno. All the films have important stories, powerful heroes and an authorial seal of their own. Elma Tataragić selektorica / Programmer

COMPETITION PROGRAMME - SHORT FILM l 20. Sarajevo Film Festival 43

REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, Romania, 2014, Colour, 14 min., Hungarian

A kivégzés / Pogubljenje / The Execution Dok se njihovi roditelji svađaju, troje se djece igra uprizorenja pogubljenja bračnog para Ceausescu. Ko će nastradati? Petra Szőcs je rođena u Cluju, u Rumuniji, a živi u Budimpešti. Studirala je germanistiku na Univerzitetu ELTE i scenarij na Mađarskoj akademiji za dramske umjetnosti i film u Budimpešti. Njeni su kratki filmovi prikazani na više filmskih festivala, uključujući Mađarsku sedmicu filma, Filmski festival u Trstu i Međunarodni festival filma u Transilvaniji. Film POGUBLJENJE uvršten je u takmičarski program u kategoriji kratkog filma ovogodišnjeg Filmskog festivala u Cannesu.

Režija / Director: Petra Szőcs Scenarij / Screenplay: Gergő Nagy V., Petra Szőcs Direktor fotografije / Director of Photography: Eszter Csepeli Montaža / Editor: László Dunai, Dániel Szalai Muzika / Music: Márton Szőcs Zvuk / Sound: Dániel Böhm Scenografija / Production Design: Radu Razvan Kostimografija / Costume Design: Petra Szűcs Uloge / Cast: Katalin Moldován, Zalán Ilyés, Tamás Fosztó, András Dancsuly, Liliana Derevici, Hilda Péter, Áron Dimény Producent / Producer: Iván Angelusz, Ágnes Csere Produkcija / Production: MerkelfilmKft, Katapult Film Kontakt / Contact: Angelusz Iván, Katapult Film, Frankel Leó út 23, Budapest, 1023, Hungary, angelusz@katapultfilm.hu Filmografija / Filmography: 2014 - A KIVÉGZÉS / THE EXECUTION (kratki / short) 2009 - AKI BÚJT / EVERYTHING MUST BE HIDDEN (kratki / short) 2007 - A MINDENES / THE HENCHMAN (kratki / short)

E Three children re-enact Ceausescu’s execution, while their parents have a real fight. Who will be the victim?

Petra Szőcs born in Cluj, Romania, now living in Budapest, studied German Studies at ELTE University and screenwriting at the Hungarian Academy of Drama and Film in Budapest. Her shorts have participated in Hungarian Film Week, Trieste Film Festival and Transylvanian International Film Festival. THE EXECUTION competed in the short film competition at this year’s Cannes Film Festival.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Germany, Croatia, 2014, Colour, 15 min., Bosnian

Kokoška / The Chicken Na dar za šesti rođendan Selma dobija kokoš. Nakon što shvati da će životinja biti ubijena kako bi je porodica pojela, Selma odlučuje da je spasi i oslobodi, nesvjesna opasnosti koje taj poduhvat sa sobom nosi. Dok traga za nestalom kokoškom, Selminu majku pogađa snajper. Radnja je smještena u Sarajevo, godina je 1993. Una Gunjak je rediteljica i montažerka rođena u Sarajevu, a trenutno živi u Londonu. Studirala je film na Univerzitetu u Torinu, kao i režiju pri Nacionalnoj školi za film i TV u Velikoj Britaniji, gdje je stekla i zvanje magistrice. Filmovi koje je Una montirala prikazivani su na najprestižnijim međunarodnim festivalima, uključujući Cinéfondation u Cannesu, HotDocs i TIFF. Unin kratki film KOKOŠKA je nagrađen filmskom nagradom Robert Bosch i uvršten je u program Critic’s Week Filmskog festivala u Cannesu 2014. godine. E As a present for her 6th birthday, Selma gets a live chicken. When she realises the animal is going to be killed to feed the family, she decides to save it and set it free, unaware of the high stakes such action will lead to. While trying to bring back the missing chicken, Selma’s mum becomes the target of a sniper shoot. It’s Sarajevo, year running 1993.

Una Gunjak is a Sarajevo born, London based director and editor. She studied film at the University of Torino and editing at the National Film and TV School in UK, where she graduted with an MA. Una’s editing work was screened at the world’s most prestigious festival screens, from Cannes Cinefondation, to HotDocs and TIFF. Una’s short film THE CHICKEN, winner of the Robert Bosch Film Prize, was selected for the Critic’s Week at the Cannes Film Festival 2014. 44 20. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - KRATKI FILM

Režija / Director: Una Gunjak Scenarij / Screenplay: Una Gunjak Direktor fotografije / Director of Photography: Matthias Pilz Montaža / Editor: Anja Siemens Muzika / Music: Bernd Schurer Zvuk / Sound: Sebastian Morsch Raoul Brand Scenografija / Production Design: Ivana Škrabalo Kostimografija / Costume Design: Ivana Škrabalo Producent / Producer: Jelena Goldbach Koproducent / Co-producer: Siniša Juričić Produkcija / Production: Zak Film Productions Uloge / Cast: Iman Alibalić, Esma Alić, Mirela Lambić, Mario Knezović Kontakt / Contact: Distribution Salaud Morisset, François Morisset Tel. +49 152 2519 2336, Tel. +33 (0)6 60 42 32 32, festival@salaudmorisset.com Filmografija / Filmography 2014 - KOKOŠKA / THE CHICKEN (kratki / short)

SVJETSKA PREMIJERA / WORLD PREMIERE Croatia, 2014, Colour, 23 min., Croatian Režija / Director: Tin Žanić Scenarij / Screenplay: Tin Žanić Direktor fotografije / Director of Photography: Jana Plećaš Montaža / Editor: Jan Klemsche Zvuk / Sound: Martin Semenčić Producent / Producer: Tena Gojić Produkcija / Production: Kinoklub Zagreb Uloge / Cast: Matija Ferlin, Vjenceslav Kapural, Roberta Milevoj Kontakt / Contact: Kinoklub Zagreb, Tena Gojić, Trg Žrtava Fašizma, 10 000 Zagreb, Croatia, tena.gojic@gmail.com, www.kkz.com

Manjača MANJAČA je film o mladiću koji po prvi put odlučuje uzeti život u svoje ruke. Pokušavajući da se distancira od svoga ranijeg života, pravi odlučujući korak i seli se kod dede. Tin Žanić je rođen 1985. u Zagrebu. Od 2005. je aktivni član Kinokluba Zagreb kao scenarista, redatelj i producent. Učestvovao je u radu Sarajevo Talent Campusa 2009. godine, a godinu dana kasnije je diplomirao produkciju na Akademiji dramskih umjetnosti u Zagrebu. Njegov kratki film KOMBA je nagrađen na Zagreb film festivalu i uvršten u takmičarsku selekciju Međunarodnog filmskog festivala u Tampereu.

Filmografija / Filmography 2014 - MANJAČA (kratki / short) 2010 - KOMBA (kratki / short) 2008 - JUSUF (kratki / short) 2006 - MASCHINER LAND (kratki / short)

E MANJAČA is a film about a young man who decides to take life in his own hands for the first time. Trying to distance himself from his old life, he takes the plunge and moves in with his grandfather.

Tin Žanić was born in 1985 in Zagreb, Croatia. Since 2005 he has been actively involved in Kinoklub Zagreb as scriptwriter, director and producer. In 2009 he participated at the Sarajevo Talent Campus. In 2010 he graduated from the Production Department of the Academy of Dramatic Arts in Zagreb. His first short film KOMBA was awarded at the Zagreb Film Festival, and also selected for the Tampere IFF official competition.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Bulgaria, United Kingdom, 2014, Colour, 21 min., Bulgarian, English, Turkish, Italian

Olovno sarce / Olovno srce / Heart of Lead Prastari turski ritual, oronuli bugarski noćni voz, opustjeli italijanski grad i prostranu plažu na obali okeana u Britaniji ujedinjuju jedna mlada žena i njeni paralizirajući strahovi. Slava Doytcheva je filmsku umjetnost otkrila gotovo slučajno kada je sa šesnaest godina dobila ulogu Rashe u bugarskom igranom filmu CHRISTMAS TREE UPSIDE DOWN. Za svoju narednu ulogu, u filmu CRAYFISH, Bugarska filmska akademija proglašava je najboljom sporednom glumicom upravo u vrijeme kada je s počastima diplomirala ekonomiju na Univerzitetu Bocconi u Milanu. Nakon toga je magistrirala film na Londonskoj školi filma gdje je u toku obrazovanja napisala i režirala četiri kratka filma. Slavine se priče bave kompleksnim odnosima između roditelja i djece, životom imigranata u domovini i inostranstvu, te odlukama koje se kriju u pozadini svakog propusta da se djeluje.

Režija / Director: Slava Doytcheva Scenarij / Screenplay: Slava Doytcheva Direktor fotografije / Director of Photography: Gueo Ivanov Montaža / Editor: Slava Doytcheva Muzika / Music: Valeria Popova Zvuk / Sound: Valeria Popova Scenografija / Production Design: Elena Stoyanova Kostimografija / Costume Design: Elena Stoyanova Producent / Producer: Slava Doytcheva Produkcija / Production: London Film School, Bravebird Films Uloge / Cast: Anjela Nedyalkova Kontakt / Contact: Bravebird Films, Slava Doytcheva, Mour 19, Manastirski Livadi, Sofia, 1680, Bulgaria, slava.doytcheva@gmail.com, www.slavadoytcheva.com Filmografija / Filmography 2014 - HEART OF LEAD (kratki / short) 2012 - HAPPY BIRTHDAY MOM (kratki / short) 2011 - DANNY’S DEATH (kratki / short) 2011 - WHITENESS (kratki / short)

E An ancient Turkish ritual, a battered Bulgarian night train, a desolated Italian town and a vast beach by the ocean in Britain are all united by one young woman and her crippling fears.

Slava Doytcheva discovered filmmaking at 16 almost by accident – playing Rasha in the Bulgarian feature CHRISTMAS TREE UPSIDE DOWN. Her next part in CRAYFISH brought her the Best Supporting Actress Award by the Bulgarian Film Academy just as she was graduating cum laude in Economics at Universita Bocconi, Milan.She went on to complete an MA in Filmmaking at the London Film School, where she wrote and directed four shorts. Slava’s stories deal with the complexity of parent-child relationships, migrant life at home and away, and the decisions that lie behind any inaction. COMPETITION PROGRAMME - SHORT FILM l 20. Sarajevo Film Festival 45

REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, 2014, Colour, 21 min., Hungarian

Provincia / Provincija Otto radi kao dostavljač za prodavnicu hrane u Budimpešti. Kada mu se prilikom jedne dostave kombi pokvari na seoskom putu, Otto se zatiče na arheološkom nalazištu i tu provodi jedan dan. György Mór Kárpáti (1984) je filmski reditelj i scenarista nastanjen u Budimpešti. Na filmu je počeo raditi još u srednjoškolskim danima, a u dvadesetim godinama života počeo je objavljivati kratke priče u literarnim časopisima. U periodu od 2006. do 2011. je pohađao studij na Odsjeku za režiju Univerziteta za pozorišnu i filmsku umjetnost. Kratki film ERDŐ / ŠUMA, koji je snimio na četvrtoj godini studija, je uvršten u takmičarski program Filmskog festivala u Berlinu 2011, a nakon toga je prikazan i na više drugih međunarodnih filmskih festivala. Učestvovao je u nekoliko međunarodnih filmskih radionica (Sarajevo Talent Campus 2011, Berlinale Talent Campus 2012, Locarno Summer Academy 2012). E Otto works as a conveyor for a food store in Budapest. When his van breaks down during a countryside delivery, he finds himself on an arheological excavation site. Otto spends one day on the excavation.

Režija / Director: György Mór Kárpáti Scenarij / Screenplay: György Mór Kárpáti Direktor fotografije / Director of Photography: Dávid Hartung Montaža / Editor: Péter Gábor Duszka Muzika / Music: Ensemble de Organographia, Balint Szabo, Marci Kristof Zvuk / Sound: Máté Péterffy Scenografija / Production Design: Judit Wunder Kostimografija / Costume Design: Juli Szlávik Producent / Producer: Miklós Bosnyák, Nándor Lovas Produkcija / Production: Mirage Film Sudio Uloge / Cast: Akos Orosz, Hermina Fatyol Kontakt / Contact: Mirage Film Studio, Nandor Lovas, nandor@miragefilm.hu, Tel: +36 20 389 1528, www.miragefilm.hu Filmografija / Filmography 2014 - PROVINCIA (kratki / short) 2013 - PARK (kratki / short) 2011 - NAGYVÁROSI RÉGÉSZET / METROPOLITAN ARCHEAEOLOGY (kratki / short) 2011 - ERDO / FOREST (kratki / short) 2009 - ÉJFÉL / MIDNIGHT (kratki / short)

György Mór Kárpáti (1984) is a Budapest-based film director and writer. He started to work in film productions during his high school age. In his early 20s his short stories has been published in literary periodicals. Between 2006 and 2011 he studied at the Directors’ Department of the University of Theatre and Film Arts. ERDŐ / FOREST, his fourth year film competed at the Berlinale Shorts in 2011, and since been featured at a number of international festivals. He has been selected for several international workshops (Sarajevo Talent Campus 2011, Berlinale Talent Campus 2012, Locarno Summer Academy 2012). REGIONALNA PREMIJERA / REGIONAL PREMIERE Azerbaijan, 2013, Colour, 15 min., Azerbaijani, English

Sonuncu / Posljednji / The Last One POSLJEDNJI je kratki film o posljednjem veteranu Drugog svjetskog rata. O starcu koji je nadživio svoje prijatelje, svoju suprugu, svoju djecu… ali nije bio usamljen. Svake je večeri lijegao u krevet očekujući da umre. Svakoga jutra, kada bi se probudio, odgegao bi do frižidera. Frižider nije bio pretjerano dobar drug – brundao bi i tresao se, a onda bi zastao u pola riječi. Starca je to itekako nerviralo – no, to mu je bila sva porodica. Taj dan počeo je kao i svaki drugi. Starac se probudio, još uvijek živ, i uputio se ka terasi. Ali ovaj put frižider je bio mrtav. Sergey Pikalov je rođen u Yaroslavlu 1976. gdje je i diplomirao na Državnom teatarskom institutu. Poznat je kao reditelj TV serija i sitcoma. SONUNCU / POSLJEDNJI je njegov prvi film. Sergeja je za film inspirirao njegov djed, veteran Drugog svjetskog rata. E THE LAST ONE is a short film about the last living World War II veteran. The old man had outlived everyone. His friends, his wife, his children… But he wasn’t lonely. Every evening, he went to bed expecting to die. Every morning when he woke up, he would shuffle to the fridge. It wasn’t that good a companion – it would wheeze and shudder, then suddenly fall silent in mid-sentence, which really annoyed the old man - but for him, it was family. That day started as usual. The old man woke up alive, and headed to the terrace. But this time, the fridge was dead…

Sergey Pikalov was born in Yaroslavl in 1976. He graduated from the Yaroslavl State Theatre Institute. Sergey is well known for directing TV series and sitcoms, and SONUNCU / THE LAST ONE marks his film debut. Sergey used his grandfather, a World War II veteran, as inspiration for the protagonist. 46 20. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - KRATKI FILM

Režija / Director: Sergey Pikalov Scenarij / Screenplay: Sergey Pikalov Montaža / Editor: Sergey Pikalov Muzika / Music: Akeksey Aigi Producent / Producer: Nasib Piriyev, Mariya Ivanova Produkcija / Production: Buta Films and Azerbaijanfilm Uloge / Cast: Idris Rustamov, George Kafarov Kontakt / Contact: Film Studio Azerbaijanfilm, Buta Films, mir.festivals@gmail.com, proekttv@mail.ru Filmografija / Filmography 2014 - SONUNCU / THE LAST ONE (kratki / short)

SVJETSKA PREMIJERA / WORLD PREMIERE Cyprus, 2014, Colour, 20 min., Greek

To Nanourisma Tis Petaloudas / Uspavanka jednog leptira / Lullaby of The Butterfly Žena odgovara na misteriozan telefonski poziv. Duboko zamišljena, provodi besanu noć. Rano sljedećeg jutra prima telefonsku poruku sa uputom da ponese kofer i nož te napusti kuću. Vozi se cijeloga dana i na kraju stiže na odredište. Pala je noć, a ona usred nedođije sjedi u autu i nešto čeka. Tonija Mishiali rođena je 1973. na Kipru. Nakon studija u Velikoj Britaniji, 1997. godine se seli na Kipar gdje počinje raditi kao rediteljica i producentica. Njen kratki film DEAD END je nominovan za nagradu Golden Pardino - Leopards of Tomorrow Filmskog festivala u Locarnu. Isti je film uvršten u zvaničnu selekciju preko 25 fimskih festivala širom svijeta.

Režija / Director: Tonia Mishiali Scenarij / Screenplay: Tonia Mishiali Direktor fotografije / Director of Photography: George Rahmatoulin Montaža / Editor: Tonia Mishiali Muzika / Music: Alexia Vassiliou Zvuk / Sound: Christodoulos Prokopiou Scenografija / Production Design: Andy Bargilly Kostimografija / Costume Design: Thelma Cassoulides Uloge / Cast: Alexia Charalambidou, Yiannis Kokkinos, Andreas Tselepos, Fivos Georgiades, Demas Demosthenous Producent / Producer: Tonia Mishiali Produkcija / Production: Zipcode Production&Design ltd Kontakt / Contact: Zipcode Production&Design ltd, Tonia Mishiali, 15 Smyrnis Street, Engomi, Nicosia 2401, Tel: +35799698377, toniamishiali@icloud.com, www.toniamishiali.com Filmografija / Filmography: 2014 - LULLABY OF THE BUTTERFLY (kratki / short) 2013 - DEAD END (kratki / short) 2010 - BLIND PASSIONS (kratki / short)

E A woman receives a mysterious call. That same night, she has trouble sleeping, buried in deep thoughts. Early in the morning the next day, she receives a text message, which prompts her to leave the house with a suitcase and a knife. She drives all day to finally arrive at her destination. It is now dark and she is sitting in her car, in the middle of nowhere, waiting for something.

Tonia Mishiali was born in Cyprus, in 1973. In 1997, after studying in the UK, she moved to Cyprus to start working as a director and producer. Her short film DEAD END achieved a nomination for the Golden Pardino – Leopards of Tomorrow at the Locarno Film Festival. The same film was officially selected to compete in more than 25 national and international film festivals around the world.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Georgia, 2014, Colour, 10 min., Georgian

Ukhilavi Sivrtseebi / Nevidljivi prostori / Invisible Spaces NEVIDLJIVI PROSTORI pruža intiman uvid u svijet u kojem se porodična hijerarhija, religija i mjesto žene u društvu nikada ne dovode u pitanje. Film nas navodi da usmjerimo lutajući pogled na lica koja uglavnom ne primjećujemo i glasove koje često isključujemo iz vlastitog poimanja “modernog” društva. Dea Kulumbegashvili je rođena i odrasla u Gruziji. Film UKHILAVI SIVRTSEEBI / NEVIDLJIVI PROSTORI premijerno je prikazan u zvaničnoj selekciji Cannes Film Festivala 2014.

Režija / Director: Dea Kulumbegashvili Scenarij / Screenplay: Dea Kulumbegashvili Direktor fotografije / Director of Photography: Ming Kai Leung Montaža / Editor: Ramiro Suarez Zvuk / Sound: Alex Peace Scenografija / Production Design: Ika Avaliani Kostimografija / Costume Design: Ika Avaliani Producent / Producer: Rati Oneli Produkcija / Production: Oneli Film Uloge / Cast: Nino Shengelaia, Mariam Dzidzikashvili, Rati Oneli Kontakt / Contact: Oneli Film, 17 Abashidze street, #18 0079 Tbilisi Georgia, Tel: 995599601977, academia@gmail.com, www.oneli.org Filmografija / Filmography 2014 - UKHILAVI SIVRTSEEBI / INVISIBLE SPACES (kratki / short) 2013 - SCHOOL IN THE NEW WORLD (dokumentarni /documentary)

E INVISIBLE SPACES is an intimate glimpse into the world where family hierarchy, religion and the place of the woman are uncontested. The film asks us to shift our wandering gaze on the faces we tend to overlook and the voices we so often opt to shut out of our experience of the “modern” society.

Dea Kulumbegashvili was born and raised in Georgia. Her film UKHILAVI SIVRTSEEBI / INVISIBLE SPACES premiered in 2014 Cannes Film Festival Official Selection.

COMPETITION PROGRAMME - SHORT FILM l 20. Sarajevo Film Festival 47

REGIONALNA PREMIJERA / REGIONAL PREMIERE France, Bosnia and Herzegovina, Serbia, 2014, Colour, 25 min., Serbian

Višak vjetra / A Surplus of Wind Dva muškarca - jedan sa Zapada, drugi s Istoka - braća. Na oba kraja život je prigušen, usamljen, ni po čemu poseban. Na jednom se kraju farbaju prozori, mijenjaju se utičnice i puše se cigarete; na drugom se preplivavaju dužine bazena, priprema se za bokserske mečeve, prebacuje se novac. Šta spaja ta dva kraja? Zatvoreni bazeni, zvuk zvona, prolazak metka kroz kost? Dane Komljen (1986) je završio studij filmske režije na Fakultetu dramskih umjetnosti u Beogradu. Po završetku studija radio je videoinstalacije u Srbiji, kratki film u Bosni i Hercegovini, i još jedan u Hrvatskoj. Trenutno završava magistarski studij pri školi primijenjene umjetnosti Le Fresnoy u Francuskoj. Filmovi su mu prikazani na više međunarodnih filmskih festivala, uključujući festivale u Cannesu, Rotterdamu, Marseilleu i Sarajevu. Komljen priprema svoj prvi dugometražni igrani film, BEFORE ENMITY. E Two men - one in the West, one in the East, brothers. In both places, life is muted, solitary, nondescript. Here, windows are painted, switches rewired and cigarettes smoked; there, lengths swum, boxing matches prepared for, transactions made. What is it that links these things? Winter swimming pools, the sound of a bell, a bullet passing through bone?

Režija / Director: Dane Komljen Scenarij / Screenplay: Dane Komljen Direktor fotografije / Director of Photography: Amel Đikoli Montaža / Editor: Jelena Maksimović Producent / Producer: Guylaine Huet, Zoran Galić, Nataša Damnjanović Produkcija / Production: Le Fresnoy, Vizart, Dart Film, Kino Glaz Uloge / Cast: Boban Kaluđer, Dejan Kaluđer Kontakt / Contact: Le Fresnoy Natalia Trebik 22 Rue Du Fresnoy, BP 80179, Tourcoing 59202 Tel: +33(0)3 20 28 38 00 ntrebik@lefresnoy.net, http://www.lefresnoy.net/en Filmografija / Filmography 2014 - VIŠAK VJETRA / A SURPLUS OF WIND (kratki / short) 2013 - SITNA PTICA / TINY BIRD (kratki / short) 2012 - TJELESNA FUNKCIJA / BODILY FUNCTION (kratki / short) 2011 - NEW DAWN FADES / PASSAGE (FROM OCTOBER) 2010 - JA VEĆ JESAM SVE ONO ŠTO ŽELIM DA IMAM / I ALREADY AM EVERTHING I WANT TO HAVE (kratki / short)

Dane Komljen (1986) was educated in film directing at the Faculty of Dramatic Arts in Belgrade. After FDU, he made a video installation in Serbia, a short film in Bosnia and Herzegovina and another short in Croatia. He is completing a master’s programme in contemporary art at Le Fresnoy, France. His films were presented at Festival de Cannes, IFF Rotterdam, FID Marseille, Sarajevo Film Festival. He is currently preparing his first feature film BEFORE ENMITY. SVJETSKA PREMIJERA / WORLD PREMIERE Montenegro, 2014, Colour, 24 min., Montenegrin, English

Zakloni / Shelters Luka seli u mali priobalni grad kako bi živio s tetkom dok mu se roditelji razvode. U gradu možda vlada apatija, ali tu je i Jana, djevojka iz komšiluka koja voli da se sunča. Bliži se kraj lijenog ljeta. Djeca uživaju u posljednjim danima raspusta, bacajući se u more s dokova napuštene podmorničke baze. Kada si dijete, ne znaš da je djetinjstvu došao kraj. Ivan Salatić je rođen u Dubrovniku 1982, a odrastao je u Herceg Novom. Završio je Školu primijenjenih umjetnosti i dizajna u Beogradu, a diplomirao na Fakultetu dramskih umjetnosti u Cetinju. Režirao je više kratkih I dokumentarnih filmova koji su prikazivani na regionalnim filmskim festivalima u selekciji studentskog filma. Održao je i više izložbi fotografija i video-uradaka. E Luka moves to a small coastal town to live with his aunt while his parents are in the middle of a divorce. A sense of numbness might be hanging over the town, but there is also Jana, a girl form the neighbourhood who loves to sunbath. The end of a lazy summer is near and kids spend their days jumping into the sea and swimming at an abandoned submarine port. When you are a kid, you don’t realize when your childhood is ending.

Ivan Salatić was born in 1982 in Dubrovnik and grew up in Herceg Novi. He graduted the School of Fine and Applied Arts in Belgrade and graduated from the Faculty of Dramatic Arts in Cetinje. He has directed several short films and documentaries that have participated in regional festivals as part of student selections. He also had several exhibitions as a photographer and video artist.

48 20. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - KRATKI FILM

Režija / Director: Ivan Salatić Scenarij / Screenplay: Ivan Salatić Direktor fotografije / Director of Photography: Ivan Marković, Montaža / Editor: Jelena Maksimović Zvuk / Sound: Jakov Munižaba Producent / Producer: Jelena Mišeljić Produkcija / Production: Cut-up Uloge / Cast: Luka Petrone, Jana Radan, Branka Knežević, Jelena Đokić, Miloš Kašćelan, Petar Pejaković, Kontakt / Contact: Cut–up,Jelena Mišeljić, Miljana Vukova 39, 81 000 Podgorica, Montenegro, info@cut-up.me Filmografija / Filmography 2014 - DALJINE (kratki / short) 2014 - ZAKLONI / SHELTERS (kratki / short) 2013 - INTRO (kratki / short)

Takmičarski program - dokumentarni film / Competition Programme - Documentaries

Azemina, Enes Zlatar, Ajdin Kamber

Besence Open / Muškarčine / Men With Balls, Kristóf Kovács

Chicho Toni, Trimata Glupaci i DS / Čika Toni, tri budale i tajna služba /

Uncle Tony, Three Fools and the Secret Service, Mina Mileva, Vesela Kazakova

Djeca tranzicije / Children of Transition, Matija Vukšić

Evaporating Borders / Neka granice ispare, Iva Radivojević

Everyday Rebellion / Svakodnevna pobuna, Arash T. Riahi, Arman T. Riahi

Geto 59 / Ghetto 59, Ines Tanović

Goli / Naked Island, Tiha K. Gudac

Happily Ever After / Ljubavna odiseja, Tatjana Božić

He bû tune bû / Nekada davno / Once Upon a Time, Kazim Öz

Judgement in Hungary / Presuda u Mađarskoj, Eszter Hajdu

Khelmtsipe / Vladar / The Ruler, Shalva Shengeli

Kismet, Nina Maria Paschalidou

Love & Engineering – Rakkauden insinöörit / Ljubav i inženjering, Tonislav Hristov

Mitch - dnevnik jednog šizofreničara / Mitch - The Diary of A Schizophrenic

Patient, Damir Čučić, Mišel Škorić

Padurea / Šuma / The Forest, Siniša Dragin

Private Revolutions – Jung, Weiblich, Ägyptisch / Lične revolucije – mlade, žene,

Egipćanke / Private Revolutions – Young, Female, Egyptian, Alexandra Schneider

SkaNdal / Scandal, Elton Baxhaku, Eriona Cami

Szerelempatak / Bujica ljubavi / Stream of Love, Ágnes Sós

Moj zanat / My Craft, Mladen Matičević

Gdje smo danas - 25 godina nakon Berlinskog zida? / Where are we today 25 years after the Berlin Wall? Tačno 13. augusta, prije 53 godine, počela je izgradnja Berlinskog zida. Evropa je bila fizički odijeljena i ideološki podijeljena na Istočni i Zapadni dio. Danas, 25 godina nakon pada Berlinskog zida, Evropa je ujedinjena. No, kakvo je zaista stanje Evrope danas? Dokumentaristi iz regije nam lucidno, inteligentno i kreativno donose svoje refleksije na ekonomsko i političko stanje Evrope danas; nezaposlenost, neimaština, nezadovoljstvo, frustracije, migracije, raslojavanje.

Rada Šešić

Naš program otvara izvrsni austrijski film SVAKODNEVNA POBUNA braće Riahi, koji je dio multimedijalnog projekta usmjerenog na praćenje ne nasilnih protesta i društvenog neposluha širom svijeta. Otuda i pitanje koje proizlazi iz naše ovogodišnje selekcije - doprinose li dokumentarci promjenama u društvu? Film koji zatvara program također je signifikantan; DJECA TRANZICIJE Matije Vukšića donosi alarmantni uzorak društva iz regije. Liberalni kapitalizam uspostavlja nove vrijednosti, usađuje razdor i netrpeljivost između imućnih i siromašnih, a dječja psihologija često puca pod pritiskom. Selekcija ima i zanimljivu geografsku pokrivenost - prvi put su tu i filmovi sa Kipra; NEKA ISPARE GRANICE, Ive Radivojević, koji dotiče goruću temu Evrope - useljavanje izbjeglica te sve veću ksenofobiju lokalnog stanovništva, te KISMET, autorice Nine Marie Paschalidou koja analizira fenomen turskih sapunica i njihovog utjecaja na žensku publiku. Albanski film SKANDAL, koautorstvo Erione Cami i Eltona Baxhaku, secira odnos društva prema LGBT populaciji. Hrvatski, vrlo osoban film GOLI, Tihe K. Gudac, odmotava suptilno porodičnu tabu temu - djedovu tajnu o Golom otoku. Staljin je prisutan i u intrigantnom filmu VLADAR autora iz Gruzije Shalve Shengelija. U selu u kojem desetljećima stoji monumentalni spomenik, stanovništvo se podijelilo na one koji su za to da se sačuva i na one koji ga se žele brutalno riješiti. Autorica iz Austrije Alexandra Schneider s filmom PRIVATNE REVOLUCIJE fokusira se na intimu odvažnih Egipćanki - poduzetne, društveno angažirane, samosvjesne žene, odmjeravaju svoje živote u odnosu na budućnost nakon Arapskog proljeća. Još jedna autorica, a ovo je godina rediteljica, bavi se ženskom psihologijom; Anges Sos iz Mađarske u BUJICI LJUBAVI iznenađuje nas ispovijedima seoskih starica o ljubavi i tjelesnoj žudnji. Ispitivanje postojanosti osjećanja i veza secira i Tatjana Božić, i to na vrlo duhovit i filmski uzbudljiv način. U filmu LJUBAVNA ODISEJA ona propituje svoje osobne bivše veze.

50 20. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

Impresivan je i drugi samorefleksivni hrvatski film MITCH - DNEVNIK JEDNOG SHIZOFRENIČARA koji su režirali Damir Čučić i sam junak filma Mitch. Dinamična mala kamera, razbarušenost stilskog pristupa te nefrizirane i iskrene refleksije o stvarnosti, donose potresnu priču o odnosu pojedinca i društva. Intimom se bavi i šarmantni bugarski LJUBAV I INŽENJERSTVO Tone Hristova. Autor prati grupu IT inženjera koji su isuviše inhibirani da bi ostvarili uspješnu vezu. Filmski izuzetno osmišljen, s prefinjenim, skrivenim humorom je i film ŠUMA, Siniše Dragina, rađen u rumunjsko-srpskoj koprodukciji. Tajna slike koju je Ceausescu darovao Titu bila je do sada nepoznata. Bugarski film ČIKA TONI, TRI BUDALE I TAJNA SLUŽBA Mine Mileve i Vesele Kazakove nas odvodi u komunističko doba kada je čak i u svijetu animacije bilo gotovo nevjerojatnih producentskoautorskih zavrzlama. Posve neočekivano za dokumentarac, film je u Bugarskim kinima već mjesecima, a isto toliko se o njemu raspravlja, napada se oštro i film i same autorice te su u njihovu obranu nedavno ušle i EDN, EAVE i Cineuropa. U kakvoj to Evropi danas živimo, pitamo se dok pratimo i potresan cinéma vérité film PRESUDA U MAĐARSKOJ autorice Eszter Hajdu. Hladno, distancirano, rediteljski precizno, film nas uvodi u užas stvarnosti koja je u mnogim zemljama sve više na upitnoj političkoj strani. Zabrinutost budi i film iz Bosne i Hercegovine, GETO 59 Ines Tanović. Poetičan, opservativan, kratki dokumentarac prati život izbjeglica koje i dalje žive u privremenom smještaju i čekaju, ni sami više ne znaju što. Zbunjeni su i junaci drugog filma iz BiH, AZEMINA Enesa Zlatara i Ajdina Kambera. Djevojčica iz ratom prognane porodice, mašta da jednom ima svoju sobu i kupatilo, no kada joj se osmijehne prilika, situacija se dramatično okrene. Turski autori vjeruju u angažirani dokumentarni film i već desetljećima rade socijalno-politički kritičke filmove. Kazim Oz, izuzetno daroviti autor, u svom minuciozno satkanom cinéma vérité filmu prati nadničare i opservira nezaposlenosti, beznađe, siromaštvo. NEKADA DAVNO film je koji otvara puno relevantnih pitanja ne samo u Turskoj nego u cijeloj Evropi. Koje su to mjere pomoći koje nam se iz političkih evropskih centara moći šalju, pita se i duhoviti, ležeran, a opet ozbiljan mađarski film MUŠKARČINE, autora Kristófa Kovácsa. Selo sa 98 posto nezaposlenih dobiva jednog dana tenisko igralište. I šta će s njim? I na kraju, kao poslastica, naša GALA PROJEKCIJA, međunarodna premijera hrvatsko-

srpskog filma MOJ ZANAT, Mladena Matičevića. Istančani pristup autora, donosi nam nov pogled na muziku, poeziju i život umjetnika Arsena Dedića. 5 svjetskih premijera, 5 međunarodnih, 5 regionalnih i 4 nacionalne, žetva su dokumentarista regije o kojoj će se ozbiljno i analitički raspravljati i na našem već tradicionalnom DOCU CORNERU, unikatnoj festivalskoj platformi koja spaja mlade iz cijele regije, ujedinjene oko interesa za ljudska prava i unapređenje civilnog društva. Dobro nam došli na 20. rođendan Sarajevo Film Festivala i naš uzbudljiv, aktualan i inspirativan dokumentarni program.

E The construction of the Berlin Wall started on 13 August exactly 53 years ago. Europe was divided into East and West both physically and ideologically. Today, 25 years after the collapse of the Wall, Europe is united. But what is the actual state of affairs in Europe today? Documentary filmmakers from the region offer their lucid, intelligent and creative reflections of the economic and political situation in Europe today: unemployment, poverty, dissatisfaction, frustration, migration and stratification.

Our programme will open with the Austrian film EVERYDAY REBELLION by the Riahi brothers, an integral part of a large cross-media project focused on non-violent protests and civil disobedience around the world. Hence the question arising from this year’s selection – do documentary films contribute to changes in the society? The film that will close the programme is equally significant: CHILDREN OF TRANSITION by Matija Vukšić brings us an alarming sample of society of the region. Liberal capitalism establishes new values, plants the seed of conflict and intolerance between the rich and the poor, and the children’s psyche often cracks under pressure. This selection also presents an interesting geographic coverage – for the first time, we have films from Cyprus: EVAPORATING BORDERS by Iva Radivojević, a film touching upon Europe’s burning issue – refugee immigration and the growing xenophobia of the local population, and KISMET by Nina Maria Paschalidou, analyzing the phenomenon of Turkish soap operas and their influence on the female audience. The Albanian film SCANDAL, co-authored by Eriona Cami and Elton Baxhaku, dissects the societal attitudes towards LGBT persons. The very

personal Croatian film NAKED ISLAND by Tiha K. Gudac subtly unravels a family taboo – the grandfather’s secret about the Goli otok incarceration. Stalin is omnipresent in the intriguing THE RULER by the Georgian author Shalve Shengeli. In a village adorned for decades by a monumental statue, the population is divided into those in favor of saving it and those who want to brutally dispose of it. The Austrian author Alexandra Schneider and her PRIVATE REVOLUTIONS focus on the privacy of bold Egyptian women – entrepreneurial, socially engaged, conscientious – balancing their lives in relation to the future after the Arab Spring. Another female author – and this is a year of numerous women directors – deals with feminine psychology: Anges Sos from Hungary, with STREAM OF LOVE surprises us with stories by old village ladies about love and lust. Tatjana Božić also examines the endurance of emotions and relationships, and she does so in a funny and exciting way. In her film HAPPILY EVER AFTER she re-visits her own ex-relationships. The second self-reflexive Croatian film, MITCH – THE DIARY OF A SCHIZOPHRENIC, directed by Damir Čučić and the hero himself, Mitch, is equally impressive. A dynamic little hand-hold camera, an unconventional style and unpolished and honest reflections about reality, bring us a touching story about the relationship between an individual and the society. The charming Bulgarian film LOVE AND ENGINEERING by Tone Hristov is also dealing with intimacy. The author follows a group of IT engineers too inhibited to develop a successful relationship. Well devised, with sophisticated hidden humor, but also a very serious political film is THE FOREST by Siniša Dragin, a Romanian-Serbian co-production. The secret of the painting given to Tito by Ceausescu has been unknown; intriguing archive footage with an authorial touch brings us a piece of history we know little about, as well as the space for the ever-needed contemplation by the audience. The Bulgarian film UNCLE TONY, THREE FOOLS AND THE SECRET SERVICE by Mina Mileva and Vesela Kazakova is similar in that respect: it brings us to the communist era when even the world of animation included incredible producer-author games and intrigue. The film has been in Bulgarian cinemas – quite unexpected for a documentary – for months now, and it has been hotly debated in classic and social media just as long, with fierce attacks against the film and the authors, so much that the EAVE, European Documentary Network and Cineuropa recently extended their support and defense.

What kind of Europe do we live in, we wonder as we follow the story, but even more so as we see the very moving cinéma vérité film JUDGEMENT IN HUNGARY by Eszter Hajdu. Cool and distanced directorial precision brings us inside the horror of reality evident in the questionable political options of ever more countries. The Bosnian film GHETTO 59 by Ines Tanović also awakens concern. Poetic and observational, this short documentary follows the life of refugees still living in temporary accommodation and waiting for something – even they no longer know what it is. Heroes of another film from BiH, AZEMINA by Enes Zlatar and Ajdin Kamber, are also confused. A girl from a family displaced by war is dreaming about a room and a bathroom of her own, but once chance smiles upon her out of the blue, the situation changes dramatically. Turkish authors believe in socially engaged documentaries and for decades they have been producing socially and politically critical films. In his intricately constructed cinéma vérité film, Kazim Oz, a particularly gifted author, follows day laborers and observes unemployment, hopelessness and poverty. ONCE UPON A TIME is a film that raises numerous questions relevant not only in Turkey, but also in Europe. What are the measures of assistance sent to us by European political power centers, asks the funny and easy-going, and yet serious Hungarian film MEN WITH BALLS by Kristóf Kovács. A village where 98 % of the population is unemployed suddenly gets a tennis court. And what can they do with it? And finally, as a special treat, our Gala Screening, an international premiere of the CroatianSerbian film MY CRAFT by Mladen Matičević. The author’s sophisticated approach brings us a new view of music, poetry and life of the artist Arsen Dedić. Five world premieres, five international ones, five regional and four national – that is the harvest of the documentary filmmakers of the region, to be discussed seriously and analytically at our traditional DOCU CORNER, a unique festival platform that brings together the youth from across the region, united in their interest in human rights and advancement of civil society. Welcome to the 20th birthday of the Sarajevo Film Festival and to our exciting, current and inspiring documentary programme. Rada Šešić selektorica / Selector

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Azemina Naša ekipa je u februaru 2014. napravila kratki web dokumentarac o porodici Sulejmanović iz Brgula pored Vareša, koja već godinama živi u prostorijama mjesne zajednice. Dva mjeseca kasnije kontaktirala nas je gospođa Emina Prelle, penzionisana službenica iz Berlina, porijeklom Bosanka (ustvari Hercegovka), koju je ova priča toliko dirnula da je odlučila da pomogne ovoj porodici. Pronašla je kuću s obradivim zemljištem i voćnjakom u okolini Zavidovića i odlučila da je kupi i pokloni porodici Sulejmanović. Nakon dočeka na sarajevskom aerodromu, u maju 2014. krenuli smo u Brgule, a tamo se desio obrat kakav niko od nas nije mogao da očekuje, a najmanje gospođa Prelle. Enes Zlatar je rođen u Sarajevu 1970. godine. Jedan je od osnivača produkcije Pro.ba Centra za savremenu umjetnost u Sarajevu. Od 1993. režirao je brojne kratke igrane filmove, dokumentarne filmove, TV emisije, muzičke spotove i TV reklame. Također radi kao kompozitor za film i pozorište. Ajdin Kamber rođen je 1979. u Livnu, Bosna i Hercegovina. Od 1998. počinje se baviti novinarstvom i raditi za Studentski eFM radio Sarajevo. Apsolvent na Fakultetu političkih nauka u Sarajevu, odsjek žurnalistika. Trenutno radi kao freelance novinar za medije iz BiH i inostranstva i izvještava o postratnoj Bosni i Hercegovini. E In February 2014, our film crew made a short web documentary about members of the Sulejmanović family who have been living in the building of the community centre in Brgula, near Vareš, for a number of years. Two months later we were contacted by a Bosnia-born (in fact Herzegovina-born) Berlin citizen Mrs. Emina Prelle. Mrs. Prelle, herself a retired administrative clerk, was so moved by the Sulejmanovićs’ story that she decided to help them. She had found a house with a plot of land and an orchard in the vicinity of Vareš and decided to buy it as a present for the Sulejmanović family. In May 2014 we met Mrs. Prelle at the Sarajevo airport and traveled to Brugule with her. Once there, we wintessed a twist in the story which no one - Mrs. Prelle in particular - had expected.

Enes Zlatar was born in Sarajevo in 1970. He is one of the founders of Pro.ba video, film and TV production within the Sarajevo Center for Contemporary Art. Since 1993 Zlatar has directed numerous shot and documentary films, as well as TV shows, music videos and comercials. He also composes film and theatre music. Ajdin Kamber was born in Livno (Bosnia and Herzegovina) in 1979. In 1998, he began working as a journalist at the Student eFM radio in Sarajevo. He is completing his studies at the Department of Journalism at the Faculty of Political Sciences in Sarajevo. He currently works as a freelance journalist for media in BiH and abroad, reporting on post-war Bosnia and Herzegovina.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2014, Colour, 25 min., Bosnian Režija / Director: Enes Zlatar, Ajdin Kamber Kamera / Camera: Ajdin Kamber, Emir Džanan Montaža / Editor: Enes Zlatar, Redžinald Šimek Muzika / Music: Enes Zlatar Producent / Producer: Amra Bakšić Čamo Produkcija / Production: SCCA / pro.ba Filmografija / Filmography Enes Zlatar 2014 - AZEMINA (dokumentarni / documentary) 2014 - MUZIČKA SOBA (dokumentarni / documentary) 2014 - PRVI DAN U ŠKOLI (dokumentarni / documentary) 2014 - TINA (dokumentarni / documentary) 2013 - ALTERNATIVNE KAZNE (dokumentarni / documentary) 2013 - JMBG (dokumentarni / documentary) 2013 - NEPOKRET (dokumentarni / documentary) 2012 - F 43.1 (dokumentarni / documentary) 2012 - ZIKS (dokumentarni / documentary) 2008 - DIJAGNOZA S.B.H (dokumentarni / documentary)

Besence Open / Muškarčine / Men With Balls Zamislite izolirano romsko selo u Mađarskoj gdje je 98 posto stanovništva nezaposleno. Selo je tek prije 15 godina dobilo pitku vodu i javnu rasvjetu, ali ta činjenica ne sputava vizije i ambicije lokalnog gradonačelnika. On želi da seljani postanu pravi Evropljani, ljudi koji imaju redovan posao i redovna mjesečna primanja, i koji se nakon napornog radnog dana bave sportom. Kako bi ispunio svoju viziju, gradonačelnik se prijavljuje na sve moguće projektne konkurse i na kraju dobija novac za dva projekta: uzgoj ekološke hrane i izgradnju teniskog igrališta. Seljani su tenisko igralište prethodno viđali samo na televiziji, ali zahvaljujući angažmanu profesionalnog penzionisanog trenera, počinju marljivo svakodnevno trenirati tenis. Budućnost nikada nije više obećavala, ali je realnost u srednjoj i istočnoj Evropi ipak nešto komplikovanija i zahtjevnija... Kristóf Kovács je rođen 1974. u Budimpešti, u Mađarskoj. Diplomirao je umjetnost na Univerzitetu Miskolc, a obuku za kulturnog menadžera je završio na Univerzitetu János Vitéz 1999. godine. Po okončanju studija je radio kao kulturni antropolog istovremeno istražujući teme za više dokumentarnih filmova. S posljednjim dokumentarnim filmom FULL OF GREASE je osvojio nagradu za najboljeg režisera na 39. Mađarskoj sedmici filma, a film je uvršten u program još nekoliko filmskih festivala. MEN WITH BALLS / MUŠKARČINE je njegov prvi film rađen u međunarodnoj koprodukciji. E Imagine a remote Roma village in Hungary, where 98 percent of the population is unemployed. Drinking water and public lighting were introduced 15 years ago. This, however, doesn’t stop the mayor from having visions and ambitions. He wants his villagers to become real Europeans who have a regular job, earn wages each month and do sports after a day of hard work. To accomplish his vision, the mayor applies for all possible funding and has success in getting grants for two projects: a bio-gardening project and the building of a tennis court. Until now, the villagers have only seen tennis on TV, but thanks to the involvement of a professional, but retired coach, they start putting a lot of effort into their daily training. Things couldn’t look any brighter and more promising, but the Central Eastern European reality works in more complicated and challenging ways....

BiH PREMIJERA / B&H PREMIERE Hungary, 2013, Colour, 52 min., Hungarian Režija / Director: Kristóf Kovács Scenarij / Screenplay: Kristóf Kovács Direktor fotografije / Director of Photography: Dávid Szepesi, Vizkelety Márton, Claudia Kovács Montaža / Editor: Annamária Batka, Éva Palotai Muzika / Music: Csaba Kalotás Zvuk / Sound: Zoltán Vadon, Rudolf Várhegyi Producent / Producer: Judit Stalter Produkcija / Production: Laokoon Film Uloge / Cast: József Ignácz, Károly Huszár Kontakt / Contact: Laokoon Film, Judit Stalter, Balzac Str., Budapest, 1136, Hungary, Tel +36 1 354 0491, fax +36 1 354 0492, stalter@laokoonfilm.com Filmografija / Filmography 2013 - BESENCE OPEN / MEN WITH BALLS 2008 - MALACCAL TELJES / FULL OF GREASE (dokumentarni / documentary)

Kristóf Kovács was born in 1974 in Budapest, Hungary. He graduated from the University of Miskolc, Faculty of Arts, and completed cultural manager training at János Vitéz University in 1999. After that he worked as cultural anthropologist and started several research projects for his documentary films. FULL OF GREASE, his latest documentary, won the Best Director prize in documentary film section at the 39th Hungarian Film Week and has been selected several festivals. MEN WITH BALLS is his first documentary produced by an international co-production.

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Chicho Toni, Trimata Glupaci i DS / Čika Toni, tri budale i tajna služba / Uncle Tony, Three Fools and the Secret Service Čim je završen, ovaj je dokumentarac postao predmet osude i meta pokušaja institucionalne cenzure. U potpunosti je podijelio javnost jedne male postkomunističke zemlje koja se još uvijek nije izborila sa svojom prošlošću i ulogom tajne službe u njoj. Priča o skandalu sakrivenom u sjeni najvećeg socijalističkog izvoznog proizvoda - animiranog filma - zapravo je srceparajuća ljudska drama. U sedamdesetim godinama prošloga stoljeća, kada su bugarski animatori uživali svjetsku slavu, čika Toni i Donio Donev zajedno su napravili fenomenalno prihvaćen animirani film TRI BUDALE. Ali dok je ljubimac komunističkog režima Donev izgradio uspješnu međunarodnu karijeru, čika Toni je ostao u njegovoj sjeni zahvaljujući subverzivnoj ulozi tajne službe. Mina Mileva je studirala teatarsku umjetnost i scenografiju u Bugarskoj, a specijalističku obuku je završila u Njemačkoj. Nakon toga je diplomirala režiju na Odsjeku za animirani film pri Državnoj akademiji za teatar i film u Sofiji i na Akademiji za vizualne umjetnosti u Briselu. Preselila se u London 1996, te počela da radi kao animator, reditelj animacije i linijski producent na mnogobrojnim reklamama, TV serijama i filmovima, uključujući i nekoliko dugometražnih filmova u produkciji Disney studija. Veslea Kazakova diplomirala je glumu i produkciju na Državnoj akademiji za teatarsku i filmsku umjetnost i na Ekonomskom univerzitetu u Sofiji. Za svoje prve uloge na filmu osvojila je niz prestižnih nagrada u Bugarskoj i u inostranstvu, uključujući i Silver George, nagradu Filmskog festivala u Moskvi 2005. i Shooting Stars, nagradu Berlinskog filmskog festivala 2006. Vesela je 2005. počela producirati teatarske predstave na kojima je istovremeno radila kao glumica, koscenaristica i kompozitorica muzike. E This documentary was subjected to condemnation and attempts for institutional censorship as soon as it was done. It completely divided the society of a small post-communist country that hasn’t yet dealt with its past and the fundamental role of the Secret Service. A scandalous case behind Socialism’s greatest export – the art of animation - reveals a heartbreaking human story. In the 1970s when Bulgarian animation was world famous, Uncle Tony and Donio Donev created the phenomenal THREE FOOLS together. But while Donev as a darling of the communist regime built a spectacular international career for himself, Uncle Tony remained in the shadow due to the subversive role of the State Secret Service.

Mina Mileva studied Theatre and Stage Design in Bulgaria and specialised in Germany. She then graduated animated film directing in the National Academy for Theatre and Film Arts, Sofia, and in the Academy for visual Arts, Brussels. In 1996 she settled in London where she worked as animator, animation director and line producer on numerous commercials, TV series and films, including couple of Disney features. Vesela Kazakova graduated both acting and producing respectively at the National Academy for Theatre and Film Arts and University of Economics in Sofia. Her first roles in the cinema have snapped up prestigious prizes for best female actress in Bulgaria and abroad, Silver George Award in Moscow Film Festival in 2005, and Berlinale Shooting Stars Award in 2006 amongst them. Vesela started producing theatre performances in 2005 while also working as an actor, play co-writer and composer. 54 20. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Bulgaria, 2014, Colour, 86 min., Bulgarian Režija / Director: Mina Mileva, Vesela Kazakova Scenarij / Screenplay: Mina Mileva, Vesela Kazakova Direktor fotografije / Director of Photography: Plamen Gelinov, Vasilena Goranova Montaža / Editor: Donka Ivanova Muzika / Music: Emilian Gatsov Zvuk / Sound: Alexander Simeonov Scenografija / Production Design: Mina Mileva Producent / Producer: Mina Mileva, Vesela Kazakova Produkcija / Production: Activist38 Ltd. in co-production with the Bulgarian National Television and NovaFilm Filmografija / Filmography Mina Mileva 2013 - UNCLE TONY, THREE FOOLS AND THE SECRET SERVICE (dokumentarni / documentary) 2008 - TELLING TALES (animirane serije / animated series) 1998 - UN VERRE OU DEUX 1997 - MONDAY AGAIN 1992 - CONTRASTS Vesela Kazakova 2013 - UNCLE TONY, THREE FOOLS AND THE SECRET SERVICE ((dokumentarni / documentary) 2007 - BECAUSE OF HER (dokumentarni / documentary)

Djeca tranzicije / Children of Transition DJECA TRANZICIJE film je koji prati odrastanje Davida, Natalije, Lane i Marte. Nakon izvrsnog nastupa pred skautima nogometnog kluba Barcelona, osmogodišnji David, kojeg su mediji prozvali Messijem iz Slavonskog Broda, nestrpljivo očekuje pozivnicu za La Masiju. I David i cijela njegova petočlana porodica budućnost grade na nepostojećem komadu papira. Jedanaestogodišnja Natalija je iz skromnog okruženja, pa je drugari u razredu provociraju toliko da mora promijeniti školu. Šestogodišnja Lana provodi dane presvlačeći se, šminkajući, plešući i igrajući igrice na mobitelu. Petnaestogodišnja Marta tinejdžerske dane provodi u odbrani od vršnjačkog nasilja i maltretiranja na društvenim mrežama. Film istražuje položaj djece u suvremenom konzumerističkom svijetu. Kako izgledaju sretno djetinjstvo i zdravo odrastanje i jesu li mogući u društvu koje još nije zakoračilo u vlastitu zrelost? Ovo je film o okruženju koje stvaramo za zajedničku budućnost. Matija Vukšić rođen je 1982. u Čakovcu. Godine 2005. diplomirao je novinarstvo na Fakultetu političkih znanosti u Zagrebu. Radi kao novinar i urednik u informativnom programu Hrvatske radiotelevizije. Godine 2011. diplomirao je dokumentarnu filmsku režiju na Akademiji dramske umjetnosti. Njegov dokumentarni film BENJAMIN, priča o sedamnaestogodišnjem Romu u potrazi za identitetom, osvojio je Grand Prix na festivalu Early Bird Sofia, drugu nagradu na reviji dokumentarnog filma Fibula u Sisku, a ušao je i u uži izbor za najbolji dokumentarac Međunarodne asocijacije filmskih škola CILECT. E THE CHILDREN OF TRANSITION follows the childhood of David, Natalija, Lana and Marta. After an excellent performance before the Barcelona Football Club scouts, 8-year-old David, known by his nickname Messi from Slavonski Brod, eagerly awaits an invitation to train at La Masia. David and his entire family build their dreams of future around that absent piece of paper. Natalia, 11, comes from a modest family, which is why her classmates taunt her to the point of forcing her to transfer to another school. Lana, who is 6, spends her days dressing up, putting makeup on her face, dancing and playing games on her smartphone. Marta, 15, spends her teenage years struggling with peer violence in school and online bullying. The film investigates the position of children in the contemporary consumer society. What constructs a happy childhood and healthy upbringing and are they at all possible in a society that has yet to reach its own maturity? This is a film about the environment we are creating for our shared future.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2014, Colour, 80 min., Croatian Režija / Director: Matija Vukšić Scenarij / Screenplay: Matija Vukšić Direktor fotografije / Director of Photography: Mario Marko Krce, Raul Brzić Montaža / Editor: Ana Šerić Muzika / Music: Bianca Ban Zvuk / Sound: Ivan Šmintić Producent / Producer: Nenad Puhovski Produkcija / Production: Factum Kontakt / Contact: Factum, Nova Ves 18, 10 000 Zagreb, Hrvatska Tel: +385 1 4854 821, info@factum.com.hr Filmografija / Filmography 2014 - DJECA TRANZICIJE / CHILDREN OF TRANSITION (dokumentarni / documentary) 2010 - HAPPY CROATIAN IN BUCHAREST (dokumentarni / documentary) 2010 - IROKEZ (dokumentarni / documentary) 2009 - BENJAMIN (dokumentarni / documentary)

Matija Vukšić was born in 1982 in Čakovec, Croatia. In 2005, Vukšić obtained a graduate degree in journalism from the Faculty of Political Sciences in Zagreb. He has been working as a journalist and news editor at the Croatian Radio Television. He holds a degree in documentary directing obtained in 2011 from the Academy of Dramatic Arts in Zagreb. His documentary film BENJAMIN, about a 17-year-old Roma boy’s search for identity, has won the Grand Prix of the Early Bird Film Festival in Sofia, the second prize of the Fibula Documentary Film Review in Sisak and had also been shortlisted for the Documentary Prize of the International Association of Film and Television Schools (CILECT).

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Evaporating Borders / Neka granice ispare NEKA GRANICE ISPARE je esej u pet dijelova sačinjen od niza poetičnih vinjeta kroz koje nas vode autoričine radoznale oči i lične refleksije. Kroz priče ljudi sa kojima nas upoznaje, film secira iskustva ljudi koji traže azil na Kipru: zahtjev za azil izbjeglice iz Iraka i aktiviste PLO-a biva odbijen u roku od petnaest minuta, neonacistički fundamentalisti kruže ulicama u napadu na muslimanske migrante, aktivisti i akademski radnici organiziraju antifašistički protest i sukobljavaju se s neonacistima, 195 imigranata se utapa u Mediteranskom moru. Iva Radivojević – doseljenica na Kipar, rođena u Jugoslaviji – istražuje utjecaj masovne imigracije na doživljaj nacionalnog identiteta na jednoj od najpristupačniji tačaka ulaza u „Tvrđavu Evrope“. U ovom poetično snimljenom i oblikovanom filmu strastveno se isprepliću pitanja imigracije, tolerancije, identiteta i osjećaja pripadnosti. Iva Radivojević je rane godine života provela u bivšoj Jugoslaviji i na Kipru da bi se zatim, prije nešto više od decenije, preselila u New York kako bi nastavila sa svojim umjetničkim radom. U svojim se djelima bavi pitanjima identiteta, imigracije i imigranata. Ivini su filmovi prikazani na mnogobrojnim filmskim festivalima uključujući SXSW, HotDocs, Human Rights Watch i Filmski Festival u Rotterdamu, kao i na PBS-u, The Documentary kanalu i Op-Docs selekciji New York Timesa. Njen koautorski film MATTHEW 24:14 je osvojio nagrade za najbolju režiju, najbolji film i najbolju upotrebu žanra na takmičenju International Documentary Challenge 2011. godine. Dobitnica je nagrade Princess Grace Film Fellowship za 2011. godinu, te nagrade Princes Grace za specijalne projekte i učesnica Talent Campusa Filmskog Festivala u Berlinu za 2012. godinu. Iva je 2013. godine uvrštena na listu 25 novih lica nezavisnog filma magazina Filmmaker. E An essay in five parts, EVAPORATING BORDERS offers a series of vignettes, poetically guided by the filmmaker’s curious eye and personal reflections. Through the people she encounters along the way, the film dissects the experience of asylum seekers in Cyprus: A PLO activist and exile from Iraq is denied asylum within 15 minutes; neo-nazi fundamentalists roam the streets in an attack on Muslim migrants; activists and academics organize an antifascist rally and clash with the neo-nazis; 195 migrants drown in the Mediterranean. Originally from Yugoslavia and an immigrant to Cyprus, Iva Radivojevic investigates the effects of large-scale immigration on the sense of national identity in one of the easiest ports of entry into Fortress Europe. Poetically photographed and rendered, the film passionately weaves the themes of migration, tolerance, identity and belonging.

Iva Radivojevic spent her early years in former Yugoslavia and Cyprus before settling in NYC to pursue her artistic goals over a decade ago. Her work explores the theme of identity, migration and immigrants. Iva’s films have screened at various film festivals including IFF Rotterdam, SXSW Film Festival, HotDocs, Human Rights Watch, PBS, The Documentary Channel, and were published by the New York Times Op-Docs. Her collaborative film MATTHEW 24:14 won the 2011 International Documentary Challenge competition for Best Director, Best Film and Best Use of Genre. She is the recipient of 2011 Princess Grace Film Fellowship, 2012 Princess Grace Special Project Award and a participating talent at the 2012 Berlinale Talent Campus. Iva was named one of 25 New Faces of Independent Film of 2013 by Filmmaker Magazine.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE USA, Cyprus, Greece, Serbia, 2014, Colour, 73 min., Arabic, English, Greek Režija / Director: Iva Radivojević Scenarij / Screenplay: Iva Radivojević Direktor fotografije / Director of Photography: Iva Radivojević Montaža / Editor: Iva Radivojević Muzika / Music: Alexander Berne, Stian Westerhus, Monsieur Doumani, Sandy Brour Zvuk / Sound: John Moros, Josh Berger, Ian Gaffney-Rosenfeld Producent / Producer: Landon Van Soest, Leandros Savvides, Alex Primas Produkcija / Production: Transient Pictures, Ivaasks Films Filmografija / Filmography 2008 - YEARS OF ABSENCE 2010 - PURPLE 2010 - NELSON 2011 - THREAD 2011 - FOLLOWINF CRICKETS 2011 - MATTHEW 24:14 2011 - NOBODY CAN PREDICT THE MOMENT OF A REVOLUTION 2011 - WE THE PEOPLE HAVE FOUND OUR VOICE 2012 - DESPERS USA 2012 - GAWKING RED 2012 - BEN: IN THE MIND’S EYE 2013 - BETWEEN COLOURS OF I 2014 - EVAPORATING BORDERS

Everyday Rebellion / Svakodnevna pobuna Šta je zajedničko pokretu Occupy, španskom pokretu Indignados i Arapskom proljeću? Postoji li veza između iranskog pokreta za demokraciju i sukoba u Siriji? A šta povezuje ukrajinske topless aktivistice iz grupe Femen i antivladine proteste u Egiptu? Konačno, kakve veze sa svim tim imaju Srbija i Turska? Razlozi raznih pobuna u svim ovim zemljama su možda različiti, ali kreativne nenasilne taktike kojima se njihovi učesnici koriste su usko povezane. Njihove su metode inventivne, zabavne, a ponekad čak i nasilne. SVAKODNEVNA POBUNA je dokumentarni, multimedijalni projekt u čast snage i bogatstva kreativnih nenasilnih protesta i građanskog neposluha širom svijeta. Arash T. Riahi je rođen u Iranu 1972. godine, a u Beču živi od 1982. Radi kao pisac, režiser i producent. Studirao je film i umjetnost. Godine 1997. osniva produkcijsku kompaniju Golden Girls Filmproduktion & Filmservices. Osvojio je preko 50 međunarodnih filmskih nagrada za film THE SOUVENIRS OF MR. X napravljen u saradnji sa ARTE-om i ORF-om, te filmove EXILE FAMILY MOVIE, MISSISSIPPI i FOR A MOMENT, FREEDOM u produkciji Wegafilma i Les Films du Losagne. FOR A MOMENT, FREEDOM je bio austrijski kandidat za Oskara 2010. godine. Arman T. Riahi je rođen u Iranu, a odrastao je u Austriji. Studirao je medijske tehnologije i radio kao video i grafički dizajner u Londonu (Less Rain Ltd.) i Beču. Režirao je dvadesetpetominutne TV programe NO NAME PROGRAM, SUNSHINE AIRLINES i MOMENTUM – WHAT DRIVES YOU za ORF i Red Bull Media House. Sa kratkim filmom ELEKTROTRASH je osvojio austrijsku državnu nagradu za kratki film. Njegov prvi filmski dokumentarac DARKHEAD, počeo se prikazivati u kinima u Austriji u maju 2011. godine, a iste je godine osvojio i nagradu publike austrijskog filmskog festivala Diagonale. DARKHEAD je u julu 2011. otvorio takmičarsku selekciju dokumenatrnog filma Sarajevo Film Festivala. E What does the Occupy movement have in common with the Spanish Indignados or the Arab Spring? Is there a connection between the Iranian democracy movement and the Syrian struggle? And what is the link between the Ukrainian topless activists of Femen and the anti-government protests in Egypt? And to top it off, what do Serbia and Turkey have to do with all of this? The reasons for the various uprisings in these countries may be diverse, but the creative nonviolent tactics they use are strongly connected. These methods are inventive, funny, and sometimes even aggressive. EVERYDAY REBELLION is a documentary and a cross-media project celebrating the power and the richness of creative nonviolent protest and civil disobedience worldwide.

Arash T. Riahi was born 1972 in Iran and has been living in Vienna/Austria since 1982. Writer, director and producer. Studied Film and the Arts. Founded the film production company Golden Girls Filmproduktion & Filmservices in 1997. His films THE SOUVENIRS OF MR. X in cooperation with ARTE and ORF, multi-award-winning EXILE FAMILY MOVIE. MISSISSIPPI and FOR A MOMENT, FREEDOM produced by Wegafilm and Les Films du Losange have won more than 50 international awards. FOR A MOMENT, FREEDOM was the Austrian candidate for the Academy Awards 2010. Arman T. Riahi was born in Iran and grew up in Austria. He studied Media Technologies and worked as a screen- and graphic designer in London (Less Rain Ltd.) and Vienna. Director of 25min-TVshows, NO NAME PROGRAM, SUNSHINE AIRLINES & MOMENTUM –WHAT DRIVES YOU for the ORF and Red Bull Media House. His short film ELEKTROTRASH won the national short film award. In May 2011 his first cinema documentary DARKHEAD had its Austrian cinema release and won the Audience Award of the Austrian Film Festival Diagonale 2011. DARKHEAD was the opening film of the documentary competition of the Sarajevo Film Festival in July 2011.

BiH PREMIJERA / B&H PREMIERE Austria, 2013, Colour, 112 min., Arabic, Farsi, Russian, Spanish Režija / Director: Arash T. Riahi, Arman T. Riahi Scenarij / Screenplay: Arash T Riahi, Arman T. Riahi Direktor fotografije / Director of Photography: Mario Minichmayr, The Riahi Brothers, Dominik Spritzendorfer Montaža / Editor: Nela Märki, David Arno Schwaiger Muzika / Music: Karuan Zvuk / Sound: Atanas Tcholakov, Abe Dolinger, Hjalti Bager-Jonathansson, William Franck Producent / Producer: Michael Seeber, Sabine Gruber, Arash T. Riahi Produkcija / Production: Golden Girls Filmproduktion & Filmservices GmbH Kontakt / Contact: Rise and Shine World Sales, Anja Dziersk, anja.dziersk@riseandshine-berlin.de, info@riseandshine-berlin.de, Schlesische Strasse 29/30 10997 Berlin Tel: +49 (030) 47 37 29 8 – 0 Fel: +49 (030) 47 37 29 8 – 20 www.riseandshine-berlin.com Filmografija / Filmography Arash T. Riahi 2013 - EVERYDAY REBELLION 2008 - EIN AUGENBLICK FREIHEIT / FOR A MOMENT, FREEDOM 2006 - EXILE FAMILY MOVIE 2005 - MISSISSIPPI 2004 - DIE SOUVENIRS DES HERRN X / THE SOUVENIRS OF MR. X Arman T. Riahi 2013 - EVERYDAY REBELLION 2011 - SCHWARZKOPF / DARKHEAD 2005 - ELEKTRONIKSCHROTT / ELEKTROTRASH (kratki / short)

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Geto 59 / Ghetto 59 Čak i nakon skoro 20 godina poslije rata u Bosni i Hercegovini, obično izvan gradova ili sela, ljudi žive u naseljima koja se i danas nazivaju izbjegličkim centrima. Privremenost u njima ima status beskonačnosti, baš kao i u Ježevcima. Branje ljekovite trave, prebiranje otpada iz rudnika u susjedstvu, te odgoj djece koja su u svojoj zemlji rođena kao izbjeglice, samo su dio monotone svakodnevice. Ines Tanović rođena je 1965. u Sarajevu. Diplomirala je na Akademiji scenskih umjetnosti u Sarajevu, na Odsjeku za dramaturgiju. Od 1988. godine članica je Udruženja filmskih radnika Bosne i Hercegovine. Režirala je pet kratkih igranih filmova po vlastitom scenariju: KRUGOVI, IDEA, ČOVJEK S, SINDROM i BEZ KALORIJA. Od 1996. godine radi na Televiziji Bosne i Hercegovine kao urednica i rediteljica na do sada preko 200 emisija. Neki od tih programa preuzeti su za eurovizijsku razmjenu. Pisala je dramske tekstove za pozorište i radio. Od 1991. dio je autorskog tima producentske kuće DOKUMENT gdje radi na projektima kao autorica i rediteljica. Njen film NEKE DRUGE PRIČE osvojio je 6 nagrada i prikazan je na 40 internacionalnih filmskih festivala. Za dokumentarni film JEDAN DAN NA DRINI osvojila je Veliki pečat za najbolji regionalni film na ZagrebDoxu 2012. godine. Trenutno završava svoj prvi dugometražni igrani film NAŠA SVAKODNEVNA PRIČA. E Nearly 20 years since the end of the 1992-95 Bosnian war, there are people who still live in what is colloquially known as refugee centers, usually located on the outskirts of cities and villages. In such centers, including the one in Ježevci, what should have been temporary had become indefinite. Collecting medicinal herbs or scrap from nearby coal mines and raising children who were born as refugees in their own country are just some aspects of the monotonous daily life of the people in Ježevci.

Ines Tanović was born in Sarajevo in 1965. She graduated from the Dramaturgy Department of the Academy of Performing Arts in Sarajevo. She has been a member of the Association of Filmmakers of Bosnia and Herzegovina since 1988. Tanović wrote and directed five short films: KRUGOVI, IDEA, ČOVJEK S, S INDIROM and BEZ KALORIJA. Since 1996 she has been working as programme editor and director for the Television of Bosnia and Herzegovina where she directed over 200 different television programmes, including those selected for Eurovision exchange. She wrote a number of screenplays for theatre and radio. In 1991, Tanović joined the creative team of DOKUMENTI production where she has been working as a writer and director. Her film NEKE DRUGE PRIČE / SOME OTHER STORIES received 6 different awards and has been screened at some 40 international film festivals. Her documentary film JEDAN DAN NA DRINI received the Veliki pečat Award at 2012 ZagrebDox Festival. At the moment, Tanović is completing her first feature film NAŠA SVAKODNEVNA PRIČA.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2014, Colour, 25 min., Bosnian Režija / Director: Ines Tanović Scenarij / Screenplay: Ines Tanović Montaža / Editor: Nijaz Kožljak, Redžinald Šimek Producent / Producer: Amra Bakšić – Čamo Produkcija / Production: SCCA / pro.ba Filmografija / Filmography 2014 - GETO 59 / GHETTO 59 (dokumentarni / documentary) 2012 - ŽIVI SPOMENIK (dokumentarni / documentary) 2011 - JEDAN DAN NA DRINI (dokumentarni / documentary) 2010 - OMNIBUS: NEKE DRUGE PRIČE / SOME OTHER STORIES 2002 - BEZ KALORIJA (kratki / short) 1998 - SINDROM (kratki / short) 1991 - ČOVJEK S (kratki / short) 1989 - IDEA (kratki / short) 1987 - KRUGOVI (kratki / short)

Goli / Naked Island Tri generacije i šest decenija ranije jedan je mladić nestao na četiri godine. Te su četiri godine slomile i njega i njegovu porodicu. Taj je mladić bio moj deda, a njegova je porodica i moja porodica. Decenijama su dedini zatvorski dani bili tabu tema. Naša je porodica izgrađena na vrištećem bolu skrivenom velom šutnje. Nakon pada komunizma saznali smo da je deda bio zatvoren na Golom otoku - zatvoru sličnom gulagu. Prošle su godine novine objavile priču grupe naših bliskih porodičnih prijatelja pod naslovom Prva ispovijest preživjelih s Golog otoka. Kroz razgovore s članovima moje porodice i s ljudima koji su robijali s dedom, kao i čitajući zapečaćene arhive, uspjela sam uspostaviti vezu s dedom koja za njegovog života nije postojala među nama. Tiha K. Gudac (Zagreb, 1982.) je filmska producentica iz Zagreba. Diplomirala je filmsku produkciju i poslovnu ekonomiju. Ranije se bavila glumom, pozorišnom produkcijom, marketingom, PR-om i aktivnošću u neprofitnom sektoru. Kasnije se gotovo u potpunosti posvetila produkciji audiovizualnih formi i filmskih festivala. Producirala je nekoliko kratkih igranih i dokumentarnih filmova od kojih su neki nagrađivani, a bila je i članica ekipe na dugometražnim igranim, dokumentarnim i animiranim filmovima. Film “Goli” je njezin rediteljski prvijenac. E Three generations and six decades ago a young man disappeared for four years. During this time

both he and his family suffered wounds that broke them for years. This young man was my grandfather, and his family is my family. For decades the subject of grandfather’s prison days remained taboo. Our family was built on screaming pain hidden under the veil of silence. With the fall of communism we learned that my grandfather was interned in the gulag-like camp Goli Otok. Last year a group of our close family friends appeared in a newspaper, and the headline read – Goli Otok survivors speak out for the first time. Through grandpa’s fellow inmates, members of our family and sealed archives I am able to find a connection to my grandfather which I did not have in his lifetime.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2014, Colour, 75 min., Croatian Režija / Director: Tiha K. Gudac Scenarij / Screenplay: Tiha K. Gudac Direktor fotografije / Director of Photography: Eva Kraljević, Tamara Cesarec, Srđan Kovačević, Tiha K. Gudac Montaža / Editor: Dragan von Petrovic Muzika / Music: Dubravko Robić Zvuk / Sound: Ivan Zelić Producent / Producer: Nenad Puhovski Produkcija / Production: Factum Filmografija / Filmography 2014 - GOLI / NAKED ISLAND 2010 - HAPPY BIRTHDAY, MARIJA 2008 - SHOPPING 2007 - EVERYTHING WILL BE FINE

Tiha K. Gudac (Zagreb, 1982) is a film producer from Zagreb. She has obtained University degrees in Film Production and in Business Economics. Her earlier work includes acting, theatre production, marketing, PR, and intensive involvement in non-profit sector. Later she moved to working almost exclusively in production of audiovisual formats and film festivals. She has independently produced short films some of which have been awarded, and has worked on crews of feature fiction and documentary films, animated films etc. Naked Isand is her first film as a director.

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Happily Ever After / Ljubavna odiseja Nakon što po ko zna koji put pronalazi ljubav svog života, a situacija se opet počinje odvijati u sasvim pogrešnom smjeru, filmska autorica Tatjana Božić donosi odluku da okrene novi list. Ova veza mora uspjeti! Tatjana posjećuje pet bivših partnera u Moskvi, Hamburgu, Londonu i Zagrebu kako bi pronašla odgovor na pitanje zašto sve njene ljubavne veze doživljavaju neuspjeh. Uz dosta samoizrugivanja, ali i duboko strastveno, ona raspliće svoje ranije veze i suočava svoje bivše partnere i samu sebe sa kompleksnom prirodom moderne ljubavi. Radi se o konfrontacijskom, emotivnom, ali istovremeno duhovitom filmu u kojem se svako može prepoznati, a u kojem autorica grčevito nastavlja potragu za “svetim gralom” ljubavi: srećom do kraja života! Tatjana Božić je rođena u Karlovcu, 1971. U Moskvu se seli 1986. godine, te završava studij TV novinarstva na Državnom univerzitetu Lomonosov u Moskvi. U periodu od 1993. do 1996. godine je pohađala postdiplomski studij pri Koledžu za režiju i scenarij u Moskvi, na odjelu za dokumentarni film. Njen diplomski rad PROVINCIAL GIRLS (koji je korežirala sa Frankom Muellerom) je osvojio Grand Prix Filmskog festivala u Ekaterinburgu za najbolji ruski dokumentarac. S Hrvojem Mahićem i Markom Zdravićem 1999. godine osniva produkcijski studio Fade In, a 2002. i 2003. režira, snima i montira A WOMAN WITH A CAMERA, seriju intimnih putopisnih dokumentaraca. U periodu od 2004. do 2007. godine, u svojstvu vanjskog saradnika, radila je kao rediteljica i kinematografkinja za HTV, Novu TV, RTL i MTV Adria. E When filmmaker Tatjana Božić has for the umpteenth time found the love of her life and again things threaten to go terribly wrong, she decides that she should turn over a new leaf. This relationship must succeed! Tatjana visits five exes in Moscow, Hamburg, London and Zagreb to find an answer to the question why all her love affairs always end on the rocks. With a good dose of selfmockery, but also with deeply felt passion, she unravels her past relationships and she confronts her (ex-)men and herself with the complexities of contemporary loving. The documentary is a confrontational, emotional, but at the same time humorous film, easily recognizable to everyone of us, in which the filmmaker staunchly keeps searching for the holy grail of love: the Happily Ever After!

Tatjana Božić was born in Karlovac in 1971. She moved to Moscow in 1986 and took her degreee in TV Journalism from the Moscow State University Lomonosov. From 1993 to 1996 she attended postgraduate studies at the Documentary Department of the Directing and Screenwriting College in Moscow. Her graduation work, PROVINCIAL GIRLS (co-directed with Frank Mueller) won the Grand Prix for Best Russian Documentary Film at the festival in Ekaterinburg. In 1999, she co-founded Fade In production studio, together with Hrvoje Mabić and Marko Zdravković. In 2002 and 2003 she directed, shot and edited A WOMAN WITH A CAMERA, a series of intimate travel documentaries. From 2004 to 2007 she worked as director and cinematographer in external production for HTV, Nova TV, RTL and Mtv Adria.

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BiH PREMIJERA / B&H PREMIERE Croatia, Netherlands, 2014, Colour, 83 min., English Režija / Director: Tatjana Božić Scenarij / Screenplay: Tatjana Božić, Alexander Goekjain Direktor fotografije / Director of Photography: Ton Peters NSC Montaža / Editor: Boudewijn Koole Muzika / Music: Alex Simu Zvuk / Sound: Dennis Kersten Producent / Producer: Boudewijn Koole, Iris Lammertsma, Nenad Puhovski Produkcija / Production: Witfilm, Factum Uloge / Cast: Pavel Kraminov, Aleksey Maslakov, Vjeran Pavlinić, Frank Müller, Jacob Nell, Ivan Božić, Daria Aslamova, Tatiana Vakhnyuk, Guna Pudane Kontakt / Contact: Cinéart, Herengracht 328 III, 1016 CE Amsterdam, info@cineart.nl, Tel: + 31 20 53 08 848 JvdW film, Iris Lammertsma, De Kempenaerstraat 11B, 1051 CJ Amsterdam, iris@jvdwfilm.nl, Tel: +31 20 68 85 049 Filmografija / Filmography 2013 - HAPPILY EVER AFTER 2006 - SEX O’ CLOCK 2002 / 2003 - A WOMAN WITH A CAMERA (dok. TV serije / doc. TV series) 2002 - DEAR SUZY 2001 - DISTORTED REFLECTIONS 2001 - CHALLENGE 2000 - BESPOMOĆ 2000 - EKO 2000 - VOICE 1999 - JUST ABOUT OASIS 1977 - LAST PLANT STANDING 1996 - PROVINCIAL GIRLS 1995 - FRAUS (eksperimentalni / experimental) 1994 - LAST WEEKEND AT PETLYURA 1994 - POGLEDAJTE SE 1993 - OF NO STRATEGIC IMPORTANCE

He bû tune bû / Nekada davno / Once Upon a Time Članovi siromašne, mnogobrojne kurdske porodice svake se godine iz Batmana sele u Ankaru kako bi radili u poljima. Za život zarađuju uzgajajući salatu, a to je slabo plaćen posao bez povlastica. Ove godine, međutim, njihova priča poprima drugačiji tok i prerasta u neočekivanu, iznenadnu ljubavnu priču. Bajka koju je majka djeci pričala pod šatorom u poljima postaje stvarnost. Filmska naracija također prati put salate od polja do stola. Film nam otkriva da se iza najobičnije hrane na našim stolovima krije mnoštvo priča i puno rada. Također nam otkriva da moderno ropstvo nastavlja da postoji u svijetu u kojem živimo... Kazim Öz je rođen 1973. godine u Dersimu. Na Univerzitetu Marmara je uporedo studirao arhitekturu, film i televiziju. Radio je kao pozorišni reditelj i glumac, te snimio nekoliko kratkih filmova i dokumentaraca. Jedan je od osnivača filmske produkcije Yapim 13, gdje i radi od 1996. Svojim kratkim filmom THE LAND je stekao priznanje i osvojio mnoštvo nagrada kako u Turskoj tako i u inostranstvu. Svoj prvi dugometražni igrani film THE PHOTOGRAPH je snimio 2001. godine. Film je prikazan na brojnim festivalima i osvojio je niz nagrada. Njegov prvi dugometražni dokumentarac THE DISTANT je 2005. godine proglašen najboljim dokumentarnim filmom na festivalima u Nurnbergu i Ankari. Producirao je i režirao film THE STORM koji je distribuiran u kinima 2008. godine i pogledalo ga je više od 100.000 gledalaca. Filmom ONCE UPON A TIME / NEKADA DAVNO je 2014. godine osvojio nagradu Libraries Award in Cinéma du Réel i nagradu FIPRESCI, kao i Specijalnu nagradu žirija Međunarodnog filmskog festivala u Istanbulu. E A poor crowded Kurdish family arrives from Batman to Ankara to work on the fields every year. Without any benefits and with very low wages, the family works to gain a living by cultivating lettuce. This year, the story takes a different turn gearing into a sudden, unexpected love story. The tale being told by the mother to her kids in the tent on the fields becomes real. The documentary also narrates the process of lettuce coming from the fields to dinner tables. It reveals that so many stories and so much labour stand behind the simplest food we find on our tables. It also shows that modern slavery continues to exist even in today’s world...

REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, 2014, Colour, 81 min., Turkish Režija / Director: Kazim Öz Scenarij / Screenplay: Kazım Öz Direktor fotografije / Director of Photography: Kazım Öz Montaža / Editor: Kazim Oz, Semih Yildiz Zvuk / Sound: Selahattin Mardin Producent / Producer: Kazım Öz Produkcija / Production: Yapim13 Film Production & Al Jazeera Uloge / Cast: Saim Calar, Gamze Calar, Ismehan Calar, Semsihan Calar, Ferhat Calar Kontakt / Contact: Yapim13 Film Production Filmografija / Filmography 2014 - HEBU TUNEBU / ONCE UPON A TIME 2010 - DEMSALA DAWI: SEWAXAN / LAST SEASON OF SHAWAKS 2008 - BAHOZ / STORM 2005 - DÛR / THE DISTANT 2001 - FOTOGRAF / THE PHOTOGRAPH 1999 - AX / THE LAND (kratki / short) 1996 - DESTÊN ME WÊ BIBIN BASK EMÊ BIFIRIN HERIN / OUR HANDS WILL BE OUR WINGS, WE WILL FLY AWAY

Kazim Öz was born in 1973 in Dersim. He studied architecture as well as cinema and TV at Marmara University. He has worked as theatre director and actor and has made several short films and documentaries. He is one of the founders of Yapim 13 film production and he has been working there since 1996. With his first short film THE LAND he won recognition in national and international level and received many awards. He completed his first feature-length film with the name THE PHOTOGRAPH in 2001. The movie was screened at numerous festivals and won many awards In 2005, with his first feature-length documentary film THE DISTANT he won the Best Documentary award at the Nurnberg Film Festival and the Ankara Film Festival. He produced and directed the film THE STORM which was released in the year 2008 and met with an audience of more than 100 000. He won Libraries Award at the Cinéma du Réel 2014, the FIPRESCI Award and the Special Mention of the Jury Award at the Istanbul International Film Festival 2014 with his film ONCE UPON A TIME.

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Judgement in Hungary / Presuda u Mađarskoj Filmska je ekipa tri godine pratila suđenje četvero članova mađarske kriminalne bande optužene za rasno motivirana ubistva šest Roma, uključujući i djecu. Policiji je trebalo više od godinu dana da uhapsi osumnjičene, a cijeli je slučaj predugo trajao - uglavnom zbog nedostatka dokaza i ogromnih policijskih propusta. Saslušanja u do tada nezabilježenom slučaju serije krvavih ubistava počela su u martu 2011. godine pred sudom u Budimpešti, a okončana su 6. avgusta 2013. Film prati sudbinu članova triju romskih porodica koje vjeruju da će kroz mađarski pravosudni sistem ostvariti pravdu. Oni vjeruju da će država njih zaštititi, a kazniti ubice. Da li će porodice ubijenih dobiti ono čemu se nadaju? Trebaju li Romi imati povjerenja u mađarsko pravosuđe? Eszter Hajdú je rođena u Budimpešti 1979. godine. Studirala je elektronske medije (Univerzitet u Szegedu, Odsjek za komunikacije) i sociologiju (Univerzitet ELTE u Budimpešti), a također je završila studij nacionalizma na Centralnoevropskom univerzitetu u Budimpešti. Studirala je i u Stockholmu, a obuku za rad na filmu završila je u Italiji i Rumuniji. Diplomirala je na Univerzitetu za pozorišnu i filmsku umjetnost u Budimpešti. Novinarstvom se kontinuirano bavi od 18. godine života i radila je kao reporterka, urednica i direktorica programa u štampanim medijima, na radiju i televiziji, istovremno radeći za filmske produkcije. Kao rediteljica se fokusira na marginalizirane osobe i društvene grupe, a kroz priče o pojedincima i njihovim ličnim dramama zapravo oslikava šire društvene probleme. Eszter trenutno živi i radi u Portugalu i Mađarskoj. E For three years, a film crew followed the trial of four members of a Hungarian criminal gang accused of a series of racially motivated murders of six Roma, including children. It took more than a year just to apprehend the culprits, and the case dragged on, mainly because of a lack of evidence and gross police misconduct. The judicial hearings on this unprecedented and bloody series of murders started March, 2011 in Budapest, and ended on 6 August 2013. The film traces the fate of three Roma families who trust the judicial system to give them closure. They believe that the murderers will be punished and they trust that the Hungarian state will protect them. Will these families achieve what they seek? Can the Roma trust the Hungarian justice system?

Eszter Hajdú was born in Budapest in 1979. She completed her studies in Electronic Media (University of Szeged, Communications Department) and in Sociology (ELTE University of Budapest), and also completed a course of studies in Nationalism at the Central European University (Budapest). She studied in Stockholm, and received training in filmmaking in Italy and Romania. She graduated at the University of Theatre and Film Arts in Budapest. She has worked continuously in journalism since the age of 18, as a reporter, editor and program director, in the print media, radio and television alike, while also working for film productions. As a director she focuses on people and groups who are excluded by their societies and by introducing us to individual lives and their dramas, her films in fact depict larger social issues. Eszter currently lives and works in Portugal and Hungary.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, Germany, Portugal, 2013, Colour, 107 min., Hungarian Režija / Director: Eszter Hajdú Scenarij / Screenplay: Eszter Hajdú Direktor fotografije / Director of Photography: Eszter Hajdú Montaža / Editor: Menno Boerema, Bence Bartos Muzika / Music: Sandor Mester Zvuk / Sound: Eszter Hajdú, Daniel Bhöm, Ferenc Gerendai Producent / Producer: Sandor Mester Produkcija / Production: Sandor Mester Kontakt / Contact: Sandor Mester, Miradouro Media lda, ms3@sandormester.com Tel: +351 914732187, www.judgmentinhungary.com Filmografija / Filmography 2013 - JUDGEMENT IN HUNGARY 2010 - DEMON HANDS 2009 - LULLABY 2008 - THE FIDESZ JEW, THE MOTHER WITH NO SENSE OF NATION AND MEDIATION 2007 - DESTINO 2006 - MY OWN PRIVATE TARNABOD

Khelmtsipe / Vladar / The Ruler „Nema čovjeka, nema problema“ – spomenik Staljinu; autor ove krilatice stvara probleme jednom malom selu u Gruziji. Da li bi spomenik Staljinu trebao ostati u dvorištu ženskog manastira? Ključno pitanje filma postaje uzrok sukoba među stanovnicima maloga sela u Gruziji. Manastir u Hramu spasitelja iz 7. stoljeća s jedne, a spomenik vođi sa druge strane. Da li to dvoje mogu koegzistirati? Kako je crkva postala utočište za čovjeka čije se ime vezuje za borbu protiv religije? Kakvi su ideološki konflikti tipični za Gruziju u 21. vijeku? Autori filma traže odgovore na ova pitanja. Shalva Shengeli je rođen 1966. godine. Diplomirao je na Odsjeku za arhitekturu Gruzijskog tehničkog univerziteta. Paralelno je studirao i na Odsjeku za žurnalistiku. Shalva Shengeli je 1998. diplomirao na Odsjeku za filmsku režiju na Gruzijskom državnom univerzitetu za teatar i film (u klasi Rezoa Esadzea). E “No man-no problem”- a monument to Stalin; the author of these words creates problems for a small village in Georgia. Should the monument to Stalin be left in the nunnery yard? The main question of the film became the cause of a conflict among the population of the village. A nunnery at the 7th century Saviour’s Temple on one side and the leader’s monument on the other. Is co-existence possible? How did the church become a shelter for the leader whose name was associated with a fight against religion? What kind of ideological conflicts are typical for 21st century Georgia? The authors of the film are looking for answers to these questions.

Shalva Shengeli was born 1966. He graduated from the Architecture Department of the Georgian Technical University, with parallel studies at the Department of Journalism. In 1998, Shalva Shengeli graduated from the Film Directing Department of the Georgian State University of Theatre and Film (studio of Rezo Esadze).

