- Born
- Height5′ 6½″ (1.69 m)
- Spheeris is often referred to as a 'rock 'n roll anthropologist'.
In 1974 she formed the first Los Angeles music video production company, ROCK 'N REEL. She
concluded her music video work with the Grammy-nominated, "Bohemian Rhapsody" video for
"Wayne's World".
Spheeris' feature film debut was the 1979 documentary on the Los Angeles punk scene, "The Decline
of Western Civilization" which was received with stunning and unanimous critical praise. In 1983
she wrote and directed "Suburbia", produced by Roger Corman. It is a disturbing and prophetic story
of rebellious, homeless kids squatting in abandoned houses, trying to make new families, and protecting
one another. "Suburbia" won first place at the Chicago Film Festival. Almost 25 years later her
documentary, "The Decline of Western Civilization, Part III" would eerily mirror the events she
scripted in "Suburbia".
In the mid-80s she directed "The Boys Next Door", starring Charlie Sheen and Maxwell Caulfield, then
"Dudes" starring John Cryer, Flea, and Daniel Roebuck. Both films have attained cult classic status.
"The Decline of Western Civilization, Part II: The Metal Years" was released in 1988, again to
spectacular critical acclaim. Commentaries from Ozzy Osbourne, Steven Tyler and Joe Perry, Alice
Cooper, Lemmy of Motorhead, Poison, etc. make it one of the most memorable pieces of rock film
history.
In 1992, Spheeris directed her seventh feature, and first studio film, "Wayne's World" at Paramount
Pictures. Subsequently she directed and produced "The Beverly Hillbillies" (Fox), wrote and directed
"The Little Rascals" (Universal), then directed "Black Sheep" (Paramount), etc.
In 1999, Spheeris documented The Ozzfest, America's most successful summer concert tour, and the
reunion performances of the original Black Sabbath. Both as director and one of the cinematographers,
Spheeris achieved a remarkable and historic film which offers the audience a unique view of life on the
road: "We Sold Our Souls For Rock 'N Roll".
(2016) She is currently touring with her Producer/daughter Anna Fox, screening "The Decline" trilogy in
support of the Shout Factory DVD release.- IMDb Mini Biography By: Penelope Spheeris
- SpouseBob Biggs(July 7, 1977 - December 14, 1984) (divorced)
- RelativesCosta-Gavras(Cousin)
- Declined the offer to direct This Is Spinal Tap (1984), because she thought you couldn't
make fun of Heavy Metal music. - She was the oldest of four children. She often had to look after her
siblings because her dad was killed when she was seven and her mom
worked several jobs. She often chooses to interview musicians with
troubled backgrounds because she feels her background was just as
troubled. - She has directed one film that has been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: The Decline of Western Civilization (1981).
- She admits that she has two distinct careers, one where she does
mainstream Hollywood films like Wayne's World (1992) and the other, where she does
independent music themed documentaries like the "Decline of Western
Civilization" films. - She studied psychobiology (studying how the brain reacts to external
forces) and film in college, eventually attending the film program at
UCLA. After college, she produced short and feature length films
directed by comic Albert Brooks, some of which were shown during the first
season of Saturday Night Live (1975).
- The Decline of Western Civilization (1981) was financed by two businessmen from the Valley who wanted to finance films. They had no idea I was going in to pitch a punk rock movie.
- I generally think about myself as someone who studies human behavior
and is trying to figure out what the hell is going on in our current
society. If I can leave any film that helps define a certain time after
I'm dead then that's great. - [on why she does documentaries about metal and punk music] "I mean,
look, you don't see me making documentaries on Britney Spears, you know
what I mean? Sweetheart of a little girl, you know. Or Madonna. That's
not my thing. I just like this harder edge stuff. That's just me." - ["After Wayne's World (1992), you directed a bunch of studio fodder including The Little Rascals (1994) and Senseless (1998). What steered you in this direction?") When someone offers you $2.5 million to direct a film, you just fucking take it. I took the money and made a bunch of movies - The Little Rascals (1994), The Beverly Hillbillies (1993), Black Sheep (1996) and Senseless (1998). After I did Wayne's World (1992) - I tried like hell to direct movies I had written and books that I wanted to adapt for film. I tried so hard to do something beside television remakes but I couldn't get anything going. That is where the sexism in the film industry becomes all too apparent. If I was a guy, I swear to God I would have been able to get my own shit going after "Wayne's World".
- My whole career up until Wayne's World (1992) didn't produce any monetary funds. When I directed Wayne's World, I made close to $150,000 - the biggest payday I had to date. My percentage points from Wayne's World enabled me to pay off all of the debts from my previous works, but I only came up even in the end.
- Wayne's World (1992) - $150,000
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