Frases de Paul Cézanne (69 citas) | Frases de famosos
  1. Frases
  2. Autores
  3. Paul Cézanne

Frases de Paul Cézanne

Paul Cézanne fue un pintor francés posimpresionista, considerado el padre de la pintura moderna y cuyas obras establecieron las bases de la transición entre la concepción artística decimonónica hacia el mundo artístico del siglo XX, nuevo y diferente. Sin embargo, mientras vivió, Cézanne fue un pintor ignorado que trabajó en medio de un gran aislamiento. Desconfiaba de los críticos, tenía pocos amigos y hasta 1895 expuso solo de forma ocasional. Fue un «pintor de pintores», [1]​que la crítica y el público ignoraban, siendo apreciado solo por algunos impresionistas y al final de su vida por la nueva generación. Wikipedia  

✵ 19. enero 1839 – 22. octubre 1906
Paul Cézanne Foto
Paul Cézanne: 69 frases1 Me gusta

Frases célebres de Paul Cézanne

“Llegará el día en que una sola zanahoria, observada con los ojos nuevos, desencadenará una revolución.”

—  Paul Cézanne

Fuente: [Ortega Blake], Arturo (2013). El gran libro de las frases celebres. Penguin Random House Grupo Editorial. México, 2013. ISBN 9786073116312. https://books.google.es/books?hl=es&id=QJIAVIKP1dgC&q=zanahoria#v=snippet&q=zanahoria&f=false En Google Books. Consultado el 28 de diciembre de 2019.

“Hay que tratar a la naturaleza a través del cilindro, la esfera, el cono, estableciendo una perspectiva global, de modo que cada lado de un objeto, de un plano, se dirija hacia un punto central.”

—  Paul Cézanne

Cezanne a Émile Bernard, amigo de Gauguin, 1904.
Citado por Bernard en Paul Cézanne (1925)
Variante: «Tratar (de ver) la naturaleza como cilíndros, esferas, conos, todo en perspectiva [...]. Para nostros, hombres, la naturaleza reside más en la profundidad que en el plano».
Fuente: [Luzán], Julia. «La naturaleza de Cezanne.» https://elpais.com/diario/2006/08/20/eps/1156055219_850215.html El País. Consultado el 27 de abril de 2019.
Fuente: [Luzán], Julia. «La naturaleza de Cezanne.» https://elpais.com/diario/2006/08/20/eps/1156055219_850215.html El País. Consultado el 27 de abril de 2019.
Fuente: [Crofton], Ian, 2011 (en inglés). «Cubism». Big Ideas in Brief, p. 402. Quercus Editions Ltd. ISBN 978 1 78087 145 5. https://books.google.es/books?id=4M5gBQAAQBAJ&printsec=frontcover&hl=es#v=onepage&q&f=false En Google Books. Consultado el 27 de abril de 2019.
Fuente: [Mackay], Alan L. Diccionario de citas científicas: la cosecha de una mirada serena, p. 81. Ediciones de la Torre, 1992. https://books.google.es/books?id=PvcAulSTG8gC&printsec=frontcover&dq=Browning+Ama+un+solo+d%C3%ADa+y+el+mundo+habr%C3%A1+cambiado%22.&hl=es&sa=X&ved=0ahUKEwjX0ce1o_XiAhVSuXEKHQwuBZsQ6AEIUDAH#v=onepage&q&f=false En Google Books. Consultado el 19 de junio de 2019.
Fuente: [Mackay], Alan L. Diccionario de citas científicas: la cosecha de una mirada serena, p. 81. Ediciones de la Torre, 1992. https://books.google.es/books?id=PvcAulSTG8gC&printsec=frontcover&dq=Browning+Ama+un+solo+d%C3%ADa+y+el+mundo+habr%C3%A1+cambiado%22.&hl=es&sa=X&ved=0ahUKEwjX0ce1o_XiAhVSuXEKHQwuBZsQ6AEIUDAH#v=onepage&q&f=false En Google Books. Consultado el 19 de junio de 2019.

“El pintor tiene que dedicarse por entero al estudio de la naturaleza y procurar hacer cuadros que sean una enseñanza. Las charlas sobre arte son casi inútiles. El trabajo que logra un progreso en su propio oficio es una compensación suficiente para que no lo comprendan los imbéciles.”

—  Paul Cézanne

Fuente: [Luzán], Julia. «La naturaleza de Cezanne.» https://elpais.com/diario/2006/08/20/eps/1156055219_850215.html El País. Consultado el 27 de abril de 2019.
Fuente: Carta a Émile Bernard.
Fuente: [Luzán], Julia. «La naturaleza de Cezanne.» https://elpais.com/diario/2006/08/20/eps/1156055219_850215.html El País. Consultado el 27 de abril de 2019.