SVJETSKA PREMIJERA / WORLD PREMIERE Georgia, 2014, Colour, 52 min., Georgian Režija / Director: Shalva Shengeli Scenarij / Screenplay: Shalva Shengeli, Nino Chutkerashvili Direktor fotografije / Director of Photography: Giorgi Sigua, Kakha Bukhrashvili Montaža / Editor: Konstantine Jandieri Muzika / Music: Zurab Javakhia Zvuk / Sound: Paata Godziashvili, Irakli Ivanishvili Scenografija / Production Design: Nino Chutkerashvili Kostimografija / Costume Design: Kakha Bukhrashvili Producent / Producer: Nino Chutkerashvili Produkcija / Production: Beka Gersamia Filmografija / Filmography 2014 - KHELMTSIPE / THE RULER 2013 - BALETI SAKARTVELOSHI / THE BALLET IN GEORGIA 2011 / 13 - GAAGRDZELE SAKARTVELOS ISTORIA / GO ON THE HISTORY OF GEORGIA (TV doc. series / TV dok. serije ) 2010 - STADIONI / THE STADIUM 2008 - UCNOBI JARISKATSEBI / UNKNOWN SOLDIERS. 2006 - 07 ZETSIURI RAINDEBI / HEAVENLY KNIGHTS. (TV doc. series / TV dok. serije) 2005 - BRIGADA / BRIGADE 2004 - BAZA # 1 2003 - BAZA # 62 1998 - AKET-IKIT / TO AND FRO (kratki / short)

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Kismet Turske su sapunice poharale svijet, osvojivši srca miliona gledalaca na Bliskom istoku, u sjevernoj Africi, na Balkanu i u Aziji. Zahvaljujući nevjerovatnom pristupu najglamuroznijim glumcima i glumicama, te kreativnim autorima ovoga žanra, KISMET otkriva tajnu tog fenomenalnog uspjeha koji prevazilazi vjerske i kulturne granice. Film nas vodi na raskošne filmske setove najpopularnijih turskih sapunica, te ulice i domove u Kairu, Abu Dhabiju, Istanbulu, Atini i Sofiji, otkrivajući nam kako sapunice koje ruše tabue pomažu ženama širom regiona da zahtijevaju svoja prava i preobraze vlastite živote. Prikazujući neuobičajene sekularne slobode – vanbračne veze, žene koje se bore za prevlast na radnom mjestu, razvode – turske sapunice također preispituju postojeće običaje kao što su dogovoreni brakovi, nasilje nad ženama, zločini iz časti i prisiljavanje djece na brak. Nina Maria Paschalidou je nagrađivana autorica dokumentarnih filmova, producentica i cijenjena grčka novinarka s bogatim iskustvom u radu na dokumentarnim filmovima fokusiranim na socijalna previranja, ratove i zaboravljene društvene grupe. Dodiplomski studij medija masovnih komunikacija je završila na Univerzitetu u Bostonu, a zatim je diplomirala poduzetništvo na Univerzitetu Bentley. Film je studirala u školi filma La Femis u Parizu i na Univerzitetu NYU u New Yorku. Također je i stipendista Univerziteta Georgetown u Washingtonu i osnivačica nezavisne dokumentarističke i multimedijalne grupe Forest Troop. Od 2007. godine radi kao producentica višestruko nagrađivane dokumentarne serije EXTANDAS. Osvojila je mnogobrojne međunarodne nagrade filmom DIGITAL CEMETERIES o recikliranju elektronskog otpada u Kini, na kojem je radila kao producentica, te filmom DYING IN ABUNDANCE o krizi s hranom, snimanim u Indiji i Americi. Producirala je i režirala nezavisne dokumentarce kao što su SPIRITED PHATS: THE LIFE OF HUMAN RIGHTS HEROES i BOXING CUBA. E Turkish soap operas have taken the world by storm, conquering the hearts of millions of viewers in the Middle East, North Africa, the Balkans and Asia. With unprecedented access to the industry’s most glamorous actors and creative talent, KISMET unravels the secrets of this phenomenal success that transcends religion and culture. From the lavish production sets of the most popular Turkish soap operas, the film travels to streets and homes in Cairo, Abu Dhabi, Istanbul, Athens and Sofia, to discover how these taboo-breaking soaps are helping women across the region to claim their rights and transform their lives. Featuring unprecedented secular liberties - extramarital affairs, women struggling to assert themselves in the workplace, divorce - these soaps also question current practices, such as arranged marriages, violence against women, child marriages and honor crimes

Nina Maria Paschalidou is an award-winning documentary filmmaker, producer and an acclaimed Greek journalist with extensive experience in documentaries focused on social strife, war and forgotten populations. She received her undergraduate degree in Mass Communications at Boston University and her graduate degree in Entrepreneurship at Bentley University. She studied film at La Femis in Paris and at the NYU in New York. She is also a Fellow in the School of Foreign Service at Georgetown University, Washington D.C. She is also the founder of Forest Troop, an independent documentary and multimedia group. Since 2007, she has been a producer for EXANDAS Documentary Series, a multi-awarded documentary group. Her productions DIGITAL CEMETERIES, exploring e-waste recycling in China and DYING IN ABUNDANCE, a film about the food crisis filmed in India and the USA, have won many international awards. She has also produced and directed independent documentaries, such as SPIRITED PATHS: THE LIFE OF HUMAN RIGHTS HEROES and BOXING CUBA.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, Cyprus, Bulgaria, Croatia, UAE, 2013, Colour, 57 min., Arabic, Bulgarian, Croatian, English, Greek, Serbian, Turkish Režija / Director: Nina Maria Paschalidou Scenarij / Screenplay: Nina Maria Paschalidou Direktor fotografije / Director of Photography: Michalis Aristomenopoulos Montaža / Editor: Thodoris Armaos Muzika / Music: Spyros & Michalis Moschoutis Zvuk / Sound: Leandros Ntounis, Nikos Konstantinou, Hrvoje Petek, Momchil BozhkoV Scenografija / Production Design: Eleni Christodoulou Producent / Producer: Rea Apostolides, Yuri Averof, Nina Maria Paschalidou Produkcija / Production: Forest Troop & Anemon Productions Koproducenti / Co-producers: Martichka Bozhilova (Bulgaria), Sinisa Juričić (Croatia), Eva Star Sayre (UAE) Kontakt / Contact: Films Transit International Jan Rofekamp 21 Place Epernay Ville Lorraine Quebec. Canada J6Z 4K9, Tel: (514) 844 3358 www.filmstransit.com e-mail: janrofekamp@filmstransit.com Filmografija / Filmography 2013 - KISMET 2012 - KRISIS 2011 - THE PRISM GR2011

Love & Engineering – Rakkauden insinöörit / Ljubav i inženjering Moderni život u velikoj mjeri dizajniraju inženjeri. Vole da stvaraju i strukturiraju i ugodnije se osjećaju s brojevima i prirodnim naukama nego s osobama suprotnog spola. Atanas, kompjuterski inženjer iz Bugarske, tvrdi da je hakirao ljubav - ali da li je u stanju pomoći usamljenim i stidljivim inženjerima da pronađu pravu ljubav i sreću? U potrazi za naučnom formulom za pronalazak savršene supruge on koristi druge inženjere kao pokusne kuniće, objašnjava im svoje ideje i šalje ih u stvarni svijet kako bi te ideje testirali u praksi. Bežičnim putem upravlja njima tokom njihovih dogovorenih sastanaka s potencijalnim kandidatkinjama: lijepim mladim ženama. Da li su pravila privlačnosti, seksualnosti i ljubavi naučne prirode i, ako jesu, da li ih zaista želimo znati? Tonislav Hristov je bugarski filmski autor koji od 2001. godine živi u Finskoj. Svoj prvi dokumentarni film FAMILY FORTUNE za YLE i Bugarsku državnu televiziju režirao je 2008. godine. Njegov prvi dugometražni dokumentarni film RULES OF SINGLE LIFE je premijerno prikazan u kinima u Finskoj 2011, a u bugarskim kinima 2012. godine. Film je proglašen najboljim dokumentarnim filmom na Međunarodnom filmskom festivalu u Sofiji, a prikazan je i na brojnim drugim festivalima. E Our modern life is largely designed by engineers. They like to invent and structure things and they are more at ease with figures and natural science than in relations with the opposite sex. Atanas, a Bulgarian computer engineer claims to have hacked love, but can he help lonely and shy engineers find real love and real happiness? As he is trying to develop a scientific formula for the finding of a perfect wife, he uses other engineers as his guinea pigs; lectures them on his ideas and sends them out to test them in the real world. He guides with them through a wireless connection during their dates with potential candidates: beautiful young women. Are the rules of attraction, sex and love scientific and if they are, do we really want to know them?

Tonislav Hristov is a Bulgarian filmmaker, who has been living in Finland since 2001. In 2008, he directed his first documentary film FAMILY FORTUNE for YLE and Bulgarian National Television. His first feature length documentary RULES OF SINGLE LIFE premiered in Finnish cinemas in 2011 and in Bulgarian cinemas in 2012. The film won the Best Documentary award at the Sofia International Film Festival and was shown at many others.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Bulgaria, Finland, Germany, 2014, Colour, 85 min., English, Finnish Režija / Director: Tonislav Hristov Scenarij / Screenplay: Tonislav Hristov & Kaarle Aho Direktor fotografije / Director of Photography: Peter Flinckenberg Montaža / Editor: Nikolai Hartmann Muzika / Music: Petar Dundakov Zvuk / Sound: Nani Schumann Producent / Producer: Kaarle Aho, Kai Nordberg, Thomas Tielsch, Martichka Bozhilova Produkcija / Production: Making Movies, Filmtank, AGITPROP Uloge / Cast: Atanas Boev, Todor Vlaev, Tuomas Nieminen, Markus Virtanen,Andon Nikolov Filmografija / Filmography 2014 - LOVE & ENGINEERING 2013 - SOUL FOOD STORIES 2011 - RULES OF SINGLE LIFE 2008 - FAMILY FORTUNE 2005 - HERCULES

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Mitch - dnevnik jednog šizofreničara / Mitch - The Diary of A Schizophrenic Patient MITCH - DNEVNIK JEDNOG ŠIZOFRENIČARA autobiografski je film, portret četrdesetogodišnjeg šizofreničara koji u nastanku filma igra aktivnu ulogu. Mitch sudjeluje u filmskoj terapiji, koja se pažljivo provodi nekoliko godina, stvarajući umjetničko djelo. Njegov je filmski terapeut Damir Čučić, reditelj koji se također pojavljuje u filmu kao aktivni sudionik. Terapija se odvija u nekoliko faza i uključuje zadatke s kamerom. Mitch ih izvršava ovisno o tome gdje se u tom trenutku nalazi. Damir Čučić rođen je 1972. godine u Brežicama, u Sloveniji. Filmom se počeo baviti 1989. godine u filmskoj autorskoj grupi Enthusia Planck. Tokom protekle dvije decenije razvijao se na više područja u audiovizualnim medijima, ponajprije kao filmski reditelj i montažer. Autor je niza dokumentarnih i eksperimentalnih filmova i više kratkometražnih igranih filmova. Filmovi Damira Čučića i njegov rad na njima nagrađeni su s dvadeset pet filmskih nagrada, prikazani su na oko 150 festivala u četrdeset zemalja i na programima više od dvadeset evropskih javnih televizija. Njegov dugometražni igrani prvijenac PISMO ĆAĆI osvojio je Veliku Zlatnu Arenu na Festivalu igranog filma u Puli 2012. godine, a Čučić je nagrađen za najbolju montažu i kao najbolji debitant. Posljednjih devet godina selektor je takmičarskog programa Mediteranskog filmskog festivala u Širokom Brijegu. Upravo privodi kraju treći dugometražni film RAKIJAŠKI DNEVNICI. E Mitch - the Diary of A Schizophrenic Patient is an autobiographical film, the portrait of a 40-year-old schizophrenic who plays an active role, as one of two directors and as the cameramen, in the making of this film. Mitch goes through film therapy, carefully rolled out over several years, by building a work of art. His film “therapist” is Damir Čučić, the director, who also appears in the film as an active participant. The therapy takes place in several stages, through assignments done with the camera. Mitch completes these assignments depending on where he resides at that particular moment.

Damir Čučić was born in 1972 in Brežice, Slovenia. He started working in film in 1989 as a member of the Enthusia Planck filmmakers’ group. Over the past two decades he has developed various audio-visual media skills, primarily as film director and editor. He authored several documentary and experimental films, as well as a number of short features. For his films and his work on film Čućić has received 25 different film awards. His films had been screened at some 150 film festivals in 40 different countries and had also been broadcast by more than 20 European public broadcasters. His feature debut PISMO ĆAĆI was awarded the Golden Gate award of the Pula Film Festival in 2012 where Čućić had also received the Best Editing and the Best First Feature Film awards. For the past nine years he has been working as the selector of the competition programme of the Mediteran Film Festival in Široki Brijeg. At the moment, he is completing work on his third feature film RAKIJAŠKI DNEVNICI.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2014, Colour, 75 min., Croatian, English, German, Italian Režija / Director: Damir Čučić, Mišel Škorić Scenarij / Screenplay: Mario Haber Direktor fotografije / Director of Photography: Mišel Škorić Montaža / Editor: Damir Čučić Muzika / Music: Goran Štrbac Zvuk / Sound: Martin Semenčić Producent / Producer: Siniša Juričić Produkcija / Production: Nukleus film Hrvatska Filmografija / Filmography 2012 - A LETTER TO MY DAD / PISMO ĆAĆI; 2010 SKY SPIRITS (koautor Boris Poljak); 2009 - FRAKTALI; LUČONOŠA (koautor Boris Poljak); 2008 - SILENT FRAME; 2007 - MEMORIJA VRPCE; PYRAMIS; CITY KILLER / GRAD NA NIŠANU (dokumentarni /documentary); MALA SMRT / LA PETITE MORT; 2005 - STOLAC ZA LJULJANJE / ROCKING CHAIR (eksperimentalni kratki / experimental short); 2004 - ARABESKA / ARABESQUE 2004 - LA STRADA (eksperimentalni kratki / experimental short); 2002 - ONKRAJ / BEYOND (eksperimentalni kratki / experimental short); ZABORAVLJENI / THE FORGOTTEN (dokumentarni/ documentary); 2000 FREE SPACE; 1999 - BIĆA SA SLIKA / CREATURES FROM THE PICTURES (dokumentarni / documentary); MORE NAD SPLITOM / SEA OVER SPLIT; ČETVRTA SMJENA / THE FORTH SHIFT; 1998 - NA KRIVOM MJESTU U KRIVO VRIJEME / IN THE WRONG PLACE AND TIME; OFF FUCK OFF; 1997 - DO LUDILA / TILL MADNESS; 1996 - IVICA JE OPET SAM / IVICA IS ALONE AGAIN; 1995 - MESOJEĐE / MEATEATING; OKO / EYE

Padurea / Šuma / The Forest Predsjednik Jugoslavije Josip Broz Tito prvi je put posjetio Rumuniju 1947. godine. Tamošnje komunističke vođe na poklon su mu uručile sliku „Šuma bez lišća” velikog rumunskog umjetnika Iona Andeescua. Šezdesetih godina prošloga stoljeća mladi kritičar umjetnosti Radu Bogdan odlučio je prirediti detaljnu monografiju posvećenu velikom slikaru u koju je htio uvrstiti i reprodukciju slike poklonjene Titu. Nakon što je prevazišao niz problema, Bogdan dobija dozvolu da fotografira sliku u Titovoj rezidenciji na Brijunima u Hrvatskoj. Kada je skinuo sliku sa zida i pokušao da je izvadi iz okvira, ukazale su se žice koje nisu trebale biti tu, a na njihovom kraju mikrofon! Šta je dalje bilo? Jugoslaviju je potresao zemljotres jačine 7,5 stupnjeva Rihterove skale sličan onome koji je pogodio Bukurešt 1977. Neko je špijunirao Tita... Siniša Dragin je diplomirao na Akademiji za teatar i film u Bukureštu 1991. godine i sve od tada radi kao snimatelj za Reuters. Zbog neprekidne izloženosti zanimljivim pričama Dragin se inicijalno posvetio dokumentarnom filmu i snimio je dva kratka dokumentarca THE SORROW OF BLACK GOLD i SUN IS SHINING OVER TICHILESTI. Za svoj prvi igrani TV film LONG JOURNEY BY TRAIN je 1998. godine nagrađen s više nagrada za scenarij, kao i glavnom nagradom APTR, a drugim igranim filmom EVERYDAY GOD KISSES US ON THE MOUTH je osvojio tri nagrade za režiju i nagradu Tigar Rotterdamskog filmskog festivala. Na Rotterdamski filmski festival se vratio i 2011. godine s filmom IF THE SEED DOESN’T DIE, koji je osvojio nagradu publike Diorphate kao najbolji film finansiran iz fonda Hubert Bals. U skorije se vrijeme ponovo vratio dokumentarnoj formi, te je s Alinom Mungiu Pippidi režirao WHERE EUROPE ENDS. E In 1947, Yugoslav President Josip Broz Tito visited Romania for the first time. Its communist re-

gime gave him, as a present, a painting by the great Romanian artist Ion Andeescu: The Leafless Forest. In the 1960s, a young art critic, Radu Bogdan, decided to elaborate a monograph dedicated to the great painter, including a reproduction of the painting given to Tito. After countless problems, he obtained a permission to photograph the painting that was located in Tito’s residence on the Brioni island, Croatia. The moment they took the painting off the wall and started to remove it from its frame - wires, which should not be there, appeared. And at their end - the microphone! The result? Yugoslavia was shaken by a tremor comparable to the one that hit Bucharest in 1977 - 7.5 degrees on the Richter scale! There was someone spying on Tito...

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Romania, Serbia, 2014, Colour and b&w, 73 min., Romanian, Serbian Režija / Director: Siniša Dragin Scenarij / Screenplay: Siniša Dragin Direktor fotografije / Director of Photography: Siniša Dragin, Eugen Oprina Montaža / Editor: Siniša Dragin Zvuk / Sound: Marian Ioan Iacoban Producent / Producer: Siniša Dragin, Predrag Jakovljević Produkcija / Production: Mrakonia Film, Oktobar Film Uloge / Cast: Dalia Bogdan, Mica Rankovic, Milan Petrovic, Dragos Alexandru Kontakt / Contact: Siniša Dragin, CIUREA 14, 021926 BUCHAREST – Romania, Tel. +40722245127, e-mail: sdragin@gmail.com Filmografija / Filmography 2014 - THE FOREST 2010 - IF THE SEED DOESN’T DIE 2009 - WHERE EUROPE ENDS? 2004 - THE PHARAOH 2001 - EVERYDAY GOD KISSES US ON THE MOUTH 1998 - LONG JOURNEY BY TRAIN 1995 - SUN IS SHINING OVER TICHILESTI 1995 - THE RAIN 1994 - THE SORROW OF BLACK GOLD

Sinisa Dragin graduated from the Film and Theatre Academy, Bucharest in 1991 and worked since then as a cameraman for Reuters. Due to his immediate contact with contemporary stories, Dragin headed at first towards documentaries, making two shorts, THE SORROW OF BLACK GOLD and SUN IS SHINING OVER TICHILESTI. His first feature film for television, LONG JOURNEY BY TRAIN, got him several screenplay awards and the main APTR award, in 1998, his second film, EVERYDAY GOD KISSES US ON THE MOUTH, won three directing awards and the Tiger at the Rotterdam International Film Festival. He went back there in 2011 with IF THE SEED DOESN’T DIE, winning the Dioraphte award for best film funded by the Hubert Bals Fund, decided by the audience. In recent years, he returned to documentary, directing along with Alina Mungiu Pippidi WHERE EUROPE ENDS.

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Private Revolutions – Jung, Weiblich, Ägyptisch / Lične revolucije – mlade, žene, Egipćanke / Private Revolutions – Young, Female, Egyptian Dokumentarni film o četiri Egipćanke različitog društvenog statusa koje se nakon revolucije na mudar način bore za svoja prava i ideale. Upoznajemo uličnu aktivisticu Sharbat koju je, zbog njenog političkog angažmana, suprug izbacio iz kuće zajedno s djecom. Pratimo životni put Fateme, koja je aktivna članica Muslimanskog sestrinstva i majka triju malih dječaka. Doživljavamo borbu Amani, koja vodi vlastitu radiostanicu i izdavačku kompaniju te želi unaprijediti prava žena. Također smo s Nubian May u trenutku kada pokreće razvojni projekat u konzervativnim južnim dijelovima Egipta. Alexandra Schneider je rođena 1979. godine u Münsterlingenu, u Švicarskoj. Mladost je provela u Njemačkoj, Americi, Danskoj i u Linzu, u Austriji. Studirala je sociologiju u Beču i Maastrichtu, te je nekoliko godina radila kao sociolog prije no što će 2006. godine započeti studij režije i montaže na Bečkoj filmskoj akademiji. Nakon toga je radila na filmu u Beču, širom Evrope, kao i u Egiptu. Filmovi koje je režirala uključuju: TANTE BAUM, FEMINA ENERGETICA i PRIVATE REVOLUTIONS. E A documentary about four young Egyptian women with different social background who smartly fight for their ideals and rights after the revolution. We see the street activist Sharbat, who was kicked out with her kids by her own husband due to her political engagement. We follow the path of Fatema, who is an active Muslim Sister and mother of three little sons at the same time. We experience the struggle of Amani who runs her own radio station and a publishing company trying to enhance women’s rights. And we are with the Nubian May when she starts a development project in the conservative South of Egypt.

Alexandra Schneider was born in 1979 in Münsterlingen, Switzerland. She grew up in Germany, USA, Denmark and Linz/Austria. She studied Social Sciences in Vienna and Maastricht and worked for several years as social scientist before she began studing directing and editing at the Vienna Film Academy in 2006. Since then, she has worked on film in Vienna, Europe and Egypt. Films as a director (selection): TANTE BAUM, FEMINA ENERGETICA, PRIVATE REVOLUTION.

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SVJETSKA PREMIJERA / WORLD PREMIERE Austria, 2014, Colour, 98 min., Arabic, English Režija / Director: Alexandra Schneider Direktor fotografije / Director of Photography: Sandra Merseburger Montaža / Editor: Alexandra Löwy, AEA Muzika / Music: Julian Hruza, Fayrouz Karawaya Zvuk / Sound: Alexandra Schneider, Daniela Praher Producent / Producer: Daniela Praher Produkcija / Production: Daniela Praher Filmproduktion Uloge / Cast: Sharbat Abdallah, Fatema Abouzeid, Amani Eltunsi, May Gah Allah Kontakt / Contact: Daniela Praher Filmproduktion, Karajangasse 4/13, 1200 Vienna – Austria, Tel +43 650 34 17 460, daniela.praher@gmail.com Filmografija / Filmography 2014 - PRIVATE REVOLUTIONS 2010 - FEMINA ENERGETICA (igrani film / feature) 2009 - TANTE BAUM

SkaNdal / Scandal SKANDAL je prvi ikada snimljen dokumentarac o LGBT pokretu u Albaniji. Film donosi zapanjujuću priču o tome kako je u Albaniji bilo moguće pokrenuti i razviti jedan društveni i politički pokret i uvesti ga u samo srce društva. To je priča o iskustvima pametnih i hrabrih ljudi koji su pokrenuli LGBT pokret i onima koji su mu posvetili svoj život. Film je posvećen predstavnicima LGBT zajednice koji su u vrijeme komunističke vladavine proganjani i čiji su životi bivali uništeni, ali i poziv onima koji je još uvijek strah. SKA (nema) NDAL (stani) - dvije riječi na albanskom, za dokumentarac koji preispituje dva različita svijeta. Elton Baxhaku je, nakon što je diplomirao političke nauke na Evropskom univerzitetu u Tirani, imao samo jedan cilj: da godine teškog sticanja znanja uveže s filmskom umjetnošću. Zato je upisao Akademiju za film i multimediju Marubi, na kojoj je 2012. godine diplomirao režiju. Njegov je kratki, poetični dokumentarac BOOK osvojio nagradu za najbolji dokumentarni film na Festivalu balkanske hrane i filma u Podgradecu u Albaniji 2012. godine. Eriona Cami je magistrirala pravo na Pravnom fakultetu Evropskog univerziteta u Tirani, a režiju je diplomirala na Akademiji za film i multimediju Marubi. Eriona je dobitnica specijalne nagrade Dritan Hoxha za novinarski rad u svome dokumentarnom filmu AGUSTIN. Do sada je režirala i korežirala 21 kratki igrani i dokumentarni film. E SKANDAL is the first ever long documentary about the LGBT movement in Albania. It shows an

amazing history of how a social and political movement in Albania can start, can move on and get to the heart of the society. The experience of smart and courageous people who started the LGBT movement and of those who found and dedicated their lives to this movement. A tribute to those LGBT people who were persecuted, destroyed and never lived a life under communism and an open call for those who are still afraid. SKA (non) NDAL (stop) – two words in Albanian for the documentary that challenges two different worlds… Elton Baxhaku had only one aim after receiving a Bachelor Degree in Political Sciences from the European University of Tirana: how to combine those years of hard studying with the art of cinema. He then studied in the Academy of Film and Multimedia Marubi and received his second Bachelor’s Degree in Directing in 2012. Elton Baxhaku was awarded as Best Documentary for his short poetic documentary BOOK at the Balkan Food and Film Festival, Pogradec Albania, 2012. Eriona Cami has a Master’s Degree in Law from the Faculty of Law at the European University of Tirana and a Bachelor’s Degree in Directing from Academy of Film and Multimedia Marubi, Tirana. Eriona was the Special Winner of Dritan Hoxha award, for the journalistic approach with the short documentary entitled AGUSTIN. She has directed and co-directed 21 short movies and short documentaries.

SVJETSKA PREMIJERA / WORLD PREMIERE Albania, 2014, Colour and B&W, 64 min., Albanian Režija / Director: Elton Baxhaku, Eriona Cami Scenarij / Screenplay: Kristi Pinderi and Xheni Karaj Direktor fotografije / Director of Photography: Elton Baxhaku Montaža / Editor: Elton Baxhaku Muzika / Music: Arranged by Xheni Karaj, Elton Baxhaku Zvuk / Sound: Eriona Cami Scenografija / Production Design: Henrik Lezi Kostimografija / Costume Design: Henrik Lezi Producent / Producer: Kristi Pinderi and Xheni Karaj Produkcija / Production: Alliance Against Discrimination of LGBT and ProLGBT Filmografija / Filmography Elton Baxhaku Izbor / Selected 2014 - SKANDAL 2013 - 100 YEARS OF ALBANIAN POST 2012 - COP NJERIU / ASUNDER (kratki /short) 2011 - BOOK (dokumentarni / documentary.) Eriona Cami Izbor / Selected 2014 - SKANDAL 2013 - 100 YEARS OF ALBANIAN POST 2012 - AGUSTIN (kratki dokumentarni / short doc.) 2011 - BOOK (dokumentarni / documentary) 2010 - TIME REPAIRMAN (kratki / short)

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Szerelempatak / Bujica ljubavi / Stream of Love Čak i u starosti, ljubav i strast ispunjavaju umove stanovnika jednog sela u rumunskoj Transilvaniji, u kojem se govori mađarskim jezikom. U selu vrijeme kao da je stalo, ali iako su seljani većinom starije osobe, u srcu su osvježavajuće mladi. Feri je, na primjer, neizlječivi romantik. On je odavno proslavio 80. rođendan, ali to ga ne sprječava da se udvara svim seoskim udovicama, mada istovremeno tvrdi da su svega dvije ili tri od njih dvadeset pet vrijedne truda. Dok pred kamerom govore o svojim najintimnijim mislima i snovima, žene su nevjerovatno otvorene. BUJICA LJUBAVI je duhovit, neobičan i osjećajan film čije tragikomične priče dokazuju da se u jednom zabačenom selu još uvijek igraju prastare igre romanse i ljubavi. Ágnes Sós je rođena u Budimpešti 1966. godine. Diplomirala je na Mađarskom ekonomskom univerzitetu 1989. U periodu od 1990. do 2001. je radila kao urednica i rediteljica na Mađarskoj državnoj televiziji. Dokumentarnim filmom se počela baviti 1991. Prvo je snimala TV dokumentarce, a zatim je počela raditi i kao producentica. Napravila je oko 20 dugometražnih i 15 kratkih dokumentarnih filmova kojima je osvojila brojne nagrade kako u Mađarskoj tako i u inostranstvu. E Love and desire fill the minds of villagers in a Hungarian-speaking village in Transylvania, Romania, even in their old age. Time has stood still here, and although most of the village’s inhabitants are elderly, they are refreshingly young at heart. Feri, for example, is an incurable romantic. Way past his 80th birthday, he’s still making moves on the village’s 25 widows – although he claims that only two or three of them are really worth the effort. And the women speak plainly when sharing their most intimate thoughts and dreams to the camera. STREAM OF LOVE is funny, surprising and heartwarming, revealing how these tragicomic tales prove the ancient game of love and romance is still being played in this remote village.

Ágnes Sós was born in Budapest in 1966. She graduated from the Hungarian University of Economics in 1989. From 1990 until 2001 she worked as an editor and as a director in the Hungarian National Television. She has been making documentaries since 1991, first for television, than she became a producer as well. She has made about 20 documentary feature films and 15 short documentaries. Her documentary films have won numerous prizes in Hungary and abroad.

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BiH PREMIJERA / B&H PREMIERE Hungary, 2013, Colour, 70 min., Hungarian Režija / Director: Ágnes Sós Scenarij / Screenplay: Ágnes Sós Direktor fotografije / Director of Photography: Zoltán Lovasi Montaža / Editor: Thomas Ernst Muzika / Music: János Másik Zvuk / Sound: Tamás Zányi Producent / Producer: Ágnes Sós, Julianna Ugrin Produkcija / Production: Szerelem Patak Produkciós Kft. Koprodukcija / Co-production: HBO Europe Filmografija / Filmography 2004 / 2010 - LÁTHATATLAN HÚROK - A TEHETSÉGES PUSKER NŐVÉREK / INVISIBLE STRINGS - THE TALENTED PUSKER SISTERS 2007 / 2009 - ŐRÜLT SZERELEM EZ / A MAD LOVE THAT IS 2003 - TERI NAGYI / GRANDMOTHER TERI 2002 / 2005 - AKARTAM VOLNA MUTATNI / I JUST WANTED TO SHOW YOU 1993 / 2002 - TŐKÉSEK VAGYUNK, VAGY MI / SO WHAT, WE ARE CAPITALISTS 1998 / 2000 - …VAN A BÖRTÖN, BABÁM / …AND THERE IS THE PRISON, HONEY

Moj zanat / My Craft Na spomen imena Arsena Dedića, svatko odmah pomisli na veliki broj izvanrednih pjesama koje su nam urezane u pamćenje, na more knjiga poezije, na boema, šarmera i bonvivana koji je u našim životima odavno postao konstanta. I kako to obično biva kod velikih umjetnika čija dijela postaju dio kolektivne svijesti, on za života zapravo počinje postojati u dva paralelna svemira. Prvi je svemir velikih, a u njemu je Arsen Krleža ili možda Ujević popularne glazbe, ravan Dylanu i Cohenu, ali šarmantniji i topliji od obojice. Drugi svijet je Arsen sam, običan čovjek iz susjedne ulice, koji pokušava dostojanstveno kormilariti vlastitim životom, životom koji je odavno nadrastao njega samog… Mladen Matičević (1965) diplomirao je na FDU u Beogradu (Odsjek za film i TV režiju); režirao je više od 20 dokumentarnih filmova od kojih su najpoznatiji GETO-TAJNI ŽIVOT GRADA (1996), KAKO POSTATI HEROJ i RUN FOR LIFE. Mladen je režirao i TV seriju NEKI NOVI KLINCI, kao i dva dugometražna igrana filma: JEDAN NA JEDAN nagrađen kao najbolji srpski film te godine u izboru FIPRESCI Srbija i ZAJEDNO nagrađen drugom nagradom za scenarij na Festivalu filmskog scenarija Vrnjačka Banja 2011. E The very mention of the name of Arsen Dedić makes us think about the numerous fabulous songs engraved in our memory, an ocean of collections of poetry, a bohemian, a charmer and a bon vivant who became a constant in our life quite a while ago. Typically, great artists whose work becomes part of collective memory start existing in two parallel universes during their lifetime. First is the universe of the Great, where Arsen – Krleža or maybe Ujević of popular music – exists, equal to Dylan and Cohen but more charming and radiant than either of them. The other universe is Arsen himself, an ordinary man from the neighborhood who tries to steer with dignity through his own life - the life that had outgrown him a long time ago.

OUT OF COMPETITION GALA SCREENING Croatia, Serbia, 2014, B&W, 72 min., Croatian Režija / Director: Mladen Matičević Scenarij / Screenplay: Mladen Matičević Direktor fotografije / Director of Photography: Boris Poljak Montaža / Editor: Suzana Bašković Producent / Producer: Vera Robić – Škarica Produkcija / Production: Hrvatski filmski savez (Zagreb), Starhill (Beograd) Filmografija / Filmography Izbor / Selected 2014 - MOJ ZANAT (dokumentarni / documentary) 2011 - ZAJEDNO 2010 - RUN FOR LIFE (dokumentarni / documentary) 2007 - KAKO POSTATI HEROJ (dokumentarni / documentary) 2003 - NEKI NOVI KLINCI (TV serija) 2002 - JEDAN NA JEDAN

Mladen Matičević (born in 1965) graduated from the Department of Film and TV Directing of the Faculty of Dramatic Arts in Belgrade. He has directed over 20 documentary films including GETO - TAJNI ŽIVOT GRAD (1996), KAKO POSTATI HEROJ and RUN FOR LIFE. Mladen also directed the TV show NEKI NOVI KLINICI and two feature films: JEDAN NA JEDAN which was named Best Serbian Film of 2002 by FIPRESCI Serbia and ZAJEDNO which received the second Best Screenplay Award of the 2011 Vrnjačka Banja Film Screenplay Festival.

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U fokusu / In Focus

Amour Fou, Jessica Hausner

Ben O değilim / Nisam ja on / I’m not him, Tayfun Pirselimoğlu

Kış uykusu / Zimski san / Winter Sleep, Nuri Bilge Ceylan

Miss Violence, Alexandros Avranas

Neposlušni / The Disobedient, Mina Đukić

Otchuzhdenie / Otuđenje / Alienation, Milko Lazarov

Shemtkhveviti Paemnebi / Sastanci naslijepo / Blind Dates, Levan Koguashvili

U fokusu / In Focus Program U fokusu godinama je važan popratni program Sarajevo Film Festivala koji se neodvojivo veže za Takmičarski program, koji daje kratki godišnji pregled regionalnih kinematografija. Tako je i ove godine riječ o dinamičnoj i raznovrsnoj selekciji od sedam filmova koji su obilježili filmsku godinu.

E For years now, the In Focus programme has been an important sidebar of Sarajevo Film Festival, inextricably linked to the Competition Programme, bringing a short annual review of regional film productions. This year again, it is a dynamic and versatile selection of seven films that have marked this film year.

Program donosi dva debitantska filma, i to bugarski OTCHUZHDENIE / OTUĐENJE reditelja Milke Lazarova koji je premijerno prikazan na Filmskom festivalu u Veneciji 2013., te NEPOSLUŠNI, srbijanske rediteljice Mine Đukić koji je debitirao na Filmskom festivalu Sundance. Oba filma donose dašak osvježenja ne samo u regionalnoj kinematografiji nego i šire. OTUĐENJE je priča o muškarcu koji iz Grčke odlazi u Bugarsku kupiti nerođeno dijete od trudne majke. Film je dijaloški sveden samo na trenutke kada likovi zaista moraju govoriti, a reditelj komunicira kroz jake glumačke uloge i slike pejzaža. I radnja filma NEPOSLUŠNI smješten je u puste predjele, ovaj put Vojvodine, a prati priču dvoje mladih ljudi koji se ponovo sreću i kreću u besciljno lutanje tražeći uzbuđenja.

The programme brings two debuts: the Bulgarian OTCHUZHDENIE / ALIENATION by Milko Lazarov, which premiered at 2013 Venice Film Festival, and Serbian NEPOSLUŠNI / THE DISOBEDIENT by Mina Đukić, which debuted at the Sundance Film Festival. ALIENATION is a story about a man who travels from Greece to Bulgaria to buy an unborn child from its pregnant mother. In terms of dialogue, the film is reduced to the moments when the characters really can speak, and the director communicates through powerful acting and landscapes. The story of the THE DISOBEDIENT is also located in a desolate landscape, this time in Vojvodina, and it follows two young persons who meet again and embark on an endless wandering, looking for excitement.

Grčki film MISS VIOLENCE reditelja Alexandrosa Avranasa je mračna porodična drama koja počinje samoubistvom jedanaestogodišnjakinje, a onda otkriva nezamislivu mrežu porodičnog seksualnog nasilja na čijem čelu je otac. Film, koji je snimljen u sada već prepoznatljivom stilu grčkog filma apsurda, prikazan je u zvaničnoj selekciji prošlogodišnjeg Festivala u Veneciji gdje je nagrađen s čak četiri nagrade (najbolji reditelj, najbolji glumac, najbolji euromediteranski film, te Young Cinema Award za najbolji film).

The Greek film MISS VIOLENCE by Alexandros Avranas is a gloomy family drama that starts with the suicide of a 11 year-old girl and uncovers an unimaginable web of sexual abuse in the family, led by the father. Filmed in the now recognisable style of the Greek absurd, this film was shown in the official selection of last year’s Venice IFF, where it took as many as four awards (Best Director, Best Actor, Best Euro-Mediterranean Film, and Young Cinema Award for Best Film).

Turski film BEN O DEĞILIM / NISAM JA ON, reditelja Tayfuna Pirselimoğlua, nedvojbeno podsjeća na Hitchcockov Vertigo, a prati usamljenog 50-godišnjaka koji započinje tajnu ljubavnu vezu s misterioznom kolegicom, a onda, korak po korak, preuzima identitet njenog muža koji je u zatvoru. Film je uspješno prikazan na brojnim festivalima, od prošlogodišnjeg festivala u Rimu gdje je osvojio Nagradu za najbolji scenarij. U gruzijskom filmu SHEMTKHVEVITI PAEMNEBI / SASTANCI NASLIJEPO, reditelja Levana Koguashvilija, srednjoškolski profesor Sandro u petoj deceniji života još živi sa svojim roditeljima koji mu stalno prigovaraju zbog toga što nije oženjen. Njegov prijatelj Iva nagovara ga da se sretnu naslijepo s dvije žene. Ovaj film na komičan način govori o ljubavi i nepredvidivosti života. Jessica Hausner predstavlja svoje najnovije ostvarenje AMOUR FOU, film koji je izuzetno uspješno prikazan u Cannesu, u programu Un Certain Regard. U duhu biografskih filmova koji su obilježili ovu godinu, AMOUR FOU je priča o dvostrukom samoubistvu Heinricha von Kleista i Henriette Vogel. Ovaj slojeviti portret donosi brutalnu ljubavnu priču koja je uspjela pobjeći od melodramske sentimentalnosti stvarajući zrelo filmsko ostvarenje. I konačno, tu je i turski film KıŞ UYKUSU / ZIMSKI SAN reditelja Nurija Bilgea Ceylana koji je ove godine osvojio Zlatnu palmu na Filmskom festivalu u Cannesu. Ovaj film je još jedno Ceylanovo remek djelo, priča o penzionisanom bogatom glumcu koji sa svojom mlađom ženom vodi mali pansion u Anadoliji. Jedan beznačajan događaj pokrenut će i zavijek izmijeniti odnose među likovima, te uzdrmati naizgled savršen život glavnog junaka. Zapravo, svi će se probuditi iz zimskog sna i sagledati svijet oko sebe. Program U fokusu, s ovih sedam pažljivo odabranih filmova, pokazuje svu zrelost, raznovrsnost i vitalnost kinematografija regije danas.

The Turkish film BEN O DEĞILIM / I AM NOT HIM by Tayfun Pirselimoğlu is clearly reminiscent of Hitchcock’s Vertigo, and it follows a lonely 50 year-old man who starts a love affair with a mysterious colleague and then, step by step, takes over the identity of her incarcerated husband, The film was shown to great acclaim at numerous festivals, including last year’s Rome IFF, where it won the Best Script Award. In the Georgian film SHEMTKHVEVITI PAEMNEBI / BLIND DATES by Levan Koguashvili, Sandro, a high-school teacher in his 50s still lives with his parents, who nag him for still being single. His friend Iva persuades him to go on a double blind date. This film speaks about love and the unpredictability of life, with a comical twist. Jessica Hausner presents her latest work, AMOUR FOU, which was screened to great success at this year’s Un certain regard selection of the Cannes Festival. In the spirit of bio-pics that marked this year, AMOUR FOU is a story about the double suicide of Heinrich von Kleist and Henrietta Vogel. This layered portrait brings a brutal love story that manages to escape melodramatic sentimentality, creating a mature work of film. And finally, there is the Turkish film KıŞ UYKUSU / WINTER SLEEP by Nuri Bilge Ceylan, which won the Palme d’or at this year’s Cannes Festival. This is yet another masterpiece by Ceylan, a story about a retired rich actor who runs a small pension in Anatolia, together with his wife. An insignificant event will change forever the relationships between the characters and shake up the seemingly perfect life of the main character. In fact, they will all wake up from their winter sleep and take a look at the world around them. With these seven carefully selected films, the In Focus programme shows the maturity, the versatility and the vitality of the film productions of the region today. Elma Tataragić selektorica / Programmer IN FOCUS l 20. Sarajevo Film Festival 75

Amour Fou Berlin u doba romantizma. Književnik Heinrich von Kleist želi ljubavlju pobijediti neizbježnost smrti, ali ne uspijeva nagovoriti svoju skeptičnu rodicu Marie da mu se pridruži u zajedničkom samoubistvu. Dok pokušava da se pomiri s ovim odbijanjem, neizrecivo pogođen neosjetljivošću svoje rodice prema dubini njegovih osjećanja, Heinrich upoznaje Henriette, suprugu poslovnog poznanika. Heinrichova kasnija ponuda ovoj šarmantnoj mladoj ženi u prvi mah nije privlačna, sve dok Henriette ne otkrije da je smrtno bolesna. Jessica Hausner rođena je 1972. u Beču. Studirala je režiju na Bečkoj filmskoj akademiji gdje je 1996. snimila kratki film FLORA koji je osvojio nagradu Léopard de Demain na Festivalu u Locarnu. INTERVIEW, njen diplomski film, osvojio je Nagradu žirija Cinéfondation na Filmskom festivalu u Cannesu 1999. Dvije godine kasnije je LOVELY RITA, njen prvi dugometražni film, predstavljen u sklopu programa Un Certain Regard na Filmskom festivalu u Cannesu, nakon čega je otišao u distribuciju u dvadeset zemalja. Njen drugi dugometražni film, HOTEL, ponovo je izabran za program Un Certain Regard na Filmskom festivalu u Cannesu 2004. Njen sljedeći film, LOURDES, premijerno je prikazan na Filmskom festivalu u Veneciji 2009. u sklopu Međunarodnog takmičarskog programa, gdje je osvojio nagradu FIPRESCI. AMOUR FOU je premijerno prikazan u selekciji Un Certain Regard 67. Filmskog festivala u Cannesu. E Berlin, the Romantic Era. Writer Heinrich von Kleist wishes to conquer the inevitability of death through love yet is unable to convince his sceptical cousin Marie to join him in a suicide pact. It is whilst coming to terms with this refusal, ineffably distressed by his cousin’s insensitivity to the depth of his feelings, that Heinrich meets Henriette, the wife of a business acquaintance. Heinrich’s subsequent offer to the beguiling young woman at first holds scant appeal that is until Henriette discovers she is suffering from a terminal illness.

Jessica Hausner was born in 1972 in Vienna, Austria. She studied directing at the Film Academy of Vienna, where in 1996 she made the short film FLORA, which won the Léopard de Demain at the Locarno Festival. INTERVIEW, her graduation film, won the Prix du Jury of the Cinéfondation at the Cannes Film Festival in 1999. Two years later, LOVELY RITA, her first feature film, was presented in Un Certain Regard at the Cannes Film Festival before being distributed in twenty territories. Her second feature film HOTEL was again selected for Un Certain Regard at the Cannes Film Festival 2004. Her next film LOURDES had its premiere at the Venice Film Festival 2009 International Competition selection, where it won the FIPRESCI Prize. AMOUR FOU premiered in the Un Certain Regard section at the 67th Cannes Film Festival.

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Austria, Luxembourg, Germany, 2014, Colour, 96 min., German Režija / Director: Jessica Hausner Scenarij / Screenplay: Jessica Hausner Montaža / Editor: Karina Ressler Scenografija / Production Design: Katharina Wöppermann Kostimografija / Costume Design: Tanja Hausner Producent / Producer: Martin Gschlacht, Antonin Svoboda, Bruno Wagner, Bady Minck, Alexander Dumreicher-Ivanceanu, Philippe Bober Produkcija / Production: Coop99 Filmproduktion, AMOUR FOU Luxembourg, Essential Filmproduktion Uloge / Cast: Christian Friedel, Birte Schnoeink, Stephan Grossmann Kontakt / Contact: Diana Alonso Coproduction Office, Mommsenstraße 27, 10629 Berlin, Germany Tel: +49 30 32 77 78 79, Fax: +49 30 323 20 91 Mail: festivals@coproductionoffice.com Filmografija / Filmography 2013 - AMOUR FOU 2009 - LOURDES 2006 - TOAST (kratki / short) 2004 - HOTEL 2001 - LOVELY RITA 1999 - INTER-VIEW 1996 - FLORA (kratki / short)

Ben O değilim / Nisam ja on / I’m not him Nihat radi u bolničkoj menzi i vodi trivijalni život samca u kojem su redovni izlasci s prijateljima i viđanja s prostitutkom jedini tužni vrhunci. To jeste, sve dok ne započne aferu s novom kolegicom Ayse, privlačnom mladom ženom čiji muž služi desetogodišnju zatvorsku kaznu. Nihat otkriva da neobično liči na njenog muža, a u novoj vezi Ayse grabi priliku da radi sve što sa svojim mužem nikad nije mogla. Međutim, jedan dramatični događaj mijenja čudnovatu idilu u kojoj je Nihat postepeno preuzeo identitet i izgled svog kriminalnog dvojnika, s posljedicama koje uz to idu. Tayfun Pirselimoğlu diplomirao je na Bliskoistočnom tehničkom univerzitetu u Ankari, nakon čega odlazi u Beč da studira slikarstvo na Akademiji primijenjenih umjetnosti. Održao je izložbe u raznim gradovima svijeta. Pirselimoğlu je započeo svoju kinematografsku karijeru kao scenarist za niz kratkih i dugometražnih filmova. Njegov rediteljski prvijenac je kratki film DAYIM / MY UNCLE. Prvi dugometražni film HIÇBIRYERDE / IN NOWHERE LAND snimio je 2002. godine, a karijeru nastavlja nagrađivanom trilogijom RIZA / PUS / SAÇ. E Nihat works in a hospital canteen and leads the trivial life of a bachelor, in which regular outings with his friends and a prostitute are the sole, sad highlights. Until, that is, he starts an affair with his new colleague Ayse, an attractive young woman whose husband is serving ten years in prison. Nihat discovers he looks uncannily like her husband, and in her new relationship Ayse grasps the opportunity to do everything she never used to be able to with him. However, a dramatic event changes the curious idyll in which Nihat gradually adopts the identity and appearance of his criminal double, with due consequence.

Tayfun Pirselimoğlu graduated from the Middle East Technical University in Ankara; after that he went on to Vienna and studied painting at the Academy of Applied Arts. He held various exhibitions in different cities of the world. Pirselimoglu started his cinema career as a script writer and wrote various short and long feature film scripts. His debut as director is a short film DAYIM / MY UNCLE. He shot his first long feature HIÇBIRYERDE / IN NOWHERE LAND in 2002 and continued his career with a trilogy RIZA / PUS / SAÇ, all awarded.

Turkey, Greece, Germany, France, 2013, Colour, 124 min., Turkish Režija / Director: Tayfun Pirselimoğlu Scenarij / Screenplay: Tayfun Pirselimoglu Direktor fotografije / Director of Photography: Andreas Sinanos Montaža / Editor: Ali Aga Muzika / Music: Giorgos Koumendakis Zvuk / Sound: Frédéric Théry Scenografija / Production Design: Natali Yeres Kostimografija / Costume Design: Eren Vurmaz, Yasemen Güzel Producent / Producer: Nikos Moustakas, Veysal İpek, Guillaume de Seille, İrfan&İnci Demirkol, Mustafa Dok, Konstantina Stavrianou Produkcija / Production: Zuzi Film, Arizona Films, Bredok Film Production, Bad Crowd Uloge / Cast: Ercan Kesal, Maryam Zaree, Riza Akin, Mehmet Avci, Nihat Alptekin Kontakt / Contact: Visit films 173 Richardson street, Brooklyn, NY 11222 Office: + 1 718 312 8210, Fax: + 1 718 362 4865 info@visitfilms.com Filmografija / Filmography 2013 - BEN O DEĞILIM / I’M NOT HIM 2010 - SAÇ / HAIR 2009 - PUS / HAZE 2007 - RIZA / RIZA 2002 - HIÇBIRYERDE / IN NOWHERE LAND 2002 - IL SILENZIO E’DORO / SILENT IS GOLDEN (kratki / short) 1999 - DAYIM / MY UNCLE (kratki / short)

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Kış uykusu / Zimski san / Winter Sleep Aydin, bivši glumac, vodi mali hotel u centralnoj Anadoliji, zajedno sa svojom mladom ženom Nihal, s kojom ima burnu vezu, i sestrom Neclom, koja pati zbog nedavnog razvoda. Te zime, s prvim snijegom, hotel se pretvara u utočište, ali i mjesto od kojeg se ne može pobjeći, a koje dodaje ulje na vatru njihovoj netrpeljivosti... Nuri Bilge Ceylan rođen je u Istanbulu, 1959. godine. Diplomirao je elektrotehniku na Bosforskom univerzitetu, te dvije godine studirao režiju na univerzitetu Mimar Sinan u Istanbulu. Svojim debitant-skim dugometražnim filmom KASABA i drugim filmom MAYIS SIKINTISI / MAJSKI OBLACI osvojio je brojne nagrade. Njegov treći film UZAK / DALEK osvojio je Grand Prix i Nagradu za najboljeg glumca na Festivalu u Cannesu 2003. godine, te je dobio brojne pozitivne kritike širom svijeta. Film IKLIMLER / KLIME dobitnik je nagrade FIPRESCI u Cannesu 2006. godine. Njegov film UÇ MAYMUN / TRI MAJMUNA dobitnik je Nagrade za najbolju režiju na Filmskom festivalu u Cannesu 2008. godine, a tri godine kasnije ponovno je osvojio Grand Prix u Cannesu za tursko-bosansku koprodukciju BILO JEDNOM U ANADOLIJI. KIŞ UYKUSU / ZIMSKI SAN osvojio je Zlatnu palmu na 67. Filmskom festivalu u Cannesu. E Aydin, a former actor, runs a small hotel in central Anatolia with his young wife Nihal with whom he has a stormy relationship, and his sister Necla who is suffering from her recent divorce. In winter, as the snow begins to fall, the hotel turns into a shelter but also an inescapable place that fuels their animosities...

Nuri Bilge Ceylan was born in Istambul, 1959. After graduating from the Engineering Department of the Bosphorus University, he studied filmmaking for two years at the Mimar Sinan University, Istambul. He received many awards with his debut feature KASABA / SMALL TOWN and his second feature MAYIS SIKINTISI / CLOUDS OF MAY. His third feature UZAK / DISTANT received the Grand Prix and the Best Actor award at Cannes 2003, and was praised internationally. His film IKLIMLER / CLIMATES won the FIPRESCI Award at Cannes in 2006. He won the Best Director Award at the 2008 Cannes Film Festival for his film UÇ MAYMUN / THREE MONKEYS and Grand Prix again in 2011 with Turkish-Bosnian co-production ONCE UPON A TIME IN ANATOLIA. WINTER SLEEP won Palme d’Or at the 67th Cannes Film Festival.

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Turkey, Germany, France, 2014, Colour, 196 min., English, Turkish Režija / Director: Nuri Bilge Ceylan Scenarij / Screenplay: Ebru Ceylan, Nuri Bilge Ceylan Montaža / Editor: Nuri Bilge Ceylan, Bora Göksingöl Zvuk / Sound: Thomas Robert Scenografija / Production Design: Gamze Kus Producent / Producer: Zeynep Ozbatur Atakan Izvršni producent / Executive producer: Sezgi Ustun Produkcija / Production: Zeyno Film Uloge / Cast: Haluk Bilginer, Melisa Sozen, Demet Akbag, Ayberk Pekcan, Serhat Kilic, Nejat Isler, Tamer Levent Kontakt / Contact: Zeyno Film, Baskurt Sok. Urgup Palas Apt. 19/3, 34433 Beyoglu, Istanbul, Turkey, Tel: +90 212 252 4556, sezgi@zeynofilm.com, www.zeynofilm.com Filmografija / Filmography 2014 - KIŞ UYKUSU / WINTER SLEEP 2011 - BIR ZAMANLAR ANADOLU’DA / ONCE UPON A TIME IN ANATOLIA 2008 - ÜÇ MAYMUN / THREE MONKEYS 2006 - IKLIMLER / CLIMATES 2003 - UZAK / DISTANT 2000 - MAYIS SIKINTISI / CLOUDS OF MAY 1998 - KASABA / THE TOWN 1995 - KOZA / COCOON (kratki / short)

Miss Violence Na svoj 11. rođendan, Angelika odlučuje da izvrši samoubistvo i skače s balkona porodičnog stana. Pronalaze je četiri sprata niže u lokvi krvi s osmijehom na licu, a Angelikina porodica odlučno tvrdi da je njena smrt nesretan slučaj. Koju je tajnu mlada Angelika odnijela sa sobom? Zašto njena porodica insistira na pokušajima da je “zaboravi” i da nastavi sa svojim životom? Nakon njene smrti, počinje se urušavati fasada koja krije užasnu priču nasilja u porodici. MISS VIOLENCE klinički precizno stvara osjećaj duboke nelagode, te predstavlja bitan i uznemirujući doprinos već impresivnom korpusu nove grčke kinematografije. Alexandros Avranas, grčki filmski autor, rođen je 1977. godine u Larissi. Započeo je studij skulpture na Školi likovnih umjetnosti u Atini, a nastavio na Univerzitetu za umjetnosti u Berlinu. Njegov prvijenac WITHOUT, za koji je napisao i scenarij, dobitnik je pet nagrada na Međunarodnom filmskom festivalu u Solunu. MISS VIOLENCE je prikazan na 70. Filmskom festivalu u Veneciji, gdje je reditelj Alexandros Avranas dobio nagradu Srebrni lav za najboljeg reditelja, a glumac Themis Panou nagradu Volpi Cup za najboljeg glumca. E On her 11th birthday, Angeliki decides to commit suicide by jumping from the balcony of her family’s apartment. Discovering her in a pool of blood four stories below, with a smile on her face, Angeliki’s family is resolute in claiming her death as an accident. What is the secret that young Angeliki took with her? Why does her family persist in trying to “forget” her and to move on with its life? With her death the façade that hides the horrible tales of domestic abuse within the family begins to fall apart... Clinically creating a sense of deep unease, MISS VIOLENCE is a vital and disturbing addition to the impressive body of the new Greek cinema.

Alexandros Avranas, a Greek filmmaker, was born in Larissa in 1977. He started his studies of sculpture at the Athens School of Fine Arts and he continued them at The Berlin University of the Arts. His first film WITHOUT, for which he also wrote the script, won five awards at the international film festival in Thessaloniki. MISS VIOLENCE competed at the 70th Venice International Film Festival, where director Alexandros Avranas was awarded the Silver Lion for Best Director and actor Themis Panou was awarded the Volpi Cup for Best Actor.

Greece, 2013, Colour, 98 min., Greek Režija / Director: Alexandros Avranas Scenarij / Screenplay: Alexandros Avranas, Kostas Peroulis Direktor fotografije / Director of Photography: Olympia Mytilinaiou Montaža / Editor: Nikos Helidonidis Zvuk / Sound: Nikos Bougioukos Scenografija / Production Design: Eva Manidaki, Thanassis Demiris Kostimografija / Costume Design: Despina Chimona Producent / Producer: Vasilis Chrysanthopoulos, Alexandros Avranas, Christos Konstantakopoulos Produkcija / Production: Faliro House Productions, plays2place productions Uloge / Cast: Themis Panou, Reni Pittaki, Eleni Roussinou, Sissy Toumasi, Kalliopi Zontanou, Constantinos Athanasiades Kontakt / Contact: Elle Driver, Semira Hedayati Tel: +33 1 56 43 48 79, Fax: + 33 1 45 61 46 08 Email: festival@elledriver.eu Filmografija / Filmography 2013 - MISS VIOLENCE 2010 - HOME MADE (kratki dokumentarni / short doc.) 2008 - WITHOUT

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Neposlušni / The Disobedient Leni i Lazar su kao djeca bili najbolji prijatelji. Kada se, nakon dugog izbivanja u inostranstvu, Lazar vraća na sahranu svog oca, Leni žudi da se ponovo zbliži sa srodnom dušom iz djetinjstva, ali je još uvijek peku godine njihove udaljenosti. Ipak, u pokušaju da pobjegne od dosadne svakodnevnice života odraslih, Leni će s Lazarom krenuti na neplanirano putovanje biciklom kroz prelijepe, suncem ogrijane predjele. Dok uživaju u nepredvidivim napadima neposlušnosti, Leni se mora odlučiti da li je njihov zajednički jezik nedoličnog ponašanja veza na kojoj može graditi život. Mina Đukić rođena je u Somboru 1982. U januaru 2008, zajedno s kolegama Nikolom Ležaićem i Urošem Tomićem, osniva filmsku kompaniju Kiselo dete. Producirali su svoj prvi dugometražni film TILVA ROŠ, koji je režirao Nikola Ležaić. Ona je režirala nekoliko kratkih filmova koji su nagrađivani na domaćim i međunarodnim filmskim festivalima. NEPOSLUŠNI joj je prvi dugometražni igrani film. E As children, Leni and Lazar were best friends. When Lazar returns from extensive travels abroad for his father’s funeral, Leni yearns to reconnect with her childhood soul mate but still feels the sting of their years of estrangement. Nevertheless, hoping to escape the doldrums of adult life, she embarks with Lazar on an impromptu bicycle trip across gorgeous, sunbaked countryside. As they revel in raucous bouts of disobedience, Leni must decide if their shared language of misbehavior is a bond upon which she can build a life.

Mina Đukić was born in Sombor, in 1982. In January 2008, together with her colleagues Nikola Ležaić and Uroš Tomić, she founded the film company Kiselo dete. They produced their first fulllength film TILVA ROŠ, directed by Nikola Ležaić. She directed several short films awarded at national and international film festivals. THE DISOBEDIENT is her first feature film.

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Serbia, 2014, Colour, 135 min., Serbian Režija / Director: Mina Đukić Scenarij / Screenplay: Mina Đukić Direktor fotografije / Director of Photography: Đorđe Arambašić Montaža / Editor: Ivan Vasić Zvuk / Sound: Danijel Milošević, Nikola Živojinović Scenografija / Production Design: Nikola Berček Kostimografija / Costume Design: Suna Kažić Producent / Producer: Mina Đukić, Nikola Ležaić Produkcija / Production: Film House Kiselo Dete Uloge / Cast: Hana Selimović, Mladen Sovilj, Minja Subota, Danijel Šike, Ivan Đorđević, Dunja Tatić, Raslav Sekulović, Marko Janjić, Branka Šelić, Žarko Radić Kontakt / Contact: Visit Films, 173 Richardson St., Brooklyn, NY 11222, Tel: +1.718.312.8210, +1.718.362.4865, lr@visitfilms.com, www.visitfilms.com Filmografija / Filmography 2014 - THE DISOBEDIENT / NEPOSLUŠNI 2010 - YUGO, A SHORT AUTOBIOGRAPHY / YUGO, KRATKA AUTOBIOGRAFIJA (dokumentarni / documentary) 2009 - FEAR OF FLYING (kratki muzički / short musical) 2006 - WIKTORIJA (dokumentarni / documentary) 2004 - RAT FILE (short / kratki)

Otchuzhdenie / Otuđenje / Alienation Čovjek u starinskom automobilu prelazi granicu. On je Grk u šezdesetim godinama života. Na putu je za Bugarsku, gdje namjerava kupiti novorođenče. Lažni rezervoar za gorivo u gepeku automobila Jorgosov je tajni prostor u kojem planira prokrijumčariti dijete preko granice. No, beba još nije rođena, pa mora čekati u zabačenoj kući u planinama zajedno s majkom, njenim gluhonijemim bratom i babicom. Porod počinje jedne olujne noći. Milko Lazarov je bugarski režiser i producent. Diplomirao je filmsku i televizijsku režiju na Nacionalnoj akademiji za teatarsku i filmsku umjetnost (NAFTA) u Sofiji. Izvršni je producent i reditelj nekih od najuspješnijih projekata Bugarske nacionalne televizije (BNT). Režirao je i nekoliko dokumentarnih filmova. Predavao je na Odsjeku za film na Nacionalnoj akademiji. Njegov dugometražni prvijenac OTUĐENJE premijerno je prikazan na Filmskom festivalu u Veneciji 2013. godine u selekciji Venice Days. E A man driving an old-fashioned car is crossing the border. He is Greek and passed his fifties. He is coming to Bulgaria to buy a child. Jorgos has prepared a secret compartment in the boot of the car masked as a gas tank so that he could smuggle the child. The baby is not born yet and the Greek needs to wait in a secluded house in the mountains together with the mother, her deaf-mute brother and the midwife. The birth is starting in a stormy night.

Milko Lazarov is Bulgarian director and producer. He graduated from the National Academy for Theatre and Film Arts (NATFA) in Sofia, where he studied film and TV directing. He is an executive producer of some of Bulgarian National Television’s (BNT’s) most successful projects. He is also the director of several documentary films. He used to be a lecturer at NATFA’s film department. ALIENATION, his first feature film, premiered at the Venice festival in 2013 in the Venice Days section.

Bulgaria, 2013, Colour, 77 min., Bulgarian, Greek Režija / Director: Milko Lazarov Scenarij / Screenplay: Milko Lazarov, Kitodar Todorov, Georgi Tenev Direktor fotografije / Director of Photography: Kaloyan Bozhilov Montaža / Editor: Veselka Kiryakova Zvuk / Sound: Aleksander Simeonov Scenografija / Production Design: Vanina Geleva Kostimografija / Costume Design: Iva Dencheva Producent / Producer: Christo Jivkov Produkcija / Production: BNT / Red Carpet Uloge / Cast: Christos Stergioglou, Mariana Jikich, Ovanes Torosian, Neda Iskrenova, Iva Ognyanova, Kitodar Todorov, Dora Markova Kontakt / Contact: Visit films, 173 Richardson street, Brooklyn, NY 11222, Office: + 1 718 312 8210, Fax: + 1 718 362 4865, info@visitfilms.com Filmografija / Filmography 2013 - OTCHUZHDENIE / ALIENATION

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Shemtkhveviti Paemnebi / Sastanci naslijepo / Blind Dates Sandro, srednjoškolski profesor samac u četrdesetim godinama života, još uvijek živi sa roditeljima. S prijateljem iz djetinjstva provodi slobodno vrijeme sastajući se sa ženama na internetu. Sandrov život se mijenja nakon što upozna udatu Mananu, koja za tren oka osvaja njegovo srce. Kada Mananin suprug prije vremena biva oslobođen iz zatvora, Sandro se zatiče u apsurdnoj situaciji. On se upliće u žustre porodične rasprave u kojima se svako u sve petlja, ali niko nikoga zapravo ne sluša. Levan Koguashvili je rođen 1973. godine u Tbilisiju, u Gruziji. Studirao je filmsku režiju na Ruskom državnom univerzitetu za kinematografiju u Moskvi. Završio je diplomski program za film u školi za umjetnost Tisch Univerziteta u New Yorku da bi zatim 2007. godine studirao filmsku produkciju na Gruzijskom državnom univerzitetu za teatar i film u Tbilisiju. Nakon više kratkih filmova, Koguashvili je 2010. godine režirao i svoj dugometražni igrani prvijenac QUCHIS DGEEBI / STREET DAYS. SHEMTKHVEVITI PAEMNEBI / BLIND DATES je njegov drugi dugometražni igrani film, a premijerno je prikazan na Međunarodnom filmskom festivalu u Torontu. Film je prikazan i u programu 64. Filmskog festivala u Berlinu. E Sandro, a single high school teacher in his forties, still lives with his parents. He and his childhood friend spend their leisure time dating women online. Everything changes when Sandro meets the married Manana who quickly conquers his heart. When her husband is released from jail early, Sandro’s predicament takes on absurd dimensions. He gets caught up in wild family disputes in which everyone meddles with everything but no one really listens.

Levan Koguashvili, born 1973 in Tbilisi, Georgia, studied Film Directing at the Russian State University of Cinematography in Moscow. He completed the Graduate Film Program at New York University’s Tisch School of the Arts before studying Film Production at the Georgian State University of Theater and Cinema in Tbilisi in 2007. After making several short films he directed his first feature film QUCHIS DGEEBI / STREET DAYS in 2010. SHEMTKHVEVITI PAEMNEBI / BLIND DATES is his second feature. It premiered at the Toronto International Film Festival 2013 and screened at the 64th Berlinale.

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Georgia, 2013, Colour, 99.min, Georgian Režija / Director: Levan Koguashvili Scenarij / Screenplay: Boris Frumin, Levan Koguashvili Direktor fotografije / Director of Photography: Tato Kotetishvili Montaža / Editor: Nodar Nozadze Zvuk / Sound: Nika Paniashvili, Niko Jobava, Irakli Ivanishvili Scenografija / Production Design: Kote Japharidze Kostimografija / Costume Design: Tinatin Kvinikadze Uloge / Cast: Andro Sakvarelidze, Ia Sukhitashvili, Archil Kikodze, Vakhtang Chachanidze, Kakhi Kavsadze, Marina Kartsivadze, Marika Antadze, Sopho Gvritishvili Producent / Producer: Suliko Tsulukidze, Milimeter Film, Levan Koguashvili, Olena Yershova, Tato Film Produkcija / Production: Millimetr Film, Kino Iberica, Tato Film Kontakt / Contact: Films Boutique, Köpenicker Strasse 184, 10997 Berlin, Deutschland, Tel: +49 30 695 378 50, Fax: +49 30 695 378 51, www.filmsboutique.com, info@filmsboutique.com Filmografija / Filmography: 2014 - SHEMTKHVEVITI PAEMNEBI / BLIND DATES 2010 - QUCHIS DGEEBI / STREET DAYS 2008 - THE WOMEN FROM GEORGIA (dokumentarni / documentary) 2006 - THE DEBT (kratki / short) 2005 - A SMALL THEATER IN WASHINGTON DC (dokumentarni / documentary) 2004 - HOME (dokumentarni /documentary) 2003 - FATHER AND SON (dokumentarni / documentary) 2003 - REHABILITATION (kratki / short)

Open Air

Amores Perros / Pasja ljubav / Love’s a Bitch, Alejandro González Iñárritu

Bai ri yan huo / Crni ugalj, tanak led / Black Coal, Thin Ice, Yi’nan Diao

Kraftidioten / Redoslijed nestanka / In Order of Disappearance,

Hans Petter Moland

Love Island / Otok ljubavi, Jasmila Žbanić

Magic in the Moonlight / Čarolija na mjesečini, Woody Allen

A Night at the Cinema in 1914 / Noć u kinu 1914.

The Railway Man / Tragovi prošlosti, Jonathan Teplitzky

Relatos salvajes / Divlje priče / Wild Tales, Damián Szifron

The Search / Potraga, Michel Hazanavicius

Amores Perros / Pasja ljubav / Love’s a Bitch Nakon što je stupio na scenu kao pobjednički film festivala u Cannesu 2000. godine, film PASJA LJUBAV Alejandra Gonzáleza Iñárritua uspješno je osvojio pohvale i priznanja filmskih kritičara, snimatelja i reditelja. Film je nazvan „prvim klasičnim filmom nove decenije“, a 2001. godine je nominiran i za nagradu Oscar za najbolji film na stranom jeziku. Film se otvara kinetičkom, kostolomnom scenom automobilske nesreće, da bi u nastavku maštovito isprepleo priče triju žrtava: mladića Octavija, koji je zaljubljen u suprugu svog nasilnog brata, lijepe meksičke manekenke Valerije, kojoj je dobar fizički izgled najbitnija stvar u životu, i El Chivija, bivšeg plaćenog ubice kojeg je vlastita porodica odbacila. Film je, u konačnici, potresna, duboko emotivna pohvala životu, gubitku i borbama pasa na opasnim ulicama Meksika. Alejandro González Iñárritu je rođen u Mexico Cityju, dramaturgiju je studirao kod poljskog reditelja Ludwiga Margulesa, a zatim je završio i studij režije u Los Angelesu. Po povratku u Meksiko počinje raditi kao DJ na popularnoj radiostanici WMF, a prva iskustva kao reditelj stiče režirajući reklame. Iñárritu je planirao da u saradnji s Guillermom Arriagom snimi jedanaest kratkih filmova o kontradiktornoj prirodi Mexico Cityja, ali se na kraju zadovoljio s trima pričama koje je zatim odlučio proširiti i spojiti u jedan dugometražni film – AMORES PERROS. Nakon uspjeha filma AMORES PERROS, ponuđeno mu je da u Americi režira film 21 GRAMS / 21 GRAM u kojem su u vodećim ulogama nastupili Benicio Del Toro, Naomi Watts i Sean Penn. Za svoj naredni film BABEL, u kojem su, između ostalih, uloge odigrali i Brad Pitt i Cate Blanchett, Iñárritu 2006. godine osvaja nagradu za najboljeg reditelja Filmskog festivala u Cannesu, a film je također nominiran za nagrade Oscar i Zlatni globus. E Since exploding onto the scene as the winner at the 2000 Cannes Film Festival, Alejandro González Iñárritu’s AMORES PERROS has gone on to achieve universal acclaim and admiration from critics, cinemagoers and directors alike. The film was hailed as “the first classic film of the new decade“ and was nominated for Best Foreign Language Film at the 2001 Academy Awards. Beginning with a kinetic, bone-crushing car accident, AMORES PERROS imaginatively interweaves the stories of its three victims: Octavio a young man who has fallen in love with his violent brother’s wife; Valeria, a beautiful Mexican model for whom physical appearances are everything; and El Chivo, a former political assassin now exiled from his family. The result is a moving, visceral eulogy to life, loss and dog fighting on Mexico’s mean streets.

Alejandro González Iñárritu, born in Mexico City, studied drama under Polish director Ludwig Margules, then studied directing in Los Angeles. Returning to Mexico, he became a DJ on WMF, a high profile Mexican rock music station, and made his directorial debut doing television commercials. In partnership with Guillermo Arriaga, Iñárritu planned to make 11 short films to show the contradictory nature of Mexico City, but settled on three of the stories and decided to expand them, melding them into one feature length film - AMORES PERROS. The success of AMORES PERROS won Iñárritu an invitation to the U.S. to direct feature film 21 GRAMS, starring Benicio Del Toro, Naomi Watts and Sean Penn. For his next film, BABEL, starring Brad Pitt and Cate Blanchett, Iñárritu won Best Director at the 2006 Cannes Festival, as well as nominations from the Golden Globes and Academy Awards.

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Mexico, 2000, Colour, 154 min., Spanish Režija / Director: Alejandro González Iñárritu Scenarij / Screenplay: Guillermo Arriaga Montaža / Editor: Luis Carballar, Alejandro González Iñárritu, Fernando Pérez Unda Muzika / Music: Gustavo Santaolalla Zvuk / Sound: Antonio Diego Scenografija / Production Design: Brigitte Broch Kostimografija / Costume Design: Gabriela Diaque Producent / Producer: Alejandro González Iñárritu Produkcija / Productioin: Altavista Films Uloge / Cast: Gael Garcia Bernal, Emilio Echevarria, Vanessa Bauche Filmografija / Filmography Izbor / Selected 2010 - BIUTIFUL 2006 - BABEL 2003 - 21 GRAMS 2002 - 11’09’’01 - SEPTEMBER 11 (SEGMENT “MEXICO”) 2000 - AMORES PERROS

Bai ri yan huo / Crni ugalj, tanak led / Black Coal, Thin Ice Sjeverna Kina, godina 1999. Jezivo otkriće nekoliko leševa u jednom gradiću. U krvavom okršaju tokom pokušaja hapšenja navodnog ubice dva policajca bivaju ubijena, a treći je teško ranjen. Preživjeli policajac, Zhang Zili, suspendiran je s dužnosti i zapošljava se kao zaštitar u jednoj fabrici. Pet godina kasnije policija je suočena s novom serijom misterioznih ubistava. Zhang odlučuje da uz pomoć jednog bivšeg kolege započne samostalnu istragu ubistava. Otkriva da su sve žrve bile povezane s Wu Zhizhen, mladom ženom zaposlenom u hemijskoj čistionici. Pretvarajući se da je mušterija, Zhang počinje da nadzire tajnovitu Wu Zhizhen, i vremenom se zaljubljuje u nju. Jedne hladne, zimske noći dolazi do zastrašujućeg otkrića. I dok mu je život u opasnosti, Zhang shvata da nije uvijek moguće razgraničiti nevinost i krivnju. Yi’nan Diao je rođen 1968. u Xi’anu, u Kini. Diplomirao je na Središnjoj dramskoj akademiji u Beijingu. Radi kao scenarista i reditelj, i smatra se vodećom ličnošću kineskog avangardnog teatra. Filmsku karijeru je započeo kao glumac u nezavisnom igranom filmu Yua Likwaija ALL TOMORROW’S PARTIES. Njegov film NIGHT TRAIN premijerno je prikazan 2007. godine u programu Un Certain Regard Filmskog festivala u Cannesu, da bi zatim postigao značajan uspjeh na brojnim drugim filmskim festivalima. Filmom BLACK COAL, THIN ICE / CRNI UGALJ, TANAK LED je osvojio nagradu Zlatni medvjed 64. Filmskog festivala u Berlinu. E Northern China, 1999. The grisly discovery of several corpses is made in a small town. A bloody incident during an attempt to capture the alleged murderer leaves two police officers dead and another badly injured. The surviving officer Zhang Zili is suspended from duty; he takes a job as a security guard at a factory. Five years later, another series of mysterious murders occurs. Aided by a former colleague, Zhang decides to investigate under his own initiative. He discovers that all the victims were connected to Wu Zhizhen, a young woman who works at a dry cleaners. Pretending to be a customer, Zhang begins to observe her and finds himself falling in love with the reticent Wu Zhizhen. One cold winter’s day he makes a horrific discovery. His life now in danger, he realises it is not always possible to separate guilt from innocence.

China, Hong Kong, 2014, Colour, 106 min., Mandarin Režija / Director: Yi’nan Diao Scenarij / Screenplay: Yi’nan Diao Direktor fotografije / Director of Photography: Jinsong Dong Montaža / Editor: Yang Hongyu Muzika / Music: Wen Zi Zvuk / Sound: Yang Zhang Producent / Producer: Vivian Qu Produkcija / Production: Omnijoi Media Corporation Co., Ltd. Boneyard Entertainment China (BEC) Ltd. China Film Co., Ltd. Jiangsu Omnijoi Movie Co., Ltd. Uloge / Cast: Liao Fan, Gwei Lun Mei, Wang Xuebing, Wang Jingchun, Yu Ailei, Ni Jingyang Kontakt / Contact: Fortissimo Films, Amsterdam, Niederlande, Tel: +31 20 6273215, info@fortissimo.n Filmografija / Filmography 2014 - BAI RI YAN HUO / BLACK COAL, THIN ICE 2007 - YE CHE / NIGHT TRAIN 2003 - ZHIFU / UNIFORM

Yi’nan Diao was born in Xi’an in China in 1968. He graduated from the Central Academy of Drama in Beijing. As a playwright and director, he is a leading figure in China’s avant-garde theatre. He started his career in film as an actor in Yu Likwai’s independent feature ALL TOMORROW’S PARTIES, which premiered at Cannes in the Un Certain Regard section in 2003. In 2007, NIGHT TRAIN premiered at Cannes in the Un Certain Regard section and went on to be screened to acclaim at numerous festivals. BLACK COAL, THIN ICE won the Golden Bear award at the 64th Berlin International Film Festival.

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Kraftidioten / Redoslijed nestanka / In Order of Disappearance Norveška, zima. Nils, samozatajan i marljiv muškarac, upravlja snažnom grtalicom zahvaljujući kojoj ceste i planinski prevoji u negostoljubivom, zamrznutom kraju u kojem živi ostaju prohodni tokom zime. Upravo kada je zbog svojih zasluga proglašen građaninom godine, prima vijest da mu je sin umro zbog predoziranja heroinom. Odbijajući da prihvati zvanično utvrđen uzrok sinovljeve smrti, Nils se upušta u tajnu potjeru za njegovim navodnim ubicama. Iznenađujući slijed događaja ga prisiljava da se pretvori u nesalomivog i zastrašujućeg heroja podzemlja, čij stvarni identitet nikome nije poznat. Film se oslanja na crni humor kako bi ispratio Nilsove poduhvate u svijetu gangstera, a karakterizira ga precizno razrađen prikaz mentaliteta švedskih, norveških i srpskih gangstera, pri čemu se Bruno Ganz pojavljuje u ulozi šefa srpske mafije. Hans Petter Moland je rođen 1955. godine u Oslu, a film je studirao na Koledžu Emerson u Bostonu. Kao reditelj radi više od dvije decenije, tokom kojih je režirao reklame i igrane filmove u kojima su nastupali i Stellan Skarsgård i Charlotte Rampling. Filmom THE LAST LIEUTENANT iz 1995. godine osvojio je Specijalnu nagradu žirija Festivala u San Sebastianu, dok je za ABERDEEN nagrađen prvom nagradom Dana nordijskog filma u Lübecku. Njegovi su filmovi THE BEAUTIFUL COUNTRY i A SOMEWHAT GENTLE MEN uvršteni u takmičarski program Filmskog festivala u Berlinu 2004. i 2010. godine. Svoj prvi dokumentarni film, WHEN BUBBLES BURST, snimio je 2012. godine. E Norway, winter. Introverted and hard-working Nils drives the powerful snow plough that keeps open the roads and mountain passes of the inhospitable frozen landscape where he lives. He’s just been named citizen of the year for his efforts when he receives news that his son has died of a heroin overdose. Refusing to believe the official version of his son’s death, he begins a covert search for the boy’s alleged murderers. A surprising turn of events causes him to become a tough-as-nails and feared underworld hero – one whose identity nobody knows. A gruesome black comedy full of impressive images of an endless wintry-white landscape which Nils knows how to use to his advantage. The film deploys dark comedy to depict Nils’ exploits in the realm of gangsters, which is characterised by a delicately nuanced portrayal of the mentalities of Swedish, Norwegian and Serb mafiosi with Bruno Ganz putting in an appearance as a Serb mafia boss.

Hans Petter Moland, born in 1955 in Oslo, studied film at Emerson College in Boston. He has been working as a director for over 20 years, making commercials and feature films which include performances by Stellan Skarsgård and Charlotte Rampling. His 1995 feature, THE LAST LIEUTENANT, was awarded a special mention by the jury at San Sebastián, and ABERDEEN won the main prize at the Nordic Film Days in Lübeck. THE BEAUTIFUL COUNTRY screened in the Berlinale’s Competition in 2004 as did A SOMEWHAT GENTLE MAN in 2010. He made his first documentary, WHEN BUBBLES BURST, in 2012.

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Norway, 2014, Colour, 116 min., Norwegian, Swedish Režija / Director: Hans Petter Moland Scenarij / Screenplay: Kim Fupz Aakeson Direktor fotografije / Director of Photography: Philip Ogaard Montaža / Editor: Jens Christian Fodstad Muzika / Music: Kaspar Kaae, Kare Vestrheim, Brian Batz Zvuk / Sound: Gisle Tveito Scenografija / Production Design: Jorgen Stangebye Larsen Kostimografija / Costume Design: Anne Pedersen Producent / Producer: Finn Gjerdrum, Stein B. Kvae Produkcija / Production: Paradox Film, Zentropa International Sweden, Zentropa Entertainment Uloge / Cast: Stellan Skarsgård, Bruno Ganz, Pål Sverre Hagen, Anders Baasmo Christiansen, Jakob Oftebro, Birgitte Hjort Sørenson Kontakt / Contact: TrustNordisk, Hvidovre, Dänemark, Tel: +45 36868788, info@trustnordisk.com

Filmografija / Filmography 2013 - KRAFTIDIOTEN / IN ORDER OF DISAPPEARANCE 2012 - WHEN BUBBLES BURST (dokumentarni / documentary) 2010 - EN GANSKE SNILL MANN / A SOMEWHAT GENTLE MAN 2006 - GYMNASLÆRER PEDERSEN / COMRADE PEDERSEN 2004 - THE BEAUTIFUL COUNTRY 2002 - FOLK FLEST BOR I KINA / UNITED WE STAND 2000 - ABERDEEN 1995 - KJÆRLIGHETENS KJØTERE / ZERO KELVIN 1993 - SECONDLØITNANTEN / THE LAST LIEUTENANT

Love Island / Otok ljubavi Grebo i njegova supruga Liliane u poodmakloj trudnoći provode svoj pošteno zasluženi odmor u popularnom jadranskom odmaralištu. Sve je uključeno u cijenu! Sunca, plivanja i zabave koliko im je srcu ćejf. Nemoguće je zamisliti da bi na tako idiličnom odmoru išta moglo krenuti po zlu! Uz večer karaoka, Grebo, sarajevski roker, u kojeg se Liliane svojevremeno zaljubila, očarava sve goste u odmaralištu. Ipak najveće iznenađenje večeri je njihov susret s misterioznom Florom. Ova karizmatična mlada žena ubrzo će njihov mladi brak staviti na kušnju. Tajne iz prošlosti ne mogu dugu ostati skrivene na Otoku ljubavi. Jasmila Žbanić, rođena u Sarajevu 1974. godine, diplomirala je u svom rodnom gradu na Akademiji scenskih umjetnosti, Odsjek za pozorišnu i filmsku režiju. Prije snimanja filmova, radila je kao lutkarica u teatru “Bread and Puppet” iz Vermonta, te kao klaun na radionici Lee Delong. Njen prvi igrani film GRBAVICA nagrađen je Zlatnim medvjedom na Berlinaleu 2006. godine. Pored ove, film je osvojio brojne nagrade i prikazan je mnogobrojnim svjetskim festivalima. Drugi igrani film NA PUTU premijerno je prikazan 2010. godine, također na Berlinaleu u takmičarskoj selekciji. Film ZA ONE KOJI NE MOGU DA GOVORE je treći igrani film Jasmile Žbanić i svoju svjetsku premijeru je imao na Toronto Film Festivalu, 2013. godine. Njen četvrti igrani film OTOK LJUBAVI je premijerno prikazan na Filmskom festivalu u Locarnu u augustu 2014. godine. E Grebo and his very pregnant wife Liliane are taking a well-deserved vacation at a popular Adriatic seaside resort. All inclusive! All the sun, swimming and fun that their hearts desire. What could possibly go wrong on such an idyllic holiday? At an open-mike night, Grebo seduces the resort crowd and reminds his loving French wife of the Sarajevo rocker she fell in love with. But the evening’s big surpise is the young couple’s meeting with mysterious Flora. The charismatic young woman will soon put their young marriage to the test. Past secrets cannot stay hidden for long on Love Island.

Jasmila Žbanić was born in Sarajevo in 1974. She is a graduate of the Sarajevo Academy of Performing Arts, Department of Theater and Film Directing. Before filmmaking she worked as a puppeteer in the Vermont-based Bread and Puppet Theater and as a clown in Lee De Long’s Workshop. Her feature debut GRBAVICA won her the Golden Bear award of the 2006 Berlin International Film Festival. The film was screen at numerous international film festivals, receiving several other prestigious awards. Her second feature NA PUTU / ON THE PATH premiered in the competition programme of the 2010 Berlinale. Her third feature film ZA ONE KOJI NE MOGU DA GOVORE / FOR THOSE WHO CAN TELL NO TALES had a world premier at the 2013 Toronto Film Festival, while her fourth feature OTOK LJUBAVI / LOVE ISLAND premiered at the Locarno Film Festival in August 2014.

Croatia, Germany, Bosnia and Herzegovina, Switzerland, 2014, Colour, 86 min., English, Croatian, Bosnian Režija / Director: Jasmila Žbanić Scenarij / Screenplay: Jasmila Žbanić, Aleksandar Hemon Direktor fotografije / Director of Photography: Christine A. Maier Art Director: Željka Burić Montaža / Editor: Isabel Meier Muzika / Music: Balz Bachmann Zvuk / Sound: Igor Čamo Scenografija / Production Design: Amir Vuk Kostimografija / Costume Design: Lejla Hodžić Producent / Producer: Leon Lučev, Damir Ibrahimović Produkcija / Production: Deblokada Produkcija, Komplizen Film, Okofilm Productions, Ziva Produkcija Uloge / Cast: Ariane Labed, Ermin Bravo, Ada Condeescu, Franco Nero, Leon Lučev, Branka Petrić Fehmiu, Lee Delong, Bojana Gregorić Vejzović, Nadija Husetić, Aleks Rakoš Kontakt / Contact: The Match Factory, www.the-match-factory.de Filmografija / Filmography Izbor / Selected 2014 - OTOK LJUBAVI / LOVE ISLAND 2013 - ZA ONE KOJI NE MOGU DA GOVORE / FOR THOSE WHO CAN TELL NO TALES 2009 - NA PUTU / ON THE PATH 2008 - PARTICIPACIJA / PARTICIPATION (kratki / short) 2007 - DNEVNIK GRADITELJA / BUILDER’S DIARY (dokumentarni / documentary) 2006 - GRBAVICA 2004 - ROĐENDAN / BIRTHDAY (kratki / short) 2003 - SLIKE SA UGLA / IMAGES FROM THE CORNER (dokumentarni / documentary)

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Magic in the Moonlight / Čarolija na mjesečini Novi film Woodyja Allena, ČAROLIJA NA MJESEČINI, romantična je komedija smještena u dvadesete godine prošlog vijeka, u raskošni primorski kraj u južnoj Francuskoj. Vješti mađioničar nastoji raskrinkati ženu za koju vjeruje da se lažno predstavlja kao spiritualni medij. Slijedi niz, u svakom smislu, magičnih događaja koji glavne likove izbacuju iz cipela. Najuspješniji trik filma ČAROLIJA NA MJESEČINI jeste to da nas sve uspije obmanuti. Woody Allen je jedno od najpoznatijih i najcjenjenijih imena filmske industrije. Njegova bogata karijera scenariste, reditelja, glumca i producenta traje već više od trideset godina i još uvijek cvjeta. Prije nego što je 1966. godine napisao scenarij za brodvejski hit DON’T DRINK THE WATER, Allen je pisao tekstove za nastupe komičara i radio kao zabavljač u noćnim klubovima. Njegovi su rani radovi poput filmova BANANAS (1971) i SLEEPER (1973) predstavljali kombinaciju intelektualne komedije i gega. U kasnijim romantičnim komedijama poput filma ANNIE HALL, kojim je osvojio dva Oscara, i filma MANHATTAN, oslikavao je sliku gorko-slatkog života u New Yorku. Među njegove mnogobrojne uspješne filmove ubrajaju se i HANNAH AND HER SISTERS (1986), CRIMES AND MISDEMEANORS (1989), BULLETS OVER BROADWAY, MATCH POINT i VICKY CRISTINA BARCELONA. Allen je filmom MIDNIGHT IN PARIS osigurao sedmu nominaciju za nagradu Oscar za najboljeg reditelja, te četrnaestu (rekordnu) nominaciju za nagradu Oscar za najbolji originalni scenarij, koju je potom i osvojio. E Set in the 1920s on the opulent Riviera in the south of France, Woody Allen’s MAGIC IN THE MOONLIGHT is a romantic comedy about a master magician) trying to expose a psychic medium as a fake. What follows is a series of events that are magical in every sense of the word and send the characters reeling. In the end, the biggest trick MAGIC IN THE MOONLIGHT plays is the one that fools us all.

Woody Allen is one of the best known and most respected names in the movie industry. His career of being a writer, director, actor and producer spans over 30 years and still thrives. After writing routines for comedians and performing as a nightclub comic, he wrote the Broadway play DON’T DRINK THE WATER (1966). His early films, such as BANANAS (1971) and SLEEPER (1973), combined highbrow comedy and slapstick. Later romantic comedies such as ANNIE HALL, which won him two Academy Awards, and MANHATTAN offered a bittersweet view of New York life. His other notable films include HANNAH AND HER SISTERS (1986), CRIMES AND MISDEMEANORS (1989), BULLETS OVER BROADWAY, MATCH POINT, and VICKY CRISTINA BARCELONA. For MIDNIGHT IN PARIS Allen received his 7th Oscar nomination for Best Director and his 14th (a record) for Best Original Screenplay; he won the latter.

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USA, 2014, Colour, 97 min., English Režija / Director: Woody Allen Scenarij / Screenplay: Woody Allen Direktor fotografije / Director of Photography: Darius Khondji Montaža / Editor: Alisa Lepselter Scenografija / Production Design: Anne Seibel Kostimografija / Costume Design: Sonia Grande Producent / Producer: Letty Aronson, Stephen Tenenbaum, Edward Walson Produkcija / Production: Dippermouth Productions Uloge / Cast: Eileen Atkins, Colin Firth, Marcia Gay Harden, Hamish Linklater, Simon McBurney, Emma Stone, Jacki Weaver, Erica Leerhsen, Catherine McCormack, Paul Ritter, Jeremy Shamos Filmografija / Filmography Izbor / Selected 2014 - MAGIC IN THE MOONLIGHT 2013 - BLUE JASMINE 2012 - TO ROME WITH LOVE 2011 - MIDNIGHT IN PARIS 2010 - YOU WILL MEET A TALL DARK STRANGER 2008 - VICKY CRISTINA BARCELONA 2005 - MATCH POINT 2003 - ANYTHING ELSE 1997 - DECONSTRUCKTING HARRY 1996 - EVERYONE SAYS I LOVE YOU 1995 - MIGHTY APHRODITE 1994 - BULLETS OVER BROADWAY 1977 - ANNIE HALL

A Night at the Cinema in 1914 / Noć u kinu 1914. Kompilacija kratkih filmova iz Državnog arhiva Britanskog instituta za film uz muziku Stephena Hornea Prije stotinu godina kino projekcije su bile nov, uzbudljiv i izrazito demokratičan vid zabave. Kina širom države bila su zabavna, društvena mjesta na kojima su se ljudi mogli opustiti i pobjeći od svakodnevnih problema. Kako su igrani filmovi u to doba još uvijek bili rijetkost, sadržaj kino projekcija stalno se mijenjao i predstavljao je zabavan kolaž kratkih filmskih radova praćenih živom muzikom. Sto godina kasnije, ova specijalna kompilacija filmova iz Državnog arhiva Britanskog instituta za film oživljava veličanstvenu raznolikost komedija, drama, putopisa i vijesti koje su posjetioci kina mogli pogledati jedne uobičajene noći u kinu 1914. godine. Selekcija obuhvata komični kratki film o takmičenju u pravljenju grimasa, senzacionalnu epizodu serijala PAULININE NEVOLJE, snimke savezničkih vojnika tokom proslave Božića na linijama fronta, i rano pojavljivanje na velikom ekranu jedne od najvećih ikona filma... E A compilation of shorts from the BFI National Archive With music by Stephen Horne

Cinema a century ago was a new, exciting and highly democratic form of entertainment. Picture houses nationwide offered a sociable, lively environment in which to relax and escape from the daily grind. With feature films still rare, the programme was an entertaining, ever-changing roster of short items with live musical accompaniment. 100 years on, this special compilation from the BFI National Archive recreates the glorious miscellany of comedies, dramas, travelogues and newsreels which would have constituted a typical night out in 1914. Our selection includes a comic short about a face-pulling competition, a sensational episode of THE PERILS OF PAULINE, scenes of Allied troops celebrating Christmas at the Front, and an early sighting of one of cinema’s greatest icons…

United Kingdom, USA, 2014, Colour and b&w, 85 min., English Filmovi / Films - LOOPING THE LOOP AT HENDON (March 1914) - PALACE PANDEMONIUM (May 1914) - AUSTRIAN TRAGEDY (July 1914) - DOGS FOR THE ANTARCTIC (August 1914) - DAISY DOODAD’S DIAL - EGYPT AND HER DEFENDERS - LIEUTENANT PIMPLE AND THE STOLEN SUBMARINE - SCOUTS’ VALUABLE AID (August 1914) - GERMAN OCCUPATION OF HISTORIC LOUVAIN (September 1914) - GENERAL FRENCH’S CONTEMPTIBLE LITTLE ARMY - CHRISTMAS AT THE FRONT (December 1914) - THE PERILS OF PAULINE - THE ROLLICKING RAJAH - A FILM JOHNNIE

“Connecting Creatively - Connecting Film” je projekt koji implementira British Council u suradnji s lokalnim i međunarodnim partnerima, a financira Europska unija unutar Fondacije “Sarajevo, srce Europe”, u sklopu obilježavanja stogodišnjice početka Prvog svjetskog rata. / “Connecting Creatively – Connecting Film” project is implemented by the British Council in cooperation with local and international partners, and financed by the European Union within the “Sarajevo, Heart of Europe” Foundation marking the centenary of the beginning of World War I. “Sadržaj ove publikacije je isključiva odgovornost Sarajevo Film Festivala i ni u kom slučaju ne predstavlja stanovišta Europske unije.” “The contents of this publication are the sole responsibility of the Sarajevo Film Festival and can in no way be taken to reflect the views of the European Union.”

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The Railway Man / Tragovi prošlosti TRAGOVI PROŠLOSTI je istinita priča o herojstvu, ljudskosti i iscjeljujućoj moći ljubavi. Zasnovan na odličnoj autobiografskoj knjizi, film prati izvanrednu životnu priču oficira britanske armije Erica Lomaxa koji je tokom Drugog svjetskog rata preživio zarobljeništvo u japanskom radnom logoru. Ovo ga je traumatično iskustvo trajno obilježilo i navelo ga da se izolira od svijeta. Godinama kasnije, Eric u vozu upoznaje lijepu Patti i njih se dvoje zaljubljuju i vjenčaju. Patti je odlučna u namjeri da pomogne Ericu da se riješi duhova prošlosti. Nakon što saznaje da je japanski oficir koji je progonio njenog supruga još uvijek živ, Patti je prisiljena donijeti tešku odluku. Da li Ericu treba pružiti priliku da se suoči sa svojim mučiteljem? Da li će Patti podržati Erica bez obzira na to šta on odluči učiniti? Jonathan Teplitzky je međunarodno priznati reditelj reklama i muzičkih spotova koji je profesionalno obrazovanje stekao u Londonu. Poznat je po svom inovativnom i vizualno raskošnom stilu. Sarađivao je s više međunarodnih filmskih autora, uključujući Ananda Tuckera, s kojim je sarađivao na više projekata, između ostalih i na proslavljenom dokumentarcu o književnici Anne Rice, nagrađenom nagradom BAFTA za najbolji dokumentarni film. Nakon dvanaest godina rada u Velikoj Britaniji, Teplitzki se vraća u rodnu Australiju, gdje piše nekoliko scenarija. Teplitzky je 2012. godine filmom BURNING MAN nominiran za nagradu AACTA za najbolju režiju. E THE RAILWAY MAN is an inspiring true story of heroism, humanity and the redeeming power of love. Based on a remarkable autobiography, the film tells the extraordinary and epic true story of Eric Lomax, a British Army officer who is tormented as a prisoner of war at a Japanese labour camp during World War II. His experiences left him traumatized and shut off from the world. Years later, he met Patti, a beautiful woman, on a train and fell in love. Patti was determined to rid Eric of his demons. Discovering that the young Japanese officer who haunted her husband was still alive, she faced a terrible decision. Should Eric be given a chance to confront his tormentor? Would she stand by him, whatever he did?

Jonathan Teplitzky is a London-trained international director of commercials and music videos. He is renowned for his innovative style and visual flair. He has worked internationally with filmmakers such as Anand Tucker with whom he teamed on various projects, including the celebrated documentary on author Anne Rice, which won a BAFTA award for Best Documentary. After working in the UK for twelve years, the Sydney-born Teplitzky returned home and wrote several screenplays. In 2012, Teplitzky was nominated for an AACTA Award for Best Direction for BURNING MAN.

