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Dracula (Norton Critical Editions) Paperback – December 17, 1996
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This Norton Critical Edition presents fully annotated the text of the 1897 First Edition.
A rich selection of background and source materials is provided in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.
Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijsktra, Stephen D. Arata, and Talia Schaffer.
A Chronology and a Selected Bibliography are included.
- Print length512 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateDecember 17, 1996
- Reading age18 years and up
- Dimensions5.1 x 1.1 x 8.4 inches
- ISBN-109780393970128
- ISBN-13978-0393970128
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About the Author
Nina Auerbach is John Welsh Centennial Professor of History and Literature and Professor of English at the University of Pennsylvania. She is the author of Communities of Women: An Idea in Fiction; Woman and the Demon: The Life of a Victorian Myth; Romantic Imprisonment: Women and Other Glorified Outcasts; Ellen Terry, Player in Her Time; Private Theatricals: The Lives of the Victorians; and Our Vampires, Our Selves. She is co-editor, with U. C. Knoepflmacher, of Forbidden Journeys: Fairy Tales and Fantasies by Victorian Women Writers.
David J. Skal was one of the world’s preeminent authorities on Bram Stoker, Dracula, and monsters in popular culture. His book Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen (Norton, 1990) was hailed as “the ultimate book on Dracula” by Newsweek; The Monster Show: A Cultural History of Horror (Norton, 1993) has had multiple translations and is widely considered the standard historical and critical survey. As a filmmaker, he wrote, produced, and directed a dozen DVD and Blu-ray documentaries on Universal’s classic horror and science fiction films, as well as a behind-the-scenes chronicle of the Academy Award–winning film Gods and Monsters. Skal guest-lectured extensively at major colleges, universities, and cultural organizations in North America and Europe, with speaking engagements at sites such as the Huntington Library, the British Library, and the Musée du Louvre. He additionally taught courses based on his books at the University of Victoria and Trinity College Dublin, where he was also appointed a Long Room Hub Visiting Research Fellow for Something in the Blood: The Untold Story of Bram Stoker (Liveright, 2016), chosen by the Mystery Writers of America as a 2017 Edgar Award finalist for biography and criticism. His official website was monstershow.net.
Product details
- ASIN : 0393970124
- Publisher : W. W. Norton & Company; First Edition (December 17, 1996)
- Language : English
- Paperback : 512 pages
- ISBN-10 : 9780393970128
- ISBN-13 : 978-0393970128
- Reading age : 18 years and up
- Item Weight : 1.06 pounds
- Dimensions : 5.1 x 1.1 x 8.4 inches
- Best Sellers Rank: #716,485 in Books (See Top 100 in Books)
- #6,278 in Folklore (Books)
- #17,062 in Classic Literature & Fiction
- #35,441 in Suspense Thrillers
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Bram Stoker writes in a style that is both economical and verbose at the same time. With few words he can paint a visual unlike just about any author I've read. The writing throughout the novel is just wonderful - descriptive, but not overly so, carefully chosen words that convey meaning so well. This is an amazing balance. The pages seem to fly by, and there were several occasions when I had read what I wanted for the evening, only to reach a leading paragraph at the end of a chapter, which compelled me to keep reading.
I bought this book because I wanted some harmony between my girlfriend and myself. She digs the Twilight series of novels, and I dig classical literature. So, we started reading this book at the same time - and we were both gripped by it, and many nights we spent talking about what was read that day. That both of us were so enraptured speaks for the universal appeal of the story.
Overview of the story...
I'm not really sure what to put for this since I'm guessing that everyone knows the story of Dracula. However, I thought I too knew the story and still had many surprises while reading, so here's the overview.
Dracula lives in Transylvania, Romania, in a castle on a cliff. Jonathan Harker is to act as an agent for Dracula in a real estate transaction involving an old home in London. Harker goes to the castle and stays much longer than he wants. While there, he endures some horrors and his bravery is tested.
Meanwhile, back in London, we meet Mina and Lucy. Mina is engaged to Harker and is awaiting his return. Lucy succumbs to some kind of disease and is perilously on a spiral towards death. Lucy has three suitors - Quincy, John (not Jonathan) and Arthur. John happens to be an MD and is asked by Lucy's fiance to look after her. John is perplexed at Lucy's symptoms and writes to his old professor Dr. van Helsing. van Helsing comes to see Lucy, and the novel takes off from there.
van Helsing has some suspicions about Lucy, which are based on old superstitions. His suspicions, of course, are correct, and we soon have van Helsing, Arthur, Quincy, John, Jonathan and Mina all out to hunt and kill Dracula. They all keep incredible notes (except Quincy and Arthur), and through these notes the story is told - in letters, memos, etc. Once all of these characters are on board, the book really gains steam, and the action is breathless.