“El Museo del Louvre es el libro en que aprendemos a leer. Pero salgamos de allí para estudiar la bella naturaleza, tratemos de extraer su espíritu, intentemos expresarnos siguiendo nuestro temperamento personal. El tiempo y la reflexión, por otra parte, modifican poco a poco la visión, y finalmente nos llega la comprensión.”

—  Paul Cézanne

Fuente: Carta a Émile Bernard.
Fuente: [Luzán], Julia. «La naturaleza de Cezanne.» https://elpais.com/diario/2006/08/20/eps/1156055219_850215.html El País. Consultado el 27 de abril de 2019.

“El literato se expresa mediante abstracciones, mientras que el pintor concreta, a base del dibujo y el color, sus sensaciones y sus percepciones.”

—  Paul Cézanne

Fuente: [Luzán], Julia. «La naturaleza de Cezanne.» https://elpais.com/diario/2006/08/20/eps/1156055219_850215.html El País. Consultado el 27 de abril de 2019.
Fuente: Carta a Émile Bernard.
Fuente: [Luzán], Julia. «La naturaleza de Cezanne.» https://elpais.com/diario/2006/08/20/eps/1156055219_850215.html El País. Consultado el 27 de abril de 2019.

“Dos cosas tiene el pintor: vista y cerebro, ambas deben ayudarse entre sí: hay que procurar que se desarrollen mutuamente; la vista a través de la visión al natural, el cerebro a través de la lógica de las sensaciones organizadas, que da los medios de expresión.”

—  Paul Cézanne

Fuente: Recogida en Michael Doran (ed.): Sobre Cézanne. Conversaciones y testimonios. Gustavo Gili, Barcelona, 1980, pág. 63.
Fuente: [Solana], Guillermo. El Impresionismo: la visión original: antología de la crítica de arte (1867-1895), pp. 25, 111. Siruela, 1997. ISBN 8478443673, 9788478443673 https://books.google.es/books?id=iypANLMiIFMC&pg=PA157&dq=monet+corot&hl=es&sa=X&ved=0ahUKEwiP-PPrp_HhAhW55OAKHfL1B-0Q6AEINzAC#v=onepage&q=monet%20corot&f=false En Google Books. Consultado el 28 de abril de 2019.

Esta traducción está esperando su revisión. ¿Es correcto?

“Cuando delineo la piel de un hermoso melocotón con suaves toques de pintura o una triste manzana vieja, vislumbro en los reflejos que intercambian la misma suave sombra de renuncia, el mismo amor al sol, el mismo recuerdo. del rocío ... ¿Por qué dividimos el mundo? ¿Refleja esto nuestro egoísmo? ... El prisma es nuestro primer paso hacia Dios, nuestras siete bienaventuranzas.”

—  Paul Cézanne

Paul Cézanne: Frases en inglés

“Everything we look at disperses and vanishes. doesn't it? Nature is always the same, and yet its appearance is always changing... Painting must give us the flavour of nature’s eternity. Everything, you understand. So I join together nature's straying hands.... From all sides, here there and everywhere, I select colours, tones and shades; I set them down, I bring them together.... They make lines, they become objects – rocks, trees – without my thinking about them.... But if there is the slightest distraction, the slightest hitch, above all if I interpret too much one day, if I'm carried away today by a theory which contradicts yesterday's, if I think while I'm painting, if I meddle, then woosh!, everything goes to pieces.”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 148, in: 'What he told me – I. The motif'

“Painting from nature is not copying the object, it is realizing sensations.”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 46, in: 'What I know or have seen of his life'

“In that Renaissance (Cellini, Tintoretto, Titian..) there was an explosion of unique truthfulness, a love of painting and form... Then come the Jesuits and everything is formal; everything has to be taught and learned. It required a revolution for nature to be rediscovered; for Delacroix to paint his beach at Etratat, Corot his roman rubble, Gustave Courbet his forest scenes and his waves. And how miserable slow that revolution was, how many stages it had to go through!... These artists had not yet discovered that nature has more to do with depth than with surfaces. I can tell you, you can do things to the surface.... but by going deep you automatically go to the truth. You feel a healthy need to be truthful. You'd rather strip your canvas right down than invent or imagine a detail. You want to know.”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), pp. 156-157, in: 'What he told me – I. The motif'

“Wouldn't it be wonderful to paint a nude here? [along the river near Aix ] There are innumerable motifs here on the banks of the river; the same spot viewed from a different angle offers a subject of the utmost interest. It is so varied that I think I could keep busy for months without changing my place, simply turning now tot the right and now to the left.”