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Australia, United Kingdom, Switzerland, 2013, Colour, 116 min., English Režija / Director: Jonathan Teplitzky Scenarij / Screenplay: Frank Cottrell Boyce, Andy Paterson Based on the memoir by Eric Lomax Direktor fotografije / Director of Photography: Garry Phillips Montaža / Editor: Martin Connor Muzika / Music: David Hirschfelder Scenografija / Production Design: Steven Jones-Evans Kostimografija / Costume Design: Lizzy Gardiner Producent / Producer: Andy Paterson, Chris Brown, Bill Curbishley Produkcija / Production: Archer Street Productions, Latitude Media, Pictures in Paradise Silver Reel, Thai Occidental Productions Uloge / Cast: Colin Firth, Nicole Kidman, Jeremy Irvine, Stellan Skarsgard, Sam Reid, Tanroh Ishida, Hiroyuki Sanada Filmografija / Filmography 2014 - THE RAILWAY MAN 2011 - THE BURNING MAN 2003 - GETTIN’ SQUARE 2000 - BETTER THAN SEX

Relatos salvajes / Divlje priče / Wild Tales Inženjer za rušenje građevina, kuhar i konobarica u zabačenom restoranu pokraj puta, nonšalantni biznismen u neprijateljskoj zemlji, tek vjenčani par na raskošnom vjenčanju i milioner koji uživa u prijateljskim odnosima s porodicom i uposlenicima... Upoznajte protagoniste šest priča scenariste i reditelja Damiána Szifróna, obične ljude s običnim životima poput naših. Sve dok uobičajena situacija – sitna nepravda s kakvom se ljudi širom svijeta svakodnevno susreću – ne izbriše masku običnosti s njihovih lica. Živci pucaju, a granice pristojnog ponašanja se pomjeraju brzinom kretanja pobješnjele životinje. Ova kompilacija crnohumornih priča, koju su koproducirala braća Almodóvar i koja je osvojila simpatije publike na ovogodišnjem Filmskom festivalu u Cannesu, opisuje šest vrsta osvete i odluke za koje se s pravom može posumnjati da prkose zdravom razumu. Damián Szifrón je diplomirao film na Universidad del Cine u Buenos Airesu. U periodu od 2002. do 2003. godine je producirao, napisao i režirao dvije sezone nagrađivane serije PRETENDERS / LOS SIMULADORES. Njegov je debitantski film THE BOTTOM OF THE SEA / DNO MORA nagrađen s više filmskih nagrada, uključujući Nagradu za najbolji latinoamerički film, nagradu FIPRESCI na argentinskom Filmskom festivalu Mar del Plata i Specijalnu plaketu na Festivalu u San Sebastianu. Szifrón je 2005. godine napisao i režirao policijsku komediju ON PROBATION / NA PROBNOM RADU, a godinu dana kasnije je razvio i režirao serijal HERMANOS & DETECTIVES, koji je otkupljen i prilagođen za potrebe gledalaca u Španiji, Meksiku, Čileu, Italiji, Turskoj i Rusiji. E A demolition engineer, a cook and a waitress in a godforsaken roadside diner, a nonchalant businessman in a hostile country, a pair of newlyweds at a posh wedding, and a millionaire enjoying amicable relations with both his family and his employees… Meet the protagonists of six stories by writer and director Damián Szifrón, normal people with lives just like ours. But only until an ordinary situation – the kind of slight injustice that millions of people the world over have to face on a daily basis – yanks the conformist mask of normality from their faces. Nerves become frayed and boundaries of decent behaviour are overstepped with the speed of a rabid animal. Co-produced by the Almodóvar brothers and an audience favourite at this year’s Cannes festival, this black comedy compilation describes six kinds of revenge, along with resolutions that arguably defy all reason.

Argentina, Spain, 2014, Colour, 122 min., Spanish Režija / Director: Damián Szifrón Scenarij / Screenplay: Damián Szifrón Direktor fotografije / Director of Photography: Javier Julia Montaža / Editor: Damián Szifrón, Pablo Barbieri Muzika / Music: Gustavo Santaolalla Zvuk / Sound: José Luis Diaz Scenografija / Production Design: Clara Notari Kostimografija / Costume Design: Ruth Fischerman Producent / Producer: Hugo Sigman, Pedro Almodovar, Agustin Almodovar, Esther Garcia, Matias Mosteirin Produkcija / Production: Kramer & Sigman Films, El Deseo, Telefe Uloge / Cast: Ricardo Darin, Oscar Martinez, Leonardo Sbaraglia, Erica Rivas, Rita Cortese, Julieta Zylberberg, Dario Grandinetti, Maria Marull, Cesar Bordon Kontakt / Contact: Film Factory Entertainment Filmografija / Filmography Izbor / Selected 2014 - RELATOS SALVAJES / WILD TALES 2005 - TIEMPO DE VALIENTES / ON PROBATION 2003 - EL FONDO DEL MAR / THE BOTTOM OF THE SEA

Damián Szifrón earned a degree in film studies from Universidad del Cine in the Argentine capital. In the years 2002-2003 he produced, wrote and directed two seasons of the award-winning series PRETENDERS / LOS SIMULADORES. His debut THE BOTTOM OF THE SEA / EL FONDO DEL MAR won various awards, including Best Latin American Film and the FIPRESCI Prize at Argentina’s Mar del Plata festival, and a Special Mention at San Sebastian. In 2005 he wrote and directed the cop comedy ON PROBATION / TIEMPO DE VALIENTES. A year later he created and directed the series “Hermanos & Detectives,” which was adapted for audiences in Spain, Mexico, Chile, Italy, Turkey and Russia.

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The Search / Potraga Drugi čečenski rat, 1999. godina. Nakon što su mu roditelji ubijeni, mali dječak bježi iz rodnog sela. Upoznaje Carole, šeficu Delegacije Evropske unije, koja ga postepeno vraća u život. U isto vrijeme njegova ga starija sestra Raïssa neumorno traži u moru izbjeglica. Tu je i Kolja koji je nedavno regrutiran u rusku armiju i postepeno ga slama svakodnevni život ratnika. THE SEARCH / POTRAGA donosi snažnu priču o ratu ispričanu iz perspektive četiri životne priče spojene šokantnim hirom sudbine. Michel Hazanavicius se nakon uspjeha svog prvog TV filma, LA CLASSE AMERICANE, 1993. godine, počeo poigravati filmskim pravilima i žanrovima, i posuđivati dijaloge iz dobro poznatih filmova snimljenih u periodu od pedesetih do osamdesetih godina prošloga vijeka. Nakon svoga prvog kratkog filma, ECHEC AU CAPITAL, i koautorskog rada na više filmskih scenarija, Hazanavicius 1999. godine snima svoj prvi dugometražni igrani film MES AMIS. Godinu dana kasnije režirao je crnobijeli nijemi film THE ARTIST, u kojem je oživio priču glumačke zvijezde američkog nijemog filma suočene s pojavom zvučnog filma. Hazanavicius je 2012. godine filmom THE ARTIST osvojio i nagradu César za najboljeg reditelja, a film je osvojio i pet drugih prestižnih nagrada, uključujući nagrade za najbolji film i najbolju žensku ulogu. THE ARTIST je 2012. godine osvojio i nagradu Oscar za najboljeg reditelja, čime je Hazanavicius, devet godina nakon Romana Polanskog, postao tek drugi francuski reditelj u historiji koji je osvojio to prestižno priznanje. E The Second Chechen War, 1999. After his parents are killed in their village, a small boy flees,

joining the flood of refugees. He meets Carole, a European Union delegation head and little by little, with her help, he will return to life. At the same time, his elder sister Raïssa searches tirelessly for him amongst the civilian exodus. Then there’s 20-year-old Kolia... A recent Russian Army recruit, he will gradually be overwhelmed by the daily life of wartime. THE SEARCH recounts, on a human scale, a powerful story of conflict told through four lives that will be brought together by a shocking twist of fate. Michel Hazanavicius, as of his first televised success in 1993, LA CLASSE AMÉRICAINE, began to play with codes and genres, highjacking the dialogues of well known films of the years 1950 to 1980. After a first short film ECHEC AU CAPITAL and several collaborations on scripts, he shot in 1999 his first feature, MES AMIS. In 2010, Michel Hazanavicius directed a silent film in black-and-white, THE ARTIST, retracing the story of an American silent-picture star, confronted with the arrival of the talkies. In February 2012 Michel Hazanavicius was honoured with the César for Best Director for THE ARTIST, which won five other trophies, including that of Best Film and Best Actress. In 2012, Michel Hazanavicius won the Oscar for Best Director for THE ARTIST, becoming the second French director, nine years after Roman Polanski, to win this prestigious award.

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France, Georgia, 2014, Colour, 149 min., English, French, Russian Režija / Director: Michel Hazanavicius Scenarij / Screenplay: Michel Hazanavicius Direktor fotografije / Director of Photography: Guillaume Schiffman Montaža / Editor: Anne-Sophie Bion, Michel Hazanavicius Zvuk / Sound: Jean Minondo Scenografija / Production Design: Emile Ghigo Kostimografija / Costume Design: Les Rincali Producent / Producer: Tomas Langmann, Michel Hazanavicius Produkcija / Production: La Petite Reine Uloge / Cast: Bérénice Béjo, Annette Bening, Maxim Emelianov, Abdul-Khalim Mamatsuiev Filmografija / Filmography Izbor / Selected 2014 - THE SEARCH 2012 - LES INFIDÈLES / THE PLAYERS (segment LA BONNE CONSCIENCE) 2011 - THE ARTIST 2009 - OSS 117: RIO NE RÉPOND PLUS / OSS 117:LOST IN RIO 2006 - OSS 117: LE CAIRE, NID D’ESPIONS / OSS 117: CAIRO, NEST OF SPIES

Kinoscope

Boyhood / Odrastanje, Richard Linklater

Concerning Violence / U vezi s nasiljem, Göran Hugo Olsson

Force Majeure / Turist / Tourist, Ruben Östlund

Futatsume no mado / Umiri vodu / Still the Water, Naomi Kawase

100 Güeros / Bljedoliki, Alonso Ruizpalacios 101 Hross í oss / O konjima i ljudima / Of Horses and Men, Benedikt Erlingsson 102 Ida, Pawel Pawlikowski 103 It Follows / Prati me, David Robert Mitchell 104 Leviathan / Levijatan, Andrei Zvyagintsev 105 Love Hotel / Hotel ljubavi, Philip Cox, Hikaru Toda 106 Maidan, Sergey Loznitsa 107 Mange tes morts / Jedi svoje kosti / Eat Your Bones, Jean-Charles Hue 108 Le meraviglie / Čudesa / The Wonders, Alice Rohrwacher 109 Mogura no uta - sennyû sôsakan: Reiji / Krtičija pjesma: tajni agent Reiji /

The Mole Song: Undercover Agent Reiji, Takashi Miike

110 P’tit Quinquin / Mali Quinquin / Li’l Quinquin, Bruno Dumont 111 Party Girl / Cura za provod, Marie Amachoukeli-Barsacq,

Claire Burger, Samuel Theis

112 Plemya / Pleme / The Tribe, Myroslav Slaboshpytskiy 113 R100, Hitoshi Matsumoto 114 Shuiyin jie / Zamka / Trap Street, Vivian Qu 115 Violet / Ljubičasta, Bas Devos 116 Ye / Noć / The Night, Zhou Hao

Uvod / Introduction

Mike Goodridge

Mathilde Henrot

Alessandro Raja

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Dobrodošli u treće izdanje Kinoscopea, festivalske sekcije čija je svrha da istakne specifičnu selekciju internacionalnih filmova izvan regije Jugoistočne Evrope. Ove godine program po prvi put uključuje tri ponoćne projekcije, što nam dozvoljava da predstavimo neke zanimljive kasnonoćne uratke, u isto vrijeme uključivši u naš program nekoliko eksperimentalnih dugometražnih filmova da bismo dopunili neke konvencionalnije igrane filmove.

Ali, Kinoscope je također program za nova otkrića, a nove režisere predstavljaju Alonso Ruizpalacios, čiji je prvi film BLJEDOLIKI osvježavajući i dopadljiv crno-bijeli portret studenata-zabušanata koji lutaju po Mexico Cityju u toku jedne noći. Bas Devos iz Belgije je napravio upečatljiv i predivno izveden debitantski uradak sa znatno mračnijom pričom o mladim ljudima koji se trude da prežive susrete sa nasiljem u filmu LJUBIČASTA.

Ipak, Kinoscope se nije nikada specijalizirao za konvencionalne narative, tako da ovogodišnja selekcija sadrži uobičajeni pregled ambicioznog i neobičnog pripovijedanja, bilo po strukturi, po dužini ili po stilu. Tu je 200-minutni film MALI QUINQUIN – koji je prvobitno bio TV serija u četiri epizode – koji prati grupicu likova, i 81-minutni O KONJIMA I LJUDIMA, koji prati mnoge različite likove iz tačke gledišta konja.

Kineska režiserka-debitantica Vivian Qu je ranije producirala filmove, a njen je režiserski debi ZAMKA uzbudljivi noir koji oslikava subverzivni portret moderne Kine. Isto se može reći i za Zhou Haoa, debitanta koji je još kao student snimio svoj film NOĆ. Rijedak prikaz gej prostitucije u Kini, također sadrži poetsku i vizuelnu eleganciju koja prevazilazi režiserovu 21 godinu života.

A onda imamo ODRASTANJE, koji je već globalni fenomen. Duboko emotivna, možda i revolucionarna priča Richarda Linklatera o dječaku koji odrasta u Texasu snimljena je u periodu od 12 godina koristeći ista četiri glumca, tako da možemo vidjeti odrasle glumce kako odrastaju i mijenjaju se isto koliko i djeca koja su u središtu filma.

NOĆ je jedan od rijetkih filmova koji će nas odvesti do margina društava iz kojih dolaze. Film koji će biti prikazan na noć otvaranja, CURA ZA PROVOD, je veoma zabavna drama tročlanog scenarističko-rediteljskog tima, Samuela Theisa, Marie Amachoukeli i Claire Burger. Theis također glumi u filmu, igrajući samog sebe, zajedno sa svojom majkom Angelique Litzenburger, koja igra šezdesetogodišnju hostesu iz naslova filma. Noćne scene u klubovima gdje radi na francusko-njemačkoj granici su ništa manje hipnotizirajuće od noćnog miljea u filmu NOĆ, ili neodoljivog vérité putovanja na kojem se, u jednoj noći na sjeveru Francuske, nalaze romski protagonisti filma JEDI SVOJE KOSTI Jeana Charlesa Huea.

Dva dokumentarca pričaju svoje priče na dramatično različite načine. U iznenađujuće prelijepom MAIDANU, ukrajinski režiser Sergej Loznitsa je u novembru 2013. proteste na trgu Maidan snimio serijom dugih, statičnih, slikarskih snimaka kamerom, što nam dopušta da zamislimo o dramatičnim događajima koji se se nalaze na platnu ovog filma. S druge strane, U VEZI S NASILJEM Görana Huge Olssona kroz arhivske prikaze 12 različitih događaja istražuje štetu učinjenu kolonijalizmom u Africi tokom 1960-ih i 1970-ih. Predstavljamo i neke od najvećih svjetskih režisera. MALI QUINQUIN je ustvari prva komedija Bruna Dumonta, francuskog majstora tame čije ime se rijetko povezuje sa humorom, ali koji je u ovom filmu uspio proizvesti komediju koja u isto vrijeme izaziva zadovoljstvo i tjera vas da se smijete na sav glas. Novi film sve vještije Japanke Naomi Kawase, UMIRI VODU, kombinuje njen inteligentni stil sa emotivnim središtem koje je rasplakalo mnoge na svojoj premijeri na Filmskom festivalu u Cannesu. Rus Andrej Zvigancev je predstavio svoj možda i najbolji film u LEVIJATANU, bogatoj i veličanstvenoj epskoj priči o korupciji koja prožima rusko društvo.

Možda i najmarginalniji od svih su gluhonijemi likovi u specijaliziranoj školi sa internatom u Ukrajini u filmu PLEME. Prvi dugometražni film Myroslava Slaboshpytskiya je jedan od najiskrenijih i najšokantnijih prvijenaca u zadnje vrijeme, te stvara zapanjujuće originalan svijet koji je osvojio nagradu Sedmice kritičara za najbolji film na ovogodišnjem Festivalu u Cannesu. Neki od već spomenutih filmova - LEVIJATAN, MAIDAN, U VEZI S NASILJEM i ZAMKA - prikazuju pobunjenike koji se bore protiv despotskih društava, te stoga ne iznenađuje da, u svijetu trenutno prepunom konflikta, film odražava čovječanstvo na rubu. Ali neće nas svi filmovi dovesti do ruba. Iskrena ljudskost na djelu vidi se u evokativnoj priči o odrastanju Alice Rohrwacher ČUDESA, dok

se na filmu TURIST Rubena Ostlunda - jednoj od najvatrenijih švedskih bračnih drama još od SCENES FROM A MARRIAGE - mogu vidjeti nestašluk i velikodušnost. Istovremeno, Philip Cox i Hikaru Toda nas u dokumentarnom filmu HOTEL LJUBAVI vode u unutrašnjost japanskog hotela ljubavi u Osaki, dajući nam dirljivu i nježnu sliku ovih hramova intimnosti i slobode. Naša tri ponoćna filma - urnebesna seks komedija Hitoshija Matsumotoa R100, komični krimi opus KRTIČIJA PJESMA: TAJNI AGENT REIJI Takashija Miikea, i inteligentni savremeni horor Davida Roberta Mitchella PRATI ME - dovoljno govore sami za sebe, ali se u njima ipak treba uživati u slobodnom duhu u okviru kojeg su i odabrani. Da bismo došli do konačnih 20 filmova, pregledali smo mnogobrojne naslove iz velikog broja država, svađali se, raspravljali, ponovo ih gledali i složili se. Nadamo se da ste potaknuti ovogodišnjom selekcijom baš kao i mi dok smo je birali.

E Welcome to the third edition of Kinoscope,

the section of the festival designed to highlight a distinctive selection of international films from outside the region of Southeastern Europe. This year the programme includes three midnight screenings for the first time, allowing us to introduce some diverting late night entries, while also embracing a couple of experimental features into the programme to complement the more conventional narrative features. However, Kinoscope has never specialized in conventional narrative, and 2014’s selection features the usual spread of ambitious and unusual storytelling be it in structure or length or style. There’s the 200 minute film LE P’TIT QUINQUIN – originally a four part TV series – which follows a handful of characters and the 81 minute Icelandic comedy OF HORSES AND MEN which follows many different characters from the point of view of horses. Then there is BOYHOOD which is already a global sensation. Richard Linklater’s profoundly moving, possibly game-changing story of a boy growing up in Texas was shot over a period of 12 years using the same four actors so we see the adult actors grow and change as much as the youngsters at the film’s heart. And two documentaries tell stories in wildly dif-

ferent ways. In the surprisingly beautiful MAIDAN, Ukraine director Sergei Loznitsa filmed the protests in Maidan Square in November 2013 in a series of long fixed painterly camera takes, which allow us to reflect on the dramatic events contained in the canvas of his picture. While Göran Hugo Olsson’s CONCERNING VIOLENCE examines the damage of colonialism in Africa through the 1960s and 1970s through archival depictions of 12 different events. Some of the world’s great directors are featured. LE P’TIT QUINQUIN is actually the first comic work from Bruno Dumont, France’s somber master whose name is rarely associated with humour but who here has delivered a comedy both pleasurable and laugh-out-loud funny. The new film from Japan’s increasingly masterful Naomi Kawase – STILL THE WATER – combines her cerebral style with an emotional heart that had many sobbing at its Cannes Film Festival launch. Russia’s Andrei Zvyagintsev has delivered perhaps his best film in LEVIATHAN, a sprawling and magnificent epic about the corruption rife in Russian society. But Kinoscope is also a programme of discovery and new directors include Alonso Ruizpalacios whose first film GUËROS is a fresh and likeable black and white portrait of slacker university students rambling through Mexico City over the course of one night. Bas Devos from Belgium makes a striking and beautifully realised debut with a rather darker story of young people struggling to survive encounters with violence in VIOLET. First time Chinese film-maker Vivian Qu has produced films before but her directorial debut TRAP STREET is a gripping noir which paints a subversive portrait of contemporary China. As does Zhou Hao, a first-timer who made his film THE NIGHT as a student. A rare picture of gay prostitution in China, it also possesses a poetry and visual elegance that belies the director’s 21 years of age. THE NIGHT is one of a few films which take us to the margins of their respective societies. Our opening night film PARTY GIRL is a highly entertaining drama from a three-person writing/directing team of Samuel Theis, Marie Amachoukeli and Claire Burger. Theis also acts in the film, playing himself alongside his own mother Angelique Litzenburger who plays the 60 yearold hostess of the title. The scenes at night in the clubs where she works on the French/German border are no less hypnotic than the nighttime milieu of THE NIGHT or the riveting verite

road trip taken by the gypsy protagonists of Jean Charles-Hue’s EAT YOUR BONES throughout one night in northern France. Perhaps most marginal of all are the deaf and dumb characters in a specialized boarding school in Ukraine in THE TRIBE. Myroslav Slaboshpytskiy’s first feature is one of the most genuinely shocking debuts in recent memory and creates a startlingly original world that won the Critics Week prize for best film at Cannes this year. Several of the aforementioned films - LEVIATHNA, MAIDAN, CONCERNING VIOLENCE and TRAP STREET - show rebels fighting oppressive societies, and it’s perhaps not surprising in a world so rife with conflict right now that cinema is reflecting humanity on the edge. But not all of the films take us to the edge. There is a keen humanity on show in Alice Rohrwacher’s evocative coming of age story THE WONDERS, and both mischief and generosity on show in Ruben Ostlund’s TOURIST – one of the most combustible marital dramas to come out of Sweden since Scenes from a Marriage. Meanwhile Philip Cox and Hikaru Toda take us inside a Japanese love hotel in Osaka in the documentary LOVE HOTEL, giving a tender and loving view of these temples of intimacy and freedom. Our three midnight films – Hitoshi Matsumoto’s hilarious sex comedy R100, Takashi Miike’s comic crime opus THE MOLE SONG: UNDERCOVER AGENT REIJI and David Robert Mitchell’s clever contemporary horror IT FOLLOWS – should speak for themselves, but they should be enjoyed in the playful spirit in which they were selected. To reach our final 20 films, we have viewed scores of titles from scores of countries, argued, debated, rewatched and agreed. We hope you are as stimulated by this year’s selection as we were making it. Mike Goodridge, Mathilde Henrot and Alessandro Raja, selektori / Programmers

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Boyhood / Odrastanje Još od 2002. Richard Linklater svake godine pred kamerama okuplja istu glumačku ekipu kako bi radio na jedinstvenom filmskom projektu koji gledaocima omogućava da tokom dužeg vremenskog perioda posmatraju ljudski život i sve ono što ga prati. Iskren i sklon eksperimentiranju, Linklater ovaj put prati lik Masona od njegovih ranih školskih dana u Austinu pa do trenutka upisa na koledž. Mason se u životu mora nositi s iritantnom sestrom i razvedenim roditeljima. Masonovog čudnog oca, koji bi jednog dana možda mogao i odrasti, glumi Ethan Hawke, dok Patricia Arquette glumi njegovu usamljenu majku koja ne samo da pokušava završiti studij, već se i stalno vezuje za pogrešne muškarce. U centru tog emotivnog svijeta nalazi se Mason, čiji pametni komentari iz godine u godinu postaju sve pametniji. ODRASTANJE je istovremeno i nostalgična vremenska kapsula u kojoj je zarobljena nedavna prošlost, i oda odrastanju i roditeljstvu. Richard Linklater je rođen 1960. u Houstonu, u Texasu. Ovaj samouki filmski autor je svojim niskobudžetnim, minimalističkim filmovima bez tradicionalne narativne strukture brzo pridobio vjerne poklonike u svijetu nezavisnog filma. Njegovi najpoznatiji filmovi uključuju: SLACKER, DAZED AND CONFUSED, SUBURBIA, SCHOOL OF ROCK, BAD NEWS BEARS, ME AND ORSON WELLES i trilogiju BEFORE (BEFORE SUNSET, BEFORE SUNRISE i BEFORE MIDNIGHT). E Every year since 2002 Richard Linklater has gathered together the same actors in front of the camera for this unique feature film project which enables the viewer to observe people living their lives – and all that goes with it – over a longer period of time. Candid and happy to experiment, Linklater now follows the character of Mason from his early schooldays in Austin until he enters college. Mason has both an annoying sister and a pair of divorced parents to cope with. His freaky father, who might just grow up one day, is played by Ethan Hawke. Patricia Arquette embodies his single Mum who, besides trying to finish her studies, has a tendency always to fall for the wrong guy. At the hub of this chaotic emotional world is Mason himself, whose clever comments get cleverer by the year. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting.

Richard Linklater was born in 1960 in Houston, Texas. A self-taught filmmaker, Linklater quickly gained a cult following in the independent film world with his low-budget, minimalist style, and lack of traditional narratives. He is best known for SLACKER, DAZED AND CONFUSED, SUBURBIA, SCHOOL OF ROCK, BAD NEWS BEARS, ME AND ORSON WELLES and BEFORE trilogy (BEFORE SUNSET, BEFORE SUNRISE, BEFORE MIDNIGHT).

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USA, 2013, Colour, 164 min., English, Spanish Režija / Director: Richard Linklater Scenarij / Screenplay: Richard Linklater Direktor fotografije / Director Of Photography: Lee Daniel, Shane Kelly Montaža / Editor: Sandra Adair Scenografija / Production Design: Rodney Becker Kostimografija / Costume Design: Kari Perkins Producent / Producer: Richard Linklater, Cathleen Sutherland Produkcija / Production: Boyhood Inc., Austin, USA, Tel: +1 512 7890989, cfsutherland@att.net Detour Filmproduction, Austin, USA, Tel: +1 512 3220031, rick@detourfilm.com Uloge / Cast: Patricia Arquette, Ethan Hawke, Ellar Coltrane, Lorelei Linklater Kontakt / Contact: Lauren Schwartz, IFC, Lauren. Schwartz@ifcfilms.com Filmografija / Filmography 2014 - BOYHOOD 2013 - BEFORE MIDNIGHT 2012 - BERNIE UP TO SPEED (TV serie / TV serija) 2009 - ME AND ORSON WELLES 2008 - INNING BY INNING: A PORTRAIT OF A COACH (dokumentarni /documentary) 2006 - A SCANNER DARKLY 2005 - BAD NEWS BEARS 2004 - BEFORE SUNSET 2003 - LIVE FROM SHIVA’S DANCE FLOOR (kratki / short) 2001 - WAKING LIFE (animirani / animated) 1998 - THE NEWTON BOYS 1997 - SUBURBIA 1995 - BEFORE SUNRISE 1993 - DAZED AND CONFUSED 1988 - IMPOSSIBLE TO LEARN TO

Concerning Violence / U vezi s nasiljem U VEZI S NASILJEM je retrospektivni pregled afričkih pokreta za nezavisnost zasnovan na poznatoj knjizi Frantza Fanona „The Wretched of the Earth“ (Zemaljski paćenici). Film prati ustanke koji su rezultirali svrgavanjem kolonijalne vlasti u Africi. Okosnicu Olssonovog filma čine arhivski snimci koje su švedski dokumentaristi i TV novinari zabilježili u Africi u periodu od 1966. do 1984. Olsson kombinuje videomaterijal na kome su prikazani oslobodilački pokreti u Angoli, pokret Frelimo u Mozambiku i borba za nezavisnost u Gvineji Bisau s dokumentarističkim snimcima švedskih misionara u Tanzaniji i štrajka u švedskom rudniku u Liberiji. Muzičarka Lauryn Hill oživljava Fanonov polarizirajući tekst koji je kritika i osnova filmskog videozapisa. Kratak pogled na današnje tinjajuće konflikte uz nekadašnje kolonijalne granice ukazuje na činjenicu da i danas, pedeset godina nakon Fanonove smrti, Afrika trpi posljedice stoljeća evropskih osvajanja i intervencija. Göran Hugo Olsson je rođen 1965. godine u Lundu, u Švedskoj. Obrazovanje je stekao na Kraljevskoj akademiji likovnih umjetnosti u Stockholmu i jedan je od međunarodno najpriznatijih švedskih filmskih autora. Bio je urednik i suosnivač TV programa Ikon, specijaliziranog za kratke dokumentarce (SVT). Njegov prethodni film, THE BLACK POWER MIXTAPE 1967-1975, postigao je značajan uspjeh na filmskim festivalima, u kinima i na televizijskim ekranima širom svijeta. Od 1999. godine, Olsson je član uredništva programa Ikon South Africa koji, u saradnji s južnoafričkom državnom televizijom SABC, služi kao platforma za podršku kreativnim autorima dokumentarnog filma u tamošnjim marginaliziranim naseljima. E CONCERNING VIOLENCE shows a retrospective view of Africa’s independence movements. Based on Frantz Fanon’s famous book, ‘The Wretched of the Earth’, the film describes the uprisings that led to Africa’s decolonisation. Olsson concentrates on archive material filmed in Africa by Swedish documentary filmmakers and television journalists between 1966 and 1984. Footage of liberation movements in Angola, the Frelimo in Mozambique and the struggle for independence in GuineaBissau are juxtaposed with documentary images of Swedish missionaries in Tanzania and a strike in a Swedish mine in Liberia. Musician Lauryn Hill brings to life Fanon’s polarizing texts, which structure and provide a commentary on the film’s visual material. A glimpse of today’s smouldering conflicts along the old colonial borders shows that, even 50 years after Fanon’s death, Africa still has to deal with the consequences of centuries of European raids and interventions.

Sweden, USA, Denmark, Finland, 2014, Colour and b&w, 91 min., English, French, Portugese, Swedish Režija / Director: Göran Hugo Olsson Scenarij / Screenplay: Göran Hugo Olsson Montaža / Editor: Michael Aaglund, Dino Jonsäter, Göran Hugo Olsson, Sophie Vukovic Muzika / Music: Neo Muyanga Zvuk / Sound: Micke Nyström Producent / Producer: Annika Rogell, Tobias Janson, Story AB Produkcija / Production: Story AB, Louverture Films, Final Cut for Real, Helsinki-filmi Naracija / Narrated by: Lauryn Hill Kontakt / Conact: Films Boutique, Köpenicker Strasse 184, 10997 Berlin, Tel: +49 30 695 378 50, info@filmsboutique.com, www.filmsboutique.com Filmografija / Filmography 2014 - CONCERNING VIOLENCE (dokumentarni / documentary) 2011 - THE BLACK POWER MIXTAPE 1967-1975 (dokumentarni / documentary) 2008 - AM I BLACK ENOUGH FOR YOU (dokumentarni / documentary) 1998 - FUCK YOU, FUCK YOU VERY MUCH (dokumentarni / documentary)

Göran Hugo Olsson was born in 1965 in Lund, Sweden, was educated at the Royal Academy of Fine Arts in Stockholm, and is one of Sweden’s leading filmmakers internationally. He was editor and co-founder of the short documentary television program ”Ikon” (SVT). His previous film THE BLACK POWER MIXTAPE 1967-1975 became a huge hit in festivals, theatres and TV broadcasts worldwide. Olsson has since 1999 been a member of the Editorial board of Ikon South Africa - a platform for creative documentary in South Africa by township filmmakers in cooperation with South African national broadcaster SABC.

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Force Majeure / Turist / Tourist Jedna švedska porodica posjećuje francuske Alpe kako bi par dana uživali u skijanju i proveli nešto dragocjenog vremena zajedno. Vrijeme je sunčano i skijaške su staze fantastične, ali lavina koja se pokreće u vrijeme ručka u planinskom restoranu u cjelosti mijenja situaciju. Dok gosti restorana bježe na sve strane, Ebba pokušava zaštiti djecu i istovremeno doziva svoga supruga Tomasa. On se međutim dao u bijeg… Njegova neočekivana reakcija navodi članove porodice da preispitaju vlastite pretpostavke i uloge, sa posebnim naglaskom na Tomasovu ulogu u njihovom životu. Dok se odmor bliži kraju Tomas se očajnički bori da povrati svoje mjesto glave porodice, a njegov i Ebbin brak je doveden u pitanje. Ruben Östlund je rođen 1974. u gradu Styrso u Švedskoj. Prije nego će upisati Univerzitet u Gothenburgu, Ostlund je studirao grafički dizajn. Ovaj je strastveni skijaš režirao tri filma o skijanju, u kojima je otkrio sklonost ka dugim kadar-sekvencama stečenu tokom studija, a koja je i dalje zaštitni znak njegovog autorskog izraza. Ruben je postao poznat zavaljujući svojim duhovitim i preciznim prikazima društvenog ponašanja kod ljudi. Za kratki film INCIDENT IN A BANK, u kojem je svaki pokret kamere kompjuterski generisan u postprodukciji, Ostlund je 2010. godine nagrađen Zlatnim medvjedom Filmskog festivala u Berlinu. Sa svojim producentom i partnerom Erikom Hemmendorffom je pokrenuo udruženje inovativnih filmskih autora “The School of Gothenburg” (Gotenburška škola). E A Swedish family travels to the French Alps to enjoy a few days of skiing and spend some precious time with each other. The sun is shining and the slopes are spectacular but, during a lunch at a mountainside restaurant, an avalanche turns everything upside down. With diners fleeing in all directions, mother Ebba calls for her husband Tomas as she tries to protect their children. Tomas, meanwhile, is running for his life… His unexpected action leads them to evaluate their roles and assumptions, a question mark hanging over their father in particular. With the end of the holiday approaching, Tomas and Ebba’s marriage hangs in the balance as Tomas struggles desperately to reclaim his role as family patriarch.

Ruben Östlund was born in 1974 in Styrso, Sweden. He studied graphic design before enrolling at the University of Gothenburg. An avid skier, Ostlund directed three ski films, alluding to his taste for long sequence shots, a taste he structured and developed throughout his film studies and which to this day remains an important trademark of his work. Ruben has become well known for his humorous and accurate portrayal of human social behaviour. In 2010 he won the Golden Bear in Berlin for INCIDENT IN A BANK, a short film in which every camera movement was computer generated in post-production. In association with his producer and partner Erik Hemmendorff, he has created a collective with other innovative cinematographers called “The School of Gothenburg”.

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Sweden, Denmark, Norway, 2014, Colour, 118 min., English, Swedish Režija / Director: Ruben Östlund Scenarij / Screenplay: Ruben Östlund Direktor fotografije / Director of Photography: Fredrik Wenzel Montaža / Editor: Ruben Ostlund, Jacob Secher Schulsinger Muzika / Music: Ola Flottum Zvuk / Sound: Kjetil Mørk, Rune Van Deurs, Jesper Miller Scenografija / Production Design: Josefin Asberg Kostimografija / Costume Design: Pia Aleborg Producent / Producer: Erik Hemmendorff, Marie Kjellson, Philippe Bober Produkcija / Production: Plattform Produktion, Parisienne, Coproduction Office, Motlys Uloge / Cast: Johannes Bah Kuhnke, Lisa Loven Kongsli, Clara Wettergren, Vincent Wettergren, Kristofer Hivju, Fanni Metelius Filmografija / Filmography Izbor / Selected 2014 - FORCE MAJEURE / THE TOURIST 2011 - PLAY 2009 - HÄNDELSE VID BANK / INCIDENT BY A BANK (kratki / short) 2008 - DE OFRIVILLIGA / INVOLUNTARY 2006 - NATTBAD (kratki / short) 2005 - GITARRMONGOT / THE GUITAR MONGOLOID

Futatsume no mado / Umiri vodu / Still the Water Na suptropskom japanskom ostrvu Amami-Oshisima tradicionalni odnos prema prirodi ostaje zauvijek nepromijenjen. U avgustovskoj noći punog mjeseca i tradicionalnih plesova, šesnaestogodišnji Kaito u moru pronalazi plutajuće ljudsko tijelo. Njegova će mu djevojka Kyoko pokušati pomoći da shvati to misteriozno otkriće. Kaito i Kyoko postižu zrelost kroz zajedničko iskustvo isprepletenih ciklusa života, ljubavi i smrti. Naomi Kawase, cijenjena i višestruko nagrađivana filmska rediteljica, rođena je 1969. godine u gradu Nara, u Japanu. Ova diplomantica Škole fotografije u Osaki poznata je kao hroničarka vlastitog sazrijevanja i ličnih bolova kroz teme vezane za porodicu, napuštanje i cikluse života i smrti. Njen kratki dokumentarni film EBRACING (1992) i njegov nastavak KATATSUMORI (1994) toplo su prihvaćeni na brojnim filmskim festivalima u Japanu i inostranstvu. Kawase je 1997. godine sa svojim debitantskim igranim filmom SUZAKU postala najmlađa dobitnica nagrade Camera d’or Filmskog festivala u Cannesu. Njen četvrti igrani film THE MOURNING FOREST nagrađen je Velikom nagradom Filmskog festivala u Cannesu 2007. godine, dok se STILL THE WATER / UMIRI VODU natjecao za nagradu Palme d’or u glavnoj takmičarskoj selekciji istog festivala 2014. godine. E On the subtropical Japanese island of Amami-Oshima, traditions about nature remain eternal. During the full-moon night of traditional dances in August, 16-year-old Kaito discovers a dead body floating in the sea. His girlfriend Kyoko will attempt to help him understand this mysterious discovery.Together, Kaito and Kyoko will learn to become adults by experiencing the interwoven cycles of life, death and love.

Naomi Kawase, critically acclaimed Japanese director and a winner of numerous international film awards, was born in 1969 in Nara, Japan. A graduate of the Osaka School of Photography, she is known for chronicling her own personal growth and pain through themes of family, abandonment, and the cycles life and death. Her short documentaries EMBRACING (1992) and its sequel KATATSUMORI (1994) have been praised at numerous domestic and international film festivals. She became the youngest winner of the Camera d’Or at the Cannes Film Festival in 1997 with her feature debut film, SUZAKU. Her fourth feature film, THE MOURNING FOREST, won the Grand Prix at Cannes 2007. STILL THE WATER competed for Palme d’Or in the main competition section at the 2014 Cannes Film Festival.

Japan, Spain, France, 2014, Colour, 119 min., Japanese Režija / Director: Naomi Kawase Scenarij / Screenplay: Naomi Kawase Direktor fotografije / Director of Photography: Yutaka Yamazaki Montaža / Editor: Tina Baz Muzika / Music: Hasiken Zvuk / Sound: Shigeatsu AO Scenografija / Production Design: Kenji Inoue Producent / Producer: Masa Sawada, Takehiko Aoki, Naomi Kawase Produkcija / Production: Wowow, Comme Des Cinémas Uloge / Cast: Nijiro Murakami, Jun Yoshinaga, Miyuki Matsuda, Tetta Sugimoto Filmografija / Filmography Izbor / Selected 2014 - FUTATSUME NO MADO / STILL THE WATER 2011 - HANEZU 2008 - NANAYOMACHI 2007 - THE MOURNING FOREST 2003 - SHARA 2000 - HOTARU 1996 - SUZAKU

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Güeros / Bljedoliki Od početka štrajka na državnom univerzitetu, Sombra i Santos kao da žive u vakumu. Bez obrazovanja, bez pokreta, bez cilja i bez ideje šta će štrajk donijeti pronalaze čudne načine da im vrijeme brže prođe. Njihovu rutinu prekida dolazak Tomása, Sombrinog mlađeg brata. Dok neuspješno pokušava da se uklopi u društvo starijih zgubidana, Tomás saznaje da je neproslavljena meksička folk rock zvijezda Epigmenio Cruz smješten u nekoj od gradskih bolnica. Tomás nagovara Sobru i Santosa da krenu u potragu za Cruzom kako bi mu odali počast na samrtničkoj postelji. Očekivana potraga za idolom njihovog djetinjstva ubrzo se pretvara u put samootkrovenja duž nevidljivih granica unutar Mexico Cityja. Alonso Ruizpalacios je meksički filmski i teatarski reditelj i scenarista rođen u Mexico Cityju 1978. Studirao je glumu na Kraljevskoj akademiji dramskih umjetnosti (RADA) u Londonu. Prije toga je studirao režiju u Mexico Cityju kod proslavljenog poljskog reditelja Ludwika Margulesa. Režirao je više igranih i dokumentarnih TV programa, uključujući IDEAS PLANET za kanal Discovery, EXPEDITION 1808 za kanal National Geographic i nagrađivanu dramsku seriju XY za Kanal 11 Mexico. Također je režirao više teatarskih predstava u najprestižnijim meksičkim pozorištima. Njegov kratki film iz 2008. godine CAFÉ PARAÍSO dobitnik je nagrade Ariel Meksičke filmske akademije, kao i niza drugih nagrada na međunarodnim filmskim festivalima. Njegov treći kratki film THE CU BIRD’S LAST SONG je također nagrađen nagradom Ariel za najbolji kratki film 2011. godine. GÜEROS je dobitnik nagrade Filmskog festivala u Berlinu za najbolji prvi igrani film. E Ever since the National University strike broke out, Sombra and Santos have been living in limbo. Educationless, motionless, purposeless, and unsure of what the strike will bring, they begin to look for strange ways to kill time. But their routine is interrupted by the arrival of Tomás, Sombra’s kid brother. Unable to fit in amongst these older slackers, Tomás discovers that the unsung Mexican folk-rock hero Epigmenio Cruz has been hospitalized somewhere in the city. Tomás convinces Sombra and Santos they must track him down in order to pay their final respects on his deathbed. But what they thought would be a simple trip to find their childhood idol, soon becomes a voyage of self-discovery across Mexico City’s invisible frontiers.

Alonso Ruizpalacios is a Mexican film and stage director and writer born in Mexico City in 1978. He trained as an actor at the Royal Academy of Dramatic Arts (RADA) in London. Previously, he studied directing in Mexico City with the renowned Polish director Ludwik Margules. For TV he has directed several fiction and non-fiction shows, including IDEAS PLANET for Discovery Channel, EXPEDITION 1808 for National Geographic Channel and the award-winning drama series XY for Channel 11 Mexico. He has also directed many stage plays in some of Mexico’s most prestigious theatre venues. In 2008 he wrote and directed CAFÉ PARAÍSO, which earned him the Mexican Film Academy’s Ariel for Best Short, as well as awards at the numerous international film festivals. His third short film THE CU BIRD’S LAST SONG also won The Ariel for Best Short in 2011. GÜEROS was awarded Best First Feature at Berlin Film Festival.

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Mexico, 2014, Colour, 106 min., Spanish Režija / Director: Alonso Ruizpalacios Scenarij / Screenplay: Alonso Ruizpalacios, Gibrán Portela Montaža / Editor: Yibrán Asuad, Ana García Muzika / Music: Tomás Barreiro Zvuk / Sound: Zulu, Isabel Muñoz, Kyoshi Osawa, Gabriel Reyna Scenografija / Production Design: Sandra Cabriada Kostimografija / Costume Design: Ingrid Sac Producent / Producer: Ramiro Ruiz Produkcija / Production: Catatonia Cine, IMCINE/ CONACULTA, Universidad Nacional Autónoma de México (UNAM) Uloge / Cast: Tenoch Huerta, Sebastián Aguirre, Ilse Salas, Leonardo Ortízgris Filmografija / Filmography 2014 - GÜEROS 2010 - THE CÚ BIRD’S LAST SONG (kratki / short) 2008 - CAFÉ PARAÍSO (kratki / short)

Hross í oss / O konjima i ljudima / Of Horses and Men Seoska romansa o ljudskim osobinama konja i konjskim osobinama ljudi. Ljubav i smrt se isprepliću uz ogromne posljedice. Sreća ljudi sa sela viđena očima konja. Igrani film o konju u čovjeku i čovjeku u konju. Film nam donosi klasičnu priču o borbi čovjeka protiv prirode, o čovjekovom nastojanju da zauzda životinjsku snagu prirode kako bi je stavio u funkciju svoga uspjeha... ili propasti. Benedikt Erlingsson se smatra jednim od najuspješnijih islandskih teatarskih reditelja protekle decenije. Dobitnik je više Grima nagrada (islandska nagrada za rad u teatru) za dostignuća u ulozi reditelja, autora i glumca, a u svojoj je zemlji poznat i po ulozi u TV seriji FOSTBRÆDUR / KRVNA BRAĆA. Glumio je u više filmova uključujući Lars von Trierov THE BOSS OF IT ALL. Režirao je dva kratka filma: THANKS i THE NAIL. Island je njegov film O konjima i ljudima 2013. godine nominovao za nagradu Oscar u kategoriji najboljeg filma na stranom jeziku. E A country romance about the human streak in the horse and the horse in the human. Love and death become interlaced with immense consequences. The fortunes of the people in the countryside through the horses’ perception. A feature film about the horse in the man and the man in the horse. The theme is a classic story of the fight between man and nature, the efforts of humans to harness the animalistic powers of nature for their own gain…or fall.

Benedikt Erlingsson is one of the most successful stage directors of the last decade in Iceland. He has received several Grima awards (Icelandic theatre awards) for his work as a director, author and actor, and is well known in his country for having acted in the TV series, FOSTBRÆDUR / BLOOD BROTHERS. He has also acted in a number of films, such as Lars von Trier’s THE BOSS OF IT ALL.. He has directed two short films, THANKS and THE NAIL. OF HORSES AND MEN was selected as Iceland’s 2013 submission for Best Foreign Language Film Oscar.

Iceland, Germany, Norway, 2013, Colour, 80 min., English, Icelandic, Russian, Spanish, Swedish Režija / Director: Benedikt Erlingsson Scenarij / Screenplay: Benedikt Erlingsson Direktor fotografije / Director of Photography: Bergsteinn Bjorgulfsson Montaža / Editor: David Alexander Corno Muzika / Music: Davíð Þór Jónsson Producent / Producer: Friðrik Þór Friðriksson Produkcija / Production: LEIKNAR MYNDIR EHF. Fridrik Thor Fridriksson, Bjarkargata 6 101 Reykjavík, Iceland, f.thor@icecorp.is; MOGADOR FILM Christoph Thoke, Kopernikusstrasse 33 10243 Berlin, Germany, christoph@mogadorfilm.de Uloge / Cast: Ingvar E. Sigurdsson, Charlotte Boving, Steinn Armann Magnusson, Helgi Bjoernsson, Kristbjorg Kjeld, Sigridur Maria Egilsdottir, Juan Camillo Roman Estrada Filmografija / Filmography 2013 - OF HORSES AND MEN 2008 - THE NAIL 2007 - THANKS

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Ida Poljska, 1962. godine. Lijepa osamnaestogodišnjakinja Anna se sprema da postane opatica u samostanu u kojem živi od djetinjstva, kada je ostala siroče. Anna saznaje da ima tetku, majčinu sestru Wandu, koju mora posjetiti prije nego što se zaredi. Zajedno, dvije žene kreću na put upoznavanja jedna druge, kao i spoznavanja vlastite prošlosti. Anna otkriva da njena tetka nije samo bivša tvrdokorna komunistička tužiteljica poznata po osuđivanju svećenika i drugih osoba na smrt, već da je i Jevrejka. Saznaje da je i ona Jevrejka, i da joj je pravo ime Ida. To otkriće Annu, sada Idu, navodi na potragu za istinom o vlastitim korijenima i porodici. Ida je prisiljena da bira između identiteta stečenog rođenjem i religije koja ju je spasila od smrti u vrijeme nacističke okupacije Poljske. Wanda se, pak, mora suočiti s odlukama koje je donijela tokom Drugog svjetskog rata, kada je odabrala odanost ideji naspram odanosti vlastitoj porodici. Pawel Pawlikowski je višestruki dobitnik nagrade BAFTA rodom iz Poljske, a živi u Velikoj Britaniji. Studirao je književnost i filozofiju u Londonu i Oxfordu, a filmom se počeo baviti sredinom osamdesetih godina prošloga stoljeća. Na početku karijere je radio na dokumentarnim filmovima za BBC, a njegovi najpoznatiji dokumentarci iz tog perioda uključuju FROM MOSCOW TO PIETUSHKI, DOSTOEVSKY’S TRAVELS, SERBIAN EPICS i TRIPPING WITH ZHIRINOVSKY. Pawlikowski je 1998. godine fokus preusmjerio na igrani film, nakon što je s Ianom Duncanom napisao i režirao niskobudžetni TV film TOWCKERS, koji se u velikoj mjeri oslanjao na njegovo ranije dokumentarističko iskustvo. Nakon toga je napisao i režirao dva dugometražna igrana filma, LAST RESORT i MY SUMMER. Oba su filma nagrađena nagradom BAFTA, te mnogobrojnim drugim nagradama na filmskim festivalima širom svijeta. E Poland 1962. Anna is a beautiful eighteen-year-old woman, preparing to become a nun at the convent where she has lived since orphaned as a child. She learns she has a living relative she must visit before taking her vows, her mother’s sister Wanda. Together, the two women embark on a voyage of discovery of each other and their past. Her aunt, she learns, is not only a former hard-line Communist state prosecutor notorious for sentencing priests and others to death, but also a Jew. Anna learns that she too is Jewish - and that her real name is Ida. This revelation sets Anna, now Ida, on a journey to uncover her roots and confront the truth about her family. Ida has to choose between her birth identity and the religion that saved her from the massacres of the Nazi occupation of Poland. And Wanda must confront decisions she made during the War when she chose loyalty to the cause before family.

Pawel Pawlikowski is a Polish-born, UK-based, BAFTA Award-winning filmmaker. He studied literature and philosophy at London and Oxford and started making films in the mid 1980’s. Pawel’s early work was in documentaries for the BBC. His best known documentaries from that period include FROM MOSCOW TO PIETUSHKI, DOSTOEVSKY’S TRAVELS, SERBIAN EPICS AND TRIPPING WITH ZHIRINOVSKY. In 1998 Pawlikowski moved into fiction with the small budget made-for-TV film TWOCKERS, which he co-wrote and directed with Ian Duncan and is strongly rooted in his early experience with documentary. This was followed by two full length features, LAST RESORT and MY SUMMER OF LOVE , both of which he wrote and directed and which both won BAFTAs, as well as other awards at festivals around the world.

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Poland, Denmark, 2013, B&W, 80 min., Polish Režija / Director: Pawel Pawlikowski Scenarij / Screenplay: Pawel Pawlikowski, Rebecca Lenkiewicz Direktor fotografije / Director of Photography: Łukasz Żal, Ryszard Lenczewski Montaža / Editor: Jarek Kaminski Muzika / Music: Kristian Selin Eidnes Andersen Zvuk / Sound: Claus Lynge Scenografija / Production Design: Katarzyna Sobańska, Marcel Sławiński Kostimografija / Costume Design: Aleksandra Staszko Producent / Producer: Eric Abraham, Piotr Dzieciol, Ewa Puszczynska Produkcija / Production: Opus Film, Phoenix Film Uloge / Cast: Agata Kulesza, Agata Trzebuchowska, Dawid Ogrodnik and special guest appearance Joanna Kulig Filmografija / Filmography Izbor / Selected 2013 - IDA 2011 - LA FEMME DU VÈME / THE WOMAN IN THE FIFTH 2004 - MY SUMMER OF LOVE 2000 - LAST RESORT 1998 - THE STRINGER 1999 - TWOCKERS (kratki dokumentarni / short doc.) 1995 - TRIPPING WITH ZHIRINOVSKY (dokumentarni / documentary) 1992 - SERBIAN EPICS (dokumentarni / documentary) 1991 - DOSTOEVSKY’S TRAVELS (dokumentarni / documentary) 1990 - FROM MOSCOW TO PIETUSHKI (dokumentarni / documentary)

It Follows / Prati me Devetnaestogodišnja Jay jesen bi trebala provesti okupirana školskim obavezama, momcima i vikendima uz obalu jezera. Međutim, nakon naizgled nevinog seksualnog iskustva, Jay progone čudne vizije i neizbrisivi osjećaj da je neko, ili nešto, prati. Pritisnuta ovim teretom, Jay uz pomoć prijatelja – također tinejdžera – mora pronaći način da pobjegne strahotama koje kao da je u stopu prate. David Robert Mitchell je odrastao u Detroitu, a trenutno živi u Los Angelesu. Njegov scenarističkorediteljski debi, THE MYTH OF THE AMERICAL SLEEPOVER, premijerno je prikazan na Filmskom festivalu SXSW, gdje je nagrađen specijalnom nagradom žirija. Film je doživio međunarodnu premijeru u programu Critics’ Week Filmskog festivala u Cannesu. THE MYTH OF THE AMERICAN SLEEPOVER je uvršten među pet filmova koji su obilježili godinu u izboru programa Ebert Presents At the Movies. E For 19-year-old Jay, fall should be about school, boys and weekends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, or something, is following her. Faced with this burden, Jay and her teenage friends must find a way to escape the horrors that seem to be only a few steps behind.

David Robert Mitchell grew up in Detroit and now lives in Los Angeles. His writing and directorial feature debut, THE MYTH OF THE AMERICAN SLEEPOVER, premiered at the SXSW Film Festival, winning a Special Jury Prize. The film had its international premiere at the prestigious Cannes Film Festival in the Critics’ Week section. THE MYTH OF THE AMERICAN SLEEPOVER was listed as one of the top 5 films of the year on Ebert Presents At The Movies.

USA, 2014, Colour, 100 min., English Režija / Director: David Robert Mitchell Scenarij / Screenplay: David Robert Mitchell Direktor fotografije / Director of Photography: Michael Gioulakis Montaža / Editor: Julio C. Perez IV Muzika / Music: Disasterpeace Scenografija / Production Design: Michael T. Perry Kostimografija / Costume Design: Kimberly Leitz-McCauley Producent / Producer: Rebecca Green, Laura D. Smith, David Robert Mitchell, David Kaplan Produkcija / Production: Two Flints Animal Kingdom Northern Lights Uloge / Cast: Maika Monroe, Keir Gilchrist, Daniel Zovatto, Jake Weary, Olivia Luccardi, Lili Sepe Kontakt / Contact: VISIT FILMS 173 Richardson Street, Brooklyn, NY 11222 Office: +1-718-312-8210, info@visitfilms.com Filmografija / Filmography 2014 - IT FOLLOWS 2010 - THE MYTH OF THE AMERICAN SLEEPOVER

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Leviathan / Levijatan Kolja živi u sjevernoj Rusiji, u gradiću nadomak Barencovog mora. Vlasnik je automehaničarske radnje smještene tik uz kuću u kojoj živi s mladom suprugom Liljom i Romom, sinom iz prethodnog braka. Gradonačelnik Vadim Šelevjat želi preuzeti Koljin posao, njegovu kuću i njegovu zemlju, te pokušava da ga isplati. Međutim, Kolja ne može podnijeti da sve izgubi - ne samo zemlju već i ljepotu kojom je okružen od dana rođenja. Vadim Šelevjat se odlučuje na agresivniji pristup.... Andrei Zvyagintsev je rođen 1964. u Novosibirsku. Nakon što je 1990. godine diplomirao glumu na Ruskoj akademiji za pozorišnu umjetnost (GITIS), Andrei je ostvario niz glumačkih uloga u nezavisnim teatarskim produkcijama, kao i na televiziji i filmu. Prvi je put radio kao reditelj na tri epizode serijala THE BLACK ROOM u produkciji televizije REN. Njegov prvi igrani film, THE RETURN, nominiran je za nagradu Zlatni globus, a prethodno je osvojio nagrade Zlatni lav i Lav budućnosti za najbolje režiran debitantski film na Filmskom festivalu u Veneciji 2003. godine. Njegov drugi igrani film, THE BANISHMENT, premijerno je prikazan na Filmskom festivalu u Cannesu 2007. godine, gdje je Konstantin Lavronenko osvojio Zlatnu palmu za najbolju glavnu mušku ulogu, postavši njen prvi ruski laureat u historiji. Njegov treći dugometražni igrani film, ELENA, također je prikazan u Cannesu 2011. godine osvojivši Specijalnu nagradu žirija programa Un Certain Regard. E Kolia lives in a small town near the Barents Sea, in North Russia. He has his own auto-repair shop. His shop stands right next to the house where he lives with his young wife Lilya and his son from a previous marriage, Roma. Vadim Shelevyat, the mayor of the town, wants to take away his business, his house and his land. First he tries to buy Kolia off, but Kolia cannot stand losing everything he has, not only the land, but also all the beauty that has surrounded him from the day of his birth. So Vadim Shelevyat opts for a more aggressive approach …

Andrei Zvyagintsev was born in 1964 in Novosibirsk, Siberia. After graduating in 1990 from the acting department of the Russian Academy of Theatre Arts (GITIS), Andrei went on to act in independent theatre, TV and film. In 2000 he made his directorial debut with three episodes for REN TV’s THE BLACK ROOM. Zvyagintsev’s first motion picture, THE RETURN, was nominated for a Golden Globe after winning the Golden Lion and the Lion of the Future for Best Director’s Debut at the 60th Venice Film Festival in 2003. His second feature, THE BANISHMENT, premiered at the 60th Cannes Film Festival in 2007 and earned Konstantin Lavronenko the Palme d’Or for Best Leading Actor, the first ever for a Russian actor. In 2011, also in Cannes, his third full-length film, ELENA, won the Special Jury Prize in the Un Certain Regard programme.

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Russia, 2014, Colour, 140 min., Russian Režija / Director: Andrei Zvyagintsev Scenarij / Screenplay: Oleg Negin, Andrei Zvyagintsev Direktor fotografije / Director of Photography: Mikhail Krichman Montaža / Editor: Anna Mass Muzika / Music: Philip Glass Zvuk / Sound: Andrey Dergachev Scenografija / Production Design: Andrey Ponkratov Kostimografija / Costume Design: Anna Bartuli Producent / Producer: Alexander Rodnyansky, Sergey Melkumov Produkcija / Production: Non-Stop Productions Uloge / Cast: Alexey Serebryakov, Elena Lyadova, Vladimir Vdovitchenkov, Roman Madyanov, Anna Ukolova, Alexey Rozin, Sergey Pokhodaev Kontakt / Contact: Pyramide International Filmografija / Filmography 2014 - LEVIATAN 2011 - ELENA 2011 - TAYNA / MYSTERY (kratki / short) 2009 - APOCRYPHA (kratki / short) 2007 - IZGNANIE / THE BANISHMENT 2003 - VOZVRASHCHENIE / THE RETURN

Love Hotel / Hotel ljubavi HOTEL LJUBAVI donosi priču o jednom od najprivatnijih i najskrivenijih mjesta u Japanu, hotelu Anđeoska ljubav u Osaki, gdje gosti različitih životnih dobi i društvenog statusa odsjedaju svega par sati kako bi u miru uživali u intimnim trenucima, a čija se uprava bori protiv sve konzervativnije vlasti. Autori filma ostvarili su jedinstvenu slobodu pristupa ovome hotelu i uvid u razne slojeve modernog japanskog društva. Iako žanrovski svrstan u japanski pink film, ovaj iznimno suptilan dokumentarac pruža izvanredan pogled na ljubav, seks i intimu u unosnom svijetu podzemlja i stavlja gledaoca pred teško pitanje: gdje možemo pronaći ljubav i kako postići da ona potraje? Phil Cox je svoje prve filmove producirao i režirao u Škotskoj, gdje je završio studij književnosti i jezika Univerziteta u Edinburgu. Sa svojim je bratom 1998. godine osnovao filmski kolektiv Native Voice Films, primarno fokusiran na dokumentaristički rad. U posljednjih je petnaest godina režirao i producirao više nagrađivanih televizijskih i indie dokumentaraca. Za svoj rad u Sudanu je nagrađen nagradom Rory Peck, a nominiran je i za sedam drugih međunarodnih nagrada. HOTEL LJUBAVI je premijerno prikazan na Filmskom festivalu u Torontu 2014. godine. Hikaru Toda je rediteljica televizijskih i nezavisnih dokumentaraca, a redovno radi za japansku državnu televiziju (NHK), kanal Tate Modern, Guardian i niz međunarodnih nevladinih organizacija. Zahvaljujući profesionalnom iskustvu u oblasti scenskih umjetnosti i vizualne antropologije, Toda često radi kao vizualni etnograf za različite međunarodne agencije koje se bave javnim zdravstvom i društvenim pitanjima. Vizualne medije koristi kako bi istražila kulturne artefakte u intimnom okruženju. Naučni je saradnik Centra za vizualnu antropologiju koledža Goldsmiths, a živi na relaciji između Tokija i Londona.

UK, France, Japan, 2014, Colour, 80 min., Japanese Režija / Director: Philip Cox, Hikaru Toda Scenarij / Screenplay: Philip Cox, Hikaru Toda Montaža / Editor: Esteban Uyarra Muzika / Music: Florencia Di Concilio Zvuk / Sound: Dennis Wheatley Producent / Producer: Giovanna Stopponi, Sophie Parrault Produkcija / Production: Native Voice Films, Bonne Pioche Filmografija / Filmography Philip Cox 2014 - LOVE HOTEL (dokumentarni / documentary) 2011 - THE BENGALI DETECTIVE (dokumentarni / documentary) Hikaru Toda 2014 - LOVE HOTEL (dokumentarni / documentary)

E With unprecedented access into one of the most private and anonymous spaces in Japanese society, THE LOVE HOTEL focuses on the Angel Love Hotel in Osaka, a short stay hotel where customers of all ages and backgrounds visit for uninterrupted intimacy, and where the hotel management struggles against an increasingly conservative government. Under the veneer of a pink movie, this extremely subtle documentary - from a cross-section of the modern Japanese society - provides a powerful perspective on love, sex and intimacy in the lucrative underground business and poses a tantalizing question: Where can we find love, and how can we make it last?

Phil Cox produced and directed his first films in Scotland, completing a degree in languages and literature at the University of Edinburgh. With a primary interest in documentary films, he created Native Voice Films with his brother in 1998. For the past 15 years he has worked both as director and producer of award-winning broadcasts and indie documentaries. He has been awarded the Rory Peck Award for his work in Sudan and has since been nominated for 7 other international awards. LOVE HOTEL premiered at Toronto Film Festival in 2014. Hikaru Toda is a director of broadcast and independent documentaries, working regularly for the National Broadcaster of Japan (NHK), the Tate Modern Channel, the Guardian and a number of international NGOs. With a background in Performing Arts and Visual Anthropology, she works extensively as a visual ethnographer for international agencies focusing on public health and social issues. She uses visual media to explore cultural artefacts in an intimate setting. She holds a research fellow position at the Centre of Visual Anthropology, Goldsmiths College and is based in Tokyo and London.

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Maidan MAIDAN je hronika građanske pobune u Kijevu u zimu 2013. na 2014. godinu. Film prati razvoj revolucije od mirnih protesta pola miliona ljudi na trgu Maidan do krvavih uličnih borbi između demonstranata i specijalne policije. MAIDAN je portret nacije koja se budi i ponovo otkriva vlastiti identitet. Sergei Loznitsa je rođen u Bjelorusiji 1964. godine. Sergei se obrazovao na Politehničkom institutu u Kijevu, gdje je 1987. godine diplomirao inženjerstvo i matematiku. U periodu od 1987. do 1991. godine radio je kao naučnik pri Institutu za kibernetiku. Sergei je 1997. godine diplomirao iz oblasti igranog filma na Ruskom državnom institutu za kinematografiju. Dokumentarne filmove snima od 1996. godine i dobitnik je niza nagrada kako u zemlji tako i u inostranstvu. Njegov debitantski igrani film, MY JOY, premijerno je prikazan u takmičarskoj selekciji Filmskog festivala u Cannesu, a drugi, IN THE FOG, nagrađen je nagradom FIPRESCI. E MAIDAN chronicles a civil uprising which took place in Kiev in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong, in the Maidan square, to the bloody street battles between the protestors and riot police. MAIDAN is a portrait of an awakening nation, rediscovering its identity.

Sergei Loznitsa was born in 1964, in Belarus. In 1981 Sergey was admitted to Kiev Polytechnic Institute, and in 1987 he graduated with a degree in engineering and mathematics. From 1987 through 1991 Sergey was employed as a scientist at the Institute of Cybernetics. In 1997 he graduated from the Russian State Institute of Cinematography (VGIK), where he studied feature filmmaking. Sergei Loznitsa has been making documentary films since 1996, and he has received numerous international and national awards. Loznitsa’s feature debut MY JOY premiered in the main competition at the Festival de Cannes and his second feature, IN THE FOG, was awarded with the FIPRESCI prize.

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Ukraine, Netherlands, 2014, Colour, 131 min., Ukrainian Režija / Director: Sergei Loznitsa Montaža / Editor: Danielius Kokanauskis, Sergei Loznitsa Zvuk / Sound: Vladimir Golovnitzkiy Producent / Producer: Sergei Loznitsa, Maria Baker Produkcija / Production: Atoms&Void Filmografija / Filmography Izbor / Selected 2014 - BRIDGES OF SARAJEVO / LES PONTS DE SARAJEVO 2014 - MAIDAN (dokumentarni / documentary) 2013 - PISMO / THE LETTER (kratki dokumentarni / short doc.) 2012 - O MILAGRE DE SANTO ANTONIO / THE MIRACLE OF SAINT ANTHONY (kratki dokumentarni / short doc.) 2012 - V TUMANE / IN THE FOG 2010 - SCHASTE MOE / MY JOY

Mange tes morts / Jedi svoje kosti / Eat Your Bones Petnaestogodišnji Maurice Dorkel je pripadnik jednog romskog plemena. Nedugo prije nego što bi Maurice trebao biti kršten, njegov se ujak Pierrot, brat njegovog pokojnog oca, vraća u romsko naselje poslije par godina provedenih u zatvoru. Maurice i njegov impulsivni i nasilni brat Jo s Pierrotom kreću na uzbudljivo putovanje autom do svijeta “nečistih”. Jean-Charles Hue je francuski umjetnik i filmski autor rođen 1968. godine. Diplomirao je likovnu umjetnost u francuskoj školi Ecole Nationale d’Arts de Cergy Potoise 2000. godine. Kao umjetnik je radio u inostranstvu, a radovi su mu izlagani na grupnim i individualnim izložbama, kao i na filmskim festivalima. U svojih pet kratkih filmova – L’OEIL DE FRED, Y’A PLUS D’OS, UN ANGE, PERDONA MI MAMA i QUOI DE NEUF DOCTEUR – je predstavio fragmente iz života jedne romsko-jeniške porodice koju je pretvorio u simbol stalne metamorfoze identiteta. EAT YOUR BONES / JEDI SVOJE KOSTI je premijerno prikazan u programu Quinzaine des Réalisateurs Filmskog festivala u Cannesu 2014. godine. E 15 year-old Maurice Dorkel belongs to a band of gypsies. He is about to be baptised when his uncle Pierrot, the brother of his deceased father, comes back to the camp after spending several years in prison. Together, and accompanied by Maurice’s brother, Jo, an impulsive and violent boy, they set off in a powerful car on a trip to the world of “gadjos”.

Jean-Charles Hue, French artist and filmmaker was born in 1968. He received his fine arts degree in 2000 at the Ecole Nationale d’Arts de Cergy Pontoise, France. He continued his career as an internationally working and exhibiting media artist, taking part in group shows, having solo shows and screening on festivals. In five short movies - L’OEIL DE FRED, Y’A PLUS D’OS , UN ANGE, PERDONA MI MAMA et QUOI DE NEUF DOCTEUR- he captured fragments of life and the biographical stories of a Romani /Yeniche family, which he has made into a living symbol of a constant metamorphosis of identity. EAT YOUR BONES world premiered in the Quinzaine des Réalisateurs selection of 2014 Cannes Film Festival.

France, 2014, Colour, 94 min., French Režija / Director: Jean-Charles Hue Scenarij / Screenplay: Jean-Charles Hue Direktor fotografije / Director of Photography: Jonathan Ricquebourg Montaža / Editor: Isabelle Proust Muzika / Music: Vincent-Marie Bouvot Zvuk / Sound: Antoine Bailly Scenografija / Production Design: Christophe Simonnet Producent / Producer: Thierry Lounas Produkcija / Production: Capricci Films Uloge / Cast: Jason Francois, Mickael Dauber, Frederic Dorkel, Moise Dorkel, Philippe Martin Filmografija / Filmography 2014 - MANGE TES MORTS / EAT YOUR BONES 2010 - LA BM DU SEIGNEUR / THE LORD’S RIDE 2009 - CARNE VIVA 2007 - L’OEIL DE FRED (kratki / short) 2006 - Y’A PLUS D’OS (kratki / short) 2005 - UN ANGE (kratki / short) 2004 - PERDONA MI MAMA (kratki / short) 2004 - QUOI DE NEUF DOCTEUR (kratki / short)

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Le meraviglie / Čudesa / The Wonders Gelsominin život i životi njenih triju mlađih sestara do kraja ljeta bit će značajno promijenjeni. Gelsomina je odabrana nasljednica čudnog, izoliranog kraljevstva koje je njen otac izgradio oko svoje porodice kako bi je zaštitio od “propasti svijeta”. Što zbog dolaska Martina, njemačkog dječaka uključenog u rehabilitacijski program za mlade, što zbog učešća lokalnog stanovništva u TV natjecanju bogatog nagradnog fonda po imenu “Seoska čuda”, koje vodi misteriozna Milly Catena – tog posebnog ljeta počinju da pucaju čvrsta pravila koja Gelsomininu porodicu drže na okupu. Alice Rohrwacher je rođena 1981. godine u italijanskom gradu Fiesole, a studirala je u Torinu i u Lisabonu. U teatru je nastupala kao muzičar, a na dokumentarnom filmu se bavila montažom i režijom. Njen prvi dugometražni igrani film CORPO CELESTE premijerno je prikazan na Filmskom festivalu u Cannesu (Quinzaine des réalisatuers) 2011. godine, a također je uvršten u programe filmskih festivala u New Yorku, Londonu, Riju i Tokiju, kao i u program Filmskog festivala Sundance. ČUDESA je nagrađen Velikom nagradom žirija na 67. Filmskom festivalu u Cannesu. E Nothing will be the same at the end of this summer for Gelsomina and her three younger sisters. She is the designated heir of the strange, secluded kingdom that her father constructed around them to protect his family from “the end of the world”. An extraordinary summer, when the strict rules that hold the family together, are beginning to break: in part due to the arrival of Martin, a German boy on a youth rehabilitation program, and in part the local community’s participation in a TV competition for big prizes “Village Wonders”, presented by the mysterious Milly Catena.

Alice Rohrwacher was born in 1981 in Fiesole (Italy) and studied in Turin and Lisbon. She has worked in music as performing musician for theatre and in documentary filmmaking as editor and director. Her first feature CORPO CELESTE premiered in Cannes (Quinzaine des réalisatuers) in 2011, was then selected in Sundance, New York, London, Rio and Tokyo film festivals. LE MERAVIGLIE won the Grand Jury Prize at the 67th Cannes Film Festival.

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Italy, Switzerland, Germany, 2014, Colour, 111 min., French, German, Italian Režija / Director: Alice Rohrwacher Scenarij / Screenplay: Alice Rohrwacher Direktor fotografije / Director of Photography: Hélène Louvart Montaža / Editor: Marco Spoletini Muzika / Music: Piero Crucitti Zvuk / Sound: Christophe Giovannoni Scenografija / Production Design: Emita Frigato Kostimografija / Costume Design: Loredana Buscemi Producent / Producer: Carlo Cresto-Dina, Karl “Baumi” Baumgartner, Tiziana Soudani, Michael Weber Produkcija / Production: Tempesta srl, Amka Films Productions SA, Pola Pandora Filmproduktions GmbH, RSI Radiotelevisione svizzera Uloge / Cast: Alexandra Lungu, Sam Louvyck, Alba Rohrwacher, Sabine Timoteo, Luis Huilca, Monica Bellucci Kontakt / Contact: The Match Factory, Tel: +49 221 539 709-0 - www.the-match-factory.com Filmografija / Filmography 2013 - LE MERAVIGLIE / THE WONDERS 2011 - CORPO CELESTE / HEAVENLY BODY 2006 - CHECOSAMANCA (dokumentarni / documentary)

Mogura no uta - sennyû sôsakan: Reiji / Krtičija pjesma: tajni agent Reiji / The Mole Song: Undercover Agent Reiji Oficir Reiji Kikukawa jedina je osoba iznenađena odlukom da mu se zbog nesavjesnog rada u službi oduzmu policijska značka i službeni pištolj – u njegovom personalnom dosjeu zavedeno je mnoštvo pritužbi zbog neopravdanog tajnog posmatranja. Reijin zapovjednik odlučuje da ga otpusti iz policije, ali da ga u tajnosti angažira kao dvostrukog agenta. Zadatak mu je da se ubaci u Sukiya-kai, najmoćniji klan jakuza u cijelom Japanu, kako bi razotkrio vođu klana i prekinuo dotok droge koja preplavljuje zemlju. Nakon bizarne, ali i rigorozne obuke, Reiji je spreman da postane krtica. Na spektakularan način se ubacuje u svijet organiziranog kriminala i pridobija simpatije nasilnog Hiura, poznatog pod nadimkom Ludi Papillon, moćnog jakuze povezanog s klanom Sukiya-kai. Takashi Miike je izrazito produktivan i kontroverzan japanski filmski autor rođen 1960. godine u Osaki, u Japanu. Mike je pod mentorstvom proslavljenog reditelja Shoheia Imamure (dvostrukog dobitnika Zlatne palme u Cannesu) diplomirao u Školi za televiziju i film u Yokohami. Uspjeh njegovog debitantskog filma SHINJUKU TRIAD SOCIETY mu je omogućio da počne raditi na još ambicioznijim projektima. Među njegove najpopularnije filmove ubrajaju se i AUDITION, trilogija DEAD OR ALIVE, ICHI THE KILLER, GOZU, IZO i BIG BANG LOVE, JUVENILE. E Officer Reiji Kikukawa is the only one surprised when his badge and gun are confiscated because of his poor performance — he has a massive file of peeping-tom complaints in his records. His boss decides to boot him from the force — and secretly establish him as a double agent. His mission is to infiltrate Sukiya-kai, the most powerful yakuza clan in Japan, with the goal of busting its chief and cutting off the flood of drugs poisoning the country. After a bizarre but rigorous training, Reiji is ready for his role as a mole. He makes a smashing entry into the world of organized crime, getting him on the good side of the violent Hiura, aka Crazy Papillon, a powerful yakuza affiliated with Sukiya-kai.

Takashi Miike, a highly prolific and controversial Japanese filmmaker, was born in 1960 in Yao, Osaka, Japan. Under the guidance of renowned filmmaker Shohei Imamura (a two-time Palme d’Or winner at Cannes), Miike graduated from the Yokohama Vocational School of Broadcast and Film. His theatrical debut came in 1995 with SHINJUKU TRIAD SOCIETY, and its success gave him the freedom to work on more ambitious projects. Some of Miike’s most popular films include AUDITION, the DEAD OR ALIVE trilogy, ICHI THE KILLER, GOZU, IZO, and BIG BANG LOVE, JUVENILE.

Japan, 2013, Colour, 130 min., Japanese Režija / Director: Takashi Miike Scenarij / Screenplay: Kankuro Kudo, based on the manga by Noboru Takahashi Direktor fotografije / Director of Photography: Nobuyasu Kita Montaža / Editor: Kenji Yamashita Muzika / Music: Koji Endo Scenografija / Production Design: Yuji Hayashida Producent / Producer: Juichi Uehara, Misako Saka, Shigeji Maeda Produkcija / Production: Fuji Television Network, OLM, Shogakukan, J Storm Uloge / Cast: Toma Ikuta, Shinichi Tsutsumi, Riisa Naka, Takayuki Yamada, Takashi Okamura, Yusuke Kamji, Mitsuru Fukikoshi, Kenichi Endou, Sarutoki Minagaa, Ren Ohsugi, Koichi Iwaki Kontakt / Contact: Pony Canyon Inc., www.ponycanyon.co.jp Filmografija / Filmography Izbor / Selected 2013 - MOGURA NO UTA - SENNYÛ SÔSAKAN: REIJI / THE MOLE SONG: UNDERCOVER AGENT REIJI 2013 - WARA NO TATE / SHIELD OF STRAW 2012 - AKU NO KYÔTEN / LESSON OF THE EVIL 2012 - AI TO MAKOTO / FOR LOVE’S SAKE

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P’tit Quinquin / Mali Quinquin / Li’l Quinquin Mali Quinquin na uobičajen način provodi prvi dan ljetnog odmora u francuskoj provinciji. Druži se s prijateljima i nervira prolaznike tako što baca petarde. Iznenada se pojavljuje policijski helikopter i remeti miran ljetnji dan. U napuštenom vojnom bunkeru je pronađeno iskomadano tijelo jednog mještanina sakriveno u kravljem lešu. Slučaju se posvećuju dva istražitelja, svaki od njih ekscentričan na svoj način, a broj osumnjičenih i žrtava se ravnomjerno povećava. Bruno Dumont je svoj prvi film LA VIE DE JÉSUS režirao kao tridesetosmogodišnjak 1996. godine. Film je uvršten u program Director’s Fortnight Filmskog festivala u Cannesu, gdje je osvojio Specijalnu plaketu Caméra d’Or. Ovaj se autor zahtjevnih, jedinstvenih i sirovih filmova vratio u Cannesu 1999. godine s filmom L’HUMANITÉ, koji je uvršten u takmičarsku selekciju. Film je osvojio Veliku nagradu Festivala, a glavni glumac i glumica u filmu, inače amateri, osvojili su nagrade za najbolje glumačko ostvarenje. Bruno Dumont je napustio sjevernu Francusku i preselio se u kalifornijsku pustinju kako bi snimao TWENTYNINE PALMS, film ceste koji je uvršten u program Filmskog festivala u Veneciji 2003. godine. Za film FLANDRES, potresnu priču o ratnim razaranjima, Dumont je 2006. godine nagrađen Velikom nagradom Filmskog festivala u Cannesu. E The first day of the summer holidays in the French countryside is nothing unusual for little Quinquin. He hangs around with his friends and annoys passers-by letting off firecrackers. All of a sudden, however, a police helicopter appears and disturbs this summer tedium. A dead cow has been found in an abandoned military bunker with a hacked-up local resident hidden inside its body. The two investigating detectives, each one eccentric in his own way, delve into the case as the number of suspects and other victims steadily grows.

Bruno Dumont directed his first feature film, LA VIE DE JÉSUS, at the age of thirty-eight. This film earned him immediate acclaim: it was selected for the Director’s Fortnight, winning a Caméra d’Or Special Mention. Creating demanding, singular and raw works of cinema, Bruno Dumont returned to Cannes in 1999, in Competition, with L’HUMANITÉ. He was awarded the Grand Prix and a double Best Performance prize for two of the films non-professional actors. Bruno Dumont moved away from Northern France to shoot TWENTYNINE PALMS in the Californian desert, a road movie that was selected for the Venice Mostra in 2003. In 2006, FLANDRES, a harsh film about the devastation caused by war, received the Grand Prix at the Festival de Cannes.

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France, 2014, Colour, 200 min., French Režija / Director: Bruno Dumont Scenarij / Screenplay: Bruno Dumont Direktor fotografije / Director of Photography: Guillaume Deffontaines Montaža / Editor: Basile Belkhiri, Bruno Dumont Zvuk / Sound: Emmanuel Croset, Philippe Lecoeur Kostimografija / Costume Design: Alexandra Charles Producent / Producer: Jean Brehat, Rachid Bouchareb, Muriel Merlin Produkcija / Production: 3B Productions, Arte France, Pictonovo Uloge / Cast: Alane Delhaye, Lucy Caron, Bernard Pruvost, Philippe Jore, Corentin Carpentier, Julien Bodard, Baptiste Anquez, Lisa Hartman, Frederic Castagno, Stephane Boutillier, Philippe Peuvio, Celine Sauvage, Jason Cirot Filmografija / Filmography 2014 - P’TIT QUINQUIN / LI’L QUINQUIN 2013 - CAMILLE CLAUDEL 1915 2011 - HORS SATAN / OUTSIDE SATAN 2006 - FLANDRES / FLANDERS 2003 - TWENTYNINE PALMS 1999 - L’HUMANITÉ / HUMANITY 1997 - LA VIE DE JÉSUS / THE LIFE OF JESUS

Party Girl / Cura za provod Šezdesetogodišnja Angelique radi kao hostesa u baru. Ona i dalje voli provod i muškarce. Noću ih vodi na pijanke u kabare blizu francusko-njemačke granice. Kako vrijeme prolazi, Angelique ima sve manje klijenata. Ali njen redovni klijent Michel i dalje je zaljubljen u nju. Jednoga dana Michel prosi Angelique. Marie Amachoukeli i Claire Burger francuske su rediteljice i scenaristice, a Samuel Theis je glumac i reditelj. Ovaj se rediteljski trojac upoznao u prestižnoj filmskoj školi Fémis, a karijeru su započeli producirajući nagrađivane kratke filmove. Njihovi filmovi uključuju FORBACH, nagrađen drugom nagradom fondacije Cinéfondation Filmskog festivala u Cannesu 2008. godine, i C’EST GRATUIT POUR LES FILLES, koji je 2009. godine uvršten u program Critics’ Week istog festivala, a godinu dana potom nagrađen nagradom Cesar. Ova dva filma, mješavina igranog i dokumentarnog žanra, inspirisana su svakodnevnim životima glumaca naturščika koji su u njima odigrali vlastite uloge. PARTY GIRL / CURA ZA PROVOD, debitantski dugometražni igrani film ove rediteljske grupe, 2014. godine je na Filmskom festivalu u Cannesu osvojio nagradu Caméra d’or koja se dodjeljuje za najbolji igrani prvijenac. E Angelique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angelique to marry him.

Marie Amachoukeli and Claire Burger are French directors and screenwriters and Samuel Theis is an actor and director. The three co-directors met at the prestigious film school Fémis and started their career producing award winning short films. Their credits include FORBACH, winner of Cannes’ Cinéfondation second prize in 2008 and C’EST GRATUIT POUR LES FILLES, which played at Critics’ Week in 2009 and won the Cesar award in 2010. Halfway between fiction and documentary, these two films draw their inspiration from the daily lives of their actors, non-professionals, who play in them their own roles. Their debut feature PARTY GIRL received the Caméra d’or, award for best first feature at Cannes 2014.

France, 2014, Colour, 95 min., French Režija / Director: Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis Scenarij / Screenplay: Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis, based on an original idea by Samuel Theis Direktor fotografije / Director of Photography: Julien Poupard Montaža / Editor: Frederic Baillehaiche Muzika / Music: Nicolas Weil, Sylvain Ohrel, Alexandre Lier Zvuk / Sound: Mathieu Villien Scenografija / Production Design: Nicolas Migot Kostimografija / Costume Design: Laurence Forgue Lockhart Producent / Producer: Denis Carot, Marie Masmonteil Produkcija / Production: Elzevir Films Uloge / Cast: Angélique Litzenburger, Joseph Bour, Mario Theis, Samuel Theis, Séverine Litzenburger Cynthia Litzenburger Kontakt / Contact: Pyramide International, 5 rue du Chevalier de Saint-George 75008 Paris, 01 42 96 01 01, www.pyramidefilms.com Filmografija / Filmography Marie Amachoukeli Barsacq 2014 - PARTY GIRL 2013 - DEMOLITION PARTY (kratki / short) 2009 - C’EST GRATUIT POUR LES FILLES / IT’S FREE FOR GIRLS (kratki / short) 2008 - FORBACH (kratki / short) 2007 - L’ARBRE D’HUGO Claire Burger 2014 - PARTY GIRL 2013 - DEMOLITION PARTY (kratki / short) 2009 - C’EST GRATUIT POUR LES FILLES / IT’S FREE FOR GIRLS (kratki / short) 2009 - TOUTE MA VIE J’AI RÊVÉ (kratki / short) 2008 - FORBACH (kratki / short) Samuel Theis 2014 - PARTY GIRL

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Plemya / Pleme / The Tribe Gluhonijemi Sergej kreće u specijalnu školu internatskog tipa i mora se izboriti za svoje mjesto u učeničkoj zajednici i lokalnoj kriminalnoj bandi koju predvodi izvjesni King, a koja se naziva Pleme. Nakon učešća u par pljački, Sergej napreduje u kriminalnoj hijerarhiji. Međutim, pošto upoznaje jednu od Kingovih ljubavnica, Annu, Sergej nesvjesno krši jedno od nepisanih pravila plemena. Myroslav Slaboshpytskiy je rođen 1974. godine u Kijevu, gdje je i diplomirao filmsku režiju na Državnom institutu za teatar i umjetnost. Napisao je scenarije za više TV filmova, uključujući i film CHERNOBYL ROBINSON, koji je nagrađen na Ukrajinskom scenarističkom takmičenju Word-2000. Njegovi kratki filmovi DIAGNOSIS i DEAFNESS su nominirani za nagradu Zlatni lav Filmskog festivala u Berlinu. Myroslav je 2012. godine s filmom NUCLEAR WASTE osvojio nagradu Srebrni leopard takmičarskog programa Pardi di domani Filmskog festivala u Locarnu. E Deaf mute Sergey enters a special boarding school. In this new place, he needs to find his way through the hierarchy of the school community and the local criminal organization – the tribe - headed by the so-called King. By taking part in several robberies Sergey gets higher up of this criminal organization. Then he meets one of King’s concubines, Anna, and unwillingly breaks the unwritten rules of the tribe.

Myroslav Slaboshpytskiy, born in Kiev in 1974, graduated from the filmmaking department of the Kiev State Institute of Theatre and Arts, majoring in feature film directing. He has worked as a script writer on numerous TV films, one of which, THE CHERNOBYL ROBINSON, which won the prize of the All-Ukrainian Script Contest Word-2000. His short films DIAGNOSIS and DEAFNESS were nominated for the Golden Bear. In 2012, Myroslav won the Silver Leopard of the Locarno Film Festival’s competition programme Pardi di domani for his film NUCLEAR WASTE.

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Ukraine, Netherlands, 2014, Colour, 130 min., Ukrainian Režija / Director: Myroslav Slaboshpytskiy Scenarij / Screenplay: Myroslav Slaboshpytskiy Direktor fotografije / Director of Photography: Valentyn Vasyanovych Montaža / Editor: Valentyn Vasyanovych Zvuk / Sound: Sergiy Stepanskiy Scenografija / Production Design: Vlad Odudenko Kostimografija / Costume Design: Alena Gres Producent / Producer: Valentyn Vasyanovych, Iya Myslytska, Elena Slaboshpytskaya Produkcija / Production: An Alpha Violent, Arthouse Traffic, Garmata Film production Uloge / Cast: Grigoriy Fesenko, Yana Novikova, Rosa Babiy, Alexander Dsiadevich, Yaroslav Biletskiy, Ivan Tishko, Alexander Osadchiy, Alexander Sidelnikov, Alexander Panivan Kontakt / Contact: Alpha Violet , Virginie Devesa, Mob. + 33 (0)6 20 41 11 37 Keiko Funato, Mob. + 33 (0)6 2983 5108, info@alphaviolet.com Filmografija / Filmography 2014 - PLEMYA / THE TRIBE 2012 - YADERNI WYDHODY / NUCLEAR WASTE (kratki / short) 2010 - GLUKHOTA / DEAFNESS (kratki / short) 2009 - DIAGNOZ / DIAGNOSIS (kratki / short) 2006 - INTSYDENT / THE INCIDENT (kratki / short)

R100 Sasvim običan muškarac, koji brine o svome sinu dok mu je žena u komi, ulazi u sasvim običnu zgradu. Nakon zavodljive vožnje na ringišpilu potpisuje pristupnicu ekskluzivnom klubu. Članstvo traje godinu dana i ni pod kojim uvjetima ne može biti prekinuto. Muškarac s radošću trpi upade seksualne domine u svoj život, sve do trenutka kada osjeti da se sve to previše primiče njegovoj porodici, koja ništa ne sluti. S hrabrošću koju nikada nije pokazao u svom profesionalnom životu prodavača kreveta, muškarac pokušava otkazati članstvo u klubu, izazivajući time ljutnju američkog biznismena koji stiže u Tokio kako bi mu održao lekciju. Hitoshi Matsumoto, poznat i pod nadimkom Matchan, japanski je zabavljač, filmski reditelj i esejista. Najveću je popularnost stekao kao član komičarskog dueta Downtown, u kojem nastupa uz Masatoshija Hamadu. Nakon što je pružio ključni doprinos formatu TV komedije, Matsumoto postiže značajan uspjeh svojim rediteljskim debijem BIG MAN JAPAN, premijerno prikazanim na Filmskom festivalu u Cannesu. Matsumotov drugi igrani film, SYMBOL, je beketovska studija čovjeka zaključanog u sobu koja mu pruža nasumično odabrane predmete kojima pokušava manipulirati da bi pobjegao, a jedino što uspijeva jeste da se nađe u drugim sličnim sobama. SYMBOL, u kojem je do izražaja došao Matsumotov neograničeni talent za komične trikove i mimiku, premijerno je prikazan na Filmskom festivalu u Torontu, a također je uvršten u program festivala u Rotterdamu, Berlinu i Busanu. Njegov film SCABBARD SAMURAI, u kojem se pozabavio žanrom o “lutajućem samurajuzaštitniku”, premijerno je prikazan na Filmskom festivalu u Locarnu.

Japan, 2013, Colour, 100 min., Japanese Režija / Director: Hitoshi Matsumoto Scenarij / Screenplay: Hitoshi Matsumoto Montaža / Editor: Yoshitaka Honda Muzika / Music: Hidekazu Sakamoto Zvuk / Sound: Tatsuhiro Okamoto Scenografija / Production Design: Etsuko Aikou Kostimografija / Costume Design: Satoe Araki Producent / Producer: Akihiko Okamoto Uloge / Cast: Nao Ohmori, Mao Daichi, Shinobu Terajima, Matsuo Suzuki, Atsuro Watabe Filmografija / Filmography 2014 - R100 2011 - SAYA ZAMURAI / SCABBARD SAMURAI 2009 - SHINBORU / SYMBOL 2007 - DAI-NIHONJIN / BIG MAN JAPAN

E A very ordinary man (Nao Omori) who takes care of his son while his wife lies in a coma enters a very ordinary building. Following a seductive ride on a merry-go-round, he signs up with an exclusive club. Membership is one year only and cannot be cancelled under any circumstances. He happily endures dominatrix intrusions in his daily life, until they get a little too close to his unsuspecting family. With courage never displayed in his professional life as a bed salesman, he tries to cancel his membership, evoking the wrath of the American CEO, who descends upon Tokyo to teach him a lesson...

Hitoshi Matsumoto or Matchan, as he is commonly known, is a Japanese comedian, film director and essayist. He is best known as the boke half of the popular comedy duo Downtown, alongside Masatoshi Hamada. Having changed the face of TV comedy, Matsumoto made a major splash in the film world with his directorial debut BIG MAN JAPAN, which premiered in Cannes. Matsumoto’s second film SYMBOL is a Beckett-like study of a man locked into a room that presents him with random objects, which he tries to manipulate to escape, only to end up in further rooms. Showcasing Matsumoto’s unlimited talent for visual gags and mime, SYMBOL premiered in Toronto and screened at Rotterdam, Berlin, and Busan. SCABBARD SAMURAI, in which he explores the wandering samurai genre, premiered at the Locarno International Film Festival.

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Shuiyin jie / Zamka / Trap Street Li Qiuming je mladi stažista u kompaniji za digitalno mapiranje. Njegov je posao da prikuplja podatke o ulicama grada koji se neprestano mijenja i redovno osvježava digitalne mape. Kako bi zaradio za život, on istovremeno postavlja i nadzorne kamere na javnim mjestima, ali ovaj dodatni posao krije od svoga strogog oca koji radi kao viši urednik jednog vladinog časopisa. Jednog dana, dok evidentira ulice, Li Qiuming upoznaje lijepu djevojku koja, nakon kratkog susreta, iščezava u zabačenoj ulici. Ubrzo zatim uviđa da je podatke koje je prikupio o toj ulici nemoguće upisati u sistem za mapiranje. Ulica je, naprosto, nestala kao da nikada nije ni postojala. On nastavlja da istražuje misterioznu ulicu, vođen očajničkom željom da ponovo vidi misterioznu djevojku. Potraga ga dovodi do otkrića koje će mu zauvijek promijeniti život. Vivian Qu je aktivna članica Zajednice autora kineskog nezavisnog filma. Producirala je više nagrađivanih filmova, uključujući NIGHT TRAIN (Un Certain Regard, Filmski festival u Cannesu, 2007) i KNITTING (Director’s Fortnight, Filmski festival u Cannesu, 2008). ZAMKA je njen rediteljski prvijenac. E Li Qiuming is a young trainee at a digital mapping company. His job is to survey the streets of the ever changing city and keep the mapping system up to date. To make ends meet, he installs video cameras at public venues, but hides his side job from his strict father who is a senior editor of a government-run magazine. One day while out surveying, he has a brief encounter with a beautiful young woman who disappears into a secluded alley. He learns that the data he collected of the street will not register in the mapping system. The street has disappeared as if it never existed. Desperate to reconnect with the mysterious woman he continues his investigation of the mysterious street only to discover something that will change his life forever.

