Hermann Hesse - Poems by the Famous Poet - All Poetry

Famous poet /

Hermann Hesse

1877-1962  •  Ranked #156 in the top 500 poets

German poet and novelist, who has explored in his work the duality of spirit and nature and individual's spiritual search outside restrictions of the society. Hesse was awarded the Nobel Prize for Literature in 1946. Several of Hesse's novels depict the protagonist's journey into the inner self. A spiritual guide assists the hero in his quest for self-knowledge and shows the way beyond the world "deluded by money, number and time."

Hermann Hesse was born into a family of Pietist missionaries and religious publishers in the Black Forest town of Calw, in the German state of Wüttenberg. Johannes Hesse, his father, was born a Russian citizen in Weissenstein, Estonia

ologist, Hermann Gundert. His parents expected him to follow the family tradition in theology - they had served as missionaries in India. Hesse entered the Protestant seminary at Maulbronn in 1891, but he was expelled from the school. After unhappy experiences at a secular school, Hesse left his studies. He worked as a bookshop clerk, a mechanic, and a book dealer in Tübingen, where he joined literary circle called Le Petit Cénacle. During this period Hesse read voluminously and determined the become a writer. In 1899 Hesse published his first works, ROMANTISCHE LIEDER and EINE STUNDE HINTER MITTERNACHT.

Hesse became a freelance writer in 1904 after the publication of his novel Peter Camenzind . In the Rousseauesque 'Return to Nature ' story the protagonist leaves the big city to live like Saint Francis of Assisi. The book gained literary success and Hesse married Maria Bernoulli, with whom he had three children. A visit in India in 1911 was a disappointment but it gave start to Hesse's studies of Eastern religions and the novel Siddhartha (1922). In the story, based on the early life of Gautama Buddha, a Brahman son rebels against his father's teaching and traditions. Eventually he finds the ultimate enlightenment. The culture of ancient Hindu and the ancient Chinese had a great influence on Hesse's works. For several years in the mid-1910s Hesse underwent psychoanalysis under Carl Jung's assistant J.B. Lang.

In 1912 Hesse and his family took a permanent residence in Switzerland. In the novel Rosshalde (1914) Hesse explored the question of whether the artist should marry. The author's replay was negative and reflected the author's own difficulties. During these years his wife suffered from growing mental instability and his son was seriously ill. Hesse spent the years of World War I in Switzerland, attacking the prevailing moods of militarism and nationalism. He also promoted the interests of prisoners of war. Hesse, who shared with Aldous Huxley belief in the need for spiritual self-realization, was called a traitor by his countrymen.

Hesse's breakthrough novel was Demain (1919). It was highly praised by Thomas Mann, who compared its importance to James Joyce's Ulysses and André Gide's The Counterfeiters. The novel attracted especially young veterans of the WW I, and reflected Hesse's personal crisis and interest in Jungian psychoanalysis. Demian was first published under the name of its narrator, Emil Sinclair, but later Hesse admitted his authorship. In the Faustian tale the protagonist is torn between his orderly bourgeois existence and a chaotic world of sensuality. Hesse later admitted that Demian was a story of "individuation" in the Jungian manner. The author also praised unreservedly Jung's study Psychological Types, but in 1921 he suddenly canceled his analysis with Jung and started to consider him merely one of Freud's most gifted pupils.

Leaving his family in 1919, Hesse moved to Montagnola, in southern Switzerland. Siddharta was written during this period. It has been one of Hesse's most widely read work. Its English translation in the 1950s became a spiritual guide to a number of American Beat poets. Hesse's short marriage to Ruth Wenger, the daughter of the Swiss writer Lisa Wenger, was unhappy. He had met her in 1919 and wrote in 1922 the fairytale Piktot's Verwandlungen for Ruth. In the story a spirit, Piktor, becomes an old tree and finds his youth again from the love of a young girl. Hesse divorced from Maria Bernoulli, and married in 1924 Ruth Wenger, but the marriage ended after a few months. These years produced Der Steppenwolf (1927). The protagonist, Harry Haller, goes through his mid-life crisis and must chose between life of action and contemplation. His initials perhaps are not accidentally like the author's.

"There is no reality except the one contained within us. That is why so many people live such an unreal life. They take the images outside them for reality and never allow the world within to assert itself."

During the Weimar Republic (1919-1933) Hesse stayed aloof from politics. Betrachtungen (1928) and Krieg und Frieden (1946) were collections of essays, which reflected his individualism and opposition to mass movements of the day. Narziss und Goldmund (1930, Narcissus and Goldmund) was a pseudomedieval tale about an abbot and his worldly pupil, both in search of the Great Mother.

In 1931 Hesse married Ninon Dolbin (1895-1966). Ninon was Jewish. She had sent Hesse a letter in 1909 when she was 14, and the correspondence had continued. In 1926 they met accientally. At that time Ninon was separated - she had married the painter B.F. Doldin and planned a career as an art historian. Hesse moved with her to Casa Bodmer, and his restless life became more calm. Hesse's books continued to be published in Germany during the Nazi regime, and were defended in a secret circular in 1937 by Joseph Goebbels. When he wrote for the Frankfurter Zeitung Jewish refugees in France accused him of supporting the Nazis, whom Hesse did not openly oppose. However, he helped political refugees and when Narcissus and Goldmund was reprinted in 1941, he refused to leave out parts which dealt with pogroms and anti-Semitism. In 1943 he was placed on the Nazi blacklist.