Help us translate this quote

—  Paul Cézanne

Quote in a conversation with Vollard, along the river near Aix, 1896; as quoted in Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 74
Quotes of Paul Cezanne, 1880s - 1890s

“Maybe Delacroix stands for Romanticism. He stuffed himself with too much Shakespeare and Dante, thumbed through too much Faust. His palette is still the most beautiful in France, and I tell you no one under the sky had more charm and pathos combined than he, or more vibration of colour. We all paint in his language, as you all write in Hugo's.”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 197 in: 'What he told me – II. The Louvre'

“Yes, a bunch of carrots, observed directly, painted simply in the personal way one sees it, worth more than the Ecole's everlasting slices of buttered bread, that tobacco-juice painting, slavishly done by the book? The day is coming when a single original carrot will give birth to a revolution.”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 68, in: 'What I know or have seen of his life'

“Listen, monsieur Vollard, I worked a lot out of doors at L'Estaque. Except for that there was no other event of importance in my life during the years 1870-71. I divided my time between the field and the studio... Zola closed his letter by urging me to come back to Paris too [in 1872 Cézanne went back to Paris].... but all the same, something told me to go back to Paris. It was too long since I had seen the Louvre. But understand, Monsieur Vollard, I was working at that time on a landscape which was not going well. So I stayed at Aix a little while longer to study on my canvas.”

Help us translate this quote

—  Paul Cézanne

Quote in: Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 32-33
Quotes of Paul Cezanne, 1860s - 1870s

“As a painter I am beginning to see more clearly how to work from Nature... But I still can't do justice to the intensity unfolding before my eyes.”

Help us translate this quote

—  Paul Cézanne

Quote in Cezanne's letter to his son Paul, a few months before his death; as quoted in The Private Lives of the Impressionists Sue Roe; Harper Collins Publishers, New York, 2006, p. 268
Quotes of Paul Cezanne, after 1900

“You can't ask a man to talk sensibly about the art of painting if he simply doesn't know anything about it. But by God, how can he [ Zola was his youth friend, who used Cezanne as a model in Zola's novel 'L'Oeuvre'] dare to say that a painter is done because he has painted one bad picture? When a picture isn't realized, you pitch it in the fire and start another one.”

Help us translate this quote

—  Paul Cézanne

Quote in a conversation with Vollard in Cezanne's studio in Aix - after the death of Zola in 1902; as quoted in Cézanne, Ambroise Vollard, Dover publications Inc. New York, 1984, p. 74
Quotes of Paul Cezanne, after 1900

“.. But there is better. Simplicity, being direct. Everything else is just a game, just building castles in the sky... Basically I don't think of anything when I paint. I see colours. I strive with joy to convey them on to my canvas just as I see them. They arrange themselves as they choose, any old way. Sometimes that makes a picture. I'm brainless animal. Very content if I could be just that..”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 158-159, in: 'What he told me – I. The motif'

“Colour is the place where our brain and the universe meet. That's why colour appears so entirely dramatic, to true painters. Look at Sainte-Victoire there [the hill, which Cézanne painted again and again] How it soars, how imperiously it thirsts for the sun!.. For a long time I was quite unable to paint Sainte-Victoire; I had no idea to go about it because, like others who just look at it, I imagined the shadow to be concave, whereas in fact it's convex, it disperses outward from the center. Instead of accumulating, it evaporates, becomes fluid, bluish, participating in the movements of the surrounding air. Just as over there to the right, on the Pilon du Roi, you can see the contrary effect, the brightness gently rocking to and fro, moist and shimmering. That's the sea.... That's one needs to depict. What one needs to know. That's the bath of experience, so to speak…”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 153, in: 'What he told me – I. The motif'

“Until the war [between France and Germany] as you know, my life was a mess. I wasted it. It was only at l'Estaque, when (1870-1871) I thought things over, that I really understood Pissarro, a painter like myself... He was a determined man. I was overcome by a passion for work. It wasn't that I hadn't been working before, I was always working. But what I always missed, you know, was a comrade like you..”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 208 in: 'What he told me – III. The Studio'

“A builder. A rough and ready plasterer. A colour grinder. He Courbet is like a Roman bricklayer. And yet he's another true painter. There's no one in this century that surpasses him. Even though he rolls up his sleeves, plugs up his ears, demolishes columns, his workmanship is classical!... His view was always compositional. His vision remained traditional. Like his palette-knife, he used it only out of doors. He was sophisticated and brought his work to a high finish... His great contribution is the poetic introduction of nature - the smell of damp leaves, mossy forest cuttings - into nineteenth century painting; the murmur of rain, woodlands shadows, sunlight moving under trees. The sea. And snow, he painted snow like no one else!”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 198 in: 'What he told me – II. The Louvre'

“But what an eye Monet has, the most prodigious eye since painting began! I raise my hat to him. As for Courbet, he already had the image in his eye, ready-made. Monet used to visit him, you know, in his early days... But a touch of green, believe me, is enough to give us a landscape, just as a flesh tone will translate a face for us..”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 164, in: 'What he told me – I. The motif'

“You positively paint like a madman.”