Vivian Qu, an active member of the Chinese independent film circle, has produced awarding winning films such as NIGHT TRAIN (2007 Un Certain Regard, Cannes Film Festival) and KNITTING (2008 Director’s Fortnight). TRAP STREET is her directorial debut.

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China, 2013, Colour, 93 min., Mandarin Režija / Director: Vivian Qu Scenarij / Screenplay: Vivian Qu Direktor fotografije / Director of Photography: Wong Chi Ming Montaža / Editor: Yang Hongyu Muzika / Music: Zuoxiao Zuzhou Zvuk / Sound: Zhang Yang Scenografija / Production Design: Liu Qiang Producent / Producer: Sean Chen Produkcija / Production: 22 Hours Films Uloge / Cast: Lu Yulai, He Wenchao, Hou Yong, Zhao Ziaofei, Xiang Qun, Liu Tiejian Kontakt / Contact: 22 Hours Films, Ltd., Sean Chen, Tel: +86 13552049170 Filmografija / Filmography Kao režiser / As director 2013 - TRAP STREET Kao producent / As producer 2014 - BLACK COAL, THIN ICE 2008 - KNITTING 2007 - NIGHT TRAIN

Violet / Ljubičasta Grupa mladih BMX biciklista suočava se s neočekivanom i nasilnom smrću svog prijatelja Jonasa. Kako je petnaestogodišnji Jesse jedini član grupe koji je svjedočio Jonasovoj smrti, ostali od njega očekuju odgovore. Usamljen u vlastitoj boli i vjerovatno opterećen osjećajem krivnje, Jesse ne zna kako izraziti emocije bilo pred roditeljima bilo pred drugovima iz biciklističke grupe. Ostali ga dječaci optužuju za kukavičluk, te su u komunikaciji s njim ili bespomoćni ili rezervisani. Zbog nemogućnosti da odgovori na njihova pitanja, Jesse postepeno postaje izoliran. Očaj zbog gubitka najboljeg prijatelja i sve snažniji osjećaj usamljenosti onemogućavaju Jesseju da pronađe utjehu. LJUBIČASTA je intiman portret tinejdžera u žalosti. Bas Devos je rođen u Zoerselu, u Belgiji. Prije dugometražnog igranog prvijenca VIOLET / LJUBIČASTA, napisao je i režirao četiri kratka igrana filma: TAURUS, PILLAR, THE CLOSE i WE KNOW. Devos svoje priče ispisuje slikama, radije nego kroz dijaloge i zaplet. Pored rada na filmu, bavi se i pozorišnom režijom i dizajnom rasvjete. E A group of young BMX riders are confronted with the unexpected and violent death of Jonas, one of their friends. As 15-year-old Jesse is the only one to have witnessed the incident, they all look at him for answers. Left alone with his pain and probably his own feelings of guilt he can find no words to express what he is feeling – either to his parents or to the other boys in his BMX gang. Their reactions are either helpless or standoffish, since they suspect Jesse of cowardice. His inability to answer their questions gradually isolates Jesse. The grief for the loss of his best friend and the growing sense of loneliness stand in the way of Jesse’s search for comfort. VIOLET is an intimate portrait of a teenager’s mourning process.

Bas Devos was born in Zoersel in Belgium. He wrote and directed four short films TAURUS, PILLAR, THE CLOSE and WE KNOW before creating his feature VIOLET. Devos sets out to tell his stories in images rather than through dialogue or plot. Besides his film work, Bas is involved in theatre as director and lighting designer.

Belgium, Netherlands, 2013, Colour, 82 min., Dutch Režija / Director: Bas Devos Scenarij / Screenplay: Bas Devos Direktor fotografije / Director of Photography: Nicolas Karakatsanis Montaža / Editor: Dieter Diependaele Muzika / Music: Deafheaven Zvuk / Sound: Boris Debackere Scenografija / Production Design: Jeff Otte Kostimografija / Costume Design: Bho Roosterman Producent / Producer: Tomas Leyers Produkcija / Production: Minds Meet Uloge / Cast: César De Sutter, Raf Walschaerts, Mira Helmer, Koen De Sutter, Jeroen Vander Ven, Fania Sorel, Brent Minne Kontakt / Contact: Minds Meet, Tomas Leyers & Marc Goyens, Havenlaan 108-110 B-1000 Brussel, Belgium/EU E info@mindsmeet.be, M +32 (0)476 46 01 54 www.mindsmeet.be Filmografija / Filmography 2014 - VIOLET 2009 - WE KNOW 2007 - THE CLOSE 2006 - PILLAR 2005 - TAURUS

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Ye / Noć / The Night Mladić stoji pred ogledalom. Njegova je noć. Svako veče on procjenjuje svoj izgled, oblači novu košulju, napušta svoj stan i čeka klijente u slabo osvijetljenoj uličici. Jedne noći upoznaje prostitutku svojih godina koja je nova u tom dijelu grada. Očijukaju i lutaju ulicama, zabavljaju se pričama o tome kako bi jedno drugome mogli iznajmljivati svoja tijela i za sebe biraju imena cvijeća: on bira ime Tuberoza, a ona želi biti Narcisa. Stranci koje susreću za njih su ljudi bez lica sve dok se momak za jednu noć po imenu Ruža ne zaljubi u Tuberozu. Uz Narcisinu pomoć, Ruža koristi sav svoj šarm da osvoji Tuberozino srce. Tuberoza ostaje ravnodušan prema njemu, ali vremenom mu postaje sve teže da održi distancu. Zhou Hao je rođen 1992. godine u Chongqingu, u Kini. Upisao je studij medija i umjetnosti na Univerzitetu za poštu i telekomunikacije u Chongqingu 2011. godine. Kako bi se ostvario kao umjetnik, Zhou Hao se okrenuo filmu kao mediju koji najbolje objedinjuje umjetnost, književnost, muziku i fotografiju. NOĆ je njegov prvi dugometražni igrani film. E A young man stands in front of a mirror. The night belongs to him. Every evening, he appraises his appearance, attired in a new shirt, leaves his apartment and waits in a poorly lit alleyway for his johns. One night he meets a female prostitute of his age who’s new in this part of town. They flirt and wander the streets, toy with the idea of renting their bodies out to each other and name themselves after flowers: he calls himself Tuberose and she, Narcissus. The strangers they follow remain faceless – until Rose, a one-night stand, falls in love with Tuberose. With help from Narcissus, Rose uses all his charm to try to win over the young sex worker and although Tuberose responds with cool reserve it becomes increasingly difficult for him to remain aloof.

Zhou Hao was born in Chongqing in China in 1992. In 2011 he took up studies at the College of Media and Arts at the University of Post and Telecommunications in Chongqing. In order to realise himself as an artist, Zhou Hao turned to film as the best medium to combine art, literature, music and photography. YE / THE NIGHT marks his first feature film.

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China, 2014, Colour, 95 min., Mandarin Režija / Director: Zhou Hao Scenarij / Screenplay: Zhou Hao Montaža / Editor: Zhou Hao Zvuk / Sound: Yang Zhan Wen Scenografija / Production Design: Zhou Hao Kostimografija / Costume Design: Zhou Hao Uloge / Cast: Zhou Hao, Liu Xiao Xiao, Li Jin Kang, Zhou Feng Qi Producent / Producer: Zhou Hao Produkcija / Production: Next Way Studios Filmografija / Filmography 2014 - YE / THE NIGHT 2013 - LUST (kratki / short) 2012 - ADDICTION (kratki / short)

Shorts

European Shorts 120 120 121 121 122 122 123 123 124 124

Cambodia 2099 / Kambodža 2099, Davy Chou A Ciambra / Mladi lavovi ciganski / Young Lions of Gypsy, Jonas Carpignano Dregs / Talog, Stephen Scott-Hayward, Richard Rudy Drive With Care / Vozi pažljivo, Pilvi Takala Hätäkutsu / Pozivi u pomoć / Emergency Calls, Hannes Vartiainen, Pekka Veikkolainen Ja Vi Elsker / Da, mi volimo / Yes We Love, Hallvar Witzø Laborat, Guillaume Cailleau Tilaa massa tilassa massa litassa maalit: ali tila. / Materijalni uslovi unutrašnjih prostora / Material Conditions of Inner Spaces, Erkka Nissinen Two Films About Loneliness / Dva filma o usamljenosti, William Bishop Stephens, Christopher Eales Washingtonia, Konstantina Kotzamani

125 Zman Eichot / Zajedničko vrijeme / Quality Time, Doron Levene

Carte Blanche: The Morelia International Film Festival 126 126 126 127 127

Aningaaq, Jonás Cuarón La Banqueta / Pločnik / The Sidewalk, Anaïs Pareto Onghena La casa triste / Kuća tuge / The Sad House, Sofía Carrillo Jerusalén / Jerusalem, Alicia Segovia Juárez Las montañas invisibles / Nevidljive planine / The Invisible Mountains, Ángel Linares 127 Porcelana / Porcelan / Porcelain, Betzabé García

Carte Blanche: Tampere Film Festival 128 128 128 129 129

Elonkorjuu / Žetva / The Harvest, Sami Korjus Härlig Är Jorden / Svijet je divan / World of Glory, Roy Andersson Khaneh siah ast / Kuća je crna / The House is Black, Forugh Farrokhzad Prológus / Prolog / Prologue, Béla Tarr Sano Kiitos Ja Tanssi / Reci da i zapleši / Say Yes and Dance, Antti Heikki Pesonen

CINEFONDATION CANNES: WINNERS 2014 130 130 131 131

The Bigger Picture / Perspektiva, Daisy Jacobs Lievito Madre / Tijesto / Sourdough, Fulvio Risuleo Oh Lucy! / O, Lucy!, Atsuko Hirayanagi Skunk / Tvor, Annie Silverstein

SHORT MATTERS! - Selection of European Film Academy Short Film Nominees 2013 132 132 133 133 134

Cut / Rez, Christoph Girardet, Matthias Müller Dood van een Schaduw / Smrt jedne sjene / Death of a Shadow, Tom Van Avermaet Sonntag 3 / Nedjelja 3 / Sunday 3, Jochen Kuhn Yaderni Wydhody / Nuklearni otpad / Nuclear Waste, Myroslav Slaboshpytskiy Zima / The Winter, Cristina Picchi

Bogata internacionalna selekcija kratkih filmova na 20. Sarajevo Film Festivalu / A Rich Pool of International Shorts at the 20th Sarajevo Film Festival

Vanja Kaluđerčić

20. izdanje Festivala nam donosi neke uzbudljive novine u programu kratkog filma. Proteklih 15 godina, međunarodni kratki filmovi su prikazivani unutar okvira programa Novi tokovi, selekcije filmova sa specifičnim programskim zaštitnim znakom snažnih, neuobičajenih i nekonvencionalnih umjetnika i autora. Ove godine predstavljamo novi, nezavisni program kratkog filma pod nazivom EUROPEAN SHORTS / EVROPSKI KRATKI FILM. Ovi filmski programi, koji predstavljaju neke od najtalentiranijih filmskih autora u usponu, će se takmičiti zajedno s REGIONALNIM KRATKIM FILMOM za nominaciju za Nagradu za najbolji evropski film. Kada je u pitanju izbor filmova, EVROPSKI KRATKI FILM će ostati na istom provjerenom putu Novih tokova, predstavljajući filmske autore koji su se suočili s raznim kreativnim izazovima, u isto vrijeme istražujući potencijal forme kratkog filma. Također nam je veliko zadovoljstvo najaviti novu saradnju s programom Cinéfondation Filmskog festivala u Cannesu. Četiri nagrađena filma iz ovogodišnje selekcije Cinéfondation će predstaviti i najaviti direktor Cinéfondationa, Georges Goldenstern. Ovaj događaj predstavlja prvu godinu saradnje s ovom prestižnim programom Festivala u Cannesu, posvećenom mladim i talentovanim filmskim autorima koji dolaze iz filmskih škola širom svijeta. Sarajevska publika će dobiti ekskluzivnu priliku da iz prve ruke vide selekciju kratkih i filmova srednjeg metra nekih od najperspektivnijih talenata koji su na početku svoje profesionalne karijere. Četiri godine zaredom predstavljamo program CARTE BLANCHE – pozivnicu prestižnim i poznatim svjetskim festivalima da sastave program kratkih filmova koji će prikazati njihov programski profil. Neki od najpoznatijih festivala, uključujući Clermont-Ferrand, Oberhausen, Critic’s Week i Directors’ Fortnight, Rotterdam i Berlinale, osmislili su fantastične selekcije filmova koje su domaćoj publici lično predstavljali festivalski selektori. U ovogodišnjem izdanju imamo zadovoljstvo biti domaćin programima kratkog filma sa dva veoma ugledna festivala:

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Morelia iz Meksika i Tampere iz Finske. Međunarodni filmski festival Morelia je jedinstveno mjesto susreta u Meksiku za kinematografsku zajednicu, ljude iz Michoacána i međunarodne filmske radnike. Misija ovog festivala je da promoviše nove talente meksičke kinematografije, a neki od najvažnijih savremenih meksičkih autora započeli su karijeru upravo kratkim filmovima predstavljenim u Moreliji. Filmski festival Tampere je festival kratkog filma koji se održava svakog marta u finskom gradu Tampereu. Akreditiran je kod udruženja filmskih producenata FIAPF i zajedno sa festivalima kratkog filma u Oberhausenu i Clermont-Ferrandu predstavlja jedan od najvažnijih evropskih festivala kratkog filma. Prvi festival je održan 1969., te je od 1970. organiziran u sadašnjoj formi, što ga čini najstarijim festivalom kratkog filma u Sjevernoj Evropi. Svake godine se tokom pet dana prikaže oko 500 kratkih filmova, a festival privuče publiku od 30.000 ljudi. Važno je mjesto susreta filmskih profesionalaca i entuzijasta, ali je i tradicionalni domaći događaj. U sklopu našeg partnerstva sa Evropskom filmskom akademijom, predstavit ćemo selekciju kandidata za Najbolji kratki film Evropske filmske akademije za 2013. godinu, uključujući i pobjednički naslov, SMRT JEDNE SJENE, belgijsku dramu o Prvom svjetskom ratu. I na samom kraju, krovna platforma festivala, Minimarket, koja je osmišljena da okupi, ohrabri i promovira autore kratkog filma čiji su filmovi dio festivala, predstavit će bogat program panel diskusija, predavanja i profesionalnih aktivnosti koje će povezati talente i eksperte industrije kratkog filma u Sarajevu.

E The 20th Festival edition brings some exciting novelties to the short film programme. For the past 15 years the international shorts have been screened within the New Currents section, a selection of films with a distinctive programming trademark of strong, offbeat and unconventional artists and filmmakers. This year we introduce a new and independent short film programme entitled EUROPEAN SHORTS. These film programmes, presenting some of the most talented emerging filmmakers, will compete alongside REGIONAL SHORTS for the Best European Film Nomination Award. The editorial line of EUROPEAN SHORTS will remain close to the beaten path established by New Currents section, presenting filmmakers taking on various creative challenges while exploring the potential of the short film form.

We’re also delighted to announce the new collaboration with Cinéfondation - Cannes Film Festival. Four awarded films from the Cinéfondation 2014 selection will be presented and introduced by Cinéfondation’s director Georges Goldenstern. This event marks the first year of collaboration with the prestigious programme of the Cannes Festival dedicated to young and talented filmmakers emerging from film schools all over the world. Sarajevo’s audience will have an exclusive opportunity to see firsthand a selection of short and medium length films from some of the most promising talents at the beginning of their professional careers. For fourt consecutive years we have been presenting the CARTE BLANCHE programme – an invitation to prestigious and established worldwide festivals to put together a programme of shorts that represents their programming profile. Some of the most important festivals like Clermont-Ferrand, Oberhausen, Critic’s Week and Directors’ Fortnight, Rotterdam or Berlinale, have come up with wonderful selections of films that were presented to the local audience by the festivals’ programmers in person. For this edition we have the pleasure

to host the short film programmes from two highly esteemed festivals: Morelia from Mexico and Tampere from Finland. The Morelia International Film Festival is a unique meeting point in Mexico for the cinematographic community, the people of Michoacán and international filmmakers. The Festival’s mission is to promote new talents in Mexican cinema, and some of the most important contemporary Mexicans filmmakers have started their careers with short films presented in Morelia. The Tampere Film Festival is a short film festival held every March in the Finnish town of Tampere. It is accredited by the film producers’ society FIAPF, and together with the short film festivals in Oberhausen and Clermont-Ferrand, it is among the most important European short film festivals. The first festival was held in 1969, and since 1970 it has been held in its current form, which makes it the oldest short film festival in Northern Europe. Approximately 500 short films are screened during the five days of the Festival each year, and the Festival gathers an audience of 30 000 each year. It is an important meeting place for film professionals and enthusiasts, as well as a traditional local event. Within the framework of our partnership with the European Film Academy, we will present a selection of 2013 EFA Short Film Nominees including the winning title DEATH OF A SHADOW, a World War I Belgian drama. And finally, the Festival’s umbrella platform Minimarket, designed to gather, encourage and promote short filmmakers with films selected at the Festival, will present a lively programme of panels, lectures and networking events, bringing together talents and experts of the short film industry in Sarajevo. Vanja Kaluđerčić selektorica / Programmer

Shorts l 20. Sarajevo Film Festival 119

France, 2014, 21 min., French, Khmer Režija / Director: Davy Chou Scenarij / Screenplay: Davy Chou Direktor fotografije / Director of Photography: Thomas Favel Montaža / Editor: Laurent Leveneur Produkcija / Production: Vycky Films Kontakt / Contact: Vycky Films, 11 rue Caroline, 75017 Paris – France, Tél: +33 6 64 69 79 45, contact@vyckyfilms.com

Cambodia 2099 / Kambodža 2099

Filmografija / Filmography 2014 - CAMBODIA 2099 2011 - LE SOMMEIL D’OR / GOLDEN SLUMBERS 2008 - EXPIRED 2006 - LE PREMIER FILM DE DAVY CHOU

Phnom Penh, Kambodža. Na Dijamantskom ostrvu, vrhuncu modernih dostignuća u zemlji, dva prijatelja razgovaraju o snovima koje su sanjali prethodne noći. Davy Chou je francuski reditelj. Njegov prvi dugometražni dokumentarni film, GOLDEN SLUMBERS, prikazan je na Forumu Berlinale 2012. i na Međunarodnom filmskom festivalu u Busanu 2011. Trenutno u Kambodži radi na dugometražnom igranom filmu DIJAMANTSKO OSTRVO. E Phnom Penh, Cambodia. On Diamond Island, the country’s pinnacle of modernity, two friends tell each other about the dreams they had the night before.

Davy Chou is a French filmmaker. His first documentary feature film, GOLDEN SLUMBERS, was selected at Forum Berlinale 2012 and at Busan International Film Festival 2011. He is now developing a feature film in Cambodia entitled DIAMOND ISLAND.

Italy, France, 2014, Colour, 16 min., Italian

A Ciambra / Mladi lavovi ciganski / Young Lions of Gypsy Film MLADI LAVOVI CIGANSKI prikazuje jednu noć u životu Pija, mladog Roma koji živi na jugu Italije. Jonas Carpignano režirao je RESSURECTION MAN, A CHJANA i MLADI LAVOVI CIGANSKI. Filmom MLADI LAVOVI CIGANSKI osvojio je nagradu Sony CineAlta Discovery na Filmskom festivalu u Cannesu 2014. E A CIAMBRA takes us through a night in the life of Pio, a young Romani boy living in southern Italy.

Jonas Carpignano has directed RESURRECTION MAN, A CHJANA and A CIAMBRA. He won the Sony CineAlta Discovery Prize at 2014 Cannes Film Festival for the short film A Ciambra / Young Lions of Gypsy.

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Režija / Director: Jonas Carpignano Scenarij / Screenplay: Jonas Carpignano Direktor fotografije / Director of Photography: Jonas Carpignano Montaža / Editor: Jonas Carpignano Produkcija / Production: CARMEN FILMS and Jonas Carpignano Uloge / Cast: Pio Amato, Cosimo Amato, Koudous Seihon, Francesco Papasergio, Cosimino Amato Kontakt / Contact: Jonas Carpignano, Tel. +39 3347673943, jonasash@gmal.com CARMEN FILMS, Constance Meyer, Tel. +33 (0)6 38 49 08 69 Constancemeyer@gmail.com Filmografija / Filmography 2014 - A CIAMBRA / YOUNG LIONS OF GYPSY 2011 - A CHJANA 2010 - RESURRECTION MAN

UK, 2013, Colour, 28 min., English

Dregs / Talog Kada je signal pogodio Zemlju, svi su postali „Statični“, ubice koje reaguju na zvuk. Ovisnici o heroinu, „Talog“, jedini su preživjeli. Može li par ovisnika, Ben i Zoe, pronaći dovoljno krupan plijen da pobjegne iz grada? I da li će njihova ljubav biti dovoljno jaka da ostanu skupa dok sve ostalo odlazi u propast? Stephen Scott-Hayward je 2002. godine počeo pisati i režirati filmove. Do danas je kao scenarist ili kao reditelj radio na 17 kratkih filmova. Richarda je upoznao na Filmskom festivalu u Aspenu. Nakon toga su zajedno sarađivali na nekoliko projekata. Richard Rudy je počeo karijeru 1995. godine u londonskom The Millu. Nakon što je radio kao freelance dizajner i crtač koncepta u advertisingu, 1998. je osnovao Barefoot Films. Prelazak na dokumentarne filmove rezultirao je filmom RAVE AGAINST THE MACHINE, dokumentarcem o muzičkoj sceni u Sarajevu tokom i nakon rata. E When the signal hit everyone became ‘Statics’; sound responsive killers. The sole survivors were the heroin addicts, the ‘Dregs’. Can addict lovers Ben and Zoe find a score big enough to escape the city? And will their love be strong enough to hold them together whilst everything else goes to hell?

Režija / Director: Stephen Scott-Hayward, Richard Rudy Scenarij / Screenplay: Stephen Scott-Hayward, Richard Rudy, Julian Everett Direktor fotografije / Director of Photography: Christopher Sabogal Montaža / Editor: Richard Rudy Zvuk / Sound: Sam Saluci Scenografija / Production Design: Andrea Cellerino Kostimografija / Costume Design: Charlotte Mitchell Producent / Producer: Anna Smith Produkcija / Production: „...FIN“ Films. Uloge / Cast: Kathryn Prescott, Jamie Blackley, M.P Wolff Kontakt / Contact: Richard Rudy, Tel: +44 (0) 7947 630 353, rich@la-fin.com Filmografija / Filmography Stephen Scott–Hayward 2012 - Dregs (kratki / short) 2005 - Oedipus (kratki / short) 2004 - La Descente (kratki / short) 2004 - Industriial Love Dwarf Number 7’ (kratki /short) 2004 - Gash (kratki / short) 2003 - Le Cheval 2.1 Richard Rudy 2014 - A Wake (kratki / short) 2012 - Dregs (kratki / short) 2002 - Rave Against the Machine (kratki dokumentarni / short doc.)

Stephen Scott–Hayward started writing and directing films in 2002. To date Stephen has been involved in 17 shorts, either in a writing or directing capacity. It was whilst at Aspen Film Festival that Stephen met Richard. They have subsequently collaborated on several projects together. Richard Rudy began his career at The Mill London, in 1995. After working as a freelance designer and visualiser in advertising, he started Barefoot Films in 1998. A move into documentaries garnered the film RAVE AGAINST THE MACHINE, a documentary on the music scene in Sarajevo during and after the war.

Finland, 2014, Colour, 13min., Finnish Režija / Director: Pilvi Takala Direktor fotografije / Director of Photography: Pilvi Takala Montaža / Editor: Pilvi Takala Producent / Producer: Pilvi Takala Kontakt / Contact: AV-arkki, Vesa Puhakka, Finnland, archive@ac-arkki.fi, av-arkki.fi

Drive With Care / Vozi pažljivo VOZI PAŽLJIVO ispituje život nastavnika u elitnom internatu u SAD-u. Koristeći ciničnu postdokumentaciju unaprijed isplanirane aktivnosti, Takala istražuje granice unutar ove specifične zajednice. VOZI PAŽLJIVO istražuje ljudsku strategiju preživljavanja, gdje nastavnici od institucije traže svoj prostor u školi, pronalazeći rupe u zakonu – prostor za disanje – u isto vrijeme pazeći da ne krše zajednička pravila.

Filmografija / Filmography 2014 - DRIVE WITH CARE 2012 - BROAD SENSE 2010 - PLAYERS 2009 - REAL SNOW WHITE 2008 - THE ANGELS 2007 - THE ANNOUNCER 2007 - THE SHINING SHINING 2006 - EASY RIDER 2006 - WALLFLOWER

Pilvi Takala je rođena 1981. u Helsinkiju. Magistrirala je na Finskoj akademiji likovnih umjetnosti 2006, i trenutno je na gostovanju na IASPIS-u u Stockholmu. Također je bila gostujući umjetnik na Rijksakademie u Amsterdamu 2009/2010. E Drive With Care investigates the life of a teacher at an elite boarding school in the US. Utilising dry-humoured post-documentation of staged activity, Takala examines the boundaries within this particular community. DRIVE WITH CARE explores people’s strategies for survival as faculty members in the school negotiate their own space within the institution, finding loopholes – places to breathe – while being careful not to violate shared rules.

Pilvi Takala was born 1981 in Helsinki, graduated from the Finnish Academy of Fine Arts in 2006 (MFA) and is currently in residency at IASPIS, Stockholm. She was a resident at Rijksakademie, Amsterdam 2009-2010.

European Shorts l 20. Sarajevo Film Festival 121

Finland, 2013, 15 min., English, Finnish, Swedish

Hätäkutsu / Pozivi u pomoć / Emergency Calls Ljudska bića imaju krhku i kratkotrajnu priliku da iskuse život i svemir oko sebe. Suočeni s ogromnom tamom, možemo se samo osloniti jedni na druge i tako pronaći utjehu. Ovaj film je zasnovan na autentičnim pozivima u pomoć i radioprijenosima.

Režija / Director: Hannes Vartiainen, Pekka Veikkolainen Direktor fotografije / Director of Photography: Hannes Vartiainen, Pekka Veikkolainen Montaža / Editor: Hannes Vartiainen, Pekka Veikkolainen Producent / Producer: Hannes Vartiainen, Pekka Veikkolainen Kontakt / Contact: Pohjankonna Oy, Nilsiänkatu 10-14 B, 00510 Helsinki FINLAND, Hannes Vartiainen, hannes@pohjankonna.fi, Tel: +358 50 320 90 50, Pekka Veikkolainen, pekka@pohjankonna.fi, Tel: +358 40 742 3082 Filmografija / Filmography 2013 - EMERGENCY CALLS 2012 - GATES OF LIFE / HÄIVÄHDYS ELÄMÄÄ 2010 - THE DEATH OF AN INSECT 2009 - HANASAARI A

Hannes Vartiainen, rođen 1980, stekao je zvanje filmskog reditelja na Polytechnic Stadia (Univerzitet za primijenjene studije) u Helsinkiju, 2004. Pekka Veikkolainen (rođen 1982) radi od 2000. kao animator i ilustrator. Zajedno su osnovali vlastitu produkcijsku kuću 2008. godine. E Being human is a fragile and fleeting opportunity to experience life and the universe around us. In the face of overwhelming darkness all we can do is to rely on and find solace in one another. The film is based on authentic emergency calls and radio traffic.

Hannes Vartiained, born in 1980, graduated as a film director from the Helsinki Polytechnic Stadia in 2004. Pekka Veikkolainen, born in 1982, has worked in the fields of animation and illustration since 2000. The two started their own production company in 2008.

Norway, 2013, Colour, 15 min., Norwegian Režija / Director: Hallvar Witzø Scenarij / Screenplay: Hallvar Witzø Direktor fotografije / Director of Photography: Audun G. Magnæs Producent / Producer: Elisabeth Kvithyll, Gudny Hummelvoll Produkcija / Production: Hummelfilm AS Kontakt / Contact: Toril Simonsen, Norwegian Film Institute, e: ts@nfi.no, Tel: +47 9003 8086

Ja Vi Elsker / Da, mi volimo / Yes We Love Desetogodišnji Birger mrzi marširati s Dječačkom brigadom. Ratni heroj Konrad (90) odbija slušati još jedan predugačak govor povodom Dana državnosti. Kraljica mature Carina (18) jednostavno ne može da vjeruje da Morten nije zainteresiran za nju. A Ola (46), otac dvoje djece, “traži se” u lovačkom domu na arktičkom arhipelagu Svalbard. Četiri generacije, svaka u krizi, u četiri različita dijela Norveške, na Dan državnosti. Hallvar Witzø (rođen 1984) diplomirao je režiju u Filmskoj školi u Norveškoj. Dobitnik je studentskog Oskara za najbolji strani film, TUBA ATLANTIC. E Ten-year-old Birger hates marching with the boys’ brigade. War hero Konrad (90) refuses to listen to another sumptuous Constitution Day speech. Graduation queen Carina (18) just cannot believe Morten isn’t interested in her. And father-of-two Ola (46) searches for his ‘self’ in a hunting lodge in arctic Svalbard. Four generations, each with a crisis, set in four different parts of Norway on the Norwegian Independence Day.

Hallvar Witzø (b.1984) has a degree in directing from The Norwegian Film School. He won the Student Academy Award for best foreign film, TUBA ATLANTIC.

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Filmografija / Filmography 2013 - YES WE LOVE 2010 - TUBA ATLANTIC 2009 - REMI, FICTION 2009 - SVIGERTUR 2008 - KOSMONAUT

Germany, 2014, Colour, 22 min., German Režija / Director: Guillaume Cailleau Scenarij / Screenplay: Guillaume Cailleau, Hanna Slak Direktor fotografije / Director of Photography: Michel Balagué, Guillaume Cailleau Montaža / Editor: Hanna Slak Produkcija / Production: CaSk Films Kontakt / Contact: CaSk Films, Berlin, Deutschland, info@caskfilms.com

Laborat

Filmografija / Filmography 2014 - LABORAT 2012 - AUSTERITY MEASURES, korežiser / co-director 2009 - THROUGH 2008 - BLITZKRIEG

Enterijer, dan. Istraživački centar za onkologiju u Berlinu, januar 2011. Filmska ekipa se sastaje s istraživačima. Koristeći analogne metode snimanja, filmska ekipa bilježi eksperimente na miševima. Miševi su podvrgnuti raznim mjerama. Nejasno je da li film prikazuje jedan ili više testova, jednog ili više miševa – testovi i gole životinje su previše slični. Istovremeno, filmska ekipa bilježi i vlastite aktivnosti koje su neophodne za snimanje. Guillaume Cailleau je rođen 1978. u Francuskoj, živi u Berlinu, gdje radi kao umjetnik medija. U radovima koristi 16mm film, HD video, multimedijalne instalacije i performanse. E Interior, day. Oncological Research Centre in Berlin, January 2011. A film team meets with researchers. Using analogue filming methods, the film team records experiments performed on mice. The mice are forced to undergo diverse measures. Whether the film deals with one or several tests, one or several mice is difficult to ascertain -- the tests and the naked animals are too similar. Parallel to this, the film team documents their own activities, necessary to make the recordings.

Guillaume Cailleau, born in France in 1978, is a Berlin-based media artist whose work encompasses 16mm film, HD video, multimedia installations and performances.

Finland, 2013, 16 min., English, Finnish Režija / Director: Erkka Nissinen Direktor fotografije / Director of Photography: Lau Chun Yen Montaža / Editor: Erkka Nissinen Producent / Producer: Erkka Nissinen Kontakt / Contact: AV-arkki, Vesa Puhakka, Finnland, archive@ac-arkki.fi, av-arkki.fi

Tilaa massa tilassa massa litassa maalit: ali tila. / Materijalni uslovi unutrašnjih prostora / Material Conditions of Inner Spaces

Filmografija / Filmography 2013 - TILAA MASSA TILASSA MASSA LITASSA MAALIT: ALI TILA. 2012 - RIGID REGIME 2012 - POLIS X 2011 - NAME ME ME MAN, RED NEGATIVE EVITA GENDER 2010 - WEST PROJECT

Tri čovjeka pokušavaju društvenim akcijama promijeniti materijalne uslove. Erkka Nissinen (Finska, 1975) živi u Hong Kongu i Helsinkiju. 2001. Magistrirao je na Akademiji likovnih umjetnosti u Finskoj, na Odsjeku za umjetnost u prostoru i vremenu. Nissinen je također studirao na Školi likovnih umjetnosti Slade u Londonu, a 2007. je učestvovao u programu Rijksakademie Residency u Amsterdamu. Erkka Nissinen je poznat po svojim media art performansima. Njegovi radovi krše ustaljena pravila žanra i ne uklapaju se u istoriju kinematografije i media arta. E 3 men are trying to change the material conditions by social action.

Erkka Nissinen (Finland, 1975) lives in Hong Kong and Helsinki. He graduated as a Master of Fine Arts from the Finnish Academy of Fine Arts’ department of Time and Space Arts in 2001. In addition to this, Nissinen has studied at the Slade School of Fine Arts in London and attended the Rijksakademie Residency in Amsterdam in 2007. Erkka Nissinen is known for his performative media art. His pieces defy established genre definitions and share few points of comparison with the history of cinema or media art.

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UK, 2014, Colour 6 min., English

Two Films About Loneliness / Dva filma o usamljenosti Dva dijela istog ekrana prikazuju svjetove Jonathana Smallmana, koji osmišljava profil na stranici za upoznavanje, i Philipa Buttona, internet kuhara. Ali da li će iritantni zvuk iz stvarnog svijeta stati na put njihovoj potrazi za prijateljstvom i razumijevanjem?

Režija / Director: William Bishop Stephens, Christopher Eales Scenarij / Screenplay: William Bishop Stephens, Christopher Eales Montaža / Editor: Simon Allmark Producent / Producer: Keila Wescombe, Matthew Baillie Kontakt / Contact: William Bishop-Stephens, Tel:+44 (0) 7870138748, w.bishop-stephens@network.rca.ac.uk, http://www.wrongboy.com Christopher Eales, Tel.:+44 (0) 7582719014, info@christophereales.com http://www.christophereales.com Filmografija / Filmography 2014 - TWO FILMS ABOUT LONELINESS

Christopher Eales i William Bishop-Stephens su se upoznali na Kraljevskom koledžu za umjetnost u Londonu, na magistarskom studiju animacije. Od tada su radili zajedno na filmovima po narudžbi klijenata, na izložbama i filmskim projektima. E A split-screen divides the worlds of Jonathan Smallman, who is recording his dating-profile, and Philip Button, the Internet chef. But will the irritating sound from the real world stand in the way of their search for companionship and acceptance?

Christopher Eales and William Bishop-Stephens met at the Royal College of Art in London while studying for an MA in Animation. Since then they have worked together on film commissions, exhibitions and film projects.

Greece, 2014, Colour, 24 min., French Režija / Director: Konstantina Kotzamani Direktor fotografije / Director of Photography: Giorgos Karvelas, Giannis Kanakis Montaža / Editor: Leonidas Papafotiou Produkcija / Production: Artemis Pattakou, Giorgos Zois (SquaredSquare), uz podršku / with the support of the Greek Film Center Kontakt / Contact: Konstantina Kotzamani, Tel: +30 697 6430 983, kkotzamani@yahoo.com Artemis Pattakou, Tel: +30 697 9048 116, artemispattakou@gmail.com

Washingtonia WASHINGTONIA počinje kada se srce žirafe više ne može čuti. Washingtonia je drugi naziv za Atinu, mjesto gdje i ljudi i životinje ljeti tuguju zbog vrućine. Washingtonia je jedina vrsta palme čije srce neće pojesti crvena buba. Jer ima malo i suho srce, a niko ne voli mala, suha srca. Konstantina Kotzamani rođena je 1983. u Komotini. Studirala je farmaciju i kinematografiju na Univerzitetu Aristotel u Solunu. Učestvovala je kao režiserka na Talent Campusu u Berlinu i Sarajevu. Njeni kratki filmovi su prikazani na više međunarodnih festivala i dobitnici su mnogih nagrada. E WASHINGTONIA starts when the giraffe’s heart can no longer be heard. Washingtonia is an alternative name for Athens, a place where people, like animals, fall into summertime sadness because of the heat. Washingtonia is the only palm tree that its heart is not devoured by the red beetle. Because its heart is small and dry and no one likes small and dry hearts.

Konstantina Kotzamani, born in Komotini in 1983, studied Pharmacy and Cinema at Aristotle University of Thessaloniki, Department of Fine Arts. She has participated at Berlin and Sarajevo Talent Campus as a director. Her short movies have been selected in several international festivals and have won numerous awards.

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Filmografija / Filmography 2013 - WASHINGTONIA 2013 - MORNING PRAYERS (Sarajevo City of Film) 2012 - ARUNDEL 2012 - ZODIAC 2011 - PIGS

Israel, 2013, Colour, 11 min., Hebrew Režija / Director: Doron Levene Direktor fotografije / Director of Photography: Yael Hadrian Montaža / Editor: Doron Levene Producent / Producer: Doron Levene Kontakt / Contact: Michelle Pose, Head of Distribution, GreenProductions-Kurland Greenspan LTD, 40 Arlozorov St, PO Box 10532, Office: +972 (3) 516 6868, Fax: +972 (0) 3 670 0636, www.greenproductions.co.il

Zman Eichot / Zajedničko vrijeme / Quality Time

Filmografija / Filmography 2013 - QUALITY TIME

Na svoj sedamdeseti rođendan, moj otac okuplja porodicu da nakon trideset godina zajedno posjetimo grob njegovog prvorođenog sina. Na površinu izlaze duboke emocije, koje su bile zarobljene cinizmom i poricanjem, zajedno s tugom i nježnim uspomenama na sina i brata. Doron Levene je 1996. studirao copywriting na Školi za oglašavanje Abodi, te pisanje scenarija na Školi za scenariste Idit Schori u Tel Avivu 1997. godine. Od 2008. do 2009. studirao je montažu na Školi za montažere i animatore Jump Cut. Radio je montažu za televiziju, kratke filmove, kratke dokumentarce i muzičke spotove. ZAJEDNIČKO VRIJEME mu je rediteljski prvijenac. E On his 70th birthday, my father gathers his family together to visit the grave of his first-born son for the first time in 30 years. Deep emotions are unearthed from beneath a cover of cynicism and denial, and the grief and loving memory of a son and brother emerges.

Doron Levene studied Copywriting Studies at Abodi School for Advertising in 1996 and Screenplay Studies at the School of Screenwriting Idit Schori in Tel Aviv in 1997. Studied editing at Jump Cut School for Editor & Animators from 2008-09. He edited for television, short films, short documentaries and music clips. QUALITY TIME is his directorial debut.

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Aningaaq USA, 2013, Colour, 7 min., English, Greenlandic Režija / Director: Jonás Cuarón Scenarij / Screenplay: Jonás Cuarón Direktor fotografije / Director of Photography: Alexis Zabé Montaža / Editor: Jonás Cuarón Muzika / Music: Steven Price Zvuk / Sound: Isabel Muñoz Producent / Producer: Alfonso Cuarón, Jonás Cuarón, David Heyman, Nikki Penny, Gabriela Rodríguez Uloge / Cast: Orto Ignatiussen, Sandra Bullock, Maligiaq Fredeik, Lajla Lange, Lange Siegstad

ANINGAAQ, inutski ribar ulogoren na površini zaleđenog fjorda putem dvosmjernog radija razgovara sa astronauticom koja zbog nedostatka kisika umire u svemiru nekih 500 kilometara iznad zemlje. Iako on ne govori engleski, a ona ne govori grenlandski, uspijevaju razgovarati o psima, bebama, životu i smrti.

E ANINGAAQ, an Inuit fisherman camping on the ice over a frozen fjord, talks through a two-way radio with an astronaut who is stranded in space, 500 kilometers above earth, and dying from a lack of oxygen. Even though he doesn’t speak English and she doesn’t speak Greenlandic, they manage to have a conversation about dogs, babies, life and death.

La Banqueta / Pločnik / The Sidewalk Spain, Mexico, 2013, Colour, 21 min., Spanish Režija / Director: Anaïs Pareto Onghena Scenarij / Screenplay: Anaïs Pareto Onghena Direktor fotografije / Director of Photography: Consuelo Saldaña Montaža / Editor: Koldo Idigoras Muzika / Music: Chachú Gilabert, Alma Chávez Zvuk / Sound: Chachú Gilabert, Rodrigo Sánchez, Alma Chávez Producent / Producer: Enric Pareto Valls, Pedro Hernández, Anaïs Pareto Onghena Produkcija / Production: Santa Úrsula Films Uloge / Cast: Pedro Hernández, Horacio García-Rojas, Tenoch Huerta, Pabla Ceballos Kontakt / Contact: Santa Ùrsula Films, Anaïs Pareto Onghena, Tel. +34 640 351 137, santaursulafilms@gmail.com

Pločnik, pivo i oproštaj. Tri stara prijatelja spoznaju da ni jedan od njih u životu nije postigao ono što se nadao postići.

E A sidewalk, beer and a farewell. Three old friends realize that none of them is where they thought they would be.

La casa triste / Kuća tuge / The Sad House Mexico, 2013, Colour, 13 min., Spanish Režija / Director: Sofía Carrillo Scenarij / Screenplay: Sofía Carrillo Direktor fotografije / Director of Photography: Paola Chaurand Animacija / Animation: Sofía Carrillo Montaža / Editor: Uri Espinosa Muzika / Music: Sofia Orozco Zvuk / Sound: Odín Acosta Scenografija / Production Design: Sofía Carrillo Producent / Producer: Sofía Carrillo Produkcija / Production: Fomento Nacional para la Cultura y las Artes, Nahuyaca Films

Priča o jednoj porodici i njenom odnosu spram bolesti, ispričana uz pomoć predmeta pronađenih na buvljim pijacama i u trgovinama polovnom i doniranom robom.

E The story of a family and its relationship with sickness, told through objects found in junk shops, flea markets and donations.

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Jerusalén / Jerusalem Mexico, 2013, Colour, 15 min., Spanish Režija / Director: Alicia Segovia Juárez Scenarij / Screenplay: Alicia Segovia Juárez Direktor fotografije / Director of Photography: Raúl Zendejas Escandón Montaža / Editor: Alicia Segovia Juárez Muzika / Music: Alicia Segovia Juárez Zvuk / Sound: Marusia Estrada Zepeda Producent / Producer: Alicia Segovia Juárez, Víctor Jiménez Produkcija / Production: Centro Universitario de Estudios Cinematográficos (CUEC), Nacional Autónoma de México (UNAM); Universidad Uloge / Cast: Carmina Corredor, Shanka Villanueva, Sonia Couoh, José Carriedo Kontakt / Contact: Alicia Segovia Juárez, Mob. +52 1 55 1949 5823, aliciaseg@gmail.com

Sestre Carmina i Ana zajedno provode život u samoći, pogođene gorkim odsustvom svojih roditelja.

E Carmina and Ana are two sisters who face the bitterness of their parent’s absence, living each day in the loneliness that they both share.

Las montañas invisibles / Nevidljive planine / The Invisible Mountains Mexico, 2012, Colour, 13 min., Spanish Režija / Director: Ángel Linares Scenarij / Screenplay: Ángel Linares Direktor fotografije / Director of Photography: Rodrigo Morales Montaža / Editor: Ángel Linares Zvuk / Sound: Estíbaliz Márquez Producent / Producer: Angel Linares, Daniel Rojo Produkcija / Production: Centro Universitario de Estudios Cinematográficos, Universidad Nacional Autónoma de México Kontakt / Contact: Ángel Linares, mob. +52 1 55 8569 3932, arlinco13@gmail.com

Nekoliko žena razgovara o svojim životnim iskustvima nakon što su njihovi sinovi i muževi nestali sedamdesetih godina prošloga vijeka pošto su prepoznati kao simpatizeri gerilskog pokreta Lucia Cabañasa. Ove su žene ostale jake i nakon nestanka svojih voljenih i uprkos potrazi za njima, iako žive okružene siromaštvom i nepravdom koji tradicionalno pogađaju ruralne zajednice Atoyak u saveznoj državi Guerrero u Meksiku.

E Several women talk about their experiences after the disappearance of their sons and husbands identified as sympathizers of Lucio Cabañas’ guerrilla movement in the 1970s. Faced with the absence of their loved ones and struggling to find them, this group of women remains strong, living in the midst of the poverty and injustice that historically has characterized the Atoyac peasant communities in the State of Guerrero, Mexico.

Porcelana / Porcelan / Porcelain Mexico, 2013, Colour, 12 min., Spanish Režija / Director: Betzabé García Scenarij / Screenplay: Betzabé García Direktor fotografije / Director of Photography: Diego Tenorio Montaža / Editor: Ana Valentina López Muzika / Music: Norma Álvarez Zvuk / Sound: Christian Giraud Scenografija / Production Design: Óscar Carnicero Producent / Producer: Hugo Espinosa Produkcija / Production: Instituto Mexicano de Cinematografía Uloge / Cast: Andrea Berzosa, Danae Reynaud, Lizet Solís, Adriano Rivera, Mónica Bejarano, Juan Pablo de Santiago

U svom djetinjem svijetu, u kojem se mašta miješa sa stvarnošću, djevojčica Marian u jednome danu otkriva porodicu, smrt i seksualnost.

E Between the fantasy and reality of her childhood, Marian finds family life, death and sexuality, all in a single day.

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Elonkorjuu / Žetva / The Harvest Finland, 2006, Colour, 15 min., Finnish Režija / Director: Sami Korjus Scenarij / Screenplay: Sami Korjus Direktor fotografije / Director of Photography: Jussi Syrjä Montaža / Editor: Timo Linnasalo Producent / Producer: Ilkka Mertsola Kontakt / Contact: Sputnik Oy, Museokatu 13 A, 00100 Helsinki, Tel: +358 9 68 77 100, sputnik@sputnik.fi

Seoska domaćica Anja Huovinen već dugo stišće zube i predaje se radu dok trpi pijančenje i praznu priču lijenog muža. Ali sve ima svoje granice.

E For so long, farmhouse lady Anja Huovinen has gritted her teeth and put up with her lazy husband’s drinking habits and idle talk, focusing instead on her work. But there is a limit to everything.

Härlig Är Jorden / Svijet je divan / World of Glory Sweden, 1990, Colour, 16 min., Swedish Režija / Director: Roy Andersson Scenarij / Screenplay: Roy Andersson Direktor fotografije / Director of Photography: István Borbás Muzika / Music: Björn Isfält Producent / Producer: Göran Lindström, Freddy Olsson Uloge / Cast: Klas-Gösta Olsson, Lennart Björklund, Christer Christensen, Bernard Eiger, Rolf Engström, Gun Fors, Udo Kühnapas, Hans Söderblom, Anne Tubin Kontakt / Contact: Roy Andersson Filmproduktion AB, Sibyllegatan 24, SE-114 42 Stockholm, Sweden, Tel: +46-(0)8–662 57 00

Neupadljiv, običan čovjek nam priča o svom poslu posrednika nekretninama, mrtvom ocu, običnom domu i ostalim stvarima prirodnim glasom, bez bilo kakve emocije, dok gleda ravno u kameru. “Želim opisati bitne stvari o Evropljanima, osjećaj odgovornosti i krivnje, moralna pitanja, koje rijetko susrećemo na filmu. DEKALOG Kieslowskog mi je vratio vjeru u snimanje filmova.” (Roy Andersson)

E A plain, ordinary man tells us about his work as a real-estate broker, his dead father, his ordinary home and so on in a naturalistic voice, lacking any emotions, looking straight into the camera. “I want to describe important issues about Europeans, about responsibility and guilt, moral issues, which are so rare in films. THE DECALOGUE by Kieslowski made me believe in filmmaking again.” (Roy Andersson)

Khaneh siah ast / Kuća je crna / The House is Black Iran, 1963, B&W, 20 min., Persian Režija / Director: Forugh Farrokhzad Scenarij / Screenplay: Forugh Farrokhzad Direktor fotografije / Director of Photography: Soleiman Minasian Montaža / Editor: Forugh Farrokhzad Producent / Producer: Ebrahim Golestan Kontakt / Contact: Oberhausen International Short Film Festival

Sirovo, poetično putovanje iranske pjesnikinje Forough Farrokhzad u koloniju gubavaca. Emotivne pjesme rediteljice koje prodiru u dubinu ljudske patnje pružaju oštar kontrast neuljepšanim slikama fizičkih deformiteta i enciklopedijskim listama činjenica o bolesti. Gorka balada o volji za životom i ljepoti života bez obzira na okolnosti.

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E A raw, poetic excursion by Iranian poet Forough Farrokhzad into a leper colony. Unembellished images of physical deformity, accompanied by an encyclopaedic list of facts about the illness, contrast sharply with the filmmaker’s sensitive poems in search of the limits of human suffering. A bitter ballad about the will to live and the beauty of life under all circumstances.

Prológus / Prolog / Prologue Hungary, 2004, Colour, 5 min., no dialogue Režija / Director: Béla Tarr Produkcija / Production: Zentropa / T.T.Filmmühely Kontakt / Contact: The Hungarian National Film Fund, 1145 Budapest, Hungary, Tel: 36 1 351 7760, Fax: 36 1 352 6734, Email: marta.benyei@filmunio.hu

Naizgled beskrajan red beskućnika i siromaha koji mirno stoje proteže se duž ulice. Na čelu kolone nalazi se brižna žena koja im dijeli po topli napitak i dvije kifle u kesi dok oni mirno prolaze pored nje te pravi bilješku svaki put kada preda milostinju preko pulta.

E A seemingly endless queue of homeless and destitute stand quietly packed together along a street. At the head of the queue, a sympathetic woman hands out a warm drink and two buns in a bag to each person as they quietly file past, noting on her list each time a new handout is passed over the counter.

Sano Kiitos Ja Tanssi / Reci da i zapleši / Say Yes and Dance Finland, 2012, Colour, 8 min., Finish Režija / Director: Antti Heikki Pesonen Scenarij / Screenplay: Antti Heikki Pesonen Direktor fotografije / Director of Photography: Aarne Tapola Montaža / Editor: Hanna Kuirinlahti Produkcija / Production: Helsinki-filmi Kontakt / Contact: New Europe Film Sales, Paulina Jaroszewicz, Tel: +48 698 903 038, festivals@neweuropefilmsales.com

Harri mrzi svoj posao u fabrici mesa. Jednoga dana mora da intervjuiše nezaposlenog čovjeka koji ne želi posao za koji se prijavio. Harri nema povjerenja u tog čovjeka, a čovjek nema povjerenja u Harrija. Razgovor postaje apsurdan kada zamijene uloge.

E Harri hates his job in the meat factory. One day, he has to interview an unemployed man, who doesn’t want the job that he’s applying for. Harri does not believe the man and the man does not believe Harri. They drift into an absurd conversations, in which their roles change.

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UK, 2014, Colour, 7 min., English

The Bigger Picture / Perspektiva Animirani likovi u prirodnoj veličini pričaju iskrenu priču punu crnog humora o brizi o starom roditelju. „Želiš je smjestiti u dom? Ti joj to kaži!“ jedan brat sikće drugom. Ali majka ne želi otići i njihovi životi se rasturaju, dok ona ne odustaje. Daisy Jacobs je rediteljica i spisateljica, poznata po filmovima PERSPEKTIVA, DON JUSTINO DE NEVE i TOSH.

Režija / Director: Daisy Jacobs Animacija / Animation: Christopher Wilder Scenarij / Screenplay: Daisy Jacobs Direktor fotografije / Director of Photography: Max Williams Montaža / Editor: Vera Simmonds Producent / Producer: Chris Hees Produkcija / Production: National Film and Television School, UK Uloge / Cast: Alisdair Simpson, Anne Cunningham, Christopher Nightingale Kontakt / Contact: National Film and Television School - Beaconsfield Studios, Station Road HP9 1LG Beaconsfield United Kingdom Tel: +44 1494 731452 - www.nfts.co.uk Festivals Department - festivals@nfts.co.uk Filmografija / Filmography 2014 - THE BIGGER PICTURE 2012 - TOSH 2011 - DON JUSTINO DE NEVE

E Life-size animated characters tell the stark and darkly humorous tale of caring for an elderly parent. ‘You want to put her in a home; you tell her!’ hisses one brother to the other. But Mother won’t go, and their own lives unravel as she clings on.

Daisy Jacobs is a director and writer, known for THE BIGGER PICTURE, DON JUSTINO DE NEVE and TOSH.

Italy, 2014, Colour, 17 min., Italian

Lievito Madre / Tijesto / Sourdough U ljubavi, treća osoba je višak. To je klasični ljubavni trokut. Ali šta se dešava kada treća „osoba“ nije ljudsko biće? Tačnije, šta ako je napravljena od vode, brašna i meda? Fulvio Risuleo rođen je 1991. u Rimu. Reditelj i pisac, poznat je po filmovima TIJESTO, PUTRIDA MENZOGNA i GHIGNO SARDONICO. TIJESTO je dobitnik treće nagrade programa Cinéfondation na Filmskom festivalu u Cannesu. E Three’s a crowd. A classic love triangle. But what happens if the third isn’t human? Or rather if it’s made of water, flour and honey?

Fulvio Risuleo was born in Rome in 1991. He is a director and writer, known for LIEVITO MADRE, PUTRIDA MENZOGNA and GHIGNO SARDONICO. LIEVITO MADRE won the 3rd prize in the Cannes Film Festival Cinéfondation programme.

130 20. Sarajevo Film Festival l Cinefondation Cannes: Winners 2014

Režija / Director: Fulvio Risuleo Scenarij / Screenplay: Annalisa Elba, Angelo Rago, Fulvio Risuleo Direktor fotografije / Director of Photography: Juri Fantigrossi Montaža / Editor: Ilenia Zincone Zvuk / Sound: Vincenzo Santo Produkcija / Production: Centro Sperimentale di Cinematografia Kontakt / Contact: Centro Sperimentale di Cinematografia - via Tuscolana 1524 00173 Rome ITALY - Tel: +390672294306 - Fax: 390672294214 www.snc.it - Carla Manfredonia c.manfredonia@cscproduction.it

Filmografija / Filmography 2014 - REPORTAGE BIZARRE 2014 - LIEVITO MADRE 2014 - GHIGNO SARDONICO 2012 - THEREMIN 2011 - PUTRIDA MENZOGNA

Japan, Singapore, USA, 2014, Colour, 22 min., English, Japanese Režija / Director: Atsuko Hirayanagi Scenarij / Screenplay: Atsuko Hirayanagi Direktor fotografije / Director of Photography: Mitchell Arens Montaža / Editor: Eric Elofson Producent / Producer: Atsuko Hirayanagi Kontakt / Contact: Atsuko Hirayanagi, atsko27@gmail.com Filmografija / Filmography 2014 - OH LUCY! (kratki / short) 2012 - MO IKKAI (kratki / short) 2010 - WAKE (kratki / short) 2009 - LINK (kratki / short)

Oh Lucy! / O, Lucy! Setsuko, pedesetpetogodišnja neudata “gospođa iz ureda” u Tokiju, od mladog i nekonvencionalnog nastavnika engleskog jezika dobija plavu periku i novi identitet, “Lucy”. “Lucy” budi u Setsuko strasti za koje nije znala da postoje. Kada nastavnik odjednom nestane, Setsuko se mora pomiriti sa onim što joj je preostalo – samom sobom. Aatsuko Hirayanagi je rođena u Naganu i odrasla u Chibi, u Japanu. Magistrirala je filmsku produkciju na školi umjetnosti NYU Tisch, kao stipendistica singapurske organizacije Cathay. Njeni kratki filmovi su prikazani na raznim festivalima, uključujući Clermont-Ferrand i Tokyo Short Shorts Film Festival & Asia. OH LUCY ! je dobitnik druge nagrade selekcije Cinéfondation na Međunarodnom filmskom festivalu u Cannesu 2014. E Setsuko, a 55-year-old single ‘office lady’ in Tokyo, is given a blonde wig and a new identity, “Lucy,” by her young unconventional English instructor. “Lucy” awakens desires Setsuko never knew she had. When the instructor suddenly disappears, Setsuko must come to terms with what remains – herself.

Aatsuko Hirayanagi was born in Nagano and raised in Chiba, Japan. She is a graduate of NYU Tisch School of The Arts, Asia with an MFA in Film Production, where she received the Cathay Scholarship from Singapore’s Cathay Organization. Her short films have played at numerous film festivals, including Clermont-Ferrand and Tokyo Short Shorts Film Festival & Asia. Oh Lucy! was awarded Second Prize of the Cinéfondation Selection - Cannes International Film Festival 2014.

USA, 2014, Colour, 16 min., English Režija / Director: Annie Silverstein Scenarij / Screenplay: Annie Silverstein Direktor fotografije / Director of Photography: Nathan Duncan Montaža / Editor: Josh Melrod Producent / Producer: Monique Walton Produkcija / Production: NewFilmWorks Uloge / Cast: Jenivieve Nugent, Kiowa Tucker, Heather Kafka, Sam Stinson, Michael Archer Kontakt / Contact: The University of Texas at Austin - Rtf Department - 2504 Whitis Ave. Stop A0800 78712-1067 Austin United States Tel: +1 512 471 4071 - http://rtf.utexas.edu/ Paul Stekler - stek@mail.utexas.edu

Skunk / Tvor Četrnaestogodišnja Leila je odrasla sa samohranom majkom u izoliranom naselju u ruralnom Teksasu i najčvršću vezu ima sa čoporom udomljenih pasa. Kada joj voljenog pitbula ukrade momak koji želi učestvovati u borbama pasa, Leila je primorana da se izbori za sebe po cijenu svoje nevinosti. Annie Silverstein je višestruko nagrađivana rediteljica dokumentarnih filmova iz Austina, u Teksasu. Radila je kao producentica, rediteljica, direktorica fotografije i montažerka na projektima od Bahiae u Brazilu do Adis Abebe u Etiopiji. Annie je 2012. godine napisala i režirala prvi kratki igrani film SPARK, koji je dobitnik Nagrade žirija za najbolji kratki film Texasa na festivalu SXSW 2012 i prikazan je na mnogobrojnim festivalima. TVOR je dobitnik prve nagrade programa Cinéfondation na Filmskom festivalu u Cannesu.

Filmografija / Filmography 2014 - SKUNK 2012 - SPARK 2011 - NIGHT AT THE DANCE 2010 - RUSH 2009 - CHASE ME 2008 - MARCH POINT

E Raised by a single mother on an isolated subdivision in rural Texas, fourteen-year-old Leila’s deepest connection is with her pack of rescued dogs. When her beloved pit bull is stolen by an aspiring dog fighter, Leila is forced to stand up for herself, at the cost of her own innocence.

Annie Silverstein is an award winning fiction and documentary filmmaker based in Austin, Texas. She has worked as a producer, director, cinematographer, and editor, on projects spanning from Bahia, Brazil, to Addis Ababa, Ethiopia. In 2012 Annie wrote/directed her first short fiction film SPARK, which won the Jury Award for BEST TEXAS SHORT at SXSW 2012, and screened at numerous festivals. SKUNK won first place in the Cannes Film Festival Cinéfondation programme.

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Germany, 2013, Colour and b&w, 13 min., no dialogue Režija / Director: Christoph Girardet, Matthias Müller Scenarij / Screenplay: Christoph Girardet, Matthias Müller Montaža / Editor: Christoph Girardet, Matthias Müller Zvuk / Sound: Christoph Girardet, Matthias Müller Producent / Producer: Christoph Girardet, Matthias Müller Produkcija / Production: German Federal Filmboard

Cut / Rez Izranjavano, iskidano na komade, izderano, izrezano, osakaćeno. Inficirano, spaljeno, gangrenozno, zagnojeno. Tako ljudsko tkivo izgleda u devedeset pet kadrova iz devedeset pet filmova i TV serija: od kadrova iz klasične drame Emerica Pressburgera i Michaela Powella CRNI NARCIS do neočekivanih snimaka iz popularne serije MOMCI S MEDISONA. Christoph Girardet je studirao likovnu umjetnost u Umjetničkoj školi Braunschweig. Počeo je kreirati videoinstalacije 1989, a godinu dana kasnije počinje saradnju s Matthiasom Müllerom. Iza sebe ima više samostalnih izložbi, uključujući izložbu u Muzeju Sigmunda Freuda u Beču. Matthias Müller je studirao umjetnost i njemačku književnost na Univerzitetu Bielefeld. Müller od 2003. godine radi kao profesor eksperimentalnog filma na Akademiji za medijsku umjetnost u Kölnu. E Lacerated, torn to pieces, shredded, slashed, mutilated. Infected, burned, gangrenous, purulent. That is how human flesh appears in ninety-five shots from ninety-five movies and TV series: from Emeric Pressburger and Michael Powell’s classic drama BLACK NARCISSUS to an unexpected footage from the popular show MAD MEN.

Christoph Girardet studied fine arts at the Braunschweig School of Art. He started producing video installations in 1989 and started his collaboration with Matthias Müller in 1999. Solo exhibitions of his work have taken place at institutions such as the Sigmund Freud Museum in Vienna. Matthias Müller studied arts and German literature at the Bielefeld University. He has been teaching experimental film at the Academy of Media Arts in Cologne since 2003.

Filmografija / Filmography Christoph Girardet 2006 - NERO 2002 - ABSENCE 2001 - SCRATCH 1997 - RELEASE 1993 - FIEBERROT 1991 - SCHWERTKAMPF Matthias Müller 2004 - ALBUM 2001 - PHANTOM 1998 - VACANCY 1993 - SLEEPY HEAVEN 1990 - HOME STORIES Christoph Girardet, Matthias Müller 2013 - CUT 2013 - METEOR 2009 - MAYBE SIAM 2008 - CONTRE-JOUR 2006 - KRISTALL 2003 - MIRROR 2003 - PLAY 2002 - MANUAL 2002 - BEACON

Belgium, France, 2012, Colour, 20 min., Flemish, French, German,

Dood van een Schaduw / Smrt jedne sjene / Death of a Shadow Vojnik Nathan Rijckx umire tokom Prvog svjetskog rata. Čudni kolekcionar zarobljava njegovu sjenu, ali mu pruža drugu priliku: biti će oživljen ako uhvati 10.000 drugih sjena. Nathana motiviše ljubav jer cilj mu je da ponovo sretne Sarah, ženu u koju se zaljubio prije no što će umrijeti. Međutim, kada otkriva da je Sarah već zaljubljena u nekoga drugog, obuzima ga ljubomora i navodi ga na ogorčen potez... Tom Van Avermaet je od djetinjstva bio očaran celuloidnom zemljom snova i uvijek je želio pričati audiovizuelne priče. SMRT JEDNE SJENE je njegov prvi profesionalni kratki film, snimljen nakon diplomskog filma DREAMTIME. Film je nominovan za nagrade kako Evropske tako i Američke filmske akademije. E Soldier Nathan Rijckx died during World War I. A strange collector imprisoned his shadow and gave him a new chance: a second life against 10,000 captured shadows. It is love that guides him, as his purpose is to meet Sarah again, the woman he fell in love with before he died. But when he discovers that she’s already in love with someone else, jealousy clouds his mind and pushes him towards a bitter decision…

Tom Van Avermaet, enchanted from an early age by the celluloid dreamscape of film, always aspired to be an audio-visual storyteller. DEATH OF A SHADOW, his first professional short after the thesis film DREAMTIME, has garnered nominations from both the European Film Awards and the US Academy Awards (Oscars). 132 20. Sarajevo Film Festival l SHORT MATTERS! - Selection of European Film Academy Short Film Nominees 2013

Režija / Director: Tom Van Avermaet Scenarij / Screenplay: Tom Van Avermaet Direktor fotografije / Director of Photography: Stijn Van Der Veken Montaža / Editor: Dieter Diependaele Muzika / Music: Raf Keunen Zvuk / Sound: Yves De Mey Kostimografija / Costume Design: Vanessa Evrard Uloge / Cast: Matthias Schoenaerts, Peter Van den Eeden, Laura Verlinden, Benjamin Ramon Producent / Producer: Ellen De Waele Produkcija / Production: Serendipity Films Filmografija / Filmography 2012 - DOOD VAN EEN SCHADUW / DEATH OF A SHADOW (kratki / short) 2006 - DROOMTIJD / DREAMTIME

Germany, 2012, Colour, 14 min., German Režija / Director: Jochen Kuhn Scenarij / Screenplay: Jochen Kuhn Direktor fotografije / Director of Photography: Jochen Kuhn Montaža / Editor: Olaf Meltzer Zvuk / Sound: Olaf Meltzer Muzika / Music: Jochen Kuhn Producent / Producer: Jochen Kuhn

Sonntag 3 / Nedjelja 3 / Sunday 3 Sve što smo ikada željeli da znamo o privatnom životu gospođe Merkel. Duhovito prisjećanje na sastanak naslijepo s kancelarkom – zajedno s tjelohraniteljima koji odbijaju otići i svim ostalim ograničenjima. Treća epizoda serijala o nedjeljnim izlascima. Jochen Kuhn je rođen 1954, a umjetnost je studirao u Hamburgu. Od 1972. se bavi filmom, slikanjem, pisanjem scenarija, komponiranjem muzike i fotografijom, a također je predavao u Njemačkoj, Engleskoj, Austriji i Australiji. Filmom se aktivno bavi od ranih sedamdesetih godina prošloga vijeka, a svoje je ideje prenosio putem različitih medija, pri tome uvijek ostajući vjeran svojim korijenima – slikanju u ulju i animaciji. Od 1991. radi kao profesor dizajna na Filmskoj akademiji u BadenWurttembergu, a do sada je napravio 25 kratkih filmova.

Filmografija / Filmography 2012 - SONNTAG 3 / SUNDAY 3 2010 - SONNTAG 2 / SUNDAY 2 2008 - EXIT 2005 - SONNTAG 1 / SUNDAY 1 1999 - FISIMATENTEN 1992 - SILVESTER / NEW YEARS EVE 1990 - DIE BEICHTE / THE CONFESSION 1986 - DER HÖLLENFRANZ / FRANZ THE DEVIL 1985 - BRIEF AN DIE PRODUZENTIN / LETTER TO THE PRODUCER 1982 - DAS EI / THE EGG 1980 - DER LAUTLOSE MAKUBRA / THE SILENT MAKUBRA

E Everything we always wanted to know about Mrs. Merkel beyond all the official goings-on. A whimsy flashback of a blind date with the Chancellor – complete with bodyguards who won’t leave and all the trimmings. The third episode of a series about Sunday outings.

Jochen Kuhn was born in 1954 and studied Art in Hamburg. He has been involved in filmmaking, painting, screenwriting, composing scores and photography since 1972 and has also lectured in Germany, England, Austria and Australia. He has been active as a film artist since the early 1970s, realizing his ideas in a wide range of media while always remaining true to his roots in oil painting and animation. A professor of film design at the Film Academy Baden-Wurttemberg since 1991, today Kuhn has nearly 25 short films to his name.

Ukraine, 2012, Colour, 24.min., Ukrainian

Yaderni Wydhody / Nuklearni otpad / Nuclear Waste Sergej i Sveta žive u Černobilu. Sergej radi kao vozač kamiona u postrojenju za preradu nuklearnog otpada. Sveta radi u perionici za radioaktivnu dekontaminaciju rublja. Njihov privatni i poslovni život se odvija po hirurški preciznom, nepromjenjivom rasporedu. Ali šta pokreće taj mehanizam iz dana u dan? Myroslav Slaboshpytskiy je rođen 1974. godine u Kijevu, gdje je i diplomirao filmsku režiju na Državnom institutu za teatar i umjetnost. Napisao je scenarije za više TV filmova, uključujući i film CHERNOBYL ROBINSON. Njegovi kratki filmovi DIAGNOSIS i DEAFNESS su nominirani za nagradu Zlatni lav Filmskog festivala u Berlinu. Myroslav je 2012. godine filmom NUCLEAR WASTE osvojio nagradu Srebrni leopard takmičarskog programa Pardi di domani Filmskog festivala u Locarnu.

Režija / Director: Myroslav Slaboshpytskiy Scenarij / Screenplay: Myroslav Slaboshpytskiy Direktor fotografije / Director of Photography: Dmytro Sannykov Montaža / Editor: Kristof Hoornaert Zvuk / Sound: Sergiy Stepans Scenografija / Production Design: Elena Slaboshpytskaya Uloge / Cast: Sergiy Gavryluk, Svenlana Shtanko Producent / Producer: Volodymyr Tykhyy, Denys Ivanov Produkcija / Production: Arthouse Traffic Llc Kontakt / Contact: Arthouse Traffic Llc, Shchekavytska str., apt. 282, Kyiv 04071, Ukraine, Tel:+380973679139, e-mail: myrek@mail.ru, http://www.arthousetraffic.com/ Filmografija / Filmography 2014 - PLEMYA / THE TRIBE 2012 - YADERNI WYDHODY / NUCLEAR WASTE (kratki / short) 2010 - GLUKHOTA / DEAFNESS (kratki / short) 2009 - DIAGNOZ / DIAGNOSIS (kratki / short) 2006 - INTSYDENT / THE INCIDENT (kratki / short)

E Sergiy and Sveta live in Chernobyl. Sergiy is a truck-driver at a radioactive wastes utilization plant. Sveta works at a radioactive decontamination laundry. Their work and their life are dictated by one unchangeable rhythm with clockwork precision. But what sets this mechanism in motion - day by day?

Myroslav Slaboshpytskiy, born in Kiev in 1974, graduated from the filmmaking department of the Kiev State Institute of Theatre and Arts, majoring in feature film directing. He has worked as script writer on numerous TV films, one of which, THE CHERNOBYL ROBINSON. His short films DIAGNOSIS and DEAFNESS were nominated for the Golden Bear. In 2012, for his film NUCLEAR WASTE Myroslav won the Silver Leopard of the Locarno Film Festival’s competition programme Pardi di domani. SHORT MATTERS! - Selection of European Film Academy Short Film Nominees 2013 l 20. Sarajevo Film Festival 133

Russia, 2013, Colour, 12 min., Russian Režija / Director: Cristina Picchi Scenarij / Screenplay: Cristina Picchi Direktor fotografije / Director of Photography: Saulius Lukoševičius Montaža / Editor: Cristina Picchi Muzika / Music: Shoefiti Zvuk / Sound: Henri d’Armancourt Uloge / Cast: Ay Ogunlana, Vladimir Kopilov, Alexey Beznosov, Sergey Krutikov, Alexey Laptev Producent / Producer: Tanya Petrik, Guillaume Protsenko Produkcija / Production: Mirumir Studio

Zima / The Winter ZIMA je putopis snimljen u sjevernoj Rusiji i Sibiru, predjelu gdje se ljudi bore s jednom od najsurovijih klima. Film prikazuje realnost svijeta u kojem je granica između života i smrti tako tanka da se ponekad čini kao da i ne postoji. U ovom se udaljenom kraju civilizacija neprekidno bori s prirodom ili prigrljuje prirodu i njena bezvremena pravila i rituale. Ljudi, životinje i priroda elementi su milenijskog ciklusa u kojem fizička i mentalna snaga igraju jednako značajnu ulogu kao sreća, a život i smrt se neprekidno isprepliću. Cristina Picchi je filmska autorica i književnica rođena 1981. u Italiji, a nastanjena u Londonu. Diplomirala je evropsku književnost na Univerzitetu u Pizi, a zvanje magistrice dokumentarnog filma je stekla na Univerzitetu Goldsmiths u Londonu. Filmski festival u Locarnu kandidirao je film THE WINTER / ZIMA za Evropsku filmsku nagradu. E A journey through North Russia and Siberia where people have to cope with one of the world’s harshest climates, ZIMA portrays a reality where the boundary between life and death is so thin that it is sometimes almost nonexistent. In these remote places, civilization constantly fights and embraces nature and its timeless rules and rites. People, animals and nature become elements of a millennial existence cycle where physical and mental endurance are as important as chance, and where life and death constantly meet each other.

Cristina Picchi, born in 1981, is an Italian filmmaker and writer based in London. She holds a degree in European literature from the University of Pisa and an MA in screen documentary from Goldsmiths University in London. THE WINTER is Locarno short film nominee for the European Film Awards.

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Filmografija / Filmography 2013 - IL DISASSOCIATO / THE DISASSOCIATED (dokumentarni / documentary) 2013 - ZIMA / THE WINTER 2011 - FRAGMENTS OF A DREAM 2011 - UNDER YOUR SKIN (eksperimentalni doku mentarni / experimental doc.)

Laško Summer Nights

136 20 000 Days on Earth / 20.000 dana na Zemlji, Iain Forsyth, Jane Pollard 137 Frank, Lenny Abrahamson 138 God Help The Girl / Bože pomozi djevojci, Stuart Murdoch 139 Journey to Jah / U potrazi za Jahom, Noël Dernesch, Moritz Springer 140 Kaze Tachinu / Vjetar se diže / The Wind Rises, Hayao Miyazaki 141 Snowpiercer, Bong Joon-ho 142 Super Duper Alice Cooper, Sam Dunn, Reginald Harkema, Scot McFadyen 143 Time is Illmatic, One9

20 000 Days on Earth / 20.000 dana na Zemlji Dvadesethiljaditi dan u životu Nicka Cavea – od zvuka njegovog budilnika ujutru do noćne šetnje plažom nakon svirke – rezultira atmosferičnim i poetskim portretom nemirne kreativnosti. Prepoznatljiv bariton muzičke ikone Nicka Cavea i njegovi tamni i duhoviti tekstovi u spoju sa sumornim baladama i post-punk šarmom stvorili su muzički stil koji se jedino može opisati kao “Nick Cave”. U pažljivo stvorenom filmskom prvijencu, umjetnički dvojac Jane Pollard i Iain Forsyth kombiniraju fikciju i stvarnost, privatno i javno, te kroz jedan izmišljeni dan prikazuju životnu priču ovog poznatog muzičara. Dramatizirane scene prikazuju njegov razgovor s psihoterapeutom o djetinjstvu, ili arhivistu koji objašnjava šta se događa na fotografijama iz Caveovih „luđih“ godina sa svojim bendovima. One se izmjenjuju s dokumentarnim snimcima u salama za probe i muzičkim studijima. Kolege muzičari, poput Blixe Bargelda i Kylie Minogue, prisjećaju se njihove saradnje, zajedno s Caveom. Film je premijerno prikazan na ovogodišnjem Filmskom festivalu Sundance, gdje je dobio nagrade za najbolju režiju i najbolju montažu u kategoriji Međunarodni dokumentarni film. Iain Forsyth i Jane Pollard, vizualni umjetnici, su se upoznali kao studenti Goldsmiths koledža u Londonu sredinom devedesetih. Pioniri su korištenja reprodukcije stvarnih događaja u savremenoj umjetnosti, te su postali poznati po svojim rekreacijama događaja visokog naboja iz domena kulture, kao što je hvaljeni i priznati A ROCK ‘N’ ROLL SUICIDE, bespoštedno autentičan živi prikaz posljednjeg nastupa Davida Bowieja u ulozi Ziggyja Stardusta tačno dvadeset i pet godina kasnije. 20.000 DANA NA ZEMLJI je njihov prvi dugometražni film. E The 20,000th day in the life of Nick Cave – from the sound of his alarm clock in the morning to a nocturnal stroll along the beach after a gig – becomes an atmospheric and poetic portrait of restless creativity. Music icon Nick Cave’s distinctive baritone and darkly witty songwriting have been crafted onto a blend of moody balladry and post-punk swagger to create a style that can only be defined as “Nick Cave.” In their carefully composed cinematic debut, artist duo Jane Pollard and Iain Forsyth combine fiction and reality, private and public and, in one fictional day, capture the life story of this renowned musician. Dramatized scenes depict a conversation with a therapist about his childhood, or an archivist given an account of what’s going on in photographs of Cave’s wilder years with his bands. They alternate with documentary footage in rehearsal rooms and recording studios. Fellow musicians like Blixa Bargeld and Kylie Minogue reminisce with Cave about their collaborations. The film made its World Premiere at this year’s Sundance Film Festival where it was awarded both Best Directing and Best Editing Awards in the World Cinema Documentary category.

Iain Forsyth & Jane Pollard, both visual artists, met while studying Goldsmiths College in London in the mid-nineties. They pioneered the use of re-enactment in contemporary art and became known for their recreations of highly-charged cultural moments, such as their critically acclaimed A Rock ‘N’ Roll Suicide, a painstakingly faithful live re-creation of David Bowie’s final performance as Ziggy Stardust exactly 25 years later. 20,000 DAYS ON EARTH is their first feature film.

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UK, 2014, Colour, 95 min., English Režija / Director: Iain Forsyth, Jane Pollard Scenarij / Screenplay: Iain Forsyth, Jane Pollard, Nick Cave Montaža / Editor: Jonathan Amos Muzika / Music: Nick Cave, Warren Ellis Zvuk / Sound: Joakim Sundström Scenografija / Production Design: Simon Rogers Producent / Producer: Dan Bowen, James Wilson Produkcija / Production: JW Films, Pulse Films Uloge / Cast: Nick Cave, Susie Cave, Warren Ellis, Darian Leader, Ray Winstone, Blixa Bargeld, Kylie Minogue, Arthur Cave, Earl Cave Kontakt / Contact: JW Films, jw@jw-films.com; Pulse Films, info@pulsefilms.co.uk; HanWay Films, info@hanwayfilms.com Filmografija / Filmography 2014 - 20 000 DAYS ON EARTH 2014 - EDIT (kratki / short) 2013 - JUMPERS / WHAT I MUST DO TO BE SAVED (kratki / short) 2010 - I’M NEW HERE (kratki / short) 2009/11 - DO YOU LOVE ME LIKE I LOVE YOU (kratki / short) 2010 - FIRST KISS (kratki / short) 2008 - RUN FOR ME (kratki / short) 2007 - DIG, LAZARUS, DIG!!! 2005 - WALKING AFTER ACCONCI 2005 - ANYONE ELSE ISN’T YOU 2003 - FILE UNDER SACRED MUSIC

Frank FRANK je komedija o mladom, nadobudnom muzičaru Jonu koji otkriva da je uzeo prevelik zalogaj kada se priključuje grupi ekscentričnih pop muzičara koje predvode misteriozni i enigmatični Frank i njegova zastrašujuća pratilja Clara. Frank je jedinstven po tome što pravi muziku čisto iz užitka... i po tome što na sebi nosi ogromnu vještačku glavu. Nakon nesigurnog početka Jon se uspijeva dodvoriti članovima grupe, a oni se povlače u kolibu, u šumi, gdje će snimati album. S rastom njegovog utjecaja rastu i kreativne tenzije, pri čemu se cjelokupni smisao postojanja grupe dovodi u pitanje... Lenny Abrahamson rođen je u Dublinu 1966. Dok je studirao fiziku i filozofiju na Trinity koledžu u Dublinu, režirao je kratke videospotove u sklopu udruženja Trinity Video Society, koje je osnovao zajedno s Edom Guineyjem. Diplomirao je 1991. godine kao jedan od najboljih studenata. Lennyjev prvi dugometražni film ADAM & PAUL osvojio je Nagradu za najbolji prvi dugometražni film na festivalu Galway Film Fleadh 2004. i Grand Prix na Međunarodnom filmskom festivalu u Sofiji 2005. Njegov drugi dugometražni film GARAGE uvršten je u izbor programa Director’s Fortnight na Filmskom festivalu u Cannesu 2007. gdje je osvojio nagradu CICAE Art and Essai. Lennyjev treći dugometražni film WHAT RICHARD DID prikazan je 2012. godine. Film, za koji je scenarij napisao Malcolm Campbell, predstavlja ogoljeni portret privilegovanog dablinskog tinejdžera čiji se svijet ruši tokom jedne ljetne noći. FRANK je premijerno prikazan ove godine na Sundance Film Festivalu. E FRANK is a comedy about a young wannabe musician, Jon, who discovers he’s bitten off more than he can chew when he joins a band of eccentric pop musicians led by the mysterious and enigmatic Frank and his terrifying sidekick, Clara. Frank’s uniqueness lies in the fact that he makes music purely for the joy of creating…and because he wears a giant fake head. After a rocky start, Jon ingratiates himself with the band members, and they retreat to a cabin in the woods to record an album. As his influence waxes, creative tensions mount, and the band’s entire raison d’être is called into question…

USA, 2014, Colour, 95 min., English Režija / Director: Lenny Abrahamson Scenarij / Screenplay: Jon Ronson, Peter Straughan (na osnovu novinskog teksta Johna Ronsona / based on the original newspaper article by Jon Ronson) Direktor fotografije / Director of Photography: James Mather Montaža / Editor: Nathan Nugent Muzika / Music: Stephen Rennicks Scenografija / Production Design: Richard Bullock Kostimografija / Costume Design: Suzie Harman Producent / Producer: Ed Guiney, David Barron, Stevie Lee Produkcija / Production: Element Pictures, Runaway Fridge Uloge / Cast: Domhnall Gleeson, Maggie Gyllenhaal, Scoot McNairy, Michael Fassbender, Francois Civil, Carla Azar, Tess Harper, Bruce McIntosh, Hayley Derryberry, Lauren Poole Filmografija / Filmography 2014 - FRANK 2012 - WHAT RICHARD DID 2007 - GARAGE 2004 - ADAM & PAUL 1991 - 3 JOES (kratki / short)

Lenny Abrahamson was born in Dublin in 1966. While studying physics and philosophy at Trinity College Dublin, he directed short videos with the Trinity Video Society, which he co-founded with Ed Guiney. He graduated in 1991 with first class honors. Lenny’s first feature film ADAM & PAUL won the Best First Feature award at the 2004 Galway Film Fleadh and the Grand Prix at the 2005 Sofia International Film Festival. His second feature film GARAGE was selected for Director’s Fortnight at the 2007 Cannes Film Festival and won the CICAE Art and Essai award. Lenny’s third feature WHAT RICHARD DID was released in 2012. The film, written by Malcolm Campbell, presents a stark portrait of a privileged Dublin teen whose world unravels over one summer night. FRANK had its world premiere at this year’s Sundance Film Festival.

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God Help The Girl / Bože pomozi djevojci Eve krišom izlazi kroz prozor klinike i slavi svoj bijeg plešući – i pjevajući – kroz Glasgow. Na jednoj maloj svirci uživo susreće osjećajnog muzičara Jamesa, koji prepoznaje njen talent i osjeća magičnost njenog glasa. Sanjaju o tome da osnuju grupu, a kasnije im se pridružuje i Cassie. Slijede bezbrižni dani i bez obzira da li putuju ili su na nekom koncertu, priča se uvijek vrti oko muzike i ideja i planova. Stidljivi James se zaljubljuje u Eve, ali on nije njen jedini obožavatelj. Pored toga, ova mlada žena čuva tajnu koja joj je skoro oduzela snagu da živi. Ipak, to ljeto je opijeno i euforično i ispunjeno željom za blistavom budućnošću koju će oblikovati muzika. Stuart Murdoch rođen je 1986. u Glasgowu, u Velikoj Britaniji. Pjevač je i glavni tekstopisac škotske grupe Belle and Sebastian. Napravio je pauzu u radu s grupom kako bi napisao muziku i scenarij za BOŽE POMOZI DJEVOJCI, a zatim i režirao film. E Eve climbs secretly out of the clinic window and celebrates her escape by dancing – and singing – her way through Glasgow. At a small gig she meets a sensitive musician named James who recognizes her talent and can sense the magic in her voice. They dream of forming a band together and are later joined by Cassie. Carefree days follow and no matter if they are out on trips or at some concert or other the talk is all about music and ideas and making plans. Shy James falls in love with Eve, but he is not her only admirer. In addition, this young woman harbours a secret that almost robs her of the strength to live. Nonetheless, this is a summer that is intoxicating and euphoric, and filled with the desire for a bright future shaped by music.

Stuart Murdoch was born in 1986 in Glasgow, UK. He is the lead singer and principal songwriter of the Scottish band Belle and Sebastian. He took a break from the group to write the music and screenplay for GOD HELP THE GIRL and then to direct the film.

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USA, 2014, Colour, 77 min., English Režija / Director: Stuart Murdoch Scenarij / Screenplay: Stuart Murdoch Montaža / Editor: David Arthur Muzika / Music: Stuart Murdoch Zvuk / Sound: Douglas MacDougall Producent / Producer: Barry Mendel, Beth Allan, Carole Sheridan Scenografija / Production Designer: Mark Leese Kostimografija / Costume Designer: Denise Coombes Produkcija / Production: Barry Mendel Productions Uloge / Cast: Emily Browning, Olly Alexander, Hannah Murray, Pierre Boulanger, Cora Bissett Kontakt / Contact: Barry Mandel Productions, Los Angeles, USA; HanWay Films Filmografija / Filmography 2014 - GOD HELP THE GIRL

Journey to Jah / U potrazi za Jahom Gentleman iz Kelna i Alborosie sa Sicilije su među najslavnijim evropskim reggae muzičarima. Prije mnogo godina napustili su Evropu i krenuli u potragu za novom duhovnom domovinom i muzičkom inspiracijom na Jamajci, da bi potom bili odlično prihvaćeni na Karibima. U filmu U POTRAZI ZA JAHOM oni nas vode na put na Jamajku do samih korijena reggae muzike i usput nas upoznaju s prijateljima poput Luciana i društveno angažirane reperice Terry Lynn. Muzika služi kao poveznica između kultura i dovodi do promjena u siromašnom, korumpiranom i politički podijeljenom jamajčanskom društvu. Muzika u isto vrijeme predstavlja i politiku i duhovnost, ali također održava diskriminaciju i netrpeljivost. Ovaj dokumentarac Noëla Dernescha i Moritza Springera donosi autentičan portret Jamajke koji je potpuno drugačiji od karipskih snova i idealnog mjesta za odmor. Noël Dernesch živi i radi u Berlinu. Pohađao je Školu za umjetnost i dizajn medija u Cirihu, fokusirajući se na film i video. Nakon studija, radio je kao samostalni reditelj i videoumjetnik. Producirao je veliki broj reklama, uključujući i radove u međunarodnoj produkciji, te je snimio i nekoliko kratkih i dokumentarnih filmova. Moritz Springer rođen je 1979. godine u Starnbergu, u Njemačkoj. Nakon prvog glumačkog iskustva, Moritz je u periodu od 1997. do 2005. nekoliko puta stažirao i radio kao asistent režije u Njemačkoj i SAD. Nakon povratka u Njemačku, počeo je raditi na vlastitim dokumentarcima. E Gentleman from Cologne and Alborosie from Sicily are two of Europe’s most renowned reggae musicians. They turned their back on Europe years ago and set off in search of a new spiritual home and musical inspiration in Jamaica – and have since met with broad approval in the Caribbean. In JOURNEY TO JAH, the pair takes us on a trip to Jamaica and the very roots of reggae, introducing us to such friends as Luciano and the socially critical female rapper Terry Lynn along the way. Music acts as a link between cultures, facilitating changes in the fabric of Jamaica, a poor, corrupt and politically divided country. Music equals politics and spirituality – but it also perpetuates discrimination and antagonism. Carolyn Cooper, a Jamaican professor of literature, provides background information on the Rastafarian culture. This documentary by Noël Dernesch and Moritz Springer presents an unadulterated view of a Jamaica far removed from the Caribbean dream and holiday haven.

Noël Dernesch works and lives in Berlin. Educated at the School of Art and Media Design in Zurich, where he specialised in film and video. Since then he has worked as an independent movie director and video artist. He produced several commercials, including international productions, and realized a number of short and documentary movies. Moritz Springer was born in 1979 in Starnberg, Germany. After first acting experiences, Moritz completed several internships and worked as an assistant director in Germany and the USA. Back in Germany he started working on his own documentaries.

Germany, Switzerland, 2013, Colour, 92 min., English, German Režija / Director: Noël Dernesch, Moritz Springer Scenarij / Screenplay: Noël Dernesch, Moritz Springer Direktor fotografije / Director of Photography: Marcus Winterbauer Montaža / Editor: Michelle Barbin, Christoph Senn Muzika / Music: Beat Solèr Zvuk / Sound: Patrick Böhler Producent / Producer: René Römert, Jan Krüger Produkcija / Production: Port au Prince Film & Kultur Produktion, Pixiu Films Uloge / Cast: Gentleman, Alborosie, Alberto D’Ascola, Damian Marley Filmografija / Filmography Moritz Springer 2013 - JOURNEY TO JAH 2010 - FREIHEIT PUR? 2010 - DEUTSCH ODER POLNISCH 2007 - ALLE ANDERS - ALLE GLEICH 2003 - DEM CHAOS ENTSPRUNGEN 2002 - DER ZAUBERHUT Noël Dernesch 2013 - JOURNEY TO JAH 2010 - PROMISED LAND, korežiser / co-director 2008 - BIFFY AND WUTZ 2005 - DOWNTOWN SWITZERLAND 2004 - STILLE (kratki / short) 2004 - BREAKFAST IN AMERICA 2004 - MENSCHEN AM HANG 2004 - MEYERS (kratki / short) 2003 - DIE KUNST DES GEIGENBAUS

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Kaze Tachinu / Vjetar se diže / The Wind Rises Jirô Horikoshi, inženjer opsjednut avijacijom, obožava estetiku, duh i nauku letenja otkako zna za sebe. Godinama je dizajnirao i gradio svoj idealni avion, Mitsubishi A6M Zero, koji je konačno završen. Ali Jirôvi snovi će se srušiti kada, obuzet užasom, saznaje da će se njegova kreacija koristiti u borbama u Drugom svjetskom ratu. Hayao Miyazaki je rođen 1941. u Tokiju. Svoj prvi dugometražni film je režirao 1979. Njegova duga karijera u animaciji uključuje filmove LAPUTA: CASTLE IN THE SKY (1986), PRINCESS MONONOKE i SPIRITED AWAY, međunarodni fenomen koji je oborio sve rekorde japanskog box officea, osvojio Zlatnog medvjeda na Berlinaleu i dobio Oscara 2003. E An aviation-obsessed engineer named Jirô Horikoshi has loved the aesthetics, spirit, and science of flight for as long as he can remember. For years he’s been designing and building his dream plane, the Mitsubishi A6M Zero, and it’s finally completed. But Jiro’s dreams come crashing down when he learns, to his horror, that his creation will be used for combat in World War II.

Hayao Miyazaki was born in Tokyo in 1941. He directed his first feature film in 1979. His lengthy career in animation includes the films LAPUTA: CASTLE IN THE SKY (1986), PRINCESS MONONOKE and SPIRITED AWAY, an international phenomenon that broke every Japanese box-office record, won the Golden Bear at the Berlinale and received an Oscar in 2003.

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Japan, 2013, Colour, 126 min., Japanese, German, Italian, French Režija / Director: Hayao Miyazaki Scenarij / Screenplay: Hayao Miyazaki Muzika / Music: Joe Hisaishi Uloge / Cast: Hideaki Anno, Jun Kunimura, Mirai Shida, Miori Shida, Keiko Takeshita, Mansai Nomura, Morio Kazama, Steve Alpert Producent / Producer: Toshio Suzuki, Nobou Kawakami Produkcija / Production: Studio Ghibli Kontakt / Contact: Studio Ghibli, post@ghibli.co.jp Filmografija / Filmography Izbor / Selected 2013 - THE WIND RISES 2008 - PONYO 2004 - HOWL’S MOVING CASTLE 2001 - SPIRITED AWAY 1997 - PRINCESS MONONOKE

Snowpiercer U ovom surovom postapokaliptičnom trileru, kao posljedica neuspjelog pokušaja da se preokrene globalno zagrijavanje planeta je zamrznuta, a svi preživjeli ljudi su natrpani u samoodrživi voz koji konstantno kruži oko svijeta. Ali, voz je striktno podijeljen na osnovu bogatstva i klase, gdje su pripadnici ugnjetavane mase na kraju voza i spremni na revoluciju. Predvođeni Chrisom Evansom, počinju se silom kretati prema prednjim vagonima, gdje ih očekuje gospodar voza. Da li je ovo naučna fantastika ili alegorija o našem vremenu? Bong Joon-Ho se čvrsto etablirao na čelu korejskih režisera sa svoja četiri igrana filma, BARKING DOGS NEVER BITE, MEMORIES OF MURDER, THE HOST i MOTHER, globalno pripremajući teren za ono što će ponuditi SNOWPIERCER. U svojim dugometražnim igranim filmovima, Bong pokazuje sklonost ka hrabrim idejama koje iznenađuju publiku i predstavljaju novo iskustvo gledanja filmova, gdje neizvjesnost, humor i humanost koegzistiraju u filmovima koji se ne mogu svrstati u jedan specifičan žanr. E In this wild post-apocalyptic thriller, the planet has frozen, thanks to a botched attempt to reverse global warming, and all the surviving humans are packed aboard a self-sustaining train that endlessly circles the globe. But the train is rigidly divided by wealth and class, the downtrodden massed together in the rear and ripe for revolution. Led by Chris Evans, they begin to make their violent way to the front, where the master of the train awaits them. Is this science fiction, or an allegory of our times?

