Un estafador de caza recompensas se une a dos hombres en una incómoda alianza en una carrera para encontrar una fortuna en oro enterrada en un cementerio remoto.Un estafador de caza recompensas se une a dos hombres en una incómoda alianza en una carrera para encontrar una fortuna en oro enterrada en un cementerio remoto.Un estafador de caza recompensas se une a dos hombres en una incómoda alianza en una carrera para encontrar una fortuna en oro enterrada en un cementerio remoto.
- Premios
- 2 premios ganados y 5 nominaciones
Aldo Giuffrè
- Alcoholic Union Captain
- (as Aldo Giuffre')
John Bartha
- Sheriff
- (as John Bartho)
Al Mulock
- One-Armed Bounty Hunter
- (as Al Mulloch)
Sergio Mendizábal
- Blonde Bounty Hunter
- (as Sergio Mendizabal)
Argumento
¿Sabías que…?
- TriviaAccording to Eli Wallach, when it came time to blow up the bridge, Sergio Leone asked the Spanish Army Captain in charge to trigger the fuse, as a sign of gratitude for the Army's collaboration. They agreed to blow up the bridge when Leone gave the signal "Vai!" (Go!) over the walkie-talkie. Unfortunately, another crew member spoke on the same channel, saying the words "vai, vai!", meaning "it's okay, proceed" to a second crew member. The Captain heard this signal, thought it was for him, and blew up the bridge. Unfortunately, no cameras were running at the time. Leone was so upset that he fired the crewman, who promptly fled from the set in his car. The Captain was so sorry for what happened that he proposed to Leone that the Army would rebuild the bridge to blow it up again, with one condition: that the fired crewman be re-hired. Leone agreed, the crewman was forgiven, the bridge was rebuilt, and the scene was successfully shot.
- ErroresA car can be seen passing by in the background when Tuco is balancing on the cross on the graveyard at the end of the movie.
- Créditos curiososAlthough Eli Wallach has the most screen time and is one of the titular characters, he is credited as "...and Eli Wallach in the role of Tuco" after all the other actors' names appear.
- Versiones alternativasSyndicated on US TV in 2006 as a 95-minute truncated version, missing almost half of its original length.
- ConexionesEdited into Bellissimo: Immagini del cinema italiano (1985)
- Bandas sonorasThe Story Of A Soldier
by Tommie Connor
Opinión destacada
The Good, the Better, the Best
The Good, the Bad and the Ugly or the Good, the Better and the Best, as I prefer calling it, is a bizarrely sublime and a uniquely aesthetic masterpiece. The actors in title roles have given such extraordinarily superb performances, that it would be impertinent and disparaging to merely regard their swell work as acting. In fact their brilliant portrayals have immortalized Blondie, Sentenza/ Angel Eyes and the enigmatic Tuco. Lee Van Cleef is fiendishly unforgiving as the merciless Angel Eyes. Clint Eastwood is rugged yet suave, cocky yet adorable as laconic cigar-smoker Blondie, a role that laid the foundations of his illustrious career. But it is Eli Wallach, who steals the show with his captivating portrayal of Tuco, a portrayal that is as entrancing as it is enlightening. Wallach is amusing, capricious, nonchalant, uncanny and yet tenacious as Tuco, perturbed by his insecurities and dampened by his solitude. It is the tacit amicability between Blondie and Tuco and their mutual hostility towards the evil Angel Eyes owing to the vestiges of virtue present in them, redolent of their moribund morality, which gives the story, the impetus and the characters, a screen presence that is not only awe inspiring but also unparalleled.
Sergio Leone's magnificent and ingenious direction in synergy with Ennio Morricone's surreal music, Tonino Delli Colli's breathtaking cinematography and Joe D'Augustine's punctilious editing makes the movie, a treat to watch and ineffably unforgettable. Initially aimed to be a tongue-in-cheek satire on run-of-the-mill westerns, The Good, the Bad and the Ugly, continues to stand the test of time in its endeavor to attain apotheosis (if it hasn't attained it yet). It will always be remembered as European cinema's greatest lagniappe, not only to the Western genre, but to the world of cinema.
It's a must watch for any movie lover. 10/10
Sergio Leone's magnificent and ingenious direction in synergy with Ennio Morricone's surreal music, Tonino Delli Colli's breathtaking cinematography and Joe D'Augustine's punctilious editing makes the movie, a treat to watch and ineffably unforgettable. Initially aimed to be a tongue-in-cheek satire on run-of-the-mill westerns, The Good, the Bad and the Ugly, continues to stand the test of time in its endeavor to attain apotheosis (if it hasn't attained it yet). It will always be remembered as European cinema's greatest lagniappe, not only to the Western genre, but to the world of cinema.
It's a must watch for any movie lover. 10/10
útil•21521
- murtaza_mma
- 19 feb 2009
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- How long is The Good, the Bad and the Ugly?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- The Good, the Bad and the Ugly
- Locaciones de filmación
- Carazo, Burgos, Castilla y León, España(Betterville concentration camp)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,200,000 (estimado)
- Total en EE. UU. y Canadá
- USD 25,100,000
- Total a nivel mundial
- USD 25,259,657
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