In 1931 Hesse began to work on his masterpiece Das Glaspelenspiel , which was published in 1943. In 1942 Hesse sent the manuscript to Berlin for publication. It was not accepted by the Nazis and the work appeared in Zürich, Switzerland.

After receiving the Nobel Prize Hesse published no major works. Between the years 1945 and 1962 he wrote some 50 poems and about 32 reviews mostly for Swiss newspapers. Hesse died of cerebral hemorrhage in his sleep on August 9, 1962 at the age of eighty-five. Hesse's other central works include In Sight of Chaos (1923), a collection of essays, and the novel Narcissus and Goldmund (1930), set in the Middle Ages and repeating the theme of two contrasting types of men. In the 1960s and 1970s Hesse became a cult figure for young readers. The interest declined in the 1980s. In 1969 the Californian rock group Sparrow changed their name to Steppenwolf after Hesse's classic, and released 'Born to be Wild'. Hesse's books have gained readers from the New Age movements and he is still one of the bestselling German-speaking writers throughout the world.
Read more →

Stages

As every flower fades and as all youth
Departs, so life at every stage,
So every virtue, so our grasp of truth,
Blooms in its day and may not last forever.
Since life may summon us at every age
Be ready, heart, for parting, new endeavor,
Be ready bravely and without remorse
To find new light that old ties cannot give.
In all beginnings dwells a magic force
For guarding us and helping us to live.
Serenely let us move to distant places
And let no sentiments of home detain us.

The Cosmic Spirit seeks not to restrain us
But lifts us stage by stage to wider spaces.
If we accept a home of our own making,
Familiar habit makes for indolence.
We must prepare for parting and leave-taking
Or else remain the slave of permanence.
Even the hour of our death may send
Us speeding on to fresh and newer spaces,
And life may summon us to newer races.
So be it, heart: bid farewell without end.
Read more →

Analysis (ai): This poem explores the theme of impermanence and the constant cycle of life's stages. It compares favorably to Hesse's other works, reflecting his philosophy of embracing change and accepting the inevitability of loss. The poem also aligns with the existentialist themes prevalent during its time period, emphasizing the importance of personal growth and the search for meaning in the face of life's fleeting nature. The poem's simple language and rhythmic structure convey a sense of acceptance and resilience, encouraging the reader to embrace the unknown and find opportunities in farewells.
Read more →
8  

The Poet

Only on me, the lonely one,
The unending stars of the night shine,
The stone fountain whispers its magic song,
To me alone, to me the lonely one
The colorful shadows of the wandering clouds
Move like dreams over the open countryside.
Neither house nor farmland,
Neither forest nor hunting privilege is given to me,
What is mine belongs to no one,
The plunging brook behind the veil of the woods,
The frightening sea,
The bird whir of children at play,
The weeping and singing, lonely in the evening, of a man secretly in love.
The temples of the gods are mine also, and mine
the aristocratic groves of the past.
And no less, the luminous
Vault of heaven in the future is my home:
Often in full flight of longing my soul storms upward,
To gaze on the future of blessed men,
Love, overcoming the law, love from people to people.
I find them all again, nobly transformed:
Farmer, king, tradesman, busy sailors,
Shepherd and gardener, all of them
Gratefully celebrate the festival of the future world.
Only the poet is missing,
The lonely one who looks on,
The bearer of human longing, the pale image
Of whom the future, the fulfillment of the world
Has no further need. Many garlands
Wilt on his grave,
But no one remembers him.


Translated by James Wright
Read more →

Analysis (ai): Hermann Hesse's "The Poet" depicts the solitary figure of the poet, alienated from society yet connected to the natural world and the human spirit. The poem reflects the Romantic period's emphasis on the poet as an outsider whose sensitivity and imagination grant access to deeper truths. Compared to Hesse's other works, the poem shares themes of isolation and the search for meaning. It also incorporates mythological and historical references, reflecting the author's interest in the collective human experience. The poem's exploration of the poet's role as a witness to the future anticipates the modern era's concern with the artist's place in a rapidly changing world.
Read more →
2  

Without You

My Pillow gazes upon me at night
Empty as a gravestone;
I never thought it would be so bitter
To be alone,
Not to lie down asleep in your hair.

I lie alone in a silent house,
The hanging lamp darkened,
And gently stretch out my hands
To gather in yours,
And softly press my warm mouth
Toward you, and kiss myself, exhausted and weak-
Then suddenly I'm awake
And all around me the cold night grows still.
The star in the window shines clearly-
Where is your blond hair,
Where your sweet mouth?

Now I drink pain in every delight
And poison in every wine;
I never knew it would be so bitter
To be alone,
Alone, without you.


Translated by James Wright
Read more →

Analysis (ai): This poem powerfully evokes a sense of longing, isolation, alienation and the hopeless, and a in this context
Read more →
1  
Loading...