Bong Joon-Ho firmly established himself at the vanguard of Korean filmmakers with his four feature films, BARKING DOGS NEVER BITE, MEMORIES OF MURDER, THE HOST and MOTHER, creating a global appetite for what would become SNOWPIERCER. Through all of his features, Bong demonstrates a propensity for bold ideas that catch an audience off-guard and present a new kind of viewing experience where suspense, humor and humanity co-exist in singular films that cannot be defined by one particular genre.

South Korea, Czech Republic, USA, France, 2013, Colour, 126 min., English, Korean, Japanese, French Režija / Director: Bong Joon-ho Scenarij / Screenplay: Bong Joon-ho, Kelly Masterson Direktor fotografije / Director of Photography: Hong Kyung-pyo Montaža / Editor: Steve M. Choe, Changju Kim Muzika / Music: Marco Beltrami Scenografija / Production Design: Ondrej Nekvasil Kostimografija / Costume Design: Catherine George Uloge / Cast: Chris Evans, Song Kang-ho, Tilda Swinton, Jamie Bell, Octavia Spencer, Ko Asung, John Hurt, Ed Harris Producent / Producer: Park Chan-wook, Steven Nam, Lee Tae-hun, Jeong Tae-sung Produkcija / Production: Moho Film, Opus Pictures Kontakt / Contact: Radius-TWC, 99 Hudson St. New York, NY 10014. 212-845-8600 radius.info@weinsteinco.com Filmografija / Filmography 2013 - SNOWPIERCER 2009 - MOTHER 2008 - TOKYO! (segment Shaking Tokyo) 2006 - THE HOST 2003 - MEMORIES OF MURDER 2000 - BARKING DOGS NEVER BITE

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Super Duper Alice Cooper SUPER DUPER ALICE COOPER je uvrnuta priča o tinejdžeru Dr. Jekyllu kojeg zamalo ubije njegov rokenrol alter ego, gospodin Hyde. Ovo je priča o Vincentu Furnieru, sinu propovjednika, koji je utjerao strah u srca roditelja kao Alice Cooper, poznata bizarna rock zvijezda. Od pojave Alicea kao frontmena grupe čudaka iz Phoenixa 60-ih, preko maglovite dekadencije slave 70-ih, do trijumfalnog povratka kuma glam-metala 80-ih, gledat ćemo kako se Alice i Vincent međusobno bore za dušu ovog drugog. Ovaj film je prva „dokumentarna opera“ na svijetu - vrtoglava mješavina dokumentarnih arhivskih snimaka, animacije i rock opere će zauvijek zacementirati legendu o Aliceu Cooperu. Reginald Harkema je rođen u Burnabyju, i diplomirao je filmsku produkciju na Univerzitetu u Britanskoj Kolumbiji. Radio je kao montažer na mnogim značajnim igranim filmovima, uključujući HARD CORE LOGO Brucea McDonalda i LAST NIGHT i CHILDSTAR Dona McKellara, za koje je zaradio nominacije za nagradu Genie. Sam Dunn je nagrađivani autor dokumentarnih filmova, antropolog, muzičar i suosnivač Banger Filmsa. Njegov prvi dokumentarni film, METAL: A HEADBANGER’S JOURNEY, je dobio nagradu Gemini za najbolji scenarij u kategoriji dokumentarnog filma. U 2012. godini Sam je korežirao i vodio najveću TV seriju o historiji heavy metala, METAL EVOLUTION. Scot McFadyen je režiser, producent i muzički supervizor, te suosnivač Banger Filmsa. 90-ih godina osnovao je vlastitu pozorišnu kuću i vodio je najveću firmu za muzičku produkciju na Vancouver Islandu. Uspjeh filma METAL: A HEADBANGER’S JOURNEY je omogućio Scotu da pretvori Banger Films u jednu od najpoznatijih filmskih produkcijskih kuća koje se fokusiraju na heavy metal i hard rock. E SUPER DUPER ALICE COOPER is the twisted tale of a teenage Dr Jekyll whose rock ‘n’ roll persona Mr. Hyde almost kills him. It is the story of Vincent Furnier, preacher’s son, who struck fear into the hearts of parents as Alice Cooper, the ultimate rock star of the bizarre. From the advent of Alice as front man for a group of Phoenix freaks in the 60s to the hazy decadence of celebrity in the 70s to his triumphant comeback as 80s glam metal godfather, we will watch as Alice and Vincent battle for each others’ souls. The film is the first ever “doc opera”. A dizzying blend of documentary archive footage, animation and rock opera that will cement forever the legend of Alice Cooper.

Reginald Harkema was born in Burnaby, and graduated from the University of British Columbia’s film production programme. He has edited many notable features, including Bruce McDonald’s HARD CORE LOGO and Don McKellar’s LAST NIGHT and CHILDSTAR, all of which earned him Genie nominations. Sam Dunn is an award-winning documentary filmmaker, an anthropologist, musician, and the co-founder of Banger Films. His first documentary film, METAL: A HEADBANGER’S JOURNEY, won a Gemini Award for Best Writing in a Documentary. In 2012, Sam co-directed and hosted the biggestever TV series on the history of heavy metal, Metal Evolution. Scot McFadyen is a director, producer and music supervisor, and the co-founder of Banger Films. In the 1990s, he started his own theatre company and ran the largest music production company on Vancouver Island. The success of METAL: A HEADBANGER’S JOURNEY allowed Scot to grow Banger Films into one of the world’s best-known documentary filmmaking operations focusing on heavy metal and hard rock.

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Canada, 2014, Colour, 98 min., English Režija / Director: Reginald Harkema, Sam Dunn, Scot McFadyen Scenarij / Screenplay: Reginald Harkema, Sam Dunn, Scot McFadyen Montaža / Editor: Reginald Harkema, Alex Shuper Producent / Producer: Scot McFadyen, Sam Dunn Produkcija / Production: Banger Films Uloge / Cast: Alice Cooper, Shep Gordon, Dennis Dunaway, Sheryl Cooper, Bob Ezrin, Neal Smith Filmografija / Filmography Reginald Harkema 2014 - SUPER DUPER ALICE COOPER (dokumentarni / documentary); 2009 - LESLIE, MY NAME IS EVIL; 2006 - MONKEY WARFARE; 2004 - BETTER OFF IN BED (dokumentarni / documentary); 2001 - BANG! (segment “BAD CHLOE”); 1999 - A GIRL IS A GIRL Sam Dunn 2014 - SUPER DUPER ALICE COOPER (dokumentarni / documentary); METAL EVOLUTION (TV serija / TV Series); 2011 - RUSH TIME MACHINE 2011: LIVE IN CLEVELAND; 2010 - RUSH: BEYOND THE LIGHTED STAGE (dokumentarni / documentary); 2009 - JOE BONAMASSA: LIVE FROM THE ROYAL ALBERT HALL (video); IRON MAIDEN: FLIGHT 666 (dokumentarni / documentary); 2008 - GLOBAL METAL (dokumentarni / documentary); 2005 - METAL: A HEADBANGER’S JOURNEY (dokumentarni / documentary) Scot McFadyen 2014 - SUPER DUPER ALICE COOPER (dokumentarni / documentary); 2012 - MOTÖRHEAD: THE WÖRLD IS OURS - VOL 2: ANYPLACE CRAZY AS ANYWHERE ELSE; JOE BONAMASSA: LIVE FROM NEW YORK BEACON THEATRE; 2011 - METAL EVOLUTION (TV serija / TV Series); RUSH TIME MACHINE 2011: LIVE IN CLEVELAND; 2010 - RUSH: BEYOND THE LIGHTED STAGE (dokumentarni / documentary); 2009 - JOE BONAMASSA: LIVE FROM THE ROYAL ALBERT HALL; IRON MAIDEN: FLIGHT 666 (dokumentarni / documentary); 2008 - GLOBAL METAL (dokumentarni / documentary); 2005 - METAL: A HEADBANGER’S JOURNEY (dokumentarni / documentary)

Time is Illmatic TIME IS ILLMATIC je dugometražni dokumentarni film koji duboko zadire u snimanje Nasovog debitantskog albuma Illmatic 1994. godine i u društvene okolnosti koje su dovele do njegovog nastanka. Dvadeset godina nakon što je objavljen, Illmatic je postao mjerilo za hip hop jer objedinjuje društvenopolitičku perspektivu, nepobjedivi duh i kolektivnu tjeskobu generacije mladih crnaca koji traže da se čuje njihov glas u Americi. TIME IS ILLMATIC prati muzičku zaostavštinu porodice Jones koju je Nas naslijedio od svog oca, jazz muzičara Olua Dare. Također preispituje društvene okolnosti i utjecaje iz okoline koji su oblikovali Nasov pogled na svijet. Film usput prikazuje i kako je Nas – uz podršku svoje ekipe iz kvarta Queensbridge, uz odanost svog mlađeg brata Jabarija “Jungle” Jonesa i uz požrtvovanost svoje majke Ann Jones – prevazišao nepremostive prepreke i stvorio jedno od najvećih djela hip hopa. One9 je nagrađivani multimedijalni umjetnik, reditelj, producent i montažer. Radio je za klijente kao što su Google, PBS, Viacom, Sony Music i nekoliko neprofitnih organizacija. Barclays Center u Brooklynu, u New Yorku, izabrao je One9 kao umjetnika koji će stvoriti originalnu seriju umjetničkih djela koja će biti predstavljena odabranim muzičkim talentima tokom 2013 i 2014. TIME IS ILLMATIC je njegov rediteljski dugometražni prvijenac. E TIME IS ILLMATIC is a feature length documentary film that delves deep into the making of Nas’ 1994 debut album, Illmatic, and the social conditions that influenced its creation. Twenty years after its release, Illmatic has become a hip-hop benchmark that encapsulates the socio-political outlook, enduring spirit, and collective angst of a generation of young black men searching for a voice in America. TIME IS ILLMATIC tracks the musical legacy of the Jones family, handed down to Nas from his jazz musician father, Olu Dara. It also examines the social conditions and environmental influences that contributed to Nas’ worldview. Along the way, film shows how Nas—with the support of his Queensbridge neighbourhood crew; the loyalty of his younger brother Jabari “Jungle” Jones; and sacrifices of his mother, Ann Jones—overcame insurmountable odds to create one of hip-hop’s greatest works.

USA, 2014, Colour, 77 min., English Režija / Director: One9 Direktor fotografije / Director of Photography: Frank Larson Montaža / Editor: David Zieff, One9 Muzika / Music: B.Satz Producent / Producer: Erik Parker, One9, Anthony Saleh Produkcija / Production: ILLA Films Uloge / Cast: Nas, Olu Dara, Jungle Kontakt / Contact: Erik Parker, Illa Films, Bloomfield, 07003, Phone: 917 855 0294 erik.illafilms@gmail.com; International Sales Contact, David Koh, Submarine Entertainment, New York, 10013 , Phone: 212 625 1410, dk@submarine.com Filmografija / Filmography 2014 - TIME IS ILLMATIC

One9 is an award winning multimedia artist, director, producer and editor. His clients have included Google, PBS, Viacom, Sony Music, and several non-profit organizations. As an artist One9 was selected by the Barclays Center in Brooklyn, New York to create an original series of artwork presented to their selected music talents in 2013-2014. TIME IS ILLMATIC is One9’s feature length directorial debut.

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Dječiji program / Children’s Programme

146 Antboy / Dječak-mrav, Ask Hasselbach 147 Ernest et Célestine / Ernest i Selestina / Ernest and Celestine,

Benjamin Renner, Stéphane Aubier, Vincent Patar

148 MGP Missionen / Natječaj: do zvijeda i natrag / The Contest: To the Stars and

Back, Martin Miehe-Renard

149 Resan til Fjäderkungens Rike / Putovanje u kraljevstvo Kralja Perja /

Beyond Beyond, Esben Toft Jacobsen

150 Tante Hilda! / Tetka Hilda! / Aunt Hilda!, Benoît Chieux, Jacques-Rémy Girerd 151 Zipi y Zape y el club de la canica / Zip, Zap i klikeraška banda /

Zip & Zap and the Marble Gang, Óskar Santos

152 Albert Åberg og soldatpappaen / Alfie i tata vojnik / Alfie and the Soldier Daddy,

Liller Møller

152 Cowboydrøm / Kaubojski snovi / Cowboy Dream, Lars Hegdal 153 Furaj svoj film / Do Your Own Thing, Timur Makarević 153 Mr Hublot / Gospodin Hublot, Laurent Witz, Alexandre Espigares 154 Mushroom Monster / Gljivo-čudovište, Aleksander Leines Nordaas 154 Nyuszi és Őz / Zec i jelen / Rabbit and Deer, Péter Vácz 155 Umi ni ochita tsuki no hanashi / Mjesec koji je pao u more /

The Moon That Fell into the Sea, Akira Oda

Antboy / Dječak-mrav Dvanaestogodišnjeg Pellea slučajno ugrize mrav i on dobija nevjerovatne supermoći. Uz pomoć prijatelja Wilhelma, zaljubljenika u stripove, Pelle stvara tajni identitet kao superheroj Dječak-mrav te postaje lokalni borac protiv kriminala. Kada zlikovac Buha nastupi na scenu, Dječak-mrav se mora suprotstaviti izazovu. Ask Hasselbalch rođen je 1979. godine u Danskoj. Studirao je na Evropskom filmskom koledžu u Danskoj. Režirao je kratke filmove, reklame, muzičke spotove i satirične TV serije. Od 2007. godine član je alternativne filmske škole Super16. Prvi dugometražni igrani film Aska Hasselbalcha je DJEČAK-MRAV, koji je doživio svjetsku premijeru na Međunarodnom filmskom festivalu u Torontu. E 12-year-old Pelle accidentally gets bitten by an ant and develops unimaginable superpowers. With help from his friend, comic book nerd Wilhelm, Pelle creates a secret identity as the superhero Antboy, and becomes a local crime fighter. When a supervillain, The Flea, enters the scene, Antboy must step up to the challenge.

Ask Hasselbalch was born in 1979 in Denmark. He trained at the European Film College, Denmark. He has directed short fiction, commercials, music videos and TV satire. From 2007 he is a member of the alternative film school Super16. Ask Hasselbalch made his feature film debut with Antboy, which enjoyed its world premiere at the Toronto International Film Festival.

Denmark, 2013, Colour, 77 min., Danish Režija / Director: Ask Hasselbach Scenarij / Screenplay: Anders Olholm Direktor fotografije / Director of Photography: Niels Reedtz Johansen Montaža / Editor: My Thordal, Peter Brandt Muzika / Music: Peter Peter Zvuk / Sound: Thomas Huus, Bo Asdal Andersen Scenografija / Production Design: Nikolaj Danielsen, M. Wan Sputnick Kostimografija / Costume Design: Louize Nissen Uloge / Cast: Oscar Dietz, Nicolas Bro, Samuel Ting Graf, Amalie Kruse Jensen, Lærke Winther Producent / Producer: Birgitte Hald, Eva Jakobsen, Lea Løbger Produkcija / Production: Nimbus Film Prods Kontakt / Contact: Attraction Distribution 5455 De Gaspe Ave., Suite 803, H2T 3B3 Montreal Quebec, Canada, Tel: +1 514 846 1222, info@attractiondistribution.ca www.attractiondistribution.ca Filmografija / Filmography 2013 - ANTBOY 2010 - VILDDYR (kratki / short) 2009 - THE OTHER SIDE (kratki / short) 2008 - THE ALLIANCE (kratki / short) 2008 - EN SIKKER VINDER 2 (kratki / short)

146 20. Sarajevo Film Festival l DJEČIJI PROGRAM

Ernest et Célestine / Ernest i Selestina / Ernest and Celestine Duboko ispod snijegom prekrivenih, kamenitih ulica, sakrivena u mreži zavojitih podzemnih tunela živi civilizacija vrijednih miševa koji se boje medvjeda nastanjenih iznad površine zemlje. Za razliku od drugih miševa, Selestina je umjetnica i sanjar. Nakon što gotovo završi kao doručak medvjeda trubadura Ernesta, njih dvoje sklapaju neobično prijateljstvo. Ali Ernestova mišojedaća i Celestinina medvjedima ustrašena civilizacija to prijateljstvo ubrzo stavljaju na kušnju. Benjamin Renner je pohađao Školu likovnih umjetnosti Angoulême, a zatim je završio i dvogodišnji studij u Školi animiranog filma i režije La Poudrière u Francuskoj, tokom kojeg je režirao kratke filmove LE CORBEAU VOULANT IMITER L’AIGLE, LE PLUS GROS PRÉSIDENT DU MONDE, po narudžbi za Canal J, kao i svoj diplomski film A MOUSE’S TALE (2008). Po završetku studija radi na svom prvom profesionalnom dugometražnom animiranom projektu kao koreditelj filma ERNEST I SELESTINA. Stéphane Aubier i Vincent Patar su scenaristi i autori animiranog filma iz Belgije. Upoznali su se tokom studija u Belgijskoj školi za vizuelne umjetnosti La Cambre. Među njihove animirane kratke filmove ubraja se i nekoliko epizoda nagrađivane serije A TOWN CALLED PANIC / PANIQUE AU VILLAGE koja je poslužila kao inspiracija za istoimeni dugometražni film uvršten u zvaničnu selekciju Filmskog festivala u Cannesu 2009. godine. U skorije su vrijeme završili drugi nastavak tog filma, A TOWN CALLED PANIC: THE CHRISTMAS LOG, koji je nagrađen prvom nagradom za kratki film na Međunarodnom festivalu dječijeg filma u New Yorku, kao i dugometražni film ERNEST I SELESTINA koji je osvojio niz međunarodnih nagrada, a bio je nominovan i za nagradu Oscar za 2014. godinu. E Deep below snowy, cobblestone streets, tucked away in networks of winding subterranean tunnels, lives a civilization of hardworking mice, terrified of the bears who live above ground. Unlike her fellow mice, Celestine is an artist and a dreamer - and when she nearly ends up as breakfast for ursine troubadour Ernest, the two form an unlikely bond. But it isn’t long before their friendship is put on trial by their respective bear-fearing and mice-eating communities.

Benjamin Renner, following his studies at the Fine Arts School of Angoulême, went on to complete a two-year course at the animation film-directing school La Poudrière in France, where he directed the short films LE CORBEAU VOULANT IMITER L’AIGLE, the Canal J commissioned film LE PLUS GROS PRÉSIDENT DU MONDE and his graduation film A MOUSE’S TALE (2008). At the end of his studies he got involved with his first animated feature film project, as co-director of ERNEST & CELESTINE. Stéphane Aubier and Vincent Patar are writers and animation filmmakers hailing from Belgium. They studied and met at La Cambre, the Belgian School of Visual Arts. Their animated shorts include the episodes of the award-winning series A TOWN CALLED PANIC / PANIQUE AU VILLAGE, which inspired their 2009 feature debut of the same name which was part of the official selection of the 2009 edition of the Cannes Film Festival. They lately released the short sequel A TOWN CALLED PANIC: THE CHRISTMAS LOG, which went on to win the Grand Prix for Short Film at New York International Children’s Film Festival and saw their feature film ERNEST & CELESTINE recently nominated for the 2014 Oscars and awarded internationally.

France, Belgium, Luxembourg, 2012, Colour, 80 min., French Režija / Director: Benjamin Renner, Stéphane Aubier, Vincent Patar Scenarij / Screenplay: Daniel Pennac Animacija / Animation: Benjamin Renner Montaža / Editor: Fabienne Alvarez-Giro Muzika / Music: Emmanuel Deletang Zvuk / Sound: Fred Demolder Scenografija / Production Design: Zaza et Zyk Uloge / Cast: Lambert Wilson, Pauline Brunner, Dominique Maurin, Anne-Marie Loop Producent / Producer: Didier Brunner, Philippe Kauffmann, Vincent Tavier, Stéphan Roelants, Henri Magalon Produkcija / Production: La Parti Productions, Les Armateurs Kontakt / Contact: GKIDS Theatrical Department theatrical@gkids.com Filmografija / Filmography Benjamin Renner 2014 - YELLOWBIRD 2012 - ERNEST & CELESTINE Stéphane Aubier and Vincent Patar Izbor / Selected: 2014 - A TOWN CALLED PANIC: THE CHRISTMAS LOG (kratki / short) 2013 - LA BÛCHE DE NOËL (kratki / short) 2012 - ERNEST & CELESTINE 2009 - A TOWN CALLED PANIC 2001 - PIC-PIC, ANDRÉ ET LEURS AMIS

children’s PROGRAMME l 20. Sarajevo Film Festival 147

MGP Missionen / Natječaj: do zvijeda i natrag / The Contest: To the Stars and Back Ne moraš doći izdaleka da bi bio stranac. Karl i njegova mama će to saznati kada se presele sa zapadne obale Danske u Nørrebro, etnički i vjerski izmiješanu četvrt Kopenhagena. Sawsan, mlada muslimanka iz Karlovog novog razreda, uzima ga pod svoje i pokušava ga upoznati sa velikim gradom, njegovim slengom i trendovima. Sawsan je mnogo iskusnija i iskrenija od vršnjaka, ali i u poređenju sa Karlom. Stvari se mijenjaju kada joj se ostvaruje san i jedna od njenih pjesama bude izabrana za dansko takmičenje Evrovizije za djecu. Sawsanin otac kaže ne, ali Karl ima druge planove. Martin Miehe-Renard, režiser, pisac i glumac, rođen je 1956. u Danskoj. Diplomirao je na Državnoj školi teatra. Napisao je i producirao nekoliko božićnih serija na DR TV-u, te je autor većeg broja predstava za dječiji teatar. Martin Miehle-Renard je dobitnik nagrade za Najbolju dansku dramu 1999. godine. E Being a stranger doesn’t necessarily mean to be coming from the farthest away. Karl and his mother are about to learn this when they move from the west coast of Denmark to the ethnically, and religiously, mixed area of Nørrebro in Copenhagen. Sawsan, a young Muslim girl in Karl’s new class, takes him under her wings and tries to integrate him into the big city, with all its slang and hipness. Sawsan is far more experienced and blunt than you would normally see amongst her peers, but also in comparison with Karl. That is, only until her big dream comes true and one of her own songs is selected for the Danish version of the Eurovision Song Contest for kids. Sawsan’s father says no, but Karl has other plans.

Martin Miehe-Renard, director, writer and actor, was born in1956, in Denmark. He graduated from the National School of Theatre. He has written and produced several of DR TV’s Christmas Calendar series and has written a number of works for children’s theatre. Martin Miehe-Renard won an award for Best Danish Play in 1999.

148 20. Sarajevo Film Festival l DJEČIJI PROGRAM

Denmark, 2013, Colour, 95 min., Danish Režija / Director: Martin Miehe-Renard Scenarij / Screenplay: Gitte Løkkegaard, Martin Miehe-Renard, Hans Hansen Direktor fotografije / Director of Photography: Lars Reinholdt Montaža / Editor: David Rue Muzika / Music: Frans Bak, Keld Haaning Ibsen Zvuk / Sound: Jonas Langkilde Scenografija / Production Design: Emilie Nordentoft Kostimografija / Costume Design: Rikke Simonsen Uloge / Cast: Sylvester Byder, Malika Sia Graff, Line Kruse, Ali Kazim Producent / Producer: Marcella L. Dichmann, Henrik Møller-Sørensen Produkcija / Production: ASA Film Production Kontakt / Contact: LevelK, Gammel Kongevej 137, Over gården, 3., DK-1850 Frederiksberg C, Tel: +45 4844 3072, tine.klint@levelk.dk www.levelk.dk Filmografija / Filmography Izbor / Selected 2013 - MIN SØSTERS BØRN I AFRIKA / MY AFRICAN ADVENTURE 2013 - MGP MISSIONEN / THE CONTEST:TO THE STARS AND BACK 2012 - MIN SØSTERS BØRN ALENE HJEMME / MY SISTER’S KIDS HOME ALONE 2010 - MIN SØSTERS BØRN VÆLTER NORDJYLLAND / MY SISTER’S KIDS IN JUTLAND

Resan til Fjäderkungens Rike / Putovanje u kraljevstvo Kralja Perja / Beyond Beyond Mali zec Johan želi da mu se mama vrati kući. Svaki dan joj šalje tugaljive poruke u boci. Živi s ocem na malom jedrenjaku na otvorenom moru, jer njegov otac vjeruje da je to jedino mjesto gdje su sigurni od moćnog Kralja Perja, koji je jedne noći oteo Johanovu majku. Jednog dana, njegov otac mora da napusti jedrenjak. U njegovom odsustvu, Johan putem radija dobija poziv za pomoć: Kralj Perja je blizu i sprema se na zlo. Ne gubeći vrijeme, Johan kreće ka nepoznatom odredištu u nadi da će tamo pronaći majku. Putovanje puno uzbuđenja vodi ovog naivnog, ali i neustrašivog zečića u fantastično kraljevstvo Kralja Perja, gdje vladaju drugačiji zakoni – zakoni koje ni vladar tog kraljevstva ne može odrediti. Esben Toft Jacobsen je rođen 1977. u Gentofteu, u Danskoj. Na početku karijere radio je kao animator i ilustrator videoigara, a onda je upisao Dansku školu dizajna. 2002. je prešao u Dansku državnu školu filma. PUTOVANJE U KRALJEVSTVO KRALJA PERJA je švedsko-danska koprodukcija, i Jacobsenov drugi dugometražni film. E Johan, a little hare, wants his mother back. Every day he sends her wistful messages in a bottle. He lives with his father on a cutter on the high seas which his dad believes is the only place they are safe from the powerful Feather King who one night stole away Johan’s mother. One day his father has to leave the boat. While he’s away, Johan receives an emergency call on the radio: the Feather King is around and up to no good. Without missing a beat, Johan heads for the unknown destination hoping that he might find his mother there. His turbulent journey leads this naïve yet intrepid hare into the fantastic realm of the Feather King where other laws hold sway – laws that even its ruler cannot determine.

Sweden, Denmark, 2014, Colour, 87 min., Swedish Režija / Director: Esben Toft Jacobsen Scenarij / Screenplay: Jannik Tai Mosholt, Esben Toft Jacobsen Montaža / Editor: Elin Pröjts, Esben Toft Jacobsen Muzika / Music: Nicklas Schmidt Zvuk / Sound: Niklas Skarp Uloge / Cast: Edvin Ryding, Tuva Novotny, Gustav Hammarsten, Lennart Jähkel, Sissela Kyle, Leif Andrée Producent / Producer: Petter Lindblad, Produkcija / Production: CB Sverige AB, Kontakt / Contact: Copenhagen Bombay Sales, Refshalevej 147, 1.sal, 1432 Copenhagen, Denmark info@copenhagenbombay.com, Tel: +45 72 420 800 Filmografija / Filmography 2014 - BEYOND BEYOND 2011 - DEN KÆMPESTORE BJØRN / THE GREAT BEAR 2008 - CARSTEN & GITTES FILMBALLADE / CARSTEN & GITTE’S MOVIE MADNESS 2006 - HAVING A BROTHER (kratki / short)

Esben Toft Jacobsen was born in Gentofte, Denmark, in 1977. He began his career as an animator and illustrator for computer games before studying at the Danish School of Design. In 2002 he transferred to the National Film School of Denmark. BEYOND BEYOND is a Swedish-Danish co-production and is Toft Jacobsen’s second feature.

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Tante Hilda! / Tetka Hilda! / Aunt Hilda! Tetka Hilda je posvetila život svojim biljkama. Dok ona u svojoj bajkovitoj staklenoj palati njeguje cvjetni raj, moćna međunarodna kompanija u svom genetičkom laboratoriju razvija novu čudotvornu biljku zvanu “attilem”. Ta bi izrazito jaka, brzorastuća biljka trebala okončati nestašicu hrane u svijetu, ali i dominantnoj vlasnici kompanije Dolorés osigurati ogromno bogatstvo. Tetka Hilda vjeruje da to neće izaći na dobro, ali zbog svojih pritužbi završava u zatvoru. Profesor koji je uzgojio “attilem” je itekako svjestan opasnosti koja ta biljka nosi sa sobom i postaje žrtva prijetnji. Do trenutka kada on i tetka Hilda bivaju oslobođeni iz zatvora, čini se da više nema mjesta za nadu: polja čudotvorne biljke se šire zastrašujućm brzinom, a biljke mutanti napadaju i uništavaju sve druge biljke. Krajnje je vrijeme da tetka Hilda i profesor krenu u napad. Jacques-Rémy Girerd je rođen u Francuskoj 1952. Od 1978. piše, režira i producira animirane filmove, a 1981. godine je pokrenuo animacijski studio Folimage. Njegov film LA PROPHÉTIE DES GRENOUILLES je prikazan u dječijem programu Filmskog festivala u Berlinu 2004. Svoj drugi dugometražni film MIA ET LE MIGOU je snimio 2008. Jaques-Rémy Girerd je i direktor škole za animaciju La Poudrière. Benoît Chieux je diplomirao na Umjetničkoj školi Émile Cohl u Lyonu, a radi kao grafički dizajner, scenarista i crtač storyborda. Sa Rémijem Girerdom je počeo sarađivati početkom devedesetih godina prošloga vijeka i član je njegovog animacijskog studija Folimage. Bio je koautor i umjetnički direktor filma MIA AND THE MIGOU koji je 2009. godine osvojio nagradu Evropske filmske akademije za igrani animirani film. E Aunt Hilda lives for her plants. While she nurtures a paradise of blooms inside her fairytale-like glass palace, a powerful multinational company is developing in its genetic laboratory a new miracle plant called ‘Attilem’. This incredibly strong, fast-growing breed is designed to end the world’s food shortages – and to provide the firm’s domineering boss Dolorés with untold wealth. Aunt Hilda suspects no good will come of it but her angry protests put her behind bars. The professor who developed Attilem is all too aware of its dangers and also finds himself threatened. By the time they are released it seems all hope is lost: fields of the wonder plant are spreading at an alarming rate and mutant plants are attacking and eradicating other plants. It’s high time for Aunt Hilda and the professor to go into battle.

Jacques-Rémy Girerd was born in France, in 1952. He has been writing, directing and producing animation films since 1978 and in 1981 he founded the animation studio, Folimage. His film RAINING CATS AND FROGS screened in the Berlinale Kinderfilmfest section in 2004. He made his second feature-length film, MIA AND THE MIGOU in 2008. Jaques-Rémy Girerd is head of the animation school La Poudrière. Benoît Chieux graduated from the Émile Cohl Art School in Lyon and works as a graphic designer, screenwriter and storyboarder. In the early 1990s he started collaborating with Jacques-Rémy Girerd and he belongs to the latter’s animation studio Folimage. In 2008, he was co-author and artistic director of MIA ET LE MIGOU which won the European Film Award in the Animated Feature Film category in 2009.

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France, 2013, Colour, 89 min., French Režija / Director: Jacques-Rémy Girerd, Benoît Chieux Scenarij / Screenplay: Jacques-Rémy Girerd, Iouri Tcherenkov, Benoît Chieux Direktor fotografije / Director of Photography: Benoît Razy Montaža / Editor: Hervé Guichard Muzika / Music: Serge Besset Zvuk / Sound: Loïc Burckhardt Scenografija / Production Design: Jean-Charles Mbotti Malolo, Zoia Trofimova Uloge / Cast: Sabine Azéma, Josiane Balasko, François Morel, Bruno Lochet Producent / Producer: Jacques-Rémy Girerd Produkcija / Production: Folimage Production Kontakt / Contact: SND Groupe M6, Neuilly sur Seine, Frankreich, Tel: +33 1 41927925, sales1@snd-films.fr Filmografija / Filmography: Jacques-Rémy Girerd 2003 - LA PROPHÉTIE DES GRENOUILLES / RAINING CATS AND FROGS 2008 - MIA ET LE MIGOU / MIA AND THE MIGOU 2013 - TANTE HILDA! / AUNT HILDA Benoît Chieux 2013 - TANTE HILDA! / AUNT HILDA! 2000 - PATATE ET LE JARDIN POTAGER

Zipi y Zape y el club de la canica / Zip, Zap i klikeraška banda / Zip & Zap and the Marble Gang Nestašni blizanci Zip i Zap su kažnjeni i za kaznu moraju pohađati ljetnju školu u Disciplinskom centru Hope kojim upravlja strogi Falconetti. Falconetti nosi povez preko oka, vlada čeličnom rukom i brani svaki oblik zabave i rekreacije. Kako bi se suprotstavili zlom direktoru, Zip i Zap osnivaju klikerašku bandu, u suštini - dječiji pokret otpora. Vođeni inteligencijom, hrabrošću i nepokolebljivom vjerom u prijateljstvo, oni otkrivaju veliku školsku tajnu i doživljavaju najveću avanturu svoga života. Óskar Santos je u svome prvom dugometražnom igranom filmu FOR THE GOOD OF OTHERS angažovao glumce Eduarda Noriegu i Belén Ruedau, a film je producirao Alejandro Amenábar. Film je uvršten u selekciju programa Panorama Filmskog festivala u Berlinu. ZIP&ZAP AND THE MARBLE GANG / ZIP, ZAP I KLIKERAŠKA BANDA je njegov drugi dugometražni igrani film. E Naughty twins Zip and Zap are punished and sent to summer school at Hope, a strict re-education centre run by Falconetti, who rules with a heavy hand and an eye-patch and forbids all forms of recreation and entertainment. They form the Marble Gang, the children’s Resistance, in order to defy the evil headmaster. Guided by intelligence, bravery and unbreakable faith in friendship, they uncover a mysterious secret hidden deep within the school and end up having the most exciting adventure of their lives.

Óskar Santos’s first feature film, FOR THE GOOD OF OTHERS, was produced by Alejandro Amenábar and starred Eduardo Noriega and Belén Rueda. The film was selected for the Panorama programme at the Berlin International Film Festival. ZIP & ZAP AND THE MARBLE GANG is his second feature film.

Spain, 2013, Colour, 97 min., Spanish Režija / Director: Óskar Santos Scenarij / Screenplay: Francisco Roncal, Jorge Lara, Óskar Santos Direktor fotografije / Director of Photography: Josu Inchaustegui Montaža / Editor: Carolina Martínez Urbina Muzika / Music: Fernando Velázquez Zvuk / Sound: Gabriel Gutiérrez Scenografija / Production Design: Juan Pedro De Gaspar Kostimografija / Costume Design: Andrea Flesch Uloge / Cast: Javier Gutiérrez, Daniel Cerezo, Raúl Rivas, Claudia Vega, Marcos Ruiz, Fran García Producent / Producer: Francisco Ramos, Fernando Bovaira, Mercedes Gamero, Koldo Zuazua Produkcija / Production: Zeta Audiovisual, Mod Producciones, Antena 3 Films, Kowalski Films Kontakt / Contact: Vicente Canales / Film Factory Entertainment, S.L. / v.canales@filmfactory.es / Tel: +34 933 684 608 Filmografija / Filmography: 2013 - ZIPI Y ZAPE Y EL CLUB DE LA CANICA / ZIP & ZAP AND THE MARBLE GANG 2010 - EL MAL AJENO / FOR THE GOOD OF OTHERS 2005 - UN VIAJE MAR ADENTRO 2004 - EL SOÑADOR (kratki / short) 2000 - TORRE (kratki / short)

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Norway, 2013, Colour, 13 min., Norwegian Režija / Director: Liller Møller Scenarij / Screenplay: Hans Åke Gabrielsson, Tora Berg (na osnovu knjige / based on a book by Gunilla Bergström) Zvuk / Sound: Gisle Tveito Uloge / Cast: Trond Høvik, Jonas Karlsson Producent / Producer: Kristin Ulseth Produkcija / Production: Maipo Film AS Kontakt / Contact: TrustNordisk ApS, info@trustnordisk.com

Albert Åberg og soldatpappaen / Alfie i tata vojnik / Alfie and the Soldier Daddy Alfie i Hamdi se često igraju rata, ali Hamdijev tata, koji je bio u pravom ratu, kaže da je rat strašan, da sve uništava. On im na kraju ispriča priču o mravu koji strpljivo gradi, dok se sve oko njega ruši. Ta priča puna nade ih inspiriše da poprave svoj fudbalski gol. Liller Møller (rođena 1952. godine) je danska rediteljka, scenaristkinja i animatorka. Od 1970. godine se bavi animacijom, većinom na filmovima za mlađu publiku. Godine 1986. je debitirala kao rediteljka s informativnim filmom SEX – A USER GUIDE FOR YOUNG PEOPLE. Napisala je, ilustrirala i režirala više kratkih filmova. Njen film LAND OF CHRISTMAS se zasniva na knjizi koju je sama ilustrirala.

Filmografija / Filmography Izbor / Selected 2013 - ALBERT ÅBERG OG SOLDATPAPPAEN / ALFIE AND THE SOLDIER DADDY 2006 - HVOR LIGGER JULELAND? / WHERE IS THE LAND OF CHRISTMAS? 1998 - GONE FISHING (animirani / animated) 1993 - BETWEEN THE LINES (animirani / animated) 1989 - SO THAT’S HOW (animirani / animated) 1988 - SAFE FOR LIFE (animirani / animated) 1986 - SEX – A GUIDE FOR THE YOUNG (animirani / animated)

E Alfie and Hamdi play war, but Hamdi’s daddy, who’s been in a real war, says war is a terrible, destructive thing. He finally tells a story about how he saw an ant patiently continuing to build while everything around it was being shattered. It is a story of hope that inspires them to fix their own football goal.

Liller Møller (born 1952) is a Danish film director, screenwriter and animator. She has worked with animation since 1970, primarily on films for a young audience. She had her directorial debut in 1986 with the information film SEX – A USER GUIDE FOR YOUNG PEOPLE. She has written, illustrated and directed a number of short films. Her film LAND OF CHRISTMAS is based on a book she illustrated herself.

Norway, 2014, Colour, 8 min., Norwegian Režija / Director: Lars Hegdal Scenarij / Screenplay: Ola Hegdal Montaža / Editor: Lars Hegdal Muzika / Music: Andreas Hamre, Sander Stedenfeldt Olsen Zvuk / Sound: Sander Stedenfeldt Olsen Animacija / Animation: Lars Hegdal Uloge / Cast: Fridtjov Såheim, Janne Heltberg Haarseth, Rune Nilson, Torfinn Borkhus Produkcija / Production: Klipp og Lim Media AS Kontakt / Contact: NFI Shorts, shorts@nfi.no

Cowboydrøm / Kaubojski snovi / Cowboy Dream Bill Benson je bio poznat kao najopasniji i najbeskompromisniji heroj Divljeg Zapada! Ali jednog dana se zatekao u situaciji iz koje se ne može izvući. Lars Hegdal je norveški animator i ilustrator sa petnaest godina iskustva na komercijalnim poslovima. KAUBOJSKI SNOVI mu je prvi nezavisni kratki film. E Bill Benson was known as the toughest and hardest hitting hero of the Wild West! But one day he gets stuck in a moment he can’t get out of.

Lars Hegdal is a Norwegian animator and illustrator with 15 years of experience from commercial work. COWBOY DREAM is his first independent short film.

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Filmografija / Filmography 2014 - COWBOYDRØM / COWBOY DREAM

Bosna i Hercegovina, 2013, Colour, 4 min., no dialogue

Furaj svoj film / Do Your Own Thing Koliko puta ste osjetili da se ne uklapate, da svirate pogrešan ton i radite ono za šta niste rođeni? U prekrasnom gradiću Stocu, dok Limeni orkestar izvodi svoju tačku, jedna djevojčica shvata da treba furati svoj film! FURAJ SVOJ FILM je produciran u sklopu filmske radionice za djecu DEBLOKADALaba. Riječ je o edukativnom programu koji vodi filmska produkcija Deblokada i omogućava profesionalne radionice za reditelje, glumce, umjetnike i kulturne radnike na teme kao što su pisanje scenarija, različite metode glume, analize različitih formi naracije… DEBLOKADALab fokusira se na stvaranje i proširivanje novih kreativnih potencijala, pritom poštujući individualne i kulturološke razlike, te ohrabrujući međusobnu saradnju i komunikaciju između autora. E How many times did you feel that you don’t fit in, that you’re marching to the beat of a different drum or that you’re simply doing something you’re not born for? In the beautiful town of Stolac, while the Brass Band is playing, one girl realizes that she must do her own thing!

FURAJ SVOJ FILM / DO YOUR OWN THING was produced within the framework of DEBLOKADALab’s filmmaking workshop for children. It is an educational programme run by Deblokada Film Production that provides professional workshops for filmmakers, actors, artists and cultural workers on topics such as scriptwriting, various acting methods, analysis of different forms of narrations... DEBLOKADALab focuses on opening and expanding new creative potentials, while respecting individual and cultural differences, as well as encouraging co-operation and communication among authors.

Režija / Director: Timur Makarević Scenarij / Screenplay: Jasmila Žbanić Direktor fotografije / Director of Photography: Faris Dobrača Montaža / Editor: Timur Makarević Muzika / Music: Limena glazba Stolac Zvuk / Sound: Predrag Doder Scenografija / Production Design: Emina Kujundžić Kostimografija / Costume Design: Emina Kujundžić Učesnici / Participants: Ajla Repeša, Alen Festić, Armana Premilovac, Amila Tucaković, Meliha Tucaković, Emina Puzić, Emir Tuka, Maris Rajič, Sara Škrba, Nives Proleta, Muhamed Tucaković, Muamer Tucaković, Mirza Đulepa, Emina Tuka, Medina Tikveša, Ali Mahmutćehajić, Amar Turković, Muhamed Sefo, Lejla Burić, Mislav Goluža, Mahir Medar, Amila Premilovac, Dea Makitan, Maša Elezović, Merjem Elezović, Sumeja Elezović, Emina Šabanović, Salma Salme Hasanović, Lejla Pirić, Enis Tuka, Esad Hasić, Senad Hasić, Hilmo Pelja, Selena Karabatak, Ermin Rokić Roki, Harun Pirić, Enver Mašić, Rijad Pirić, Tarik Pehilj,Vedad Bećević, Irnes Ovčina, Ena Teparić, Nejra Pelja, Aris Đulmez, Amina Zekić, Nejra Bešo, Amina Gutošić, Abudrahman Elezović, Nina Bajramović, Ilma Eminović, Emin Čekro, Ismir Kekić, Harun Gološ, Harun Boškailo, Ibrahim Razić, Emin Gološ, Hussein Mahmutćehajić, Ramo Đono, Amar Pehilj, Danis Makitan, Enis Beća, Zoe Ibrahimović, Alen Tucaković Producent / Producer: Amira Lekić Produkcija / Production: Deblokada Kontakt / Contact: Amira Lekić, amira@deblokada.ba

Luxembourg, France, Colour, 2013, 12 min., English Režija / Director: Laurent Witz, Alexandre Espigares Scenarij / Screenplay: Laurent Witz Muzika / Music: Li-Lo, François Rousselot Zvuk / Sound: Marc Gueroul, Ralph Popov, Matthieu Michaux Animacija / Animation: David Carriere Producent / Producer: Laurent Witz Produkcija / Production: ZEILT productions, WATT frame (France), ARTE (France) Kontakt / Contact: ZEILT productions, contact@zeilt.com, +352 691109108

Mr Hublot / Gospodin Hublot

Filmografija / Filmography 2013 - MR HUBLOT / GOSPODIN HUBLOT

Gospodin Hublot, povučeni, ekscentrični lik s opsesivno-kompulsivnim poremećajem, boji se promjena i vanjskog svijeta. Njegovo rješenje: ne kročiti nogom van svog stana! Dolazak psa Robota Peta će mu okrenuti svijet naopačke: sada mora dijeliti svoj dom s ovim vrlo napadnim drugom... Laurent Witz rođen je 1975. u Haguenau. Samostalno je tokom studija naučio 3D kreaciju i animaciju, te je od 1997. do 1998. režirao četiri kratka filma. Godine 2007. Laurent je osnovao produkcijsku kuću ZEILT Productions Luxemburg, sa željom da unaprijedi svoju viziju animacije i audiovizualne produkcije. Alexandre Espigares je špansko-luksemburški animator koji je stekao obrazovanje u klasičnoj animaciji, a čija se dvanaestogodišnja karijera odvijala u sedam država. Noviji projekti uključuju igrane filmove IRONMAN 3, HAPPY FEET 2 i TV seriju Lucasfilma STAR WARS – THE CLONE WARS. E A withdrawn, idiosyncratic character with OCD, Mr Hublot is scared of change and the outside world. His solution: he doesn’t set foot outside his apartment! The arrival of the dog Robot Pet will turn his life upside down: he has to share his home with this very invasive companion...

Laurent Witz was born in Haguenau in 1975. Self-taught, he learns 3D creation and animation during his studies and directs four short films between 1997 and 1998. In 2007, Laurent founded ZEILT productions Luxembourg, to further his vision of animation and audiovisual production. Alexandre Espigares is a half Spanish, half Luxembourgish animator with an education in traditional animation and a career spanning 12 years and 7 countries. Recent projects include the feature films IRONMAN 3, HAPPY FEET 2 and the Lucasfilm TV show STAR WARS – THE CLONE WARS. children’s PROGRAMME l 20. Sarajevo Film Festival 153

Norway, 2013, Colour, 6 min., no dialogue Režija / Director: Aleksander Leines Nordaas Scenarij / Screenplay: Aleksander Leines Nordaas Animacija / Animation: Atle Mæland Montaža / Editor: Aleksander Leines Nordaas Muzika / Music: Raymond Enoksen Zvuk / Sound: Fredric Vogel Animaciija / Animation: Atle Mæland Producent / Producer: Bendik Heggen Strønstad Produkcija / Production: Yesbox Productions as Kontakt / Contact: SND Films, sydney@sndfilms.com

Mushroom Monster / Gljivo-čudovište

Filmografija / Filmography 2013 - MUSHROOM MONSTER 2012 - THALE 2008 - BAK LUKKEDE DØRER / IN CHAMBERS

Da si malo, čupavo gljivo-čudovište, na šta bi sve bio spreman da se dočepaš najveće gljive na svijetu? Aleksander Leines Nordaas (rođen 1982) je režiser, fotograf i pisac iz Mosjøena, gradića u Norveškoj. IN CHAMBERS je njegov prvi kratki film, a prije toga je režirao nekoliko muzičkih spotova, reklama, koncepata za TV, te jedan niskobudžetni dugometražni igrani film, SIRKEL / KRUG, koji je dobio dvije nagrade na Međunarodnom filmskom festivalu u Bergenu, 2005. Nordaas je 2009. godine debitirao kao pisac s romanom KADAVER. E If you were a little, hairy Mushroom Monster, how far would you go to get your paws on the biggest mushroom ever?

Aleksander Leines Nordaas (b. 1982) is a director, photographer and writer from Mosjøen, a small town in Norway. IN CHAMBERS is his debut short film, but he has previously directed several music videos, commercials, TV-concepts and even a no-budget feature film, SIRKEL / CIRCLE, which received two awards at Bergen International Film Festival in 2005. In 2009 Nordaas made his debut as an author with his novel KADAVER / CADAVER.

Hungary, 2013, Colour, 16 min., no dialogue

Nyuszi és Őz / Zec i jelen / Rabbit and Deer Zec i Jelen sretno žive u svom dvodimenzionalnom svijetu, sve dok njihovo prijateljstvo ne bude ugroženo Jelenovim nastojanjem da pronađe formulu za misterioznu treću dimenziju. Kada nakon neočekivane nesreće Jelen ostane zarobljen u čudnom novom svijetu, dva prijatelja moraju pronaći način da premoste različite dimenzije i budu ponovo zajedno. Péter Vácz je rođen 1988. u Budimpešti. Animaciju je diplomirao 2010. godine na Univerzitetu za umjetnost i dizajn Moholy-Nagy, gdje je dvije godine kasnije stekao i zvanje magistra, filmovima STREAMSCHOOL i RABBIT AND DEER, koji su osvojili preko pedeset nagrada na mnogobrojnim međunarodnim filmskim festivalima. E Rabbit and Deer live together happily in their two-dimensional world, until their friendship is put to the test by Deer’s quest to find the formula for the mysterious third dimension. After an unexpected accident traps Deer in a strange new world, the friends have to find a way to bridge the dimensions and make their way back to each other.

Péter Vácz was born in 1988 in Budapest, Hungary. He graduated from Moholy-Nagy University of Art and Design in Animation BA (2010) and MA (2012) with his film called STREAMSCHOOL and RABBIT AND DEER which have won over 50 awards at international festivals.

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Režija / Director: Péter Vácz Scenarij / Screenplay: Péter Vácz Direktor fotografije / Director of Photography: Gábor Garai Montaža / Editor: Judit Czakó Muzika / Music: Máté Hámori Zvuk / Sound: Máté Hámori Scenografija / Production Design: Kata Müller, Móni Kovács, Kati Egely Uloge / Cast: Adrienn Mórocz, Dániel Czupi Producent / Producer: József Fülöp Produkcija / Production: MOME Kontakt / Contact: vaczpeter@gmail.com Filmografija / Filmography 2013 - RABBIT AND DEER (kratki / short) 2010 - STREAMSCHOOL (kratki / short)

Japan, 2013, Colour, 19 min., Japanese Režija / Director: Akira Oda Scenarij / Screenplay: Akira Oda Direktor fotografije / Director of Photography: Akira Oda Montaža / Editor: Akira Oda Muzika / Music: Akira Oda Zvuk / Sound: Akira Oda Uloge / Cast: Mietchi, Akira Oda Producent / Producer: Akira Oda Produkcija / Production: ODDAdesign Kontakt / Contact: Akira Oda, mailto@akiraoda.com,

Umi ni ochita tsuki no hanashi / Mjesec koji je pao u more / The Moon that Fell into the Sea

Filmografija / Filmography 2013 - THE MOON THAT FELL INTO THE SEA (animirani /animation) 2001 - ETOILE (animirani /animation) 1996 - BUTTERFLY (animirani /animation)

Kada je mjesec koji je pao u dubine mora otvorio oči, susreo se s potpunom tamom. Da li će mjesec uspjeti da se vrati svojoj kući na nebu? Akira Oda, grafički dizajner i ilustrator, rođen je 1973. Diplomirao je na Univerzitetu za umjetnost Tama. 1999. se preselio u Francusku, a prije toga je radio za dizajnersku agenciju i studirao slikanje i videoumjetnost. E Opening its eyes, the moon that fell to the depths of the sea was met with complete darkness. Will the moon be able to return to its home in the sky?

Akira Oda, graphics designer and illustrator, was born in 1973. He graduated from Tama Art University. He moved to France in 1999 after working at a design company and studied painting and video arts.

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TeenArena

158 Les Combattants / Ljubav na prvu svađu / Love at First Fight, Thomas Cailley 159 Gremo mi po svoje 2 / Mi idemo svojim putem 2 / Going Our Way 2,

Miha Hočevar

160 Mavi dalga / Plavi talas / The Blue Wave, Zeynep Dadak, Merve Kayan 161 Sitting Next to Zoe / Dok sjedim uz Zoe, Ivana Lalović 162 Vi är bäst! / Mi smo najbolje! / We are the Best!, Lukas Moodysson 163 Cowboys Janken Ook / Čak i kauboji nekad plaču / Even Cowboys Get to Cry,

Mees Peijnenburg

163 Emo (The Musical) / Emo (mjuzikl), Neil Triffett 164 Exchange & Mart / Mali oglasi, Cara Connolly, Martin Clark 164 Marc Jacobs, Sam de Jong 165 Mike, Petros Silvestros 165 Tits / Grudi, Alex Winckler 166 TeenAction

Les Combattants / Ljubav na prvu svađu / Love at First Fight Čini se da će Arnaudovo ljeto proći mirno, uz prijatelje i porodični biznis. Mirno je dok ne naleti na Madeleine; lijepa koliko je gruba, betonski blok napetih mišića i proročanstava o kraju svijeta. On ne očekuje ništa; ona je spremna na najgore. On prihvata stvari kako se dese i voli da se šali. Ona se bori, trči, pliva, i gura sama sebe do granice. Budući da nije ništa tražila od njega, koliko daleko je spreman da ide za nju? Ovo je ljubavna priča. Ili priča o opstanku. Ili oboje. Thomas Cailley je, nakon studija političkih nauka, studirao dramaturgiju na La Fémisu (Pariz). 2010. godine je režirao PARIS SHANGHAI, kratki film koji je nagrađivan na brojnim festivalima. LJUBAV NA PRVU SVAĐU je njegov prvi dugometražni igrani film. E Between his friends and the family business, Arnaud’s summer looks set to be a peaceful one. Peaceful until he runs into Madeleine, as beautiful as she is brusque, a concrete block of tensed muscles and doomsday prophecies. He expects nothing; she prepares for the worst. He takes things as they come, likes a good laugh. She fights, runs, swims, pushes herself to the limit. Given she hasn’t asked him for anything, just how far will he go along with her? It’s a love story. Or a story of survival. Or both.

Thomas Cailley studied scriptwriting at La Fémis (Paris) after finishing studies in political science. In 2010, he directed PARIS SHANGHAI, a short film that won awards at numerous festivals. LOVE AT FIRST FIGHT is his first feature film.

France, 2014, Colour, 98 min., French Režija / Director: Thomas Cailley Scenarij / Screenplay: Thomas Cailley, Claude Le Pape Direktor fotografije / Director of Photography: David Cailley Montaža / Editor: Lilian Corbeille Muzika / Music: Lionel Flairs, Benoît Rault, Philippe Deshaies Zvuk / Sound: Guillaume Bouchateau, Antoine Baudouin Scenografija / Production Design: Paul Chapelle Kostimografija / Costume Design: Ariane Daurat Uloge / Cast: Adèle Haenel, Kevin Azaïs, Antoine Laurent, Brigitte Roüan, William Lebghil, Thibault Berducat, Nicolas Wanczycki, Frédéric Pellegeay, Steve Tientcheu, Franc Bruneau Producent / Producer: Pierre Guyard Produkcija / Production: Nord-Ouest Films Kontakt / Contact: BAC FILMS, 88 rue de la Folie Méricourt, 75011, Paris, France, Tel: + 33 1 53 53 52 52, www.bacfilms.fr Filmografija / Filmography: 2013 - LES COMBATTANTS / LOVE AT FIRST FIGHT 2011 - PARIS SHANGHAI (short / kratki)

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Gremo mi po svoje 2 / Mi idemo svojim putem 2 / Going Our Way 2 Drugi dio uspješnice GREMO MI PO SVOJE / MI IDEMO SVOJIM PUTEM događa se u izviđačkom kampu u Posočju. Nevaljali dječaci izviđači i njihov starješina vratili su se u staru dolinu, ali njihov uobičajen raspored poremeti dolazak odreda štajerskih izviđača pod vodstvom izrazito takmičarski nastrojenog starješine. Tvrdoglavost oba komandira vodi u haotični rat između kampova, sve dok ne pronađu zajedničkog neprijatelja - inspektoricu koja želi da vidi da li svi poštuju nova evropska skautska pravila. Budući da se s birokracijom nije za šaliti, stvari se kompliciraju... Miha Hočevar, redatelj i scenarist, rođen je 1963. u Ljubljani gdje je studirao filmsku i TV režiju na Akademiji za kazalište, radio, film i televiziju (AGRFT). Još kao brucoš aktivno se uključio u filmsku i televizijsku produkciju kao asistent i reditelj. Prvenstveno radi na komercijalnim projektima – režirao je nekoliko stotina reklama. Piše scenarije, a režirao je i četiri filma. E This sequel to the hit GREMO MI PO SVOJE / GOING OUR WAY takes place at a boy scout camp in Posočje. The naughty boy scouts and their scoutmaster have returned to their old valley, but their usual schedule is interrupted when a troop of scouts from Styria and their extremely competitive scoutmaster show up. The stubbornness of both scoutmasters results in a chaotic war between the camps, until they discover a common enemy—an inspector who wants to make sure that everyone is following the new European scouting rules. Given that bureaucracy is no joke, things get complicated...

Miha Hočevar, director and screenwriter, was born in 1963 in Ljubljana, where he studied film and TV directing at the Academy of Theatre, Radio, Film and Television (AGRFT). Already as a freshman, he was actively involved in film and TV production as an assistant and director. He primarily works on commercial projects and has directed hundreds of commercials. He writes screenplays and has directed four films.

Slovenia, 2013, Colour, 94 min., Slovenian Režija / Director: Miha Hočevar Scenarij / Screenplay: Miha Hočevar Direktor fotografije / Director of Photography: Simon Tanšek Montaža / Editor: Andrija Zafranović Muzika / Music: Davor Herceg Zvuk / Sound: Gašper Loborec, Julij Zornik Scenografija / Production Design: Miha Ferkov Kostimografija / Costume Design: Katja Hrobat Uloge / Cast: Tadej Koren Šmid, Jure Kreft, Matevž Štular, Jurij Zrnec, Tadej Toš, Jana Zupančič, Mateja Pucko, Sabina Kogovšek Zrnec, Sandi Pavlin, Milena Zupančič, Mohor Pleničar, Uroš Kaurin, Luka Cimprič, Larisa Lara Pohorec, Oprešnik Erik, Frahm Vili, Klemen Kotar, Anja Kotar, Žiga Pokorn, Zala Linea Rutar, Jon Kokovnik, Nikolaj Novak, Jaka Strniša, Anin Hajdinjak, Timon Haroj, Jakob Jarc, Matija Maj Štekar, Rok Vrenjak Producent / Producer: Danijel Hočevar Produkcija / Production: Vertigo/Emotionfilm Kontakt / Contact: Cinemania group d.o.o., Rojčeva ulica 1, 1000 Ljubljana, Tel: +386 (1) 524 45 63, Fax: +386 (1) 540 55 67, info@cinemania-group.si, http://www.cinemania-group.si Filmografija / Filmography 2013 - GREMO MI PO SVOJE 2 / GOING OUR WAY 2 2011 - OČI, LAHKO JAZ ŠOFIRAM? (kratki / short) 2010 - GREMO MI PO SVOJE / GOING OUR WAY 2008 - DISTORZIJA 2004 - NA PLANINCAH / IN THE MOUNTAINS 2000 - JEBIGA / FUCK IT

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Mavi dalga / Plavi talas / The Blue Wave Kad god se Deniz nađe s prijateljicama, kao da su u vlastitom svijetu u koji niko drugi nema pristupa. Pričaju o odjeći, momcima, muzici i o tome ko je koga sreo. Deniz se stvarno dopada školski drug Kaya, ali je puno više uzbuđuje pomisao na Firata, nastavnika koji je znatno stariji od nje. To što joj on naizgled ne uzvraća osjećaje, baca Deniz u očaj. Djevojke će uskoro morati odlučiti šta žele studirati i koji fakultet da upišu. Deniz ima jasnu ideju o tome šta želi: filozofija je privlači puno više od ekonomije. Ali ona istovremeno želi studirati nešto praktično, na primjer šumarstvo. Iako većina njenih prijateljica želi studirati u Istanbulu, ona bi puno radije ostala u Ankari – jedino joj je bitno da se odseli od kuće i od majke s kojom se stalno sukobljava. Zeynep Dadak je rođena u Balıkesiru, u Turskoj, a trenutno završava doktorat na Odsjeku za filmske studije Univerziteta u New Yorku i radi kao filmski novinar. Od 2001. godine je snimila više kratkih filmova, muzičkih spotova i dokumentaraca. Merve Kayan je rođena 1981. u Uzunköprü, u Turskoj. Nakon što je pohađala internat u Istanbulu, seli se u Ameriku kako bi upisala studij filma na Univerzitetu Denison u Granvilleu, u Ohaju. Od 1999. godine sarađuje s mnogobrojnim filmskim autorima i umjetnicima na izradi kratkih filmova i videoradova, a također radi kao nezavisni videoproducent u New Yorku i Istanbulu. E Whenever Deniz and her girlfriends get together, nothing can threaten their world. They gossip about clothes, boys, music and who met who. Deniz really likes her schoolmate Kaya, but she’s much more excited by the thought of one of her teachers, Fırat, who is significantly older. The fact that he doesn’t appear to reciprocate her feelings plunges Deniz into turmoil. The girls will soon have to decide what they want to study and which university to attend. Deniz has a particular subject in mind: she feels much more drawn to philosophy than economics. But she’s also interested in studying something practical, such as reforestation. Although most of her friends want to go to Istanbul, she’d rather study in Ankara – the main thing is to get away from home where she’s at loggerheads with her mother.

Zeynep Dadak, born in Balıkesir, Turkey, is currently studying for a doctorate in the Cinema Studies Department at New York University and also working as a film journalist. Since 2001 she has made a number of short films, music videos and documentaries. Merve Kayan, born in Uzunköprü, Turkey in 1981. After attending a boarding school in Istanbul she moved to the USA to study film at Denison University in Granville, Ohio. Since 1999 she has been collaborating with various filmmakers and artists making short films and videos, also working as a freelance video producer in New York and Istanbul.

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Turkey, Germany, Netherlands, Greece, 2013, 97 min., Turkish Režija / Director: Zeynep Dadak, Merve Kayan Scenarij / Screenplay: Zeynep Dadak, Merve Kayan Direktor fotografije / Director of Photography: Daniel Bouquet Montaža / Editor: Çiçek Kahraman Muzika / Music: Jeffrey Grieshober Zvuk / Sound: Kim Ki O Scenografija / Production Design: Nadide Argun Kostimografija / Costume Design: Aslı Dadak Uloge / Cast: Ayris Alptekin, Onur Saylak, Barış Hacıhan, Nazlı Bulum, Albina Özden, Begüm Akkaya, Fehime Seven, Sefa Tokgöz, Derya Durmaz, Cüneyt Yalaz, Sude Aslantaş Producent / Producer: Yamaç Okur, Floor Onrust, Michael Eckelt, Nikos Moutselos, Zeynep Dadak, Merve Kayan Produkcija / Production: Bulut Film, Family Affair Films, Riva Film, Two Thirty Five Kontakt / Contact: Bulut Film, Istanbul, Türkei, Tel: +90 212 2839792, info@bulutfilm.com Filmografija / Filmography Zeynep Dadak 2013 - MAVI DALGA 2010 - ELOPE 2010 - ON THE COAST 2007 - FOR THE RECORD: WORLD TRIBUNAL ON 2004 - THE ROUNDTRIP 2001 - USE YOUR HEAD Merve Kayan 2013 - MAVI DALGA 2010 - ELOPE 2010 - ON THE COAST 2008 - WORK 2006 - AH 2005 - SWEET SPLITS

Sitting Next to Zoe / Dok sjedim uz Zoe Asal i Zoe su najbolje prijateljice i skupa provode posljednje ljeto prije nego što će zakoračiti u ozbiljan život. Asal više od bilo čega želi imati momka, a Zoe sanja da postane profesionalna šminkerica. Ali stvarni život se razlikuje od snova: Zoe tokom ljeta mora raditi u zelenari, a Asal najesen polazi u srednju školu. Njih dvije ubrzo zacrtavaju cilj za ljetnji raspust: Asal mora izgubiti nevinost, postati žena! Kada se u gradu pojavi osamnaestogodišnji Šveđanin Kai, ona zna i s kim to želi učiniti. Njih troje odlučuju otići do udaljenog jezera. No, ono što na početku djeluje kao romantični izlet, ubrzo prerasta u pravi test prijateljstva dviju djevojčica. Ivana Lalović je rođena u Sarajevu 1982. Filmsku režiju je diplomirala 2008. na Univerzitetu za umjetnost u Zürichu (ZHdK) s nagrađivanim kratkim filmom I DON’T DREAM IN GERMAN koji je zatim prikazivan na filmskim festivalima širom svijeta. Njen film ZAHN UM ZAHN / TI MENI JA TEBI je 2010. godine nominiran za Švicarsku filmsku nagradu. Trenutno živi i radi u Zürichu. E Asal and Zoe are best friends and spend their last summer together before their lives begin in earnest. Asal wants nothing more than to have a boyfriend and Zoe dreams of becoming a make-up artist. But in reality things are very different: Zoe has to work in a grocery store for the summer, Asal will go to secondary school in the fall. The goal for their summer break is soon set: Asal has to lose her virginity, become a woman! And when the 18-year-old Swede Kai shows up in town, she knows to whom. The three of them decide to take a trip to a remote lake. What begins as a romantic hike soon becomes a real test for the girls’ friendship.

Ivana Lalović was born in Sarajevo in 1982. In 2008 she achieved her diploma in film directing at Zurich University of Arts (ZHdK) with I DON’T DREAM IN GERMAN, award-winning short film presented on festivals all over the world. ZAHN UM ZAHN / TIT FOR TAT was a nominee for the Swiss Film Award 2010. She currently lives and works in Zurich.

France, 2014, Colour, 98 min., French Režija / Director: Ivana Lalović Scenarij / Screenplay: Stefanie Veith, Ivana Lalović Direktor fotografije / Director of Photography: Filip Zumbrunn Montaža / Editor: Myriam Flury Muzika / Music: Marcel Vaid Zvuk / Sound: Marco Teufen Scenografija / Production Design: Nicole Hoesli Kostimografija / Costume Design: Linda Harper, Sarah Bachmann Uloge / Cast: Runa Greiner, Lea Bloch, Charlie Gustafsson Producent / Producer: Olivier Zobrist, Anne-Catherine Lang Produkcija / Production: Langfilm Kontakt / Contact: Olivier Zobrist, Langfilm, oz@langfilm.ch Filmografija / Filmography 2013 - SITTING NEXT TO ZOE 2010 - LITTLE FIGHTERS (short / kratki) 2009 - TIT FOR THAT (short / kratki) 2008 - I DON’T DREAM IN GERMAN (short / kratki) 2006 - JUSQU’AU DERNIER GRAIN DE CAFÉ (kratki dokumentarni / short doc.)

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Vi är bäst! / Mi smo najbolje! / We are the Best! Stockholm 1983. Film o Bobo, Klari i Hedvigi, tri trinaestogodišnje djevojčice koje lutaju gradskim ulicama. One su hrabre i opasne, i jake i slabe, i zbunjene i čudne. Prerano su prisiljene da se brinu same o sebi. Dok je mama u baru, hrane se ribljim štapićima preprženim u tosteru. Bez instrumenata su pokrenule punk bend, iako svi kažu da je punk mrtav. Lukas Moodysson je švedski scenarista i reditelj rođen 1969. godine. Međunarodnu slavu je stekao 1998. godine debitantskim dugometražnim filmom SHOW ME LOVE aka FUNCKING AMAL. Nakon toga snima nagrađivane filmove TOGETHER (2000) i LILYA 4-EVER. Film A HOLE IN MY HEART iz 2004. premijerno je prikazan na Međunarodnom filmskom festivalu u Torontu, a CONTAINER iz 2006. je uvršten u program Panorama Filmskog festivala u Berlinu. Tri godine kasnije vraća se u Berlin, ovaj put kako bi u zvaničnoj konkurenciji prikazao film na engleskom jeziku MAMMOTH. Mi smo najbolje! je njegov sedmi igrani film. E Stockholm 1982. A film about Bobo, Klara and Hedvig. Three 13-year old girls who roam the streets. Who are brave and tough and strong and weak and confused and weird. Who have to take care of themselves way too early. Who heat fish fingers in the toaster when mom is at the pub. Who start a punk band without any instruments, even though everybody says that punk is dead.

Lukas Moodysson, born in 1969, is a Swedish writer and director. Moodysson’s international breakthrough came with the debut feature SHOW ME LOVE aka FUCKING AMAL in 1998. The successful debut was followed by the award-winning features TOGETHER (2000) and LILYA 4-EVER. In 2004 A HOLE IN MY HEART premiered at Toronto International Film Festival and in 2006 CONTAINER was selected for the Panorama section at the Berlin International Film Festival. Three years later he returned to the Berlinale – this time in Official Competition with the English language feature MAMMOTH. WE ARE THE BEST! is Moodysson’s 7th feature film.

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Sweden, Denmark, 2013, Colour, 102 min., Swedish Režija / Director: Lukas Moodysson Scenarij / Screenplay: Lukas Moodysson Direktor fotografije / Director of Photography: Ulf Brantås Montaža / Editor: Paola Holmér, Michal Leszczylowski, Anne Jensen, Björn Stein Muzika / Music: Flemming Olsen, Rasmus Thord Zvuk / Sound: Hans Møller Scenografija / Production Design: Linda Janson Kostimografija / Costume Design: Moa Li Lemhagen Schalin Uloge / Cast: Mira Barkhammar, Mira Grosin, Liv LeMoyne, Johan Liljemark, Mattias Wiberg, Jonatan Salomonsson, Alvin Strollo Producent / Producer: Lars Jönsson, Memfis Film Rights AB Produkcija / Production: Memfis Film Rights AB, Film i Väst AB, Sveriges Television AB, Zentropa International Sweden AB Kontakt / Contact: Lars Jönsson, Tel: +46 833 5576, lars@memfis.se Filmografija / Filmography Izbor / Selected 2013 - WE ARE THE BEST! 2009 - MAMMOTH 2006 - CONTAINER 2004 - A HOLE IN MY HEART 2002 - LILJA 4-EVER

Netherlands, 2013, Colour, 20 min., Dutch

Cowboys Janken Ook / Čak i kauboji nekad plaču / Even Cowboys Get to Cry Sven i Gijs su najbolji prijatelji. Sve rade zajedno: izlaze u klubove, glupiraju se, i ponekad jednostavno razmišljaju o životu. Planiraju da će za deset godina uzduž i poprijeko preći Južnu Ameriku na motocliklima. Ali odjednom se sve mijenja: jedne noći se Sven potuče. Gijs pokuša da se umiješa, ali dobija udarac u glavu zbog kojeg završi u komi. Ne zna se da li će preživjeti, te je njihovo prijateljstvo stavljeno pred velika iskušenja.

Režija / Director: Mees Peijnenburg Scenarij / Screenplay: Merinde Verbeek Direktor fotografije / Director of Photography: Stephan Polman Montaža / Editor: Imre Reutelingsperger Muzika / Music: Robin Assen Zvuk / Sound: Dennis Alink Scenografija / Production Design: Tim Balk Kostimografija / Costume Design: Vita Mees, Maxa van Panhuis Uloge / Cast: Ko Zandvliet, Jonas Smulders Producent / Producer: Layla Meijman Produkcija / Production: Netherlands Film Academy Kontakt / Contact: Netherlands Film Academy, Amsterdam, Niederlande, Tel: +31 6 41898869, meijman.layla@gmail.com Filmografija / Filmography 2013 - COWBOYS JANKEN OOK / EVEN COWBOYS GET TO CRY (kratki / short) 2012 - WIJ WAREN WOLVEN (kratki / short)

Mees Peijnenburg je rođen 1989. godine u Amsterdamu. Od školskih dana pravi kratke filmove i dokumentarce. Počeo je studij u Danskoj filmskoj školi, da bi godinu kasnije prešao na Filmsku akademiju u Holandiji, gdje je studirao režiju. ČAK I KAUBOJI NEKAD PLAČU je njegov diplomski rad. E Sven and Gijs are best mates. They do absolutely everything together, whether going clubbing or mucking about or simply pondering life. In ten years’ time they plan to have travelled the length and breadth of South America on motorbikes. But all at once everything changes: Sven gets involved in a fight one night, Gijs tries to intervene and sustains a blow to the head which sends him into a coma. There’s no knowing if he’ll pull through and their friendship is tested to the limits.

Mees Peijnenburg was born in Amsterdam, in 1989. He has been making short films and documentaries since his schooldays. He began studying at the Danish Film School before switching a year later to the Netherlands Film Academy where he studied directing. COWBOYS JANKEN OOK is his graduation film. Australia, 2013, Colour, 15 min., English

Emo (The Musical) / Emo (mjuzikl) Neobičan sveti rat se odvija u školi, gdje se kršćanski bend i grupa emo dječaka bore za kabinet muzičkog obrazovanja. Ethan, emo dječak, i Trinity, dobra kršćanka, koji su se nedavno zaljubili jedno u drugo, nalaze se usred ovog sukoba. Svakako im je teško pomiriti vlastite razlike, i strah ih je šta će se dogoditi ako im prijatelji saznaju za vezu. Kad rat eskalira i stvari postanu ozbiljne, nesretno zaljubljeni par mora napraviti odluke zbog kojih bi mogao izgubiti prijatelje, reputaciju u školi, i jedno drugo. Neil Triffett rođen je 1988. na Tasmaniji, u Australiji. Diplomirao je s najboljim ocjenama na Koledžu za umjetnosti Victoria u Melburnu. Producirao je dokumentarne i korporativne filmove, radio je za umjetničke institucije i pozorište, a snima i svoje kratke filmove.

Režija / Director: Neil Triffett Scenarij / Screenplay: Neil Triffett Direktor fotografije / Director of Photography: Sky Davies Montaža / Editor: Sasha Dylan Bell Muzika / Music: Neil Triffett Zvuk / Sound: Craig Jansson Scenografija / Production Design: Anna O’Donnell Kostimografija / Costume Design: Elizabeth Taylor Uloge / Cast: Harry Borland, Charlotte Nicdao, Zak Marrinan, Robert Tripolino, Gary Samolin, Will Weatheritt, Stephen Wainrib, Kristen Cunningham, Jonathan Wells Producent / Producer: Lee Matthews Produkcija / Production: Matthewswood Productions Kontakt / Contact: Premium Films, Paris, France, Tel: +33 1 77373367, contact@premium-films.com Filmografija / Filmography Izbor / Selected 2013 - EMO (THE MUSICAL) (kratki / short) 2012 - A ROYAL STAR (kratki / short) 2010 - SHOPLIFTING (kratki / short) 2009 - SIMONE / DEREK / SARAH (kratki / short)

E There is a strange holy war happening in the school as a group of Christian musicians and group of Emo boys battle for the music room. Caught amongst this are Ethan, an Emo, and good Christian girl Trinity, who are newly in love. Finding it hard enough to reconcile their own differences, they dread what will happen if their friends ever find out. As the war escalates and things turn serious, the star-crossed lovers are forced to make decisions that might cost them their friends, their place in school, and each other.

Neil Triffett was born in 1988 in Tasmania, Australia. He graduated with distinction from the Victorian College of the Arts in Melbourne. Since then he has worked in documentary and corporate film production as well as for arts organizations and the theatre, besides making his own short films. TEENARENA l 20. Sarajevo Film Festival 163

UK, 2013, Colour, 15 min., English

Exchange & Mart / Mali oglasi Konzervativni internat za djevojke u Škotskoj prepun je mračnih rituala. Odvojenost od svijeta dječaka opsjeda tinejdžerke idejom o prvom seksualnom iskustvu. Zbog žudnje za ljubavlju i seksom noćima ne spavaju. Strogi instruktor samoodbrane ima zadatak da djevojčice nauči kako se odbraniti od napada muškaraca. Tokom vježbe, on napada Reg na jednom usamljenom šumskom puteljku. Njena reakcija nije baš onakva kakvu je očekivao. Cara Connolly i Martin Clark su studirali umjetničku fotografiju na Umjetničkoj školi u Glasgowu. On je nastavio studij na Kraljevskom koledžu umjetnosti u Londonu, na kojem se bavio fotografijom i filmom. Connolly je nastavila s praksom u Glasgowu, gdje je razvila interesovanje za snimanje zvuka i videoart. 2009. godine osnivaju Connolly Clark Films. MALI OGLASI je njihov prvi igrani film. E There are plenty of obscure rituals at a conservative boarding school for girls in Scotland. The seclusion from the world of boys makes these teenagers obsessed with doing it for the first time. The girls’ longing for love and sex makes it hard for them to sleep at night. A strict self-defence tutor has the task of teaching the girls how to protect themselves from male assaults. As part of a training exercise he attacks Reg on a lonely path in the forest. Her reaction is not quite what he expected.

Režija / Director: Cara Connolly, Martin Clark Scenarij / Screenplay: Cara Connolly Direktor fotografije / Director of Photography: Jamie Cairney Montaža / Editor: Carmela Landoli Muzika / Music: JonnieWilkes, James Savage Zvuk / Sound: Colin Gregory Scenografija / Production Design: Natalie Astridge Kostimografija / Costume Design: Denise Coombes Uloge / Cast: Ewen Bremner, Grace Chilton, Tania Van Amse, Lorne MacFadyen, Emma Curtis, Sarah Farrell, Emily-Jane McNeil, Rosa Guild, Stella Sternschein McGarvey Producent / Producer: Maeve McMahon, Phoebe Grigor Produkcija / Production: Hopscotch/Digicult, Connoly Clark Films Kontakt / Contact: Connolly Clark Films, Glasgow, Great Britain, Tel: +44 7779 005649, connollyclarkfilms@gmail.com Filmografija / Filmography 2013 - EXCHANGE & MART (kratki / short) 2012 - GLASGOW SCHOOL OF ART PRESENTS: THE CITY OF GLASGOW (dokumentarni / documentary) 2011 - SAVOY PODIATRY (kratki / short) 2010 - THE WALTZER BOYS (kratki / short)

Cara Connolly and Martin Clark both studied fine art photography at the Glasgow School of Art. He went on to the Royal College of Art in London, where he continued to make photographs and films. Connolly continued her practice in Glasgow, developing her interest in sound recording and video art. In 2009, the two formed Connolly Clark Films. EXCHANGE & MART is their first dramatic film.

Netherlands, 2013, Colour, 15 min., Dutch Režija / Director: Sam de Jong Scenarij / Screenplay: Sam de Jong Direktor fotografije / Director of Photography: Ton Peters Uloge / Cast: Ruhi Belkadi, Chaalisa Belkadi, Donna Harreman, Ayoub Elasri, Oussama Addi Producent / Producer: Gijs Kerbosch, Roel Oude, Achraf Meziani Produkcija / Production: 100% Halal Kontakt / Contact: 100% Halal, Amsterdam, Niederlande, Tel: +31206391402, gijskerbosch@100procenthalal.nl

Marc Jacobs Devetogodišnji Soufyane, sin Marokanca i Holanđanke, živi u stanu s majkom i sestrom u tipičnom gradskom soliterskom naselju. Otac, kojeg rijetko viđa, poziva ga na put u zemlju njegovih predaka: Maroko. Soufyane je oduševljen i pažljivo se sprema se za put, smatrajući to nekom vrstom obreda. Njegovi prijatelji smatraju da bi trebao kupiti naočare Ray Ban, ali Soufyane bi radije Marc Jacobs. Među raznim prodavačima robe na crno u svom kvartu konačno pronalazi nekog ko prodaje naočare koje traži. Sam de Jong rođen je 1986. u Amsterdamu. Studirao je na Holandskoj filmskoj akademiji. Njegov diplomski rad MAGNESIUM premijerno je prikazan na Filmskom festivalu Sundance 2013, a iste godine je bio i holandski kandidat za studentskog Oskara. E Nine year old Soufyane, son of a Moroccan father and a Dutch mother, lives in an apartment with his mother and sister in a typical big city high-rise estate. His father, whom he never sees, invites him on a journey to the country of his ancestors – Morocco. Soufyane is thrilled and prepares for the trip fastidiously, as it is also a kind of initiation. His friends insist that he should get a pair of Ray Ban sunglasses, but Soufyane would rather wear Marc Jacobs. Among the various black-market dealers in his neighbourhood he eventually finds someone who has the right glasses.

Sam de Jong was born in Amsterdam in 1986. He studied at the Netherlands Film Academy. His graduation film MAGNESIUM premiered at the Sundance Film Festival in 2013, won several international awards and was the Dutch entry for the 2013 Student Oscars.

164 20. Sarajevo Film Festival l TEENARENA

Filmografija / Filmography 2013 - MARC JACOBS (kratki / short) 2012 - MAGNESIUM (kratki / short)

UK, 2014, Colour, 7 min., English

Mike Mike ima pametnijeg posla od odvođenja brata Jacka frizeru. Iznerviran, odlučuje ga čekati napolju, u autu. Čini mu se da sve to predugo traje, pa pita za Jacka u salonu, ali njegov brat nije tu. Vlasnik salona uspijeva smiriti Mikea, ali zbog vlasnikove pretjerane reakcije, Mike sluti da nešto nije uredu. Petros Silvestros rođen je 1979. u Atini. Većinu života je proveo u Londonu, gdje je studirao na Londonskoj filmskoj školi. U svojim kratkim filmovima pokazuje izraženu sklonost ka neizvjesnosti i napetosti. Njegovi filmovi prikazivani su na brojnim međunarodnim festivalima.

Režija / Director: Petros Silvestros Scenarij / Screenplay: AJ Riley Direktor fotografije / Director of Photography: Nikos Andritsakis Montaža / Editor: Matt Chodan Zvuk / Sound: Tony Frances Scenografija / Production Design: Emma Winter Kostimografija / Costume Design: Sara Bowden Uloge / Cast: Lucian Charles Collier, Louise Breckon-Richards, Daniel Walsh, Stephen Guy Daltry, Jo Hartland Producent / Producer: Matt Nelson Produkcija / Production: Irresistible Films Kontakt / Contact: Irresistible Films, London, UK, Tel: +44 7 939587060, matt@irresistiblefilms.com Filmografija / Filmography: 2014 - MIKE (kratki / short) 2008 - THE ADMIRER (kratki / short) 2005 - STAIN (kratki / short) 2004 - FAMILIAL (kratki / short) 2001 - ERROR (kratki / short) 1999 - DARK STRANGER (kratki / short)

E Mike has got better things to do than take his brother Jack to the hairdressers. Annoyed, he decides to wait outside for him in the car. He begins to think it’s taking too long and inquires after Jack in the salon, but his brother is not there. The owner of the salon manages to calm Mike down, but his exaggerated ministrations make Mike suspect something is up.

Petros Silvestros was born in Athens, Greece, in 1979. He has been living and working in London for most of his life and studied film at the London Film School. His short films demonstrate a pronounced preference for suspense and have screened at numerous international festivals.

UK, 2013, Colour, 16 min., English

Tits / Grudi Trinaestogodišnji Sam pokušava sakriti grudi čvrsto zakopčanim kožnim pojasom. Slabašni tinejdžer prolazi kroz naročito težak period u strogoj školi za dječake, jer ima hormonalni poremećaj. Očajan je i pokušava sve što može da izbjegne časove plivanja, ali se njegovi najgori strahovi ostvaruju kada pronalazi ružičasti grudnjak kako visi na njegovoj vješalici. Ne prihvatajući ucjene, Sam uspijeva smoći hrabrosti da se suoči s jednim od kolovođa. Alex Winckler rođen je 1980. u Washingtonu. Njegov kratki film RALPH je nominiran za nagradu BAFTA 2009. Snimio je niz nagrađivanih reklama za klijente među kojima su Nike, Tesco i Barclaycard. Također je režirao nekoliko serija za BBC, uključujući VERY FEW FISH.

Režija / Director: Alex Winckler Scenarij / Screenplay: Duncan Barrett Direktor fotografije / Director of Photography: Nanu Segal Montaža / Editor: Jonathan Morris Muzika / Music: Daniel Elms Zvuk / Sound: Ludovic Lasserre Scenografija / Production Design: Daniel Taylor, Caroline Steiner Kostimografija / Costume Design: Matthew Price Uloge / Cast: Josh Beaney-Ford, Aaron Ishmael, Declan Mason, Arthur Byrne, Mike Wozniak, Gerard Horan, Juliet Cowan, Colin Hoult Producent / Producer: Tom Leggett, Patrick Howson Produkcija / Production: Electric Ballroom Productions Kontakt / Contact: Sixteen Films Limited, London, UK, Tel: +44 207 7340168, lauren@sixteenfilms.co.uk Filmografija / Filmography 2013 - TITS (kratki / short) 2010 - THOMAS (kratki / short) 2009 - RALPH (kratki / short)

E Sam, 13, hopes to conceal his breasts with a tightly worn leather belt. This slender teenager is going through a particularly tough time at his authoritarian boys’ school on account of a hormonal disorder. Desperate, he tries everything he can to avoid swimming lessons, but his worst fears are confirmed when he discovers a pink bra hanging from his peg. Nonetheless, Sam manages to find the courage to face up to one of the ringleaders and refuses to be blackmailed.

Alex Winckler was born in Washington in 1980. His short film RALPH was nominated for a BAFTA in 2009. He has made a string of award-winning commercials for clients including Nike, Tesco and Barclaycard. He has also directed a number of sitcoms for the BBC including Very Few Fish.

TEENARENA l 20. Sarajevo Film Festival 165

Filmovi izabrani ove godine / Films selected this year:

TeenAction TeenAction pruža mogućnost tinejdžerima Bosne i Hercegovine da se kroz film kreativno izraze o temi srodnoj njihovom uzrastu. Projekt TeenAction namjenjen je tinejžerima do 19 godina koji svoje stavove, razmišljanja, ideje i kreativnost žele izraziti u formi kratkog filma. Mladim autorima pruža se prilika da svoja ostvarenja prikažu u kinu pred hiljadama vršnjaka u skopu programa TeenArena te da po završetku Sarajevo Film Festivala u sklopu Operacije Kino, odnosno programa TeenAction Meets Punk Cinema, njihov film vidi publika diljem Bosne i Hercegovine. E Teen Action gives teenagers of Bosnia and Herzegovina an opportunity to creatively express themselves through film about topics that interest them. The TeenAction project is intended for teenagers up to the age of 19 who want to express their opinions, thoughts, ideas and creativity through short film. Young authors are given the opportunity to screen their films in a cinema in front of thousands of peers as part of the TeenArena programme. Also, after the Sarajevo Film Festival, their film will be seen by audiences across Bosnia and Herzegovina as part of Operacija Kino, i.e. the TeenAction Meets Punk Cinema programme.