End of synopsis...
In summary. I loved this novel, it is a fast moving story, and the author writes so clearly and visually that you can literally see the vistos he describes. On top of that, Stoker can do all these things efficiently - like if a news reporter were merged with Thomas Pynchon (somewhere in between). The writing is not nearly as archaic as I was led to believe -instead, the writing is so easy and flowing, that you simply can't put the novel down. This novel is great entertainment.
Finally, some notes on the Norton Critical Edition...
I bought this particular book because I was promised a completely, as-accurate-as-possible version of the Bram Stoker novel. I think I did get that. Additionally, there are a couple hundred pages of literary stuff at the end (which I didn't read and most likely will never read), but there were also many footnotes.
Now, the footnotes were fine when they stuck to just defining archaic terms. However, the editors also chose to give more information on certain pages - and in some cases discussed things that would give away future parts. To me, that is a serious offense. So while I read this novel, I became accustomed to ignoring the footnotes when I knew they would offer more than just a definition (if you read this book, you'll know what I mean).
Furthermore, there were a few occasions where there was a beginning quotation mark, but not an ending one.
So, take the Norton Critical Edition with a grain of salt. The novel Dracula, however, is a treasure.
I finished Dracula last night after midnight. WIth a shiver I went off to bed and I dreamt of mist coming in under doors, bats beating against windows, garlic flowers and golden crucifixes. This novel is a really great read and ten million times better than any movie version ever made. The novel is deep and dense and scarily engaging, with compelling characters, great atmosphere, and a plot that teases thrillingly; Evil approaches, then withdraws, moves forward and is then pushed back again, if only until the sun sets and enabling darkness again descends.
The novel reads like the metaphor used often by its characters: a chess match. The match is between Evil (Count Dracula and his lovely undead) and Good (Mina and Jonathan Harker, Dr. Seward, Professor Van Helsing, Lord Godalming and the brave American, Quincey Morris); the pawns include the lunatic Renfield and the lovely and beloved virgin Lucy Westerna, as well as many other minor characters dragged nefariously into Dracula's plot to infiltrate London.
Clearly the novel is about temptations of the Devil being finally vanquished by the deep and intensely held faith of the righteous in their God: eternal life as offered by Count Dracula is spurned in favor of eternal paradise as offered by God.
But the novel is also an appropriate, and apropos, parable about greed. Count Dracula is not satisfied with living only one life; he wants to live the durations of a hundreds of lives. His greed grows and grows, and he feeds on the blood of the oppressed to further power his driving ambition. Greed begets greed and Evil begets evil. There is no end in sight until the forces of Good combine their faculties of intelligence, observation, and action to overcome the Evil and save the world from greed gone wild. As a political commentary, Dracula is frighteningly astute (and makes a sound argument for a much-needed third party in this country, the intelligent, observant reformer party).
Each character in the novel is well-defined and individually presented, each character grows and changes through the course of the novel; there is no stereotyping or predictability (even in Count Dracula). The heroine, Mina Parker, is viewed by the other characters through the lens of sexism but she is presented by Bram Stoker as intelligent, tenacious, and brave; she is never hysterically brave or mother-protecting-her-young brave, as so many movies and novels portray female bravery, but is wisely and timely brave.
The plot moves forward through letters, journal entries, and stenographic recordings, all from the point of view of the various forces of Good; our unease grows into fear as we catch clues that our braver heroes miss. I stayed up way too late to reassure myself that in the end the clues were caught, interpreted, and used to solve the mystery of where and how to catch the vampire villain. Count Dracula is finally brought down (I don't think I'm ruining it for anyone) through such diverse means as hypnotism, detailed knowledge of train schedules, buying of drinks for information (tipping for tippling), and of course, garlic, the sacred communial wafer, golden crucifixes, and the stake through the heart. There are also plenty of wolves, bats, mists, spiders, superstitious (quite rightly so) Roumanians, and long moon-lit nights.
Read this book. For more great book recommendations, visit readallday.org.