Help us translate this quote

—  Paul Cézanne

As quoted in: 'Mercure de France', 16 December 1908, p. 607
remark to Vincent van Gogh, ca. 1886 in Paris. Van Gogh showed Cezanne some of his recent paintings, he recently made in Paris
Quotes of Paul Cezanne, 1880s - 1890s

“Nature as it is seen and nature as it is felt, the nature that is there.. (he pointed towards the green and blue plain; J. G.) and the nature that is here (he tapped his forehead, J. G.) both of which have to fuse in order to endure, to live that life, half human and half divine, which is the life of art or, if you will.. the life of god. The landscape is reflected, humanized, rationalized within me. I objectivize it, project it, fix it on my canvas..”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 150, in: 'What he told me – I. The motif'

“When I'am outlining the skin of a lovely peach with soft touches of paint, or a sad old apple, I catch a glimpse in the reflections they exchange of the same mild shadow of renunciation, the same love of the sun, the same recollection of the dew... Why do we divide up the world? Does this reflects our egoism?... The prism is our first step towards God, our seven beatitudes.”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 220 in: 'What he told me – III. The Studio'

“To my mind one does not put oneself in place of the past, one only adds a new link.”

Help us translate this quote

—  Paul Cézanne

Quote of 1906 from a letter; cited in Paul Cézanne, Letters ed. John Rewald, New York, Da Capro Press, 1995, p. 313
Quotes of Paul Cezanne, after 1900

“But there are motifs that would need three or four months' work, which could be done, as the vegetation doesn't change here. There are the olive trees and the pines that always keep their leaves. The sun is so fierce that objects seem to be silhouetted, not only in black or white, but in blue, red, brown, violet. I may be wrong, but this seems to be the very opposite of 'modeling'. How happy the gentle landscapists of Auvers would be here, and that [con, or 'bastard'? ] Guillemet.”

Help us translate this quote

—  Paul Cézanne

Quote from Cezanne's letter to Camille Pissarro, from L'Estaque 2 July 1876, taken from Alex Danchev, The Letters of Paul Cézanne, 2013; as quoted in the 'Daily Beast' online, 13 Oct. 2013 https://www.thedailybeast.com/cezannes-letter-to-pissarro-picture-business-isnt-going-well
'The very opposite of 'modeling' meant roughly that Cézanne and Pissarro in their common painting-years in open air would lay down one plane or patch of color next to another in the painting, without any 'modeling' or shading between them - so that it looked as if each component part of the painting could be picked up from the canvas a little like a 'playing card from the table', as Cezanne explains here.
Quotes of Paul Cezanne, 1860s - 1870s

“You wretch! [Cezanne is portraying the art dealer Vollard who changed his pose during the painter session] You've spoiled the pose. Do I have to tell you again you must sit like an apple? Does an apple move?”

Help us translate this quote

—  Paul Cézanne

Quote from a conversation in Cézanne's studio in Paris, ca. 1896-98; as quoted in Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 74
Quotes of Paul Cezanne, 1880s - 1890s

“Objects enter into each other... Chardin [French classical still-life painter] was the first to have glimpsed that and rendered the atmosphere of objects... Notice how a light transversal plane straddling the bridge of your nose makes the values more evident to the eye... Well, he noticed that before we did... He neglected nothing. He also perceived that whole encounter in the atmosphere of the tiniest particles, the fine dust of emotion that surrounds objects..”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 220 in: 'What he told me – III. The Studio'

“He (Delacroix) turns David [French painter] upside down. His painting is iridescent. Seeing one Constable [famous English landscape painter, admired by French painters, then] is enough to make him understand all the possibilities of landscape, and he too sets up his easel by the sea... And he has a sense of human being, of life in movement, of warmth. Everything moves, every glistens. The light!... There is more warm light in this interior [probably: Delacroix's 'Woman of Algiers'] of his than in all of Corot's landscapes..”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 196 in: 'What he told me – II. The Louvre'

“Everybody's going crazy over the Impressionists; what art needs is a Poussin made over according to nature. There you have it in a nutshell.”