166 20. Sarajevo Film Festival l TEENARENA

- Bajrina krvava sevdalinka (Dede putra) / Josip Živković - Days Like This / Azra Begzadić - Flappy Attack / Malik Kurt - Hello Kittens / Aida Ljajić - Magija / Ishak Jalimam - Moguća budućnost dio 1. / Darko Dragić - Moj dan / Aida Ljajić - Movie About Wanbel / Aid Bešić - Polje žita / Zahid Lagumdžić - Sve u mojim rukama / Ajla Serdarević - Teleportation Cola / Amer Prevljak - We are Happy From Visoko / Malik Kurt

PosveÄ&#x2021;eno: Michael Winterbottom / Tribute To Michael Winterbottom

173 9 Songs / 9 pjesama, Michael Winterbottom 174 24 Hour Party People / Zabava bez kraja, Michael Winterbottom 175 Everyday / Svakodnevno, Michael Winterbottom 176 In This World / U ovom svijetu, Michael Winterbottom 177 Welcome to Sarajevo / DobrodoĹĄli u Sarajevo, Michael Winterbottom

Posvećeno: Michael Winterbottom / Tribute To Michael Winterbottom

Michael Winterbottom

Jedan od klišea o rediteljima koji slove za autore, kaže da oni “uvijek iznova snimaju isti film”: opsesivno se vraćaju određenoj temi ili relativno malom skupu motiva, drže se specifičnog stila koji postaje njihov autorski trademark itd. Primjer Michaela Winterbottoma izvrće tako shvatanje autorskog statusa naglavce. On je odlučno snimao različite filmove: od ekranizacija viktorijanskih klasika do urbane naučno-fantastične distopije, od trilera o serijskim ubojicama do dokumentaraca koji kritiziraju “rat protiv terora”. Sa dvadeset tri dugometražna igrana i dokumentarna filma, snimljena od 1992. do 2014. godine, on je ne samo najplodniji, nego i stilski najraznovrsniji i najneuhvatljiviji evropski reditelj današnjice. Pa ipak, s onu stranu te prividne stilske nedosljednosti, Winterbottom dosljedno istražuje odnos stvarnosti i njezine filmske reprezentacije. Njegova retrospektiva na Sarajevo Film Festivalu 2014. godine svjedočanstvo je tog neprekidnog preispitivanja. Kako retrospektiva nije sveobuhvatna, istaknimo ovdje važan segment Winterbottomovog opusa koji u njoj neće biti zastupljen: njegovu sklonost prema adaptacijama književnih djela, nerijetko klasika. Među njima se brojem ističu ekranizacije kontroverznog kritičara viktorijanske Engleske Thomasa Hardyja. Jude (1996), ekranizacija romana Mračni Jude, ujedno je i najkonvencionalnija, barem u usporedbi s narednim Winterbottomovim adaptacijama Hardyja: The Claim (2000) premješta radnju romana Gradonačelnika Casterbridgea, na američki Zapad, u suvremenom, sirovom western obrascu, dok je Tessu iz porodice d’Urbeville premjestio u suvremenu Indiju u Trishni (2011). Nemilosrdni prizori nasilja učinili su The Killer Inside Me (2010), „doslovnu“ ekranizaciju istoimenog kriminalističkog romana Jima Thompsona, najkontroverznijim Winterbottomovim filmom, dok je Tristram Shandy: A Cock and Bull Story (2005), njegova možda najcjenjenija adaptacija, eksperiment koji preispituje uobičajenu definiciju ekranizacije. To i ne čudi, jer klasični roman Laurencea Sternea Život i misli Tristrama Shandyja, zbog ekstremne digresivnosti, i nema priču koju bi se dalo „filmovati“. Winterbottom je otud snimio film o digresivnosti samoj: poput Sterneova junaka koji ne uspijeva napisati svoju autobiografiju jer je sapleten gomilom vlastitih misli, junaci Win-

168 20. Sarajevo Film Festival l POSVEĆENO: Michael Winterbottom

terbottomovog filma neuspješno pokušavaju snimiti film po Sterneovom romanu. Najraniji Winterbottomov film koji će biti prikazan na retrospektivi jest njegov četvrti film Dobrodošli u Sarajevo/Welcome to Sarajevo (1997). Općenito mlako dočekan od kritike, film ostaje iznimno važan za sagledavanje rediteljevog opusa u cjelini, jer Winterbottom u njemu po prvi put radikalno sučeljava faktično i fiktivno, historiju i njezinu filmsku/medijsku reprezentaciju. Filmu je često spočitavana klišeiziranost priče o britanskom novinaru koji je iz opkoljenog Sarajeva izvukao napuštenu djevojčicu koju je potom usvojio i koja je ostala živjeti u Britaniji; čule su i optužbe za iskrivljavanje historijskih fakata i eksploataciju bosanske tragedije. No, takve su kritike previdjele da je priča o novinaru i siročetu za Wintebottoma tek pretekst za istraživanje prirode medijske reprezentacije: kako adekvatno predstaviti stvarnost u uvjetima radikalne društvene krize, koji je status istine u medijima i umjetnosti, kakva je specifičnost dokumentarnog...? Winterbottom je ova pitanja problematizirao formalnim zahvatom: film je kolaž igranog i dokumentarnog/arhivskog materijala. Osim toga, Winterbottom je upozorio da je odnos stvarnosti i njezine reprezentacije u medijima/umjetnosti i prvoklasno političko pitanje. Medijske slika rata u Bosni neodvojive su od odbijanja Zapada da rat u BiH vidi kao politički problem. Opsada Sarajeva je otud, između ostalog, i simptom debakla politike na Zapadu koja je radikalno depolitizirana 1990-ih godina, nakon navodnog “kraja ideologija”, kada se pacifizam iz političkog svjetonazora razvodnio u humanitarizam. Nije slučajno da film počinje pjesmom Van Morrisona (u filmu čujemo i hippie standard “Eve of the Destruction”, kao i The Rolling Stones), dok je posljednja rečenica koju čujemo u filmu, izjava britanskog diplomate Davida Owena: “Ne sanjajte san!” U politici više nema mjesta za snove i utopiju; ona je svedena na okorjeli pragamtizam i “real-politiku”. Pitanje odnosa stvarnosti i njezine reprezentacije prožima i 24 Hour Party People (2002), film o Tonyju Wilsonu, mančesterskom TV novinaru koji je promovirao popularnu muziku, vodio muzičku kuću Factory Records i (ne) slavni klub Hacienda. Prikazujući Wilsonovu suradnju s bendovima poput Joy Division, New Order i Happy Mondays, film prati historiju

britanske muzike od punka do rave-a, ali je, za razliku od većine filmova koji rekreiraju neku epohu, ne nudi kao autentičan historijski prikaz. Winterbottom žonglira autentičnim događajima i fikcijom, historijom i mitom, stvarnim i izmišljenim ličnostima; pritom se njegovi likovi često obraćaju direktno publici, rušeći „četvrti zid“, i sami dovode u pitanje tačnost događaja koje gledamo – u kojima oni učestvuju na filmu i koji su se možda desili u stvarnosti. Tony Wilson – u fascinantnoj izvedbi Stevea Coogana – i eksplicitno parafrazira slavni novinarski credo iz Fordovog Libertyja Valancea “When the legend becomes fact, print the legend!” Celuloidni spomenik legendi o Manchesteru, njegovoj rock i klupskoj sceni, te Wilsonu kao njegovoj najistrajnijoj ikoni, otud je i nadahnuti esej o samoj prirodi filmskog medija kao nerazmrsivog čvora autentičnog i fiktivnog. Film odlikuje i besprijekoran soundtrack – Winterbottomova strast prema muzici jedan je od njegovih zaštitnih znakova – a slučaj je htio da bude posljednji cjelovečernji film čiji je direktor fotografije bio veteran Robby Müller, redoviti suradnik Wendersa i Jarmuscha. Iste godine Winterbottom je snimio In This World (2002), film o dvojici paštunskih dječaka koji ilegalno migriraju u Britaniju. Jamal i Enayat napuštaju izbjeglički logoru u sjeverozapadnom Pakistanu, gdje su njihove porodice prebjegle iz Afganistana i u kojem su dječaci i rođeni; logor je izgrađen još tokom sovjetske invazije na njihovu pradomovinu, a u najnovije izbjeglice su pristigle u vrijeme američkih napada u „ratu protiv terora“. Nesigurna migrantska trasa, ocrtana kriminalom i ljudskom patnjom, dječake vodi preko Irana, Turske i Italije; iako se uspijevaju dokopati Britanije, tu ih hapse i namjeravaju deportirati natrag u Pakistan. Iako se priča, protagonisti, i središnji društveni fenomen radikalno razlikuju od onih u 24 Hour Party People, Winterbottom i u In This World iznova propituje trokut filma, realnosti i fikcije. Ovaj put, umjesto razigranog kolaža igranog, pseudo-arhivskog i arhivskog materijala, on pravi film koji jeste stilski homogen no koji je svejedno izazvao nedoumice u vezi sa svojom kategorizacijom: dokumentarac ili igrani film? Jamal i Enayat (kao i ostali protagonisti) izbjeglice su koje igraju same sebe, lokacije su autentične, kao i sama trasa kojom se krijumčare ljudi. S jedne strane, dijalozi su skicirani a scene režirane do izvjesne

mjere; na drugoj strani, tu su i improvizacija i prilagođavanje okolnostima na mjestu snimanja. Gdje završava igrani film, a počinje dokumentarac – ili obrnuto? Kako definirati šta je autentično u filmu koji ima fiktivno putovanje a stvarne izbjeglice? I vrijedi li uopće povlačiti takve crte između stvarnog i režiranog u mediju kakav je film? Put za Guantanamo/The Road to Guantanamo (2006, ko-režija s Mattom Whitecrossom), još jedan kolaž igranog materijala i dokumentarne građe, iznova će reaktivirati ova pitanja fokusirajući se na besvrhovito zlostavljanje zatvorenika čija krivica nije ni ustanovljena u najpoznatijem političkom kazamatu 21. stoljeća. Iako su 9 pjesama/9 Songs (2004), i Everyday (2012) udaljeni od manifestno političkih problema, Winterbottom i u njima istražuje paradoksalni odnos stvarnog i fiktivnog. 9 Songs je postao njegovim najkontroverznijim filmom iz jednostavnog razloga: usudio se postaviti to pitanje u sferi seksualnosti i njezine filmske reprezentacije. Film je niz sjećanja Matta, britanskog naučnika na Antartiku, na njegovu vezu s amerikankom Lisom: devet scena seksa naizmjenično se smjenuju s devet muzičkih numera, koje Lisa i Matt gledaju na koncertima bendova poput Super Furry Animals, Franz Ferdinand, and Primal Scream – i u ovom filmu Wintebottom se pokazuje kao connoisseur modernog rocka. No, ono što je najviše uzburkalo duhove jeste činjenica da je seks Lise i Matta, odnosno glumaca Kierana O’Briena i Margo Stilley bio autentičan, što ga je učinilo seksualno najeksplicitnijim britanskim filmom dotad, te uvrstilo u kanon hard-core art filma. No, ono što Winterbottoma razlikuje od suvremenika koji su u svoje filmove također uvrštavali scene autentičnog seksa (Catherine Breillat, Lars von Trier, Patrice Chéreau, Gaspara Noe, John Cameron Mitchell i dr.), jeste njegov radikalni odmak od narativa: film je rađen bez scenarija, kako bi, prema riječima samog Winterbottoma, potrctao dojam da stvarni ljubav i seks ne nose nikakve priče: “Biti zaljubljen, tu nema narativa. To je ono što osjećate, ne ono što govorite. Ili ste zaljubljeni ili niste.” Upravo je to odsustvo priče – a ne sami prizori eksplicitnog seksa – najradikalniji element 9 Songs: zbog rigorozne zamjene narativa ponavljanjem elemenata koji ne pretendiraju ispričati veliku priču nego uhvatiti određeni trenutak (otud naslovna referenca na pjesme), J. Hoberman je

film označio kao “strukturalistički mjuzikl”. No, ako ljubav i seks ne pričaju priče, ne vrijedi li isto za stvarnost kao takvu? Svijet oko nas nije priča niti drama, nego haotična skupina zbivanja, osjećaja i dojmova o kojima film može pričati priče, ali ne nužno i ne na konvencionalan način: u pravocrtnim, pažljivo uređenim narativima u kojima je svaki detalj na pažljivo određenom mjestu, sa zaplet-vrhunac-rasplet formulom. Filmski jezik je znatno bogatiji nego što mainstream kinematografija obično podrazumijeva i nikako se ne bi smio podvrgnuti imperativu pripovijedanja. Everyday (2012) je jedan od najnovijih Winterbottomovih eksperimenata koji to pokazuje. Siže filma je jednostavan: nakon što Ian završi u zatvoru, njegova žena Karen krpi kraj s krajem i nosi se s odrastanjem njihovih četvero sinova i kćeri. Iako na prvi pogled nespojiv sa zapaljivom kombinacijom seksa i rock’n’rolla, Everyday dijeli sa 9 Songs repetetivnost, fokusiranost na trenutak i iskorak na planu forme. Film se sastoji od pet epizoda o zatvorskim posjetama Ianu, a koje su snimane po nekoliko sedmica u razmacima od godinu dana, tokom ukupno pet godina. Netipičan sa stanovišta mainstreama filmske produkcije, ovaj postupak je nesumnjivo nadahnut slavnim dokumentarnim TV serijalom 7 Up Michaela Apteda, koji je pratio rast i sazrijevanje grupe britanskih djevojčica i dječaka, snimajući intervjue s njima u razmacima od sedam godina (počev od 1964. godine). Iako Winterbottomov film nije dokumentarac (likovi i priča su fiktivni; Karen i Iana glume profesionalni glumci Shirley Henderson i John Simm), njega – baš kao In This World – ipak prožima dokumentaristički verizam, kome najviše doprinosi nastup stvarne braće i sestara iz porodice Kirk (oni u filmu i nose svoja prava imena, baš kao svojedobno Jamal i Enayat). Upravo je odrastanje Shauna, Roberta, Katrine i Stephanie, snimano sporim ritmom, iz godine u godinu, jedan od onih elemenata filmskog jezika koji mainstream produkcije previđaju i zanemaruju za ljubav konvencionalnih narativa. Retrospektiva Michaela Winterbottoma na SFF-u koncizno ilustrira koliko nas ovaj autor uporno, u različitim registrima, nekonvencionalnim formalnim postupcima i eksperimentima, podsjeća da filmovi nisu samo priče o svijetu oko nas, nego i ogledi o svojoj vlastitoj prirodi.

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E A cliché about filmmakers who are deemed auteurs is that they “make the same film over and over”: they return obsessively to a particular theme or a relatively small set of motifs, they stick to a particular style, which becomes their authorial trademark, etc. The example of Michael Winterbottom turns this understanding of an auteur upside down. With every new piece, he decidedly made different films: from adaptations of Victorian classics to urban SF dystopia, from thrillers about serial killers to documentaries criticizing the ‘war on terror’. With twenty-three features and documentaries made between 1992 and 2014 he is not only the most fruitful European maker of our time, but also the most versatile and elusive in terms of style. However, for all his apparent stylistic inconsistency, Winterbottom actually consistently explored the relation between reality and its cinematic representation. His retrospective at the Sarajevo Film Festival 2014 is a testimony to this continuous re-examination.

As this “Tribute to...” is not exhaustive, let us underscore here an important segment of Winterbottom’s oeuvre that will not be included: his penchant for adaptation of literary works, often classics. Particularly significant ones include Jude (1996), an adaptation of the controversial critic of Victorian England, Thomas Hardy. This adaptation of Jude the Obscure is also the most conventional one, at least when compared with Winterbottom’s subsequent adaptations of Hardy: The Claim (2000) transposes The Mayor of Casterbridge to the American West, in a contemporary, raw-and-gritty Western pattern, and Tess of the d’Urbervilles was transposed to India in Trishna (2011). Scenes of ruthless violence made The Killer Inside Me (2010) a ‘literal’ adaptation of Jim Thompson’s crime novel and Winterbottom’s most controversial film, whereas Tristram Shandy: A Cock and Bull Story (2005), his arguably most highly appreciated adaptation, was an experiment that re-assesses and subverts the usual definition of for-the-screen adaptation. This is no surprise, since due to its extreme digressiveness, Laurence Sterne’s classic novel The Life and Opinions of Tristram Shandy, Gentleman does not have a story that can be ‘filmed’ easily. Hence, Winterbottom made a film about digressiveness itself: just like Sterne’s hero attempts to write his autobiography, but fails as he is too absorbed by his own thoughts, Winterbottom’s

film heroes try and fail to adapt Stern’s novel for the screen. Winterbottom’s earliest film to be included in this retrospective is his fourth film, Welcome to Sarajevo (1997). Generally unenthusiastically received by the critics, this film remains very important when looking at this director’s entire oeuvre, since in it, for the very first time Winterbottom confronts fact and fiction, history and its film/media presentation. The film is often reproached as a cliché about a British reporter who rescues an abandoned girl from the besieged Sarajevo, adopts her and she continues to live in Britain; there have even been accusations about distorting historical facts and exploiting the Bosnian tragedy. However, such criticism ignores the fact that for Winterbottom, the story about a reporter and an orphan was just a pretext for exploring the nature of media representation: how to present reality adequately under conditions of radical societal crisis, what is the status of truth in media and arts, what is the specific feature of the documentary...? Winterbottom tackles these questions through a formal procedure: the film is a collage of feature and documentary/archival footage. Moreover, Winterbottom warns that the relationship between reality and its media/arts representation is indeed a political question of the highest order. Media images of the war in Bosnia are inseparable from the rejection of the West to see this war as a political problem. The siege of Sarajevo is, thus, among other things, a symptom of the debacle of Western policy, radically de-politicized in the 1990s, following the alleged ‘end of ideologies’ when pacifism, deprived of its political sting, gradually diluted into humanitarianism. It is no accident that the film opens with a Van Morrison song (the soundtrack also includes the hippie standard “Eve of the Destruction”, as well as The Rolling Stones), whereas the last sentence we hear in the film is that by the British diplomat David Owen: “Don’t dream a dream!” Politics leaves no more room for dreams and utopia; it is reduced to hard-core pragmatism and realpolitik. The issue of the relationship between reality and its presentation also marks his 24 Hour Party People (2002), a film about Tony Wilson, the Manchester TV journalist and music promoter who managed the Factory Records

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music company and the (in)famous Hacienda club. Presenting Wilson’s collaboration with bands such as Joy Division, New Order and Happy Mondays, the film follows the history of British music from punk to rave, but unlike most other films that re-create an era, this film does not purport to be an authentic historical account. Winterbottom juggles authentic events and fiction, history and myth, real and fictitious personalities; at that, his characters often speak directly to the audience, thus removing the ‘fourth wall’ and challenging themselves the question of accuracy of events unfolding before us – which they participate in the film and which may have happened in reality. Tony Wilson – in a fascinating rendition by Steve Coogan – even explicitly paraphrases the famous journalist credo from Ford’s Liberty Valance: “When the legend becomes fact, print the legend!” This celluloid monument to the legend of Manchester, its rock and club scene, and Wilson as its most enduring icon, is thus an inspired essay about the very nature of the film medium as an inextricable knot of the authentic and the fictitious. The film also includes an impeccable soundtrack - Winterbottom’s passion for music is one of his trademarks – and this was accidentally the last full-length feature film where the DoP was the veteran Robby Müller, a regular collaborator to authors such as Wenders and Jarmusch. That same year, Winterbottom made In This World (2002), a film about two Pashtun boys who illegally migrate to Britain. Jamal and Enayat leave a refugee camp in north-western Pakistan, where his families had fled from Afghanistan and where the two boys were born; the camp was originally built during the Soviet invasion of their homeland and the most recent refugees arrived during the US attacks in the ‘war on terror’. An unsafe migrant route, drawn out in crime and human suffering, takes the boys across Iran, Turkey and Italy; although they do manage to reach Britain, they are arrested in order to be deported back to Pakistan. Although the story, the protagonists and the central societal phenomenon differ radically from those depicted in 24 Hour Party People, in In This World Winterbottom again re-examines the film-reality-fiction triangle. This time, instead of a playful collage of feature, pseudoarchival and archival materials, he creates a film which is stylistically homogenous, but which

nonetheless creates dilemmas regarding its category: a documentary or a feature? Jamal and Enayat (just like all other protagonists) are refugees playing themselves, the shooting locations are authentic, as is the actual route used for smuggling people. On one side here are structured dialogues and directed scenes – to an extent; on the other side there are improvisations and adaptation to the circumstances on location. Where does the feature end and the documentary start – or the other way round? How does one define the authentic in a film with a fictitious journey and real-life refugees? And is there any value in drawing such lines between the real and the directed in a medium such as film? The Road to Guantanamo (2006, co-directed with Matt Whitecross), another collage of feature and documentary material, reactivates these questions yet again, focusing on the purposeless abuse of prisoners whose guilt has never been established in the most famous political dungeon of the 21st century. Although 9 Songs (2004) and Everyday (2012) are distant from the manifestly political problems, there too Winterbottom explores the paradoxical relationship between the real and the fictitious. 9 Songs became his most controversial film for a very simple reason: he dared to ask the question in the sphere of sexuality and its film presentation. The film is a sequence of memories by Matt, a British researcher in the Antarctica, of his relationship with Lisa, an American woman: nine scenes of sex alternate with nine songs that Lisa and Matt listen to in concerts by bands such as Super Furry Animals, Franz Ferdinand, and Primal Scream – here again Winterbottom proves himself a to be connoisseur of modern rock. However, the most opinion-upsetting was the fact that the scenes of Lisa and Matt, i.e. actors Kieran O’Brien and Margo Stilley, having sex were, in fact, authentic, making it the most sexually explicit British film to-date, and including it into the canon of hard-core art film. But what distinguishes Winterbottom from his contemporaries who have also included authentic sex scenes into their films (Catherine Breillat, Lars von Trier, Patrice Chéreau, Gaspar Noe, John Cameron Mitchell etc.) is his radical departure from the narrative: the film was made with no script so that, according to Winterbottom himself, it would underscore the impression that actual love and sex bring no stories of their own: “Being in love,

there is no narrative. It’s how you feel, not what you are saying. You either are or are not in love at any one moment.” And it is this absence of a narrative – and not the explicit sex scenes – that make the most radical element of 9 Songs: because of the rigorous replacement of the narrative with continuous repetition of elements that do not purport to tell a grand story, but rather to encompass a moment (hence the title song reference), J. Hoberman marked the film as a ‘structuralist musical’. But if love and sex tell no stories, doesn’t the same apply to reality as such? The world around us is neither a story nor a drama, but rather a chaotic collection of events, emotions and impressions that film can only speak about, though not necessarily and not conventionally: in straightforward, carefully organized narratives, where every detail is carefully placed, with the exposition-climax-denouement formula. The film language is much richer than the mainstream filmmaking usually admits it to be and should not be subjected to the imperative of storytelling. Everyday (2012) is one of Winterbottom’s recent experiments that shows exactly that. The outline is simple: after Ian ends up in prison, his wife Karen makes ends meet and deals with the growing pains of their four children. Although seemingly incompatible with the incendiary combination of sex and rock ’n’ roll, Everyday and 9 Songs share their repetitiveness, a focus on the moment and a shift in form. The film comprises five episodes about prison visits to Ian, shot over several weeks with a year apart, over a total period of five years. Non-typical in terms of mainstream film production, this procedure has undoubtedly been inspired by Michael Apted’s famous documentary TV serial 7 Up, which followed the development and the road to maturity of a group of British boys and girls, taping interviews with them over a period of seven years (starting from 1964). Although Winterbottom’s film is not a documentary (the characters and the story are fictitious; Karen and Ian are played by professional actors Shirley Henderson and John Simm), it is nonetheless – just like In This World – permeated by the documentary verism, most contributed by the appearance of the actual Kirk brothers and sisters (they even use their real names in the film, just like Jamal and Enayat before them). And it is the process of Shaun, Robert, Katrina and Stephanie growing

up, shot in slow rhythm, year after hear, that creates one of those elements of film language that mainstream productions omit or ignore for the love of the conventional narrative. The SFF Tribute to Michael Winterbottom is a concise illustration how stubbornly and in different keys, using unconventional formal procedures and experiments, this author reminds us that films are not just stories about the world around us, but also reflections about their own nature. Nebojša Jovanović, filmski teoretičar i istoričar / Film theorist and historian

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Biografija i filmografija / Biography and filmography

Filmovi Michaela Winterbottoma predstavljaju najupečatljiviji i najraznovrsniji autorski opus u odnosu na uratke drugih britanskih reditelja koji su se pojavili krajem 20. stoljeća. Rođen u Blackburnu, u Lancashireu, 29. marta 1961, studirao je engleski jezik na Oxfordu; studij filma i televizije je nastavio na Bristolskom univerzitetu i Politehničkom univerzitetu Centralnog Londona. Na početku je radio u sobama za montažu na televiziji Thames, da bi bio unaprijeđen u reditelja epizoda TV serija i dvaju dokumentaraca o Ingmaru Bergmanu. Winterbottom često spominje činjenicu da su na njega utjecali velikani evropskog filma - uključujući Jean-Luca Godarda, Wima Wendersa, Françoisa Truffauta, a i samog Bergmana - a atmosfera i stil njegovih uradaka od samog početka su ukazivali da je riječ o reditelju evropskog kova. Godine 1995. Winterbottom je režirao svoj prvi dugometražni igrani film, BUTTERFLY KISS, a nakon impresivnog debija snima svoj sljedeći film, JUDE, na osnovu romana Thomasa Hardyja o srušenim snovima i izdatoj ljubavi. Opredijelio se za znatno drugačiji stil, tematiku i vremenski period u WELCOME TO SARAJEVO. Snimljena na stvarnoj lokaciji, ova emotivna drama inkorporira autentične snimke vijesti unutar istinite priče o televizijskom reporteru koji je ostavio svoju profesionalnu objektivnost po strani, odlučan u namjeri da spasi jedno siroče. Winterbottom je osvojio veoma prestižnu filmsku nagradu BAFTA za IN THIS WORLD kao i Zlatnog berlinskog medvjeda, Mirovnu filmsku nagradu i Nagradu ekumenskog žirija na Međunarodnom filmskom festivalu u Berlinu 2003. THE TRIP, improviziranu komičnu seriju u šest epizoda, koja je dobila nekoliko nominacija i osvojila nagradu BAFTA TV za najbolju mušku ulogu u komediji, režirao je 2010. godine. Reditelj se zatim ponovo posvetio mnogo ozbiljnijoj tematici u svom filmu TRISHNA o ženi iz ruralne Indije koja se zaljubljuje u mladog i bogatog britanskog biznismena indijskog porijekla. Winterbottomov raznovrsni opus se može djelimično uvezati dvjema općim temama. Poput reditelja francuskog novog talasa, koji su mu pomogli da izbrusi svoj stil, Michael Winterbottom se posvetio filmovima o “ljudima i mjestima”, uglavnom snimanim na stvarnim lokacijama, koji istražuju širok dijapazon geografskih i društvenih okruženja. Kroz sve varijacije atmosfere i tehnike, on pokušava da iskombinira društveni realizam sa stilističkim eksperimentima, odvažnom fotografijom, i ekspresivnim korištenjem oblika širokog ekrana. Odlučan u namjeri da snima karakteristične i inovativne britanske filmove, Winterbottom je ostvario zavidnu međunarodnu reputaciju. E Michael Winterbottom’s films represent the most striking and varied body of work of any British director to emerge from the late 20th century. Born in Blackburn, Lancashire on 29 March 1961, he studied English at Oxford and followed film and television courses at Bristol University and the Polytechnic of Central London. Initially he worked in the cutting rooms at Thames Television, graduating to direction with TV drama episodes and two documentaries about Ingmar Bergman. Winterbottom has regularly cited major European figures as influences - including Jean-Luc Godard, Wim Wenders, François Truffaut, and Bergman himself - and the settings and style of his own work displayed a continental slant from the beginning. In 1995 Winterbottom directed his first cinema feature, BUTTERFLY KISS, and followed up the arresting debut with JUDE, based on Thomas Hardy’s novel of dashed hopes and illicit love. He switched to a very different style, subject and period for WELCOME TO SARAJEVO. Shot on location, the emotional drama incorporates authentic news footage within its true story of a television reporter setting professional objectivity aside, determined to rescue an orphan child. Winterbottom won the highly coveted BAFTA Film Award for IN THIS WORLD, as well as the Golden Berlin Bear, the Peace Film Award and Prize of the Ecumenical Jury at the 2003 Berlin International Film Festival. In 2010, he directed THE TRIP, an improvised six-episode comedy series that received several nominations and won the BAFTA TV Award nomination for Best Male Performance in a Comedy Role. The director again turned to a more serious subject matter with his film TRISHNA about a rural Indian woman, who falls in love with a young, wealthy British-Indian businessman. Winterbottom’s eclectic output can be loosely tied together by two general concerns. Like the French New Wave directors who helped sharpen his style, he is dedicated to ‘people and places’ films, largely created on location, exploring a wide range of geographical and social settings. Through all the variations in mood and technique, he seeks to combine social realism with stylistic experiments, bold photography, and expressive use of the widescreen shape. In his determination to make idiosyncratic and innovative British films Winterbottom has established an enviable international reputation.

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Filmografija / Filmography 2014 - THE TRIP TO ITALY 2013 - THE LOOK OF LOVE 2012 - EVERDAY 2011 - TRISHNA 2011 - 60 SECONDS OF SOLITUDE IN YEAR ZERO 2010 - THE TRIP 2010 - THE KILLER INSIDE ME 2009 - THE SHOCK DOCTRINE (dokumentarni / documentary) 2008 - A SUMMER IN GENOA 2007 - A MIGHTY HEART 2006 - THE ROAD TO GUANTANAMO (dokumentarni / documentary) 2005 - TRISTRAM SHANDY: A COCK AND BULL STORY 2004 - 9 SONGS 2004 - CODE 46 2002 - IN THIS WORLD 2002 - 24 HOUR PARTY PEOPLE 2000 - THE CLAIM 2000 - WONDERLAND 1999 - WITH OR WITHOUT YOU 1998 - I WANT YOU 1997 - WELCOME TO SARAJEVO 1996 - JUDE 1995 - BUTTERFLY KISS

9 Songs / 9 pjesama U ovoj vrlo intimnoj romantičnoj drami režisera Michaela Winterbottoma, veza između britanskog naučnika i američke studentice prikazana je kroz koncerte na kojima su bili i ljubavi koju su vodili. Matt je dio britanskog tima za istraživanje Antarktika, i dok putuje na Južni pol i razmišlja o velikim prostranstvima snijega i leda, sjećanje ga vodi natrag do kratkotrajne romanse sa Lisom, djevojkom slobodnog duha iz Sjedinjenih Američkih Država. Matt i Lisa su se upoznali na rock koncertu, nakon kojeg su se vratili u njegov stan gdje su vodili ljubav. Dok Matt u sjećanju ponovo proživljava njihovu vezu, vrijeme koje su proveli zajedno se svodi na nekoliko obroka, dijelove razgovora i devet koncerata na koje su išli skupa, s naglaskom na vremenu provedenom u spavaćoj sobi. Opisan u nekoliko kritika kao film međunarodno poznatog reditelja s najeksplicitnijim do tad prikazanim scenama seksa, 9 PJESAMA je film koji je Michael Winterbottom uradio iz ljubavi. E The relationship between a British scientist and an American student is chronicled through the concerts they saw and the love they made in this highly personal romantic drama from director Michael Winterbottom. Matt works with the British Antarctic Survey team, and as he travels to the South Pole and ponders the vast plains of snow and ice, his mind drifts back to his short-lived romance with Lisa, a free-spirited girl from the United States. Matt and Lisa met at a rock concert, and afterward the two went back to his flat and made love; as Matt relives their relationship in his mind, their time together is reduced to a few meals, bits of conversation, and nine concerts they attended together, punctuated by their sessions in the bedroom. Described by several critics as the most sexually explicit film produced at the time by a noted international director, 9 SONGS was a labour of love for Michael Winterbottom.

UK, 2004, Colour, 74 min., English Režija / Director: Michael Winterbottom Scenarij / Screenplay: Tony Grisoni Direktor fotografije / Director of Photography: Marcel Zyskind Montaža / Editor: Peter Christelis Muzika / Music: Dario Marianelli Zvuk / Sound: Joakim Sundström, Stuart Wilson Producent / Producer: Michael Winterbottom Izvršni producent / Executive producer: Andrew Eaton, Anita Overland Uloge / Cast: Jamal Udin Torabi, Enayatullah, Nabil Elouahabi, Narration Paul Popplewel

TRIBUTE TO Michael Winterbottom l 20. Sarajevo Film Festival 173

24 Hour Party People / Zabava bez kraja Manchester, 1976. Tony Wilson je ambiciozni i frustrirani lokalni TV reporter koji traži način da se nametne. Nakon što je prisustvovao nevjerovatnom koncertu nepoznatog benda po imenu Sex Pistols, ubjeđuje svoju TV stanicu da prikaže jedan od njihovih nastupa, i uskoro sve punk grupe iz Manchestera traže od njega da im bude menadžer. Jašući na talasu muzičke revolucije, Wilson i njegovi prijatelji osnivaju legendarnu izdavačku kuću Factory Records i otvaraju klub Hacienda. Film prati Wilsona u njegovom preobraćenju u punkera na ključnom koncertu Sex Pistolsa, preko samoubistva pjevača Joy Divisiona, Iana Curtisa, i ogromnog uspjeha benda New Order, sve do konačnog pada carstva zvanog Factory zbog loših poslovnih odluka, veza s podzemljem i hedonističkog pretjerivanja Happy Mondaysa. Detaljno prikazujući muzičko i plesno naslijeđe Manchestera od kasnih 70-ih do ranih 90-ih, ova komedija dokumentira sav kolorit koji je „Mad-chester“ učinio mjestom na svijetu gdje biste najradije željeli biti. E Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV new reporter looking for a way to make his mark. After witnessing a life-changing concert by an unknown band called the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester’s punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club. The film follows Wilson from his conversion to punk at a seminal Sex Pistols concert through the suicide of Joy Division singer Ian Curtis, the overwhelming success of New Order and the eventual dissolution of the Factory empire thanks to bad business decisions, underworld ties and the hedonistic excess of the Happy Mondays. Graphically depicting the music and dance heritage of Manchester from the late 70’s to the early 90’s, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be.

174 20. Sarajevo Film Festival l POSVEĆENO: Michael Winterbottom

UK, 2002, Colour, 117 min., English Režija / Director: Michael Winterbottom Scenarij / Screenplay: Frank Cottrell Boyce Direktor fotografije / Director of Photography: Robby Muller Montaža / Editor: Trevor Waite, Michael Winterbottom Muzika / Music: Joakim Sundström, Martin Moscrop, Pete Tong Scenografija / Production Design: Mark Tildesley Kostimografija / Costume Design: Stephen Noble, Natalie Ward Producent / Producer: Andrew Eaton, Gina Carter, Robert How, Fiona Neilson, Henry Normal Izvršni producent / Executive producer: Henry Normal Produkcija / Production: Baby Cow Productions, Channel Four Films, The Film Consortium, Film Council, FilmFour, Revolution Films, Wave Pictures Uloge / Cast: Steve Coogan, Paddy Considine, Andy Serkis, Paul Popplewell, Shirley Henderson, Lennie James, Sean Harris, Peter Kay

Everyday / Svakodnevno U periodu od pet godina, Karen vodi svoje četvoro djece na dug i naporan put da bi posjetila supruga Iana, koji je u zatvoru zbog nepoznatog zločina. Daleko od zatvora život ide dalje, dok djeca upadaju u tuču sa drugim đakom nakon provokacije o njihovom ocu, usamljena Karen spava sa Eddiejem iz puba u kojem radi. Pred kraj kazne, Ian dobija dopust da provede dan sa svojom porodicom, gdje zamalo dolazi do katastrofe nakon optužbe za krijumčarenje droge, ali će se porodica ipak nekako izvući. E Over a period of five years Karen takes her four young children on the long and laborious journey to visit her husband Ian, imprisoned for an unspecified crime. Away from the jail life goes on as the kids get into a fight over a taunt about their father by another school-kid and Karen, feeling lonely, sleeps with Eddie from the pub where she works. Towards the end of his sentence Ian is given a day out to spend with the family and disaster almost strikes after an allegation of drug smuggling, but somehow the family will pull through.

UK, 2012, Colour, 106 min., English Režija / Director: Michael Winterbottom Scenarij / Screenplay: Laurence Coriat, Michael Winterbottom Montaža / Editor: Mags Arnold, Paul Monaghan Muzika / Music: Michael Nyman Producent / Producer: Melissa Parmenter Izvršni producent / Executive producer: Andrew Eaton Uloge / Cast: John Simm, Steve Coogan, Shirley Henderson, Nick Hopper

TRIBUTE TO Michael Winterbottom l 20. Sarajevo Film Festival 175

In This World / U ovom svijetu Film počinje u izbjegličkom logoru u Peshawaru, u Pakistanu, gdje Afganistanci traže spas nakon američke vojne kampanje u njihovoj domovini poslije terorističkih napada 11. septembra 2001. Priča prati Jamala, tinejdžera koji je ostao siroče, i Enayata, njegovog starijeg saputnika, dok pokušavaju da pređu put od Pakistana do Londona. Putujući u kamionskim prikolicama, autobusom i pješke, njih dvojica prelaze preko čitave srednje Azije na tegobnom putovanju naglašenom susretima s neprijateljski nastrojenim graničnim policajcima i sumnjivim krijumčarima. Još traumatičnije je putovanje morem od Turske do Italije, tokom kojeg su Jamal i Enayat primorani da se kriju u brodskom kontejneru sa ostalim azilantima, uključujući i prestravljenu bebu. E The movie opens at a refugee camp in Peshawar, Pakistan, where Afghans have sought refuge in the wake of the U.S. military campaign in their country following the September 11, 2001, terrorist attacks. The story follows Jamal, an orphaned teenager, and Enayat, his older companion, as they make their way from Pakistan to London. Traveling in the back of trucks, by bus, and on foot, the two cross Central Asia in an arduous journey punctuated by encounters with hostile border guards and shady smugglers. Even more traumatic is the ocean voyage from Turkey to Italy, during which Jamal and Enayat are forced to hide in a shipping container with other asylum seekers, including a terrified infant.

176 20. Sarajevo Film Festival l POSVEĆENO: Michael Winterbottom

UK, 2002, Colour and B&W, 88 min., English, Persian Režija / Director: Michael Winterbottom Scenarij / Screenplay: Tony Grisoni Montaža / Editor: Peter Christelis Muzika / Music: Dario Marianelli Producent / Producer: Michael Winterbottom Izvršni producent / Executive producer: Andrew Eaton, Anita Overland Uloge / Cast: Jamal Udin Torabi, Enayatullah, Nabil Elouahabi, Narration Paul Popplewel

Welcome to Sarajevo / Dobrodošli u Sarajevo Potresno ispitivanje rata u Bosni sredinom 90-ih i uloge novinara u njegovom medijskom pokrivanju, ovaj film se temelji na knjizi novinara Michaela Nicholsona, „Natasha’s Story“. Poput Nicholsona, cinični novinar Henderson je član skupine reportera u potrazi za krvavim scenama na ulicama opkoljenog Sarajeva. Užasnut je kada umišljeni reporter Flynn pomogne građanima da uklone tijelo majke koja je ubijena na porodičnom izletu. Međutim, već sljedeći dan se Henderson nađe među novinarskim lešinarima usred jezive scene i mora jednoj djevojčici reći da su joj oba roditelja ubijena. Kada njegova TV kuća pomjeri njegovu priču radi reklamnog priloga o poznatima, Henderson je bijesan. Na nagovor svoje producentice, Jane Carson, on posjećuje lokalno sirotište. Henderson ostaje duboko pogođen stradanjem djece i počinje bilježiti njihove pojedinačne priče, čak i kad njegovi poslodavci pokažu sve manji interes. Henderson se, uz pomoć američke humanitarne radnice, Nine, zalaže da odvede djecu iz Bosne. Obećava djevojčici Emiri da će je odvesti kući u Englesku. Da bi ispunio svoje obećanje, mora rizikovati kako svoju karijeru, tako i svoj život. E A startling examination of the Bosnian war of the mid-1990s and the role of journalists in covering it, this film was based on real-life journalist Michael Nicholson’s book Natasha’s Story. Like Nicholson, cynical journalist Henderson is one of the rat pack of reporters looking for gore in the streets of besieged Sarajevo. He is outraged when grandstanding reporter Flynn helps local citizens remove the corpse of a mother gunned down on a family outing. But the next day, Henderson is among the journalist vultures at a grisly scene, and he has to tell a little girl that both her parents were killed. When his story is demoted by his television network in favor of a celebrity puff piece, Henderson is angry. At the behest of his producer, Jane Carson, he visits a local orphanage. Henderson becomes deeply involved with the plight of the children and starts documenting their individual stories even as his employers express increasing disinterest. Henderson campaigns to get the kids out of Bosnia, with the help of an American aid worker, Nina. He promises a girl named Emira that he’ll take her back to his home in England. To make good on his vow, he must risk both his career and his life.

UK, USA, 1997, Colour, 103 min., Bosnian, English, Serbian Režija / Director: Michael Winterbottom Scenarij / Screenplay: Michael Nicholson, Frank Cottrell Boyce Direktor fotografije / Director of Photography: Daf Hobson Montaža / Editor: Trevor Waite Muzika / Music: Adrian Johnston Scenografija / Production Design: Mark Geraghty, Kemal Hrustanović Producent / Producer: Graham Broadbent, Damian Jones and Ismet Arnautalic Produkcija / Production: Miramax Films – Studio, Miramax Films - Domestic Theatrical Distributor, Warner Bros. Pictures International - Foreign Theatrical Distributor Uloge / Cast: Stephen Dillane, Woody Harrelson, Marisa Tomei, Goran Višnjić, Emily Lloyd, Kerry Fox, Kerry Shale

TRIBUTE TO Michael Winterbottom l 20. Sarajevo Film Festival 177

Operacija Kino / Operation Kino

182 La Mante religieuse / Bogomoljka / The Maneater, Natalie Saracco 183 N – The Madness of Reason / N - ludilo razuma, Peter Krüger 184 Casablanca, Kolio Karamfilov 184 Etiudas / Etida / The Etude, Austėja Urbaitė 185 Să mori de dragoste rănită / Umrijeti od ljubavne rane / Dying from a Wound of Love,

Iulia Rugină

185 Priča o Mari iz Velog Varoša / Story About Mare, Igor Šeregi

Operacija Kino / Operation Kino Operacija Kino podrazumijeva kino na putu koje ide u susret svojoj publici, promovirajući art-house filmska ostvarenja, te tokom cijele godine donosi dio programa i atmosfere Sarajevo Film Festivala širom Bosne i Hercegovine. Također, projekat doprinosi poboljšanju i razvoju nove generacije talenata, s jasnim fokusom na publiku, njihovo obrazovanje i bolje razumijevanje filma.

E Operation Kino aims at accessing wider audiences, promoting art house works theatrically, as well as bringing a part of the Sarajevo Film Festival programme and atmosphere to audiences across the country throughout the whole year. The project also assists the improvement and development of the next generation of talent, clearly focusing on the education of audiences and better understanding of film.

U nastojanju da bude pokretač aktivnijeg učešća mladih u kulturnim aktivnostima, programska cjelina Operacije Kino, Punk Cinema, namijenjena je ljubiteljima filma, kojoj nije cilj samo promocija radova mladih neafirmisanih autora, već nastoji i razvijati njihove vještine i znanja kroz razne obrazovne aktivnosti.

Considering the lack of presence of young audiences in various cultural activities, Operation Kino, with its programme section Punk Cinema, targets film lovers, not only to support the promotion of their amateur works, but also aiming at developing their skills and knowledge, through various film education activities.

Stoga smo izuzetno sretni da ćemo tokom Sarajevo Film Festivala ponovo okupiti oko stotinu mladih učesnika iz cijele Bosne i Hercegovine, koji će imati priliku da dožive jedinstvenu festivalsku atmosferu i učestvuju u trodnevnoj radionici organiziranoj za njih.

Therefore, we are extremely happy that, once again, we will gather about one hundred young participants from all over Bosnia and Herzegovina during the Sarajevo Film Festival, who will have the chance to experience the great festival atmosphere and take part in a three-day workshop organized for them.

U okviru programa Operacije Kino, prikazat ćemo pobjedničke filmove Punk Cinema, mladih neafirmisanih autora, koji će promocijom svojih filmova na velikom platnu, promovirati i svoju lokalnu zajednicu. Tokom 20. Sarajevo Film Festivala predstavit ćemo četiri pobjednička kratka filma sa partnerskih festivala iz Bugarske, Hrvatske, Litvanije i Rumunije: CASABLANCA Kolija Karamfilova, PRIČA O MARI IZ VELOG VAROŠA Igora Šeregija, ETIDA Austėje Urbaitė i UMRIJETI OD LJUBAVNE RANE Iulije Rugine. U suradnji sa globalnom mrežom filmskih profesionalaca, Eye on Films, ove godine ćemo predstavit dva dugometražna filma: N - LUDILO RAZUMA Petera Krügera i BOGOMOLJKA Natalie Saracco. Nadamo se da ćete uživati u programu Operacije Kino 20. Sarajevo Film Festivala!

The Operation Kino programme will include the selection of winning short films of Punk Cinema, made by young unestablished authors, who will not only promote their films on the big screen, but also their local societies. During the 20th Sarajevo Film Festival we will present four short film winners from partnering festivals from Bulgaria, Croatia, Lithuania and Romania, namely CASABLANCA by Kolio Karamfilov, STORY ABOUT MARE by Igor Šeregi, THE ETUDE by Austėja Urbaitė and DYING FROM A WOUND OF LOVE by Iulia Rugină. In partnership with the global network of film professionals Eye on Films, we will present two feature films, N – The Madness of Reason by Peter Krüger and The Maneater by Natalie Saracco. We hope that you will enjoy the Operation Kino programme the 20th Sarajevo Film Festival! Ena Đozo

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La mante religieuse / Bogomoljka / The Maneater Jezebel, zavodljiva, slobodna i buntovna mlada žena, želi živjeti život punom parom, dok ne dotakne dno života. Odbija vjerovati u čovječanstvo, a naročito u sebe. Poput istinske Marije Magdalene modernog doba, krije svoju krhkost i strah od ljubavi tako što stalno ide do granica dozvoljenog, sve dok jednog dana ne upozna Davida, mladog svećenika... Natalie Saracco započela je karijeru kao filmska, pozorišna i TV glumica. Režirala je tri kratka filma: SANG-TIMENT, IL ÉTAIT UNE FOI i FAMILLE NOMBREUSE. 2011. godine, nakon stravične automobilske nesreće u kojoj je doživjela iskustvo bliske smrti, napisala je scenarij za BOGOMOLJKU. Premijerno prikazana 2013. godine, BOGOMOLJKA je njen prvi dugometražni igrani film. E Jezebel, a seductive, free and rebellious young woman, has the desire to live her life to the extreme, until she hits rock bottom. She refuses to believe in mankind and especially in herself. A true Mary Magdalene of modern times, she hides her fragility and fear of loving by continually pushing the limits of transgression. Until one day when she meets David, a young priest ...

Natalie Saracco started her career as an actress in film, theatre and television. She directed three short fiction films: SANG-TIMENT, IL ÉTAIT UNE FOI and FAMILLE NOMBREUSE. In 2011, after a terrible car accident in which she had a near-death experience, she wrote the screenplay of the THE MANEATER. Released in 2013, THE MANEATER is her first feature film.

182 20. Sarajevo Film Festival l OPERACIJA KINO

France, 2013, Colour, 88 min., French Režija / Director: Natalie Saracco Scenarij / Screenplay: Natalie Saracco Direktor fotografije / Director of Photography: Giovanni Fiore-Coltellacci Montaža / Editor: Nathalie Langlade, Marie Da Costa Muzika / Music: Ernest Saint-Laurent Zvuk / Sound: François De Morant Kostimografija / Costume Design: Nadia Chmilewsky, Mélanie Sednaoui Producent / Producer: Paule Saracco Produkcija / Production: 7éme Heart Productions, Union Prod Uloge / Cast: Mylène Jampanoï, Marc Ruchmann, Arben Bajraktaraj, Mathilde Besson, Alexandre Brik, Geneviève Casile Filmografija / Filmography 2013 - LA MANTE RELIGIEUSE / THE MANEATER

N – The Madness of Reason / N - ludilo razuma Pokušavajući da ode iz ostarjele Evrope, Raymond Borremans (1906-1988) je u svojim dvadesetim pobjegao u Obalu Slonovače. Avanturista, muzičar, kinooperater i entomolog, tu je pronašao novi dom i proveo život zapisujući bilješke o ovoj nekada bogatoj afričkoj zemlji. Nažalost, njegova planirana enciklopedija Obale Slonovače je ostala nezavršena na slovu N. Ovaj jedinstveni filmski esej prati Borremansov boravak u Africi, stvarajući poetičan dijalog između njegovih misli i slavne prošlosti, katastrofalne sadašnjosti i nesigurne budućnosti. N – LUDILO RAZUMA je radikalno komplikovana ljubavna priča između Borremansa i Afrike. Peter Krüger je rođen u Ghentu, u Belgiji, 1970. Diplomirao je filozofiju. Godine 1993. osnovao je produkcijsku kuću Inti Films u Briselu. Svoj prvi dokumentarac, NAZARETH, snimio je 2007. Od tada, Krüger je radio kao scenarista, reditelj i producent. Predaje filmsku režiju u Školi umjetnosti RITS u Briselu, te radi kao scenarista konsultant. E Seeking to get away from an ageing Europe, Raymond Borremans (1906-1988) escaped to Ivory Coast while in his twenties. An adventurer, musician, projectionist and entomologist, he found there a new home and spent his life chronicling this once-rich African country. Unfortunately, his planned encyclopedia of Ivory Coast was left unfinished at the letter N. This unique film-essay follows Borremans’ traces in Africa, creating a poetic dialogue between his reflections and the glorious past, the devastating present and the ambiguous future. N – THE MADNESS OF REASON is a radically complicated love story between Borremans and Africa.

Peter Krüger was born in Ghent, Belgium in 1970. He earned a degree in philosophy. In 1993, he founded the production company Inti Films in Brussels. He made his first documentary NAZARETH in 2007. Since then, Krüger has worked as a screenwriter, director and producer. He teaches film directing at the RITS School of Arts in Brussels and also works as a script consultant.

Belgium, Germany, Netherlands, 2014, Colour, 102 min., French, English Režija / Director: Peter Krüger Scenarij / Screenplay: Peter Krüger Direktor fotografije / Director of Photography: Rimvydas Leipus Naracija / Narrated by: Michael Lonsdale Montaža / Editor: Nico Leunen Muzika / Music: Walter Hus Zvuk / Sound: Ludo Van Pachterbeke, Benoit Bruwier Uloge / Cast: Wendyam Sawadogo, Vieux Farka Touré, Hamadoun Kassogue Producent / Producer: Peter Krüger Produkcija / Production: Inti Films in co-production with Cobra Films, Dieptescherpte, Blinker Filmproduktion, Mollywood, ZDF/ARTE Filmografija / Filmography Izbor / Selected 2014 - N – THE MADNESS OF REASON / N – LUDILO RAZUMA 2011 - ANTWERP CENTRAL (dokumentarni / documentary) 2004 - DE VREEMDE MAN / THE STRANGE MAN (kratki / short) 2001 - L’ECLIPSE OF SINT-GILLIS / THE ECLIPSE OF SINT-GILLIS (dokumentarni kratki / short doc.) 1999 - POETS OF MONGOLIA (dokumentarni / documentary) 1998 - ROBERTE’S DANCE (dokumentarni kratki / short doc.) 1997 - NAZARETH (dokumentarni / documentary)

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Bulgaria, 2013, 11 min., Bulgarian Režija / Director: Kolio Karamfilov Scenarij / Screenplay: Kolio Karamfilov Direktor fotografije / Director of Photography: Ivan Paleikov Muzika / Music: Petko Mantchev Produkcija / Production: Wasabi Film Productions Uloge / Cast: Hristo Shopov, Vassil Vassilev – Zuek Kontakt / Contact: Nikolay Nedelchev, n.nedelchev@publicis.bg Filmografija / Filmography 2013 - CASABLANCA

Casablanca Želim praviti minimalističke filmove, šta god to značilo… Gledam na stvari prilično doslovno: kada neko plače, za mene on ne samo da plače, već rida, ogromne suze mu frcaju iz očiju, šta god to značilo. Stalno pričam priče, sanjam ih, a onda ne znam kad sam se probudio… Kolio Karamfilov rođen je 1963. u Bugarskoj. Godine 1982. diplomirao je na Koledžu za scenske umjetnosti u svom rodnom gradu, specijalizirajući se za scenografiju. Imao je 25 samostalnih izložbi i preko 31 grupnu izložbu u Bugarskoj i u inostranstvu. CASABLANCA je dobitnik Nagrade za najbolji bugarski kratki film na Međunarodnom filmskom festivalu u Sofiji 2014. Kolio Karamfilov je preminuo u januaru ove godine. E I would like to make minimalistic films, whatever that means… I see things quite literally – when someone cries, for me he’s not only crying: he’s roaring with tears, huge tears coming out of his eyes, whatever that means. I keep on telling tales, I dream of them and then I don’t know when I wake up…

Kolio Karamfilov was born in 1963 in Bulgaria. In 1982 he graduated from the College of Stage Arts in his native town, specialising in scenography. He had 25 individual exhibitions and more than 31 collective exhibitions in Bulgaria and abroad. CASABLANCA was awarded Best Bulgarian Short Film at the 2014 Sofia International Film Festival. Kolio Karamfilov passed away in January this year.

Lithuania, 2013, Colour, 20 min., Lithuanian Režija / Director: Austėja Urbaitė Scenarij / Screenplay: Austėja Urbaitė Direktor fotografije / Director of Photography: Vytautas Plukas Montaža / Editor: Austėja Urbaitė, Vytautas Plukas Producent / Producer: Lina Murinaitė Produkcija / Production: LMTA Uloge / Cast: Clotilde Rigaud, Simonas Storpirštis, Edvardas, Boguševičius Kontakt / Contact: Austėja Urbaitė, Tel: +370 60882628, austeja.urbaite@gmail.com

Etiudas / Etida / The Etude Film je poetska priča o dvoje mladih pozorišnih glumaca koji su dobili zadatak da stvore etidu: da zamisle priču. Na probi pokušaju inscenirati istinit događaj kako bi pronašli sopstveni mir. Otkrivanjem ljepote u malim stvarima u životu, glumci istovremeno pokušavaju da se izbore sa strahom od smrti. Film je zasnovan na kratkoj priči „Etida“ Jonasa Mekasa. Austėja Urbaitė (rođena 1991. u Litvaniji) maturirala je na Gimnaziji Pilaite u Viljnusu. Trenutno studira filmsku režiju na Litvanskoj akademiji za muziku i teatar. Austėjin kratki film ETIDA je na Evropskom filmskom forumu Scanorama 2013. osvojio Specijalnu plaketu. E The movie is a poetical narrative about two young theatre actors who have a task to create an etude: to imagine a story. At the rehearsal, they are trying to recreate a true event that would help them find peace within themselves. By discovering the beauty of small things in life, the actors, at the same time, are attempting to fight their fear of death. The film is based on The Etude, a short story by Jonas Mekas.

Austėja Urbaitė (born in 1991 in Lithuania) graduated from the Pilaite secondary school in Vilnius. She is currently studying film directing at Lithuanian Academy of Music and Theatre. In 2013, Austėja‘s short film THE ETUDE received a Special Mention at the “Scanorama” European film forum.

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Filmografija / Filmography 2013 - THIS IS REALITY (kratki / short) 2013 - THE ETUDE (kratki / short)

Romania, 2014, Colour, 23 min., Romanian

Să mori de dragoste rănită / Umrijeti od ljubavne rane / Dying from a Wound of Love Angela Similea je najveća rumunska muzička diva osamdesetih, a Umrijeti od ljubavne rane je njen najveći hit. Subota je naveče u Bukureštu 2014. Ovo je veče kada će Andrei i Maria čuti pjesmu Angele Simileae posljednji put. Jer to je noć kada su oboje odlučili da će umrijeti od ljubavne rane. Nadrealna priča o ljubavi i smrti, s pravom gostujućom zvijezdom u potpuno neočekivanoj situaciji. Iulia Rugină je rođena u Bukureštu 1982. Od 2002. do 2006. je studirala filmsku i televizijsku režiju na UNATC-u u Bukureštu. Do danas je Iulia režirala 8 kratkih filmova i 3 filma srednje dužine, na kojima je bila i koscenarista. Umrijeti od ljubavne rane osvojio je nagradu Romanian Days za najbolji kratki film na Međunarodnom filmskom festivalu u Transilvaniji.

Režija / Director: Iulia Rugină Scenarij / Screenplay: Ana Agopian, Oana Răsuceanu, Iulia Rugină Direktor fotografije / Director of Photography: Vivi Drăgan Vasile R.S.C., Cosmin Fericean Montaža / Editor: Letiția Ștefănescu Muzika / Music: Local Heroes Zvuk / Sound: Laura Lăzărescu Producent / Producer: Dragoș Bucur, Dorian Boguță, Alexandru Papadopol Produkcija / Production: Actoriedefilm.ro Uloge / Cast: Angela Similea, Adina Ștețcu, Paul Radu, Ana-Maria Bostan, Dragoș Sora, Andreea Scrădeanu, Eugen Matei Lumezianu, Georgiana Stanciu, Octavian Barbu, Ruxandra Șerban Kontakt / Contact: Actoriedefilm.ro, Address: Strada Temișana nr. 23, etaj 2, apartament 3, sector 1, Bucharest, Romania, Website: www.actoriedefilm.ro Filmografija / Filmography 2014 - DYING FROM A WOUND OF LOVE / SĂ MORI DE DRAGOSTE RĂNITĂ) 2013 - LOVE BUILDING 2012 - SINK 2012 - 30-40-50

E Angela Similea is THE 80s Romanian music diva and Dying from a wound of love is her biggest hit. It’s Saturday night in 2014 Bucharest. This is the evening when Andrei and Maria will hear Angela Similea’s song for the last time. Because this is the evening when they each decided they are going to die. From a wound of love. A surreal story of love and death featuring a real guest star in a completely unexpected situation.

Iulia Rugină was born in Bucharest in 1982. She studied film and television directing at UNATC in Bucharest between 2002 and 2006. Up to now, Iulia has directed 8 short films and 3 medium length films, having co-written all of them. DYING FROM A WOUND OF LOVE won the Romanian Days Award for Best Short Film at the Transylvania IFF. Croatia, 2013, Colour, 19 min., Croatian Režija / Director: Igor Šeregi Scenarij / Screenplay: Igor Šeregi Direktor fotografije / Director of Photography: Mirko Pivčević Montaža / Editor: Tomislav Stojanović Muzika / Music: Stjepan Tribuson Producent / Producer: Rea Rajčić, Marina Jurišić Produkcija / Production: Akademija dramske umjetnosti Zagreb Uloge / Cast: Vanda Boban, Mijo Jurišić, Trpimir Jurkić, Dara Vukić

Priča o Mari iz Velog Varoša / Story about Mare Mare je bila tiha i jednostavna djevojka iz splitskog Varoša. Još kao mala shvatila je da je njen najveći talent to što zna slušat druge ljude. Jednog dana doktor je Mari reka da će uskoro umrit. Jer tako je to sa srcima… Igor Šeregi rođen je 1983. u Zagrebu. Godine 2006. upisao je Akademiju dramske umjetnosti u Zagrebu, Odsjek filmske režije. Član je društva hrvatskih skladatelja pri HGU-u. Sa svojim autorskim filmovima i filmovima u čijem je radu sudjelovao gostovao je na brojnim domaćim i inozemnim filmskim festivalima i revijama.

Filmografija / Filmography 2014 - POKLON PREDSJEDNIKA NIXONA / PRESIDENT NIXON’S PRESENT (kratki / short) 2013 - PRIČA O MARI IZ VELIKOG VAROŠA / STORY ABOUT MARE (kratki / short) 2012 - ŽIVOTINJSKO CARSTVO / ANIMAL KINGDOM (kratki / short) 2012 - KOŠNICE / HIVES (segment DOSTOJANSTVENI ČOVJEK)

E Mare was a quiet, simple girl from Varos in Split. Ever since she was a little girl she knew her biggest gift was one of listening to people. One day the doctor told Mare she would die soon. That is how it goes with the matters of the heart…

Igor Šeregi was born in Zagreb in 1983. In 2006 he started studying Film Directing at the Zagreb Academy of Dramatic Arts. He is a member of the Association of Croatian Composers. The films he made on his own and the ones he took part in were shown at numerous Croatian and foreign film festivals and reviews.

OPERATION KINO l 20. Sarajevo Film Festival 185

Sarajevo grad filma / Sarajevo City of Film

Sarajevo grad filma / Sarajevo City of Film Sarajevo grad filma je fond Sarajevo Film Festivala inicijalno uspostavljen kako bi podržao realizaciju kratkih, mikrobudžetnih filmova mladih filmskih autora iz zemalja regije koji su prethodno učestvovali u radu Sarajevo Talent Campusa.

E Sarajevo City of Film Fund has been the Sarajevo Film Festival’s production support scheme for the production of short micro-budget films by young filmmakers from different countries in our region, who have participated in the previous editions of the Sarajevo Talent Campus.

U periodu od 2008. do 2013. godine fond je podržao produkciju 25 kratkih filmova nastalih u tehničkoj i umjetničkoj saradnji više od 300 reditelja, scenarista, producenata, glumaca, snimatelja, montažera i kompozitora iz 12 zemalja jugoistočne Evrope. Fond je u spomenute filmove uložio 700 000 eura, uključujući 350 000 eura gotovine i tehničku podršku vrijednu dodatnih 350 000 eura. Mnogi od podržanih filmova su postigli značajan uspjeh i obilježili početak uspješne karijere svojih autora kojima je, što je možda i najznačajnije, rad na tom projektu pomogao da usvoje međunarodni pristup filmskoj produkciji.

During the period 2008–2013, the Fund invested 350 000 euros in cash and a matching amount of in-kind services, for 25 short films done through technical and artistic cooperation of over 300 directors, scriptwriters, producers, actors, cinematographers, editors and composers from 12 different countries of Southeast Europe. Many of these films were highly successful shorts, which marked the beginnings of very promising career for their authors, but more importantly, the experience of participation in such a scheme has further internationalised their approach to filmmaking.

Nakon revizije rada fonda početkom 2013. godine, donesena je odluka da se fokus prebaci na podršku produkciji dugometražnih igranih filmova. Kao prelazni korak, fond je prošle godine obezbijedio 62 500 eura gotovine i tehničku podršku jednake vrijednosti, od partnerskih postprodukcijskih kompanija, za izradu dvaju igranih omnibusa. Jedan od podržanih projekata je nastao u koprodukciji više evropskih zemalja, dok je drugi bio globalna koprodukcija zahvaljujući učešću Sjedinjenih Američkih Država i Libana.

At the start of 2013, the scheme has undergone an internal review and was re-directed towards supporting feature films. As the first step in making the transition from supporting shorts to funding features, two feature omnibus films were supported last year with a total of 62 500 euros in cash from the Fund, with a matching amount of in-kind services from partner postproduction companies. The films are multilateral coproductions, one European and the other fully international, with US and Lebanon included.

Oba će filma biti prikazana na Sarajevo Film Festivalu. Film A QUINTET / KVINTET, autora Sanele Salketić, Ariela Shabana, Roberta Cuzzilla, Elie Lamah i Maura Muellera, bit će prikazan izvan konkurencije; a za BRIDGES OF SARAJEVO / MOSTOVI SARAJEVA, autora Aide Begić, Leonarda di Costanzoa, Jean-Luca Godarda, Kamena Kaleva, Isild Le Bescoa, Sergeya Loznitse, Vincenza Marra, Ursule Meier, Vladimira Perišića, Cristija Puiua, Marca Recha, Angele Schanelec i Terese Villaverde, bit će upriličena gala projekcija. Pokretanje reformiranog fonda Sarajevo grad filma obilježit će potpunu tranziciju od pomoći u nastanku kratkih filmova do finansiranja dugometražnih igranih filmova koje zahtijeva značajniju podršku, ali rezultira projektima koji imaju znatno veći distributivni potencijal. Nova strategija i program rada fonda javno će biti objavljeni tokom 20. Sarajevo Film Festivala.

Both films will be screened at the Sarajevo Film Festival: A QUINTET / KVINTET as part of Out of Competition programme Directors: Sanela Salketić, Ariel Shaban, Roberto Cuzzillo, Elie Lamah, Mauro Mueller BRIDGES OF SARAJEVO / MOSTOVI SARAJEVA as a Gala Screening Directors: Aida Begić, Leonardo di Costanzo, Jean-Luc Godard, Kamen Kalev, Isild Le Besco, Sergey Loznitsa, Vincenzo Marra, Ursula Meier, Vladimir Perišić, Cristi Puiu, Marc Recha, Angela Schanelec, Teresa Villaverde Launching of the re-focused Sarajevo City of Film Fund will bring full transition from supporting the creation of shorts to funding features films, which requires more substantial support, but offers a much wider circulation potential. The new strategy and new schemes of the Fund will be presented to the public on the occasion of the 20th anniversary of the Festival.

Sarajevo City of Film l 20. Sarajevo Film Festival 189

Dan ljudskih prava / Human Rights Day

194 Chasseurs de crimes / Lovci na zloÄ?ince / Crimehunters,

Nicolas Wadimoff, Juan JosĂŠ Lozano

195 The Return to Homs / Povratak u Homs, Talal Derki

Dan ljudskih prava / Human Rights Day U saradnji s Ambasadom Švicarske u BiH i Saveznim ministarstvom vanjskih poslova Švicarske, već šestu godinu zaredom Sarajevo Film Festival će biti domaćin Dana ljudskih prava.

E In cooperation with the Embassy of Switzerland and the Swiss Federal Department of Foreign Affairs, the Sarajevo Film Festival will host the Human Rights Day for the sixth year in a row.

U okviru obilježavanja Dana ljudskih prava, koje će biti upriličeno u ponedjeljak, 18. avgusta 2014. godine, Sarajevo Film Festival će organizirati poseban program u sklopu kojeg će u kinu Multiplex Cinema City biti prikazana dva filma i održana panel-diskusija.

As part of the activities marking the Human Rights Day, which will be held on Monday, 18 August 2014, the Sarajevo Film Festival will organize a special programme, including a panel at the Multiplex Cinema City and two film screenings.

Filmovi koji će biti predstavljeni na ovaj poseban dan su: POVRATAK U HOMS, reditelja Talala Derkija, te film LOVCI NA ZLOČINCE, u režiji Juana Josea Lozana i Nicolasa Wadimoffa, koji se prikazuje u saradnji s Međunarodnim filmskim festivalom i Forumom o ljudskim pravima iz Ženeve. Oba se filma na specifičan i aktuelan način bave pitanjima ljudskih prava.

The films to be presented on this special day are RETURN TO HOMS directed by Talal Derki, and CRIME HUNTERS directed by Juan José Lozano and Nicolas Wadimoff, which will be screened in cooperation with the Geneva International Film Festival and Forum on Human Rights. Both films address human rights issues in a specific and current way.

Tema ovogodišnjeg panela Dana ljudskih prava je „Put bez povratka?”, a moderatorica panela bit će politologinja Sabina Ćudić. Učesnici panela bit će predstavnici Ambasade Švicarske u BiH, Vijeća Evrope te glumac Gael Garcia Bernal, počasni gost Sarajevo Film Festivala.

The topic for this year’s Human Rights Panel is “Point of No Return?” and the moderator of the panel will be Sabina Ćudić, political scientist. The panelists will be representatives of the Embassy of Switzerland in BiH and the Council of Europe, and actor Gael García Bernal, honorary guest of the Sarajevo Film Festival.

Sarajevo Film Festival i kroz svoj Takmičarski program – dokumentarni film prikazuje filmove inspirirane različitim aspektima ljudskih prava, a obilježavanjem ovog značajnog dana se nastoji dodatno skrenuti pažnja na važnost filma kao bitnog i moćnog medija u promociji ljudskih prava. Filmovi i teme koji se svake godine biraju za obilježavanje Dana ljudskih prava pružaju učesnicima panel-diskusija, publici i medijima priliku da razgovaraju o akutnim problemima pojedinaca ili zajednica u današnjem svijetu.

The Competition Programme – Documentary Film of the Sarajevo Film Festival showcases films inspired by various aspects of human rights and by marking this special day we aim to further emphasise the importance of film as a significant and powerful media for the promotion of human rights. The films and topics chosen each year for marking the Human Rights Day provide an opportunity for panel participants, the audience and the media to discuss pressing problems currently faced by individuals or communities in the world.

Na svečanoj ceremoniji dodjele nagrada Sarajevo Film Festivala bit će uručena i Nagrada za ljudska prava koja se dodjeljuje filmu iz Takmičarskog programa – dokumentarni film koji na najbolji način obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3000 eura osigurava Savezno ministarstvo vanjskih poslova Švicarske.

Also, the Human Rights Prize will be awarded at the official awards ceremony of the Sarajevo Film Festival for film in the Competition Programme – Documentary Film that best deals with human rights. The prize of 3000 Euros is provided by the Swiss Federal Department of Foreign Affairs.

HUMAN RIGHTS DAY l 20. Sarajevo Film Festival 193

Chasseurs de crimes / Lovci na zločince / Crimehunters Od trenutka kada su u Ženevi 2002. godine osnovali udruženje TRIAL (Track Impunity Always), pravnici okupljeni oko njega neumorno rade na privođenju pravdi počinilaca i podstrekača najgorih međunarodnih zločina. Ratni zločinci koji utočište potraže u Švicarskoj gotovo sigurno će se naći na meti ovih pravnika koje neki opisuju kao „prave lovce na zločince našega doba“. Film prati njihovu svakodnevnu borbu protiv nepravde i nekažnjavanja, te ukazuje na ključna pitanja s kojima se suočavaju u svome radu, na primjer: da li postoji viša pravda i da li neki zločinci zaslužuju da budu progonjeni više od drugih? Nicolas Wadimoff je švicarski reditelj, autor dokumentarnih filmova, producent i rock gitarista rođen u Ženevi 1964. godine. Wadimoff je 1988. godine diplomirao komunikacije, smjer film, na Kvebečkom univerzitetu u Montrealu (UQAM). Kao reditelj je radio za Švicarsku radioteleviziju (RTS) i Francuski radiotelevizijski servis u Švicarskoj (TSR). Wadimoff je 2003. godine osnovao Akka Films, kompaniju posvećenu razvoju igranih i produkciji dokumentarnih filmova. Za svoj film STILL ALIVE IN GAZA, snimljen u pojasu Gaze 2009. godine, 2010. godine nagrađen je Nagradom ekumenskog žirija Filmskog festivala u Berlinu. Juan José Lozano je rođen 1971. godine. Studirao je na Državnom univerzitetu u Kolumbiji. U periodu od 1994. do 1998. je kao nezavisni producent i reditelj snimio niz televizijskih dokumentaraca za kolumbijsko Ministarstvo kulture. Preselio se u Ženevu 1998. godine da bi zatim napravio nekoliko politički angažiranih filmova u kojima se bavio temama od značaja za taj grad, kao i iskustvima mladih imigranata i fenomenom asimilacije. Juan José Lozano je kao videoumjetnik sarađivao na pozorišnim projektima Omara Porrasa i Marielle Pinsard, a sarađivao je i s Philippeom Macasdarom u Théâtre de St-Gervais u Ženevi. E Since the founding of their office in Geneva in 2002, the lawyers of TRIAL (Track Impunity Always) Association have worked tirelessly to bring perpetrators and instigators of the most serious international crimes to justice. War criminals within the borders of Switzerland will be in the crosshairs of these lawyers who are also known as the “real hunters of modern crimes”. The film follows the lawyers’ daily struggle against injustice and impunity, and reveals critical questions confronted in the process: is there a higher justice? And, are some perpetrators worth pursuing more than others?

Nicolas Wadimoff, born in 1964 in Geneva, ia a Swiss director, documentary filmmaker, producer, rock guitarist. In 1988 he graduated from UQAM (Université du Québec a Montreal) in communications with a specialization in cinema. He worked as a film director at Radio Télévision Suisse (RTS) and the French Swiss Broadcasting Service (TSR). In 2003 he founded Akka Films, devoted to the development of fiction films and production of documentaries. In 2010, he received the Ecumenical Jury prize at the Berlin Film Festival for his film STILL ALIVE IN GAZA shot in 2009 in the Gaza strip. Juan José Lozano, born in 1971, studied at the National University of Colombia. An independent producer and director, he has made a series of television documentaries for the Colombian Ministry of Culture (1994-1998). In 1998 he moved to Geneva, where he made several politically committed films dealing both with his host town – exploring young foreigners’ experiences of immigration and assimilation. Juan José Lozano has also worked as a video artist on Omar Porras and Marielle Pinsard’s stage projects, and with Philippe Macasdar at the Théâtre de St-Gervais in Geneva. 194 20. Sarajevo Film Festival l DAN LJUDSKIH PRAVA

Switzerland, 2014, Colour, 52 min., French, Spanish Režija / Director: Nicolas Wadimoff, Juan José Lozano Scenarij / Screenplay: Juan José Lozano, Nicolas Wadimoff Montaža / Editor: Ana Acosta Zvuk / Sound: Souheil Mellah, Xavier Lavorel Producent / Producer: Nicolas Wadimoff Produkcija / Production: Akka Films, RTS Radio Télévision Suisse

Filmografija / Filmography Izbor / Selected Nicolas Wadimoff 2014 - CHASSEURS DE CRIMES / CRIMEHUNTERS 2012 - OPÉRATION LIBERTAD 2010 - AISHEEN / STILL ALIVE IN GAZA 2005 - L’ACCORD 2005 - LAST SUPPER 2003 - ALINGHI – THE INSIDE STORY 2002 - KADOGO, L’ENFANT SOLDAT 2000 - 15, RUE DES BAINS 2000 - MONDIALITO 1998 - NUIT ET JOUR LA TÉLÉ… Juan José Lozano 2014 - CHASSEURS DE CRIMES / CRIMEHUNTERS 2010 - IMPUNITY 2008 - TÉMOIN INDÉSIRABLE/ UNWANTED WITNESS 2006 - HASTA LA ÚLTIMA PIEDRA 2003 - UN TRAIN QUI ARRIVE EST AUSSI UN TRAIN QUI PART 2001 - LE BAL DE LA VIE ET DE LA MORT

The Return to Homs / Povratak u Homs Sniman tokom tri godine u Homsu u Siriji, film prati dva izvanredna mladića od vremena kada su sanjali o slobodi i branili vrijednosti pacifizma do trenutka kada ih je život prisilio na drugačije izbore. Basset, devetnaestogodišnji golman državne reprezentacije postaje legendarni vođa protesta i pjevač, a nakon toga i borac. Osama je dvadesetčetverogodišnji cijenjeni aktivista i snimatelj. Kritičan je, miroljubiv i ironičan, ali njegovi se stavovi mijenjaju nakon što ga zarobe pripadnici režimske policije. POVRATAK U HOMS je priča o gradu o kojem su ljudi širom svijeta dosta čuli, ali koji im nikada nije postao zaista blizak. To je moderni ep o mladim ljudima u ratu i nametnutim životnim izborima. Talal Derki je sirijski filmski autor rođen u Damasku 1977. godine. Diplomirao je filmsku režiju 2003. godine u Atini. Njegovi su filmovi prikazivani na mnogobrojnim festivalima. Među nagradama koje je osvojio se ističu Srebreni soko koju je dobio za film AZADI na Festivalu arapskog filma u Rotterdamu 2012. godine, te specijalno priznanje žirija Filmskog festivala Arapska kamera za film LAJAT. Oba filma snimljena su tokom sukoba u Siriji i Talal je na festivalima predstavljan pod lažnim imenom do trenutka kada je sa porodicom odlučio napustiti rodnu zemlju. Talal je dugo radio i kao videoreporter za vodeće svjetske novinske agencije i medije kao što su Thompson Reuters, CNN, ITV, Al Arabiyu i France 24.

Syria, Germany, 2013, Colour, 90 min., Arabic Režija / Director: Talal Derki Scenarij / Screenplay: Talal Derki Direktor fotografije / Director of Photography: Kahtan Hassoun, Ossama al Homsi, Talal Derki, Orwa Nyrabia Montaža / Editor: Anne Fabini Muzika / Music: Katarina Holmberg Producent / Producer: Orwa Nyrabia, Hans Robert Eisenhauer Produkcija / Production: Proaction Film, Ventana-Film Contact / Kontakt: Proaction Films Filmografija / Filmography 2013 - RETURN TO HOMS (dokumentarni / documentary) 2012 - LAJAT 2011 - AZADI

E Filmed over three years in Homs, Syria, the film accompanies two outstanding young men from the time they are dreaming of freedom and defending pacifism, to the time when choices are forced to be different. Basset, a 19-year-old national football team goalkeeper, turning into an iconic demonstration leader and singer, then becoming a fighter and Ossama, a 24-year-old renowned citizencameraman who is critical, pacifist, and ironic, as his views change till he is detained by the regime’s security forces. It is the story of a city, which the world heard of a lot, but never really got close to. RETURN TO HOMS is a modern times epic of youth in war, and of forced choices.

Talal Derki, born in Damascus in 1977, is a Syrian filmmaker who studied film directing in Athens, graduated in 2003. His films were previously screened at various festivals, and awards include the Silver Hawk at the Rotterdam Arab Film Festival 2011 for AZADI, and a jury special mention from Arab Camera Film Festival 2012, for LAJAT. Both films were made during the Syrian revolution and screened with alias names, before Talal decided to leave Syria with his family. He also worked intensively as a video reporter for important agencies and outlets, including Thompson Reuters, CNN, ITV, Al Arabiya, France 24.

HUMAN RIGHTS DAY l 20. Sarajevo Film Festival 195

Sarajevo Film Festival Partner Presents Doha Film Institute

200 Le Challat de Tunis / Challat od Tunisa, Kaouther Ben Hania 201 Habibi bistanan and al bahar / Moja me ljubav Ä?eka kraj mora /

My Love Awaits Me by the Sea, Mais Darwazah

202 Moug / Valovi / Waves, Ahmed Nour

198 20. Sarajevo Film Festival l Doha Film Institute

Doha Film Institute Doha institut za film Doha institut za film (DFI) je nezavisna i neprofitna kulturna institucija osnovana 2010. Institut pomaže razvoju lokalne filmske zajednice unapređenjem stručnog znanja, njegovanjem ljubavi prema filmu i doprinosom razvoju samoodrživih kreativnih industrija u Kataru. Aktivnosti Instituta uključuju finansiranje i produkciju lokalnih, regionalnih i međunarodnih filmova, obrazovnih programa, prikazivanje filmova, te organizaciju Filmskog festivala za mlade Ajyal i Filmskog festivala Qumra. Primarno usmjeren na kulturu, razvoj zajednice, obrazovanje i zabavu, Institut služi kao centar filmske industrije u Dohi, kao i regionalni i svjetski filmski centar za resurse. DFI je predan viziji Katara da se do 2030. ostvari kao ekonomija zasnovana na znanju.

E About Doha Film Institute: Doha Film Institute (DFI) is an independent, not-for-profit cultural organisation established in 2010. It organically supports the growth of the local film community by enhancing industry knowledge, cultivating film appreciation and contributing to the development of sustainable creative industries in Qatar.

DFI’s platforms include funding and production of local, regional and international films, educational programmes, film screenings, the Ajyal Film Festival for the Young and the Qumra Film Festival. With culture, community, education and entertainment at its foundation, DFI serves as an all-encompassing film hub in Doha, as well as a resource for the region and the rest of the world. DFI is committed to supporting Qatar’s 2030 vision for the development of a knowledge-based economy.

Puni naziv / Full name: DOHA FILM INSTITUTE Adresa / Address: KATARA CULTURAL VILLAGE, P.O. BOX 23473, DOHA, QATAR Telefon / Telephone number: +974 44200505 E-mail: info@dohafilminstitute.com Web: www.dohafilminstitute.com

Doha Film Institute l 20. Sarajevo Film Festival 199

Le Challat de Tunis / Challat od Tunisa Ljeto 2003. u Tunisu. Muškarac na mopedu kruži ulicama Tunisa s brijačem u ruci. Poznat po imenu Challat, taj muškarac ima misiju: sjeći stražnjice žena koje šetaju po gradskim trotoarima. Gradom se o njemu šire nevjerovatne priče. On je misteriozan lik, zaogrnut velom mašte, koji ulijeva strah. Nakon revolucije jedna se žena daje u potragu za Challatom, odlučna da po svaku cijenu razotkrije istinu o njemu. Kaouther Ben Hania je studirala film u Tunisu i u Francuskoj. Živi u Parizu, a snima i igrane i dokumentarne filmove. Snimila je više kratkih filmova uključujući i ME, MY SISTER AND THE THING koji se uspješno prikazivao na brojnim međunarodnim filmskim festivalima. Njen dokumentarni film IMAMS GO TO SCHOOL je premijerno prikazan na Međunarodnom festivalu dokumentarnog filma u Amsterdamu, a zatim i na više drugih festivala uključujući Međunarodni filmski festival u Dohi. E It’s summer 2003 in Tunisia. A man on a moped prowls the streets of Tunis, with a razor-blade in hand. Known as Challat, he is on a personal mission: to slash the derrieres of women strolling along the city’s sidewalks. From one neighbourhood to another, the most unlikely of stories circulate about him. He is a mysterious figure, shrouded in fantasy, all the while instilling terror. After the revolution, one woman sets out to track him down, determined to clear up the mystery of Challat, at any cost.

Kaouther Ben Hania studied cinema in Tunisia and France. Based in Paris, she works on both fiction and documentary films. Her several short films include ME, MY SISTER AND THE THING, which had a long and successful run on the international festival circuit. Her documentary film IMAMS GO TO SCHOOL premiered at IDFA 2010 and was selected for several international film festivals, including the Dubai International Film Festival.

Curated by Doha Film Institute 200 20. Sarajevo Film Festival l Doha Film Institute

Tunisia, France, 2013, Colour, 90 min., Arabic Režija / Director: Kaouther Ben Hania Scenarij / Screenplay: Kaouther Ben Hania Montaža / Editor: Nadia Ben Rachid Muzika / Music: Benjamin Violet, Si Lemhaf Producent / Producer: Habib Attia, Julie Paratian, Paul Scherzer Produkcija / Production: Cinetelefilms, Sister Productions Uloge / Cast: Jallel Dridi, Mohamed Slim Bouchiha, Moufida Dridi, Narimène Saidane Filmografija / Filmography 2013 - LE CHALLAT DE TUNIS 2013 - YED ELLOUH (kratki / short) 2013 - WOODEN HAND (kratki / short) 2010 - LES IMAMS VONT À L’ÉCOLE / IMAMS GO TO SCHOOL (dokumentarni / documentary) 2006 - ME, MY SISTER AND THE THING (kratki / short)

Habibi bistanan and al bahar / Moja me ljubav čeka kraj mora / My Love Awaits Me by the Sea Kako se vratiti na mjesto koje postoji samo u tvojoj mašti? Mais Darwarzah postavlja to pitanje dok po prvi put iz Jordana putuje u svoju domovinu Palestinu. Prateći trag mrtvog palestinskog umjetnika i pjesnika Hasana Houranija, kojeg u mašti pretvara u svoga ljubavnika, Darwarzah čezne da posjeti Jaffu, lučki grad u kojem se on utopio 2003, a koji je sada dio Izraela. U ovom osvježavajućem dokumentarcu o izbjegličkom iskustvu Palestinaca, udaljeno more postaje metafora za ljubav i emancipaciju. MOJA ME LJUBAV ČEKA KRAJ MORA je posveta Houranijevom djelu i poetski osvrt na pitanja pripadnosti i raseljeništva. Mais Darwzah je širom Bliskog istoka radila kao arhitektica, grafička dizajnerica i autorica televizijskih dokumentarnih filmova. Karijeru nezavisne filmske autorice započela je snimajući kratke eksperimentalne filmove IT WASN’T A QUESTION OF OLIVES (2001), THE HUMAN PUPPET (2005), STILL WAITING (2007) i AISHA’S JOURNEY. Nakon što je na Univerzitetu Kingston diplomirala arhitekturu, Darwzah postaje stipendistica programa Chevening British Councila i stiče zvanje magistrice dokumentarne režije na Koledžu za umjetnost u Edinburgu. Njen diplomski film TAKE ME HOME je prikazan na više od dvadeset festivala širom svijeta. Kao članica Arapskog udruženja za dokumentarni film Family albums, snimila je film THE DINNER koji je nagrađen Specijalnim priznanjem publike na Međunarodnom festivalu mediteranskog filma 2012. godine. E How do you return to a place that only exists in your mind? Filmmaker Mais Darwarzar poses this question as she travels from Jordan to Palestine, her homeland, for the first time. Tracing the footsteps of the late Palestinian artist and poet Hasan Hourani, who becomes her imaginary lover, Darwarzar longs to visit the now-Israeli port of Jaffa where he drowned in 2003. The distant sea becomes a metaphor for love and emancipation in this refreshing documentary about the Palestinian refugee experience. MY LOVE AWAITS ME BY THE SEA is a tribute to Hourani’s work and a poetic exploration of belonging and displacement.

Jordan, Germany, Palestine, Qatar, 2013, Colour, 80 min., Arabic Režija / Director: Mais Darwazah Scenarij / Screenplay: Mais Dawrazah Montaža / Editor: Vartan Avakian Muzika / Music: Cynthia Zavier Zvuk / Sound: Jochen Jezussek Producent / Producer: Rula Nasser Produkcija / Production: The Imaginarium Films, Mengamuk Films, Little Wanderer Films Uloge / Cast: Ghayda Ajalyaqeen Darwazah, HasanHourani, Mohammad Reda Al-Haj Ahmad, Samer Hussam, Ammar Hanini, Muhannad Halawani, Nael, Leila & Maryam Kanj, Hazim Al Sharef, Mariam Yassine, Sheikh Amin A-Nabulsi, Hamdeh Mousa Filmografija / Filmography Izbor / Selected 2013 - HABIBI BISTANAN AND AL BAHAR / MY LOVE AWAITS ME BY THE SEA (dokumentarni / documentary) 2012 - FAMILY ALBUMS (segment THE DINNER) 2009 - AISHA’S JOURNEY (kratki / short) 2008 - TAKE ME HOME

Mais Darwazah has worked across the Middle East in architecture, graphic design and television documentaries. Her independent film career started by making short experimental films: IT WASN’T A QUESTION OF OLIVES ( 2001), THE HUMAN PUPPET (2005), STILL WAITING (2007) and AISHA’S JOURNEY. After finishing her undergraduate degree in Architecture from Kingston University, she received the Chevening scholarship from the British Council, completing an MA in Documentary Directing at Edinburgh College of Art. Her graduation film TAKE ME HOME, was screened in more than 20 international film festivals. As part of an Arab feature documentary collective entitled FAMILY ALBUMS she completed THE DINNER, which received the Special Mention audience award at Cinemed, 2012.

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Moug / Valovi / Waves Umjetničkom kombinacijom dokumentarnih i arhivskih snimaka, animiranih scena i animiranih likova u ulozi članova njegove porodice, reditelj priča priču o svom životu i životima drugih pripadnika njegove generacije, ljudi rođenih osamdesetih godina prošloga vijeka, u trenutku uspona Hosnija Mubaraka na vlast. Autor u filmu, također, govori o Suezu - svome zaboravljenom rodnom gradu u Sueckom kanalu, u kojem je započela revolucija, te zbog kojeg ga zovu još i “Plamen egipatske revolucije.” Ahmed Nour je studirao TV režiju na Univerzitetu Ain Shams, a zatim i kreativni dokumentarni film na Arapskom institutu za film (AIF). Tokom rada na nezavisnim dokumentarcima, Nour je radio i kao asistent režije na više egipatskih komercijalnih filmova. WAVES / VALOVI je njegov prvi dugometražni igrani film. E Using an artistic combination of documentary footage, archive images, animation scenes, animated characters representing the family members of the filmmaker, and his own voice-over, the director tells the story of himself and of his generation, born with the birth of Mubarak’s rule in the early 1980s, and of his forgotten home city, Suez, the famous city of the Suez Canal that triggered the revolution to the extent of becoming known as “The flame of the Egyptian revolution”.

Ahmed Nour studied TV Directing at the Ain Shams University and later Creative Documentary at the Arab Institute of Film (AIF). As well as making independent documentaries, he formerly worked as an assistant director in Egyptian commercial cinema. WAVES is his first feature-length documentary.

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Egypt, Morocco, 2012, Colour, 71 min., Arabic Režija / Director: Ahmed Nour Scenarij / Screenplay: Ahmed Nour Direktor fotografije / Director of Photography: Ahmed Fathy Montaža / Editor: Meriem Amrioui, Simon El Habre Muzika / Music: Markus Aust Producent / Producer: Ahmed Nour Produkcija / Production: Moug Films, San Sebastian Cinema in Motion, Arab Fund for Arts and Culture, Doha Film Institute Kontakt / Contact: Thelsem Films, 19 Haroun Arrachid, Flat 6 Agdal, Rabat, Morocco, triquiandnour@gmail.com Filmografija / Filmography Izbor / Selected 2012 - MOUG / WAVES 2010 - EGYPTIAN NOBEL (kratki dokumentarni / short doc.) 2010 - SIMPLE DREAM (kratki dokumentarni / short doc.) 2010 - MY SKY (kratki dokumentarni / short doc.) 2008 - BUT SOMETHING IS MISSING 2007 - A GOWN AND SHOES

Sarajevo Film Festival Guests Present

Festival mediteranskog filma Split / Mediterranean Film Festival Split 206 206 207 207 208

Finili su Mare bali / The Dance is Over, Maria, Natko Stipaničev Pokret / Movement, Tamara Bilankov Priča o Mari iz Velog Varoša / Story About Mare, Igor Šeregi Snig / Snow, Josip Žuvan Snijeg u Splitu / The Process, Igor Jelinović

Zagreb Film Festival Najbolje od Kockica / Best of Checkers 210 Ko da to nisi ti / So Not You, Ivan Sikavica 210 Mrzim te / I Hate You, Lana Kosovac 211 Pragovi / Thresholds, Dijana Mladenović, Zvonimir Jurić 211 Srami se / Shame on You, Daria Blažević

Filmski festival goEast / goEast Film Festival 213 Zelim’s Confession / Zelimova ispovijest, Natalia Mikhaylova

Ambulante 215 El lugar más pequeño / Najmanje mjesto / The Tiniest Place, Tatiana Huezo Sánchez

IMCINE Instituto Mexicano De Cinematografía 217 El Cuarto Desnudo / Gola soba / The Naked Room, Nuria Ibáñez Castañeda 218 La Jaula de Oro / Zlatni san / The Golden Dream, Diego Quemada-Díez 219 Workers / Radnici, José Luis Valle

Slovenski Filmski Centar 221 Projekt: rak / Project Cancer, Damjan Kozole

Nominacije za nagradu EE BAFTA 2014. za kratki film: partnerski program British Councila / EE BAFTA 2014 Short Film Nominees: A British Council touring programme 223 223 223 224 224 224 225 225

Everything I Can See From Here / Sve što odavdje mogu vidjeti, Bjorn-Erik Aschim, Sam Taylor I Am Tom Moody / Ja sam Tom Moody, Ainslie Henderson Island Queen / Kraljica otoka, Ben Mallaby Keeping Up with the Joneses / Kako komšije, tako i mi, Michael Pearce Orbit Ever After / Zauvijek sretni u orbiti, Jamie Stone Room 8 / Ćelija broj 8, James W. Griffiths Sea View / Pogled na more, Jane Linfoot Sleeping with the Fishes / Spavati s ribama, Yousif Al-Khalifa

Festival mediteranskog filma Split / Mediterranean Film Festival Split Najbolje od Ješki

E The best of “Ješke”

Festival mediteranskog filma Split pokrenut je 2008. godine, a održava se početkom juna u Splitu. Glavni cilj FMFS-a je predstaviti publici najbolje filmove mediteranskih zemalja. Program je otvoren igranim, dokumentarnim, animiranim i eksperimentalnim filmovima, dugog i kratkog metra. Tokom devet dana prikaže se oko stotinu filmova, a na Festivalu se organizira i niz radionica, predavanja i razgovora s gostima. Projekcije se održavaju u splitskoj Kinoteci Zlatna vrata i na otvorenome - u Ljetnom kinu Bačvice. FMFS organizira i projekt revitalizacije kino programa u čitavoj Dalmaciji - Kino Mediteran. Ovo putujuće kino, dio mreže Operacija Kino, obilazi kroz čitavu godinu otoke, gradiće i mjesta po Dalmaciji u kojima odavno ne postoji redovni kino repertoar.

Mediterranean Film Festival Split was launched in 2008 and is held in early June in Split, Croatia. The main aim of FMFS is to show the audience the best of Mediterranean cinema. The programme is open to Feature, Documentary, Animated and Experimental films, both shorts and features. Around a hundred films are screened and a series of workshops, lectures and Q&A sessions with guests are organized during the nine Festival days. Screenings are held in the Zlatna Vrata cinema and in the Bačvice open air cinema. FMFS also organizes a project called Cinema Mediterranean, aimed at revitalizing cinema across all of Dalmatia. Throughout the year this travelling cinema, which is part of the Operation Kino network, visits Dalmatian islands and towns that have not had a regular cinema programme in a long time.

Nagrada Udica Festivala dodjeljuje se za najbolji dugometražni film, najbolji međunarodni kratkometražni film i za najbolji hrvatski kratkometražni film iz programa JEŠKE.

The Festival Hook is awarded to Best Feature Film, Best International Short Film and Best Croatian Short Film in the “Ješke” program.

Ješka na dalmatinskom dijalektu znači mamac, prvenstveno onaj koji se stavlja na udicu i koristi u ribolovu. FMFS kroz natjecateljski program Ješke prikazuje kratkometražne filmove hrvatske produkcije, a poseban naglasak kroz ovaj program daje se splitskim autorima i filmovima koji su snimljeni u Splitu i Dalmaciji. Na ovaj način Festival doprinosi i razvoju lokalne filmske produkcije. U Sarajevo zato i donosimo izbor Ješki snimanih u Splitu i/ili mladih splitskih autora. Zbog njih ovaj program i nazivamo JEŠKE - ovi kratki filmovi su mamac koji će vas zakačiti da pratite ove reditelje, da zaronite u njihove priče, da posjetite Split ili da i sami dođete na ideju filma kojeg ćete realizirati u Splitu.

In the Dalmatian dialect, “ješka” means bait that is placed on a hook and used in fishing. Through the “Ješke”competition programme FMFS screens Croatian short films, with special emphasis on authors from Split and films shot in Split and in Dalmatia. In this way, the Festival contributes to the development of local film production. This is why we bring a collection of Ješke filmed in Split and/or films by young authors from Split. These authors are the reason this program is called JEŠKE – their short films are the bait that will hook you to follow these directors, to plunge into their stories, to visit Split or to develop an idea for a film to be made in Split.

Festival mediteranskog filma Split / Mediterranean Film Festival Split P.O.Box 169, 21000 Split, Croatia Tel: +385 21 322 838 E-mail: info@fmfs.hr www.fmfs.hr

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Croatia, 2013, Colour, 9 min., no dialogue Režija / Director: Natko Stipaničev Scenarij / Screenplay: Natko Stipaničev, Josip Žuvan Animacija / Animation: Ognjen Tutek, Natko Stipaničev Montaža / Editor: Natko Stipaničev Muzika / Music: Natko Stipaničev Producent / Producer: Natko Stipaničev Produkcija / Production: Akademija likovnih umjetnosti Zagreb

Finili su Mare bali / The Dance is Over, Maria Dvoje ljudi žive sami na izoliranom otoku. On lovi ribu i kući donosi ulov, a ona obavlja kućanske poslove. FINILI SU MARE BALI ilustrira mehaničke i ukorijenjene reakcije na životne događaje – svakodnevne i čudesne. Natko Stipaničev je rođen 1986. u Šibeniku. Diplomirao je film i video na Umjetničkoj akademiji Sveučilišta u Splitu, a trenutno završava magistarski studij animiranog filma na Akademiji likovnih umjetnosti u Zagrebu.

Filmografija / Filmography 2013 - FINILI SU MARE BALI / THE DANCE IS OVER, MARIA (kratki animirani / short animated) 2011 - DRAGI KENO / DEAR KENO (kratki animirani / short animated) 2011 - ZAGREB–IVANIĆ GRAD–ZAGREB (kratki animirani / short animated) 2011 - SAM NA PLESU / ALONE AT PLESO (kratki animirani / short animated) 2011 - DUMINA (kratki animirani / short animated) 2010 - MIRKO IDE NA RENDEZ / MIRKO GOES ON RENDEZVOUS (kratki animirani / short animated)

E Two people living alone on an isolated island. He catches fish and brings home the food. She does the housework. THE DANCE IS OVER, MARIA deals with mechanical, deeply rooted reactions to all life’s events.

Natko Stipaničev was born in Šibenik, Croatia in 1986. He graduated with a BA in Film and Video from the Academy of Arts, University of Split, and he is currently a final-year MA student of Animated Film at the Academy of Fine Arts in Zagreb.

Croatia, 2013, Colour, 10 min., no dialogue Režija / Director: Tamara Bilankov Scenarij / Screenplay: Tamara Bilankov Direktor fotografije / Director of Photography: Jure Cukar Producent / Producer: Tamara Bilankov Produkcija / Production: Umjetnička akademija Split Uloge / Cast: Alen Čelić, Romano Dautanac, Nela Sisarić Filmografija / Filmography 2014 - POKRET / MOVEMENT

Pokret / Movement U hrvatske tvornice i pogone koji su u posljednih nekoliko godina zbog recesijske krize otišli u stečaj, ulaze scenski izvođači, koji putem plesne koreografije i scenskog pokreta sugeriraju na sudbinu bivših radnika, te se koriste vizualom prostora i njegovim kontekstom. Tamara Bilankov je rođena 1988. u Splitu. Diplomirala je film i video na Umjetničkoj akademiji u Splitu, a trenutno studira nove medije i animaciju na Umjetničkoj akademiji u Zagrebu. Članica je umjetničkog kolektiva „SF Lovers“. E In Croatia, factories and plants have gone bankrupt in the last couple of years due to recession. Various performers present the destiny of former employees through dance choreography and scene movement.

Tamara Bilankov was born in 1988 in Split, Croatia. With a bachelor’s degree in Film and Video from the Arts Academy Split, she currently studies New Media and Animation at the Zagreb Arts Academy. She works as part of the “SF lovers” art collective.

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Croatia, 2013, Colour, 19 min., Croatian Režija / Director: Igor Šeregi Scenarij / Screenplay: Igor Šeregi Direktor fotografije / Director of Photography: Mirko Pivčević Montaža / Editor: Tomislav Stojanović Muzika / Music: Stjepan Tribuson Producent / Producer: Rea Rajčić, Marina Jurišić Produkcija / Production: Akademija dramske umjetnosti Zagreb Uloge / Cast: Vanda Boban, Mijo Jurišić, Trpimir Jurkić, Dara Vukić

Priča o Mari iz Velog Varoša / Story About Mare Mare je bila tiha i jednostavna djevojka iz splitskog Varoša. Još kao mala shvatila je da je njen najveći talent to što zna slušat druge ljude. Jednog dana doktor je Mari reka da će uskoro umrit. Jer tako je to sa srcima… Igor Šeregi rođen je 1983. u Zagrebu. Godine 2006. upisao je Akademiju dramske umjetnosti u Zagrebu, Odsjek filmske režije. Član je društva hrvatskih skladatelja pri HGU-u. Sa svojim autorskim filmovima i filmovima u čijem je radu sudjelovao, gostovao je na brojnim domaćim i inozemnim filmskim festivalima i revijama.

Croatia, 2012, Colour, 27 min., Croatian Režija / Director: Josip Žuvan Scenarij / Screenplay: Josip Žuvan Direktor fotografije / Director of Photography: Vedran Rapo Montaža / Editor: Borna Buljević Producent / Producer: Marko Sušac Produkcija / Production: Akademija dramske umjetnosti Zagreb, HRT Uloge / Cast: Trpimir Jurkić, Tihana Lazović, Vedran Mlikota, Joško Ševo, Petra Težak, Mile Blažević

Snig / Snow Nakon što mu se kći zaposli na internetskom portalu, Ante joj dolazi u posjet s torbom punom hrane, kako bi mogla počastiti kolege s posla. Umjesto očekivanog druženja s kćeri, odlazi u ludi noćni provod s prijateljem taksistom.

Filmografija / Filmography 2012 - SNIG / SNOW (kratki / short) 2012 - DREAM MYSELF AWAY (kratki / short) 2011 - NEBITNO / IRRELEVANT (kratki / short) 2010 - LOVAC / THE HUNTER (kratki / short) 2009 - KAKO VEZATI KRAVATU / HOW TO KNOT A TIE (kratki / short) 2009 - EPILOG / EPULOGUE (kratki / short)

Josip Žuvan student je na diplomskom studiju Filmske režije na Akademiji dramske umjetnosti u Zagrebu. Autor je nekoliko kratkih igranih filmova: EPILOG, KAKO VEZATI KRAVATU, LOVAC, NEBITNO i dr. E When his daughter finds a job at an Internet portal, Ante visits her, carrying a bagful of food, so that she could treat her colleagues at work. Instead of the expected get-together with his daughter, he ends up enjoying nightlife with his friend, a taxi driver.

Josip Žuvan is a student of Film Directing at the Zagreb Academy of Dramatic Art. He has made several short films: EPILOGUE, HOW TO KNOT A TIE, HUNTER, IRRELEVANT etc.

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Croatia, 2013, Colour, 8 min., Croatian Režija / Director: Igor Jelinović Scenarij / Screenplay: Josip Lukić, Tomislav Luetić, Igor Jelinović Direktor fotografije / Director of Photography: Marko Jerbić Montaža / Editor: Miro Manojlović Producent / Producer: Igor Jelinović, Tomislav Luetić, Josip Lukić Produkcija / Production: Pomračenje o podne Uloge / Cast: Tomislav Luetić, Josip Lukić

Snijeg u Splitu / The Process Kratki film o trenutku jednog prijateljstva. Igor Jelinović rođen je u Splitu 1984. godine. Autor je nekoliko kratkih igranih filmova. Film SABONIS nagrađen je glavnom nagradom na KRAF-u 2012. godine. E A short film about a moment in a friendship.

Igor Jelinović was born in Split, Croatia, in 1984. He has made several short fiction films. His film SABONIS won the Grand Prix at KRAF 2012.

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Filmografija / Filmography 2014 - PREKID (kratki / short) 2013 - SNIJEG U SPLITU (kratki / short) 2011 - SABONIS (kratki / short) (koautor / co-author Tomislav Luetić) 2010 - SOBE (kratki / short) 2009 - DIJETE (kratki / short)

Zagreb Film Festival Najbolje od Kockica / Best of Checkers IZBOR FILMOVA IZ PROGRAMA “KOCKICE” NA 20. SARAJEVO FILM FESTIVALU

E SELECTION OF FILMS FROM THE “CHECKERS” PROGRAMME AT THE 20TH SARAJEVO FILM FESTIVAL

Na 20. Sarajevo Film Festivalu u okviru programa SFF Guests Present bit će prikazan izbor kratkih filmova iz programa ‘Kockice’ Zagreb Film Festivala.

A selection of short films from the Zagreb Film Festival’s Checkers Programme will be screened in the Guests Present program of the 20th Sarajevo Film Festival.

Prikazivanje programa “Najbolje od Kockica” dio je saradnje dvaju regionalnih filmskih festivala, Sarajevo Film Festivala i Zagreb Film Festivala, čiji je cilj osnažiti regionalnu platformu za promociju novih autora. Izbor iz programa “Kockice”, koji na ZFF-u predstavlja kratkometražne filmove novih hrvatskih autorica i autora, a koji će sarajevska publika imati priliku pogledati u avgustu, donosi četiri filma iz prošlogodišnjeg programa “Kockice”, među kojima su i dobitnik glavne nagrade programa te posebnog priznanja žirija. U okviru ovog programa bit će prikazani KO DA TO NISI TI Ivana Sikavice (Zlatna kolica 2013.), SRAMI SE Darije Blažević (Posebno priznanje 2013.), MRZIM TE Lane Kosovac, te PRAGOVI Dijane Mlađenović. U okviru ove saradnje, u oktobru će na Zagreb Film Festivalu biti prikazani filmovi po izboru Sarajevo Film Festivala, kao dio zajedničkog nastojanja ZFF-a i SFF-a da promoviraju nove filmske autore i podstiču regionalno filmsko stvaralaštvo.

The Best of the Checkers Programme screenings result from cooperation of the two regional film festivals - Sarajevo Film Festival and Zagreb Film Festival - established to create and strengthen a regional platform for promotion of the emerging filmmakers. In its Checkers Programme, the Zagreb Film Festival presents short films by the emerging Croatian filmmakers. A selection of films from last year’s edition of the programme to be presented to the Sarajevo audiences features four titles, including the winners of the festival’s main and special mention awards. The four films are Ivan Sikavica’s SO NOT YOU (Golden Pram Award, 2013), Darija Blažević’s SHAME ON YOU (Special Mention, 2013), I HATE YOU by Lana Kosovac and THRESHOLDS by Dijana Mlađenović. In continuation of the two festivals’ cooperation established to promote emerging filmmakers and encourage regional film production, several films selected by the Sarajevo Film Festival will be screened at the Zagreb Film Festival in October.

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Croatia, 2013, Colour, 29 min., Croatian

Ko da to nisi ti / So Not You Pronađena snimka malene kućne kamere ulovila je intimu između dva para. Na snimci se oni uzbuđuju slušajući maštarije svojih partnera, a poslije ih deprimira pomisao o čemu su oni zapravo razmišljali. Propitivanje skrivenih želja i strahova, onoga što nas uzbuđuje i istovremeno plaši. Ivan Sikavica diplomirao je na Fakultetu političkih znanosti u Zagrebu i završava studij režije na diplomskom studiju Akademije dramske umjetnosti.

Režija / Director: Ivan Sikavica Scenarij / Screenplay: Ivan Sikavica, Zvonimir Jurić, Marija Šimoković - Sikavica Direktor fotografije / Director of Photography: Danko Vučinović Montaža / Editor: Nina Velnić Zvuk / Sound: Ivan Zelić Scenografija / Production Design: Marija Šimoković Kostimografija / Costume Design: Neda Frank Producent / Producer: Morana Komljenović, Vinko Brešan Produkcija / Production: Fade In, Zagreb film Uloge / Cast: Irena Tereza Prpić, Matija Čigir, Marina Redžepović, Zvonimir Jurić Filmografija / Filmography 2013 - KO DA TO NISI TI / SO NOT YOU (kratki / short) 2012 - BABYSITTER (kratki / short) 2012 - SIN (segment omnibusa ZAGREBAČKE PRIČE VOL. 2) 2012 - ŠPANSKO KONTINENT (segment omnibusa ZAGREBAČKE PRIČE)

E Found footage form a small home video camera has captured the intimate moments of two couples. The footage shows them at first getting excited at hearing their partner’s fantasies, but later they are depressed at the thought of what was actually going through their partner’s mind. This is an exploration of hidden desires and fears, of things that simultaneously excite us and frighten us.

Ivan Sikavica obtained his degree from the School of Political Sciences in Zagreb and is currently completing his graduate studies in directing at the Zagreb Academy of Performing Arts.

Croatia, 2013, Colour, 24 min., Croatian Režija / Director: Lana Kosovac Scenarij / Screenplay: Lana Kosovac Direktor fotografije / Director of Photography: Damian Nenadić Montaža / Editor: Nina Rac Muzika / Music: Nikša Marinović Producent / Producer: Petra Begović, Nina Križan Produkcija / Production: Akademija dramske umjetnosti Uloge / Cast: Klara Naka, Katarina Jurić, Lana Barić, Ivana Legati, Leon Lučev, Vedran Živolić, Marko Hergešić

Mrzim te / I Hate You Ljetna je noć. Dok njihove mame doma tulumare, Dunja (15) i Linda (14) lutaju praznim gradom. Dunja teško podnosi razvod svojih roditelja i iskaljuje se na Lindi. Lana Kosovac rođena je 1981. godine u Zagrebu. Završila je studij politologije na Fakultetu političkih znanosti. Godine 2009. upisuje preddiplomski studij filmske i televizijske režije na Akademiji dramske umjetnosti u Zagrebu. Trenutno pohađa diplomski studij režije igranog filma na Akademiji dramske umjetnosti. Za dokumentarni film PARK LJUBAVI dobila je specijalno priznanje na Festivalu FRKA, te nagradu publike na Filmskom festivalu Liburnija 2013. E A summer night. While their mothers are home partying, Dunja (15) and Linda (14) wander through the empty streets of their town. Dunja has difficulty accepting her parents’ divorce and takes her frustration out on Linda.

Lana Kosovac was born in Zagreb in 1981. She completed her studies at the School of Political Sciences in Zagreb. In 2009, she enrolled in the undergraduate programme in film and television directing at the Academy of Performing Arts in Zagreb. At the moment, she is completing her graduate studies in feature film directing at the same Academy. Her documentary film PARK LJUBAVI / LOVE PARK received a Special Mention of the Student Film Festival FRKA in Zagreb and the audience award at the 2013 Liburnia Film Festival.

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Filmografija / Filmography 2013 - MRZIM TE / I HATE YOU (kratki / short) 2013 - PARK LJUBAVI (kratki dokumentarni / short doc.) 2011 - ONA (kratki / short)

Croatia, 2013, Colour, 13 min., Croatian Režija / Director: Dijana Mladenović Scenarij / Screenplay: Dijana Mladenović, Zvonimir Jurić Direktor fotografije / Director of Photography: Dragan Ruljančić Montaža / Editor: Nina Velnić Muzika / Music: Jure Buljević Producent / Producer: Dijana Mladenović Produkcija / Production: Kinematograf Uloge / Cast: Alma Prica, Franjo Kuhar, Nikša Butijer, Zvonimir Jurić, Slaven Španović Filmografija / Filmography 2013 - PRAGOVI / THRESHOLDS (kratki / short)

Pragovi / Thresholds Godina je 1992. Rat je u Hrvatskoj. Nova vlast provodi nasilno iseljavanje nepodobnih iz njihovih stanova. U iznenadnoj deložaciji Vesna i Ivan naći će se na suprotnim stranama. Ovo je film o tihoj, pasivnoj većini. Ali i film o građanskoj hrabrosti. Dijana Mladenović diplomirala je na Pravnom fakultetu u Rijeci i Akademiji dramske umjetnosti u Zagrebu. Za to vrijeme kao freelancer učestvuje u produkciji nekolicine televizijskih i filmskih projekata te u organizaciji i kreativnom razvoju nekoliko filmskih festivala. Osnivačica je i voditeljica Produkcijske kuće Kinematograf. PRAGOVI je njen prvi kratki igrani film. Film je nastao pod mentorstvom Zvonimira Jurića. E It is 1992 and war is raging in Croatia. The newly established government is forcibly evicting the ‘unwanted’ from their apartments. During a sudden eviction, Vesna and Ivan find themselves on the opposing sides. This is a film about the silent, passive majority, but also a film about civil courage.

Dijana Mlađenović obtained her degrees from the Law School in Rijeka and the Academy of Performing Arts in Zagreb. At the same time she worked as a freelance producer on several film and television projects and had also helped with organization and creative development of several film festivals. She is the founder and manager of Kinematograf production company. PRAGOVI / THRESHOLDS is her first short film, created under the mentorship of Zvonimir Jurić.

Croatia, Austria, 2013, Colour, 7 min., Croatian Režija / Director: Daria Blažević Scenarij / Screenplay: Daria Blažević Direktor fotografije / Director of Photography: Pavle Krnjaić Montaža / Editor: Sara Gregorić Muzika / Music: Andrej Smoljan Zvuk / Sound: Andrej Smoljan Scenografija / Production Design: Daria Blažević Kostimografija / Costume Design: Daria Blažević Producent / Producer: Sara Juričić Produkcija / Production: Filmakademie Wien Uloge / Cast: Lana Barić, Jadran Grubišić, Mladen Hren, Vilim Kalle, Urša Raukar, Marina Redžepović, Damir Šaban, Franko Gracin, Renato Gracin, Sara Repnjak, Dora Vunarić, Ana Letunić

Srami se / Shame on You Jedna majka organizira da se iz osvete pretuče dječaka koji je pretukao njenog sina. Daria Blažević rođena je 1987. Završila je preddiplomski studij filmske i televizijske režije na Akademiji dramske umjetnosti u Zagrebu. Trenutno studira režiju na diplomskom studiju na Filmskoj akademiji u Beču. E A mother organizes a revenge beating of a boy who beat her son.

Daria Blažević was born in 1987. She completed undergraduate studies of film and television directing at the Academy of Performing Arts in Zagreb. She is currently attending a graduate directing program at the Vienna Film Academy.

Filmografija / Filmography 2013 - SRAMI SE / SHAME ON YOU (kratki / short) 2012 - Go ROUND (kratki eksperimentalni / short experimental) 2012 - MALI ODMOR (kratki dokumentarni / short doc.) 2011 - ZUBI (kratki / short)

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Filmski festival goEast / goEast Film Festival Nakon što ga je Njemački institut za film pokrenuo 2001. godine, Filmski festival goEast usmjeren je na filmove nastale u srednjoj i istočnoj Evropi. U sedam festivalskih dana u Wiesbadenu, goEast predstavlja raznovrstan program filmskih trendova, eksperimentalnih stavova i historijskih rijetkosti. Program rada Filmskog festivala goEast, koji je koncipiran kao forum za dijalog između Istoka i Zapada, u znaku je pitanja (višestrukih) evropskih identiteta i procesa brže socijalne i političke transformacije. Program iskazuje svoju misiju u kulturi: da ponudi javnu platformu za izuzetne, neobične i angažirane filmove koji će teško pronaći put ka distribuciji u komercijalnim kinima. Posjetioci – filmski autori i ljudi iz filmske industrije iz Njemačke i inostranstva, lokalni ljubitelji filma i međunarodni gosti – uživaju u kvaliteti i posebnoj atmosferi festivala koji omogućava razmjenu vještina i znanja. Festival goEast je posvećen pravom filmskom iskustvu, novim dešavanjima i aktualnim temama, kao i umjetničkom naslijeđu istočnoevropskog filma. Program je podijeljen u sedam sekcija: Competition, Symposium, East-West Talent Lab, Portrait / Homage (naizmjenično), Beyond Belonging, Highlights i Specials. Svaka pažljivo pripremljena sekcija ima podršku festivalskih saradnika i stručnjaka, a filmove u takmičarskoj sekciji nominira selektorska komisija. Sve sekcije obuhvataju različite žanrove i estetske stilove, a dokumentarni film je za sebe, uporedo s igranim, osigurao zasluženi prostor. Nagrada za dokumentarni film, Remembrance and Future, ima za cilj da oda priznanje rediteljima koji kritički analiziraju nova društvena dešavanja u svojim zemljama porijekla i njihove historijske razloge, čime otvaraju prekogranične perspektive. Nagradu u Wiesbadenu zajedno dodjeljuju Fondacija Remembrance, Responsibility and Future i Festival goEast, a sama nagrada iznosi 10.000 eura. Nagrada za dokumentarni film pod nazivom Remembrance and Future On Tour series ima cilj da osigura pažnju javnosti i izvan festivalskih granica.

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E Launched in 2001 by Deutsches Filminstitut, goEast revolves around films made in Central and Eastern Europe. In the course of seven days in Wiesbaden, goEast unfolds a diverse programme encompassing cinematic trends, experimental positions and historical rarities. The agenda of goEast, conceived as a forum of east-west dialogue, is dominated by questions of (multiple) European identities and processes of rapid social and political transformation. The programme expresses a cultural mission: to provide a public platform for remarkable, unusual and engaged films unlikely to find distribution on the commercial cinema circuit. Festival visitors – filmmakers and industry specialists from Germany and abroad, local film enthusiasts and international guests – are enthusiastic about the quality and special atmosphere of a festival that facilitates the exchange of skills and knowledge. goEast is dedicated to the cinematic experience, to new developments and topical themes, to the artistic heritage of Eastern European film. The goEast programme is divided into seven sections: Competition, Symposium, East-West Talent Lab, Portrait/ Homage (alternating), Beyond Belonging, Highlights and Specials. Each meticulously curated section is supported by festival correspondents and experts; the competing films are nominated by a selection committee. All the sections include diverse genres and aesthetic styles, and documentary film has meanwhile carved out a well-deserved niche alongside the features. The Documentary Award “Remembrance and Future” aims to honour directors who critically analyze new social developments and their historical reasons in their respective countries of origin, and thereby point out cross-border perspectives. The prize has been awarded jointly in Wiesbaden by the “Remembrance, Responsibility and Future” Foundation and goEast and is endowed with a prize of 10,000 euros. The Documentary Award “Remembrance and Future” On Tour series aims at public attention for these films expanding beyond the festival borders.

Zelim’s Confession / Zelimova ispovijest “Ja zapravo želim sve to da zaboravim,” kaže Zelim na početku filma. Onda taj mladi čovjek počinje da priča. Zelim je na težak način naučio da izbjeglice iz Čečenije ne bi trebale čekati autobus na autobuskoj stanici u Ingušetiji. Njega je uočila policijska patrola. Pozvali su ga, zapisali njegove podatke, pustili ga. Nedugo zatim, pripadnici specijalne policije upali su u stan u kojem je Zelim živio s porodicom i uhapsili ga. Pet dana su ga brutalno mučili kako bi iz njega izvukli priznanje za zločine koje nije počinio. Zahvaljujući vlastitoj izdržljivosti, Zelim je preživio i uspio pobjeći u Norvešku. Dok se Zelim u novoj zemlji bori s košmarima i stravičnim sjećanjima, njegova porodica u Ingušetiji pokušava skinuti ljagu s njegovog imena. Zelimova priča razotkriva slabo poznatu praksu sistemskog kršenja ljudskih prava na sjevernom Kavkazu - praksu nevidljivu spoljnom svijetu, ali dobro poznatu lokalnom stanovništvu. U vrijeme građanskog rata, zakoni ne važe. Natalia Mikhaylova je rođena 1980. u St. Petersburgu, u Rusiji. Studirala je književnost na Državnom univerzitetu u St. Petersburgu od 1997. do 2001. godine. Radila je kao prevoditeljica, fotografkinja i montažerka na različitim filmskim projektima u St. Petersburgu i Moskvi. ZELIMOVA ISPOVIJEST je film s kojim je 2012. godine diplomirala na Univerzitetu za film i televiziju Konrad Wolf (HFF) u Babelsbergu, Potsdam. E “Actually, I want to forget these things,” says Zelim at the start of the film. But then the young

man begins to talk. For a Chechen refugee in Ingushetia, waiting at a bus-stop proved to be a bad idea: he was spotted by a passing police patrol. They hauled him in, recorded his details, let him go. Shortly afterwards his family’s apartment was stormed by special police, and Zelim was arrested. Over five days of brutal torture, the police try to extract a confession for crimes he did not commit. Thanks to his resilience Zelim manages to survive and escape to Norway. While Zelim battles nightmares and oppressive memories in his new home, his family in Ingushetia tries to clear his name. The story of Zelim sheds light on rather unknown systematic human rights violations in the Northern Caucasus - invisible from the outside but obvious to locals, civil war is on and there are no laws.

Germany, Russia, 2014, Colour, 60 min., Russian Režija / Director: Natalia Mikhaylova Scenarij / Screenplay: Natalia Mikhaylova Direktor fotografije / Director of Photography: Natalia Mikhaylova Montaža / Editor: Philipp Gromov Muzika / Music: Leonard Petersen Zvuk / Sound: Selina Becker Producent / Producer: Natalia Mikhaylova Produkcija / Production: HFF “Konrad Wolf”, Germany Kontakt / Contact: Cristina Marx, Hochschule für Film und Fernsehen, “Konrad Wolf” Potsdam-Babelsberg, Marlene-Dietrich-Allee 11, 14482 Potsdam, Tel: +49 (0)331.6202-564, E-mail: distribution@hff-potsdam.de Filmografija / Filmography 2013 - ZELIM´S CONFESSION (dokumentarni / documentary) 2012 - EXTERNAL SITES (kratki / short) 2009 - 24 HOURS BERLIN (dokumentarni / documentary)

Natalia Mikhaylova was born 1980 in St. Petersburg, Russia. She studied literature at St. Petersburg State University from 1997 to 2001. Natalia worked as an interpreter, photographer and editor for diverse film projects in St. Petersburg and Moscow. ZELIM’S CONFESSION is her graduation film for Film and Television University “Konrad Wolf” (HFF), Potsdam-Babelsberg, in 2012.

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Ambulante Ambulante je neprofitna organizacija primarno fokusirana na promociju i razvoj dokumentarnog filma kao sredstva društvenih i kulturnih promjena. Osnovana je u Meksiku 2005. godine, a osnovali su je Gael Garcia Bernal, Diego Luna, Pablo Cruz i Elena Fortes. Ambulante se brine o tome da dokumentarni filmovi i relevantna obuka stignu do mjesta gdje ih je inače teško pronaći, a sve s ciljem da se oblikuje angažirana, informirana i kritički raspoložena javnost, te da se njeguju novi oblici društvenog izražavanja i ohrabri kultura javnog dijaloga u Meksiku i u inostranstvu. Ambulante u Meksiku svake godine organizira putujući međunarodni filmski festival u trajanju od tri mjeseca, tokom kojih se festivalski filmovi prikazuju u raznim mjestima širom zemlje. Ambulante u okviru festivalskog programa predstavlja preko stotinu dokumentarnih filmova i više od 120 gostiju iz Meksika i inostranstva, a festivalski se programi održavaju na više od 150 različitih lokacija. Ambulante ima cilj da u Meksiku promovira dokumentarni film i poveća broj ljubitelja ovog žanra, a to postiže tako što se filmovi prikazuju na mnogo različitih mjesta. Ambulante je trenutno najveći festival dokumentarnog filma u Meksiku. Festivalske aktivnosti uključuju kinoprojekcije, radionice, debate, seminare, simpozije, panel-diskusije, čiji su ciljevi formiranje profesionalnih mreža, dokumentarnih kina, drive-in kina i prezentacije dokumentaraca na iberijsko-američkom muzičkom festivalu Vive Latino u Meksiko Cityju. Ambulante pruža mnoštvo različitih prilika da se doživi i razumije dokumentarni film. Radi se o netakmičarskom festivalu, a više od 60% festivalskih sadržaja je besplatno. Ambulante istovremeno radi i na nekoliko obrazovnih i kulturnih projekata kao što su: Ambulante Beyond, Ambulante Global, Cuauhtémoc Moctezuma - Ambulante Grant, Ambulante Presenta, Ambulante Online i Ambulante Ediciones.

www.ambulante.com.mx Facebook: GiradeDocumentalesAmbulante @Ambulante

214 20. Sarajevo Film Festival l AMBULANTE

E Ambulante is a non-profit organization that focuses on supporting and promoting documentary film as a tool for social and cultural transformation. Founded in Mexico in 2005 by Gael Garcia Bernal, Diego Luna, Pablo Cruz and Elena Fortes, Ambulante brings documentary films and training programs to places where they are rarely available, in order to create a participative, informed and critical public, cultivate new forms of expression, and encourage debate in Mexico and abroad.

Each year, Ambulante organizes an international film festival that tours Mexico for three months. Ambulante presents over 100 documentaries, invites more than 120 guests from Mexico and abroad, and holds screenings in over 150 venues. Ambulante’s objective is to promote documentary film within Mexico and reach a broader audience by screening films in a wide array of venues. Ambulante is currently the largest documentary film festival in Mexico. It includes film screenings, workshops, talks, seminars, symposiums, networking panels, documentary theatre, drive-in cinema, and a showcase of documentaries at the Ibero-American Music Festival Vive Latino held in Mexico City. Ambulante opens up different ways of experiencing and understanding documentary film. It is a non-competitive film festival, and over 60% of its programme is free. In addition, Ambulante has concurrently developed several educational and cultural projects: Ambulante Beyond, Ambulante Global, Cuauhtémoc Moctezuma - Ambulante Grant, Ambulante Presenta, Ambulante Online and Ambulante Ediciones.

El lugar más pequeño / Najmanje mjesto / The Tiniest Place Priča o sposobnosti čovjeka da se nakon tragedije uzdigne, izgradi i ponovo pronađe sebe. Priča o ljudima koji su naučili živjeti s tugom; o uništenom gradu koji se uzdiže snagom i snažnom ljubavlju građana za zemlju i ljude. Maleno mjesto, smješteno u vlažnoj salvadorskoj džungli. Tatiana Huezo Sánchez je rođena u San Salvadoru 1972. godine. Diplomirala je na Centro de Capacitación Cinematográfica u Mexico Cityju. Režirala je nekoliko kratkometražnih i dokumentarnih filmova. Dobila je novčanu podršku Državnog fonda za umjetnost i kulturu za snimanje dokumentarnog filma FAMILY PORTRAIT, kao i stipendiju za postdiplomski studij dokumentarnog filma na Univerzitetu Pompeu Fabra u Barceloni. THE TINIEST PLACE je njena opera prima. E A story about the man’s ability to rise, rebuild and reinvent himself after surviving a tragedy. A story about a people that have learned to live with their sorrow; an annihilated town that re-emerges through the strength and deep love of its inhabitants for the land and the people. A tiny place nestled in the mountains amidst the humid Salvadorian jungle.

Tatiana Huezo Sánchez was in 1972, in San Salvador. She is a graduate of the Centro de Capacitación Cinematográfica in Mexico City. She has directed several short films and documentaries. She received a grant from the National Culture and Arts Fund to produce the documentary: FAMILY PORTRAIT and a scholarship for a master’s degree in Documentary Filmmaking at the University of Pompeu Fabra in Barcelona. THE TINIEST PLACE is her opera prima.

Mexico, 2011, Color, 108 min, Spanish Režija / Director: Tatiana Huezo Sánchez Scenarij / Screenplay: Tatiana Huezo Sánchez Direktor fotografije / Director of Photography: Ernesto Pardo Montaža / Editor: Paulina Del Paso, Tatiana Huezo Sánchez, Lucrecia Gutiérrez Muzika / Music: Leonardo Heiblum, Jacobo Lieberman Zvuk / Sound: Federico González Producent / Producer: Nicolás Celis Produkcija / Production: A Centro de Capacitación Cinematográfica / Foprocine production with the support of Beca Gucci-Ambulante Filmografija / Filmography 2011 - EL LUGAR MÁS PEQUEÑO / THE TINIEST PLACE (dokumentarni / documentary) 2008 - RETRATO DE FAMILIA / FAMILY PORTAIT (dokumentarni / documentary) 2001 - EL OMBLIGO DEL MUNDO / THE COREO OF THE EARTH (kratki / short) 1998 - TIEMPO CAÚSTICO / CAUSTIC TIME (kratki / short)

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Instituto Mexicano de Cinematografía IMCINE IMCINE (Instituto Mexicano de Cinematografía) je državna agencija odgovorna za jačanje razvoja nacionalne filmske industrije kroz podršku produkcije, promocije i distribucije meksičkih filmova.

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E IMCINE (Instituto Mexicano de Cinematografía) is a public agency responsible for boosting the development of the national film industry through the support of production, promotion and distribution of Mexican films.

El Cuarto Desnudo / Gola soba / The Naked Room Jedina lokacija (enterijer): ljekarska ordinacija. Glavni likovi: djeca i tinejdžeri, a (kategorično) u pozadini isprepadani, pogođeni, poraženi roditelji. Glavna karika u narativu: dječiji psihijatar. Glavna tematika: istražiti traume i noćne more u generaciji meksičke srednje klase. Alat: direktna kinematografija, pratnja, promatranje, agresivna montaža. U drugom dokumentarcu Nurije Ibáñeza Castañede, kamera se spaja s oštrim dekorom unutar ordinacije dječijeg psihijatra u bolnici u Meksiko Cityju. Prisustvujemo mnoštvu sesija s psihijatrom i nekoliko pacijenata; neki dolaze sa roditeljima, a neki sami. Nuria Ibáñez Castañeda je studirala žurnalistiku u Španiji, ali kada je došla u Meksiko 2002, poželjela je snimati filmove. Njen prvi dokumentarni film THE TIGHTROPE dobitnik je Nagrade Regards Neufs na Festivalu Visions du Réel 2010. godine. THE TIGHTROPE je nominiran za najbolji dokumentarni film za nagradu Ariel 2010, te je prikazan u selekciji na festivalima IDFA, True False, Plus Camerimage, Viennale, True / False, Morelia i Ambulante. 2010. godine s rediteljkom i producenticom Mercedes Moncada osnovala je firmu Miss Paraguay Productions. GOLA SOBA dobitnik je nagrade LCI Seguros u selekciji “Ahora México” na Festivalu FICUNAM 2013. godine. E The only location (an interior): a doctor’s office; the main characters: children and adolescents; and, in a (categorical) background, anguished, afflicted, defeated parents. The narrative hinge: a pediatric psychiatrist. A marked commitment: to scrutinize the traumas and nightmares in the generational base of the Mexican middle class. The tools: direct cinema, accompaniment, observation, assertive montage. In this second documentary by Nuria Ibáñez Castañeda, the camera blends itself into the austere decoration inside a pediatric psychiatrist office in a hospital in Mexico City. We attend a compendium of sessions with the psychiatrist and several patients; some come accompanied by their parents and others on their own.

Mexico, 2013, Colour, 67 min., Spanish Režija / Director: Nuria Ibáñez Castañeda Scenarij / Screenplay: Nuria Ibáñez Castañeda Direktor fotografije / Director of Photography: Ernesto Pardo Montaža / Editor: Lucrecia Gutiérrez Maupomé Zvuk / Sound: Federico González Jordán Producent / Producer: Cristina Velasco Lozano, Nuria Ibáñez Castañeda Produkcija / Production: FOPROCINE, Miss Paraguay Producciones Filmografija / Filmography 2013 - EL CUARTO DESNUDO / THE NAKED ROOM 2009 - LA CUERDA FLOJA / THE TIGHTROPE 2008 - LA ESPERA (kratki / short) 2008 - CIRCO (kratki / short) 2008 - EL PUENTE (kratki / short) 2006 - SOPA DE PESCADO (kratki / short)

Nuria Ibáñez Castañeda studied journalism in Spain but he wanted to make movies since he came to Mexico in 2002. With her first documentary THE TIGHTROPE won the “Regards Neufs” award at the Visions du Réel festival in 2010. THE TIGHTROPE was nominated as Best Documentary in the Ariel Awards in 2010 and selected, among other festivals, in IDFA, True False, Plus Camerimage, Viennale, True/False, Morelia and Ambulante. In 2010, along with another director and producer, Mercedes Moncada, she founded the company Miss Paraguay Productions. THE NAKED ROOM room won the LCI Seguros award in the section “Ahora México” of the FICUNAM festival in 2013.

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La Jaula de Oro / Zlatni san / The Golden Dream Tri tinejdžera iz sirotinjske četvrti u Gvatemali putuju u SAD u potrazi za boljim životom. Na putu kroz Meksiko upoznaju Chauka, Indijanca iz Chiapasa koji ne govori španski. Putujući zajedno u teretnim vozovima i hodajući željezničkom prugom, uskoro se moraju suočiti sa okrutnom stvarnošću. ZLATNI SAN je napeta drama o odrastanju koja istražuje jezivo podzemlje današnjeg Meksika. Diego Quemada-Diez (rođen 1969. u Burgosu, u Španiji) je scenarista, režiser, kamerman i producent koji živi i radi u Meksiku. Započeo je filmsku karijeru kao asistent Kena Loacha (LAND AND FREEDOM, CARLA’S SONG, BREAD AND ROSES). I WANT TO BE A PILOT prikazan je na oko 200 festivala, gdje je dobio više od 50 međunarodnih nagrada. Nakon kratkog dokumentarcaa LA MORENA, dobio je priznanja za dugometražni igrani prvijenac, ZLATNI SAN, koji je nagrađen nagradom A Certain Talent na Međunarodnom filmskom festivalu u Cannesu 2013. godine. E Three teenagers from the slums of Guatemala travel to the US in search of a better life. On their journey through Mexico they meet Chauk, an Indian from Chiapas who doesn’t speak Spanish. Travelling together in cargo trains, walking on the railroad tracks, they soon have to face a harsh reality. THE GOLDEN DREAM is a suspenseful coming-of-age drama that explores the grizzly underbelly of modern-day Mexico.

Diego Quemada-Diez (b. 1969, Burgos, Spain), scriptwriter, director, cameraman and producer, now lives and works in Mexico. He began his film career as assistant to Ken Loach (LAND AND FREEDOM, CARLA’S SONG, BREAD AND ROSES). His short feature film I WANT TO BE A PILOT was screened at some 200 festivals where it garnered more than 50 international awards. After his short doc LA MORENA, he gained recognition with his feature debut THE GOLDEN DREAM, which won A Certain Talent Prize at Cannes IFF in 2013.

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Guatemala, Spain, Mexico, 2013, Colour, 108 min., Spanish, English Režija / Director: Diego Quemada-Díez Scenarij / Screenplay: Diego Quemada-Díez, Gibrán Portela, Lucía Carreras Producent / Producer: Inna Payán, Luis Salinas, Edher Campos Produkcija / Production: Animal de Luz Films, Machete Producciones, Mexican Film Institute, Eficine, Casta fiore Films and Kinemascope Films Uloge / Cast: Brandon Lopez, Rodolfo Domínguez, Karen Martínez, Carlos Chajón, Filmografija / Filmography 2013 - LA JULA DE ORO / THE GOLDEN DREAM 2006 - QUIERO SER PILOTO / I WANT TO BE A PILOT (kratki / short) 2006 - LA MORENA (dokumentarni kratki / doc. short) 2001 - UNA MESA ES UNA MESA / A TABLE IS A TABLE (kratki / short)

Workers / Radnici Rafael već trideset godina radi kao čistač u istoj fabrici sijalica. Zadnji mu je dan pred penziju i čak kupuje cipele za tu priliku. Ali poslodavac ovog povučenog čovjeka uskoro spušta na zemlju. Iako je Rafael bio vrijedan i pouzdan radnik, kao ilegalni imigrant iz El Salvadora, u Tijuani nema pravo na penziju… Lidia je jedna od sedmero ljudi koji održavaju kuću bogate Meksikanke u invalidskim kolicima čiji je život posvećen hrtu Princezi, koja jede iz zlatne posude i spava na svilenom jastučiću. Lidia je provela trideset godina danonoćno njegujući pseto i bolesnu gazdaricu. Kada joj gazdarica umre, ostavivši bogatstvo kučetu, izgleda da se ništa neće promijeniti za Lidiju. Ali ona onda počinje razmišljati o tome šta znači imati psa kao poslodavca… José Luis Valle je rođen u El Salvadoru, a državljanin je Meksika. Napisao je knjigu za djecu i režirao kratke filmove. Dokumentarac EL MILAGRO DEL PAPA je prikazan na Filmskom festivalu u Locarnu. RADNICI mu je prvi dugometražni igrani film. E Rafael has been a cleaner in the same light bulb factory for thirty years. It is his last day before retirement, and he even buys himself a pair of new shoes for the occasion. But his boss soon takes the wind out of this reticent man’s sails. Although Rafael has been a diligent and reliable worker, as an illegal immigrant to Tijuana from El Salvador he has no right to expect a pension... Lidia is one of seven people keeping house for a rich Mexican woman in a wheelchair who has dedicated her life to her whippet ‘Princess’ who eats from a golden bowl and sleeps on a silk cushion. Lidia has spent thirty years taking care of the dog and its ailing mistress, day and night. When Lidia’s employee dies and leaves her fortune to her dog nothing much changes for Lidia at first. Then she begins to think about what it means to have a dog as an employer...

José Luis Valle, a Mexican citizen born in El Salvador, has written a children‘s book and made short films. His documentary EL MILAGRO DEL PAPA screened at Locarno Film Festival. WORKERS is his debut feature film.

Mexico, Germany, 2013, Colour, 120 min., Spanish Režija / Director: José Luis Valle Scenarij / Screenplay: José Luis Valle Direktor fotografije / Director of Photography: Cesar Gutierrez Miranda Montaža / Editor: Oscar Figueroa Zvuk / Sound: Pablo Tamez Kostimografija / Costume Design: Galaxia Bautista Producent / Producer: José Luis Valle Produkcija / Production: Zensky Cine, IMCINE, Autentika Films Uloge / Cast: Jesus Padilla, Susana Salazar, Sergio Limon, Vera Talaia Kontakt / Contact: MPM Film Filmografija / Filmography 2013 - WORKERS 2013 - LAS BÚSQUEDAS / THE SEARCHES 2009 - EL MILAGRO DEL PAPA (dokumentarni / documentary) 2006 - CHIMERA / QUIMERA (kratki / short) 2004 - GRAVÍSIMA, ALTISONANTE, MÍNIMA, DULCE E IMAGINADA HISTORIA 2002 - TOMO VII (kratki / short)

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Podrška filmu u Sloveniji – od fonda do centra / Film Support In Slovenia – From Fund To Centre Slovenački filmski fond (SFF) osnovan je 1994. godine kao prvi državni filmski fond u regiji bivše Jugoslavije. Predstavlja centar za planiranje i realizaciju filmskih aktivnosti. Osnivanje fonda se preklapa s novim valom slovenačkog filma. U toku devetnaest godina postojanja, SFF je podržao oko 60 dugometražnih filmova, uključujući i mnoge međunarodne koprodukcije. Godine 2011. Slovenački filmski fond je promijenio ime u Slovenački filmski centar (SFC). Osnovni ciljevi su ostali isti.

E Slovenian Film Fund (SFF) was founded in 1994 as the first national film fund established in the region of former Yugoslavia. It is a centre for planning and execution of film activities. Its founding coincided with the new wave of Slovenian film. In the nineteen years of its existence SFF has supported approximately 60 feature films, including many international coproductions. In 2011 the Slovenian Film Fund changed its name to Slovenian Film Centre (SFC). The main goals remained the same.

Osim filmske produkcije, Slovenački filmski centar također sufinansira distribuciju i promociju filmova, i odgovoran je za međunarodnu, kulturnu prezentaciju i promociju slovenačke kinematografije.

In addition to film production, Slovenian Film Centre also co-finances the distribution and promotion of films and is also responsible for the cultural presentation and promotion of Slovenian films abroad.

Godine 2005. Slovenački filmski centar je postao člani Evropske filmske promocije (EFP), a od 2008. do 2011. bio je partner programa obuke Eurodoc. Slovenački filmski centar pruža podršku glavnim događajima na međunarodnim filmskim festivalima koji se održavaju u Sloveniji (osim Ljubljana International Film Festivala) — Isola Cinema, Animateka, Festival gej i lezbejskog filma, Grossmannov festival fantastičnog filma i vina. SFC podržava i Festival of Slovenian Films, Slovenački državni film festival koji se u septembru svake godine održava u Portorožu. Sljedeće godine Slovenački filmski centar slavi dvadeset godina postojanja. Nadamo se da ćemo ovaj događaj proslaviti na 21. Sarajevo Film Festivalu.

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In 2005 the Slovenian Film Centre became member of the European Film Promotion (EFP) and was between 2008 and 2011 a partner of the Eurodoc training programme. The main international film festival events held in Slovenia (apart from the Ljubljana International Film Festival) – the Isola Cinema, Animateka, The Gay and Lesbian Film Festival, The Grossmann Fantastic Film &Wine Film Festival – are supported by the Slovenian Film Centre. SFC also supports the Festival of Slovenian Films, Slovenia’s national film festival, which takes place in Portorož in september every year. Next year the Slovenian Film Centre will celebrate its 20th anniversary. We hope to celebrate at the 21st Sarajevo Film Festival.

Projekt: rak / Project Cancer Kamera prati Ulaya, konceptualnog umjetnika iz Amsterdama, u periodu od jedne godine. Ulay je bio jedan od pionira body arta, umjetničkih performansa i polaroid arta. Bio je transvestit, polumuškarac, polužena, društveni aktivista, ali je najpoznatiji po dugogodišnjoj saradnji s Marinom Abramović i njihovim performansima koji su dostigli kultni status. Ulay se preselio u Ljubljanu 2009. godine. Tokom planiranja filma, Ulayu je dijagnosticiran rak i svi planovi su se promijenili. Prvi kadrovi su snimljeni u novembru 2011. godine na ljubljanskom Institutu za onkologiju, gdje je Ulay primao hemoterapiju. Kada mu se zdravlje malo poboljšalo, odlučio je posjetiti prijatelje diljem svijeta, i kamere su ga pratile na tom oproštajnom putovanju: od Berlina i premijere Marininog filma, preko New Yorka i, konačno, do “njegovog” Amsterdama. Ulay je bolest tretirao kao najveći i najvažniji životni projekt. Damjan Kozole je rođen 1964. u Brežicama, u Sloveniji i jedan je od najpoznatijih slovenačkih režisera. Časopis Sight & Sound je svrstao njegov film SPARE PARTS među 10 najvažnijih filmova Nove Evrope. Američki institut za film je 2005. upriličio retrospektivni prikaz njegovih ostvarenja u SAD i Kanadi. Film LABOUR EQUALS FREEDOM (2005) premijerno je prikazan na Međunarodnom filmskom festivalu u Locarnu i osvojio je Veliku nagradu i Nagradu za najboljeg režisera u Valenciji. E The camera follows Ulay, a conceptual artist from Amsterdam, for a whole year. Ulay was one of the pioneers of body art, performance art and polaroid art; he was a transvestite, a half man half woman, a social activist... But he is most famous for his long collaboration with Marina Abramović and their performances that achieved iconic status. In 2009, Ulay moved to live in Ljubljana (Slovenia). When talks and plans on the film were already under way, Ulay was diagnosed with cancer, and all plans for the film were changed. The first scenes were shot in November 2011 at the Ljubljana Institute of Oncology, where Ulay was undergoing chemotherapy. When his health slightly improved, he decided to visit his friends around the world and the camera followed him on this socalled farewell journey: to Berlin for the premiere of Marina’s film, then to New York and finally to ‘his’ Amsterdam. Ulay treated his illness as the biggest and most important project of his life.

Damjan Kozole, born in 1964, in Brežice, Slovenia is one of the most recognized Slovenian filmmakers. Sight & Sound ranked his SPARE PARTS among 10 most important films of the New Europe. In 2005, his retrospective took part in the US and Canada, hosted by American Film Institute. His LABOUR EQUALS FREEDOM (2005) premiered at Locarno IFF and was awarded Grand Prix and Best Director Award in Valencia.

Slovenia, 2013, Colour and B&W, 91 min., Bosnian, English, Slovenian Režija / Director: Damjan Kozole Scenarij / Screenplay: Tevž Logar Direktor fotografije / Director of Photography: Matjaž Mrak Montaža / Editor: Jurij Moškon Muzika / Music: Silence Zvuk / Sound: Julij Zornik Producent / Producer: Danijel Hočevar Produkcija / Production: Vertigo/Emotionfilm in cooproduction with Slovenian Film Centre and Media Programme Uloge / Cast: Ulay, Marina Abramović, Chrissie Iles, Chris Dercon, RoseLee Goldberg, Saskia Bos Kontakt / Contact: Vertigo Emotionfilm, Kersnikova 4, 1000 Ljubljana, Slovenia, info@vertigo.si / info@emotionfilm.si, Tel.: +386 1 439 7080, Fax: +386 1 430 3530 Filmografija / Filmography Izbor / Selected: 2013 - PROJECT CANCER (dokumentarni / documentary) 2012 - LONG VACATION (dokumentarni / documentary) 2009 - BOGDAN GROM (dokumentarni / documentary) 2009 - SLOVENKA / A CALL GIRL 2008 - JESENICE: DETROIT (dokumentarni / documentary) 2007 - POŠTAR / POSTMAN (dokumentarni / documentary) 2003 - REZERVNI DELI / SPARE PARTS

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Nominacije za nagradu EE BAFTA 2014. za kratki film: partnerski program British Councila / EE BAFTA 2014 Short Film Nominees: A British Council touring programme British Council na međunarodnom nivou stvara mogućnosti susreta ljudi iz Ujedinjenog Kraljevstva i drugih zemalja, te gradi povjerenje u cijelom svijetu. Svake godine radimo s milionima ljudi, povezujemo ih s Ujedinjenim Kraljevstvom i onim najatraktivnijim što ta zemlja nudi: engleskim jezikom, umjetnošću, obrazovanjem i našim načinom života i organizacije društva.

E The British Council creates international opportunities for the people of the UK and other countries and builds trust between them worldwide. Each year we work with millions of people connecting them with the United Kingdom and the UK’s most attractive assets: English, the arts, education and our ways of living and organising society.

Umjetnost je jedan od kamena temeljaca osnovnog zadatka British Councila, da gradi mostove povjerenja i razumijevanja među narodima svijeta. Stvaramo veze između britanskih fimova i filmskih stvaralaca i nove publike u cijelom svijetu. Trudimo se da otkrivamo mogućnosti kreativne razmjene između britanskih filmskih autora i njihovih kolega na internacionalnom nivou.

Arts is a cornerstone of the British Council’s mission to build bridges of trust and understanding between peoples of the world. We provide the link between UK films and filmmakers and new international audiences. We work to find opportunities for creative exchange between UK filmmakers and international counterparts.

Kao partner Britanske akademije za filmsku i televizijsku umjetnost (BAFTA) koji se usmjerava na kulturu, British Council ima zadovoljstvo na Sarajevo Film Festivalu predstaviti program nominacija za nagradu BAFTA za 2014. godinu u kategorijama Najbolji kratki igrani i Najbolji kratki animirani film. Ujedinjeno Kraljevstvo ima dugu tradiciju kratkog filma svjetskog renomea, a BAFTA i British Council potvrđuju vrijednost njegovanja takve raznovrsnosti i talenta, kao i vrijednost internacionalne promocije britanskog filma kratkog metra.

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As the ‘cultural partner’ of the British Academy of Film and Television Arts (BAFTA), we are happy to present the programme of 2014 nominees in both Best Short (Live Action) and Best Short (Animation) BAFTA categories at Sarajevo Film Festival. The UK has a long tradition of producing worldclass short film and both BAFTA and British Council recognise the value of nurturing this diversity and talent and promoting the best of British short filmmaking internationally.

Everything I Can See From Here / Sve što odavdje mogu vidjeti United Kingdom, 2013, Colour, 7 min., no dialogue Režija / Director: Bjorn-Erik Aschim, Sam Taylor Scenarij / Screenplay: Bjorn-Erik Aschim, Sam Taylor Animacija / Animation: Sam Taylor, Bjorn-Erik Aschim, Adam Hodgson, Alexander Petreski, Dante Zaballa, Geoff King, Hozen Britto, James Duveen, Jim Round, Kristian Antonelli, Tim McCourt, Wesley Louis Muzika / Music: Box of Toys Audio Zvuk / Sound: Box of Toys Audio Producent / Producer: Fritzi Nicolaus

U zapuštenom dijelu Engleske, fudbalska utakmica naglo je zaustavljena nakon što lopta misteriozno nestaje. Kada se usamljeni stranac vrati na mjesto događaja, igrači moraju odlučiti da li će ga pustiti da se pridruži igri.

E In a desolate part of England a game of football comes to a standstill as the ball mysteriously goes missing. When a lonely stranger returns it the players have to decide whether or not to let him join in their game.

I Am Tom Moody / Ja sam Tom Moody United Kingdom, 2012, Colour, 7 min., English Režija / Director: Ainslie Henderson Scenarij / Screenplay: Ainslie Henderson Animacija / Animation: Ainslie Henderson Muzika / Music: Peter Deane and Ainslie Henderson Zvuk / Sound: Ainslie Henderson and Joe Acheson Kostimografija / Costume Design: Alice Bodgener Uloge / Cast: Mackenzie Crook, Jude Crook Produkcija / Production: Edinburgh College of Art

Nadrealan put kroz podsvijest muzičara koji je izgubio glas odražava njegovu muzičku karijeru i porodični historijat, dok on nastoji da zapjeva.

E A surreal trip through the subconscious of a musician who has lost his voice reflects his musical career and his family background as he struggles to sing.

Island Queen / Kraljica otoka United Kingdom, 2012, Colour, 16 min., English Režija / Director: Ben Mallaby Scenarij / Screenplay: Nat Luurtsema Producent / Producer: Emma Hughes Uloge / Cast: Nat Luurtsema, Sam Pamphilon, Sam Perry

Mim je cijeli život provela na malom otoku sa svojim najboljim prijateljem Dannyjem. Život joj je idiličan, ali statičan i Mim se plaši da je predugo čekala da odraste. Naprasno odlučuje da želi roditi bebu - zar to nije dobar način da se odraste? U Miminom slučaju nije, jer se ona zatiče usred izuzetno neugodne situacije koju niko nije mogao predvidjeti.

E Mim has lived her whole life on a little island with her best mate Danny. Her life is idyllic but going nowhere and she fears she’s left it too late to grow up. She makes the impetuous decision to have a baby - surely a oneway ticket to adulthood? Not in Mim’s case, as she finds herself embroiled in a deeply unpleasant situation that no one could have foreseen.

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Keeping Up with the Joneses / Kako komšije, tako i mi United Kingdom, 2013, Colour, 28 min., English Režija / Director: Michael Pearce Scenarij / Screenplay: Selina Lim Direktor fotografije / Director of Photography: Benjamin Kracun Montaža / Editor: Maya Maffiolo & Immanule Von Benningsen Muzika / Music: Stuart Earl Zvuk / Sound: Gunnar Óskarsson Scenografija / Production Design: Laura Tarrant-Brown Kostimografija / Costume Design: Jo Thompson Producent / Producer: Megan W Rubens Uloge / Cast: Maxine Peake, Geoff Bell, Adeel Akhtar, Anamaria Marinca

Besprijekorna žena britanskog parlamentarca spoznaje skučenost vlastitog života nakon što je za taoca uzmu dva “poslovna partnera” njenoga supruga.

E An impeccable MP’s wife confronts the imprisoned reality of her life after being taken hostage by two of her husband’s ‘business associates’.

Orbit Ever After / Zauvijek sretni u orbiti Ireland, United Kingdom, 2013, Colour, 21 min., English Režija / Director: Jamie Stone Scenarij / Screenplay: Jamie Stone Direktor fotografije / Director of Photography: Robin Whenary Montaža / Editor: James Taylor Zvuk / Sound: Jens Rosenlund Petersen Producent / Producer: Chee-Lan Chan, Len Rowles Uloge / Cast: Thomas Brodie-Sangster, Mackenzie Crook, Bronagh Gallagher, Bob Goody

Živjeti u svemiru nije lako, ali je još teže živjeti u svemiru na neodređeno vrijeme samo s članovima svoje porodice. Naučnofantastični film u kojem dvoje nesretno zaljubljenih savladaju sve prepreke i podnesu sve potrebne žrtve kako bi zajedno proveli jedan savršeni trenutak.

E Life in space isn’t easy. And living in orbit, indefinitely, with only your close family for company is even worse. A science fiction romance where two starcrossed lovers overcome all probabilities and sacrifice all they have in order to spend one perfect moment together.

Room 8 / Ćelija broj 8 United Kingdom, Poland, 2013, Colour, 8 min., English Režija / Director: James W. Griffiths Scenarij / Screenplay: James W. Griffiths Direktor fotografije / Director of Photography: Magni Agustsson Montaža / Editor: Michael Agglund Muzika / Music: Lennert Busch Zvuk / Sound: Martin Pavey Scenografija / Production Design: Peter Francis Producent / Producer: Sophie Venner

Nakon što ga bace u ćeliju s nervoznim i nemirnim robijašem, zatvorenik otkriva nešto fantastično. Ali u hrabrom pokušaju da pobjegne onima koji su ga zarobili, on otkriva podao trik i ćelija razotkriva sve svoje tajne.

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E A prisoner makes a fantastical discovery when thrown into a cell with a terse and unsettling inmate; but in an audacious endeavour to escape his captors, he unearths a malevolent trick and the secrets of the cell are fully revealed.

Sea View / Pogled na more United Kingdom, 2013, Colour, 24 min., English Režija / Director: Jane Linfoot Scenarij / Screenplay: Jane Linfoot Producent / Producer: Anna Duffield Uloge / Cast: Eloise Smyth, Ciaran Griffths

Jess i Jason se susreću na autobuskoj stanici u primorskom gradiću; prvi put se vide na svjetlosti dana. Čini se da bi mogli zažaliti zbog iskustva koje se na početku činilo uzbudljivim, zabranjenim i božanstveno bezbrižnim. Nije trebalo biti tako.

E Jess and Jason meet at the bus station in a seaside town, seeing each other in daylight for the first time. What at first seemed exciting, forbidden and divinely careless, soon threatens to be a regretful experience for both. This is not how things were meant to be.

Sleeping with the Fishes / Spavati s ribama United Kingdom, 2013, Colour, 10 min., English Režija / Director: Yousif Al-Khalifa Scenarij / Screenplay: Sarah Woolner Montaža / Editor: Johannes Bock Zvuk / Sound: Nikola Medic Scenografija / Production Design: Jonathan Mc Gonnell Producent / Producer: James Jose Walker

Sonja radi u ribarnici i vodi usamljen život. Ugodnije se osjeća s ribama nego s mušterijama, ali sve se mijenja onog dana kada upoznaje dostavljača ribe koji izgleda kao kalifornijska pastrmka.

E Sonja lives a lonely life as a fishmonger, more at ease with her fish than her customers, until one day a delivery man turns up who looks like a rainbow trout.

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Specijalne projekcije / Special Screenings

228 Calvary / Golgota, John Michael McDonagh 229 The Fighter / Bokser, David O. Russell 230 Je m’appelle hmmm... / Zovem se Hmmm... / My name is Hmmm... Agnès Troublé aka agnès b. 231 Mr. Turner / Gospodin Turner, Mike Leigh

Calvary / Golgota Otac James je dobri sveštenik vođen duhovnim integritetom. Jednog dana na ispovijedi, nepoznati muškarac kaže Jamesu da će ga ubiti upravo zato što nije uradio ništa loše. Dobivši sedam dana da se pomiri sa Bogom, James pomaže velikom broju izgubljenih duša – a te posjete su u isto vrijeme vođena tura osumnjičenih. Njegove pripreme za smrt su dalje zakomplikovane dolaskom njegove kćerke, koja je nedavno pokušala izvršiti samoubistvo. John Michael McDonagh je rođen u Londonu 1967. Napisao je scenario o australijskom odmetniku Nedu Kellyju koji je snimljen 2003. sa Heathom Ledgerom u glavnoj ulozi. THE GUARD je bio njegov debi režisera igranih filmova, i osvojio je počasno priznanje za najbolji debitantski film na Filmskom festivalu u Berlinu 2011, te je nominovan za nagradu Golden Globe. E Father James is a good priest, driven by spiritual integrity. One day in confession, an unseen man tells James that he’s going to kill him precisely because he’s done nothing wrong. Given a week to make his peace with God, James ministers to sundry lost souls - visits that double as a guided tour of suspects. His preparation for death is further complicated by the arrival of his daughter, who has recently attempted suicide.

John Michael McDonagh was born in London in 1967. He wrote a screenplay about Australian outlaw Ned Kelly that was filmed in 2003 with Heath Ledger in the leading role. THE GUARD marked his debut as a feature film director, won the Honorable Mention for Best Debut Film at the 2011 Berlin Film Festival and was nominated for a Golden Globe.

Ireland, UK, 2014, Colour, 100 min., English Režija / Director: John Michael McDonagh Scenarij / Screenplay: John Michael McDonagh Direktor fotografije / Director of Photography: Larry Smith Montaža / Editor: Chris Gill Muzika / Music: Patrick Cassidy Scenografija / Production Design: Mark Geraghty Kostimografija / Costume Design: Eimer Ni Mhaoldomhnaigh Uloge / Cast: Brendan Gleeson, Chris O’Dowd, Kelly Reilly, Aidan Gillen, Dylan Moran, Isaach De Bankole, M. Emmet Walsh, Marie-Josee Croze, Domhnall Gleeson, David Wilmot Producent / Producer: Chris Clark, Flora Fernandez, James Flynn Produkcija / Production: Reprisal Films, Octagon Films Kontakt / Contact: Protagonist Pictures, 42 - 48 GREAT PORTLAND STREET, LONDON, W1W 7NB, TeL: + 44 20 7734 9000, info@protagonistpictures.com Filmografija / Filmography 2014 - CALVARY 2011 - THE GUARD 2000 - THE SECOND DEATH (kratki / short)

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The Fighter / Bokser BOKSER je inspirativna dokudrama koja se bavi izuzetnim usponom juniorskog šampiona u superlakoj kategoriji, Mickyja „Irca“ Warda iz Massachusettsa. Odlučni bokser, čiju karijeru u ringu vodi njegov odani polubrat Dicky – bokser mučnog života koji je postao trener, a koji je zbog droge i kriminala i sam zamalo zauvijek završio u tehničkom nokautu – vratio se nakon obeshrabrujuće serije poraza da bi, zahvaljujući žestokoj kombinaciji odlučnosti i upornosti, osvojio i interkontinentalnu WBU titulu u lakoj kategoriji i WBU titulu u superlakoj kategoriji. David O. Russell je 1981. diplomirao na Koledžu Amherst, gdje je studirao engleski jezik i političke nauke. Njegov prvi kratki film, BINGO INFERNO (1989), prikazan je na Filmskom festivalu Sundance, kao i njegov prvi dugometražni film SPANKING THE MONKEY (1994.). Za film THE FIGHTER Russell je dobio prvu nominaciju za Oscara za najboljeg reditelja. Russell je dobio drugu i treću nominaciju za Oscara 2013. godine, ovog puta ne samo za najboljeg reditelja, već i za najbolji adaptirani scenario, za svoj kritički priznati film SILVER LININGS PLAYBOOK. Njegov najnoviji uradak je višestruko nominirani film AMERICAN HUSTLE. Ovaj film je dobio nominacije za Oscara, osvojio Golden Globe, te je bio nominiran za nagradu BAFTA. E THE FIGHTER is an inspirational docudrama exploring the remarkable rise of Massachusetts-born, junior welterweight title winner “Irish” Micky Ward. A determined pugilist whose career in the ring was shepherded by his loyal half-brother, Dicky - a hard-living boxer-turned-trainer whose own career in the ring was nearly sent down for the count due to drugs and crime - rebounded from a disheartening series of defeats to win both the WBU Intercontinental Lightweight title and the WBU Light Welterweight title thanks to a fierce combination of determination and hard work.

David O. Russell graduated from Amherst College in 1981, having majored in English and Political Science. His first short, BINGO INFERNO (1987), was shown at the Sundance Film Festival but also his first feature SPANKING THE MONKEY (1994). For the movie THE FIGHTER, Russell earned his first Academy Award nomination for Best Director. In 2013, Russell received his second and third Academy Award nominations, this time not only for Best Director but for Best Adapted Screenplay as well, for his critically-acclaimed feature SILVER LINING PLAYBOOK. His most recent venture is the award nominated film AMERICAN HUSTLE. This film scored Academy Award, Golden Globe and BAFTA nominations.

USA, 2010, Colour, 116 min., English Režija / Director: David O. Russell Scenarij / Screenplay: Scott Silver, Paul Tamasy, Eric Johnson Direktor fotografije / Director of Photography: Hoyte Van Hoytema Montaža / Editor: Pamela Martin Scenografija / Production designe: Judy Becker Kostimografija / Costume designe: Mark Bridges Muzika / Music: Michael Brook Producent / Producer: David Hoberman, Todd Lieberman, Mark Wahlberg, Ryan Kavanaugh, Paul Tamasy, Dorothy Aufiero Produkcija / Production: Paramount Pictures Uloge / Cast: Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo, Mickey O’Keefe, Jack McGee, Melissa McMeekin Filmografija / Filmography Izbor / Selected 2013 - AMERICAN HUSTLE 2012 - SILVER LININGS PLAYBOOK 2010 - THE FIGHTER 2004 - SOLDIERS PAY (dokumentarni kratki / short doc.) 2004 - I HEART HUCKABEES

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Je m’appelle hmmm... / Zovem se Hmmm... / My name is Hmmm... U bijegu, dvanaestogodišnja Céline se skriva u crveni kamion. Ona upoznaje Petera, škotskog vozača kamiona u svojim četrdesetim. Na cesti, na pauzama i u susretima s drugima, Céline s lakoćom i povjerenjem doživljava svoje prve prave trenutke djetinjstva. Ona želi da vidi sve, da doživi sve. Peter postaje prijatelj iz snova. On nudi ovoj povrijeđenoj djevojčici priliku da konačno ima normalan život. agnes b. (Agnès Troublé) je odrasla u Versaillesu. Klasično je obrazovana 1950-ih. Željela je biti kustos, biti bliska umjetnosti, za koju je već kao tinejdžerka bila izrazito pasionirana. Igrom slučaja i neminovnosti, postala je dizajner i otvorila prvu prodavnicu na Rue du Jour kada je stvorila svoj brend, agnès b. 1984. je otvorila umjetničku galeriju Galerie du jour agnès b. odmah do svoje prodavnice na Rue du Jour, koja se sada nalazi na 44 Rue Quincampoix, u 4. pariškom arondismanu. Uvijek vezana za umjetnike i umjetnost, počela se baviti filmom i osnovala svoju filmsku kuću Love Streams. Također objavljuje i besplatni časopis, Point d’Ironie, gdje je svaki broj posvećen jednom umjetniku. Kako se oduvijek željela izraziti ne samo kroz dizajn, nekada davno je napisala priču ZOVEM SE HMMM… u samo par dana, te je 2012. konačno uspjela snimiti ovaj film, i montirati ga u saradnji sa svojim velikim prijateljem, Jeffom Nicorosijem. E Running away, 12-years-old Céline hides in a red truck. She meets Peter, a Scottish truck driver in his forties. Along the roads, the stops and the encounters, Céline experiences her first true moments of childhood with lightness and trust. She wants to see it all, to discover it all. Peter becomes the friend of her dreams. He offers this wounded child a chance to finally have a normal life.

agnes b. (Agnès Troublé) raised in Versailles, with a classic education from the 1950’s, wanted to be a curator, to be closer to the arts, for which she was already passionate as a teenager. By chance and necessity she became a designer and opened the first boutique on Rue du Jour when she created her brand agnès b. In 1984 she opened an art gallery, Galerie du jour agnès b., next door to the boutique on Rue du Jour, now located at 44 rue Quincampoix, Paris 4ème. Forever involved with art and artists, she tackled film and established Love Streams, her film company. She also publishes a free periodical, Point d’Ironie, with each issue dedicated to one artist. Having always wished to express herself in ways other than just design, a long time ago she wrote a story, MY NAME IS HMMM... in a couple of days and was finally able to shoot the film in 2012 and then edit it with her great friend Jeff Nicorosi.

230 20. Sarajevo Film Festival l Specijalne projekcije / Special Screenings

France, 2013, Colour, 121 min., French, English Režija / Director: Agnès Troublé aka agnès b. Scenarij / Screenplay: Agnès Troublé, Jean-Pol Fargeau Direktor fotografije / Director of Photography: Agnès Troublé, Jean-Philippe Bouyer Montaža / Editor: Jeff Nicorosi Muzika / Music: Jean-Benoît Dunckel, Julien Langendorff Zvuk / Sound: Aymeric Devoldère, Nicolas Becker Scenografija / Production Design: Agnès Troublé, Thomas Kertudo, Clément Colin Kostimografija / Costume Design: François Jugé Uloge / Cast: Douglas Gordon, Lou-Léila Demerliac, Sylvie Testud, Jacques Bonnaffé, Marie-Christine Barrault, Jean-Pierre Kalfon, Jean-François Garreau Producent / Producer: Christophe Audeguis, Agnès B Produkcija / Production: Love Streams Productions Kontakt / Contact: Love Streams Productions, Filmografija / Filmography 2013 - JE M’APPELLE HMMM… / MY NAME IS HMMM…

Mr. Turner / Gospodin Turner GOSPODIN TURNER istražuje zadnjih četvrt vijeka života velikog, ali i ekscentričnog britanskog slikara J.M.W. Turnera (1775-1851). Duboko pogođen smrću svog oca, voljen od svoje kućne pomoćnice koju uzima zdravo za gotovo i povremeno seksualno iskorištava, on sklapa blisko prijateljstvo s gazdaricom sa obale, s kojom na kraju živi u tajnosti u Chelseaju, gdje i umire. U isto vrijeme on putuje, slika, boravi u gostima na aristokratskim imanjima, posjećuje bordele, popularan je, ali i anarhičan član Kraljevske akademije umjetnosti, veže se za jarbol broda da bi mogao naslikati sniježnu oluju, a javnost i kraljevska porodica ga istovremeno i obožavaju i osuđuju. Mike Leigh, višestruko nagrađivani režiser i scenarista, rođen je u Salfordu, u Engleskoj. Diplomirao je na Kraljevskoj akademiji dramske umjetnosti (RADA), a skoro svaki film na kojem je Leigh radio osvojio je brojne nagrade. Njegov dugometražni igrani prvijenac, BLEAK MOMENTS (1971), osvojio je Zlatnog Huga na Filmskom festivalu u Chicagu i Zlatnog leoparda na Filmskom festivalu u Locarnu. Sedamdesetih i ranih osamdesetih, Leigh režira i piše isključivo za televiziju. Na velike ekrane vraća se tek s filmom HIGH HOPES, koji je osvojio Nagradu kritičara na Filmskom festivalu u Veneciji. Za NAKED osvaja nagradu za najboljeg reditelja na Filmskom festivalu u Cannesu, ali je tek njegov sljedeći dugometražni film, SECRET & LIES, donio Leighu njegov najveći uspjeh, te je za njega osvojio nagradu BAFTA za najbolji scenarij, kao i nominacije za Oscara za najbolju režiju i najbolji scenario. Britanski filmski institut ga je proglasio za počasnog člana, kao priznanje za njegov izvanredan doprinos filmskoj i televizijskoj kulturi, a britanska kraljica mu je 1993. dodijelila titulu oficira Reda Britanskog kraljevstva, za njegov doprinos filmskoj industriji. E MR TURNER explores the last quarter century of the great if eccentric British painter J.M.W. Turner (1775-1851). Profoundly affected by the death of his father, loved by a housekeeper he takes for granted and occasionally exploits sexually, he forms a close relationship with a seaside landlady with whom he eventually lives incognito in Chelsea, where he dies. Throughout this, he travels, paints, stays with the country aristocracy, visits brothels, is a popular if anarchic member of the Royal Academy of Arts, has himself strapped to the mast of a ship so that he can paint a snowstorm, and is both celebrated and reviled by the public and by royalty.

Mike Leigh, multi-award winning director/writer, was born in Salford, England. A Royal Academy of Dramatic Art (RADA) graduate, almost every film Leigh has been involved with has won numerous awards. His feature film directorial debut, BLEAK MOMENTS (1971), won both the Golden Hugo at the Chicago Film Festival and the Golden Leopard at the Locarno Film Festival. Through the seventies and early eighties, Leigh directed and wrote steadily for television. He wouldn’t return to the big screen until HIGH HOPES, which won the Venice Film Festival Critics’ prize. For NAKED he won Best Director at Cannes Film Festival, but it was his next feature that would bring Leigh his greatest success – SECRETS & LIES for which Leigh won a BAFTA award for Best Screenplay as well as receiving Oscar nods both for Best Director and Best Screenplay. He was made a Fellow of the British Film Institute in recognition of his outstanding contribution to film and television culture as well as an Officer of the British Empire in 1993 by the Queen for his services to the film industry.

UK, 2014, Colour, 150 min., English Režija / Director: Mike Leigh Scenarij / Screenplay: Mike Leigh Direktor fotografije / Director of Photography: Dick Pope Montaža / Editor: Jon Gregory Muzika / Music: Gary Yershon Zvuk / Sound: Tim Fraser Scenografija / Production Design: Suzie Davies Kostimografija / Costume Design: Jacqueline Durran Uloge / Cast: Timothy Spall, Dorothy Atkinson, Marion Bailey, Paul Jesson, Lesley Manville, Martin Savage, Ruth Sheen Producent / Producer: Georgina Lowe Produkcija / Production: A Film4, Focus Features Intl., BFI presentation in co-production with Diaphana, France 3 Cinema, Amusement Park Films, with the participation of Canal+, Cine+, France Televisions, produced by Xofa Productions in association with Lipsynch Productions of a Thin Man Film Kontakt / Contact: Sunray Films, office@sunrayfilms.co.uk, +44 (0)7580337581 Filmografija / Filmography Izbor / Selected 2014 - MR. TURNER 2012 - A RUNNING JUMP (kratki / short) 2010 - ANOTHER YEAR 2008 - HAPPY-GO-LUCKY 2004 - VERA DRAKE 2001 - ALL OR NOTHING 1999 - TOPSY-TURVY 1997 - CAREER GIRLS 1996 - SECRETS AND LIES 1993 - NAKED 1991 - LIFE IS SWEET 1988 - HIGH HOPES

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Pretpremijere / Avant Premiere

234 Broj 55 / Number 55, Kristijan Milić 235 Spomenik Majklu Džeksonu / Monument to Michael Jackson, Darko Lungulov 236 Varvari / Barbarians, Ivan Ikić

Broj 55 / Number 55 U jesen 1991. godine mala skupina hrvatskih vojnika improviziranim oklopnim vozilom vlastite izrade odlazi u patrolu. Ubrzo upadaju u zasjedu, vozilo biva onesposobljeno, a oni su prisiljeni sakriti se u obližnju kuću. Njihov otpor udruženim snagama pobunjenih Srba, JNA i srpskih specijalaca traje gotovo 24 sata, a paralelno pratimo napore njihovih suboraca da ih izvuku iz okruženja. Priča je zasnovana na istinitom događaju. Kristijan Milić (1969, Zagreb) studirao je filmsku i televizijsku režiju na Akademiji dramske umjetnosti u Zagrebu. Režirao je nekoliko kratkometražnih filmova među kojima BACKWOODS (1998), DOSADA (1998) i SIGURNA KUĆA, dio dvodijelnog omnibusa 24 SATA, dobitnika nagrade za najbolji debitantski film na Pulskom filmskom festivalu 2002. godine. Milićev prvi dugometražni igrani film ŽIVI I MRTVI osvojio je osam Zlatnih arena i brojne druge nagrade. E In the autumn of 1991, a small group of Croatian soldiers go on patrol in an improvised armoured vehicle. Soon they are ambushed, the vehicle is destroyed and they are forced to hide in a nearby house. Their resistance to the rebel Serbs, Yugoslav Army and Serbian Special Forces lasts for 24 hours, while their fellow combatants are trying to get them out. The story is based on true events.

Kristijan Milić (1969, Zagreb) studied Film and TV Directing at the Academy of Dramatic Art in Zagreb. He has directed several short films including BACKWOODS (1998), BOREDOM (1998) and SAFE HOUSE, a part of an omnibus entitled 24 HOURS, winner of the Best First Film Award at the 2002 Pula Film Festival. Five years later, Milić’s first feature film THE LIVING AND THE DEAD won eight Golden Arenas at the Pula Film Festival, as well as seven international awards.

234 20. Sarajevo Film Festival l PRETPREMIJERE

Croatia, 2014, Colour, 90 min., Croatian Režija / Director: Kristijan Milić Scenarij / Screenplay: Ivan Pavličić Direktor fotografije / Director of Photography: Mirko Pivčević Montaža / Editor: Veljko Segarić Muzika / Music: Andrija Milić Zvuk / Sound: Ivica Drnić Scenografija / Production Design: Damir Gabelica Kostimografija / Costume Design: Vedrana Rapić Uloge / Cast: Goran Bogdan, Alan Katić, Marko Cindrić, Dražen Mikulić, Marinko Prga, Darko Milas, Jan Kerekeš, Slaven Španović, Alen Liverić, Ivan Ožegović, Samir Vujčić, Hrvoje Vladisavljević, Slaven Knezović, Asim Ugljen Producent / Producer: Stanislav Babić Produkcija / Production: Hrvatska radiotelevizija (HRT) Kontakt / Contact: Stanislav Babić stanislav.babic@hi.t-com.hr Filmografija / Filmography 2014 - BROJ 55 / NUMBER 55 2010 - ŠAMPION / THE CHAMPION 2010 - ZAMKA (ZA) SNIMATELJA 2007 - ŽIVI I MRTVI / THE LIVING AND THE DEAD 2007 - ZAMKA (kratki / short) 2002 - SIGURNA KUĆA / SAFE HOUSE (kratki / short)

Spomenik Majklu Džeksonu / Monument to Michael Jackson U umirućem gradu u Srbiji, stari komunistički spomenik je uklonjen sa trga. Marko, sanjar, na rubu je razvoda od ljubavi svog života, Ljubinke. Ona je razočarana u njega i u život u srbijanskoj provinciji. Iz očajanja, on dolazi na ideju da komunističku statuu zamijeni spomenikom Majklu Džeksonu da bi spasio svoj umirući grad i ponovo zaveo svoju suprugu. Marko ubjeđuje svoje najbolje prijatelje da mu pomognu. Ali, gradonačelnik njihovog grada ima svoje planove, i koristi desničarsku grupu “Očisti Srbiju” da uništi Markov san. Darko Lungalov, rođen u Srbiji, preselio se u New York, gdje je diplomirao filmsku i video produkciju na City Collegeu. Lungalov je od 1997 do 2003. radio kao reditelj dokumentaraca u produkcijskoj kući Spiral Pictures / Ross Institute. 2010. Također je i konsultant za film za RocketHub, globalnu crowdfunding platformu iz New Yorka, i predsjednik savjetodavnog odbora BelDocsa – Međunarodnog festivala dokumentarnog filma u Beogradu. Darkov dokumentarac ESCAPE je osvojio Nagradu publike na Međunarodnom filmskom festivalu u Hamptonsu, te je u međuvremenu prikazan na brojnim festivalima dokumentarnog filma, dok je njegov prvi dugometražni igrani film HERE AND THERE dobio Nagradu za najbolji narativ o New Yorku na Tribeca festivalu 2009. E In a dying town in Serbia, an old communist-era monument is removed from the Square. Marko, a daydreamer, is on the verge of divorce from the love of his life, Ljubinka. She is disappointed in him and the life in Serbian small-town. Out of despair, he comes up with the idea to replace the communist-era statue with a monument to Michael Jackson in order to save his dying town and seduce his wife again. Marko convinces his close friends to help him. But the town’s mayor has his own plans and uses the right-wing group “Clean Serbia” to crash Marko’s dream.

Darko Lungalov, originally from Serbia, moved to New York City where he obtained a BFA in film and video from City College. From 1997 to 2003 he worked as director of documentaries at the production company Spiral Pictures / Ross Institute. He is also a Film Consultant for RocketHub, a New York based global crowd-funding and president of the advisory board of BelDocs - Belgrade International Documentary Film Festival. Darko’s documentary ESCAPE won the Audience Award at 2004 Hamptons International Film Festival and has been screened at numerous documentary festivals since and in 2009, Darko’s debut feature film HERE AND THERE won the Best NY Narrative Award at Tribeca festival - its world premiere.

Serbia, Germany, Macedonia, Croatia, 2014, Colour, 95 min, Serbian Režija / Director: Darko Lungulov Scenarij / Screenplay: Darko Lungulov Direktor fotografije / Director of Photography: Mathias Schoeningh Montaža / Editor: Dejan Urosević Muzika / Music: Dejan Pejović Zvuk / Sound: Hrvoje Stefotić Scenografija / Production Design: Kiril Spaseski Kostimografija / Costume Design: Zora Mojsilović Uloge / Cast: Boris Milivojević, Natasa Tapusković, Dragan Bjelogrlić, Toni Mihajlovski, Branislav Trifunović, Mirjana Karanović, Ljubomir Bandović, Marko Janketić, Emilija Terzić, Srdjan Miletić Producent / Producer: Snežana Penev, Darko Lungulov Produkcija / Production: Papa Films, This &That Kontakt / Contact: Films Boutique, Köpenicker Strasse 184, 10997 Berlin, Germany, Tel: +49 30 69537850, info@filmsboutique.com Filmografija / Filmography 2014 - SPOMENIK MAJKLU DŽEKSONU / MONUMENT TO MICHAEL JACKSON 2009 - HERE AND THERE

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Varvari / Barbarians Tinejdžer Luka živi u malom srbijanskom gradu Mladenovcu s majkom koja više ne može da izađe na kraj s njim, a njegov život čine jedna tuča za drugom. On i njegov najbolji drug Flash su vođe lokalnih fudbalskih navijača, i većinu svog slobodnog vremena provode navijajući za svoj tim i pijući pivo. Reditelj debitant Ivan Ikić je svojoj realističnoj priči o odrastanju kao pozadinu postavio priču o nemirima izazvanim proglašenjem nezavisnosti Kosova. Kroz sudbinu jednog pojedinca, autor predstavlja sažet iskaz o mladoj generaciji koja, po njegovim riječima, “odrasta u društvu izgubljenih vrijednosti, gdje jedino uspijevaju korupcija, nemoral, kriminal i zloupotreba moći”. Mladi reditelj postiže visok nivo autentičnosti zahvaljujući svojoj odluci da za većinu glavnih uloga pronađe naturščike (profesionalni glumci se pojavljuju u samo tri sporedne uloge) koji nikada nisu vidjeli scenarij, i čiji životi umnogome odražavaju iskustva likova na ekranu. Ivan Ikić rođen je 1982, a diplomirao je 2002. na Akademiji likovnih umjetnosti u Beogradu. Učestvovao je u programu Berlinale Talent Campusa, a njegov dokumentarac TAROT SRBIJA! iz 2010. je prikazan na brojnim festivalima širom svijeta. VARVARI je njegov dugometražni igrani prvijenac. E Teenager Luka lives in the small Serbian town of Mladenovac with a mother who can’t handle him anymore, and his life is one scrape after another. He and his best mate Flash lead the local football fans and spend most of their spare time rooting for their team and drinking beer. Debuting director Ivan Ikić set his realistic tale of coming of age and the quest for identity against a backdrop of the unrest sparked by Kosovo’s declaration of independence. Through the destiny of one individual, the filmmaker presents a laconic account of the young generation who, in his words, are “growing up in a society of lost values, where corruption, immorality, crime and abuse of power only prosper.” The young director achieves a high measure of authenticity thanks to his decision to cast the majority of roles with non-actors (only three supporting roles are played by professionals) who never saw a script and whose lives in many respects reflected the experiences of their characters onscreen.

Ivan Ikić born in 1982, graduated from the Academy of Fine Arts in Belgrade in 2002. He was part of the Berlinale Talent Campus programme and his 2010 documentary TAROT SRBIJA! was screened at numerous festivals around the world. BARBARIANS is his debut feature.

236 20. Sarajevo Film Festival l PRETPREMIJERE

Serbia, Montenegro, Slovenia, 2014, Colour, 87 min., Serbian Režija / Director: Ivan Ikić Scenarij / Screenplay: Ivan Ikić Direktor fotografije / Director of Photography: Miloš Jaćimović Montaža / Editor: Dragan von Petrović Zvuk / Sound: Vladimir Živković, Vladimir Uspenski Uloge / Cast: Željko Marković, Nenad Petrović „Flash“, Jasna Đuričić, Marina Vodeničar, Mirko Vlahović Producent / Producer: Milan Stojanović Produkcija / Production: SENSE Production Kontakt / Contact: SENSE Production, 4a Safarikova str., Belgrade, Serbia, Tel: +381 11 3341759, office@senseproduction.rs Filmografija / Filmography 2014 - VARVARI / BARBARIANS 2010 - TAROT SRBIJA! (dokumentarni / documentary)

Bosanskohercegovački Film Festival / BiH Film Festival

240 Igrani filmovi / Feature Films 241 Film Factory predstavlja / Film Factory Presents 242 Eksperimentalni filmovi / Experimental Films 242 Dokumentarni filmovi / Documentary Films 245 Kratki filmovi / Short Films 246 Studentski filmovi / Student Films 248 Al Jazeera predstavlja / Al Jazeera Presents

* Podaci preuzeti iz kataloga “Bh. Film 2013 / 2014” / Information taken from the catalogue “B&H Film 2013/2014”

Bosanskohercegovački Film Festival / BiH Film Festival

Udruženje filmskih radnika BiH svake godine organizira program Bosanskohercegovački Film Festival, u sklopu kojeg prikazuje gotovo svu godišnju filmsku produkciju u BiH, ali i filmove naših autora kojih žive i rade u inostranstvu. Ovaj Festival osnovan je 2003. godine, kada je došlo do svojevrsnog preokreta u filmskoj produkciji i kada je, nakon višegodišnje pauze, snimljeno čak 6 filmova (3 dugometražna i 3 kratka igrana filma). To je stvorilo osnove za trodnevni događaj tokom 9. Sarajevo Film Festivala, koji je, zahvaljujući prisustvu gostiju iz inostranstva i filmskih profesionalaca, bio savršena platforma za promociju bosanskohercegovačkog filma. Ove godine u sklopu Festivala bit će prikazana čak 64 filma: 9 igranih, 2 omnibusa, 2 eksperimentalna igrana filma, 20 dokumentarni, 8 kratkih, te 23 studentska filma. Festival kao važan dio svog programa organizira i takmičarski segment za studentske filmove, a ove godine za tri nagrade takmiče se filmovi s Akademije scenskih umjetnosti u Sarajevu, Sarajevo Film Academy, Akademije umjetnosti u Banjoj Luci, te Fakulteta dramskih i filmskih umjetnosti u Bijeljini. Cilj Festivala ostao je nepromijenjen, a to je – promocija bh. filmskih autora, reditelja, scenarista, glumaca, te ostalih filmskih profesionalaca, kao i to da služi kao podstrek za domaću produkciju i distributere domaćeg filma.

E Every year, the Association of Filmmakers of Bosnia and Herzegovina organizes the BiH Film Festival, screening nearly all the films produced in the country in the past year, as well as films by BiH authors living and working abroad. This Festival was initiated in 2003 when a major turn occurred in film production: after many years of production silence 6 films were finalized: 3 features and 3 short films. This created the basis for a three-day event during the 9th edition of the Sarajevo Film Festival, which was the perfect platform for the promotion of BiH film, primarily because of the presence of its guests and film professionals.

This year the Festival will present 64 films including 9 features, 2 omnibus films, 2 experimental feature films, 20 documentaries, 8 short films and 23 student films. The BiH Film Festival connects young talents and screens student films in its only competitive section, showing films from the Sarajevo Academy of Performing Arts, Sarajevo Film Academy, Banja Luka Art Academy and Faculty for Film and Drama in Bijeljina. The aim of the Festival remains the same: to promote filmmakers, directors, screenwriters, actors and other professionals from Bosnia and Herzegovina, and to encourage national film production and distribution. Elma Tataragić Urednica programa / Programme Editor

Bosanskohercegovački Film Festival / BiH Film Festival l 20. Sarajevo Film Festival 239

IGRANI FILMOVI / FEATURE FILMS

CURE - ŽIVOT DRUGE / GIRLS - THE LIFE OF ANOTHER Switzerland / Bosnia and Herzegovina / Croatia, 2014, 35 mm, 83 min. • Režija / Director: Andrea Štaka • Scenarij / Screenplay: Andrea Štaka, Marie Kreutzer, Thomas Imbach • Direktor fotografije / Director of Photography: Martin Gschlacht • Montaža / Editor: Gion-Reto Killias • Scenografija / Production Designer: Su Erdt • Kostimografija / Costume Designer: Linda Harper • Uloge / Cast: Sylvie Marinković, Lucia Radulović, Mirjana Karanović, Marija Škaričić, Leon Lučev, Franjo Dijak • Producent / Producer: Thomas Imbach • Koproducenti / Co-Producers: Leon Lučev, Damir Ibrahimović, Jasmila Žbanić • Producentske kuće / Production Companies: Okofilm (Switzerland); Produkcija Živa (Croatia); Deblokada (BiH) • Kontakt / Contact: Damir Ibrahimović, Kranjčevića 43, 71000 Sarajevo, tel. / fax.: +387 33 668 559, deblok@bih.net.ba, info@deblokada.ba

Godina je 1993, period nakon opsade Dubrovnika. Četrnaestogodišnja Linda se s ocem vratila iz Švicarske u Hrvatsku. Njena nova najbolja prijateljica Eta odvodi je u zabranjenu šumu iznad grada. Dvije se cure upuštaju u opsesivnu, seksualno obojenu igru zamjene identiteta koja završava kobnim padom. Linda se sljedećeg jutra vraća sama i postepeno počinje zauzimati Etino mjesto u prijateljičinoj obitelji. U sve je uvučen i Etin momak Ivo. U vrijeme kad su žene prepuštene same sebi i svojim gubicima iz rata, Linda je u opasnosti da izgubi uporište u realnosti i ostane zarobljena u nekom drugom, rubnom svijetu - svijetu u kojem se Eta iznova vraća kako bi ju suočila sa samom sobom. 1993: after the Siege of Dubrovnik. 14-year-old Linda has moved back to Croatia from Switzerland with her father. Her new best friend Eta takes her up to the forbidden forest above the city. The two girls become entangled in an obsessive, sexually charged game of swapping identities that leads to a fatal fall. The following morning Linda comes back alone; slowly she begins to take Eta’s place in her family. Ivo, Eta’s boyfriend, is drawn in as well. In troubled times dominated by women and the losses they have suffered in the war, Linda faces the danger of losing her footing, of becoming entrapped in another world on the edge, a world in which Eta keeps coming back to confront her with herself.

ČEFURJI RAUS! / SOUTHERN SCUM GO HOME! Slovenia / Bosnia and Herzegovina, 2013, 35 mm, 100 min. • Režija / Director: Goran Vojinović • Scenarij / Screenplay: Goran Vojinović, Abdulah Sidran • Direktor fotografije / Director of Photography: Radovan Čok • Scenografija / Set Designer: Urša Loboda • Kostimografija / Costume Designer: Zvonka Makuc • Uloge / Cast: Emir Hadžihafizbegović, Mediha Musliović, Benjamin Krnetić, Dino Hajderović, Ivan Pašalić, Jernej Kogovsek, Zoran Cvijanović, Polona Juh, Daria Lorenci, Milan Pavlović • Producent / Producer: Franci Zajc, Boštjan Ikovic • Producentske kuće / Production Companies: Arsmedia (Slo), Depo (BiH), Jadran Film (Cro) • Kontakt / Contact: Depo, tel. / fax.: +387 33 660 580, www.depo.ba

Priča prati dogodovštine sedamnaestogodišnjeg Marka Đorđića i njegovih drugara Adija, Ace i Dejana u ljubljanskom predgrađu Fužine. To su godine njihovog odrastanja, ali i prvih susreta s predrasudama i mržnjom prema drugačijem… The story follows the adventures of a seventeen-years-old Mark Đorđića and his companions, Adi, Ace and Dejan in Fužine, a suburb of Ljubljana. These are the years of their growing up, but also the first time they face prejudice and hatred towards different…

JA SAM IZ KRAJINE, ZEMLJE KESTENA / I AM FROM KRAJINA, THE LAND OF CHESTNUT

drame, strasti, boli i smrti. Priča ima dva segmenta – savremeni i historijski, koji se međusobno prepliću i tako stvaraju jedinstvenu filmsku cjelinu. The story of two close friends who, after many years, meet each again in their native Krajina (BiH). They start remembering their past full of drama, passion, pain and death, reviving memories of the people who live on the borders of the worlds. The story has two segments - contemporary and historical, which intertwine with each other and create a unique film story.

MOST NA KRAJU SVIJETA / THE BRIDGE AT THE END OF THE WORLD Croatia / Serbia / Bosnia and Herzegovina / France, 2014, DCP, 114 min. • Režija / Director: Branko Ištvančić • Scenarij / Screenplay: Josip Mlakić • Direktor fotografije / Director of Photography: Branko Cahun • Montaža / Editor: Veljko Segarić • Scenograf: Zvonko Sarić • Kostimografija / Costume Designer: Felicita Glavaš • Muzika / Music: Dalibor Grubačević • Uloge / Cast: Aleksandar Bogdanović, Sanja Radišić, Boro Stjepanović, Slaven Knezović, Jelena Perčin, Vlatko Dulić, Nela Kocsis, Đorđe Kukuljica, Slobodan Ćustić, Bora Nenić, Mijo Pavleko, Draško Zidar, Rada Mrksić, Mile Ognjenović • Producent / Producer: Irena Škorić • Producentska kuća / Production Company: Artizana film (Croatia), Kinematografska kuća (Serbia), Heft (BiH), Dari Films (France), HRT • Kontakt / Contact: Heft, Jukićeva 108, 71000 Sarajevo; tel. +387 61 812 888, e-mail: heft@bih.net.ba, www.heft.com.ba

Rat je završio. Sela bosanskih Hrvata su uništena i oni žive u kućama hrvatskih Srba. Starac, bosanski Hrvat, nestaje. Policajac Filip, koji i sam živi u srpskoj kući, nezainteresovano istražuje slučaj. Kroz odnos sa svojim ocem, Filip pokušava razumjeti motivaciju za nestajanje starca. Kako film odmiče, Filipovo istraživanje postaje sve više lično. The war has ended. Villages of Bosnian Croats have been destroyed, and they are living in the homes of the Croatian Serbs. An old man, a Bosnian Croat, disappears. A policeman Filip, himself living in a Serbian home, investigates the case uninterestedly. Through the relationship with his father, Filip tries to understand the motives of the missing old man. As the film moves towards the end, Filip’s investigation becomes more and more personal.

MOSTOVI SARAJEVA / BRIDGES OF SARAJEVO / LES PONTS DE SARAJEVO Bosnia and Herzegovina / Bulgaria / France / Switzerland / Italy / Portugal / Germany, 2014, color, DCP, 114 min. • Režija / Directors: Aida Begić, Leonardo Di Costanza, Jean-Luc Godard, Kamen Kalev, Isild Le Besco, Sergei Loznitsa, Vincenzo Marra, Ursula Meier, Vladimir Perišić, Cristi Puiu, Marc Recha, Angela Schanelec, Teresa Villaverde • Producenti / Producers: Mirsad Purivatra, Jovan Marjanović, Fabienne Servan Schreiber, Laurence Miller • www.mostovisarajeva.ba / www.bridgesofsarajevo.com

Trinaest evropskih reditelja istražuje teme vezane za Sarajevo i sve što taj grad predstavlja u evropskoj historiji u proteklih stotinu godina. S obzirom na to da pripadaju različitim generacijama i da su različitog porijekla, ovi filmski autori nude mnogo jedinstvenih stilova i percepcija. Riječ je o mozaiku umjetničkih gledišta koja na kritičan način promišljaju različite univerzalne teme koje historijsko mjesto kao što je Sarajevo simbolizira. Thirteen European directors explore the theme of Sarajevo and what this city represents in European history over the past hundred years, and what Sarajevo incarnates in Europe today. From different generations and origins, these eminent filmmakers offer many singular styles and visions. It is a mosaic of critical, artistic perceptions of different universal issues symbolized by a historic place such as Sarajevo.