Help us translate this quote

—  Paul Cézanne

Quote from a conversation with Vollard, in the studio of Cézanne, in Aix, 1896; as quoted in Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 67
Quotes of Paul Cezanne, 1880s - 1890s

“Let's not eliminate nature. Too bad if we fail. You see, in his 'Dejeuner sur l'herbe', Manet ought to have added - I don't know what - a touch of this nobility, whatever it is in this picture that conveys heaven to our every sense. Look at the golden flow of the tall woman, the other one's back... They are alive and they are divine.”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 186 in: 'What he told me – II. The Louvre' [standing in the Louvre in front of the painting 'Le concert Champêtre', painted by Giorgioni (ca. 1510)

“If I dared, I should say that your [ Camille Pissarro ] letter is imprinted with sadness. The picture business isn't going well; I fear that your morale may be colored a little grey, but I'm sure that it's only a passing phase… I imagine that you would be delighted with the country where I am now…. in ', who had talked to me about it. It's like a playing card. Red roofs against the blue sea. If the weather turns favorable perhaps I'll be able to finish them off.”

Help us translate this quote

—  Paul Cézanne

Quote from Cezanne's letter to Camille Pissarro, from L'Estaque 2 July 1876, taken from Alex Danchev, The Letters of Paul Cézanne, 2013; as quoted in the 'Daily Beast' online, 13 Oct. 2013 https://www.thedailybeast.com/cezannes-letter-to-pissarro-picture-business-isnt-going-well
Quotes of Paul Cezanne, 1860s - 1870s

“I saw Monet and Renoir at about the end of December; they had been on holiday in Genoa, in Italy.”

Help us translate this quote

—  Paul Cézanne

Quote in Cezanne's letter to Emile Zola, 23rd February 1884; as quoted in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 175
Quotes of Paul Cezanne, 1880s - 1890s

“.. that distinguished aesthete [ Gustave Moreau, ] famous artist and art teacher in Paris, then] who paints nothing than rubbish, it is because his dreams are suggested not by the inspiration of Nature, but by what he has seen in the museums... I should like to have that good man under my wing, to point out to him the doctrine of a development of art by contact with Nature. It's so sane, so comforting, the only just conception of art.”

Help us translate this quote

—  Paul Cézanne

Quote in a conversation with Vollard, in the studio of Cézanne, in Aix, 1896; as quoted in Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 66
Quotes of Paul Cezanne, 1880s - 1890s

“Yes, yes, a formula that's a straitjacket.... not for me! All the same, he tries in vain, does Jean-Dominique [Ingres], to wring your heart with his glossy finish! I said this to Vollard, to shock him, he is very powerful! Nevertheless he [ Jean-Dominique Ingres, French classicist painter] is a damned good man... The most modern of the moderns. Do you know why I take my hat off to him? Because he forced his fantastic draughtsmanship down the throats of the idiots who now claim to understand it. But here there are only two: Delacroix and Courbet. The rest are scoundrels.”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 192 in: 'What he told me – II. The Louvre'

“That's my great ambition. To be sure! Every time I attack a canvas I feel convinced, I believe that something's going to come of it... But I immediately remember that I've always failed before. Then I taste blood... I never know where I am going or where I want to go with this damned profession. All the theories mess you up inside.”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 206 in: 'What he told me – III. The Studio'

“.. and wanting to force nature to say things, making trees twist and rocks frown, as Gustave Doré does, or even painting it like Leornardo da Vinci, that's literature too. There's logic of colour, damn it all! The painter owes allegiance to that alone. Never to the logic of the brain; if he abandons himself to that logic, he's lost... Painting is first and foremost an optical affair. The stuff of our art is there, in what our eyes are thinking... If you respect nature, it will always unravel its meaning for you.”

Help us translate this quote

—  Paul Cézanne

Fuente: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 161, in: 'What he told me – I. The motif'

Autores similares

Eugéne Delacroix Foto
Eugéne Delacroix7
pintor francés
Claude Monet Foto
Claude Monet13
pintor francés
Paul Gauguin Foto
Paul Gauguin8
pintor francés
Vincent Van Gogh Foto
Vincent Van Gogh52
pintor neerlandés
Pierre Curie Foto
Pierre Curie1
físico francés
Anatole France Foto
Anatole France61
escritor francés
Alfred De Musset Foto
Alfred De Musset44
escritor y dramaturgo francés
Emile Zola Foto
Emile Zola23
escritor francés
Stendhal Foto
Stendhal35
escritor francés
Alexandre Dumas (padre) Foto
Alexandre Dumas (padre)113
novelista y dramaturgo francés