OTOK LJUBAVI / LOVE ISLAND

Bosnia and Herzegovina, 2013, HD, color, 78 min. • Režija / Director: Jasmin Duraković • Scenarij / Screenplay: Mirsad Ćatić • Direktor fotografije / Director of Photography: Adnan Hodžić • Kostimografija / Costume Designer: Neira Sinanbašić, Adisa Vatreš • Scenografija / Set Designer: Vanja Nogo • Montaža / Editor: Fadil Komarica • Muzika / Music: Davor Sučić • Uloge / Cast: Edhem Husić, Mirsad Tuka, Vanesa Glođo, Nikolina Jelisavac, Minka Muftić, Muharem Osmić, Adnan Hasković, Amra Silajdžić • Producenti / Producers: Mirsad Ćatić, Šemsudin Čengić, Jasmin Duraković • Producentske kuće / Production Companies: UG Bosland, Flash, Depo • Kontakt / Contact: Depo, tel. / fax.: +387 33 660 580, www.depo.ba

Croatia / Germany / Switzerland / Bosnia and Herzegovina, 2014, 86 min. • Režija / Director: Jasmila Žbanić • Scenarij / Screenplay: Aleksandar Hemon, Jasmila Žbanić • Direktor fotografije / Director of Photograhy: Christine Maier • Montaža / Editor: Isabel Meier • Scenografkinja / Art Director: Željka Burić • Kostimografija / Costume Designer: Lejla Hodžić • Uloge / Cast: Ariane Labed, Ermin Bravo, Ada Condeescu, Franco Nero, Leon Lučev, Branka Petrić • Producenti / Producers: Damir Ibrahimović, Leon Lučev, Janine Jackowski, Maren Ade, Andrea Štaka, Thomas Imbach • Producentska kuća / Production Company: Živa Produkcija (Croatia), Komplizen Film (Germany), Okofilm (Switzerland), Deblokada (BiH) • Kontakt / Contact: Damir Ibrahimović, Kranjčevića 43, 71000 Sarajevo, tel. / fax.: +387 33 668 559, deblok@bih.net.ba, info@deblokada.ba

Priča o dvojici prijatelja koji se nakon puno godina ponovno susreću u rodnoj Krajini i otvaraju sjećanja o ljudima koji žive na granici svjetova, puna

Grebo i njegova supruga Liliane u poodmakloj trudnoći provode svoj pošteno zasluženi odmor u popularnom jadranskom odmaralištu.

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Sve je uključeno u cijenu! Sunca, plivanja i zabave koliko im je srcu ćejf. Nemoguće je zamisliti da bi na tako idiličnom odmoru išta moglo krenuti po zlu! Uz večer karaoka, Grebo, sarajevski roker, u kojeg se Liliane svojevremeno zaljubila, očarava sve goste u odmaralištu. Ipak najveće iznenađenje večeri je njihov susret s misterioznom Florom. Ova karizmatična mlada žena ubrzo će njihov mladi brak staviti na kušnju. Tajne iz prošlosti ne mogu dugu ostati skrivene na Otoku ljubavi. Grebo and his very pregnant wife Liliane are taking a well-deserved vacation at a popular Adriatic seaside resort. All inclusive! All the sun, swimming and fun that their hearts desire. What could possibly go wrong on such an idyllic holiday? At an open-mike night, Grebo seduces the resort crowd and reminds his loving French wife of the Sarajevo rocker she fell in love with. But the evening’s big surpise is the young couple’s meeting with mysterious Flora. The charismatic young woman will soon put their young marriage to the test. Past secrets cannot stay hidden for long on Love Island.

POLITIKA I DRUGI ZLOČINI / POLITICS AND OTHER CRIMES Bosnia and Herzegovina, 2014, HD, color, 64 min. • Režija i scenarij / Director and Screenplay: Kenan Musić • Direktor fotografije / Director of Photography: Eldar Nurković • Montaža / Editor: Srđan Rodić • Kompozitor / Composer: Osman Abdelmukaram • Scenografija / Set Designer: Jasenka Džanković • Kostimografija / Costume Designer: Edin Ličina • Dizajner zvuka / Sound Designer: Eldin BIhorac • Grafički dizajner / Graphic Designer: Damir Ličina • Uloge / Cast: Adnan Novo, Dragan Marinković , Muhamed Bahonjić • Producenti / Producers: Kenan Musić, Benjamin Čengić, Semir Bujak, Edin Ličina, Nejra Musić • Kontakt / Contact: noke.msc@gmail.com

POLITIKA I DRUGI ZLOČINI govori o sukobu američkog novinara i bosanskohercegovačkog političara koji je, nakon iskazanog nezadovoljstva člankom, odlučio protjerati novinara iz države. Priča filma također govori o tenzijama koje rastu između njih, a baziran je i inspiriran JMBG protestima koji su održani u Sarajevu. Thomas Geer is an American journalist who comes to Sarajevo to make an objective report on political events and conflicts. He reveals too much information through his investigation on the aforementioned politicians, and revealing things that might change direction on the radical moves.

stana, sa školskim drugom počinje lutati ulicama, gdje prerano i prebrzo prolazi proces odrastanja. On bira krivi put. A mortar round kills the parents of a ten-year-old boy during the siege of Sarajevo in 1994. His neighbor accepts him and raises him like her own son. Sarajevo is under siege, it is being shelled daily, and snipers are very active. Nervousness and lawlessness are rising in the city... When local bullies kick the boy out of his devastated apartment, he begins to wander the streets with his school-mate, where he matures too fast and too soon. He chooses the wrong way.

ZA ONE KOJI NE MOGU DA GOVORE / FOR THOSE WHO CAN’T TELL NO TALES Bosnia and Herzegovina / Germany, 2013, 35 mm, color, 82 min. • Režija / Director: Jasmila Žbanić • Scenarij / Screenplay: Kym Vercoe, Jasmila Žbanić, Zoran Solomun • Direktor fotografije / Director of Photography: Christine Maier • Montaža / Editor: Yann Dedet • Scenografija / Set Designer: Željka Burić • Kostimografija / Costume Designer: Lejla Hodžić • Dizajn zvuka / Sound Designer: Igor Čamo • Uloge / Cast: Kym Vercoe, Boris Isaković, Jasna Đuričić, Simon McBourney, Leon Lučev, Branko Cvejić • Producenti / Producers: Damir Ibrahomović, Jasmila Žbanić • Producentska kuća / Production Company: Deblokada, Post Republic • Kontakt / Contact: Damir Ibrahimović, Kranjčevića 43, 71000 Sarajevo, tel. / fax.: +387 33 668 559, deblok@bih.net.ba, info@deblokada.ba

Kym Vercoe, Australijanka, posjećuje Bosnu i Hercegovinu. Turistička brošura je vodi kroz Višegrad, gradić s bogatom historijom, smješten na granici Bosne i Srbije. Nakon besane noći u “romantičnom” hotelu Vilina vlas, Kim otkriva šta se na tom mjestu događalo tokom rata. Ona više ne može biti neutralna turistkinja i njen život više nikada neće biti isti. Kym, an Australian tourist, decides to travel to Bosnia. Her guidebook leads her to Višegrad, a small town steeped in history, on the border of Bosnia and Serbia. After a night of insomnia in the “romantic“ Vilina Vlas hotel, Kym discovers what happened there during the war. She can no longer be an ordinary tourist and her life will never be the same again.

FILM FACTORY PREDSTAVLJA / FILM FACTORY PRESENTS

REKET / RACKET Bosnia and Herzegovina, 2014, DCP, color, 80 min. • Režija i scenarij / Director and Screenplay: Admir Buljugić • Direktor fotografije / Director of Photography: Almir Đikoli • Montaža / Editor: Miralem S. Zubčević • Muzika / Music: Hamza Ražnatović • Scenografija / Set Designer: Narcis Babić • Kostimografija / Costume Designer: Milan Senić • Uloge / Cast: Adnan Hasković, Izudin Bajrović, Edhem Husić, Lana Stanišić, Dragan Marinković • Producent / Producer: Hamza Ražnatović • Kontakt / Contact: rimda777@yahoo.com

Amil dolazi u Sarajevo, u posjetu ocu Mufidu. Saznaje da lokalni kriminalac Bakir zahtijeva od Mufida, vlasnika uspješnog preduzeća za proizvodnju organske hrane, da mu plaća mjesečni reket, što Mufid kategorično odbija. Amil predlaže ocu da se za pomoć i zaštitu obrati policiji… Amil comes to Sarajevo visiting his father Mufid. He finds out that a local criminal Bakir wants Mufid, as the owner of a successful enterprise for the production of organic food, to give him a monthly racket, which Mufid categorically refuses to do. Amil suggest to his father to seek police protection…

TOP JE BIO VREO / SO HOT WAS THE CANNON Serbia / Bosnia and Herzegovina, 2014, 35 mm, color, 119 min. • Režija / Director: Slobodan Skerlić • Scenarij / Screenplay: Slobodan Skerlić, Vladimir Kecmanović (novel), Aleš Kurt • Direktor fotografije / Director of Photography: Dušan Joksimović • Scenografija / Set Designer: Kiril Spaseski • Kostimografija / Costume Designer: Tatjana Radišić • Montaža / Editor: Đorđe Marković • Producent / Producer: Tihomir Stanić • Uloge / Cast: Stanislav Ručnov, Muhamed Dupovac, Anita Mančić, Mugdim Avdagić, Nikola Đuričko, Slavko Štimac, Milica Mihajlović • Produkcija / Production Company: Drina Film (Serbia), Balkan Film (BiH) • Kontakt / Contact: balkanfilm1@gmail.com

Granata s brda ubija roditelje desetogodišnjaka 1994. godine, tokom opsade Sarajeva. Prihvata ga komšinica i njeguje kao svog sina. Sarajevo je pod opsadom, granatirano, rešetano snajperima. U gradu raste nervoza, cvjeta bezakonje. Kada dječaka lokalni nasilnici izbace iz devastiranog

Glavni cilj programa film.factory je razvoj novih umjetničkih talenata, pri čemu budući filmski stvaraoci rade s priznatim profesionalcima u zajedničkom istraživanju novih mogućnosti i izgleda za društveno relevantan film 21. vijeka. Cilj programa i produkcijske laboratorije je obogatiti dijalog između različitih kultura, generacija i umjetničkih vizija, kroz zajedničku filmsku produkciju. Mentor na svim filmovima je Béla Tarr, ujedno i tvorac ovog programa. Program je počeo s radom u februaru 2013. kao dio Sarajevo School of Science and Technology. Profesori i mentori su najznačajniji filmski teoretičari, historičari i kritičari, te filmski reditelji i umjetnici, a do sada su to bili: Fred Kelemen, Fridrik Thor Fridriksson, Gus Van Sant, Carlos Reygadas, Apichatpong Wheersethakul, braća Quay, Pedro Costa, Guy Maddin, Tilda Swinton, Cristian Mungiu, Jean-Michel Frodon, Jonathan Romney, Jonathan Rosenbaum, Thierry Garrel, Manuel Grosso, Andras Renyi, Jytte Jensen, Kirill Razlogov, Ulrich Gregor, Shozo Ichiyama, te drugi čija predavanja tek slijede. Najvažniji dio programa je razvoj i produkcija filmova. Svi polaznici moraju snimiti kratke filmove tokom prvih dviju godina programa. Program trenutno okuplja 24 filmska autora iz cijelog svijeta, s četiri kontinenta i iz petnaest država. Oni su svi preselili u Sarajevo u potrazi za umjetničkom slobodom i ispunjenjem svojih vizija koje su budućnost filma. Zbog svega ovoga film.factory nije tradicionalna filmska škola, već prije sliči pokretu Bauhaus – laboratorija stvorena s ciljem da oslobodi fantaziju i energiju nove generacije. The film.factory objective is to support the development of new artistic talent, where upcoming filmmakers work with established professionals in joint exploration of new possibilities and outlooks for socially relevant cinema in the 21st century. Aim of the program and production lab is to enrich dialogue between cultures, generations and artistic visions, though collaborative film production. All films are mentored by Béla Tarr, creator of film. factory program. Factory started with its work in February 2013 within the frame of Sarajevo School of Science and Technology. Teachers and mentors are some of the world’s most prominent film theorists, film historians and critics, film directors and film artists, so far including: Fred Kelemen, Fridrik Thor Fridriksson, Gus Van Sant, Carlos Reygadas, Apichatpong Wheersethakul, Brothers Quay, Pedro Costa, Guy Maddin, Tilda Swinton, Cristian

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Mungiu, Jean-Michel Frodon, Jonathan Romney, Jonathan Rosenbaum, Thierry Garrel, Manuel Grosso, Andras Renyi, Jytte Jensen, Kirill Razlogov, Ulrich Gregor, Shozo Ichiyama, with many others yet to come. Most important part of the programme is the development and production of films by the film.factory filmmakers. All of them have to shoot short films during the first two years of the program. Currently the programme counts 24 young filmmakers from all corners of the world, spanning four continents and over fifteen countries. They’ve all moved to Sarajevo in pursuit of artistic freedom and fulfilment of their own vision of the future of cinema. All this makes film.factory not a traditional film school, but something akin to the Bauhaus movement – a laboratory set up with a goal to liberate the phantasy and the energy of the new generation.

LOST IN BOSNIA Bosnia and Herzegovina, 2014, HD, color, 95 min. • Režija / Director: Graeme Cole, Kaori Oda, Manel Raga, Namsuk Kim, Aleksandra Niemczyk, Grant Gulczynski, Fernando Nogari, Patrick Marshall, Sunčica Fradelić, Ghazi Alqudcy • Producent / Producer: Ghazi Alqudcy, Grant Gulczynski • Producentska kuća / Production Company: Film Factory • Kontakt / Contact: Film Factory, Bistrik 7, 71000 Sarajevo; ghazialqudcy@gmail.com, www.filmfactory.ba

LOST IN BOSNIA je filmska poema posvećena stvaranju filma i samom filmu. Film se sastoji od priča 11 reditelja, pod vizijom film.factoryja Béle Tarra, a propituje zašto snimamo filmove. Film počinje kao eksperiment unutar porodice film.factory. U skladu s duhom “tvornice”, eksperiment podstiče filmaše da pričaju lične priče. Naoružani malom kamerom, postavljaju teme koje govore o nastanku filmova. LOST IN BOSNIA is a cinematic poem to filmmaking and film itself. Directed by 11 filmmakers, all under the vision of Béla Tarr’s ‘film.factory’, delving into what keeps us making films. The film begins as an experiment within the family of Film Factory. Align with the factory’s spirit; the experiment urges filmmakers to keep telling personal stories. Armed with a small recording device, they set up themes that speak about filmmaking.

EKSPERIMENTALNI FILMOVI / EXPERIMENTAL FILMS

DEVET POLOŽAJA SAMOĆE / NINE POSITIONS OF LONELINESS Bosnia and Herzegovina, 2014, DCP, color, 80 min. • Režija i scenarij / Director and Screenplay: Enver Puška • Direktor fotografije / Director of Photography: Emir Džanan • Montaža / Editor: Adis Šabović, Amir Albaldawi • Muzika / Music: Adis Šabović • Scenografija / Set Designer: Admir Halilović • Uloge / Cast: Tarik Filipović, Amra Silajdžić, Mario Drmać, Zorana Bećić-Đorđević, Tarik Selimović, Maja Nurkić, Alma Osmanbegović, Rijad Gvozden, Ines Čengić• Producenti / Producers: Nijaz Puška, Tarik Puška, Enver Puška, Sandra Dizdarević - Puška • Producentska kuća / Production Company: FilmArt Teatar • Kontakt / Contact: enver.puska@gmail.com

Film je priča o modernoj samoći. Devet likova živi u devet odvojenih soba. Nikada se ne sretnu. Njihova komunikacija je virtualna, a svi predstavljaju sebe onakvima kakvi bi željeli biti dok u svojim sobama kriju stvarni život. This film tells the story of a modern loneliness. Nine characters live in nine separate rooms. They never meet. They have virtual communication and they present themselves for what they would like to be while hiding their real life in their rooms.

ODBROJAVANJE / COUNTDOWN Bosnia and Herzegovina, 2014, HD, color, 73 min. • Režija i scenarij / Director and screenplay: Rijad Gvozden • Direktor fotografije / Director of Photography: Rijad Gvozden • Montaža / Editor: Rijad Gvozden • Dizajn zvuka / Sound Designer: Adis Kutkut - Billain • Uloge / Cast: Rijad Gvozden • Producent / Producer: Benjamin Čengić • Producentska kuća / Production Company: Sanchez Production • Kontakt / Contact rijad.gvozden@gmail.com

Jedna soba. Jedan čovjek. Jedna odluka. Golom emocijom i bez mnogo riječi, film neosjetno, postupno, ali u potpunosti preokupira misli gledaoca, uvodeći ga u intimni svijet jednog mladića, u kojem se vrtoglavo smjenjuju želja za životom i nepodnošljivi osjećaj krivice. One room. One man. One decision. With pure emotion and without many words, film imperceptibly, gradually but completely preoccupies thoughts of viewers, introducing them to intimate world of a young man, where decreases desire for living but grows the Sunbearable sense of guilt.

DOKUMENTARNI FILMOVI / DOCUMENTARY FILMS

AZEMINA Bosnia and Herzegovina, 2013, HD, color, 25 min. • Režija i scenarij / Director and Screenplay: Enes Zlatar, Ajdin Kamber • Direktor fotografije / Director of Photography: Ajdin Kamber, Emir Džanan • Montaža / Editor: Enes Zlatar, Redžinald Šimek • Muzika / Music: Enes Zlatar • Producentica / Producer: Amra Bakšić Čamo • Producentska kuća / Production Company: SCCA / Pro.ba • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Naša ekipa je u februaru 2014. napravila kratki web dokumentarac o porodici Sulejmanović iz Brgula pored Vareša, koja već godinama živi u prostorijama mjesne zajednice. Dva mjeseca kasnije kontaktirala nas je gospođa Emina Prelle, penzionisana službenica iz Berlina, porijeklom Bosanka (ustvari Hercegovka), koju je ova priča toliko dirnula da je odlučila da pomogne ovoj porodici. Pronašla je kuću s obradivim zemljištem i voćnjakom u okolini Zavidovića i odlučila da je kupi i pokloni porodici Sulejmanović. Nakon dočeka na sarajevskom aerodromu, u maju 2014. krenuli smo u Brgule, a tamo se desio obrat kakav niko od nas nije mogao da očekuje, a najmanje gospođa Prelle. In February 2014, our film crew made a short web documentary about members of the Sulejmanović family who have been living in the building of the community centre in Brgula, near Vareš, for a number of years. Two months later we were contacted by a Bosnia-born (in fact Herzegovinaborn) Berlin citizen Mrs. Emina Prelle. Mrs. Prelle, herself a retired administrative clerk, was so moved by the Sulejmanovićs’ story that she decided to help them. She had found a house with a plot of land and an orchard in the vicinity of Vareš and decided to buy it as a present for the Sulejmanović family. In May 2014 we met Mrs.Prelle at the Sarajevo airport and traveled to Brugule with her. Once there, we wintessed a twist in the story which no one - Mrs. Prelle in particular - had expected.

BANJA ROBIJA / CHILL FACTORY Bosnia and Herzegovina, 2014, HD, color, 26 min. • Režija i scenarij / Director and Screenplay: Ivana Todorović • Direktor fotografije / Director of Photography: Pablo Ferro Živanović • Montaža / Editor: Redžinald Šimek, Timur Makarević • Producentica / Producer: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Aleksandra i njen tim pripremaju predstavu “Banja robija”, koja bi u narednom periodu trebala biti prikazana u zatvorima u Zabeli i Valjevu. Predstava se bavi istinitim događajima i teškim položajem osuđenika u zatvorima. Atmosfera je posebno napeta jer je VPZ Valjevo vjerovatno najgori zatvor u zemlji s najopasnijom populacijom… Aleksandra and her team are preparing the play “Chill Factory”, that should be performed in prisons in Zabela and Valjevo. The play shows true events and the difficult conditions convicts in prisons live in. The atmosphere is particularly hard because that prison in Valjevo is probably the worst prison in the country with the most dangerous population…

GETO 59 / GHETTO 59 Bosnia and Herzegovina, 2014, HD, color, 24.5 min. • Režija i scenarij / Director and Screenplay: Ines Tanović • Direktor fotografije / Director of Photography: Mustafa Mustafić • Montaža / Editor: Nijaz Kožljak, Redžinald Šimek • Producentica / Producer: Amra Bakšić Čamo • Producentska kuća / Production Company: SCCA / Pro.ba • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Čak i nakon skoro 20 godina poslije rata u Bosni i Hercegovini, obično izvan gradova ili sela, ljudi žive u naseljima koja se i danas nazivaju izbjegličkim centrima. Privremenost u njima ima status beskonačnosti, baš kao i u Ježevcima. Branje ljekovite trave, prebiranje otpada iz rudnika u susjedstvu, te odgoj djece koja su u svojoj zemlji rođena kao izbjeglice, samo su dio monotone svakodnevice Nearly 20 years since the end of the 1992-95 Bosnian war, there are people who still live in what is colloquially known as refugee centers, usually located on the outskirts of cities and villages. In such centers, including the one in Ježevci, what should have been temporary had become indefinite. Collecting medicinal herbs or scrap from nearby coal mines and raising children who were born as refugees in their own country are just some aspects of the monotonous daily life of the people in Ježevci.

242 20. Sarajevo Film Festival l Bosanskohercegovački Film Festival / BiH Film Festival

GLAS LUDILA U ETERU / MADNESS LIVE ON AIR

škola je dobila ime tokom ratnih dešavanja u BiH, a posvećena je djeci, anđelima, koji su poginuli tokom četverogodišnje opsade.

Bosnia and Herzegovina, 2014, HD, color, 28 min. • Režija / Director: Timur Makarević • Scenarij / Screenplay: Zoran Ćatić • Direktor fotografije / Director of Photography: Emir Džanan • Montaža / Editor: Timur Makarević • Producentica / Producer: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Šta predstavlja ludilo? Određeni broj naučnika vjeruje da ludilo kao takvo ne postoji, da su to prilično transformativne psihološke epizode na putu samorazumijevanja. Utemeljeno na ideji psihijatra Alfreda Olivera, radiostanice širom svijeta počinju emitirati svoje programske aktivnosti u psihijatrijskim ustanovama. Adi Hasanbašić pokušava to učiniti u Bosni i Hercegovini. What constitutes madness? A number of scientists believe that madness as such doesn’t exist, but it is rather a transformative psychological episode in the path of self-understanding. Based on an idea by psychiatrist Alfredo Olivera radio stations worldwide are starting to extend their programming activities into psychiatric institutions. Adi Hasanbašić is trying to do so in Bosnia and Herzegovina.

JMBG Bosnia and Herzegovina, 2014, HD, color, 25.5 min. • Autori / Authors: Enes Zlatar, Redžinald Šimek, Zoran Ćatić, Mustafa Mustafić, Emir Džanan • Producent / Producer: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

U junu 2013. godine u Sarajevu su se desile prve demonstracije koje su izgledale i zvučale drugačije od svih do sada. Bez zastava, vođa, političkih govora ili ambicija, pokazale su da postoji neka druga BiH. A onda su završile. O razlozima okupljanja, blokadi Parlamenta i o posljedicama, govore neki od onih koji su na Trgu BiH bili među prvima. Demonstrations in in Sarajevo June 2013 were the first ones that looked and sounded different than all the others. Without any flags, leaders, political speeches and ambitions, they showed that there is a different Bosnia and Herzegovina. And then it all ended. Some of the people who were the first to start the demonstrations at the BiH Square are speaking about the reasons for this gathering, blockade of the Parliament and all the consequences.

MUZIČKA SOBA / MUSIC ROOM Bosnia and Herzegovina, 2014, HD, color, 24.5 min. • Režija i scenarij / Director and Screenplay: Enes Zlatar • Direktor fotografije / Director of Photography: Emir Džanan, Renato Foder • Montaža / Editor: Enes Zlatar, Timur Makarević • Producent / Producer: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Sabina Šabić je diplomirana flautistica koja nema priliku baviti se poslom za koji je školovana. Odlučila je s grupom sarajevskih muzičara pokrenuti projekat Muzičke sobe u Dječijem domu Bjelave. Mladi muzičari iz Doma spremaju svoje prvo snimanje, prvi CD i prvi javni nastup. Tremu imaju svi, i profesori i đaci. Sabina Šabić is a graduate flutist who has no opportunity to work in her field. With a group of Sarajevo musicians she starts a Music Room project at the Bjelave orphanage. Young musicians from the orphanage are preparing their first recording, the first CD and first public performance. They all have stage fright, both the teachers and the children.

MEMORIE CONDIVISE /ZAJEDNIČKA SJEĆANJA / COLLECTIVE MEMORY Bosnia and Herzegovina / Italy, 2014, HD, color, 25 min. • Režija / Director: Ado Hasanović • Scenarij / Screenplay: Cristopher Solaman, Filippo Popoli, Lorenzo Bortolini, Mirco Manzini, Monica Martelli, Mostafa Finti, Nicolò Ruggeri, Virginia Talenti, Ado Hasanović • Direktor fotografije / Director of Photography: Ado Hasanović • Montaža / Editor: Ado Hasanović • Muzika / Music: Samir Imamović • Produkcija / Produced by: Comune di Valsamoggia (BO) • Kontakt / Contact: admon@adohasanovic.com

This film is about young students from Italy who have completed their primary education at a school named “Bambini di Sarajevo” (Children of Sarajevo) in Crespellano, Bologna 1994-97. The school was named during the war in Bosnia and is dedicated to the children killed during the siege.

NACRTAJ MI JEDNU ZEMLJU / DRAW ME A COUNTRY Bosnia and Herzegovina, 2014, HD, color, 52 min. • Režija / Director: Francois Lunel • Producenti / Producers: Samuel Chauvin, Damir Ibrahimović • Producentska kuća / Production Company: Promenade Films, Deblokada • Kontakt / Contact: Deblokada, Kranjčevićeva 43, 71000 Sarajevo, tel.: +387 33 668 559, info@deblokada.ba

Slobodan (65), Božidarka (50) i Lejla (9) žive na entitetskoj granici u Sarajevu. Srbin, Hrvatica i Bošnjakinja dijele svoje svakodnevni život između utjecaja nacionalnih stranaka i još svježih uspomena na rat. Slobodan (65), Božidarka (50), and Lejla (9), live at the border separating the two entities of Bosnia and Herzegovina in Sarajevo. They are Serbian, Croatian, Bosniak, and share their daily lives between the influence of nationalist parties and the still fresh memories of the war.

PONIŠTENI / NULLIFIED Bosnia and Herzegovina, 2014, HD, color, 29 min. • Režija / Director: Nermin Hamzagić • Scenarij / Screenplay: Nedim Jahić • Direktor fotografije / Director of Photography: Emir Džanan • Montaža / Editor: Redžinald Šimek • Producentica / Producer: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

PONIŠTENI je ispovijest bošnjačkih i hrvatskih povratnika u Republiku Srpsku koji se, osamnaest godina nakon rata, suočavaju s novim vidom progona. Početkom 2012. godine, Ministarstvo unutrašnjih poslova Republike Srpske kreće u nelegalnu provjeru prebivališta i poništavanje ličnih karata povratnika koje, nakon sumnjivih terenskih provjera, nisu zatekli na prijavljenim adresama. NULLIFIED is a story about Bosniaks and Croats in Republika Srpska, returnees who are, eighteen years after the war, faced with new ways of persecution. At the beginning of 2012, Ministry of the Interior of Republika Srpska is starting illegal residence verifications and cancels ID cards of those returnees who were not found at their registered addresses, after suspicious checks.

POSAO IZ SNOVA / DREAM JOB Bosnia and Herzegovina, 2014, HD, color, 22 min. • Režija / Director: Nermin Hamzagić • Scenarij / Screenplay: Nedim Jahić, Nermin Hamzagić • Direktor fotografije / Director of Photography: Emir Džanan• Montaža / Editor: Redžinald Šimek • Producenti / Producers: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Nermin, nezaposleni reditelj, traga za mladima koji nisu odustali od svojih snova. U društvu bez perspektive, u kojem je 60% mladih bez posla, Miljana Prodan, profesorica srpskog jezika i književnosti iz Višegrada, Amel Mukača, student ekonomije iz Fojnice i Merima Lepić, glumica iz Sarajeva, izborili su se za pravo da žive svoj san. Nermin, an unemployed filmmaker, looks for unemployed young people who still haven’t given up on their dreams. In a society without perspective, with 60% young people unemployed, Miljana Prodan, Serbian language and literature teacher from Višegrad; Amel Mukača, economics student from Fojnica, and Merima Lepić, actress from Sarajevo, have fought for their right to live their deams.

Film govori o mladim studentima iz Italije koji su završili OŠ “Bambini di Sarajevo” (Djeca Sarajeva) u Crespellanu, u Bologni, 1994 - 1997. Osnovna Bosanskohercegovački Film Festival / BiH Film Festival l 20. Sarajevo Film Festival 243

POVRATAK BRUSA LIJA / RETURN OF BRUCE LEE Bosnia and Herzegovina, 2014, HD, color, 25 min. • Režija i scenarij / Director and Screenplay: Timur Makarević • Direktor fotografije / Director of Photography: Timur Makarević, Mirza Ajnadžić • Producentica / Producer: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Spomenik Brusu Liju u Mostaru je prvi u svijetu i otkriven je 26. novembra 2005. Međutim, u toku prve noći je vandaliziran i premješten u podrum Gradske uprave, gdje se nalazio sve do maja 2013. kada je ponovo postavljen na isto mjesto u park Zrinjevac. Šta je spomenik značio kada je prvi put postavljan i šta znači sada, kad je opet tu nakon osam godina? A statue of Bruce Lee in Mostar is the first one in the world and was errected on 26th November 2005. But, during the first night it was vandalized and moved to the basement of the City Administration Hall where it stayed until May 2013. Then it was returned to the same location in Zrinjevac Park. What it meant when it was first installed and what the statue means now eight years later?

PRVI DAN U ŠKOLI / FIRST DAY OF SCHOOL Bosnia and Herzegovina, 2014, HD, color, 23 min. • Režija i scenarij / Director and Screenplay: Enes Zlatar • Direktor fotografije / Director of Photography: Emir Džanan • Montaža / Editor: Enes Zlatar, Redžinald Šimek • Producentica / Producer: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Mujo Fafulić je romski aktivist iz Kaknja. Pokušava poboljšati životne uvjete Roma i pomoći im da se uklope u društvo. Pokušava ih uvjeriti da uključe djecu u njegove radionice, te ih po mogućnosti upišu u škole. Film prati djecu koja žive na margini postratnog društva tokom njihovog prvog dana u školi.

Rehabilitation centre for stress and trauma in Croatia has been aiding various vulnerable groups for 20 years and Tina has been working there from the beginning. Although she is not a professional psychologist, a psychiatrist or a social worker, she is the main force of the Center. She has realized that working there is her life purpose.

TRANZICIJA ŽENE / TRANSITION OF WOMAN Bosnia and Herzegovina, 2014, HD, color, 22 min. • Režija i scenarij / Director and Screenplay: Zoran Ćatić • Direktor fotografije / Director of Photography: Mustafa Mustafić • Producent / Producer: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Da li žene mogu započeti promjene u društvu? Koliko patrijahat kao dio mentaliteta koči i one žene koje jesu osviještene i koje uspijevaju pravazići diskriminirajući odnos društva? Can women start change in society? How much do patriarchical attitudes hamper women who are enlightened and who are trying to overcome the discriminatory attitudes of the society?

ZEMLJA TVRDA, A NEBO VISOKO / THE LAND IS HARD AND THE SKY IS HIGH Bosnia and Herzegovina, 2014, HD, color, 64 min. • Režija i scenarij / Director and Screenplay: Erich Ratthfelder, Philipe Deprez, Amela Maldošević • Montaža / Editor: Ekrem Mulahasanović • Producentske kuće / Production Companies: BHRT, Kult B • Kontakt / Contact: BHT1, Bulevar Meše Selimovića 12; 71 000 Sarajevo; tel: +387 33 255 250; alma.mesanovic@bhrt.ba; www.bhrt.ba

Prijedor danas. Film prati živote onih koji su preživjeli koncentracione logore 1992. Neki od bivših logoraša vratili su se u svoj rodni grad. Je li moguće graditi zajedničku budućnost bez suočavanja s prošlošću?

Mujo Fafulić is a Roma activist from Kakanj, Bosnia and Herzegovina. He is attempting to change the difficult conditions the Roma people live in, and to help them be included in the society. He tries to persuade them to send their uneducated children to attend his workshops and eventually start going to proper school. We focus on those kids existing on the margins of a postwar, society, on their journey to the first day of school.

Prijedor today. The film follows the lives of survivors of the 1992 concentration camps. Some of the former prisoners came back to live again in their home city. Is it possible to build a common future without a confrontation with the past?

RAD ZA OPŠTE DOBRO / CUMMUNITY SERVICE

Bosnia and Herzegovina, 2014, HD, color, 12 min. • Režija / Director: Stjepan Skoko • Direktor fotografije / Director of Photography: Stjepan Skoko • Montaža / Editor: Tomislav Topić • Producent / Producer: Tomislav Bubalo • Muzika / Music: Ivo Mikulić • Producentska kuća / Production Company: Kadar Film & Video Production • Kontakt / Contact: Kadar; Trg širokobrijeških žrtava 1; 88220 Široki Brijeg, tel. / fax.: +387 39 706 992; kadarsb@gmail.com

Bosnia and Herzegovina, 2014, HD, color, 23 min. • Režija i scenarij / Director and Screenplay: Enes Zlatar • Direktor fotografije / Director of Photography: Emir Džanan • Montaža / Editor: Enes Zlatar • Producentica / Producer: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Rad za opšte dobro umjesto kazne zatvora je alternativna sankcija, koja se primjenjuje u većini evropskih zemalja. U BiH je ova sankcija uvedena 2003., ali se počela primjenjivati tek 2011., i to u samo dva kantona u Federaciji BiH. Film prati jednog osuđenika, koji izdržava ovu alternativnu kaznu.

ZNATIŽELJA / CURIOSITY

U drugoj polovini devedesetih, u malom hercegovačkom mjestu, ljudi su postali svjedoci ukazanja anđela, čovjeka s bijelom bradom, križeva, Gospe i Isusa Krista… In the second half of the 1990s, in a small village in Herzegovina, people were witnesses of the apparitions of angels, a man with a white beard, crosses, Virgin Mary and Jesus Christ...

Community service instead of jail is an alternative sanction in most European countries. In BiH, this sanctions was introduced in 2003 but started to be used in 2011, and yet only in two cantons of the Federation BiH. Film follows one convict, who is serving this alternative sanction.

TINA Bosnia and Herzegovina, 2014, HD, color, 25 min. • Režija / Director: Enes Zlatar • Scenarij / Screenplay: Silvija Bushill • Direktor fotografije / Director of Photography: Christian Bushill • Montaža / Editor: Enes Zlatar • Producentica / Producer: Amra Bakšić Čamo • Producentske kuće / Production Companies: SCCA / Pro.ba, Al-Jazeera Balkans • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Rehabilitacijski centar za stres i traumu već dvadeset godina u Hrvatskoj pomaže različitim ugroženim grupama ljudi, a Tina od početka radi tamo. Iako nije profesionalna psihologinja, psihijatrica ili socijalna radnica, ona je vodeća snaga Centra. Ona je, radeći, shvatila da je to njena prava životna misija. 244 20. Sarajevo Film Festival l Bosanskohercegovački Film Festival / BiH Film Festival

MOnuMENTImotion

KRATKI FILMOVI / SHORT FILMS

AUTIĆ / TOY CAR Bosnia and Herzegovina / USA, 2014, HD, color, 18 min. • Režija / Director: Muamer Čelik • Scenarij / Screenplay: Muamer Čelik • Direktor fotografije / Director of Photography: Hamzah Jamjoom • Montaža / Editor: Patrick Wimp • Uloge / Cast: Jasmin Geljo, Josie Nahas, Mia Perić, Emran Alispahić, April Sutton • Producent / Producer: Hamzah Jamjoom • Producentska kuća / Production Company: Digital Hydra • Kontakt / Contact: muamer.celik@gmail.com

Nakon što je preselila u Chicago u nadi za boljim životom, porodica iz Bosne je na rubu kolapsa. Ljubavi između njih već odavno nema, a zajedno ih drži još jedino kukavičluk da naprave sljedeći, očito neizbježan korak u svojoj vezi - razvod. Njihovo dvoje djece plaća najvišu cijenu zbog te situacije... After moving to Chicago in hopes for a better life, a family from Bosnia is on the verge of collapse. The only thing keeping them together is the cowardice to make that next, obvious and unavoidable step in their relationship: a divorce. Their two kids are paying the ultimate price...

FASUNGA / SHUNT Bosnia and Herzegovina, 2014, HD, color, 5 min. • Režija i scenarij / Director and Screenplay: Zoran Ćatić • Direktor fotografije / Director of Photography: Mirza Ajnadžić • Montaža / Editor: Damir Bašić • Muzika / Music: Dubioza kolektiv • Uloge / Cast: Bodan Milićević • Producenti / Producera: Mladen Erjavec, Saša Savić • Producentske kuće / Production Companies: sIA eTV, DTM Qatar • Kontakt / Contact: production@dtm.qa; www.dtm.qa

FASUNGA je priča o ljudima u tranziciji. Životne i historijske okolnosti nas neminovno tjeraju na prilagođavanje, ali to ne mora značiti da je čovjek prestao da živi – ako nigdje drugo, onda u svojim sjećanjima. SHUNT is a story about people living in the period of transition. Life and historical circumstances inevitably force us to adjust, but that doesn’t necessarily mean that the person has stopped living - if nowhere else, then he lives in his memories.

KOKOŠKA / THE CHICKEN Germany / Croatia / Bosnia and Herzegovina, 2014, HD, color, 15 min. • Režija / Director: Una Gunjak • Scenarij / Screenplay: Una Gunjak • Direktor fotografije / Director of Photography: Matthias Pilz • Montaža / Editor: Anja Siemens • Kompozitor / Composer: Bernd Schurer • Uloge / Cast: Mirela Lambić, Esma Alić, Iman Alibalić, Mario Knezović • Producenti / Producers: Jelena Goldbach, Siniša Juričić • Producentska kuća / Production Company: Zak Film Productions, Nukleus film • Kontakt / Contact: una@unagunjak.com

Na dar za šesti rođendan Selma dobija kokoš. Nakon što shvati da će životinja biti ubijena kako bi je porodica pojela, Selma odlučuje da je spasi i oslobodi, nesvjesna opasnosti koje taj poduhvat sa sobom nosi. Dok traga za nestalom kokoškom, Selminu majku pogađa snajper. Radnja je smještena u Sarajevo, godina je 1993. As a present for her 6th birthday, Selma gets a live chicken. When she realises the animal is going to be killed to feed the family, she decides to save it and set it free, unaware of the high stakes such action will lead to. While trying to bring back the missing chicken, Selma’s mum becomes the target of a sniper shoot. It’s Sarajevo, year running 1993.

LINĐO Bosnia and Herzegovina, 2014, HD, color, 3 min. • Režija / Director: Jurinko Rajič • Scenarij / Screenplay: Aleta Rajič • Direktor fotografije / Director of Photography: Aleta Rajič • Montaža / Editor: Sanja Rajič - Banjac • Muzika / Music: Klapa Trebižat, HKD Gumski glas • Producentica / Producer: Sanja Rajič - Banjac • Producentska kuća / Production Company: Studio Neum • Kontakt / Contact: Studio Neum, Agava 8, 88 390 Neum, sanja.rajic-banjac@tel.net.ba; www.naff.ba

Film prikazuje linđu kao ljubavni ples specifičan za Hercegovinu. U vremenima kada su se mladi sastajali samo na sijelima ili nedjeljnim misama, kroz linđu su se pokazivale simpatije prema voljenoj osobi i uspostavljali prvi kontakti. This film is about linđo, a love dance specific for Herzegovina. There were times when young people used to meet only at village gatherings or Sunday mass in church. Through linđo they used to show their affection for the loved ones and it helped them make the first move.

Bosnia and Herzegovina, 2014, HD, color, 10 min. • Režija / Director: Muhamed Kafedžić • Producentska kuća / Production Company: forumZFD • Kontakt / Contact: parente@forumzfd.de; www.forumzfd.de

Ispirisan izložbom “MonuMENTI – Promjenljivo lice sjećanja” fotografa Marka Krojača, animirani film “ MOnuMENTImotion” rezultat je rada 18 mladih umjetnika, studenata i aktivista iz regiona, dok režiju potpisuje sarajevski autor Muhamed Kafedžić. Film je dio kulturno-mirovnih inicijativa organizacije forumZFD koja djeluje na području zapadnog Balkana. Animated film “MOnuMENTImotion” is inspired by photo exhibition “MOnuMENTI, the Changing Face of Remembrance” by Mark Krojač. It is result of the work of 18 young artists, students and activists from the region and was directed by Mohammed Kafedžić from Sarajevo. This film is a part of cultural peace initiatives that forumZFD organization operates in the Western Balkans.

RESORT Germany / Bosnia and Herzegovina, 2014, HD, color, 15 min. • Režija / Director: Clarissa Thieme • Direktor fotografije / Director of photography: Sandra Merseburger • Dizajn zvuka / Sound Design: Markus Ruff • Uloge / Cast: Kathrin Resetarits, Kamka Tocinovski, Leon Lučev • Producenti / Producers: Kristina Konrad, Christian Frosch, Amira Lekić • Producentska kuća / Production Company: weltfilm GmbH (Berlin/ Wien), Deblokada • Kontakt / Contact: Kranjčevićeva 43, 71000 Sarajevo, tel.: +387 33 668 559, info@deblokada.ba

Glumica, filmska rediteljica i njen kamerman se sreću na bivšem luksuznom odmaralištu na jadranskoj obali. Glumica je tu na audiciji za film, isti onaj za koji rediteljica i kamerman traže lokacije. Neočekivano, glumica se prepušta dugim čekanjima povremenih i, naizgled, sve manjem broju smislenih proba... An actress, a film director and her cameraman meet in a former luxury resort on the Adriatic coast. The actress is there to be cast for a movie – the same movie for which the director and cameraman are on a location scouting tour. Unexpectedly the actress finds herself committed to long periods of waiting interspersed with seemingly less and less meaningful rehearsals…

UZDAH NA KROVU / BREATH ON THE ROOF Bosnia and Herzegovina, 2014, HD, color, 55 min. • Režija / Director: Igor Tešić, Draško Gajić • Scenarij / Screenplay: Mario Ćulum, Milan Gajić • Direktor fotografije / Director of Photography: Draško Gajić • Dizajner zvuka / Sound Designer: Igor Suzić • Scenografija i kostimografija / Set and Costume Designer: Dragana Purković - Macan • Muzika / Music: Dalibor Đukić • Uloge / Cast: Velimir Blanić, Belinda Božičković, Branko Janković, Đurđa Vukašinović, Dragoslav Medojević, Radenka Ševa • Producenti / Producers: Biljana Ševa, Draško Gajić • Producentska kuća / Production Company: Akademija umjetnosti Banja Luka, RTRS

Svako ima svoje razloge za odlazak, Dora - slikanje, Gligor - mjesečarenje. To je bijeg od stvarnog i realnog života u svijet iluzija i fikcije. Oni nesvjesno ulaze u taj svijet, svijet svojih maštanja i požuda, gdje sreću nove likove, koji također iz svojih stvarnih života nesvjesno ulaze u fikciju… Both have their own reasons to leave, Dora - painting, Gligor - sleepwalking. It is an escape from real life and the real world to an illusion and fiction. They are discreetly entering the world of their imagination and desires where they meet new characters who also run from their real life into the same fiction as Dora and Gligor.

VIŠAK VJETRA / SURPLUS OF WIND France / Bosnia and Herzegovina / Serbia, 2014, Colour, 25 min. • Režija i scenarij / Director and screenplay: Dane Komljen • Direktor fotografije / Director of Photography: Amel Đikoli • Uloge / Cast: Boban Kaluđer, Dejan Kaluđer • Producenti / Producers: Guylaine Huet, Zoran Galić, Nataša Damnjanović • Producentske kuće / Production Companies: Le Fresnoy, Vizart, Dart Film, Kino Glaz • Kontakt / Contact: Vizart – Banja Luka, vizart@vizartfilms.com

Dva muškarca - jedan sa Zapada, drugi s Istoka - braća. Na oba kraja život je prigušen, usamljen, ni po čemu poseban. Na jednom se kraju farbaju prozori, mijenjaju se utičnice i puše se cigarete; na drugom se preplivavaju bazeni, priprema se za bokserske mečeve, prebacuje se novac. Šta spaja ta dva kraja?

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Two men - one in the West, one in the East, brothers. In both places, life is muted, solitary, nondescript. Here, windows are painted, switches rewired and cigarettes smoked; there, lengths swum, boxing matches prepared for, transactions made. What is it that links these things?

STUDENTSKI FILMOVI / STUDENT FILMS

AKADEMIJA SCENSKIH UMJETNOSTI SARAJEVO / SARAJEVO ACADEMY OF PERFORMING ARTS Kontakt / Contact: asu@asu.unsa.ba

NA GRANICI / ON THE VERGE Bosnia and Herzegovina, 2014, DVD, color, 6 min. • Režija / Director: Fanny Hagmeier • Montaža / Editor: Redžinald Šimek

Ovo je esejistički portret Sarajeva. Pokazuje lične refleksije o dubokom utjecaju grada na rediteljicu, dok prolazi kroz nekoliko promjena početkom 2014. This is an essayistic portrait of Sarajevo. It shows personal reflections of profound effect the city has on the filmmaker, while undergoing several changes in early 2014.

PERFEKTAN DAN ZA BANANA RIBE / A PERFECT DAY FOR BANANA FISH Bosnia and Herzegovina, 2014, DVD, color, 16 min. • Režija / Director: Julija Klier • Scenarij / Screenplay: Lejla Muratčauš, Julija Klier • Uloge / Cast: Enes Salković, Dina Mušanović, Lucija Obradović, Darja Badnjević, Maja Pijević, Maja Salkić • Direktor fotografije / Director of Photography: Almir Đikoli

Obolio od posttraumatskog stresnog poremećaja, nesposoban ponovno se asimilirati u društvo, Seymour jedini spas pronalazi u druženju s petogodišnjom djevojčicom. Udaljava se i od supruge Muriel, svjestan toga da njih dvoje nemaju iste poglede na svijet. Suffering from post-traumatic stress disorder, unable to re-assimilate into society, Seymour finds salvation in the company of a five-year-old girl. He is distancing himself from his wife Muriel, aware that the two of them have different views…

POSTELJA BR. 29 / BED No 29

koju više ne viđa, Baka mijenja bolesničku postelju i lijekove za spavanje, za tribine fudbalskog stadiona. Alone and trapped in an apartment with memories and a desire to be with her family that she doesn’t see any more, Grandma exchanges her bed and sleeping medications for a football stadium.

ZID / THE WALL Bosnia and Herzegovina, 2014, DVD, color, 25 min. • Režija / Director: Zulfikar Filandra • Scenarij / Screenplay: Adnan Lugonić, Zulfikar Filandra • Uloge / Cast: Igor Skvarica, Semir Krivić, Edin Avdagić, Dino Sarija Admir Šehović, Vedran Đekić • Direktor fotografije / Director of Photography: Amel Đikoli

Stavljen je pred zid: izdaja ili predaja… He has reached a wall: betrayal or surrender…

AKADEMIJA UMJETNOSTI BANJA LUKA / ACADEMY OF ARTS BANJA LUKA Kontakt / Contact: aubl@inecco.net

ACAB Bosnia and Herzegovina, 2014, DVD, color, 12 min. • Režija / Director: Dragan Majkić • Direktor fotografije / Director of Photography: Dejan Grujčić • Montaža / Editor: Dragan Majkić

Zbog tuče i nereda na utakmici, policija hapsi mladića i brutalno ga ispituje. Iako sve negira i tvrdi da je nevin, inspektor je sve uporniji da izvuče priznanje i optuži mladića. Because of the riots at the football game, police arrests a young man and brutally interrogates him. While he denies all charges and claims that he is innocent, the inspector is aggressive in intention to extract confession and accuse the man.

MIZAN (izvan konkurencije / out of competition) Bosnia and Herzegovina, 2014, DVD, color, 11 min. • Režija / Director: Milica Pendić • Direktor fotografije / Director of Photography: Dejan Božić • Montaža / Editor: Jaglika Jovanović

Misteriozna kaseta je jedina utjeha djevojčici koja se bori s teretom odrastanja.

Bosnia and Herzegovina, 2014, DVD, color, 6 min. • Režija / Director: Alen Šimić • Scenarij / Screenplay: Alen Šimić • Uloge / Cast: Mario Drmać, Alisa Čajić, Damir Kustura, Emir Fejzić • Direktor fotografije / Director of Photography: Jasmin Omerspahić

A mysterious VHS tape is the only thing that can comfort a girl struggling with growing pains.

Bio jednom jedan Kapetan... Imao je dva zanimanja: rat i žene. Sve dok nije došla ona… Onda je upoznao novo lice ljubavi. I rata.

NEKO OD NAS / SOME OF US

There once was a Captain ... He had two intrests: war and ladies… Until she came along... Then he also met a new side of love. And war.

Bosnia and Herzegovina, 2014, DVD, color, 9 min. • Režija / Director: Anja Kavić • Direktor fotografije / Director of Photography: Jelena Vujasinović • Montaža / Editor: Marko Vukosav

SPAZAM / SPASM

Kada se sestrinski odnos pretvori u zamjeranje koje se nakupilo tokom odrastanja...

Bosnia and Herzegovina, 2014, DVD, color, 20 min. • Režija / Director: Dražen Krešić • Scenarij / Screenplay: Džejna Avdić, Adnan Lugonić, Dražen Krešić • Uloge / Cast: Suada Ahmetašević, Mirjana Đan, Adnan Kreso, Saša Krnpotić • Direktor fotografije / Director of Photography: Admir Švrakić

When relationship between two sisters turns into resentment that has accumulated over the years.

Vladimir dolazi u grad da studira ekonomiju, iznajmljuje sobu koju je našao preko oglasa, ni ne sumnjajući šta ga sve u novom domu čeka…

PASIVNI POSMATRAČI / BYSTANDERS

Vladimir comes to town to study economics. He rents a room he found through an ad, not even suspecting what is waiting for him in his new home...

Bosnia and Herzegovina, 2014, DVD, color, 5 min. • Režija / Director: Jelena Ilić • Direktor fotografije / Director of Photography: Aleksandar Svitić • Montaža / Editor: Jelena Ilić

U PLAVO / INTO THE BLUE

U napuštenom objektu sukobljavaju se likovi nacrtani na zidovima. Posljedica njihovog sukoba su uništenje, glad i pustoš. Dugačkim hodnikom dolazi jedna nepoznata ljudska figura da uvede red među njima…

Bosnia and Herzegovina, 2014, HD, color, 10 min. • Režija / Director: Nejra Hulusić • Scenarij / Screenplay: Tina Šmalcelj • Direktor fotografije / Director of Photography: Amel Đikoli • Uloge / Cast: Kaća Dorić, Amina Begović • Producent / Producer: Sabrina Begović Ćorić

Sama i zarobljena u stanu s uspomenama i čežnjom za svojom porodicom

Characters drawn on the walls in an abandoned facility confront each other. The consequences of their conflict are destruction, famine and desolation. Through a long corridor comes one mysterious human figure to bring order among them.

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S. FREUD 2014.

SARAJEVSKA FILMSKA AKADEMIJA / SARAJEVO FILM ACADEMY

(izvan konkurencije / out of competition) Bosnia and Herzegovina, 2014, DVD, color, 10 min. • Režija / Director: Boris Savić • Direktor fotografije / Director of Photography: Aleksandar Svitić • Montaža / Editor: Jelena Kecman, Boris Savić

Ljubomora i kompleksi na apsurdan način vode junaka ovog filma od jedne greške do druge. Na komično-tragičan način ispričana priča o zločinu i kazni. Jealousy and lack of self-confidence absurdly lead this film’s hero from one mistake to another. This film tells a story of crime and punishment in a black-humour kind of way.

Kontakt / Contact: info@sfa.ba

ISKUPLJENJE / REDEMPTION Bosnia and Herzegovina, 2014, HDV, color, 11 min. • Režija / Director: Mirna Dizdarević • Direktor fotografije / Director of Photography: Amel Đikoli • Uloge / Cast: Tatjana Šojić, Benjamin Bajramović

Olga (54) i Goran (28) na prvi pogled djeluju kao dvije sasvim obične osobe, ali dolaze do situacije gdje su oboje primorani da se vrate u prošlost. Olga (54) and Goran (28) at first sight seem like two ordinary people, but they come to the situation where they are both forced to go back to the painfull past.

UNUK / GRANDSON Bosnia and Herzegovina, 2014, DVD, color, 10 min. • Režija / Director: Saša Karanović • Direktor fotografije / Director of Photography: Jelena Vujasinović • Montaža / Editor: Ognjen Topić

Mladi čovjek ima zadatak da, u gluho doba noći neopažen prođe hodnicima gradske bolnice i na vrijeme dođe do sobe u kojoj na samrti leži čovjek kojem mora isplatiti stari dug.

MILOST / MERCY Bosnia and Herzegovina, 2014, HD, color, 24 min. • Režija / Director: Benjamin Dizdarević • Direktor fotografije / Director of Photography: Amel Đikoli

In the middle of the night a young man passes undetected the corridors of a hospital complex and gets into a room where there is a dying man… He must pay off an old debt.

Nina živi s ocem. Zabranjeno joj je posjećivati umjetničku galeriju, razgovarati s momcima, meditirati, i zabranjena joj je njena najveća strast – crtanje. Kako bi se oslobodila očevih pravila, ona mora učiniti nešto radikalno.

VELTSMERC / WELTSCHMERZ

Nina lives with her father. She is forbidden to visit an art gallery, talk to guys, meditate, and her greatest passion - drawing. In order to free herself from her father’s rules, she must do something radical.

(izvan konkurencije / out of competition) Bosnia and Herzegovina, 2014, DVD, color, 17 min. • Režija / Director: Nemanja Savanović • Direktor fotografije / Director of Photography: Dajan Javorac • Montaža / Editor: Ognjen Bogdanović

OŠTRAČ / SHARPERNER Bosnia and Herzegovina, 2014, HDV, 7 min. • Režija / Director: Esma Sarić • Direktor fotografije / Director of Photography: Gorčin Zec, Esma Sarić

Neko ostane, neko ode, svi se kaju…

Nedim je jedan od posljednjih oštrača u Sarajevu. Trenutno mu prijeti zatvaranje radnje, zbog činjenice da njegov zanat, kao i mnogi drugi, lagano izumire. Pratimo ga kroz par radnih dana, dok se bori za opstanak svoje radnje od 6 kvadrata, u srcu Baščaršije…

Some stay, some leave, everybody regrets…

FAKULTET DRAMSKIH I FILMSKIH UMJETNOSTI / FACULTY OF DRAMA AND FILM ARTS Kontakt / Contact: studentska@sinergija.edu.ba; profesori@sinergija.edu.ba

Nedim is one of the lasts sharperners in Sarajevo. He is currently threatened to loose his job, due to the fact that his, like many other crafts, is dying. We follow him through a couple of working days, while he fights for survival of his 6 square-metre store in the heart of Baščaršija...

KRIK / SCREAM

OTAC / FATHER

Bosnia and Herzegovina, 2014, DVD, color, 12 min. • Režija / Director: Katarina Živanović

Bosnia and Herzegovina, 2014, HDV, 14 min. • Režija / Director: Nedim Karalić

Nakon što zatvori pogled prema tehničkim spravama, on otvara prozor u stvarni svijet…

Nikola i Mustafa su u svakodnevnom sukobu. Jaz među njima nestaje onda kada se probudi očinsko suosjećanje.

After shutting down electronics, he turns on the real world.

Nicholas and Mustafa are in conflict daily. Differences between them disappear when fatherly compassion appears.

LOV / THE HUNT

PASSEPARTOUT

(izvan konkurencije / out of competition)

Bosnia and Herzegovina, 2014, DVD, color, 4 min. • Režija / Director: Željko Cvijetinović

Bosnia and Herzegovina, 2014, HDV, color, 25 min. • Režija / Director: Gorčin Zec • Direktor fotografije / Director of Photography: Gorčin Zec

Njihova ljubav nailazi na veliku prepreku; hoće li je uspjeti izbjeći?

Phileas i Passeparotut, brat i sestra, žive sami u opustošenom stanu. Njihov jedini kontakt s vanjskim svijetom je čovjek u zaštitnom odijelu koji im donosi hranu. Tajno Phileas sanja o putovanju i izlasku…

Their love finds a major obstacle, will it be able to escape it?

Phileas and Passeparotut, brother and sister, live alone in a devastated apartment. Their only contact with the outside world is a man in achemical suit who brings them food. Phileas secretly dreams of traveling and going out...

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PUNK MONKEY (izvan konkurencije / out of competition) Bosnia and Herzegovina, 2014, HDV, color, 13 min. • Režija / Director: Gorčin Zec • Direktor fotografije / Director of Photography: Gorčin Zec

Djevojka bez kuće i domovine vraća se u grad kako bi se oprostila s bivšom djevojkom Emily i završila jedno poglavlje svog života, možda posljednje... A girl without a home and homeland returns to town to say goodbye to her former girlfriend Emily, to finish a chapter of her life, perhaps the last one...

VJEČNA VATRA / ETERNAL FLAME SARAJEVO Bosnia and Herzegovina, 2014, HDV, color, 16 min. • Režija / Director: Gorčin Zec • Direktor fotografije / Director of Photography: Gorčin Zec

Spomenik Vječna vatra u centru Sarajeva je jedna od ključnih tačaka kroz koju se presijecaju najvažniji gradski događaji, od parada, protesta, komemoracija, društveno i individualno važnih susreta... U ovom filmu se prikazuju događaji od 2012. do 2014. godine. Eternal Flame, a monument in the centre of Sarajevo, is one of the most frequently visited sites in the city. Almost all important events intersect through that point: parades, protests, commemorations, social and individual meetings. This film displays events that occurred from 2012 to 2014.

FILM FACTORY www.filmfactory.ba

PANGEA (izvan konkurencije / out of competition) Bosnia and Herzegovina, 2014, HDV, color, 8.5 min. • Režija / Director: Emma Rozansky • Direktor fotografije / Director of Photography: Marta Hernaiz Pidal • Uloge / Cast: Emina Muftić, Mehmed Porča, Benjamin Bajramović, Andre Gil Mata, Anton Petersen

Starija žena luta ulicama Sarajeva, privučena ljudima iz osiguranja smještenim u male staklene kabine širom grada. Ona vjeruje da je u svakoj od njih dio njene prošlosti koje se sve više prisjeća susrećući svakog novog zaštitara. An older woman wanders the streets of Sarajevo strangely attracted to the glass security boxes that preside over the city. She believes each box is a part of her past and replays memories as she encounters the security guards.

AL JAZEERA PREDSTAVLJA / AL JAZEERA PRESENTS Kontakt / Contact: Sead Kreševljaković - Commissioning Producer; Programmes Department Al Jazeera Balkans, Trg djece Sarajeva 1, Sarajevo, Bosnia and Herzegovina, tel.: +387 33 897 257 / Fax: +387 33 266 600, sead.kresevljakovic@aljazeera.net; http://balkans.aljazeera.net

ĆUMURAŠI / COAL PEOPLE Bosnia and Herzegovina, 2014, HD, color, 25 min. • Režija i scenarij / Director and Screenplay: Emir Kapetanović • Direktor fotografije / Director of Photography: Boris Jugo • Montaža / Editor: Emir Kapetanović, Samed Talović • Zvuk / Sound: Adis Baždarević • Izvršna produkcija / Executive production: Alhemija Film

Grupa ljudi skida ugalj sa voza koji ga je dovezao do industrijske izlazne stanice u Lukavcu. Akteri u ovom svakodnevnom ratu su osoblje industrijske željeznice: mašinovođe, otpravnici, manevristi i mještani okolnih naselja koji se bore za vlastitu egzistenciju. A group of people are removing the coal from trains carrying coal to industrial output cells in Lukavac. Participants in this everyday war are staff of industrial railways: train drivers, charges, shunting and locals from surrounding villages who are fighting for their own survival.

DVA LICA PRAVDE / TWO SIDES OF JUSTICE Bosnia and Herzegovina, 2014, HD, color, 51 min. • Režija i scenarij / Director and Screenplay: Almir Berkovac • Direktor fotografije / Director of Photography: Faris Dobrača • Kamermani / Cameramen: Nermin Fetić, Vlado Trivić • Izvršna produkcija / Executive production: Alhemija Film

Ovo je istraživački dokumentarac koji 20 godina nakon osnivanja Međunarodnog krivičnog suda za bivšu Jugoslaviju postavlja brojna pitanja: da li je Sud sačuvao nezavisnost ili je podlegao pritiscima i interesima velikih sila; da li je održiv mir bez pravde; i da li je međunarodna pravda sposobna da spriječi ponavljanje genocida? This is an investigative documentary: 20 years after the establishment of the International Criminal Tribunal for the Former Yugoslavia we ask many questions: whether the Tribunal preserved the independence or succumbed to the pressures and interests of the great forces; Is peace without justice possible; and whether international law is able to prevent the recurrence of genocide?

LOGOR / THE CAMP Bosnia and Herzegovina, 2014, HD, color, 45 min. • Režija i scenarij / Director and Screenplay: Nidal Magrabi • Direktor fotografije / Director of Photography: Almir Đikoli • Montaža / Editor: Emir Kapetanović • Kamermani / Cameramen: Nermin Fetić, Vlado Trivić • Producent / Producer: Sami Elhaj • Izvršna produkcija / Executive production: Alhemija Film

Prošlo je više od 20 godina od zatvaranja koncentracionih logora za Bošnjaka i Hrvate u Prijedoru. Mnoge bivše žrtve vratile su se u svoje domove u Prijedoru iz kojih su protjerani kada je formirana Republika Srpska. Danas se suočavaju s diskriminacijom. U isto vrijeme mnogi bivši izvršioci zločina slobodno se kreću gradom. It’s been over 20 years since the closure of the concentration camps for Bosniaks and Croats in Prijedor. Many former victims returned to their homes in Prijedor from which they were expelled when the Republika Srpska was formed. Today they are facing discrimination. At the same time, many perpetrators of war crimes walk freely around the city.

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251 Sponzori / Sponsors 294 Hvala / Thank You 295 Festival Team 296 Index - Filmovi / Films 298 Index - ReĹžiseri / Directors

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ZVANIČNI PARTNER HOTEL SARAJEVO FILM FESTIVALA DOMAĆIN CINELINKA I REGIONALNOG FORUMA

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CINELINK COPRODUCTION MARKET DEVELOPMENT GRANT

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Hvala / Thank You

Abdulaziz Al-Khater, Azur Ajanović, agnes b., Aida Bajramović, Jusuf Bubica, Munib Buljina, Amina Čadro, Vahid Ćosić, Emir Dedović, Amina Deljković, Hamdija Dizdar, Adnan Džindo, Semir Efendić, Almen Fejzić, Mersid Grbović, Elvir Hadžiahmetović, Ibrahim Hadžibajrić, Fahrudin Halač, Suad Handagić, Gordana Hrenovica, Rasim Kadić, Igor Kamočaji, Emir Kazić, Dino Konaković, Aida Koristović, Unkas Kupusović, Nedim Lipa, Dariusz Maczka, Daniela Michel, Azem Mujan, Amela Mulavdić, Hajrudin Mulić, Hajrija Mulić, Nerma O¨Hara, Michele Ohayon, Andy Paterson, Sanja Pejčinović, Marijo Pejić, Igor Rahelić, Marin Raspudić, Rasha Salti, Sunita Samarah, Jorge Sanchez Sosa, Gary Shapiro, Nasir Spahić, Hrvoje Stipanov, Džemal Šaković, Edina Šeta, Danis Tanović, Emil Tedeschi, Cat Villers, Nada Zdravič

2i Film, Continental Film, Delta Video, MegaCom Film, Ministarstvo odbrane BiH, Ministrastvo vanjskih poslova BiH, Ministarstvo unutrašnjih poslova Kantona Sarajevo, Ministarstvo civilne zaštite Kantona Sarajevo, Ministarstvo saobraćaja Kantona Sarajevo, Odsjek za zrakoplovnu meterologiju JPAKL-a Sarajevo, Turistički informativni Centar - Sarajevo, Fond Memorijala, Centrotrans dd – Transport robe, Team Consulting, Bosanski Kulturni Centar Sarajevo, Preporod Sarajevo, BMS, Stage.Co, Bato d.o.o, Tapas d.o.o, Blow UP, Kean & Kean Communications, Pa-Dora, Taramount Film, Emotion Film, Discovery, MG Film, Blitz film i video distribucija, Centar Film

294 20. Sarajevo Film Festival l HVALA

Notebook: Nebojša Jovanović, Ivana Kalember, Asja Makarević

Eldin Buljubašić, Accommodation Edina Čomor, Visas and Excursions

Advisory Board Izeta Građević Jovan Marjanović

CineLink Office Armin Hodžić, CineLink Coordinator Tobias Pausinger, Work in Progress Consultant Ognjen Džinić, Avant Premieres Programme Coordinator Asa Garnet, Industry PR Ana Neveščanin, Industry Assistant Riad Hasović, Rough Cut Boutique Coordinator, Avant Premiere Programme Assistant Alex Traila, Work in Progress Coordinator Industry Events: Tina Hajon, Neven Rodić Maša Marković, Meetings Coordinator Mladen Ungar, Industry Statistics & Analysis

Events Managemen Ida Smailbegović, Manager Assistants: Mak Krstić, Adna Rokša

Creative Director Izeta Građević Head of Programming Amer Bećirbegović Programmers Elma Tataragić, Competition Features, Competition Shorts and In Focus Rada Šešić, Competition Documentaries Vanja Kaluđerčić, Shorts Mike Goodridge, Kinoscope Alessandro Raja, Kinoscope Mathilde Henrot, Kinoscope Festival Consultant Philippe Bober, Consultant Mikel Olaciregui, Consultant for Spain Andrea Stavenhagen, Consultant for Latin America Industry Jovan Marjanović, Head of Industry Ena Đozo, Industry Manager CineLink Jovan Marjanović, Head of Industry Amra Bakšić Čamo, Head of CineLink Talents Ivana Pekušić, Project Manager Asja Makarević Sarajevo City of Film Ivana Pekušić, Project Manager Minimarket Vanja Kaluđerčić, Programme Manager Rough Cut Boutique Rada Šešić, Head of Competition Programme – Documentary Film and coorganizer of the new platform Docu Rough Cut Boutique Martichka Bozhilova, Director of the Balkan Documentary Center and coorganizer of the new platform Docu Rough Cut Boutique Operation Kino Ena Đozo, Head of Operation Kino Adnan Čomor, Operation Kino Coordinator International Relations Lejla Karišik, Head of International Relations Nataša Stupar, Assistant Executive Producer Almir Palata, Technical Director Assistants: Selma Delić, Mersiha Halilović Budget Planner – Analyst and Internal Audit Sabina Branković Lamija Muminović, Assistant Administrative Office Dževad Mujan Hajrudin Ajkunić, Accountant Aida Memović, Secretar Mia Varivoda, Administration Assistant Melika Bašić, Volunteer Ivana Petrović, Director’s Assistant Talents Sarajevo Office Ivana Pekušić, Project Coordinators Selection: Amra Bakšić Čamo, Izeta Građević, Jovan Marjanović, Elma Tataragić, Gabriele Brunnenmeyer, Nebojša Jovanović, Fred Kelemen Talent Administration and Guest Management: Linda Johansson, Nadina Habibović Ahmed Alić, Tecnical Coordinator Rusmir Efendić, Location Manager (ASU) Field Technicians: Amer Alić, Amer Ćosović, Muhamed El-Mordeha Harun Oglečevac, STC Pack&Pitch Coordinator Valerie Snehotta, Script Workshop Coordinator Jakub Salihović, Film Critics Workshop Coordinator Benjamin Čengić, Cinematographers Workshop Coordinator Info Desk: Nejra Branković, Adna Aličić, Nataša Hemon, Kenan Sadović Aziz Čeho, STC Video Documentation

Competition Feature and Short Program Office Asja Krsmanović, Competition Programme Coordinator, Pre-selection for Competition Programme - Short Film Melina Alagić, BH Film Festival Coordinator Sanela Krsmanović, Jury Coordinator Nataša Govedarica, Programme Assistant and In Focus q&a moderator Assistants: Džejna Avdić, Sabina Bosović, Ivor Doder, Rijad Drnda, Staša Dukić, Jasmina Durmišević, Aida Hadžihasanović, Alisa Hadžimehmedagić, Emina Hadžiredžepović, Emina Kutlovac, Kerim Mašović, Lejla Muratčauš, Emina Omerović, Filip Radovanović, Ana Tankosić Competition Documentary Programme Office Ornela Čolić, Coordinator of Competition ProgrammeDocumentarny Film Riad Hasović, Coordinator of DocuCorner and Rough Cut Boutique Sponsorship Department Anja Mušanović, Manager Jelena Pojužina, Manager Benjamin Bajramović, Assistant Programmes Coordinator Emir Pekmez TeenArena, Children’s Programme Amila Čirkinagić, TeenArena Coordinator Ines Tanović, Children’s Programme Coordinator Press Office Altijana Marić, Manager Alma Hadžić, Manager Edin Muftić, Press Centre Manager Vanja Lazić, Interview Protocol/Press Accreditations Graphic Design Boom produkcija! Lejla Begić Vuletić, Jasenka Bećirbegović, Dejan Ćorić SFF Daily Dijala Hasanbegović, Editor Journalists: Marinela Domančić, Monja Šuta, Segor Hadžagić, Namir Ibrahimović Una Tanović, Aleksandar Brezar, Translators Zorica Pandžić, (DTP) Festival TV Novagenus: Craig Mason, Emir Šehanović, Irfan Brković, Adnan Hatić, Jasmin Jatić, Interviews, Cameramen and Editing Filip Kenović, Online Editor Alen Piplica, Cameraman Support: Kenan Kalić, Samir Lačević Photographers Almin Zrno, Senad Gubelić, Jasmin Brutus, Nermin Čolić, Nikola Blagojević Press Conferences Nebojša Jovanović SFF Website Promotim, Website development Arijana Knežević, Website operator Festival Shop Boom produkcija! Sellers: Dino Tahirović, Amina Bečirević, Denisa Tahirović, Jasmin Hadžimurtović, Džana Mehmedović, Anesa Habota Una Omeragić, Accountant Assistant Hospitality Team Nedim Čengić, Hospitality Service Manager Guest Relations: Hana Mavrić, Samra Čomor, Faris Koldžo Bakir Milić, Travel Reservations

Protocol Office Nihad Branković, Head of protocol Mak Muftić, Protocol Coordinator Protocol Officers: Vartan Surmejan, Dajana Bogdanović, Damjan Jugović, Nina Đumrukčić, Sajra Mujan Jesenka Duranović, I Heart Film Coordinator IT Department Nedim Kovač, IT and System Manager IT Tehnicians: Bakir Husović, Emir Mehić, Mirza Ćutuk, Nedim Mehić, Tarik Husović Festival Square Alma Gutić

festival team

Director Mirsad Purivatra

Accreditations Ines Lučić, Ena Alečković Golden Cards Ana Jurišić, Almina Kajević Box Office Managemant Feđa Purivatra, Box Office Manager Box Office Manager Assistants: Bakir Husović, Mirza Ćutuk Assistants: Anja Miljanović, Sanela Alić, Mirela Milak, Elma Arnautović, Sabina Memišević, Aldijana Selimbegović, Valida Fočo, Ilvana Branković, Dalila Fejzagić, Amra Dragnić, Meliha Hadžimehmedagić, Edin Alihodžić, Kenan Kalisi Translators Advan Košarić, Aida Gadžo, Aleksandar Brezar, Alma Gačanin, Asja Hafner, Belma Selimović, Daniel Polimac, Dženana Preljević, Dževida Šehić, Gorana Mlinarević, Haris Hadrović, Lejla Gadžo, Lejla Kadrispahić, Milan Vuković, Mirsad Čeligija, Sanja Papo Kulić, Sanja Vrzić, Selma Hadžić, Una Tanović Proofreaders Amira Sadiković, Dževida Šehić, Milan Vuković, Azra Rizvanbegović Location Managers Adis Memović, HT Eronet Open Air Cinema Danko Bevanda, National Theatre Svjetlana Kupusović, National Theatre Emir Nalo, Meeting Point and Open Air Cinema Vatrogasac Ensar Omičević, Multiplex Cinema City Hamid Sofitić, BKC Projectionists Adis Memović, Danko Bevanda, Sulejman Kadić, Ahmed Voloder, Fikret Pandžić, Ensar Omičević, Emir Nalo, Adnan Čomor Print Checking Tarik Hadžović, Zlatan Bašić Video Tehnicians Elmir Kasapović, Ermin Podrug, Ehad Memović, Tarik Pandžić, Maroje Sardelić Technical Department Abid Ahmetagić, Head of Technical Support Almir Mušinović, Nijaz Karaman, Alden Ahmetagić, Ramiz Memović, Nedžad Bičić, Almed Memović, Admir Žero, Suad Abaz, Jasmin Okanović, Hamo Duran Audience Award Coordinator Haris Serdarević Volunteers Coordination Benjamin Darman, Project Manager Assistants: Vildana Abaz, Lejla Slugić Drivers Nedim Hasanbegović, Head of Transport Logistics: Sejad Ahmetagić, Zejnil Plakalo Caffè Jasmina Bajramović, Svjetlana Sušić, Dragi Novaković, Ognjen Čihodžić, Almira Jahić Maintenance Sadiha Murtić, Amela Jahić, Vasvija Oćuz Security Sevice Securitas BH d.o.o. FESTIVAL TEAM l 20. Sarajevo Film Festival 295

FILMS - ORIGINAL TITLE

9 Songs 24 Hour Party People 20 000 Days on Earth

173 174 136

A A kivégzés ACAB Albert Åberg og soldatpappaen Amores Perros Amour Fou Aningaaq Antboy Autić Azemina

44 246 152 84 76 126 146 245 52, 242

B Bai ri yan huo Banqueta, La Banja robija Ben O değilim Besence Open Bigger Picture, The Blast, A Boyhood Broj 55

85 126 242 77 53 130 26 96 234

C Calvary 228 120 Cambodia 2099 126 Casa triste, La 184 Casablanca 200 Challat de Tunis, Le Chasseurs de crimes 194 Chicho Toni, 54 Trimata Glupaci i DS 120 Ciambra, A Combattants, Les 158 97 Concerning Violence Cowboydrøm 152 163 Cowboys Janken Ook 217 Cuarto Desnudo, El Cure - Život druge 27, 240 132 Cut

Č Čefurji Raus

240

Ć Ćumuraši

248

D Devet položaja samoće Djeca tranzicije Dood van een Schaduw Dregs Drive with Care Dva lica pravde

242 55 132 121 121 248

E Elonkorjuu Emo (the musical) Ernest et Célestine Etiudas Evaporating Borders Everyday Everyday Rebellion Everything I Can See From Here Exchange & Mart

128 163 147 184 56 175 57 223 164

F Fasunga Fehér isten Fighter, The Finili su Mare bali Force Majeure Frank Furaj svoj film Futatsume no mado

245 35 229 206 98 137 153 99

G Geto 59 Glas ludila u eteru God Help the Girl Goli Gremo mi po svoje 2 Güeros

58, 242 243 138 59 159 100

H Habibi bistanan and al bahar Happily Ever After Härlig är jorden Hätäkutsu He bû tune bû Hross í oss

201 60 128 122 61 101

I I Am Tom Moody Ida In This World Iskupljenje Island Queen It Follows

223 102 176 247 223 103

J Ja sam iz Krajine, zemlje kestena Ja vi elsker Jaula de oro, La Je m’appelle hmmm... Jednaki Jerusalén JMBG Journey to Jah Judgement in Hungary

240 122 218 230 36 127 243 139 62

K Kaze tachinu Keeping Up with the Joneses Khaneh siah ast Khelmtsipe Kış uykusu Kismet Klama Dayika Min Ko da to nisi ti Kokoška Kraftidioten Krik Kuzu

140 224 128 63 78 64 28 210 44, 245 86 247 29

L Laborat 123 LeviaTan 104 130 Lievito madre Linđo 245 248 Logor 242 Lost in Bosnia Lov 247 65 Love & Engineering Love Hotel 105 Love Island 87, 240 Lugar más pequeño, El 215

M Macondo Magic in the Moonlight Maidan Mange tes morts Mante religieuse, La Manjača Maratonci trče počasni krug Marc Jacobs Mavi Dalga Me var Beso Memorie Condivise Meraviglie, Le MGP Missionen

296 20. Sarajevo Film Festival l FILMS - ORIGINAL TITLE

30 88 106 107 182 45 39 164 160 31 243 108 148

Mike Milost Miss Violence Mitch - dnevnik jednog šizofreničara Mizan Mogura no uta - sennyû sôsakan: Reiji Moj zanat Montañas invisibles, Las Monumentimotion Most na kraju svijeta Moug Mr Hublot Mr. Turner Mrzim te Mushroom Monster Muzička Soba

165 247 79 66 246 109 71 127 245 246 202 153 231 210 154 243

N N - The Madness of Reason Na Granici Nacrtaj mi Jednu Zemlju Neko od Nas Neposlušni Night at the Cinema in 1914, A Nyuszi és Öz

183 246 243 246 80 89 154

O Odbrojavanje Oh Lucy! Olovno sarce Orbit Ever After Oštrač Otac Otchuzhdenie

242 131 45 224 247 247 81

P Padurea 67 248 Pangea Party Girl 111 246 Pasivni Posmatrači Passepartout 247 32 Patardzlebi Perfektan Dan za Banana Ribe 246 112 Plemya Pokret 206 241 Politika i drugi zločini 243 Poništeni Ponts de Sarajevo, Les 37, 240 127 Porcelana Posao iz Snova 243 246 Postelja Br. 29 244 Povratak Brusa Lija Pragovi 211 Priča o Mari iz Velog Varoša 185, 207 Private Revolutions – Jung, Weiblich, Ägyptisch 68 Projekt: Rak 221 129 Prológus Provincia 46 Prvi Dan u Školi 244 P’tit Quinquin 110 Punk Monkey 248

Q Quintet, A

R R100 Railway Man, The Rad za Opšte Dobro Reket Relatos salvajes Resan till Fjäderkungens Rike

113 90 244 241 91 149

Resort Room 8

245 224

S S. Freud 2014 Sa Mori De Dragoste Ranita Sano kiitos ja tanssi Sea View Search, The Shemtkhveviti paemnebi Shuiyin jie Sitting next to Zoe Skandal Skunk Sleeping with the Fishes Snig Snijeg u Splitu Snowpiercer Sonntag 3 Sonuncu Spazam Spomenik Majklu Džeksonu Srami se Super Duper Alice Cooper Szerelempatak

247 185 123 225 92 82 114 161 69 131 225 207 208 141 133 46 246 235 211 142 70

T Tante Hilda! 150 Tilaa massa tilassa massa litassa maalit: ali tila 123 143 Time is Illmatic 165 Tits To Nanourisma Tis Petaloudas 47 241 Top je bio vreo Tranzicija žene 244 Tri dritare dhe një varje 33 Two Films About Loneliness 124

U U Plavo Ukhilavi Sivrtseebi Umi ni ochita tsuki no hanashi Unuk Uzdah na Krovu

246 47 155 247 245

V Varvari Veltsmerc Vi är bäst! Viharsarok Violet Višak Vjetra Vječna Vatra

236 247 162 34 115 48, 245 248

W Washingtonia Welcome to Sarajevo Workers

124 177 219

Y Yaderni wydhody Ye

133 116

Z Za one koji ne mogu da govore Zakloni Zelim’s Confession Zemlja Tvrda, a Nebo Visoko Zid Zima Zipi y Zape y el club de la canica Zman Eichot Znatiželja

241 48 213 244 246 134 151 125 244

173 174 136

A ACAB Alfie and the Soldier Daddy Alienation Amour Fou Aningaaq Antboy Aunt Hilda! Azemina

From Here Exchange & Mart Execution, The

223 164 44

F 246 152 81 76 126 146 150 52, 242

B Barbarians 236 Bed No 29 246 149 Beyond Beyond Bigger Picture, The 130 85 Black Coal, Thin Ice 26 Blast, A Blind Dates 82 160 Blue Wave, The 96 Boyhood Breath on the Roof 245 32 Brides Bridge at the End of the World, The 240 Bridges of Sarajevo 37, 240 246 Bystanders

C Calvary 228 Cambodia 2099 120 Camp, The 248 184 Casablanca Chicken, The 44, 245 Children of Transition 55 Chill Factory 242 248 Coal People Collective Memory 243 Community Service 244 97 Concerning Violence Contest: To the Stars and Back, The 148 242 Countdown 152 Cowboy Dream Crimehunters 194 Cure - The Life of Another 27, 240 Curiosity 244 Cut 132

D Dance is Over, Maria, The Death of a Shadow Disobedient, The Do Your Own Thing Draw me a Country Dream Job Dregs Drive with Care Dying from a Wound of Love

206 132 80 153 243 243 121 121 185

E Eat Your Bones Emergency Calls Emo (the musical) Equals Ernest and Celestine Eternal Flame, Sarajevo Etude, The Evaporating Borders Even Cowboys Get to Cry Everyday Everyday Rebellion Everything I Can See

107 122 163 36 147 248 184 56 163 175 57

Father Fighter, The First Day of School For those who can’t tell no tales Forest, The Frank

247 229 244 241 67 137

G Ghetto 59 God Help the Girl Going Our Way 2 Golden Dream, The Grandson Güeros

58, 242 138 159 218 247 100

H Happily Ever After Harvest, THE Heart of Lead House Is Black, The Hunt, The

60 128 45 128 247

I I am Beso 31 I am from Krajina, the Land of Chestnut 240 223 I Am Tom Moody I Hate You 210 77 I’m not him Ida 102 In Order of Disappearance 86 176 In This World Into the Blue 246 Invisible Mountains, The 127 47 Invisible Spaces Island Queen 223 103 It Follows 127 243 139 62

K Keeping Up with the Joneses Kismet

39 164 123 53 247 165 79 66 246 109 235 245 155 206 153 231 154 243 71 201 230

N N - The Madness of Reason Naked Island Naked Room, The Night at the Cinema in 1914, A Night, The Nine positions of loneliness Nuclear Waste Nullified Number 55

183 59 217 89 116 242 133 243 234

J Jerusalem JMBG Journey to Jah Judgement in Hungary

Marathon Family, The Marc Jacobs Material Conditions of Inner Spaces Men With Balls Mercy Mike Miss Violence Mitch - the Diary of Schizophrenic Patient Mizan Mole Song: Undercover Agent Reiji, The Monument to Michael Jackson Monumentimotion Moon that Fell Into the Sea, The Movement Mr Hublot Mr. Turner Mushroom Monster Music Room My Craft My Love Awaits Me by the Sea My Name is Hmmm...

Of Horses and Men Oh Lucy! On the Verge Once Upon a Time Orbit Ever After

101 131 246 61 224

P 224 64

L Laborat 123 Lamb, The 29 Land is Hard and the Sky is High, The 244 Land of Storms 34 Last One, The 46 104 Leviathan 110 Li’l Quinquin Linđo 245 Lost in Bosnia 242 Love & Engineering 65 Love at First Fight 158 105 Love Hotel Love Island 87, 240 Love’s a Bitch 84 Lullaby of the Butterfly 47

M Macondo 30 Madness Live on Air 243 Magic in the Moonlight 88 Maidan 106 Maneater, The 182 Manjača 45

Pangea 248 Party Girl 111 247 Passepartout Perfect Day for 246 Banana Fish, A Politics and Other Crimes 241 Porcelain 127 Private Revolutions – Young, Female, Egyptian 68 Process, The 208 221 Project Cancer Prologue 129 Provincia 46 Punk Monkey 248

Q Quality Time Quintet, A

125 38

R R100 Rabbit and Deer Racket Railway Man, The Redemption Resort Return of Bruce Lee Return to Homs, The Room 8

113 154 241 90 247 245 244 195 224

Ruler, The

S S. Freud 2014 247 Sad House, The 126 129 Say Yes and Dance 69 Scandal Scream 247 225 Sea View 92 Search, The Shame On You 211 247 Sharperner 48 Shelters Shunt 245 126 Sidewalk, The Sitting Next to Zoe 161 131 Skunk Sleeping with the Fishes 225 Snow 207 141 Snowpiercer So hot was the cannon 241 So Not You 210 246 Some of Us 28 Song of My Mother Sourdough 130 Southern Scum Go Home! 240 246 Spasm Still the Water 99 185, 207 Story About Mare 70 Stream of Love Sunday 3 133 Super Duper Alice Cooper 142 Surplus of Wind, A 48, 245

FILMS - ENGLISH TITLE

9 Songs 24 Hour Party People 20 000 Days on Earth

T THREE WINDOWS AND A HANGING Thresholds Time is Illmatic Tiniest Place, The Tits Tourist Toy Car Transition of Woman Trap Street Tribe, The Two Films About Loneliness TWO SIDES OF JUSTICE

33 211 143 215 165 98 245 244 114 112 124 248

U Uncle Tony, Three Fools and the Secret Service Violet

54 105

W Wall, The Washingtonia Waves We Are the Best! Welcome to Sarajevo Weltschmerz White God Wild Tales Wind Rises, The Winter Winter Sleep Wonders, The Workers World of Glory

246 124 202 162 177 247 35 91 140 134 78 108 219 128

Y Yes We Love Young Lions of Gypsy

122 120

Z Zelim’s Confession Zip & Zap and the Marble Gang

213 151

FILMS - ENGLISH TITLE l 20. Sarajevo Film Festival 297

directors

Abrahamson Lenny agnès b. Al-Khalifa Yousif Allen Woody Alqudcy Ghazi Amachoukeli-Barsacq Marie Andersson Roy Aschim Bjorn-Erik Ataman Kutluğ Aubier Stéphane Avranas Alexandros

137 230 225 88 242 111 128 223 29 147 79

Baxhaku Elton 69 Begić Aida 37, 240 Ben Hania Kaouther 200 248 Berkovac Almir Bilankov Tamara 206 Bilge Ceylan Nuri 78 Bishop Stephens William 124 Blažević Daria 211 60 Božić Tatjana Buljugić Admir 241 Burger Claire 111

Cailleau Guillaume Cailley Thomas Cami Eriona Carpignano Jonas Carrillo Sofía Chieux Benoît Chou Davy Clark Martin Cole Graeme Connolly Cara Costanzo Leonardo, di Cox Philip Császi Ádám Cuarón Jonás Cuzzill Roberto

Čelik Muamer Čučić Damir

Ćatić Zoran

245 66 243, 244, 245

Dadak Zeynep Darwazah Mais Derki Talal Dernesch Noël Devos Bas Diao Yi’nan Dizdarević Benjamin Dizdarević Mirna Doytcheva Slava Dragin Siniša Dumont Bruno Dunn Sam Duraković Jasmin

Dž

Džanan Emir

Đorđević Mladen Đukić Mina

Eales Christopher Erlingsson Benedikt Espigares Alexandre

Farrokhzad Forugh Filandra Zulfikar Forsyth Iain Fradelić Sunčica

Gajić Draško García Betzabé Girardet Christoph

123 158 69 120 126 150 120 164 242 164 37, 240 105 34 126 38

160 201 195 139 115 85 247 247 45 67 110 142 240 243 36 80 124 101 153 128 246 136 242 245 127 132

298 20. Sarajevo Film Festival l DIRECTORS

Girerd Jacques-Rémy Godard Jean-Luc Gudac Tiha K. Gulczynski Grant Gunjak Una Gvozden Rijad

150 37, 240 59 242 44, 245 242

Hagmeier Fanny Hajdu Eszter Hamzagić Nermin Hao Zhou Harkema Reginald Hasanović Ado Hasselbach Ask Hausner Jessica Hazanavicius Michel Hegdal Lars Heikki Pesonen Antti Henderson Ainslie Hirayanagi Atsuko Hočevar Miha Hristov Tonislav Hue Jean-Charles Huezo Sánchez Tatiana Hulusić Nejra

246 62 243 116 142 243 146 76 92 152 129 223 131 139 65 107 215 246

Ibáñez Castañeda Nuria Ikić Ivan Ilić Jelena Iñárritu Alejandro, González Ištvančić Branko

Jacobs Daisy Jelinović Igor Jong Sam, de Joon-ho Bong Jurić Zvonimir

Kafedžić Muhamed Kajrishvili Tinatin Kalev Kamen Kamber Ajdin Kapetanović Emir Karaklajić Dejan Karalić Nedim Karamfilov Kolio Karanović Saša Kárpáti György Mór Kavić Anja Kawase Naomi Kayan Merve Kazakova Vesela Kim Namsuk Klier Julija Koguashvili Levan Komljen Dane Korjus Sami Kosovac Lana Kotzamani Konstantina Kovács Kristóf Kozole Damjan Krešić Dražen Krüger Peter Kuhn Jochen Kulumbegashvili Dea

217 236 246 84 240 130 208 164 141 211

245 32 37, 240 52, 242 248 36 247 184 247 46 246 99 160 54 242 246 82 48, 245 128 210 124 53 221 246 183 133 47

Lalović Ivana 161 Lamah Elie 38 Lazarov Milko 81 37, 240 Le Besco Isild Leigh Mike 231 Leines Nordaas Aleksander 154 Levene Doron 125 127 Linares Ángel Linfoot Jane 225 Linklater Richard 96 Lozano Juan José 194 Loznitsa Sergey 37, 106, 240 Lunel Francois 243 Lungulov Darko 36, 235

Russell David O.

Magrabi Nidal 248 Majkić Dragan 246 Makarević Timur 153, 243, 244 Maldošević Amela 244 Mallaby Ben 223 Marra Vincenzo 37, 240 Marshall Patrick 242 71 Matičević Mladen Matsumoto Hitoshi 113 McDonagh John Michael 228 McFadyen Scot 142 Meier Ursula 37, 240 148 Miehe-Renard Martin Miike Takashi 109 Mikhaylova Natalia 213 Mileva Mina 54 Milić Kristijan 234 28 Mintaş Erol Mishiali Tonia 47 Mitchell David Robert 103 Miyazaki Hayao 140 Mladenović Dijana 211 86 Moland Hans Petter Møller Liller 152 Moodysson Lukas 162 Mortezai Sudabeh 30 Mueller Mauro 38 132 Müller Matthias Mundruczó Kornel 35 Murdoch Stuart 138 Musić Kenan 241 Mustafić Mustafa 243

Niemczyk Aleksandra Nissinen Erkka Nogari Fernando Nour Ahmed

Oda Akira Oda Kaori Olsson Hugo Göran One9 Östlund Ruben Öz Kazim

Pareto Onghena Anaïs Paschalidou Nina Maria Patar Vincent Pawlikowski Pawel Pearce Michael Peijnenburg Mees Pendić Milica Perišić Vladimir Petričić Milos Picchi Cristina Pikalov Sergey Pirselimoğlu Tayfun Pollard Jane Puiu Cristi Puška Enver

Qosja Isa Qu Vivian Quemada-Díez Diego

Radivojević Iva Raga Manel Rajič Jurinko Rattfelder Erich Recha Marc Renner Benjamin Riahi Arash T. Riahi Arman T. Risuleo Fulvio Rohrwacher Alice Rozansky Emma Rudy Richard Rugină Iulia Ruizpalacios Alonso

242 123 242 202 155 242 97 143 98 61 126 64 147 102 224 163 246 37, 240 36 134 46 77 136 37, 240 242 33 114 218 56 242 245 244 37, 240 147 57 57 130 108 248 121 185 100

229

Salatić Ivan 48 Salketic Sanela 38 Santos Óskar 151 Saracco Natalie 182 247 Sarić Esma Savanović Nemanja 247 Savić Boris 247 Schanelec Angela 37, 240 Schneider Alexandra 68 121 Scott-Hayward Stephen Segovia Juárez Alicia 127 Shaban Ariel 38 Shengeli Shalva 63 Sikavica Ivan 210 131 Silverstein Annie Silvestros Petros 165 Skerlić Slobodan 241 Skoko Stjepan 244 Slaboshpytskiy Myroslav 112, 133 70 Sós Ágnes Springer Moritz 139 Stipaničev Natko 206 Stoimenov Igor 36 Stone Jamie 224 91 Szifrón Damián Szőcs Petra 44

Šeregi Igor Šijan Slobodan Šimek Redžinald Šimić Alen Škorić Mišel Štaka Andrea

Takala Pilvi Tanović Ines Tarr Béla Taylor Sam Teplitzky Jonathan Tešić Igor Theis Samuel Thieme Clarissa Toda Hikaru Todorović Ivana Toft Jacobsen Esben Triffett Neil Tskvitinidze Lasha Tzoumerkas Syllas

Urbaitė Austėja

Vácz Péter Valle Jose Luis Van Avermaet Tom Vartiainen Hannes Veikkolainen Pekka Vidanović Ivica Villaverde Teresa Vojinović Goran Vukšić Matija

185, 207 39 243 246 66 27, 240 121 58, 242 129 223 90 248 111 245 105 242 149 163 31 26 184 154 219 132 122 122 36 37, 240 240 55

W. Griffiths James 224 Wadimoff Nicolas 194 Winckler Alex 165 Winterbottom Michael 168...177 Witz Laurent 153 Witzø Hallvar 122

Zec Gorčin 247, 248 Zlatar Enes 52, 242, 243, 244 Zvyagintsev Andrei 104

Žanić Tin Živanović Katarina Žbanić Jasmila Žuvan Josip

45 247 87, 240, 241 207